Stroll In The Garden Quotes

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The master of the garden is the one who waters it, trims the branches, plants the seeds, and pulls the weeds. If you merely stroll through the garden, you are but an acolyte.
Vera Nazarian (The Perpetual Calendar of Inspiration)
Gardens are poems Where you stroll with your hands in your pockets. (Les jardins sont des poemes Ou l'on se promene les mains dans les poches.)
Pierre Albert-Birot (The Cubist Poets in Paris: An Anthology (French Modernist Library))
Sasha: Men don't understand a lot of things. Every young girl is going to be drawn more to a failure than to a successful man, because they're all attracted by the notion of active love... Do you understand? Active. Men are busy with their work, and therefore for them love is something right in the background. A conversation with the wife, a stroll with her in the garden, a nice time, a cry on her grave - that's all. But for us love is life. I love you, that means that I dream of how I'll cure you of your depression, of how I'll go with you to the ends of the earth... When you're up, so am I; when you're down, so am I. ... The more work there is, the better love is ...
Anton Chekhov (Ivanov (Plays for Performance Series))
Val smiled evilly at the child and reached into his pocket. “Do you,” he asked, “like kittens?” And he held out a black, fluffy kitten with a white chest. Annalise blinked at the kitten’s green eyes. The kitten blinked back. “Oh, yes!” said Annalise. Val deposited the kitten into the plump little arms and strolled to the kitchens, where Hecate and her kittens were in residence, swinging his gold walking stick. There were seven more kittens remaining and a garden full of his enemies’ children…
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Outside the window, there was so much to see, and hear, and touch — walks to take, hills to climb, caterpillars to watch as they strolled through the garden. There were voices to hear and conversations to listen to in wonder, and the special smell of each day. And, in the very room in which he sat, there were books that could take you anywhere, and things to invent, and make, and build, and break, and all the puzzle and excitement of everything he didn't know — music to play, songs to sing, and worlds to imagine and then someday make real. His thoughts darted eagerly about as everything looked new — and worth trying. "Well, I would like to make another trip," he said, jumping to his feet; "but I really don't know when I'll have the time. There's just so much to do right here.
Norton Juster (The Phantom Tollbooth)
For as long as there are men and women, some things in life will best be done arm in arm, and strolling in a flower garden is one.
Ivan Doig (Work Song (Morrie Morgan #2))
She was a woman with a broom or a dust- pan or a washrag or a mixing spoon in her hand. You saw her cutting piecrust in the morning, humming to it, or you saw her setting out the baked pies at noon or taking them in, cool, at dusk. She rang porcelain cups like a Swiss bell ringer to their place. She glided through the halls as steadily as a vacuum machine, seeking, finding, and setting to rights. She made mirrors of every window, to catch the sun. She strolled but twice through any garden, trowel in hand, and the flowers raised their quivering fires upon the warm air in her wake. She slept quietly and turned no more than three times in a night, as relaxed as a White glove to which, at dawn, a brisk hand will return. Waking, she touched people like pictures, to set their frames straight.
Ray Bradbury (Dandelion Wine)
And we have the night ahead of us to stroll in lilac-scented gardens. Everything there is here. It is all ours. You are mine, I am yours and the shadow, your shadow, laughs like an orange. The dream did its job and, like a postman, hurried on to someone else. So we have to be worthy, this evening, of ourselves, and of a river that runs along beside us, and that we flow into as it flows into us.
Mahmoud Darwish (A River Dies of Thirst: Journals)
And was it not perhaps more childlike and human to lead a Goldmund-life, more courageous, more noble perhaps in the end to abandon oneself to the cruel stream of reality, to chaos, to commit sins and accept their bitter consequences rather than live a clean life with washed hands outside the world, laying out a lonely harmonious thought-garden, strolling sinlessly among one's sheltered flower beds. Perhaps it was harder, braver and nobler to wander through forests and along the highways with torn shoes, to suffer sun and rain, hunger and need, to play with the joys of the senses and pay for them with suffering. At any rate, Goldmund had shown him that a man destined for high things can dip into the lowest depths of the bloody, drunken chaos of life, and soil himself with much dust and blood, without becoming small and common, without killing the divine spark within himself, that he can err through the thickest darkness without extinguishing the divine light and the creative force inside the shrine of his soul.
Hermann Hesse
So, my dear, we will send him away to smoke the cigarette in the garden, whiles you and I have little talk all to ourselves.' I took the hint, and strolled about, and presently the professor came to the window and called me in. He
Bram Stoker (Dracula)
The sudden and total disappearance of Mawlana aroused resentment among his disciples and students, some of them becoming highly critical of Hazrat Shams, even threatening him. They believed Hazrat Shams had ruined their spiritual circle and prevented them from listening to Mawlana's sermons. In March of 1246 he left Konya and went to Syria without warning. After he left, Mawlana was grief stricken, secluding himself even more rather than engaging with his disciples and students. He was without a doubt furious with them. Realising the error of their ways, they repeatedly repented before Mawlana. Some months later, news arrived that Hazrat Shams had been seen in Damascus and a letter was sent to him with apologising for the behaviour of these disciples. Hazrat Sultan Walad and a search party were sent to Damascus to invite him back and in April 1247, he made his return. During the return journey, he invited Hazrat Sultan Walad to ride on horseback although he declined, choosing instead to walk alongside him, explaining that as a servant, he could not ride in the presence of such a king. Hazrat Shams was received back with joyous celebration with sama ceremonies being held for several days, and all those that had shown him resentment tearfully asked for his forgiveness. He reserved special praise for Hazrat Sultan Walad for his selflessness, which greatly pleased Mawlana. As he originally had no intention to return to Konya, he most likely would not have returned if Hazrat Sultan Walad had not himself gone to Damascus in search of him. After his return, he and Mawlana Rumi returned to their intense discussions. Referring to the disciples, Hazrat Shams narrates that their new found love for him was motivated only by desperation: “ They felt jealous because they supposed, "If he were not here, Mowlana would be happy with us." Now [that I am back] he belongs to all. They gave it a try and things got worse, and they got no consolation from Mowlana. They lost even what they had, so that even the enmity (hava, against Shams) that had swirled in their heads disappeared. And now they are happy and they show me honor and pray for me. (Maqalat 72) ” Referring to his absence, he explains that he left for the sake of Mawlana Rumi's development: “ I'd go away fifty times for your betterment. My going away is all for the sake of your development. Otherwise it makes no difference to me whether I'm in Anatolia or Syria, at the Kaaba or in Istanbul, except, of course, that separation matures and refines you. (Maqalat 164) ” After a while, by the end of 1247, he was married to Kimia, a young woman who’d grown up in Mawlana Rumi's household. Sadly, Kimia did not live long after the marriage and passed away upon falling ill after a stroll in the garden
Shams Tabrizi
Still, this particular fantasy nagged him. He'd stroll through the streets, eat, bathe, weed his rose garden, and it would gather strength over his head, an insidious halo, as black as dried blood, glittering with the thunder of snapping bones. It tugged at him like a tornado. He would peer up and see George affixed to its sphere, and the smog made him think of a woodcut he'd seen as a child. It showed every bone in some man's body broken and woven through spokes of a wagon wheel. Hoisted aloft in the Renaissance, they had continued to twirl for Philippe ever since.
Dennis Cooper (Closer)
I took a stroll in the curious old-world garden which flanked the house. Rows of very ancient yew trees cut into strange designs girded it round. Inside was a beautiful stretch of lawn with an old sundial in the middle, the whole effect so soothing and restful that it was welcome to my somewhat jangled nerves.
Arthur Conan Doyle (The Valley of Fear (Sherlock Holmes, #7))
Bundled in my shawl and uniform, I might have been partaking in any one of Mrs. Westcliffe’s permitted after-supper al fresco activities, like: Strolling to the edge of the rose garden to admire the sunset. Strolling to the edge of the orchard to admire the sunset. Strolling to the edge of the bridge to admire the sunset. At England’s foremost educational opportunity for young women, strolling to the brink of things was allowed. Leaving the green-plunging beyond brinks-was not.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
We are on a stroll, hand in hand, in a garden, in the moonlight and the sole purpose of such a venture is to come together in love.
Anuradha Bhattacharyya (One Word)
She rose to her feet and preceded me into the garden twilight. Tall and queenly, the woman of mystery strolled among the silent trees and above her head the myriad stars glowed tenderly.
