Stroll In The Park Quotes

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A shadow strolled past the car, indifferent to our curbside melodrama. This was my second time imperiled in a a parked vehicle in the space of three hours. I wondered what goonish spectacles I'd overlooked in my own career as a pavement walker.
Jonathan Lethem (Motherless Brooklyn)
Normal and I parted ways when Patch strolled into my life. Patch has seven inches on me, operates on cold, hard logic, moves like smoke, and lives alone in a supersecret, superswanky studio beneath Delphic Amusement Park. The sound of his voice, low and sexy, can melt my heart in three seconds flat. He’s also a fallen angel, kicked out of heaven for his flexibility when it comes to following rules. I personally believe Patch scared the pants off normal, and it took off running for the far side of the world.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
As I lounged in the Park, or strolled down Piccadilly, I used to look at everyone who passed me, and wonder, with mad curiosity, what sort of lives they led. some of them fascinated me. Others filled me with terror.
Oscar Wilde
I strolled into a downtown parking garage, wearing a black pantsuit and matching heels. I’d pulled my dark, chocolate-brown hair up into a high, sleek ponytail, while black glasses with clear lenses covered my cold gray eyes. I looked like just another corporate office drone, right down to the enormous black handbag I carried.
Jennifer Estep (Widow's Web (Elemental Assassin, #7))
The three of us do not go out very often as the three of us. I think Daniel is perfect for Jed, which is the highest compliment I can give. But my friendship isn't with him, and Jed understands that. When we hit the road, we hit it together alone. We get to the bridge, out undestined destination. Even though there's no sign, no arrow, Jed turns at the last minute and parks us in a verge right before the bridge leaves the ground. The trunk pops open, and Jed runs round back to retrieve a bag of oranges and a sweatshirt that fits me better. Shall we make like lizards and leap? he asks. I never felt the urge to jump off a bridge, but there are times I have wanted to jump out of my life, out of my skin. Would you stroll me down the promenade instead? I ask back. Most certainly, my splendid. There is no word for our kind of friendship. Two people tho don't see each other a lot, but can make each other effortlessly happy.
David Levithan (The Realm of Possibility)
It‘s a curious fact, because Friday is a day of work and Sunday is a day for pleasure, so you would expect people to enjoy Sunday more, right? But we don’t. It’s not because we really like being in the office and can’t stand strolling in the park and having a lazy brunch. We prefer Friday to Sunday because Friday brings with it the thrill of anticipating the weekend ahead. In contrast, on Sunday the only thing to look forward to is work on Monday.
Tali Sharot (The Science of Optimism: Why We're Hard-Wired for Hope)
if there were a genuine knight of faith in our midst we would be unlikely to recognize him: in terms of outward appearance, he is just another one of our neighbors taking a stroll in the park.
Jonathan Lear (Radical Hope: Ethics in the Face of Cultural Devastation)
A stroll down memory lane is not always a walk in the park.
Alicia Stidam
Battery Park resonates with lust as the sun approaches its zenith. A primal impulse takes hold of the young couples strolling the gravel walkways, the newlyweds who have paused to admire DeModica’s bronze bull, the truant teens laid out on the cool grass. Maybe because all flesh tantalizes in the early summer, in the right light, or because, at this time of year, there is more flesh exposed, midriffs, cleavage, inner thighs, the park is suddenly transformed into a dynamo of panting and groping. This desire is not the tender affection of evening, the wistful intimacy of the twilight’s last gleam. It is raw, concupiscent hunger.
Jacob M. Appel (The Biology of Luck)
The king sent word, at odd intervals, inquiring as to Meralda's progress. She would scrawl hasty replies in return, often suppressing the impulse to add notes such as "Abandoning spellwork to continue this fascinating correspondence," or "Slept late, long breakfast, taking the day off for a stroll in the park.
Frank Tuttle (All the Paths of Shadow (Paths of Shadow, #1))
Seriously, Yara. I just want to be with you all the time. I am committed. I want to share more than the occasional dinner date and Sunday stroll through the park with you. I want to have a fucking Christmas tree and Easter ham with you.
Tarryn Fisher (Atheists Who Kneel and Pray)
We met in the park to wrest the afternoon into the shape of a stroll.
Rachel Cohn (The Twelve Days of Dash & Lily (Dash & Lily Series))
On the morning of our second day, we were strolling down the Champs-Elysées when a bird shit on his head. ‘Did you know a bird’s shit on your head?’ I asked a block or two later. Instinctively Katz put a hand to his head, looked at it in horror – he was always something of a sissy where excrement was concerned; I once saw him running through Greenwood Park in Des Moines like the figure in Edvard Munch’s ‘The Scream’ just because he had inadvertently probed some dog shit with the tip of his finger – and with only a mumbled ‘Wait here’ walked with ramrod stiffness in the direction of our hotel. When he reappeared twenty minutes later he smelled overpoweringly of Brut aftershave and his hair was plastered down like a third-rate Spanish gigolo’s, but he appeared to have regained his composure. ‘I’m ready now,’ he announced. Almost immediately another bird shit on his head. Only this time it really shit. I don’t want to get too graphic, in case you’re snacking or anything, but if you can imagine a pot of yoghurt upended onto his scalp, I think you’ll get the picture. ‘Gosh, Steve, that was one sick bird,’ I observed helpfully. Katz was literally speechless. Without a word he turned and walked stiffly back to the hotel, ignoring the turning heads of passers-by. He was gone for nearly an hour. When at last he returned, he was wearing a windcheater with the hood up. ‘Just don’t say a word,’ he warned me and strode past. He never really warmed to Paris after that.
Bill Bryson (Neither Here nor There: Travels in Europe)
At night I strolled into the Park and took the first whore I met, whom I without many words copulated with free from danger, being safely sheathed. She was ugly and lean and her breath smelt of spirits. I never asked her name. When it was done, she slunk off. I had a low opinion of this practice and resolved to do it no more.
James Boswell (London Journal, 1762 - 1763)
give a moment’s thought is a friendship in name only. “Attention is the beginning of devotion,” writes the poet Mary Oliver, pointing to the fact that distraction and care are incompatible with each other: you can’t truly love a partner or a child, dedicate yourself to a career or to a cause—or just savor the pleasure of a stroll in the park—except to the extent that you can hold your attention on the object of your devotion to begin with.
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
She's my pride, my winning prize, always a surprise, to look into her eyes, see her free soul, as soap that slips from the grip of control; a stroll through the park on a dark night with stars to spark the sky, heaven with no price tag I realize, love is the same: endless, priceless, full bliss; to have this princess I pinch myself thinking this is a dream, but to my reprise, I can only say I am now, at last, alive.
Anthony Liccione
If he were alive he would be sitting on a park bench with a mug of hot coffee reading his favorite book for the fifth or tenth time, glancing up now and then to watch the people stroll by, and the city would smmile and lean in and whisper: That bench was shaped for your body. That book was written for your mind. This city was built for your life, and all these people were born to share it with you. You are part of this, living man. Go live.
Isaac Marion (The New Hunger (Warm Bodies, #0.5))
Imagine yourself taking a stroll through Manhattan, somewhere north of 68th street, deep inside Central Park, late at night. It would be nice to meet someone friendly, but you know that the park is dangerous at night. That's when the monsters come out. There's always a strong undercurrent of drug dealings, muggings, and occasional homicides. It is not easy to distinguish the good guys from the bad guys. They dress alike, and the weapons are concealed. The only difference is intent, and you can't read minds. Stay in the dark long enough and you may hear an occasional distance shriek or blunder across a body. How do you survive the night? The last thing you want to do is shout, "I'm here!" The next to last thing you want to do is reply to someone who shouts, "I'm a friend!" What you would like to do is find a policeman, or get out of the park. But you don't want to make noise or move towards a light where you might be spotted, and it is difficult to find either a policeman or your way out without making yourself known. Your safest option is to hunker down and wait for daylight, then safely walk out. There are, of course, a few obvious differences between Central Park and the universe. There is no policeman. There is no way out. And the night never ends.
