Striped Dress Quotes

We've searched our database for all the quotes and captions related to Striped Dress. Here they are! All 88 of them:

How You Doing, Little Lucy?” His bright tone and mild expression indicates we’re playing a game we almost never play. It’s a game called How You Doing? and it basically starts off like we don’t hate each other. We act like normal colleagues who don’t want to swirl their hands in each other’s blood. It’s disturbing. “Great, thanks, Big Josh. How You Doing?” “Super. Gonna go get coffee. Can I get you some tea?” He has his heavy black mug in his hand. I hate his mug. I look down; my hand is already holding my red polka-dot mug. He’d spit in anything he made me. Does he think I’m crazy? “I think I’ll join you.” We march purposefully toward the kitchen with identical footfalls, left, right, left, right, like prosecutors walking toward the camera in the opening credits of Law & Order. It requires me to almost double my stride. Colleagues break off conversations and look at us with speculative expressions. Joshua and I look at each other and bare our teeth. Time to act civil. Like executives. “Ah-ha-ha,” we say to each other genially at some pretend joke. “Ah-ha-ha.” We sweep around a corner. Annabelle turns from the photocopier and almost drops her papers. “What’s happening?” Joshua and I nod at her and continue striding, unified in our endless game of one-upmanship. My short striped dress flaps from the g-force. “Mommy and Daddy love you very much, kids,” Joshua says quietly so only I can hear him. To the casual onlooker he is politely chatting. A few meerkat heads have popped up over cubicle walls. It seems we’re the stuff of legend. “Sometimes we get excited and argue. But don’t be scared. Even when we’re arguing, it’s not your fault.” “It’s just grown-up stuff,” I softly explain to the apprehensive faces we pass. “Sometimes Daddy sleeps on the couch, but it’s okay. We still love you.
Sally Thorne (The Hating Game)
The people I see from my window. In the huts, in the distance. They're all dressed the same.' 'Ah, those people,' said Father, nodding his head and smiling slightly. 'Those people...well, they're not people at all, Bruno.' Bruno frowned. 'They're not?' he asked, unsure what Father meant by that.
John Boyne (The Boy in the Striped Pajamas)
It’s like watching a James Bond movie. Morpheus—in a black trench-coat-style blazer that hangs to his thighs, gray tweed pants, a dark gray vest, skinny red tie, and black pin-striped dress shirt—could pass for a punk-fae secret agent who’s captured his villain. His thick blue waves touch his shoulders from under a gray tweed flat cap, and his wings drape down his back and across the floor, fluttering sporadically as he keeps his balance against Jeb’s resistance.
A.G. Howard (Unhinged (Splintered, #2))
All his life the example of a syllogism he had studied in Kiesewetter's logic - "Caius is a man, men are mortal, therefore Caius is mortal" - had seemed to him to be true only in relation to Caius the man, man in general, and it was quite justified , but he wasn't Caius and he wasn't man in general, and he had always been something quite, quite special apart from all other beings; he was Vanya, with Mama, with Papa, with Mitya and Volodya, with his toys and the coachman, with Nyanya, then with Katenka, with all the joys, sorrows, passions of childhood, boyhood, youth. Did Caius know the smell of the striped leather ball Vanya loved so much?: Did Caius kiss his mother's hand like that and did the silken folds of Caius's mother's dress rustle like that for him? Was Caius in love like that? Could Caius chair a session like that? And Caius is indeed mortal and it's right that he should die, but for me, Vanya, Ivan Ilych, with all my feelings and thoughts - for me it's quite different. And it cannot be that I should die. It would be too horrible.
Leo Tolstoy (The Death of Ivan Ilych)
The kitchen door opened and the entire Weasley family, plus Hermione, came inside, all looking very happy, with Mr Weasley walking proudly in their midst dressed in a pair of striped pyjamas covered by a mackintosh. "Cured!" he announced brightly to the kitchen at large. "Completely cured!" He and all the other Weasleys froze on the threshold, gazing at the scene in front of them, which was also suspended in mid-action, both Sirius and Snape looking towards the door with their wands pointing into each other's faces and Harry immobile between them, a hand stretched out to each, trying to force them apart. "Merlin's beard," said Mr Weasley, the smile sliding off his face, "what's going on here?
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
If you set off on a witch-hunt, you will find a witch. When you find her, she will be dressed like any other person. But to you, her skin will glow in stripes of white and black. You will see her broom, and you will hear her witch-cry, and you will feel the effects of her spells on you. No matter how unlike a witch she is, there she will be, a witch, before your eyes.