Hermann Hesse (Demian. Die Geschichte von Emil Sinclairs Jugend)
I knew a young fellow once, who was studying to play the bagpipes, and you would be surprised at the amount of opposition he had to contend with. Why, not even from the members of his own family did he receive what you could call active encouragement. His father was dead against the business from the beginning, and spoke quite unfeelingly on the subject. My friend used to get up early in the morning to practise, but he had to give that plan up, because of his sister. She was somewhat religiously inclined, and she said it seemed such an awful thing to begin the day like that. So he sat up at night instead, and played after the family had gone to bed, but that did not do, as it got the house such a bad name. People, going home late, would stop outside to listen, and then put it about all over the town, the next morning, that a fearful murder had been committed at Mr. Jefferson's the night before; and would describe how they had heard the victim's shrieks and the brutal oaths and curses of the murderer, followed by the prayer for mercy, and the last dying gurgle of the corpse. So they let him practise in the day-time, in the back-kitchen with all the doors shut; but his more successful passages could generally be heard in the sitting-room, in spite of these precautions, and would affect his mother almost to tears. She said it put her in mind of her poor father (he had been swallowed by a shark, poor man, while bathing off the coast of New Guinea - where the connection came in, she could not explain). Then they knocked up a little place for him at the bottom of the garden, about quarter of a mile from the house, and made him take the machine down there when he wanted to work it; and sometimes a visitor would come to the house who knew nothing of the matter, and they would forget to tell him all about it, and caution him, and he would go out for a stroll round the garden and suddenly get within earshot of those bagpipes, without being prepared for it, or knowing what it was. If he were a man of strong mind, it only gave him fits; but a person of mere average intellect it usually sent mad.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
It so happens I am sick of being a man. And it happens that I walk into tailorshops and movie houses dried up, waterproof, like a swan made of felt steering my way in a water of wombs and ashes. The smell of barbershops makes me break into hoarse sobs. The only thing I want is to lie still like stones or wool. The only thing I want is to see no more stores, no gardens, no more goods, no spectacles, no elevators. It so happens that I am sick of my feet and my nails and my hair and my shadow. It so happens I am sick of being a man. Still it would be marvelous to terrify a law clerk with a cut lily, or kill a nun with a blow on the ear. It would be great to go through the streets with a green knife letting out yells until I died of the cold. I don't want to go on being a root in the dark, insecure, stretched out, shivering with sleep, going on down, into the moist guts of the earth, taking in and thinking, eating every day. I don't want so much misery. I don't want to go on as a root and a tomb, alone under the ground, a warehouse with corpses, half frozen, dying of grief. That's why Monday, when it sees me coming with my convict face, blazes up like gasoline, and it howls on its way like a wounded wheel, and leaves tracks full of warm blood leading toward the night. And it pushes me into certain corners, into some moist houses, into hospitals where the bones fly out the window, into shoeshops that smell like vinegar, and certain streets hideous as cracks in the skin. There are sulphur-colored birds, and hideous intestines hanging over the doors of houses that I hate, and there are false teeth forgotten in a coffeepot, there are mirrors that ought to have wept from shame and terror, there are umbrellas everywhere, and venoms, and umbilical cords. I stroll along serenely, with my eyes, my shoes, my rage, forgetting everything, I walk by, going through office buildings and orthopedic shops, and courtyards with washing hanging from the line: underwear, towels and shirts from which slow dirty tears are falling
Pablo Neruda
The bells on the streetcars ring, buses clatter by honking their horns, stuffed full with people and more people; taxis and fancy private automobiles hum over the glassy asphalt,” he wrote. “The fragrance of heavy perfume floats by. Harlots smile from the artful pastels of fashionable women’s faces; so-called men stroll to and fro, monocles glinting; fake and precious stones sparkle.” Berlin was, he wrote, a “stone desert” filled with sin and corruption and inhabited by a populace “borne to the grave with a smile.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
At last he was to feel that he had the town, as it were, in his pocket, and was ready for anything. Accordingly he sent a confidential messenger to Rome, to ask his father what step he should next take, his power in Gabii being, by God's grace, by this time absolute. Tarquin, I suppose, was not sure of the messenger's good faith: in any case, he said not a word in reply to his question, but with a thoughtful air went out to the garden. The man followed him, and Tarquin, strolling up and down in silence, began knocking off poppy-heads with his stick. The messenger at last wearied of putting his question and waiting for the reply, so he returned to Gabii supposing his mission to have failed. He told Sextus what he had said and what he had seen his father do: the king, he declared, whether from anger, or hatred, or natural arrogance, had not uttered a single word. Sextus realized that though his father had not spoken, he had, by his action, indirectly expressed his meaning clearly enough; so he proceeded at once to act upon his murderous instructions.
Livy (The History of Rome, Books 1-5: The Early History of Rome)
I had never had a direct experience of the holy in my life, for all that I tried to serve my god as seemed best to me, according to my gifts as we are taught. Except for Hallana. She was the only miracle that ever happened to me. The woman seems vastly oversupplied with gods. At one point, I accused her of having stolen my share, and she accused me of marrying her solely to sustain a proper average. The gods walk through her dreams as though strolling in a garden. I just have dreams of running lost through my old seminary, with no clothes, late for an examination of a class I did not know I had, and the like.
Lois McMaster Bujold (The Hallowed Hunt (World of the Five Gods, #3))
The Garden of Eden was the place where the first human creatures might have acquired wisdom: Eden was the place for total intimacy with God, and that is the sole condition fur becoming wise. Day by day they might have grown in wisdom and stature, taking those strolls with God in 'the breezy time of day (Genesis 3:8). But they could not wait to get smart, so they chose the quick and dirty method...
Ellen F. Davis (Getting Involved with God: Rediscovering the Old Testament)
I don’t know what position you’re talking about, sir. The Gnomon Society has never questioned the rotundity of the earth. Mr. Jimmerson is himself a skilled topographer." "Excuse me, Mr. Popper, but I have it right here in Mr. Jimmerson’s own words on page twenty-nine of 101 Gnomon Facts.” "No, sir. Excuse me but you don’t. Please look again. Read that passage carefully and you’ll see what we actually say is that the earth looks flat. We still say that. It’s so flat around Brownsville as to be striking to the eye.” "But isn’t that just a weasel way of saying that you really believe if to be flat?" "Not at all. What we’re saying is that the curvature of the earth is so gentle, relative to our human scale of things, that we need not bother or take it into account when going for a stroll, say, or laying out our gardens.
Charles Portis (Masters of Atlantis)
One morning she at last succeeded in helping him to the foot of the steps, trampling down the grass before him with her feet, and clearing a way for him through the briars, whose supple arms barred the last few yards. Then they slowly entered the wood of roses. It was indeed a very wood, with thickets of tall standard roses throwing out leafy clumps as big as trees, and enormous rose bushes impenetrable as copses of young oaks. Here, formerly, there had been a most marvellous collection of plants. But since the flower garden had been left in abandonment, everything had run wild, and a virgin forest had arisen, a forest of roses over-running the paths, crowded with wild offshoots, so mingled, so blended, that roses of every scent and hue seemed to blossom on the same stem. Creeping roses formed mossy carpets on the ground, while climbing roses clung to others like greedy ivy plants, and ascended in spindles of verdure, letting a shower of their loosened petals fall at the lightest breeze. Natural paths coursed through the wood — narrow footways, broad avenues, enchanting covered walks in which one strolled in the shade and scent. These led to glades and clearings, under bowers of small red roses, and between walls hung with tiny yellow ones. Some sunny nooks gleamed like green silken stuff embroidered with bright patterns; other shadier corners offered the seclusion of alcoves and an aroma of love, the balmy warmth, as it were, of a posy languishing on a woman’s bosom. The rose bushes had whispering voices too. And the rose bushes were full of songbirds’ nests. ‘We must take care not to lose ourselves,’ said Albine, as she entered the wood. ‘I did lose myself once, and the sun had set before I was able to free myself from the rose bushes which caught me by the skirt at every step.’ They had barely walked a few minutes, however, before Serge, worn out with fatigue, wished to sit down. He stretched himself upon the ground, and fell into deep slumber. Albine sat musing by his side. They were on the edge of a glade, near a narrow path which stretched away through the wood, streaked with flashes of sunlight, and, through a small round blue gap at its far end, revealed the sky. Other little paths led from the clearing into leafy recesses. The glade was formed of tall rose bushes rising one above the other with such a wealth of branches, such a tangle of thorny shoots, that big patches of foliage were caught aloft, and hung there tent-like, stretching out from bush to bush. Through the tiny apertures in the patches of leaves, which were suggestive of fine lace, the light
Émile Zola (Delphi Complete Works of Emile Zola)
There was our old life, in the apartment, in which we had time to finish most of the tasks we started and took long showers and remembered to water our plants. And there was our new life, in the hospital a mile away, in which Shauna needed morphine and two babies needed to eat every three hours around the clock...I remember thinking, we're going to have to figure out how to combine our old life with our new life...Over a year later, we still have days of mind-crushing fatigue, midnights when I think I'm pouring milk into a bottle but am actually pouring it all over the counter. Yesterday I spent five minutes trying to remember my parents' zip code. But now there are mornings like this one, when we wake up and realize we've slept through the entire night, and we stroll through the gardens as if we are normal again, as if we are finally learning the syllables of this strange, new language.
Anthony Doerr (Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World)
This summer of 1533 has been a summer of cloudless days, of strawberry feasts in London gardens, the drone of fumbling bees, warm evenings to stroll under rose arbours and hear from the allées the sound of young gentlemen quarrelling over their bowls. The grain harvest is abundant even in the north. The trees are bowed under the weight of ripening fruit. As if he has decreed that the heat must continue, the king's court burns bright through the autumn. Monseigneur the queen's father shines like the sun, and around him
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
Ethan's gaze returned to the swell of her breast above the top of her gown. "Cord once mentioned a room here at Sheffield House on the second floor, rather out of the way,I understand, and rarely used.I don't think anyone would miss us if we disappeared for a while, do you?" Her pulse quickened. She couldn't look away from the smoky heat in his eyes or the sensual curve of his lips. They were equally matched, she thought, and perfectly mated,her mind slipping ahead to what would happen in that room. "No,I don't believe they would miss us in the least." His look burned hotter. He glanced at the crush of people surrounding them, spoke just loudly enough for them to hear. "Come,my love.It's a bit warm in here.Why don't we take a stroll in the garden?" Grace bit back a smile. "That is a very good notion,my lord.I believe the night is clear enough for us to see the stars.The Great Bear and the Little Lion should be visible tonight and I am ever so eager to see them." Ethan's smile held a trace of amusement that disappeared beneath a look of sensual heat.