Charles Pellegrino (The Killing Star)
and the relief of being able to walk around without having to search for a parking place added to the pleasure of strolling
Paul Theroux (On The Plain Of Snakes: A Mexican Journey)
a wife and numerous progeny. The Judge was at a meeting of the Raisin Growers' Association, and the boys were busy organizing an athletic club, on the memorable night of Manuel's treachery. No one saw him and Buck go off through the orchard on what Buck imagined was merely a stroll. And with the exception of a solitary man, no one saw them arrive at the little flag station known as College Park. This man talked with Manuel, and money chinked
Jack London (The Call of the Wild)
Fictional Characters" Do they ever want to escape? Climb out of the white pages and enter our world? Holden Caulfield slipping in the movie theater to catch the two o'clock Anna Karenina sitting in a diner, reading the paper as the waitress serves up a cheeseburger. Even Hector, on break from the Iliad, takes a stroll through the park, admires the tulips. Maybe they grew tired of the author's mind, all its twists and turns. Or were finally weary of stumbling around Pamplona, a bottle in each fist, eating lotuses on the banks of the Nile. For others, it was just too hot in the small California town where they'd been written into a lifetime of plowing fields. Whatever the reason, here they are, roaming the city streets rain falling on their phantasmal shoulders. Wouldn't you, if you could? Step out of your own story, to lean against a doorway of the Five & Dime, sipping your coffee, your life, somewhere far behind you, all its heat and toil nothing but a tale resting in the hands of a stranger, the sidewalk ahead wet and glistening. "Fictional Characters" by Danusha Laméris from The Moons of August. © Autumn House Press, 2014. Reprinted with permission
Danusha Laméris
He seemed about to ask me something else, but instead turned, strolling across the parking lot, pulling out his cigarettes. It was after four o’clock. The sun had loosened its grip on the world, letting the shadows get sloppy, the light, thawed and soft.
Marisha Pessl (Night Film)
You say that about everything,” I complained, trailing after him. “Everything is a long story, too long to tell me. I suppose after two hundred years, or whatever, things get a little convoluted, but can’t you paraphrase? How do you know the Rectors?” When we rounded the corner, it became apparent there wouldn’t be time for any stories at all, paraphrased or not. Not because the gray clouds that were hanging so threateningly overhead had burst open, the way I was half expecting them to, but because the family we’d seen earlier, along with Mr. Smith and the people holding the clipboards, were climbing into their various vehicles in the parking lot right in front of us. It shouldn’t have been a big deal. We were just an ordinary young couple, taking a late afternoon stroll through the cemetery. I’d forgotten that, due to the “vandalism” that had occurred there earlier in the week, the cemetery gates (which John had kicked apart in a fit of temper) had been ordered locked twenty-four hours a day by the chief of police. So it kind of was a big deal. Still, that didn’t explain why one of the women-the grandmother, if her gray hair was any indication-took one look at my face, made the sign of the cross, cried, “Dios mio!” then passed out cold right in front of us.
Meg Cabot (Underworld (Abandon, #2))
And when we grow to be men and live under other laws, what remains of that park filled with the shadows of childhood, magical, freezing, burning? What do we learn when we return to it and stroll with a sort of despair along the outside of its little wall of gray stone, marveling that within a space so small we should have founded a kingdom that had seemed to us infinite - what do we learn except that in this infinity we shall never again set foot, and that it is into the game and not the park that we have lost the power to enter?
Antoine de Saint-Exupéry (Wind, Sand and Stars)
That's the way it sometimes goes for me: I start on a new series of pictures and right away, in some kind of perverse bait-and-switch, I get a good one. This freak of a good picture inevitably inspires a cocky confidence, making me think this new project will be a stroll in the park. But, then, after sometimes two or three more good ones, the next dozen are duds, and that cavalier stroll becomes an uphill slog. It isn't long before I have to take a breather, having reached the first significant plateau of doubt and lightweight despair. The voice of that despair suggests seducingly to me that I should give it up, that I'm a phony, that I've made all the good pictures I'm ever going to, and I have nothing more worth saying. That voice is easy to believe, and, as photographer and essayist (and my early mentor) Ted Orland has noted, it leaves me with only two choices: I can resume the slog and take more pictures, thereby risking further failure and despair, or I can guarantee failure and despair by not making more pictures. It's essentially a decision between uncertainty and certainty and, curiously, uncertainty is the comforting choice.
Sally Mann (Hold Still: A Memoir with Photographs)
As I lounged in the park, or strolled down Piccadilly, I used to look at every one who passed me and wonder, with a mad curiosity, what sort of lives they led. Some of them fascinated me. Others filled me with terror. There was an exquisite poison in the air. I had a passion for sensations.
Oscar Wilde (The Picture of Dorian Gray)
A shared genetic past does not negate eons of separate evolution. While plants and humans maintain parallel abilities to sense and be aware of the physical world, the independent paths of evolution have led to a uniquely human capacity, beyond intelligence, that plants don't have: the ability to care. So the next time you find yourself on a stroll through a park, take a second to ask yourself: What does the dandelion in the lawn see? What does the grass smell? Touch the leaves of an oak, knowing that the tree will remember it was touched. But it won't remember you. You, on the other hand, can remember this particular tree and carry the memory of it with you forever.
Daniel Chamovitz (What a Plant Knows: A Field Guide to the Senses)
With their purchases in boxes the girls strolled down the street to a Spanish restaurant. Here they ate a delicious lunch of tacos and spicy chili. For dessert they had iced fresh fruit. Bess sighed. “Umm, that was super.” Afterward, they walked to a wide street beside a park where an outdoor painting exhibition was being held. The group stopped now and then to admire and compliment the artists who sat beside their work.
Carolyn Keene (The Secret of Shadow Ranch (Nancy Drew, #5))
The Hobo One day while strolling through the great park in Kansas City, he and his mother saw a young woman get her foot caught in the tracks at a railroad crossing. The woman’s husband was desperately trying to free her because a train was bearing down on them. The train was travelling far too quickly to stop before the crossing. As Heinlein and his mother watched the terrifying situation unfold, a hobo suddenly appeared and immediately joined the husband’s futile effort to pull the woman free. But tug and twist as they might, they could not get her foot unstuck. The train killed all three of them. In his description of the vagabond’s effort Heinlein observed that the hobo did not so much as look up to consider his own escape. Clearly, it was his intention either to save the woman or to die trying. Heinlein concluded his account of the nameless hero’s action with this comment: “This is the way a man dies,” but he then added, “And this is the way a man lives.
Jack Hoban (The Ethical Warrior: Values, Morals and Ethics - For Life, Work and Service)
When you mix Science Fiction with Fantasy you don't have a pure genre, the two are, to a professional separate genres. I noticed today there is a tendency to mingle them, and then excuse the result by calling it imaginative fiction. Actually they don't mix well. Science Fiction, to be credible, has to be based on some degree of plausibility, Fantasy gives you no limits at all. Writing Science Fiction demands care on the part of the author, writing Fantasy is as easy as strolling in the park.
L. Ron Hubbard (Battlefield Earth: A Saga of the Year 3000)
Tonight, I decided to take a stroll down to my local liquor store. Maybe I’ll find a refreshment to wash down this full moon. I hate showing up & the clerk fucking knows my name, perhaps because I’m a regular. Anyways got my shit, left…barely covering the tax. Took the long way home; to get away from that haunting typewriter. Sat down at some park bench, as I started to open my poison; A memory rushed into me. A empty bottle of Jack Daniel’s under the Christmas tree. I thought my dad would want another drink, so started to pour my bottle into the dirt & cried.
Brandon Villasenor (I Can't Stop Drinking About You)
The Men’s Central Jail is an anonymous building behind Central Station, less than ten minutes from the Criminal Courts Building in downtown L.A. I parked in a neat, modern underground parking structure, then walked up steps to a very nice plaza. Nicely dressed people were sipping lattes and strolling about the plaza, and no one seemed to mind that the plaza adjoined a place housing felons and gangbangers and the wild men of an otherwise civil society. Perhaps because this is L.A. and the jail is so nice. There’s a fountain in the plaza, and it’s very nice, too.
Robert Crais (Sunset Express (Elvis Cole and Joe Pike, #6))
Novelist Saul Bellow remembers the exhilarating experience of listening to Roosevelt speak. “I can recall walking eastward on the Chicago Midway on a summer evening. The light held after nine o’clock, and the ground was covered with clover, more than a mile of green between Cottage Grove and Stony Island. The blight hadn’t yet carried off the elms, and under them drivers had pulled over, parking bumper to bumper, and turned on their radios to hear Roosevelt. They had rolled down the windows and opened the car doors. Everywhere the same voice, its odd Eastern accent, which in anyone else would have irritated Midwesterners. You could follow without missing a single word as you strolled by. You felt joined to these unknown drivers, men and women smoking their cigarettes in silence, not so much considering the President’s words as affirming the rightness of his tone and taking assurance from it.
