Stroke Nurse Quotes

We've searched our database for all the quotes and captions related to Stroke Nurse. Here they are! All 26 of them:

When you go into the ER, one of the first things they ask you to do is rate your pain on a scale of one to ten, and from there they decide which drugs to use and how quickly to use them. I'd been asked this question hundreds of times over the years, and I remember once early on when I couldn't get my breath and it felt like my chest was on fire, flames licking the inside of my ribs fighting for a way to burn out of my body, my parents took me to the ER. nurse asked me about the pain, and I couldn't even speak, so I held up nine fingers. Later, after they'd given me something, the nurse came in and she was kind of stroking my head while she took my blood pressure and said, "You know how I know you're a fighter? You called a ten a nine." But that wasn't quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again as I lay still and alone in my bed staring at the ceiling, the waves tossing me against the rocks then pulling me back out to sea so they could launch me again into the jagged face of the cliff, leaving me floating faceup on the water, undrowned.
John Green (The Fault in Our Stars)
I was born in the city of Bombay ... once upon a time. No, that won't do, there's no getting away from the date: I was born in Doctor Narlikar's Nursing Home on August 15th, 1947. And the time? The time matters, too. Well then: at night. No, it's important to be more ... On the stroke of midnight, as a matter of fact. Clock-hands joined palms in respectful greeting as I came. Oh, spell it out, spell it out: at the precise instant of India's arrival at independence, I tumbled forth into the world.
Salman Rushdie (Midnight’s Children)
Today, though, doctors and nurses have replaced family and friends, an unintended consequence of the advancement of medical science. We fear death because we don’t know it, we don’t see it, and we don’t touch it. And what we don’t know, we’ve painted in broad strokes of darkness and negativity. The death negative narrative wouldn’t be so strong if we only had the ability to see, touch, and hold our dying and our dead.
Caleb Wilde (Confessions of a Funeral Director: How Death Saved My Life)
She toyed with the top button of his shirt. “Do Apaches kiss?” “The people believe the mouth is only for eating.” “Oh.” She didn’t try to hide her disappointment. He shifted her against him a little and cupped her breast with one hand, his thumb rubbing across the nipple. “They also believe a woman’s breast is only for nursing a child.” Lowering his mouth over hers, he ran his tongue between her lips, exploring her tongue, making her shiver with a stroke along the roof of her mouth. When he raised his head at last, she whispered, “I’m glad you’re an unbeliever.
Ellen O'Connell (Dancing on Coals)
A nurse asked me about the pain, and I couldn’t even speak, so I held up nine fingers. Later, after they’d given me something, the nurse came in and she was kind of stroking my hand while she took my blood pressure and she said, “You know how I know you’re a fighter? You called a ten a nine.” But that wasn’t quite right. I called it a nine because I was saving my ten.
John Green (The Fault in Our Stars)
She felt a slight burn as he slipped a second finger inside her, stretching tenderly, and then he suckled the taut bud of her sex, licking slowly at first, increasing the pace as she twisted beneath him. He stayed with her, his long fingers working in controlled thrusts, his mouth compelling and demanding, until pleasure washed over her in faster and faster rushes, and suddenly she couldn't move at all. Arched tightly against his mouth, she cried out and gasped, and cried out again. His tongue gentled but continued its artful play, nursing her through the lingering peaks of sensation, bathing her sex with warm strokes as she began to shudder violently. A great weariness flooded her, and with it a physical euphoria that made her feel drunk. Unable to control her limbs, she squirmed tremulously beneath him, and she offered no resistance as St. Vincent turned her over to her stomach. His hand slipped between her thighs and his fingers entered her once more. The opening to her body was sore and, to her mortification, saturated with moisture. He seemed excited by the wetness, however, breathing against the sensitive nape of her neck in rapid pants. Keeping his fingers inside her, he kissed and nibbled his way down her back.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
I once knew a fellow who committed robbery with violence, and he was sentenced to a long prison stretch and 12 strokes of the cat. He'd been injured during the robbery, so they put him in hospital to make him better so that they could make him worse. During the administration of the cat, he fainted after six strokes, and the doctor put him in hospital again. And he got very friendly with the nurses and the doctors, and after a while they got him well enough to go back and take the next six strokes. I saw him afterward and I said: "Oh, Jesus—that bloody law, that bloody judge!" But he said: "I don't want the fellow who made the law, and I don't want the fellow who passed the sentence. All I want is the fellow who held the bloody whip.