Kat Martin (The Devil's Necklace (Necklace Trilogy, #2))
morning stroll along the coast, the spring they put in a prairie garden, the day they revisited their childhood neighborhood, the night they attended their first major-league baseball game together, the one and only time they went skiing together and he broke his leg, the quiet times of working side by side at night in their home office, and oh yes, the awe of standing beneath the waterfall after the two-mile hike. They can almost feel the mist as they remember. Those are memories of love, especially for the person whose primary love language is quality time.
Gary Chapman (The 5 Love Languages: The Secret to Love that Lasts)
Mountains & low hills would enclose us, & gardens & woods & green spaces would surround us - And each pretty house & its garden would hide itself in its very own corner - And the beloved & understanding people would stroll in & out just when they chose & read to each other under trees on lawns & tell stories on broad porches while the mountains & the clouds & the birds & the flowers would look & listen & delight & always understand what everybody meant because they would all belong. -from Frances Hodgson Burnett: The unexpected life of the author of the Secret Garden
Frances Hodgson Burnett
And I will stroll the merry way And jump the hedges first And I will drink the clear Clean water for to quench my thirst And I shall watch the ferry-boats And they'll get high On a bluer ocean Against tomorrows sky And I will never grow so old again And I will walk and talk In gardens all wet with rain Oh sweet thing, sweet thing My, my, my, my, my sweet thing And I shall drive my chariot Down your streets and cry Hey, it's me, I'm dynamite And I don't know why And you shall take me strongly In your arms again And I will not remember That I even felt the pain. We shall walk and talk In gardens all misty and wet with rain And I will never, never, never Grow so old again. Oh sweet thing, sweet thing My, my, my, my, my sweet thing And I will raise my hand up Into the night time sky And count the stars That's shining in your eye Just to dig it all an not to wonder That's just fine And I'll be satisfied Not to read in between the lines And I will walk and talk In gardens all wet with rain And I will never, ever, ever, ever Grow so old again. Oh sweet thing, sweet thing Sugar-baby with your champagne eyes And your saint-like smile.... - Sweet Thing
Van Morrison (Lit Up Inside: Selected Lyrics)
The weather was dazzling- a sunny Nova Scotia May day. We walked through the huge iron gates into the Public Gardens and ate our sandwiches and apples beside the duck pond. I kicked off my rubber boots and wiggled my toes in the sun as I watched the swans and yellow ducklings. The Gardens were immense, full of massive and intricate flowerbeds, winding paths, and strange exotic trees. There were statues, a splashing fountain, an elaborate round bandstand, and a little river with a curved bridge over it. Lovers strolled arm and arm, and children shrieked with laughter as they chased the pigeons.
Budge Wilson (The Leaving and Other Stories (POINT))
In some ways it seemed wrong that he lived here now, in this solitary place. At least part of the time he ought to be walking into ballrooms and strolling into gardens in his superbly tailored black evening clothes, making feminine heartbeats triple. With a wan inner smile at her attempted impartiality, Elizabeth told herself men like Ian Thornton probably performed a great service to society-he gave them something to stare at and admire and even fear. Without men like him, ladies would have nothing to dream about. And much less to regret, she reminded herself. Ian had not so much as turned to glance her way, and so it was little wonder that she jumped in surprise when he said without looking at her, “It’s a lovely evening, Elizabeth. If you can spare the time from your letter, would you like to go for a walk?” “Walk?” she repeated, stunned by the discovery that he was evidently as aware of what she was doing as she had been aware of him, sitting at the table. “It’s dark out,” she said mindlessly, searching his impassive features as he arose and walked over to her chair. He stood there, towering over her, and there was nothing about the expression on his handsome face to indicate he had any real desire to go anywhere with her. She cast a hesitant glance at the vicar, who seconded Ian’s suggestion. “A walk is just the thing,” Duncan said, standing up. “It aids the digestion, you know.” Elizabeth capitulated, smiling at the gray-haired man. “I’ll just get a wrap from upstairs. Shall I bring something for you, sir?” “Not for me,” he said, wrinkling his nose. “I don’t like tramping about at night.” Belatedly realizing he was openly abdicating his duties as chaperon, Duncan added quickly, “Besides, my eyesight is not as good as it once was.” Then he spoiled that excuse by picking up the book he’d been reading earlier, and-without any apparent need for spectacles-he sat down in a chair and began reading by the light of the candles.
Judith McNaught (Almost Heaven (Sequels, #3))
She forced herself to stroll casually and appraise her plants. The wisteria was shedding its final leaves, the jasmine had long lost its flowers, but the autumn had been mild and the pink roses were still in bloom. Eliza went closer, took a half-opened bud between her fingers and smiled at the perfect raindrop caught within its inner petals. The thought was sudden and complete. She must make a bouquet, a welcome-home gift for Rose. Her cousin was fond of flowers, but more than that, Eliza would select plants that were a symbol of their bond. There must be ivy for friendship, pink rose for happiness, and some of the exotic oak-leaved geranium for memories...
Kate Morton (The Forgotten Garden)
Nancy drove to River Heights and dropped George and Bess at their homes. In a few minutes she reached her own brick colonial house, which set back from the street and was reached by a curving driveway. Mr. Drew’s sporty sedan rolled in right behind her. “Hello, Nancy,” the lawyer greeted his daughter fondly. “I came home early today—had a rather hard session in court.” Nancy and her father strolled through the garden. “Dad, let’s sit down here,” she suggested after a few moments, indicating a stone bench. “I have something to show you.” “A letter from Ned Nickerson?” he teased. “Or is it from a new admirer?” Nancy laughed. “Neither. It’s something I copied today from part of a map of a treasure island!
Carolyn Keene (The Quest of the Missing Map (Nancy Drew, #19))
He finished his meeting a few minutes later and almost rudely ejected his business acquaintances from his library, then he went in search of Elizabeth. “She is out in the gardens, my lord,” his butler informed him. A short while later Ian strolled out the French doors and started down the balcony steps to join her. She was bending down and snapping a withered rosebud from its stem. “It only hurts for a moment,” she told the bush, “and it’s for your own good. You’ll see.” With an embarrassed little smile she looked up at him. “It’s a habit,” she explained. “It obviously works,” he said with a tender smile, looking at the way the flowers bloomed about her skirts. “How can you tell?” “Because,” he said quietly as she stood up, “until you walked into it, this was an ordinary garden.” Puzzled, Elizabeth tipped her head. “What is it now?” “Heaven.” Elizabeth’s breath caught in her chest at the husky timbre of his voice and the desire in his eyes. He held out his hand to her, and, without realizing what she was doing, she lifted her hand and gave it to him, then she walked straight into his arms. For one breathless moment his smoldering eyes studied her face feature by feature while the pressure of his arms slowly increased, and then he bent his head. His sensual mouth claimed hers in a kiss of violent tenderness and tormenting desire while his hands slid over the sides of her breasts, and Elizabeth felt all her resistance, all her will, begin to crumble and disintegrate, and she kissed him back with her whole heart.
Judith McNaught (Almost Heaven (Sequels, #3))
Well, she would marry a man who didn't need or want her fortune. Mr. Pinter didn't fall into that category. And given how blank his expression became as his gaze met hers, she'd been right to be skeptical. he would never be interested in her in that way. He confirmed it by saying, with his usual formality, "I doubt any man would consider your ladyship unacceptable as a wife." Oh, when he turned all hoity-toity, she could just murder him. "Then we agree that the gentlemen in question would find me satisfactory," she said, matching his cold tone. "So I don't see why you assume they'd be unfaithful." "Some men are unfaithful no matter how beautiful their wives are," Mr. Pinter growled. He thought her beautiful? There she went again, reading too much into his words. He was only making a point. "But you have no reason to believe that these gentleman would be. Unless there's some dark secret you already know about them that I do not?" Glancing away, he muttered a curse under his breath. "No." "Then here's your chance to find out the truth about their characters. Because I prefer facts to opinions. And I was under the impression that you do, too." Take that, Mr. Pinter! Hoist by your own petard. The man always insisted on sticking to the facts. And he was well aware that she'd caught him out, for he scowled, then crossed his arms over his chest. His rather impressive chest, from what she could tell beneath his black coat and plain buff waistcoat. "I can't believe I'm the only person who would object to these gentlemen," he said. "What about your grandmother? Have you consulted her?" She lifted her eyes heavenward. He was being surprisingly resistant to her plans. "I don't need to. Every time one of them asks to dance with me, she beams. She's forever urging me to smile at them or attempt flirtation. And if they so much as press my hand or take my for a stroll, she quizzes me with great glee on what was said and done." "She's been letting you go out on private strolls with these scoundrels?" Mr. Pinter said in sheer outrage. "They aren't scoundrels." "I swear to God, you're a lamb among the wolves," he muttered. That image of her, so unlike how she saw herself, made her laugh. "I've spent half my life in the company of my brothers. Every time Gabe went to shoot, I went with him. At every house party that involved his friends, I was urged to show off my abilities with a rifle. I think I know how to handle a man, Mr. Pinter." His glittering gaze bored into her. "There's a vast difference between gamboling about in your brother's company with a group of his friends and letting a rakehell like Devonmont or a devilish foreigner like Basto stroll alone with you down some dark garden path." A blush heated her cheeks. "I didn't mean strolls of that sort, sir. I meant daytime walks about our gardens and such, with servants in plain view. All perfectly innocent." He snorted. "I doubt it will stay that way." "Oh, for heaven's sake, why are you being so stubborn? You know I must marry. Why do you even care whom I choose?" "I don't care," he protested. "I'm merely thinking of how much of my time will be wasted investigating suitors I already know are unacceptable." She let out an exasperated breath. Of course. With him, it was always about money. Heaven forbid he should waste his time helping her.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
As my grandmother discovered long ago, the Japanese excel in cultivating nature. Their gardens come in numerous styles, including paradise gardens, dry-landscape gardens, stroll gardens, and tea gardens. Although each type has its own goal, tray all share the same principle: nature is manipulated to create a miniature symbolic landscape. A paradise garden is meant to evoke the Buddhist paradise through the use of water dotted with stone "islands." Dry-landscape gardens, usually tucked away in Zen temples, use dry pebbles and stones to create minimalist views for quiet contemplation. Stroll gardens offer changing scenes with every step, a pool of carp here, a mossy trail there, and a small bridge to link them both, while a tea garden provides a serene path to take you from the external world to the spiritual one of the teahouse.