Doris Kearns Goodwin (No ordinary time : Franklin and Eleanor Roosevelt : the home front in World War II)
At the high school a pretty girl strolled across the parking lot to her black stallion, let her cigarette dangle from her lips while she put on her helmet, adjusted her goggles. Throwing a slender white leg over the side she jacked her little backside up and down a few times, exciting the steed. Now she came down on his back and he squatted, moaning to the soft squeeze of her hand, then at her sudden clutch shot out fast between the press of her knees. Claude looked down at his shoes as they passed, having seen nothing. But he glanced up in time to watch them glide off under the next streetlamp, the gleaming beast appearing almost languid with release, very pleased with himself and with the girl who clung to his back, small and stiff and unsatisfied. She had been noticed: everywhere along the way the leaning people looked after her as though wondering if the new week had finally begun, then they looked at one another, then back at nothing.
Douglas Woolf (Wall to Wall (American Literature))
I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.
Tim Cahill (Lost in My Own Backyard: A Walk in Yellowstone National Park (Crown Journeys))
After my return to Paris, one thing seemed obvious: To see Manhattan again, to feel as good about New York as Liza Minnelli sounded singing about it at Giants Stadium in 1986 (Google it), I had to start treating it as if it were a foreign city; to bring a reporter's eye and habits, care, and attention to daily life. But as that was the sort of vague self-directive easily ignored, I gave myself a specific assignment: Once a week, during routine errands, I would try something new or go someplace I hadn't been in a long while. It could be as quick as a walk past the supposedly haunted brownstone at 14 West 10th Street, where former resident Mark Twain is said to be among the ghosts. It could a stroll on the High Line, the elevated park with birch trees and long grasses growing where freight trains used to roll. Or it could be a snowy evening visit to the New York Public Library's Beaux-Arts flagship on Fifth Avenue, where Pamuk wrote the first sentence of The Museum of Innocence. There I wandered past white marble walls and candelabras, under chandeliers and ornate ceiling murals, through the room with more than ten thousand maps of my city, eventually taking a seat at a communal wood table to read a translation of Petrarch's Life of Solitude, to rare to be lent out. Tourist Tuesdays I called these outings, to no one but myself.
Stephanie Rosenbloom (Alone Time: Four Seasons, Four Cities, and the Pleasures of Solitude)
The first time I saw Reverend Shuttlesworth, for example, he came strolling across the parking lot of the motel where I was staying, his hat perched precariously between the back of his skull and the nape of his neck, alone. It was late at night, and Shuttlesworth was a marked man in Birmingham. He came up into my room, and, while we talked, he kept walking back and forth to the window. I finally realized that he was keeping an eye on his car—making sure that no one put a bomb in it, perhaps. As he said nothing about this, however, naturally I could not. But I was worried about his driving home alone, and, as he was leaving, I could not resist saying something to this effect. And he smiled—smiled as though I were a novice, with much to learn, which was true, and as though he would be glad to give me a few pointers, which, indeed, not much later on, he did—and told me he’d be all right and went downstairs and got into his car, switched on the motor and drove off into the soft Alabama night. There was no hint of defiance or bravado in his manner. Only, when I made my halting observation concerning his safety, a shade of sorrow crossed his face, deep, impatient, dark; then it was gone. It was the most impersonal anguish I had ever seen on a man’s face. It was as though he were wrestling with the mighty fact that the danger in which he stood was as nothing compared to the spiritual horror which drove those who were trying to destroy him. They endangered him, but they doomed themselves.
James Baldwin (No Name in the Street)
Ken Wharfe Before Diana disappeared from sight, I called her on the radio. Her voice was bright and lively, and I knew instinctively that she was happy, and safe. I walked back to the car and drove slowly along the only road that runs adjacent to the bay, with heath land and then the sea to my left and the waters of Poole Harbour running up toward Wareham, a small market town, to my right. Within a matter of minutes, I was turning into the car park of the Bankes Arms, a fine old pub that overlooks the bay. I left the car and strolled down to the beach, where I sat on an old wall in the bright sunshine. The beach huts were locked, and there was no sign of life. To my right I could see the Old Harry Rocks--three tall pinnacles of chalk standing in the sea, all that remains, at the landward end, of a ridge that once ran due east to the Isle of Wight. Like the Princess, I, too, just wanted to carry on walking. Suddenly, my radio crackled into life: “Ken, it’s me--can you hear me?” I fumbled in the large pockets of my old jacket, grabbed the radio, and said, “Yes. How is it going?” “Ken, this is amazing, I can’t believe it,” she said, sounding truly happy. Genuinely pleased for her, I hesitated before replying, but before I could speak she called again, this time with that characteristic mischievous giggle in her voice. “You never told me about the nudist colony!” she yelled, and laughed raucously over the radio. I laughed, too--although what I actually thought was “Uh-oh!” But judging from her remarks, whatever she had seen had made her laugh. At this point, I decided to walk toward her, after a few minutes seeing her distinctive figure walking along the water’s edge toward me. Two dogs had joined her and she was throwing sticks into the sea for them to retrieve; there were no crowd barriers, no servants, no police, apart from me, and no overattentive officials. Not a single person had recognized her. For once, everything for the Princess was “normal.” During the seven years I had worked for her, this was an extraordinary moment, one I shall never forget.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
Though we could always explain that our life was not as glamorous as it might seem in the telling, we did come to realize that we'd made some radical decisions. We also came to realize, however, that the life that was laid before us in that not-so-distant past – becoming an industrial engineer, for example, working fifty hours a week for a car company's profit, getting an abysmal two weeks of vacation a year, never really feeling like your work had any meaning – was its own radical path. In Europe, life was different. Ambition was secondary to leisure; long, conversation-filled meals, the norm. The parks were full of people strolling, not running; cafes with people talking, not doing work on their own solitary computers.
Megan Rich (Six Years of A Floating Life: A Memoir)
Wilder, an indigent, was walking through Central Park when he decided to rob someone. He hid behind a tree, lying in wait for a victim to approach. Shortly thereafter, Jody, a 16-year-old girl, was strolling in the park when Wilder suddenly jumped from his hiding place and accosted her. Although Wilder intended only to rob his victim, he punched her in the mouth, and she fell to the ground. Wilder then grabbed her pocketbook and fled. Unknown to Wilder, Jody suffered a fractured skull when her head struck the pavement. She subsequently died from her head injuries.
Kaplan Test Prep (Kaplan 101 PMBR Criminal Law Practice Questions (Kaplan Test Prep))
meeting first thing that morning to change a few rules. Firstly, there was zero tolerance for bullying. Yes, she knew there was a policy in place for it but it didn’t work very well. She told her team that there was now an open-door policy and if anyone had any problems they were to report it straight away to her. Secondly, the secrecy rule Mila had enforced was now history. If people wanted to share their ideas with each other it was up to them. She didn’t want her team feeling like they were working for MI5. Cruising along the road, Toni suddenly felt a rumble in her stomach; she hadn’t eaten all day. She pulled up outside the nearest Chinese takeaway, parked her car and strolled toward the shop. She meandered inside and took up her place in line, surveying the meal options
Jade Winters (Say Something)
Modena’s eye caught a young couple, strolling along the riverbank, arm in arm. They stopped and embraced each other. Together with the scene that surrounded them, the iconic buildings and leafy parks, it was like something
Rob Sinclair (Dance with the Enemy (The Enemy, #1))
How do you do? I’m Henry.” So he was Henry Jenkins. “I’m still Jane,” she said. Or, squeaked, rather. He was trying to fasten his seat belt and his look of confusion was so adorable, she wanted to reach over and help, but that wouldn’t be in keeping with the…wait, they were on a plane. There were no more Rules. There was no more game. She felt her hopes rise so that she thought she’d float away before the plane took off, so she pushed her feet flat against the floor. She reminded herself that she was the predator now. Tallyho. “This is a bit far to go, even for Mrs. Wattlesbrook.” “She didn’t send me,” said Nobley-Henry. “Not before, not now. I sent myself, or rather I came because I…I had to try it. Look, I know this is crazy, but the ticket was nonrefundable. Could I at least accompany you home?” “This is hardly a stroll through the park.” “I’m tired of parks.” She noticed that his tone was more casual now. He lost the stilted Regency air, his words relaxed enough to allow contractions--but besides that, so far Henry didn’t seem much different from Mr. Nobley. He leaned back, as if trying to calm down. “It was a good gig, but the pay wasn’t astronomical, so you can imagine my relief to find you weren’t flying first class. Though I’d prefer a cargo ship, frankly. I hate planes.” “Mr. Nob--uh, Henry, it’s not too late to get off the plane. I’m not writing an article for the magazine.” “What magazine?” “Oh. And I’m not rich.” “I know. Mrs. Wattlesbrook outlines every guest’s financials along with their profiles.” “Why would you come after me if you knew I wasn’t…” “That’s what I’m trying to tell you. You’re irresistible.” “I am not.” “I’m not happy about it. You really are the most irritating person I’ve ever met. I’d managed to avoid any women of any temptation whatsoever for four years--a very easy task in Pembrook Park. Things were going splendidly, I was right on track to die alone and unnoticed. And then…” “You don’t know me! You know Miss Erstwhile, but--” “Come now, ever since I witnessed your abominable performance in the theatrical, it’s been clear that you can’t act to save your life. All three weeks, that was you.” He smiled. “And I wanted to keep knowing you. Well, I didn’t at first. I wanted you to go away and leave me in peace. I’ve made a career out of avoiding any possibility of a real relationship. And then to find you in that circus…it didn’t make sense. But what ever does?” “Nothing,” said Jane with conviction. “Nothing makes sense.