Peter O'Toole
I want happiness, guaranteed, joy all round, covers with nurses on them or brides, intelligent girls but not too intelligent, with regular teeth and pluck and both breasts the same size and no excess facial hair, someone you can depend on to know where the bandages are and to turn the hero, that potential rake and killer, into a well-groomed country gentleman with clean fingernails and the right vocabulary. Always, he has to say. Forever. I no longer want to read books that don’t end with the word forever. I want to be stroked between the eyes, one way only.
Margaret Atwood (Murder in the Dark: Short Fictions and Prose Poems)
When you go into the ER, one of the first things they ask you to do is to rate your pain on a scale of one to ten, and from there they decide which drugs to use and how quickly to use them. I’d been asked this question hundreds of times over the years, and I remember once early on when I couldn’t get my breath and it felt like my chest was on fire, flames licking the inside of my ribs fighting for a way to burn out of my body, my parents took me to the ER. A nurse asked me about the pain, and I couldn’t even speak, so I held up nine fingers. Later, after they’d given me something, the nurse came in and she was kind of stroking my hand while she took my blood pressure and she said, “You know how I know you’re a fighter? You called a ten a nine.” But that wasn’t quite right. I called it a nine because I was saving my ten. And here it was, the great and terrible ten, slamming me again and again
John Green (The Fault in Our Stars)
Okay, I’m going to tell you what I think. It’s like this,” he said grimly. “Quit or don’t quit. Take the promotion or not take it. But, if you take the graveyard shift, mark my words, we will eventually—I don’t know how, and I don’t know when—live to regret it.” Without saying another word he walked inside. In bed Alexander let her kiss his hands. He was on his back, and Tatiana sidled up to him naked, kneeling by his side. Taking his hands, she kissed them slowly, digit by digit, knuckle by knuckle, pressing them to her trembling breasts, but when she opened her mouth to speak, Alexander took his hands away. “I know what you’re about to do,” he said. “I’ve been there a thousand times. Go ahead. Touch me. Caress me. Whisper to me. Tell me first you don’t see my scars anymore, then make it all right. You always do, you always manage to convince me that whatever crazy plan you have is really the best for you and me,” he said. “Returning to blockaded Leningrad, escaping to Sweden, Finland, running to Berlin, the graveyard shift. I know what’s coming. Go ahead, I’ll be good to you right back. You’re going to try to make me all right with you staying in Leningrad when I tell you that to save your hard-headed skull you must return to Lazarevo? You want to convince me that escaping through enemy territory across Finland’s iced-over marsh while pregnant is the only way for us? Please. You want to tell me that working all Friday night and not sleeping in my bed is the best thing for our family? Try. I know eventually you’ll succeed.” He was staring at her blonde and lowered head. “Even if you don’t,” he continued, “I know eventually, you’ll do what you want anyway. I don’t want you to do it. You know you should be resigning, not working graveyard—nomenclature, by the way, that I find ironic for more reasons that I care to go into. I’m telling you here and now, the path you’re taking us on is going to lead to chaos and discord not order and accord. It’s your choice, though. This defines you—as a nurse, as a woman, as a wife—pretend servitude. But you can’t fool me. You and I both know what you’re made of underneath the velvet glove: cast iron.” When Tatiana said nothing, Alexander brought her to him and laid her on his chest. “You gave me too much leeway with Balkman,” he said, kissing her forehead. “You kept your mouth shut too long, but I’ve learned from your mistake. I’m not keeping mine shut—I’m telling you right from the start: you’re choosing unwisely. You are not seeing the future. But you do what you want.” Kneeling next to him, she cupped him below the groin into one palm, kneading him gently, and caressed him back and forth with the other. “Yes,” he said, putting his arms under his head and closing his eyes. “You know I love that, your healing stroke. I’m in your hands.” She kissed him and whispered to him, and told him she didn’t see his scars anymore, and made it if not all right then at least forgotten for the next few hours of darkness.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
More than anything else a dying person needs to have someone with them. This used to be recognised in hospitals, and when I trained, no one every died alone. However busy the wards, or however short the staff, a nurse was always assigned to sit with a dying person to hold their hand, stroke their forehead, or whisper a few words. Peace and quietness, even reverence for the dying, were expected and assured. I disagree wholly with the notion that there is no point in staying with an unconscious patient because he or she does not know you are there. I am perfectly certain, though years of experience and observation, that unconsciousness, as we define it, is not a state of knowing. Rather, it is a state of knowing and understanding on a different level that is beyond our immediate experience.