Victoria Abbott Riccardi (Untangling My Chopsticks: A Culinary Sojourn in Kyoto)
Come for a walk, dear. The air will do you good." Raoul thought that she would propose a stroll in the country, far from that building which he detested as a prison whose jailer he could feel walking within the walls... the jailer Erik... But she took him to the stage and made him sit on the wooden curb of a well, in the doubtful peace and coolness of a first scene set for the evening's performance. On another day, she wandered with him, hand in hand, along the deserted paths of a garden whose creepers had been cut out by a decorator's skillful hands. It was as though the real sky, the real flowers, the real earth were forbidden her for all time and she condemned to breathe no other air than that of the theatre. An occasional fireman passed, watching over their melancholy idyll from afar. And she would drag him up above the clouds, in the magnificent disorder of the grid, where she loved to make him giddy by running in front of him along the frail bridges, among the thousands of ropes fastened to the pulleys, the windlasses, the rollers, in the midst of a regular forest of yards and masts. If he hesitated, she said, with an adorable pout of her lips: "You, a sailor!" And then they returned to terra firma, that is to say, to some passage that led them to the little girls' dancing-school, where brats between six and ten were practicing their steps, in the hope of becoming great dancers one day, "covered with diamonds..." Meanwhile, Christine gave them sweets instead. She took him to the wardrobe and property-rooms, took him all over her empire, which was artificial, but immense, covering seventeen stories from the ground-floor to the roof and inhabited by an army of subjects. She moved among them like a popular queen, encouraging them in their labors, sitting down in the workshops, giving words of advice to the workmen whose hands hesitated to cut into the rich stuffs that were to clothe heroes. There were inhabitants of that country who practiced every trade. There were cobblers, there were goldsmiths. All had learned to know her and to love her, for she always interested herself in all their troubles and all their little hobbies. She knew unsuspected corners that were secretly occupied by little old couples. She knocked at their door and introduced Raoul to them as a Prince Charming who had asked for her hand; and the two of them, sitting on some worm-eaten "property," would listen to the legends of the Opera, even as, in their childhood, they had listened to the old Breton tales.
Gaston Leroux (The Phantom of the Opera)
CHILDHOOD I That idol, black eyes and yellow mop, without parents or court, nobler than Mexican and Flemish fables; his domain, insolent azure and verdure, runs over beaches called by the shipless waves, names ferociously Greek, Slav, Celt. At the border of the forest—dream flowers tinkle, flash, and flare,—the girl with orange lips, knees crossed in the clear flood that gushes from the fields, nakedness shaded, traversed, dressed by rainbow, flora, sea. Ladies who stroll on terraces adjacent to the sea; baby girls and giantesses, superb blacks in the verdigris moss, jewels upright on the rich ground of groves and little thawed gardens,—young mothers and big sisters with eyes full of pilgrimages, sultanas, princesses tyrannical of costume and carriage, little foreign misses and young ladies gently unhappy. What boredom, the hour of the “dear body” and “dear heart.” II
Arthur Rimbaud (Illuminations: Prose poems (New Directions Paperbook, No. 56))
But I never forgot Shosha. I dreamed of her at night. In my dreams she was both dead and alive. I played with her in a garden which was also a cemetery. Dead girls joined us there, wearing garments that were ornate shrouds. They danced in circles and sang songs. They swung, skated, occasionally hovered in the air. I strolled with Shosha in a forest of gigantic trees that reached the sky. The birds there were different from any I knew. They were as big as eagles, as colorful as parrots. They spoke Yiddish. From the thickets surrounding the garden, beasts with human faces showed themselves. Shosha was at home in this garden, and instead of my pointing out and explaining to her as I had done in the past, she revealed to me things I hadn't known and whispered secrets in my ear. Her hair had grown long enough to reach her loins, and her flesh glowed like mother-of-pearl. I always awoke from this dream with a sweet taste in my mouth and the impression that Shosha was on longer living.
Isaac Bashevis Singer (Shosha)
Arnold had never given much thought to whether or not he loved America—but now it seemed pretty obvious to him that he didn’t. Not in the way Nathan Hale had loved America. Or even in the way his late father, a Dutch-Jewish refugee, had loved America. In fact, he found the idea of sacrificing his life for his country somewhat abhorrent. Moreover, it wasn’t that he disliked abstract loyalties in general. He loved New York, for instance: Senegalese takeout at three a.m., and strolling through the Botanical Gardens on the first crisp day of autumn, and feeding the peacocks at the Cathedral of St. John the Divine. If Manhattan were invaded—if New Jersey were to send an expeditionary force of militiamen across the Hudson River—he’d willingly take up arms to defend his city. He also loved Sandpiper Key in Florida, where they owned a time-share, and maybe Brown University, where he’d spent five years of graduate school. But the United States? No one could mistake his qualified praise for love.
Jacob M. Appel (The Man Who Wouldn't Stand Up)
He moves through the white glare of a Key West afternoon in that curious, rolling, cantilevered, ball-of-the-foot, and just-off-kilter gait that suggests a kind of subtle menace. He’s on dense and narrow and aromatic streets bearing people’s first names—Olivia, Petronia, Thomas, Emma, Angela, Geraldine. He’s Tom Sawyer on a Saturday in Hannibal, tooting like a steamboat, rid now of Aunt Polly’s clutches, left to his own devices, not to show back home until the sun is slanting in long bars. He’s Jake Barnes on a spring morning in Paris, when the horse chestnut trees are in bloom in the Luxembourg gardens. Jake is expert at shortcutting down the Boul’Mich’ to the rue Soufflot, where he hops on the back platform of an S bus, and rides it to the Madeleine, and then jumps off and strolls along the boulevard des Capucines to l’Opéra, where he then turns in at his building and rides the elevator up to his office to read the mail and sit at the typewriter and prepare a few cables for his newspaper across the Atlantic. “There was the pleasant early-morning feel of a hot day,” is the way Jake’s creator, living in this different region of light, had said it at the start of chapter 5 of The Sun Also Rises.
Paul Hendrickson (Hemingway's Boat: Everything He Loved in Life, and Lost, 1934-1961)
You look like a goddess,” he murmured as he raked his eyes down her form. And she melted into a puddle. “Thank you.” She tried to sound cool and sophisticated. “I much prefer wearing a gown that’s not too tight.” “Except where it should be.” He dropped his gaze pointedly to her bosom. The frank admiration in his eyes made her glad that she’d let Betty guide her choice for tonight. After that other scandalous gown, she’d been reluctant to wear anything low cut, but this one did look beautiful on her, even with its décolletage. Salmon had always been a good color for her, and the satin rouleaux trim made her feel pretty and elegant. “So it’s presentable enough for dinner with your family?” she asked. “They don’t even deserve to see you in it.” The low rumble of his voice made her breath catch in her throat. “I only wish that you and I could-“ “You do look lovely,” said another voice. Lord Gabriel came up from behind Oliver, dressed all in black as usual. A look of pure mischief crossed his face. “Sorry I’m late, Miss Butterfield, but thank you, brother, for keeping her company until I arrived.” Oliver glared at him. “What the devil do you mean?” “I’m taking the young lady down to dinner.” “That office should be left to her fiancé, don’t you think?” Oliver bit out. “Pretend fiancé. You have no real claim on her. And since you had her to yourself all day…” Lord Gabriel offered his arm. “Shall we, Miss Butterfield?” Maria hesitated, unsure what to do. But Oliver was a danger to her sanity, and his brother wasn’t. So she was better off with Lord Gabriel. “Thank you, sir,” she said, taking his arm. “Now just wait one blasted minute. You can’t-“ “What? Be friendly to our guest?” Lord Gabriel asked, his face a mask of innocence. “Really, old boy, I didn’t realize it mattered that much. But if it upsets you to see Miss Butterfield on the arm of another man, I’ll certainly yield the field.” Lord Gabriel’s words seemed to give Oliver pause. Glancing from Maria to his brother, he smiled, though it didn’t nearly reach his eyes. “No, it’s fine,” he said tightly. “Perfectly fine.” When they headed down the hall with Oliver following behind, Lord Gabriel flashed her a conspiratorial glance. She wasn’t sure what the conspiracy was, but since it seemed to irritate Oliver, she went along. The incident was only the first in a series that continued throughout the week. Whenever she and Oliver found themselves alone, even for a moment, one of his siblings popped up to offer some entertainment-a stroll in the gardens, a ride into Ealing, a game of loo. With each instance, Oliver grew more annoyed, for no reason that she could see. Unless… No, that was crazy.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
It was a gorgeous evening, with a breeze shimmering through the trees, people strolling hand in hand through the quaint streets and the plaza. The shops, bistros and restaurants were abuzz with patrons. She showed him where the farmer's market took place every Saturday, and pointed out her favorite spots- the town library, a tasting room co-op run by the area vintners, the Brew Ha-Ha and the Rose, a vintage community theater. On a night like this, she took a special pride in Archangel, with its cheerful spirit and colorful sights. She refused to let the Calvin sighting drag her down. He had ruined many things for her, but he was not going to ruin the way she felt about her hometown. After some deliberation, she chose Andaluz, her favorite spot for Spanish-style wines and tapas. The bar spilled out onto the sidewalk, brightened by twinkling lights strung under the big canvas umbrellas. The tables were small, encouraging quiet intimacy and insuring that their knees would bump as they scooted their chairs close. She ordered a carafe of local Mataro, a deep, strong red from some of the oldest vines in the county, and a plancha of tapas- deviled dates, warm, marinated olives, a spicy seared tuna with smoked paprika. Across the way in the plaza garden, the musician strummed a few chords on his guitar. The food was delicious, the wine even better, as elemental and earthy as the wild hills where the grapes grew. They finished with sips of chocolate-infused port and cinnamon churros. The guitar player was singing "The Keeper," his gentle voice seeming to float with the breeze.