Shannon Hale (Austenland (Austenland, #1))
The Invitation There are lives in which nothing goes right. The would-be suicide takes a bottle of pills and immediately throws up. He tries to hang himself but gets his arm caught in the noose. He tries to throw himself under a subway but misses the last train. He walks home. It is raining. He catches a cold and dies. Once in heaven it is no better. He mops the marble staircase and accidentally jams his foot in the pail. All his harp strings break. His halo slips down over his neck and nearly chokes him. Why is he here? demands one of the noble dead, an archbishop or general, a leader of men: If a loser like that can enter heaven, then how is it an honor for us to be here as well – those of us who are totally deserving? But the would-be suicide knows none of this. In the evening, he returns to his little cloud house and watches the sun set over the planet Earth. He stares down at the cities filled with people and thinks how sad it is that they should rush backwards and forwards as if they had some great destination when their only destination is death itself – a place to be reached by sitting as well as running. He thinks about his own life with its betrayals and disappointments. Regret, regret – how he never made a softball team, how his favorite shirts always shrank in the wash. His eyes moisten and he sheds a few tears, but secretly, because in heaven crying is forbidden. Still, the tears tumble down through all those layers of blue sky and strike a salesman rushing between Point A and Point B. The salesman slips, staggers, and stops as if slapped in the face. People on the street think he’s crazy or drunk. Why am I selling ten thousand ballpoint pens? he asks himself. Suddenly his only wish is to dance the tango. He sees how the setting sun caresses the cold faces of the buildings. He sees a beautiful woman and desperately wants to ask her to stroll in the park. Maybe he will kiss her cheek; maybe she will love him back. You maniac, she tells him, didn’t you know I was only waiting for you to ask me?
Stephen Dobyns
walked through a small park and up the steps of the stern gray building of US Customs and Border Protection. I strolled down the ramp and pushed through a turnstile, no one looking at my passport. Glancing through the chain-link fence on the Mexican side of the building, I saw a line of people—a long line, stretching down the stairs and through a foyer and along a passageway, hundreds, perhaps a thousand people waiting to enter the United States.
Paul Theroux (On The Plain Of Snakes: A Mexican Journey)
He and Jane wore the finery appropriate for strolling in the park. To appearances they would be very much the duke and duchess on display with their darling daughters in tow. Quinn liked parading about at Jane’s side, liked seeing polite society brought to heel by a poor minister’s daughter and a guttersnipe from York.
Grace Burrowes (Forever and a Duke (Rogues to Riches, #3))
I’m happy for you,” Sam says. He looks at me. “For both of you. If you need help moving into your new place, let me know.” Deacon’s brow furrows, again looking similar to Sam. “Um, yeah, actually I could use the help.” “I’ll help too,” I say. “No way,” Sam says. “You’re not lifting a finger. Not while you’re growing my niece or nephew inside of you.” Deacon looks at me in shock and shakes his head. “Thanks, Brother,” he says. When we’re in the truck, Deacon shakes his head. “Are you some kind of sorceress or something?” he asks. “What do you mean?” “Or maybe a surgeon.” I laugh. “What on earth are you talking about?” He pulls into a nice older neighborhood lined with weeping willows. It’s the kind of neighborhood one would feel safe raising a family in. Lots of sidewalks for children to run and play. To stroll along with a couple of babies. There’s a small park on the corner and bicycle trail. I’ve always dreamed of living in a neighbourhood like this. “How did you get that stick out of Sam’s ass when I’ve been trying my whole life?” Deacon says. I smile. “Sam is a good guy. He just wants a relationship with his brother and I told him I’m going to make sure he gets it.
Penny Wylder (Falling for the Babysitter)
When you walk in the street or see cars passing by think about the people and the totality of their lives. Consider their victories; their pain. When you stroll in a park, inhale the glorious nature. This, my friends, is how we nurture love.
Charles F Glassman
That afternoon, Neal DosSantos, a young architect who worked at a firm in Manhattan, was strolling back to his office after eating lunch in Gramercy Park when he spotted Adam heading briskly uptown on the sidewalk and talking animatedly into his phone. WeWork’s CEO was walking past Pete’s Tavern, one of New York’s oldest bars, wearing a gray T-shirt, black pants—and no shoes. DosSantos recognized Adam by sight. He had friends at WeWork and had considered applying for a job there over the years. Given all he had heard about the founder, the moment seemed to sum everything up: Neumann was moving quickly and talking fast, the only CEO who would casually walk the streets of New York barefoot during the most trying week of his life. (One of Adam’s publicists at the time explained away the incident to me by arguing that this was simply who he was: “Adam grew up on a kibbutz and likes to walk barefoot. He is a kibbutznik. Should we ask him to stop?”)
Reeves Wiedeman (Billion Dollar Loser: The Epic Rise and Spectacular Fall of Adam Neumann and WeWork)
And at once he saw: deep under the earth, in darkness impenetrable, an immense dynamo was humming. Above the dynamo was an underground hive of shops, with electric lights and steam heat, and above the shops an underground park or garden with what seemed to be a theater of some kind. Above the ground a great lobby stretched away: elevator doors opened and closed, people strode in and out, bells rang, the squeak of valises mingled with the rattle of many keys and the ringing of many telephones, alcove opened into alcove as far as the eye could see. Above the lobby rose two floors of public rooms and then the private rooms began, floor after floor of rooms, higher and higher, a vertical city, a white tower, a steel flower—and always elevators rising and falling, from the cloud-piercing top to the darkness where the great dynamo hummed. Martin had less the sense of observing the building than of inhabiting it at every point: he rose and fell in the many elevators, he strolled through the parlor of an upper room and walked in the underground park or garden—and then it was as if the structure were his own body, his head piercing the clouds, his feet buried deep in the earth, and in his blood the plunge and rise of elevators.
Steven Millhauser (Martin Dressler: The Tale of an American Dreamer)
Ken Wharfe In 1987, Ken Wharfe was appointed a personal protection officer to Diana. In charge of the Princess’s around-the-clock security at home and abroad, in public and in private, Ken Wharfe became a close friend and loyal confidant who shared her most private moments. After Diana’s death, Inspector Wharfe was honored by Her Majesty Queen Elizabeth II at Buckingham Palace and made a Member of the Victorian Order, a personal gift of the sovereign for his loyal service to her family. His book, Diana: Closely Guarded Secret, is a Sunday Times and New York Times bestseller. He is a regular contributor with the BBC, ITN, Sky News, NBC, CBS, and CNN, participating in numerous outside broadcasts and documentaries for BBC--Newsnight, Channel 4 News, Channel 5 News, News 24, and GMTV. It was a strange sensation watching her walking away by herself, with no bodyguards following at a discreet distance. What were my responsibilities here? I kept thinking. Yet I knew this area well, and not once did I feel uneasy. I had made this decision--not one of my colleagues knew. Senior officers at Scotland Yard would most certainly have boycotted the idea had I been foolish enough to give them advance notice of what the Princess and I were up to. Before Diana disappeared from sight, I called her on the radio. Her voice was bright and lively, and I knew instinctively that she was happy, and safe. I walked back to the car and drove slowly along the only road that runs adjacent to the bay, with heath land and then the sea to my left and the waters of Poole Harbour running up toward Wareham, a small market town, to my right. Within a matter of minutes, I was turning into the car park of the Bankes Arms, a fine old pub that overlooks the bay. I left the car and strolled down to the beach, where I sat on an old wall in the bright sunshine. The beach huts were locked, and there was no sign of life. To my right I could see the Old Harry Rocks--three tall pinnacles of chalk standing in the sea, all that remains, at the landward end, of a ridge that once ran due east to the Isle of Wight. Like the Princess, I, too, just wanted to carry on walking. Suddenly, my radio crackled into life: “Ken, it’s me--can you hear me?” I fumbled in the large pockets of my old jacket, grabbed the radio, and said, “Yes. How is it going?” “Ken, this is amazing, I can’t believe it,” she said, sounding truly happy. Genuinely pleased for her, I hesitated before replying, but before I could speak she called again, this time with that characteristic mischievous giggle in her voice. “You never told me about the nudist colony!” she yelled, and laughed raucously over the radio. I laughed, too--although what I actually thought was “Uh-oh!” But judging from her remarks, whatever she had seen had made her laugh. At this point, I decided to walk toward her, after a few minutes seeing her distinctive figure walking along the water’s edge toward me. Two dogs had joined her and she was throwing sticks into the sea for them to retrieve; there were no crowd barriers, no servants, no police, apart from me, and no overattentive officials. Not a single person had recognized her. For once, everything for the Princess was “normal.” During the seven years I had worked for her, this was an extraordinary moment, one I shall never forget.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
THE BALLAD OF NEARLY HEADLESS NICK BY J.K. ROWLING It was a mistake any wizard could make Who was tired and caught on the hop One piffling error, and then, to my terror, I found myself facing the chop. Alas for the eve when I met Lady Grieve A-strolling the park in the dusk! She was of the belief I could straighten her teeth Next moment she’d sprouted a tusk. I cried through the night that I’d soon put her right But the process of justice was lax; They’d brought out the block, though they’d mislaid the rock Where they usually sharpened the axe. Next morning at dawn, with a face most forlorn, The priest said to try not to cry, ‘You can come just like that, no, you won’t need a hat,’ And I knew that my end must be nigh. The man in the mask who would have the sad task Of cleaving my head from my neck, Said ‘Nick, if you please, will you get to your knees,’ And I turned to a gibbering wreck. ‘This may sting a bit’ said the cack-handed twit As he swung the axe up in the air, But oh the blunt blade! No difference it made, My head was still definitely there. The axeman he hacked and he whacked and he thwacked, ‘Won’t be too long’, he assured me, But quick it was not, and the bone-headed clot Took forty-five goes ’til he floored me. And so I was dead, but my faithful old head It never saw fit to desert me, It still lingers on, that’s the end of my song, And now, please applaud, or you’ll hurt me.