Jennifer Worth (Shadows of the Workhouse)
Christina died of a stroke in the fall of 1971, at the age of sixty-one. June watched the nurses take her mother's body away. Standing there in the hospital, June felt like she'd been caught in an undertow. How had she ended up here? One woman all alone, with four kids, and a restaurant she had never wanted. The day after the funeral, June took the kids to school. She dropped Kit off at the elementary building and then drove Nina, Jay, and Hud to junior high. When they pulled into the drop-off circle, Jay and Hud took off. But Nina turned back, put her hand on the door handle, and looked at her mother. 'Are you sure you're OK?' Nina asked. 'I could stay home. Help you at the restaurant.' 'No, honey,' June said, taking her daughter's hand. 'If you feel up for going to school, then that's where you should be.' 'OK,' Nina said. 'But if you need me, come get me.' 'How about we think of it the other way around?' June said, smiling. 'If you need me, have the office call me.' Nina smiled. 'OK' June felt herself about to cry and so she put her sunglasses over her eyes and pulled out of the parking lot. She drove, with the window down, to Pacific Fish. She pulled in and put on the parking brake. She took a deep breath. She got out of the car and stood there, staring up at the restaurant with a sense of all that she had inherited. It was hers now, whatever that meant. She lit a cigarette.
Taylor Jenkins Reid (Malibu Rising)
Eight Bells: Robert J. Kane ‘55D died June 3, 2017, in Palm Harbor, Florida. He came to MMA by way of Boston College. Bob or “Killer,” as he was affectionately known, was an independent and eccentric soul, enjoying the freedom of life. After a career at sea as an Officer in the U.S. Navy and in the Merchant Marine he retired to an adventurous single life living with his two dogs in a mobile home, which had originally been a “Yellow School Bus.” He loved watching the races at Daytona, Florida, telling stories about his interesting deeds about flying groceries to exotic Caribbean Islands, and misdeeds with mysterious ladies he had known. For years he spent his summers touring Canada and his winters appreciating the more temperate weather at Fort De Soto in St. Petersburg, Florida…. Enjoying life in the shadow of the Sunshine Bridge, Bob had an artistic flare, a positive attitude and a quick sense of humor. Not having a family, few people were aware that he became crippled by a hip replacement operation gone bad at the Bay Pines VA Hospital. His condition became so bad that he could hardly get around, but he remained in good spirits until he suffered a totally debilitating stroke. For the past 6 years Bob spent his time at various Florida Assisted Living Facilities, Nursing Homes and Palliative Care Hospitals. His end came when he finally wound up as a terminal patient at the Hospice Facility in Palm Harbor, Florida. Bob was 86 years old when he passed. He will be missed….