Susan Wiggs (The Beekeeper's Ball (Bella Vista Chronicles, #2))
He went to look closely at the painting, which portrayed a parade of fat white geese strolling past the doorway of a cottage. "Someday I'll be able to afford real art," Garrett said, coming to stand beside him. "In the meantime, we'll have to make do with this." Ethan's attention was drawn to the tiny initials in the corner of the work: G.G. A slow smile broke over his face. "You painted it?" "Art class, at boarding school," she admitted. "I wasn't bad at sketching, but the only subject I could manage to paint adequately was geese. At one point I tried to expand my repertoire to ducks, but those earned lower marks, so it was back to geese after that." Ethan smiled, imagining her as a studious schoolgirl with long braids. The light of a glass-globe parlor lamp slid across the tidy pinned-up weight of her hair, bringing out gleams of red and gold. He'd never seen anything like her skin, fine and powerless, with a faint glow like a blush-colored garden rose. "What gave you the idea to paint geese in the first place?" he asked. "There was a goose pond across from the school," Garrett said, staring absently at the picture. "Sometimes I saw Miss Primrose at the front windows, watching with binoculars. One day I dared to ask her what she found so interesting about geese, and she told me they had a capacity for attachment and grief that rivaled humans. They mated for life, she said. If a goose was injured, the gander would stay with her even if the rest of the flock was flying south. When one of a mated pair died, the other would lose its appetite and go off to mourn in solitude.
Lisa Kleypas (Hello Stranger (The Ravenels, #4))
A little later, strolling about the town, I, stopped into a shop near the museum, where they sold souvenirs and post-cards. I looked over the cards leisurely; the ones I liked best were soiled and wrinkled. The man, who spoke French fluently, offered to make the cards presentable. He asked me to wait a few minutes while he ran over to the house and cleaned and ironed them. He said he would make them look like new. I was so dumbfounded that before I could say anything he had disappeared, leaving me in charge of the shop. After a few minutes his wife came in. I thought she looked strange for a Greek woman. After a few words had passed I realized that she was French and she, when she learned that I hailed from Paris, was overjoyed to speak with me. We got along beautifully until she began talking about Greece. She hated Crete, she said. It was too dry, too dusty, too hot, too bare. She missed the beautiful trees of Normandy, the gardens with the high walls, the orchards, and so on. Didn't I agree with her? I said NO, flatly. "Monsieur!" she said, rising up in her pride and dignity, as if I had slapped her in the face. "I don't miss anything," I said, pressing the point home. "I think this is marvellous. I don't like your gardens with their high walls, I don't like your pretty little orchards and your well-cultivated-fields. I like this …" and I pointed outdobrs to the dusty road on which a sorely-laden donkey was plodding along dejectedly. "But it's not civilized," she said, in a sharp, shrill voice which reminded me of the miserly tobacconiste in the Rue de la Tombe-Issoire. "Je m'en fous da la civilisation européenne!" I blurted out. "Monsieur!" she said again, her feathers ruffled and her nose turning blue with malice. Fortunately her husband reappeared at this point with the post-cards which he had given a dry-cleaning.
Henry Miller (The Colossus of Maroussi)
Our story begins on a sweltering August night, in a sterile white room where a single fateful decision is made amid the mindless ravages of grief. But our story does not end there. It has not ended yet. Would I change the course of our lives if I could? Would I have spent my years plucking out tunes on a showboat, or turning the soil as a farmer’s wife, or waiting for a riverman to come home from work and settle in beside me at a cozy little fire? Would I trade the son I bore for a different son, for more children, for a daughter to comfort me in my old age? Would I give up the husbands I loved and buried, the music, the symphonies, the lights of Hollywood, the grandchildren and great-grandchildren who live far distant but have my eyes? I ponder this as I sit on the wooden bench, Judy’s hand in mine, the two of us quietly sharing yet another Sisters’ Day. Here in the gardens at Magnolia Manor, we’re able to have Sisters’ Day anytime we like. It is as easy as leaving my room, and walking to the next hall, and telling the attendant, “I believe I’ll take my dear friend Judy out for a little stroll. Oh yes, of course, I’ll be certain she’s delivered safely back to the Memory Care Unit. You know I always do.” Sometimes, my sister and I laugh over our clever ruse. “We’re really sisters, not friends,” I remind her. “But don’t tell them. It’s our secret.” “I won’t tell.” She smiles in her sweet way. “But sisters are friends as well. Sisters are special friends.” We recall our many Sisters’ Day adventures from years past, and she begs me to share what I remember of Queenie and Briny and our life on the river. I tell her of days and seasons with Camellia, and Lark, and Fern, and Gabion, and Silas, and Old Zede. I speak of quiet backwaters and rushing currents, the midsummer ballet of dragonflies and winter ice floes that allowed men to walk over water. Together, we travel the living river. We turn our faces to the sunlight and fly time and time again home to Kingdom Arcadia. Other days, my sister knows me not at all other than as a neighbor here in this old manor house. But the love of sisters needs no words. It does not depend on memories, or mementos, or proof. It runs as deep as a heartbeat. It is as ever present as a pulse. “Aren’t they so very sweet?
Lisa Wingate (Before We Were Yours)
It must be disheartening work learning a musical instrument. You would think that Society, for its own sake, would do all it could to assist a man to acquire the art of playing a musical instrument. But it doesn’t! I knew a young fellow once, who was studying to play the bagpipes, and you would be surprised at the amount of opposition he had to contend with. Why, not even from the members of his own family did he receive what you could call active encouragement. His father was dead against the business from the beginning, and spoke quite unfeelingly on the subject. My friend used to get up early in the morning to practise, but he had to give that plan up, because of his sister. She was somewhat religiously inclined, and she said it seemed such an awful thing to begin the day like that. So he sat up at night instead, and played after the family had gone to bed, but that did not do, as it got the house such a bad name. People, going home late, would stop outside to listen, and then put it about all over the town, the next morning, that a fearful murder had been committed at Mr. Jefferson’s the night before; and would describe how they had heard the victim’s shrieks and the brutal oaths and curses of the murderer, followed by the prayer for mercy, and the last dying gurgle of the corpse. So they let him practise in the day-time, in the back-kitchen with all the doors shut; but his more successful passages could generally be heard in the sitting-room, in spite of these precautions, and would affect his mother almost to tears. She said it put her in mind of her poor father (he had been swallowed by a shark, poor man, while bathing off the coast of New Guinea — where the connection came in, she could not explain). Then they knocked up a little place for him at the bottom of the garden, about quarter of a mile from the house, and made him take the machine down there when he wanted to work it; and sometimes a visitor would come to the house who knew nothing of the matter, and they would forget to tell him all about it, and caution him, and he would go out for a stroll round the garden and suddenly get within earshot of those bagpipes, without being prepared for it, or knowing what it was. If he were a man of strong mind, it only gave him fits; but a person of mere average intellect it usually sent mad. There is, it must be confessed, something very sad about the early efforts of an amateur in bagpipes.
Various (100 Eternal Masterpieces of Literature [volume 2])
We are the civilized world, you and I. A few dozen people, with our learning. As long as we continue to stroll through my garden arm in arm, civilization will continue.