J.K. Rowling (Hogwarts: An Incomplete and Unreliable Guide (Pottermore Presents, #3))
Femi turned around as he heard the door swing open. Chioma appeared in a white thick towel tied around her sexy body, from above her small and well-rounded breasts. Her artificial hair took refuge under a transparent shower cap. Even with a washed-up makeup-free face, her beauty radiated and penetrated every inch of the tastelessly furnished room. Tension traveled across the floor that separated the pair as they stared hard and awkwardly at each other’s sexy figure. After a momentary loss of consciousness, the two were brought back to their senses. ‘You need to turn around so I can get dressed,’ she purred. As a gentleman would, Femi, without any utterance, quickly turned away without nurturing a second thought. He stared through the window, again, at the police van parked outside. He tried to observe what was going on inside the van, but nothing. His attention was brought back to Chioma as he stared at her from the back of his eyes. He went into whirlwinds of impure thoughts. ‘Femi… Femi… Femi!’ He was brought back to his senses as Chioma repeatedly called out his name. He slowly trained his sight upon Chioma who was dressed in a sexy, semi-transparent, cream nightgown that revealed shades of her nakedness. The nipples of her erect boobies were stiff and swollen. The gown terminated far above her knees, exposing her succulent fresh thighs. Femi’s heart began to race fast. He cleared his throat and quickly caught his breath. ‘Where do I sleep?’ Chioma asked in a half-sexy voice. ‘You have the bed. I’ll have the rug,’ Femi proposed. ‘Are you going to be comfortable sleeping on the rug? We can sleep on the bed together as long as you promise to remain on your side of the bed.’ Femi considered the very tempting offer, but summoned the strength to turn it down. ‘Don’t worry about me. I will be comfortable on the rug. I sometimes sleep on the rug when I’m alone.’ Chioma slipped into the bed in her nightgown and camisole, while Femi strolled to the light switch fastened to the wall.
Nick Nwaogu (The Almost Kiss)
Myron used the left-turn signal and pulled to the side of the road, two blocks ahead of Zorra. He rolled down his window so he could hear. Zorra stood near an open parking spot. It was natural. The car following Myron’s pulled into the spot to see where Myron was headed. Of course, he could have stopped anywhere on the street. Zorra had been ready for that. The rest was, as already noted, frighteningly simple. Zorra strolled over to the back of the car. She had been wearing high heels for the past fifteen years, but she still walked like a newborn colt on bad acid. Myron
Harlan Coben (Promise Me (Myron Bolitar, #8))
Shopping Dana Gioia I enter the temple of my people but do not pray. I pass the altars of the gods but do not kneel Or offer sacrifices proper to the season. Strolling the hushed aisles of the department store, I see visions shining under glass, Divinities of leather, gold, and porcelain, Shrines of cut crystal, stainless steel, and silicon. But I wander the arcades of abundance, Empty of desire, no credit to my people, Envying the acolytes their passionate faith. Blessed are the acquisitive, For theirs is the kingdom of commerce. Redeem me, gods of the mall and marketplace. Mercury, protector of cell phones and fax machines, Venus, patroness of bath and bedroom chains, Tantalus, guardian of the food court. Beguile me with the aromas of coffee, musk, and cinnamon. Surround me with delicately colored soaps and moisturizing creams. Comfort me with posters of children with perfect smiles And pouting teenage models clad in lingerie. I am not made of stone. Show me satins, linen, crepe de chine, and silk, Heaped like cumuli in the morning sky, As if all caravans and argosies ended in this parking lot To fill these stockrooms and loading docks. Sing me the hymns of no cash down and the installment plan, Of custom fit, remote control, and priced to move. Whisper the blessing of Egyptian cotton, polyester, and cashmere. Tell me in what department my desire shall be found. Because I would buy happiness if I could find it, Spend all that I possessed or could borrow. But what can I bring you from these sad emporia? Where in this splendid clutter Shall I discover the one true thing? Nothing to carry, I should stroll easily Among the crowded countertops and eager cashiers, Bypassing the sullen lines and footsore customers, Spending only my time, discounting all I see. Instead I look for you among the pressing crowds, But they know nothing of you, turning away, Carrying their brightly packaged burdens. There is no angel among the vending stalls and signage. Where are you, my fugitive? Without you There is nothing but the getting and the spending Of things that have a price. Why else have I stalked the leased arcades Searching the kiosks and the cash machines? Where are you, my errant soul and innermost companion? Are you outside amid the potted palm trees, Bumming a cigarette or joking with the guards, Or are you wandering the parking lot Lost among the rows of Subarus and Audis? Or is it you I catch a sudden glimpse of Smiling behind the greasy window of the bus As it disappears into the evening rush?
Vaddhaka Linn (The Buddha on Wall Street: What's Wrong with Capitalism and What We Can Do about It)
but Joe and I are in a world of our own. He’s from San Leandro, across the bay. His favorite song is “Harbor Lights” by Frances Langford, and when he sings a few bars under his breath, I think I might die of happiness. The first night, coal dust drifts through the cracks as we rattle through the mountain tunnels, and hardly anyone gets any sleep, but in the morning, during our single stop in Nevada, Joe and I stroll past the armed soldiers like we’re in a park instead of a desert depot. After two days in Joe’s company,
Traci Chee (We Are Not Free)
Let’s go, I’ll walk you down and get you cleaned up.” “You will?” He slanted me a look before picking up his trekking poles and backpack, slipping the straps on, then maneuvering the two sticks through crisscrossing cords on his back, leaving his arms free. Finally aiming his body back up the trail toward me, he held out his hand. I hesitated but set my forearm into his open palm, and I watched as some emotion I didn’t initially recognize slid over his face. “I meant your backpack, angel. I’ll take it for you. The trail’s not wide enough for both of us to go down at the same time,” he said, his voice sounding oddly hoarse. Maybe if I hadn’t been in so much pain, and been so damn cranky, I would’ve been embarrassed. But I wasn’t, so I nodded, shrugged, and gingerly tried to take my backpack off. Luckily, I just started to shimmy a strap off when I felt the weight leave my shoulders as he tugged it away. “Are you sure?” “Positive” was all he replied with. “Come on. We’ve got half an hour to get back to the trailhead.” My whole body slumped. “Half an hour?” I’d thought I had… ten minutes max. My landlord pressed his lips together and nodded. Was he trying not to laugh? I wasn’t sure because he turned around and started heading down the path ahead of me. But I was pretty sure I saw his shoulders shaking a little. “Let me know when you want water” was one of the only two things he said on the way down. The other being, “Are you humming what I think you’re humming?” And me replying with “Yes.” “Big Girls Don’t Cry.” I had no shame. I tripped twice, and he turned around both times, but I gave him a tight smile and acted like nothing had happened. Like he predicted, thirty minutes later, when I was basically wheezing and he was acting like this was a stroll down a paved path, I spotted the parking lot and almost cried. We’d made it. I’d made it. And my hands hurt even worse from how dry the cuts were, and my elbows felt the same way, and I was sure my knees would too, but their joints were so bad, they didn’t have room to wonder about any other pain. But just as I started heading toward my car, Rhodes slipped his fingers around my biceps and steered me toward his work truck. He didn’t say another word as he unlocked it and dropped the tailgate, shooting me a look over his shoulder as he patted it briefly before heading around to the passenger door. I went straight for the tailgate and eyed it, trying to figure out how to sit on it without using my hands to boost myself up. That was how he found me: staring at it and trying to decide if I went face-first and shimmied up on my stomach, I could wiggle around and sit up on my butt eventually. “I’m trying to figure out how to—okay.” He scooped me up, one arm under the backs of my knees, the other around my lower back, and planted me on the truck. In a sitting position. Like it was no big deal. I smiled at him. “Thanks.” I would’ve figured it out, but it was the thought that counted.