Hank Bracker
AS SHE HEALED, the women changed tactics and stopped their berating. Now they brought their embroidery and crocheting, and finally they used Ethel Fordham’s house as their quilting center. Ignoring those who preferred new, soft blankets, they practiced what they had been taught by their mothers during the period that rich people called the Depression and they called life. Surrounded by their comings and goings, listening to their talk, their songs, following their instructions, Cee had nothing to do but pay them the attention she had never given them before. They were nothing like Lenore, who’d driven Salem hard, and now, suffering a minor stroke, did nothing at all. Although each of her nurses was markedly different from the others in looks, dress, manner of speech, food and medical preferences, their similarities were glaring. There was no excess in their gardens because they shared everything. There was no trash or garbage in their homes because they had a use for everything. They took responsibility for their lives and for whatever, whoever else needed them. The absence of common sense irritated but did not surprise them. Laziness was more than intolerable to them; it was inhuman. Whether you were in the field, the house, your own backyard, you had to be busy. Sleep was not for dreaming; it was for gathering strength for the coming day. Conversation was accompanied by tasks: ironing, peeling, shucking, sorting, sewing, mending, washing, or nursing. You couldn’t learn age, but adulthood was there for all. Mourning was helpful but God was better and they did not want to meet their Maker and have to explain a wasteful life. They knew He would ask each of them one question: “What have you done?” (122-123)
Toni Morrison (Home)
What no one tells you is that there will be a last time you ever carry your child. A last time you tuck them in. A last time they run into your arms off the school bus. All through his infancy, Dylan was attached to me, almost literally. I nursed him, and he was fussy, so I carried him almost constantly, patting his back, humming to him, breathing in his delicious baby scent. He didn’t walk till he was fourteen months old, and I loved that, because I got to carry him that much longer. I took him for hikes in a backpack, his little knees hitting my ribs. I carried him on my shoulders, him clinging to fistfuls of my hair. I loved every minute. He was an affectionate boy full of drooly kisses and cuddles. He was generous with his hugs, from Paul at the post office to Christine, our librarian. And especially with me. Every night when I read him bedtime stories, his sweet little head would rest against my shoulder, and he’d idly stroke my arm, smelling like Dove soap and baby shampoo. Driving in the car was like a tranquilizer dart for Dylan . . . even bumping down our long dirt road wouldn’t wake him up, and I’d park the car, get out and unbuckle him, then lift his sweaty little body into my arms to carry him inside and just sit on the couch with him in my arms, heart against heart. And then one day, he no longer needed that. The bedtime stories stopped when he was about ten and wanted to read to himself. The last time I attempted to carry him from the car, he woke up and said, “It’s okay, Mom. I’m awake.” He never needed that again. Had someone told me “This is the last time you’ll get to carry your son,” I would have paid more attention. I would have held him as long as I could. They don’t tell you that your son will stop kissing you with sweet innocence, and those smooches will be replaced with an obligatory peck. They don’t tell you that he won’t want a piggyback ride ever again. That you can’t hold his hand anymore. That those goofy, physical games of chasing and tickling and mock wrestling will end one day. Permanently. All those natural, easy, physical gestures of love stop when your son hits puberty and is abruptly aware of his body . . . and yours. He doesn’t want to hug you the same way, finding your physicality perhaps a little . . . icky . . . that realization that Mom has boobs, that Mom’s stomach is soft, that Mom and Dad have sex, that Mom gets her period. The snuggles stop. This child, the deepest love of your life, won’t ever stroke your arm again. You’ll never get to lie in bed next to him for a bedtime chat, those little talks he used to beg for. No more tuck-ins. No more comforting after a bad dream. The physical distance between the two of you is vast . . . it’s not just that he’ll only come so close for the briefest second, but also the simple fact that he isn’t that little boy anymore. He’s a young man, a fully grown male with feet that smell like death and razor stubble on his once petal-soft cheeks.