Iain Pears
You’re really going to kick me out?” “Yes, I really am.” Mrs. Wattlesbrook folded her arms. Jane bit her lip and bent her head back to look at the sky. Funny that it looked so far away. It felt as if it were pressing down on her head, shoving her into the dirt. What a mean bully of a sky. Much of the household was present now. Miss Heartwright was huddled with the main actors, whispering, like rubberneckers shocked at a roadside accident but unable to look away. A couple of gardeners strolled up as well, tools in hand. Martin wiped his brow, confusion (sadness?) heavy on his face. Jane was embarrassed to see him, remembering how she’d ended things, and feeling less than appealing at the moment. The whole scene was rather Hester Prynne, and Jane imagined herself on a scaffold with a scarlet C for “cell phone” on her chest. She realized she was still holding her croquet mallet and wondered that no one felt threatened by her. She hefted it. Would it be fun to bash in a window? Nah. She handed it to Miss Charming. “Go get ‘em, Charming.” “Okay,” Miss Charming said uncertainly. “If you would be so kind as to step into the carriage,” said Mrs. Wattlesbrook. Curse the woman. Jane had just started to have such fun, too. Why didn’t one of the gentlemen come forward to defend her? Wasn’t that, like, their whole purpose of existence? She supposed they’d be fired if they did. The cowards. She stood on the carriage’s little step and turned to face the others. She’d never left a relationship with the last word, something poetic and timeless, triumphant amid her downfall. Oh, for a perfect line! She opened her mouth, hoping something just right would come to her, but Miss Heartwright spoke first. “Mrs. Wattlesbrook! Oh dear, I have only now realized what transpired.” She lifted the hem of her skirts and minced her way to the carriage. “Please wait, this is all my fault. Poor Miss Erstwhile was only doing me a favor. You see, the modern contraption was mine. I did not realize I had it until I arrived, and I was so distressed, Miss Erstwhile kindly offered to keep it for me among her own things where I would not have to look upon it.” Jane stood very still. She thought to wonder what instinct made her body rigid when shocked. Was she prey by nature? A rabbit afraid to move when a hawk wheels overhead? Mrs. Wattlesbrook had not moved either, not even to blink. A silent minute limped forward as everyone waited. “I see,” the proprietress said at last. She looked at Jane, at Miss Heartwright, then fumbled with the keys at her side. “Well, now, ahem, since it was an accident, I think we should forget it ever happened. I do hope, Miss Heartwright, that you will continue to honor us with your presence.” Ah, you old witch, Jane thought. “Yes, of course, thank you.” Miss Heartwright was in her best form, all proper feminine concern, artless and pleasant. Her eyes twinkled. They really did. Everyone began to move off, nothing disturbing left to view. Jane caught a glimpse of Martin smiling, pleased, before he turned away. “I’m so sorry, Jane. I do hope you will forgive me.” “Please don’t mention it, Miss Heartwright.” “Amelia.” She held Jane’s hand to help her descend from the carriage. “You must call me Amelia now.” “Thank you, Amelia.” It was such a sisterly moment, Jane thought they might actually embrace. They didn’t.
Shannon Hale (Austenland (Austenland, #1))
One of her sandals had broken. It hung, hopeless, from her left ankle. They hadn’t been designed for frantic running through the forests. They were for dancing on the terraces outside the palace, for strolling manicured paths through the Red Gardens. They were designed to be pretty and useless. Like her.
Imogen Keeper (The Bonding (Tribe Warrior, #1))
Security was, though, an ongoing rock-paper-scissors match between technologies that all seemed to want different things. The lobby of the building, its elevators and stairwells, and its exterior belts of walkways and gardens had all been covered by security cameras from the very beginning of Zula and Csongor’s tenancy. In those days a security guard would sit all day behind a reception desk in the lobby, keeping an eye on the main entrance, glancing down from time to time at an array of flat-panel monitors that showed him the feeds from those cameras. But the desk had been torn out some years ago and replaced with a big saltwater aquarium. The building still employed a security firm. But those guards who were human, and who were actually on site, spent most of the day up on their feet, strolling about the property while keeping track of events in wearable devices. Some of the “guards” were just algorithms, analyzing video and audio feeds for suspicious behavior, recognizing faces and cross-checking them against a whitelist of residents, friends, and neighbors, and a blacklist of predators, stalkers, and ex-husbands. Anything ambiguous was forwarded to a Southeast Asian eyeball farm.
Neal Stephenson (Fall; or, Dodge in Hell)
We cannot approach God like romantics taking a stroll, seeking nice emotions in an English garden. . . . God demands that we be purified of all the disorderly states that weigh down our heart and darken our soul.
Robert Sarah (God or Nothing: A Conversation on Faith)
This is how a great short piece of comedy works: The reader feels as though the writer is taking them on a leisurely stroll along a simple garden path, parasol in hand, and in a careful and measured way, pointing out all the funny and wonderful things in this hilarious comedy world. Showing them too much, or veering off the path by introducing concepts unrelated to your title, or racing through, introducing hard-to-understand concepts too quickly, you’ll give the reader more than they bargained for. They’ll get scared and abandon the journey.
Scott Dikkers (How to Write Funnier: Book Two of Your Serious Step-by-Step Blueprint for Creating Incredibly, Irresistibly, Successfully Hilarious Writing (How to Write Funny 2))
After spending a considerable amount of time admiring their home, discussing Elizabeth’s journey and all the news from London and Longbourn, Mr. Collins invited the ladies to take a stroll in his garden.
Amy Cecil (Relentless Considerations: A Pride and Prejudice Novel)
I want to invite you to come for a stroll in the menagerie,' I said, feeling pretty uncomfortable. 'But it's too early,' she replied. 'It isn't five o'clock yet. I never get up before ten.' 'It's lovely out,' I added. "Oh, all right, if you insist.' We went down into the silent garden. Dawn is the time when nothing breathes, the hour of silence. Everything is transfixed, only the light moves.
Leonora Carrington
I am no garden. No one strolls through me. I am a labyrinth. Men worry at every turn they have gone too far and cannot remember the way out.
David Jetrè
Clad in white silk, her long curtain of dark hair unbound, the Grand Empress strolled, silent and grave as a wraith, down a walkway wending through the rock formations of the garden. Only moonlight filled the space—moonlight and shadow, as the empress strode alone and unnoticed, her simple gown flowing behind her as if on a phantom wind. White for grief—for death. The Grand Empress’s face was unadorned, her coloring far paler than that of her children. No joy limned her features; no life. No interest in either. Nesryn lingered in the shadows of the pillar, watching the woman drift farther away, as if she were wandering the paths of some dreamscape. Or perhaps some empty, barren hell.
Sarah J. Maas (Tower of Dawn (Throne of Glass, #6))
And at once he saw: deep under the earth, in darkness impenetrable, an immense dynamo was humming. Above the dynamo was an underground hive of shops, with electric lights and steam heat, and above the shops an underground park or garden with what seemed to be a theater of some kind. Above the ground a great lobby stretched away: elevator doors opened and closed, people strode in and out, bells rang, the squeak of valises mingled with the rattle of many keys and the ringing of many telephones, alcove opened into alcove as far as the eye could see. Above the lobby rose two floors of public rooms and then the private rooms began, floor after floor of rooms, higher and higher, a vertical city, a white tower, a steel flower—and always elevators rising and falling, from the cloud-piercing top to the darkness where the great dynamo hummed. Martin had less the sense of observing the building than of inhabiting it at every point: he rose and fell in the many elevators, he strolled through the parlor of an upper room and walked in the underground park or garden—and then it was as if the structure were his own body, his head piercing the clouds, his feet buried deep in the earth, and in his blood the plunge and rise of elevators.
Steven Millhauser (Martin Dressler: The Tale of an American Dreamer)
We cannot approach God like romantics taking a stroll, seeking nice emotions in an English garden. . . . God demands that we be purified of all the disorderly states that weigh down our heart and darken our soul. The
Robert Sarah (God or Nothing: A Conversation on Faith)
Syme strolled with her to a seat in the corner of the garden, and continued to pour out his opinions. For he was a sincere man, and in spite of his superficial airs and graces, at root a humble one. And it is always the humble man who talks too much; the proud man watches himself too closely.
G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
Ladies and gentlemen.” His voice carried straight into the darkest corners of the hall and straight into Ellen’s heart. “There is a slight misprint on tonight’s program. We offer for our finale tonight my own debut effort, which is listed on the program as Little Summer Symphony. It should read, Little Weldon Summer Symphony, and the dedication was left out, as well, so I offer it to you now. “Ellen, I know you are with me tonight, seated with my parents and our friends, though I cannot see you. I can feel you, though, here.” He tapped the tip of the baton over his heart. “I can always feel you there, and hope I always will. Like its creator, this work is not perfect, but it is full of joy, gratitude, and love, because of you. Ladies and gentlemen, I dedicate this work to the woman who showed me what it means to be loved and love in return: Ellen, Baroness Roxbury, whom I hope soon to convince to be my lady wife. These modest tunes and all I have of value, Ellen, are dedicated to you.” He turned in the ensuing beats of silence, raised his baton, and let the music begin. Ellen was in tears before the first movement concluded. The piece began modestly, like an old-fashioned sonata di chiesa, the long slow introduction standing alone as its own movement. Two flutes began it, playing about each other like two butterflies on a sunbeam, but then broadening, the melody shifting from sweet to tender to sorrowful. She heard in it grief and such unbearable, unresolved longing, she wanted to grab Val’s arm to make the notes stop bombarding her aching heart. But the second movement marched up right behind that opening, full of lovely, laughing melodies, like flowers bobbing in a summer breeze. This movement was full of song and sunshine; it got the toes tapping and left all manner of pretty themes humming around in the memory. My gardens, Ellen thought. My beautiful sunny gardens, and Marmalade and birds singing and the Belmont brothers laughing and racing around. The third movement was tranquil, like the sunshine on the still surface of the pond, like the peace after lovemaking. The third movement was napping entwined in the hammock, and strolling home hand in hand in the moonlight. She loved the third movement the best so far, until it romped into a little drinking song, that soon got away from itself and became a fourth movement full of the ebullient joy of creation at its most abundant and beautiful. The joy of falling in love, Ellen thought, clutching her handkerchief hard. The joy of being in love and being loved the way you need to be. Ah, it was too much, and it was just perfect as the music came to a stunning, joyous conclusion.