Mariana Zapata (All Rhodes Lead Here)
Oh, and gosh you wouldn’t believe it, in the nineteenth century they had an exhibit of human beings in the park. Live ones, Zulus and Pygmies. The whole city came out to gawk. I suppose that is what people now do with their National Geographic magazines, ogle the natives’ bare black buttocks and fulsome breasts, but it strikes me as particularly surreal to have it happen live and in person. Do you think any of the sophisticates strolling in that human zoo looked into the noble savages’ eyes and found a universal brother? Seriously, one has to wonder, in that particular scenario, which side of the iron cage the savages were on.
Toby Barlow (Babayaga)
Tonight, I decided to take a stroll down to my local liquor store. Maybe I’ll find a refreshment to wash down this full moon. Some nights you feel like you're on an alien planet or some kind of time machine entering a liquor store with its neon signs and retro touches; besides the new done up stores looking like a polished toilet. I prefer the beaten down, rough and strange liquor store. I’m a regular and the man at the counter always asked me about my latest book, he told me to stay away and write until old age. Anyways got my shit, walked out and the alarm beep went off, barely covering the tax. Took the long way home, to get away from that haunting typewriter. Sat down at some park bench, as I started to open my poison, a memory rushed into me. A empty bottle of Jack Daniel’s under the Christmas tree. I thought my dad would want another drink, so started to pour my bottle into the dirt and cry as the moon went over the horizon and crossed into the section where my heart was filled up with the hidden moons glow.
Brandon Villasenor
Three months of moonlit nights and candlelit dinners under the starry Manhattan sky, of high times with friends and galas with acquaintances, of breakfasts at dawn and outings on Sunday afternoons, and evening strolls in Central Park where they rode the carousel and stole kisses in the Belvedere Castle like teenagers too young for love.
Pamela Hamilton (Lady Be Good: The Life and Times of Dorothy Hale)
To live is to crochet according to a pattern we were given. But while doing it the mind is at liberty, and all enchanted princes can stroll in their parks between one and another plunge of the hooked ivory needle. Needlework of things … Intervals … Nothing …
Fernando Pessoa (The Book of Disquiet)
She was a coffee-shop and gluten-free-croissant kind of woman, leisurely strolls through a city park
Shea Ernshaw (A History of Wild Places)
We didn’t want to waste a page of Mi-ja’s father’s book, so we looked for something unique. We entered a park, strolling the pathways until we came to a statue of a woman who looked like a goddess. Her white marble gown flowed about her, the expression on her face was serene, and she carried a flower in her hand. Her other hand was open, the palm reaching out to us. The lines across her palm were so real that they seemed to match those on my own flesh-and-blood hand. “She’s too beautiful to be Halmang Juseung,” I whispered to Mi-ja. This was the goddess who, when she touches the flower of demolition upon the forehead of a baby or child, causes its death.
Lisa See (The Island of Sea Women)
At her school on a road traversed all day by hulking trucks and double-decker buses, Anna’s lungs are likely getting an even bigger dose of exhaust. Spikes like that, on and near the busy streets where so many of us spend much of our time—strolling to work, driving, sitting in our living rooms—make pollution a threat even in places where overall air quality is good. As afternoon turns to evening and a pickup basketball game heats up outside the conference room, McConnell tells me about the Colorado hospital where his mom was treated after a heart attack. It sat beside a major highway, and he couldn’t help thinking when he visited about the evidence suggesting air pollution causes arrhythmias, clotting problems, and other changes dangerous for heart patients. Even putting the parking lot between the road and the hospital would have made a difference, he says. The building’s designers probably didn’t know that, but zoning officials should, and they can make rules to reduce unnecessary exposure. “If you’re building a new school, why would you build it next to a freeway?” he asks. Exercise greatly increases the amount of air—and thus, the pollution—our lungs take in, so McConnell wishes the runners he sees along L.A.’s Sunset Boulevard knew how much better off they’d be on one of the quieter roads that parallels it. Those who do, he believes, ought to nudge them in that direction.
Beth Gardiner (Choked: Life and Breath in the Age of Air Pollution)
Outside the man who strolls up and down the plaza selling yo-yos stops at a bench to tighten his shoes. He is your city's version of the dandy in the double-breasted suit who roots through the garbage scavenging for recyclables, or the old couple with sombreros and ukuleles who sit in the park singing songs about their sex life — recognized by everybody, the object of a thousand jokes, but so lasting a feature of the landscape that they inspire as much affection as anyone you could mention.
Kevin Brockmeier (The View from the Seventh Layer)
The best medicine any doctor could recommend is- A stroll in the park, It’s not only good for the mind, But it’s also good for the heart
Charmaine J. Forde
Every Sunday the balance of power now swings sharply in favor of the pedestrian as Bogotá closes seventy-five miles of its streets to traffic. People of all social classes pour into thoroughfares normally jammed with cars to run, cycle, stroll, and play football and Frisbee. With bands playing in the parks and aerobics and yoga teachers leading classes in the open air, there is a carnival atmosphere, a giddy sense that the natural order has been reversed, or restored.
Carl Honoré (The Slow Fix: Solve Problems, Work Smarter, and Live Better In a World Addicted to Speed)
If it had been any other old acquaintance, Abby would have anchored Saturday’s tour with her favorite places to eat. There would have been brunch at Sabrina’s, then some walking, and people-watching. There might have been a trip to the Barnes or the Philadelphia Museum of Art, followed by hummus and fresh pita at Dizengoff or tahini milkshakes at Goldie, then a stroll east to Spruce Street Harbor Park for fried chicken sandwiches at Federal Donuts, ice cream from Franklin Fountain, and drinks at Oasis…
Jennifer Weiner (The Breakaway)
He strolls along the edge of a vast and nearly empty parking lot that will be filled to capacity on the night of the ’Round Here show. His smile is gone. He’s musing on the numbfuck ragheads who ran a pair of jetliners into the World Trade Center nine years before. He thinks (without the slightest trace of irony), They spoiled it for the rest of us.
Stephen King (Mr. Mercedes (Bill Hodges Trilogy, #1))
Attention is the beginning of devotion,’ writes the poet Mary Oliver, pointing to the fact that distraction and care are incompatible with each other: you can’t truly love a partner or a child, dedicate yourself to a career or to a cause – or just savour the pleasure of a stroll in the park – except to the extent that you can hold your attention on the object of your devotion to begin with.7
Oliver Burkeman (Four Thousand Weeks: Time and How to Use It)
We window-shopped along Court Street, the closest thing Brooklyn has to Manhattan, perusing the indie clothing boutiques, bookstores, and Italian bakeries, and stopped at Frankies 457 Spuntino, a casual Italian restaurant that every young Brooklynite loves, to pound fresh ricotta, gnocchi, and meatballs. Afterward, I dragged us ten blocks out of the way to hit up Sugar Shop, a modern-retro candy store I loved, to load up on malt balls and gummies. We strolled the magnificent blocks of Victorian homes and green lawns in Ditmas Park, as if suddenly transported from the city's whirl to a faraway college town, perusing the rhubarb, Bibb lettuces, and buckets of fresh clams at the farmers' market, before demolishing fried egg sandwiches on ciabatta at the Farm on Adderly, one of the boroughs now-prolific farm-to-table restaurants. We shared pizza at Franny's: one red, one white, both pockmarked with giant charred blisters from the exceedingly hot brick oven. In a borough known for its temples of pizza worship, before it closed in the summer of 2017, Franny's was right up there, owing to the perfect flavors oozing from each simple ingredient, from the milky mozzarella to the salty-sweet tomato sauce to the briny black olives.