Kristan Higgins (Out of the Clear Blue Sky)
Olive,’ Mum said, stroking my fringe. ‘I need you to listen to me, and I need you to be brave.’ Opening my eyes again, I swallowed nervously. ‘What’s happened?’ ‘Your sister didn’t arrive at work today.’ Sukie was a typist for an insurance company in Clerkenwell. She said it was the dullest job ever. ‘Isn’t today Saturday, though?’ I asked. ‘She was due in to do overtime. No one’s seen her since she was with you and Cliff last night. She’s missing.’ ‘Missing?’ I didn’t understand. Mum nodded. The nurse added rather unhelpfully: ‘We’ve had casualties from all over London. It’s been chaos. All you can do is keep hoping for the best.’ It was obvious what she meant. I glanced at Mum, who always took the opposite view in any argument. But she stayed silent. Her hands, though, were trembling. ‘Missing isn’t the same as dead,’ I pointed out. Mum grimaced. ‘That’s true, and I’ve spoken to the War Office: Sukie’s name isn’t on their list of dead or injured but-’ ‘So she’s alive, then. She must be. I saw her in the street talking to a man,’ I said. ‘When she realised I’d followed her she was really furious about it.’ Mum looked at me, at the nurse, at the bump on my head. ‘Darling, you’re concussed. Don’t get overexcited now.’ ‘But you can’t think she’s dead.’ I insisted. ‘There’s no proof, is ther?’ ‘Sometimes it’s difficult to identify someone after…’ Mum faltered. I knew what she couldn’t say: sometimes if a body got blown apart there’d be nothing left to tie a name tag to. It was why we’d never buried Dad. Perhaps if there’d been a coffin and a headstone and a vicar saying nice things, it would’ve seemed more real. This felt different, though. After a big air raid the telephones were often down, letters got delayed, roads blocked. It might be a day or two before we heard from Sukie, and worried though I was, I knew she could look after herself. I wondered if it was part of Mum being ill, this painting the world black when it was grey. My head was hurting again so I lay back against the pillows. I was fed up with this stupid, horrid war. Eighteen months ago when it started, everyone said it’d be over before Christmas, but they were wrong. It was still going on, tearing great holes in people’s lives. We’d already lost Dad, and half the time these days it felt like Mum wasn’t quite here. And now Sukie – who knew where she was? I didn’t realise I was crying again until Mum touched my cheek. ‘It’s not fair,’ I said weakly. ‘War isn’t fair, I’m afraid,’ Mum replied. ‘You only have to walk through this hospital to see we’re not the only ones suffering. Though that’s just the top of the iceberg, believe me. There’s plenty worse going on in Europe.’ I remembered Sukie mentioning this too. She’d got really upset when she told me about the awful things happening to people Hitler didn’t like. She was in the kitchen chopping onions at the time so I wasn’t aware she was crying properly. ‘What sort of awful things?’ I’d asked her. ‘Food shortages, people being driven from their homes.’ Sukie took a deep breath, as if the list was really long. ‘People being attacked for no reason or sent no one knows where – Jewish people in particular. They’re made to wear yellow stars so everyone knows they’re Jews, and then barred from shops and schools and even parts of the towns where they live. It’s heartbreaking to think we can’t do anything about it.’ People threatened by soldiers. People queuing for food with stars on their coats. It was what I’d seen on last night’s newsreel at the cinema. My murky brain could just about remember those dismal scenes, and it made me even more angry. How I hated this lousy war. I didn’t know what I could do about it, a thirteen-year-old girl with a bump on her head. Yet thinking there might be something made me feel a tiny bit better.
Emma Carroll (Letters from the Lighthouse)
I was born in the city of Bombay … once upon a time. No, that won’t do, there’s no getting away from the date: I was born in Doctor Narlikar’s Nursing Home on August 15th, 1947. And the time? The time matters, too. Well then: at night. No, it’s important to be more … On the stroke of midnight, as a matter of fact. Clock-hands joined palms in respectful greeting as I came.
Salman Rushdie (Midnight’s Children)
I just . . . I just wanted to make sure you were . . . okay.” He shoved away from the door as he took a long stride toward her, letting the door slam behind him. “I should be asking you the same thing,” he said, cringing, his voice filled with concern. Violet knew how she looked. The bruise on her cheek had turned a strange combination of green, yellow, and purple. The swelling had gone down, but not enough for anyone else to notice. “I’m fine.” She hedged and then tried to shrug it off. “If you like bar-fight chic.” His face darkened. “I wasn’t really talking about what’s on the outside.” “You mean, like, it’s what’s on the inside that counts?” Rafe grimaced, the ghost of a smile finding his lips. “Well, when you put it that way, it sounds sort of . . .” “Sweet?” “I was gonna say lame. But, yeah, that works too.” “Yeah? Well, you look . . .” She was going to say better, but she practically stumbled over the word. He looked anything but better. If she looked beat-up, he looked downright thrashed. Even behind the bandages, Violet could see scrapes and mottled skin. “Terrible. You look terrible.” She moved closer to him on the landing as he unlocked the closed door. “But better than the last time I saw you, I guess.” Rafe tried to laugh, but winced and grabbed his ribs. “Damn, V, I wouldn’t plan on a career in nursing if I were you; your bedside manner stinks.” His eyes clouded over when he saw her stroking the black onyx hanging from around her neck. “Krystal?” he asked. “For protection,” Violet clarified. “Um, yeah, I got one too. Mine’s for healing.” He tugged at the silver chain around his neck. He held up an irregular-looking stone that had been tucked beneath his shirt. It was cloudy—opaque—and Violet wondered at the mystical qualities Krystal believed it possessed. “I meant it’s from Krystal. Right?” “Oh, yeah . . . right.” She nodded, realizing she’d misunderstood his question.