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
Come for a stroll with me later, Lydia,” offered Elizabeth. “We may talk more then.” “Yes,” said Mary, who had been buttering her roll with great concentration, “a repentant march up and down Oakham Mount is just Lizzy’s way of retribution. Take my advice, Lydia, and negotiate for the herb garden.
Jeannie Peneaux (A Repellent Prospect: A Pride and Prejudice Variation)
At first I felt something like an oppressed anxiety when I was near the little sick girl, which later changed into pious and reverential awe in face of this dumb and strangely moving suffering. Whenever I saw her, an obscure sensation would arise in me that she must surely die. And then I grew afraid to look her in the face. Whenever I roamed the forests during the day, feeling so joyful in this solitude and peace, when I stretched out wearily on the moss and gazed for hours together into the bright, shimmering sky, into whose very depths one could see, when a strange and profound sense of joy thrilled me, I would suddenly think of the sick Maria - then I would get up and roam aimlessly about, overwhelmed by inexplicable thoughts and feel a dull pressure in my head and my heart which brought me to the verge of tears. At times when I walked in the evening along the dusty main street which was filled with the scent of the blossoming lime and watched whispering couples as they stood in the shadows of the trees; when I saw two people pressed close together as though they were one being, sauntering slowly beside the fountain as it quietly played in the moolight, and a feverish thrill of presentiment coursed through me as I thought of poor sick Maria; then I was seized by a quiet yearning for something inexplicable and all at once I saw myself strolling arm in arm with her in the shade of the fragrant lime trees. And a strange radiance shone from Maria's great dark eyes, and the moon made her slender little face appear still paler and more transparent. Then I fled upstairs into my attic, leaned against the window, looked up into the deep dark heavens where the stars appeared to have gone out and for hours abandoned myself to formless and confusing dreams until overcome by sleep. And yet - and yet I did not exchange so much as ten words with poor sick Maria. She never spoke. I would only sit at her side for hours gazing into her sick, suffering face, feeling ever and again that she must die. In the garden I lay in the grass and breathed in the fragrance of a thousand flowers; my eye was intoxicated by the gleaming colours of blossoms flooded with sunlight, and I listened too for the silence in the air above, interrupted only by the mating call of a bird. I sensed the ferment of the fruitful, torrid earth, that mysterious sound of ever-creative life. I could then darkly feel the greatness and beauty of life. Then it semed to me as if life belonged to me. But then my eye lit upon the bay-window of the house. I could see the sick Maria sitting there - silent and motionless and with closed eyes. And all my thinking was again drawn to the suffering of this being and remained there - became a painful but shyly conceded yearning which struck me as puzzling and confusing. And I left the garden timidly, silently, as though I had no right to linger in this temple.
Georg Trakl (Poems and Prose)
Is it just me, or is this a weird combination?” Sam asked as we strolled through the collection of garden statues. “I mean, we’ve got fat little babies, lions, angels, and then Titty Tina over here.
Jayda Marx (Twice Bitten (Javier Coven #3))
Pariva was a small village, unimportant enough that it rarely appeared on any maps of Esperia. Bordered by mountains and sea, it seemed untouched by time. The school looked the same as she remembered; so did the market and Mangia Road---a block of eating establishments that included the locally famous Belmagio bakery---and cypress and laurel and pine trees still surrounded the local square, where the villagers came out to gossip or play chess or even sing together. Had it really been forty years since she had returned? It seemed like only yesterday that she'd strolled down Pariva's narrow streets, carrying a sack of pine nuts to her parents' bakery or stopping by the docks to watch the fishing boats sail across the glittering sea. Back then, she'd been a daughter, a sister, a friend. A mere slip of a young woman. Home had been a humble two-storied house on Constanza Street, with a door as yellow as daffodils and cobblestoned stairs that led into a small courtyard in the back. Her father had kept a garden of herbs; he was always frustrated by how the mint grew wild when what he truly wanted to grow was basil. The herbs went into the bread that her parents sold at their bakery. Papa crafted the savory loaves and Mamma the sweet ones, along with almond cakes drizzled with lemon glaze, chocolate biscuits with hazelnut pralines, and her famous cinnamon cookies. The magic the Blue Fairy had grown up with was sugar shimmering on her fingertips and flour dusting her hair like snow. It was her older brother, Niccolo, coaxing their finicky oven into working again, and Mamma listening for the crackle of a golden-brown crust just before her bread sang. It was her little sister Ilaria's tongue turning green after she ate too many pistachio cakes. Most of all, magic was the smile on Mamma's, Papa's, Niccolo's, and Ilaria's faces when they brought home the bakery's leftover chocolate cake and sank their forks into a sumptuous, moist slice. After dinner, the Blue Fairy and her siblings made music together in the Blue Room. Its walls were bluer than the midsummer sky, and the windows arched like rainbows. It'd been her favorite room in the house.
Elizabeth Lim (When You Wish Upon a Star)
Gardens are poems Where you stroll with your hands in your pockets.
Pierre Albert-Birot
Once upon a time in a small, cozy village, there lived a curious little cat named Whiskers. Whiskers was known for his sense of humor, playful nature, and never-ending curiosity. He had soft, light brown fur with a dark brown spot over his left eye, and his paws also had charming brown spots. Whiskers spent his days exploring the village and making friends with the other animals. One sunny morning, as Whiskers was strolling through the village, he stumbled upon a mysterious garden. The entrance was hidden behind a tall, green hedge, and it looked like it had been forgotten for years. Intrigued by this secret place, Whiskers couldn't help but enter the garden to investigate.
Uncle Amon (Whiskers the Cat: Five Fun Short Stories)
Asked by his private secretary, as they strolled in the gardens at Chequers, whether this alliance presented difficulties for such an arch anti-Communist, Churchill replied, ‘Not at all. I have only one purpose, the destruction of Hitler, and my life is much simplified thereby. If Hitler invaded Hell I would make at least favourable reference to the Devil in the House of Commons.
Clare Mulley (The Spy Who Loved: The Secrets and Lives of Christine Granville)
each time i showed you a piece of heaven it was a warning every stroll we took through the garden of my life all the flowers that bloomed for you the peacocks that sang your name were a sign yet after seeing all my magic you hit your head and lost it went and scattered yourself across this town thinking if you were lucky enough to taste me you’d get your hands on something better everything dulled in comparison now you’re back body spilling all over my floor begging me to crush you with my thighs pull you into my hips transcend you to heaven with my pussy i had you on the greatest trip of your life i had you seeing visions each time i showed you a piece of heaven every stroll we took through the garden of my life all the flowers that bloomed for you the peacocks that sang your name were a sign of all you’d lose if you betrayed me - consequences
Rupi Kaur (Home Body)
Samantha strolled into the garden and followed the little winding pathway that led through a small orchid garden to a beach shaded by tall palms. Delighted to find the beach relatively empty, Samantha carefully chose a lounge chair with a bright turquoise cushion under a palm tree whose leaves fluttered softly in the breeze. Settling in, she pulled her books and notepad from her bag and set them with her water bottle on the table next to the chair.
Tricia O'Malley (Good Girl (Siren Island #1))
Friday afternoon, an area resident was on a morning stroll when he stumbled on the decomposing body of an unidentified man in a wooded area behind Belhaven Elementary School. Details are slowly being released but it appears the unfortunate victim had been stabbed multiple times.