Amy Thomas (Brooklyn in Love: A Delicious Memoir of Food, Family, and Finding Yourself)
Take a trip to a local park; map a bike ride through a scenic trail; plan a trip to a local beach and stroll the shore at sunrise.
Jay D'Cee
We are no more than taking a philosophical stroll in the park, here and there stopping to point out an interesting view. The park is not a paradise. Weeds grow, serpents lie in wait, and people have built slums over parts of it. But we do not have to inhabit them, if we are careful.
Simon Blackburn (Lust: The Seven Deadly Sins)
Best Budget Travel Destinations Ever Are you looking for a cheap flight this year? Travel + Leisure received a list of the most affordable locations this year from one of the top travel search engines in the world, Kayak. Kayak then considered the top 100 locations with the most affordable average flight prices, excluding outliers due to things like travel restrictions and security issues. To save a lot of money, go against the grain. Mexico Unsurprisingly, Mexico is at the top of the list of the cheapest places to travel in 2022. The United States has long been seen as an accessible and affordable vacation destination; low-cost direct flights are common. San José del Cabo (in Baja California Sur), Puerto Vallarta, and Cancun are the three destinations within Mexico with the least expensive flights, with January being the most economical month to visit each. Fortunately, January is a glorious month in each of these beachside locales, with warm, balmy weather and an abundance of vibrant hues, textures, and flavors to chase away the winter blues. Looking for a city vacation rather than a beach vacation? Mexico City, which boasts a diverse collection of museums and a rich Aztec heritage, is another accessible option in the country. May is the cheapest month to travel there. Chicago, Illinois Who wants to go to Chicago in the winter? Once you learn about all the things to do in this Midwest winter wonderland and the savings you can get in January, you'll be convinced. At Maggie Daley Park, spend the afternoon ice skating before warming up with some deep-dish pizza. Colombia Colombia's fascinating history, vibrant culture, and mouthwatering cuisine make it a popular travel destination. It is also inexpensive compared to what many Americans are used to paying for items like a fresh arepa and a cup of Colombian coffee. The cheapest month of the year to fly to Bogotá, the capital city, is February. The Bogota Botanical Garden, founded in 1955 and home to almost 20,000 plants, is meticulously maintained, and despite the region's chilly climate, strolling through it is not difficult. The entrance fee is just over $1 USD. In January, travel to the port city of Cartagena on the country's Caribbean coast. The majority of visitors discover that exploring the charming streets on foot is sufficient to make their stay enjoyable. Tennessee's Music City There's a reason why bachelorette parties and reunions of all kinds are so popular in Music City: it's easy to have fun without spending a fortune. There is no fee to visit a mural, hot chicken costs only a few dollars, and Honky Tonk Highway is lined with free live music venues. The cheapest month to book is January. New York City, New York Even though New York City isn't known for being a cheap vacation destination, you'll find the best deals if you go in January. Even though the city never sleeps, the cold winter months are the best time for you to visit and take advantage of the lower demand for flights and hotel rooms. In addition, New York City offers a wide variety of free activities. Canada Not only does our neighbor Mexico provide excellent deals, but the majority of Americans can easily fly to Canada for an affordable getaway. In Montréal, Quebec, you must try the steamé, which is the city's interpretation of a hot dog and is served steamed in a side-loading bun (which is also steamed). It's the perfect meal to eat in the middle of February when travel costs are at their lowest. Best of all, hot dogs are inexpensive and delicious as well as filling. The most affordable month to visit Toronto, Ontario is February. Even though the weather may make you wary, the annual Toronto Light Festival, which is completely free, is held in February in the charming and historic Distillery District. Another excellent choice at this time is the $5 Bentway Skate Trail under the Gardiner Expressway overpass.
Ovva
That’s the way it sometimes goes for me: I start on a new series of pictures and right away, in some kind of perverse bait-and-switch, I get a good one. This freak of a good picture inevitably inspires a cocky confidence, making me think this new project will be a stroll in the park. But, then, after sometimes two or three more good ones, the next dozen are duds, and that cavalier stroll becomes an uphill slog. It isn’t long before I have to take a breather, having reached the first significant plateau of doubt and lightweight despair. The voice of that despair suggests seducingly to me that I should give it up, that I’m a phony, that I’ve made all the good pictures I’m ever going to, and I have nothing more worth saying. That voice is easy to believe, and, as photographer and essayist (and my early mentor) Ted Orland has noted, it leaves me with only two choices: I can resume the slog and take more pictures, thereby risking further failure and despair, or I can guarantee failure and despair by not making more pictures. It’s essentially a decision between uncertainty and certainty and, curiously, uncertainty is the comforting choice.
Sally Mann (Hold Still: A Memoir with Photographs (LITTLE, BROWN A))
Attention is the beginning of devotion,” writes the poet Mary Oliver, pointing to the fact that distraction and care are incompatible with each other: you can’t truly love a partner or a child, dedicate yourself to a career or to a cause—or just savor the pleasure of a stroll in the park—except to the extent that you can hold your attention on the object of your devotion to begin with.
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
Trump is a man who polarizes opinion: you suspect that if he said ice cream was a pleasant treat on a sunny day, it would lead some Americans to refuse to eat anything but ice cream while others protested loudly outside ice cream parlors. So it was with COVID. The perverse and reckless refusal ever to wear a mask became a badge of pride for many of Trump’s supporters, while his opponents went to the opposite extreme—I noted one prominent tweet by a liberal American journalist explaining that the UK pandemic was “out of control” because people were not wearing masks as they walked in the park. To British eyes, the tweet just seemed bewildering: the evidence suggests that, mask or no mask, the risk of transmitting the virus while out for a stroll is very low. At the time of the tweet, late in January 2021, UK case numbers weren’t out of control either; they were rapidly falling. The tweet could be understood only as a salvo in a politically polarized battle about responsible mask use in which neither tribe was interested in figuring out the truth. Paradoxically, it can be much easier to spot tribalism at a distance. If you belong to the tribe of Republicans or Democrats, you’re too involved in the battle to think clearly. It is easier when—like your bemused British author—you belong to the tribe of puzzled outsiders.
Tim Harford (The Data Detective: Ten Easy Rules to Make Sense of Statistics)
Old Friend, New Adventure by Stewart Stafford Snow crept down, surprising, Before the sun strolled, rising. Monochrome in palatial white, Teeth chattering in moonlight. Overnight, all became frozen. A cloud nine expedition chosen. This boy came flying out of doors, As a cat sprang with cold paws. A man shadowed me in the dark. As I sculpted him in the park, Rolling a snowball until it grew, And a snowman stood, born anew. With a carrot nose and coal eyes, Gazing at me through rictus guise, This bright curve in an unlit sky A silent friend to thaw the lies. Then fleeing back inside, To hot chocolate by the fireside, Numb, red hands slowly came alive, The joy of life, awoke and arrived. © Stewart Stafford, 2023. All rights reserved.
Stewart Stafford
A Tale of Two Parking Requirements The impact of parking requirements becomes clearer when we compare the parking requirements of San Francisco and Los Angeles. San Francisco limits off-street parking, while LA requires it. Take, for example, the different parking requirements for concert halls. For a downtown concert hall, Los Angeles requires, as a minimum, fifty times more parking than San Francisco allows as its maximum. Thus the San Francisco Symphony built its home, Louise Davies Hall, without a parking garage, while Disney Hall, the new home of the Los Angeles Philharmonic, did not open until seven years after its parking garage was built. Disney Hall's six-level, 2,188-space underground garage cost $110 million to build (about $50,000 per space). Financially troubled Los Angeles County, which built the garage, went into debt to finance it, expecting that parking revenues would repay the borrowed money. But the garage was completed in 1996, and Disney Hall—which suffered from a budget less grand than its vision—became knotted in delays and didn't open until late 2003. During the seven years in between, parking revenue fell far short of debt payments (few people park in an underground structure if there is nothing above it) and the county, by that point nearly bankrupt, had to subsidize the garage even as it laid employees off. The money spent on parking shifted Disney Hall's design toward drivers and away from pedestrians. The presence of a six-story subterranean garage means most concert patrons arrive from underneath the hall, rather than from the sidewalk. The hall's designers clearly understood this, and so while the hall has a fairly impressive street entrance, its more magisterial gateway is an "escalator cascade" that flows up from the parking structure and ends in the foyer. This has profound implications for street life. A concertgoer can now drive to Disney Hall, park beneath it, ride up into it, see a show, and then reverse the whole process—and never set foot on a sidewalk in downtown LA. The full experience of an iconic Los Angeles building begins and ends in its parking garage, not in the city itself. Visitors to downtown San Francisco have a different experience. When a concert or theater performance lets out in San Francisco, people stream onto the sidewalks, strolling past the restaurants, bars, bookstores, and flower shops that are open and well-lit. For those who have driven, it is a long walk to the car, which is probably in a public facility unattached to any specific restaurant or shop. The presence of open shops and people on the street encourages other people to be out as well. People want to be on streets with other people on them, and they avoid streets that are empty, because empty streets are eerie and menacing at night. Although the absence of parking requirements does not guarantee a vibrant area, their presence certainly inhibits it. "The more downtown is broken up and interspersed with parking lots and garages," Jane Jacobs argued in 1961, "the duller and deader it becomes ... and there is nothing more repellent than a dead downtown.