Kimberly Derting (The Last Echo (The Body Finder, #3))
I never felt close to death myself, but I knew it better than anyone else. I sat with it every day, stroking its hand, chatting to it, even laughing with it. Yet, I never quite understood it. It was as if death had employed me as its secretary, and as such, a certain level of respect was to be given.
Rebecca Ryder (The Dream To End All Dreams)
Louise Galling was on board the Slocum as a baby nurse caring for her employer’s young children, and she survived on basic instinct: "I had no thought, of what might happen to me. I had never swum a stroke in my life, and I didn't know the slightest thing about how I should begin. I only knew one thing, and that was that I must save the babies. So I took one in each arm and jumped overboard and kicked out with my feet and held them up as best I could. I did not care whether I could swim or not. I only knew that if I didn't I would not save the children. I struggled on through the water and got to the shore. I didn't know how, and I guess I never will, but I saved the babies.
Charles River Editors (The Sinking of the General Slocum: The History of New York City’s Deadliest Maritime Disaster)
I love you, Harper.” His hands reached up but he only cupped her hips, letting her continue on her journey. She pressed a kiss to the scar across his right deltoid, an old injury from one of his first deployments, then his left collarbone, broken on a training trip to California. Then, moving carefully, she pressed kisses to the new scar still healing on his chest. That one had been too close to taking his life. Thank goodness he had been able to receive medical care as quickly as he did. Cat moved down Harper’s muscled abs and the slim line of black hair there. “I think everything about you is beautiful.” He puffed out a little laugh but she looked up at him with reproach. “I do. Your body is superb, even wounded. It always has been. That’s why I always have to beat the nurses off you.” She flashed him a grin. “Your mind is devious and brilliant, but I love that. The loyalty to your family and your men is humbling.” She stroked a finger over the tattoo that echoed those sentiments on his right pectoral. “Your unfailing courage in the face of everything that has happened is astounding. I know whatever we have to face you will conquer with that same indomitable, dogged, Navy SEAL will. And your heart,” she moved back up his chest to press a kiss to his sternum, “your heart is more loving and willing to try than I ever could have hoped. We’re going to put our family back together,” she promised. Harper stared up at her for several long seconds before he closed his eyes, but not before she’d seen the shine of moisture in their depths. He pulled her down on top of him, burying his face into her neck. “You are every bit the woman you’ve always been, calm and understanding, willing to put up with my shit. And I have to tell you. All of those things you see in me? I wouldn’t be any of them without you. And I mean that. You’ve supported me through everything. You flew across the country to be at my bedside even though you didn’t know the kind of reaction you’d receive. It amazes me that you would take that chance. But I’m so glad you did. I love you, Catherine Marie Preston. I always have.” She flashed a smile at the use of her full name. “And I love you, Harper Broderick Preston. I always will.” They
J.M. Madden (Embattled SEAL (Lost and Found #4))
I never felt close to death myself, but I knew it better than anyone else. I sat with it every day, stroking its hand, chatting to it, even laughing with it. Yet, I never quite understood it. It was as if death had employed me as its secretary, and as such, a certain level of respect was to be given.