Hope Callaghan (Garden Girls Cozy Mysteries: Box Set (Garden Girls #1-3))
Best Budget Travel Destinations Ever Are you looking for a cheap flight this year? Travel + Leisure received a list of the most affordable locations this year from one of the top travel search engines in the world, Kayak. Kayak then considered the top 100 locations with the most affordable average flight prices, excluding outliers due to things like travel restrictions and security issues. To save a lot of money, go against the grain. Mexico Unsurprisingly, Mexico is at the top of the list of the cheapest places to travel in 2022. The United States has long been seen as an accessible and affordable vacation destination; low-cost direct flights are common. San José del Cabo (in Baja California Sur), Puerto Vallarta, and Cancun are the three destinations within Mexico with the least expensive flights, with January being the most economical month to visit each. Fortunately, January is a glorious month in each of these beachside locales, with warm, balmy weather and an abundance of vibrant hues, textures, and flavors to chase away the winter blues. Looking for a city vacation rather than a beach vacation? Mexico City, which boasts a diverse collection of museums and a rich Aztec heritage, is another accessible option in the country. May is the cheapest month to travel there. Chicago, Illinois Who wants to go to Chicago in the winter? Once you learn about all the things to do in this Midwest winter wonderland and the savings you can get in January, you'll be convinced. At Maggie Daley Park, spend the afternoon ice skating before warming up with some deep-dish pizza. Colombia Colombia's fascinating history, vibrant culture, and mouthwatering cuisine make it a popular travel destination. It is also inexpensive compared to what many Americans are used to paying for items like a fresh arepa and a cup of Colombian coffee. The cheapest month of the year to fly to Bogotá, the capital city, is February. The Bogota Botanical Garden, founded in 1955 and home to almost 20,000 plants, is meticulously maintained, and despite the region's chilly climate, strolling through it is not difficult. The entrance fee is just over $1 USD. In January, travel to the port city of Cartagena on the country's Caribbean coast. The majority of visitors discover that exploring the charming streets on foot is sufficient to make their stay enjoyable. Tennessee's Music City There's a reason why bachelorette parties and reunions of all kinds are so popular in Music City: it's easy to have fun without spending a fortune. There is no fee to visit a mural, hot chicken costs only a few dollars, and Honky Tonk Highway is lined with free live music venues. The cheapest month to book is January. New York City, New York Even though New York City isn't known for being a cheap vacation destination, you'll find the best deals if you go in January. Even though the city never sleeps, the cold winter months are the best time for you to visit and take advantage of the lower demand for flights and hotel rooms. In addition, New York City offers a wide variety of free activities. Canada Not only does our neighbor Mexico provide excellent deals, but the majority of Americans can easily fly to Canada for an affordable getaway. In Montréal, Quebec, you must try the steamé, which is the city's interpretation of a hot dog and is served steamed in a side-loading bun (which is also steamed). It's the perfect meal to eat in the middle of February when travel costs are at their lowest. Best of all, hot dogs are inexpensive and delicious as well as filling. The most affordable month to visit Toronto, Ontario is February. Even though the weather may make you wary, the annual Toronto Light Festival, which is completely free, is held in February in the charming and historic Distillery District. Another excellent choice at this time is the $5 Bentway Skate Trail under the Gardiner Expressway overpass.
Ovva
The dining table had been decorated with jars full of flowers of varying colors, heights, scents. Caladium, salvia, violas, snapdragons, or "snaps" as Glory called them. I'd learned their names---and forgotten half a dozen others as Glory and I had strolled through the garden earlier. Votive candles set into pale-pink glass holders flickered along the table runner. The glass- and silverware sparkled in the early evening sunlight, while dust motes floated lazily through the air. The roast chicken and whipped potatoes, pull-apart rolls, green bean salad, and cucumbers and onions soaked in Italian dressing had been consumed.
Heather Webber (In the Middle of Hickory Lane)
Past the old brick walls and lovely close-clipped hedges separating the different parts of the Italian gardens, the young people strolled to the rose arbors, scenes of a thousand thousand blossoms in the earlier part of the year. Retracing their steps back past the geranium beds, they walked on over the lush green grass to a sundial. Simultaneously and haltingly, as they made out the hewn words, they began to read aloud the quaint inscription cut from the gray stone: "Hours Fly, Flowers Die... New Days, New Ways, Love Stays." The spoken words, deep with meaning, seemed to ring reverberatingly for a moment over the old timepiece which had seen so many hours fly, and so many flowers die. Still facing the old sundial together, Allen slipped an arm about Laura and drew her close. "Stay Laura," he said suddenly. "Don't go. Stay and make a home with me . . . as they did. After all,--it's best." For a brief moment Laura rested her check against Allen's arm, felt the touch of something big and beyond her. In that fraction of a minute she had the sensation of being swept on to some new existence, in which she was greater than herself, larger than humanity. The feeling of a great contentment came upon her. In that brief space of time she seemed to have slipped into her place in the scheme of things. It was as though she were the center of all existence, the reason for a Great Plan.
Bess Streeter Aldrich (A White Bird Flying)
Don't wait for children's toys to fall into your garden Part of eliminating compassion is stopping other people from trying to pull it out of you. A guaranteed way to do this is to follow this exercise. Many children will undoubtedly be playing games near your home, and perhaps a Frisbee or a ball will land in your garden. The typical grumpy old man won't give it back. You must go one step further. On these same strolls where you locate charity workers, locate children playing. Playgrounds are a good place to start, but you want to be careful you don't look like a pedophile. Remember, you love nothing, children included. When you see children playing a game quickly run up and pop their ball or hurl their Frisbee into a nearby tree. Word will spread and no one will try to drag you down to their pathetically weak levels with feelings and caring. Caring is for the dead. If they had cared less they wouldn't be zombies now. So remember to pop balls, tear kites, hide Frisbees, kick sandcastles, and decapitate teddy bears. Spitting into open lunch boxes will take you over the top but isn't necessary.
Laurence Sutton (Ultimate Survival Guide : Zombie Apocalypse)
Come on, Young. The debate is about to start. Are you with us or have you gone to another realm?”               Andy knelt beside me as he continued, “Are you okay? You haven’t been yourself since your return from the hospital.”               “I’m fine. I’m enjoying the beautiful landscape. Is it alright if I go for a walk? I’d like to see more of the gardens,” I replied.               “In that case, I’ll stroll with you. I’m sure we’ll never hear the end of Alain and Jabril’s colloquy, and your teacher will continue his ecclesiastical discussions in one of his Zentology sessions even if you miss this debate. As for Jabril, he’s not one to forgo a spirited contention. Rest assured, they’ll still be arguing upon our return,” My BB commented wittily.               I remarked, “Don’t you want to stay with Albert?”               “He’ll be safe with the group. Besides, he’s not as much of an explorer as you are,” he uttered smilingly.               Since Andy had become Albert’s chaperone, we’d hardly spent any alone time. We were always in the company of others. I welcomed the idea of some alone time with my ex-Valet and was glad he offered to accompany me around the park.
Young (Turpitude (A Harem Boy's Saga Book 4))
​Going Public in Halifax (NS): Of the many free things to do in Halifax, strolling the waterfront from Historic Properties all the way to the Museum of Immigration at Pier 21 is a joy. I also recommend exploring the futuristic and fun Halifax Central Library and meandering through the Victorian-era Halifax Public Gardens, an oasis of serenity.
Darcy Rhyno (Frommer's EasyGuide to Prince Edward Island, Nova Scotia and New Brunswick (Easy Guides))
You say you won’t take risks, but you will. And when you do, you’ll make anything Beslan and I might try look like an evening stroll in the garden. With you around, even the barber is blind.
Robert Jordan (Winter's Heart (The Wheel of Time, #9))
Then I wonder who you are, you, this figure strolling through all my lingering visions of slow landscapes, ancient interiors and lavish ceremonies of silence. In all my dreams you either appear as a dream or else accompany me like a false reality. With you I visit regions that are perhaps dreams of yours, lands that are perhaps embodiments of absence and cruelty, your essential body fashioned into a quiet plain or a mountain with a chilling profile in the garden of some hidden palace. Perhaps my only dream is you, perhaps when I press my face to yours I will read in your eyes those impossible landscapes, those false tediums, those feelings that inhabit the gloom of my wearinesses and the grottoes of my disquiets.
Fernando Pessoa (The Book of Disquiet: The Complete Edition)
Just like a city, parts of the Archives teemed with activity. The Scriptorium held rows of desks where scrivs toiled over translations or copied faded texts into new books with fresh, dark ink. The Sorting Hall buzzed with activity as scrivs sifted and reshelved books. The Buggery was not at all what I expected, thank goodness. Instead, it proved to be the place where new books were decontaminated before being added to the collection. Apparently all manner of creatures love books, some devouring parchment and leather, others with a taste for paper or glue. Bookworms were the least of them, and after listening to a few of Wilem’s stories I wanted nothing more than to wash my hands. Cataloger’s Mew, the Bindery, Bolts, Palimpsest, all of them were busy as beehives, full of quiet, industrious scrivs. But other parts of the Archives were quite the opposite of busy. The acquisitions office, for example, was tiny and perpetually dark. Through the window I could see that one entire wall of the office was nothing but a huge map with cities and roads marked in such detail that it looked like a snarled loom. The map was covered in a layer of clear alchemical lacquer, and there were notes written at various points in red grease pencil, detailing rumors of desirable books and the last known positions of the various acquisition teams. Tomes was like a great public garden. Any student was free to come and read the books shelved there. Or they could submit a request to the scrivs, who would grudgingly head off into the Stacks to find if not the exact book you wanted, then at least something closely related. But the Stacks comprised the vast majority of the Archives. That was where the books actually lived. And just like in any city, there were good neighborhoods and bad. In the good neighborhoods everything was properly organized and cataloged. In these places a ledger-entry would lead you to a book as simply as a pointing finger. Then there were the bad neighborhoods. Sections of the Archives that were forgotten, or neglected, or simply too troublesome to deal with at the moment. These were places where books were organized under old catalogs, or under no catalog at all. There were walls of shelves like mouths with missing teeth, where longgone scrivs had cannibalized an old catalog to bring books into whatever system was fashionable at the time. Thirty years ago two entire floors had gone from good neighborhood to bad when the Larkin ledger-books were burned by a rival faction of scrivs. And, of course, there was the four-plate door. The secret at the heart of the city. It was nice to go strolling in the good neighborhoods. It was pleasant to go looking for a book and find it exactly where it should be. It was easy. Comforting. Quick. But the bad neighborhoods were fascinating. The books there were dusty and disused. When you opened one, you might read words no eyes had touched for hundreds of years. There was treasure there, among the dross. It was in those places I searched for the Chandrian.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))