Donald C. Shoup (There Ain't No Such Thing as Free Parking (Cato Unbound Book 42011))
will drive you.” Her car, he knew, was parked on the other side of the Seine. It seemed far to walk. But he just nodded numbly. “All right,” he said.   She was in no rush. They strolled arm in arm, like lovers, along the embankment. They passed the houseboat restaurants tied up to the side, brightly lit, still busy with guests. Above them, on the other side of the river, rose Notre Dame, brilliantly lit. For a while, this slow walk, with her head on his shoulder, the soft words she spoke to him, made him feel better. But soon he stumbled, feeling a kind of clumsy weakness coursing through his body. His mouth was very dry. His jaw felt stiff. It was difficult to speak. She did not seem to notice. They had moved past
Michael Crichton (State of Fear)
He guarded him . . . like an eagle that stirs up its nest and hovers over its young, that spreads its wings to catch them and carries them on its pinions. The Lord alone led him; no foreign god was with him. (Deuteronomy 32:10–12) Our almighty God is like a parent who delights in leading the tender children in His care to the very edge of a precipice and then shoving them off the cliff into nothing but air. He does this so they may learn that they already possess an as-yet-unrealized power of flight that can forever add to the pleasure and comfort of their lives. Yet if, in their attempt to fly, they are exposed to some extraordinary peril, He is prepared to swoop beneath them and carry them skyward on His mighty wings. When God brings any of His children into a position of unparalleled difficulty, they may always count on Him to deliver them. from The Song of Victory When God places a burden upon you, He places His arms underneath you. There once was a little plant that was small and whose growth was stunted, for it lived under the shade of a giant oak tree. The little plant valued the shade that covered it and highly regarded the quiet rest that its noble friend provided. Yet there was a greater blessing prepared for this little plant. One day a woodsman entered the forest with a sharp ax and felled the giant oak. The little plant began to weep, crying out, “My shelter has been taken away. Now every fierce wind will blow on me, and every storm will seek to uproot me!” The guardian angel of the little plant responded, “No! Now the sun will shine and showers will fall on you more abundantly than ever before. Now your stunted form will spring up into loveliness, and your flowers, which could never have grown to full perfection in the shade, will laugh in the sunshine. And people in amazement will say, ‘Look how that plant has grown! How gloriously beautiful it has become by removing that which was its shade and its delight!’ ” Dear believer, do you understand that God may take away your comforts and privileges in order to make you a stronger Christian? Do you see why the Lord always trains His soldiers not by allowing them to lie on beds of ease but by calling them to difficult marches and service? He makes them wade through streams, swim across rivers, climb steep mountains, and walk many long marches carrying heavy backpacks of sorrow. This is how He develops soldiers—not by dressing them up in fine uniforms to strut at the gates of the barracks or to appear as handsome gentlemen to those who are strolling through the park. No, God knows that soldiers can only be made in battle and are not developed in times of peace. We may be able to grow the raw materials of which soldiers are made, but turning them into true warriors requires the education brought about by the smell of gunpowder and by fighting in the midst of flying bullets and exploding bombs, not by living through pleasant and peaceful times. So, dear Christian, could this account for your situation? Is the Lord uncovering your gifts and causing them to grow? Is He developing in you the qualities of a soldier by shoving you into the heat of the battle? Should you not then use every gift and weapon He has given you to become a conqueror? Charles H. Spurgeon
Lettie B. Cowman (Streams in the Desert: 366 Daily Devotional Readings)
Strolling along Telegraph Ave, Chang responded to the gutter punks’ outstretched palms with, No, it’s Chang . . . Chang. And once to a black bum in People’s Park he shrugged, You got Obama, what more do you want? Then he gave him a dollar.
T. Geronimo Johnson (Welcome to Braggsville)
The creative process can look a little odd from the outside. Sometimes it looks like we’re doing nothing at all—strolling in the park, lazing on the beach, or staring into space while the rest of the office is busy being busy.
Mark McGuinness (Productivity for Creative People: How to Get Creative Work Done in an "Always on" World)
Come on, Young. The debate is about to start. Are you with us or have you gone to another realm?”               Andy knelt beside me as he continued, “Are you okay? You haven’t been yourself since your return from the hospital.”               “I’m fine. I’m enjoying the beautiful landscape. Is it alright if I go for a walk? I’d like to see more of the gardens,” I replied.               “In that case, I’ll stroll with you. I’m sure we’ll never hear the end of Alain and Jabril’s colloquy, and your teacher will continue his ecclesiastical discussions in one of his Zentology sessions even if you miss this debate. As for Jabril, he’s not one to forgo a spirited contention. Rest assured, they’ll still be arguing upon our return,” My BB commented wittily.               I remarked, “Don’t you want to stay with Albert?”               “He’ll be safe with the group. Besides, he’s not as much of an explorer as you are,” he uttered smilingly.               Since Andy had become Albert’s chaperone, we’d hardly spent any alone time. We were always in the company of others. I welcomed the idea of some alone time with my ex-Valet and was glad he offered to accompany me around the park.
Young (Turpitude (A Harem Boy's Saga Book 4))
So we went for a stroll in Alumni Park, a grassy lawn in front of Pepperdine that overlooks the coast. Deer trickle down from the hills and rocky bluffs to graze there. The coral trees rise like watchtowers over a pond where fresh water reeds grow, providing a small refuge for ducks and wild birds. At night, a full moon leaves a trail on the ocean’s black waters, and the constant coastal breeze disturbs the tree limbs, sending their leaves into a continuous stirring.
James Russell Lingerfelt (The Mason Jar)
the twisted underworld that surrounded me, I found my thirst for survival growing like brambles in my stomach, coiling and winding around my organs. I thought I'd witnessed the darkest realms of human kind, but there I was, surprised again by the cruelty some people were capable of. And their eyes would soon turn to me. Finding mercy in them was surely an insurmountable task. The previous games seemed like a stroll in the park now. Fighting Vs was easy in comparison to what I was about to attempt: convincing nearly a thousand men that I was worth saving. When most of them believed I wasn't.
Caroline Peckham (V Games: Fresh From the Grave (The V Games, #2))
Then I sat in my dark office and I saw the weak flesh and the strong mind passing before me, as if in a diorama, like a husband and wife who hate each other, and I also saw the strong flesh and the weak mind pass by arm in arm, another model couple, and I saw them stroll around a park like the Parque de la Ciudadela (although sometimes it was more like the Gianicolo near the Piazzale Giuseppe Garibaldi), weary yet unwearying, at the pace of cancer patients or prostate sufferers, well dressed, haloed in a kind of horrible dignity, and the strong flesh and the weak mind went from right to left and the weak flesh and the strong mind went from left to right, and each time they crossed paths they acknowledged each other but didn't stop, out of politeness or because they knew each other from other walks, if only slightly, and I thought: my God, talk, talk, speak to each other, dialogue is the key to any door, ex abundantia cordis os loquitur, but the weak mind and the strong mind only nodded, and perhaps their consorts did no more than bow their eyelids (eyelids don't bow, Toni Melilla told me one day, but how wrong he was! of course they bow, eyelids can even kneel), proud as bitches, the weak flesh and the strong flesh, steeped together in the crucible of fate, if you'll permit me the expression, an expression that means nothing but is as sweet as a bitch lost on the mountainside.
Roberto Bolaño (The Savage Detectives)
She felt a surging pain in her heart. She was numbed. Very quietly she opened the door and strolled to a park nearby. She opened her arms and felt the snow touching her skin. She knew his first memory of her included snow; His favourite colour was white.
Yagyesh Narayan (Withered meadows (Collection Book 1))
Jack spotted a group of zombies as they strolled to the parking lot. The zombies looked weathered and dried. Their skulls were visible in the greater part and here and there, he noticed a patch of skin. One of them got extremely close, its arms outstretched to Jack. The zombie growled like a beast. Immediately, Jack fired his gun,
Cynthia Fridsma (Volume 5: The End Game (Hotel of Death))