Rebecca Ryder (The Dream To End All Dreams)
Each night my father counts backward from 100 like a shepherd climbing down meadow by meadow the Alps. Since his stroke he does this, he says, so his mind holds still, so it freezes, a suspect, hands on the wallpaper. That way it is there with his cane the next morning. When your mind runs away, well, it stashes parts of your real life forever, the names of lakes, the pretty faces of girls. When that happens, you count on nothing, a patch of sun on a green carpet, new snow on a roof framed by curtains. You call the woman “Nurse” and wonder why she cries. It is still a life, that chair between the cashews and windows. Then one day Bang! Doesn’t your mind come waltzing home, made up clown-style, sloshing memories like confetti in a pail? And don’t you take your life in your hands, counting out good times, counting out bad, marking time backward so it’s understood? Whatever you’re missing, he says, it’s what you don’t miss. Listen, he says, that sound in the old high ceilings of the house, not ice in the eaves, no man’s voice, no echo either... Only the wind, counting toward zero.
Richard Blessing
Five children now, and one of them a seven-month baby. What you call an infant. Nursing, and fretting and crying half through the night. Driving their neighbors crazy, and Carleton couldn't blame them for banging the walls. With each baby Pearl was getting stranger, sometimes Carleton swore her eyes hadn't any pupils, all iris, like a cat's. All she seemed to like were the new babies, but only when she nursed them. Humming and rocking and stroking the baby's soft thin-haired head in a way that repelled Carleton, like something sick and disgusting he couldn't give a name to.
Joyce Carol Oates (A Garden of Earthly Delights (Wonderland Quartet, #1))
First they warn everyone to wear a mask. Then we find out unless it's a special kind of mask it's not going to protect you at all." "It's not just a question of beds. There's not enough linen, not enough gloves, gowns, hypodermic needles, disinfectant, meds, you name it. Not enough ambulances, not enough ventilators or other equipment. Hospitals are even running out of food." "It's not like every other bad thing stopped happening to make room for the flu. People are still getting cancer and having heart attacks and strokes and road accidents. The idea that we could handle any kind of surge on top of that--whoever's fantasy that was, it was never going to happen." "The retired workers they were depending on to take over for the workers out sick? Very few of those people ever showed. The volunteer doctors and nurses and the other helping hands--they aren't showing up, either. It's not like 9/11. There aren't any heroes rushing toward the danger. The danger is everywhere, and everyone's running scared." "Let's face it, this is America. Anything that's bad for business, people don't want to hear. When it comes to money or doing the right thing, most people are going to choose money. Close up shop for months till they can make a new vaccine? How many businesses would still be alive after that?" "This disaster proves what some of us have been saying about America all along: everything is broken.
Sigrid Nunez (Salvation City)
...My niece Peggy is at camp in the Adirondacks so I am staying in her room. It's essence of teenage girl: soft lilac walls, colored photographs of rock stars, nosegays of artificial flowers, signs on the door: THIS ROOM IS A DISASTER AREA, and GARBAGEDUMP. 'Some ashcan at the world's end...' But this is not my family's story, nor is it Molly's: the coon hound pleading silently for table scraps. The temperature last night dipped into the forties: a record for August 14th. There is a German down pouff on the bed and I was glad to wriggle under it and sleep the sleep of the just. Today is a perfection of blue: the leaves go lisp in the breeze. I wish I were a better traveler; I love new places, the arrival in station after the ennui of a trip. On the train across the aisle from me there was a young couple. He read while she stroked the flank of his chest in a circular motion, motherly, covetous. They kissed. What is lovelier than young love? Will it only lead to barren years of a sour marriage? They were perfect together. I wish them well. This coffee is cold. The eighteen-cup pot like most inventions doesn't work so well. A few days: how to celebrate them? It's today I want to memorialize but how can I? What is there to it? Cold coffee and a ham-salad sandwich? A skinny peach tree holds no peaches. Molly howls at the children who come to the door. What did they want? It's the wrong time of year for Girl Scout cookies. My mother can't find her hair net. She nurses a cup of coffee substitute, since her religion (Christian Science) forbids the use of stimulants. On this desk, a vase of dried blue flowers, a vase of artificial roses, a bottle with a dog for a stopper, a lamp, two plush lions that hug affectionately, a bright red travel clock, a Remington Rand, my Olivetti, the ashtray and the coffee cup....
James Schuyler (A Few Days)