Chinelo Okparanta (Under the Udala Trees)
Matthew sighed as he set the bottle on the mantel. “You know what they say,” he said, as he and James left the room and began to wend their way back toward the party. “Drink, and you will sleep; sleep, and you will not sin; do not sin, and you will be saved; therefore, drink and be saved.” “Matthew, you could sin in your sleep,” said a languorous voice. “Anna,” said Matthew, sagging against James’s shoulder. “Have you been sent to fetch us?” Lounging against the wall was James’s cousin Anna Lightwood, gorgeously dressed in fitted trousers and a pin-striped shirt. She had the Herondale blue eyes, always disconcerting for James to see, as it felt a bit as if his father were looking at him. “If by ‘fetch,’ you mean ‘drag you back to the ballroom by any means possible,’  ” Anna said. “There are girls who need someone to dance with them and tell them they look pretty, and I cannot do it all on my own.” The musicians in the ballroom suddenly struck up a tune—a lively waltz. “Crikey, not waltzing,” said Matthew, in despair. “I loathe waltzing.” He began to back away. Anna seized him by the back of the coat. “Oh, no, you don’t,” she said, and firmly herded both of them toward the ballroom.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
I saw a banner hanging next to city hall in downtown Philadelphia that read, "Kill them all, and let God sort them out." A bumper sticker read, "God will judge evildoers; we just have to get them to him." I saw a T-shirt on a soldier that said, "US Air Force... we don't die; we just go to hell to regroup." Others were less dramatic- red, white, and blue billboards saying, "God bless our troops." "God Bless America" became a marketing strategy. One store hung an ad in their window that said, "God bless America--$1 burgers." Patriotism was everywhere, including in our altars and church buildings. In the aftermath of September 11th, most Christian bookstores had a section with books on the event, calendars, devotionals, buttons, all decorated in the colors of America, draped in stars and stripes, and sprinkled with golden eagles. This burst of nationalism reveals the deep longing we all have for community, a natural thirst for intimacy... September 11th shattered the self-sufficient, autonomous individual, and we saw a country of broken fragile people who longed for community- for people to cry with, be angry with, to suffer with. People did not want to be alone in their sorrow, rage, and fear. But what happened after September 11th broke my heart. Conservative Christians rallies around the drums of war. Liberal Christian took to the streets. The cross was smothered by the flag and trampled under the feet of angry protesters. The church community was lost, so the many hungry seekers found community in the civic religion of American patriotism. People were hurting and crying out for healing, for salvation in the best sense of the word, as in the salve with which you dress a wound. A people longing for a savior placed their faith in the fragile hands of human logic and military strength, which have always let us down. They have always fallen short of the glory of God. ...The tragedy of the church's reaction to September 11th is not that we rallied around the families in New York and D.C. but that our love simply reflected the borders and allegiances of the world. We mourned the deaths of each soldier, as we should, but we did not feel the same anger and pain for each Iraqi death, or for the folks abused in the Abu Ghraib prison incident. We got farther and farther from Jesus' vision, which extends beyond our rational love and the boundaries we have established. There is no doubt that we must mourn those lives on September 11th. We must mourn the lives of the soldiers. But with the same passion and outrage, we must mourn the lives of every Iraqi who is lost. They are just as precious, no more, no less. In our rebirth, every life lost in Iraq is just as tragic as a life lost in New York or D.C. And the lives of the thirty thousand children who die of starvation each day is like six September 11ths every single day, a silent tsunami that happens every week.
Shane Claiborne (The Irresistible Revolution: Living as an Ordinary Radical)
When yet another woman old enough to be his grandmother headed Reyes off and demanded his attention before he could get to me, I giggled at the forced smile on his face. She flirted, batted her lashes, and patted his biceps about twelve times too many for his comfort. He took out his phone and typed as the woman spoke to him, her movements exaggerated. I couldn't be certain but I had a feeling she was talking to him about how she used to be a pole dancer until her hip gave out. My phone chimed. I took it out of the delicate clutch that matched my dress and read Reyes's text. Aren't you going to save me? I don't know. I'm having a lot of fun right now. Wanna sext? He crossed an arm over his chest while holding his phone. One corner of his mouth twitched as he leaned back against the tree and typed. Absolutely. Sweet. What are you wearing? His eyes sparkled with mirth. Animal print boxers and striped socks I burst out laughing, gaining the attention of everyone around me.
Darynda Jones (Eighth Grave After Dark (Charley Davidson, #8))
Wilder went into his sons' bedroom. Glad to see Wilder, they banged their empty feeding-bowls with their plastic machine-pistols. They were dressed in miniature paratroopers' camouflage suits and tin helmets -- the wrong outfit, Wilder reflected, in light of what had been taking place in the high-rise. The correct combat costume was stockbrokers' pin-stripe, briefcase and homburg.
J.G. Ballard (High-Rise)
Above his head at street level, he saw an angled aileron of a scarlet Porsche, its jaunty fin more or less at the upper edge of his window frame. A pair of very soft, clean glistening black shoes appeared, followed by impeccably creased matt charcoal pinstriped light woollen legs, followed by the beautifully cut lower hem of a jacket, its black vent revealing a scarlet silk lining, its open front revealing a flat muscular stomach under a finely-striped red and white shirt. Val’s legs followed, in powder-blue stockings and saxe-blue shoes, under the limp hem of a crêpey mustard-coloured dress, printed with blue moony flowers. The four feet advanced and retreated, retreated and advanced, the male feet insisting towards the basement stairs, the female feet resisting, parrying. Roland opened the door and went into the area, fired mostly by what always got him, pure curiosity as to what the top half looked like.
A.S. Byatt (Possession)
Minda says, “Yeah. Just do what Janice does and you’ll be fine.” “You want us to all wear tiger-striped dresses?” Harrison asks. “Sure. So long as you laser your legs first,” Minda says.
David Estes (Flip (Slip, #3))
There are other women with baskets, some in red, some in the dull green of the Marthas, some in the striped dresses, red and blue and green and cheap and skimpy, that mark the women of the poorer men. Econowives,
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
Strong sun, that bleach The curtains of my room, can you not render Colourless this dress I wear?— This violent plaid Of purple angers and red shames; the yellow stripe Of thin but valid treacheries; the flashy green of kind deeds done Through indolence, high judgments given in haste; The recurring checker of the serious breach of taste?
Edna St. Vincent Millay (Huntsman, What Quarry?)
It is a three-piece affair, everything quilted, long jacket, waistcoat, and trousers, which have Feet at the ends of them, all in striped silk, a double stripe of some acidick Rose upon Celadon for the Trousers and Waistcoat, and for the Jacket, whose hem touches the floor when, as now, he is seated, a single stripe of teal-blue upon the same color, which is also that of the Revers. . . . It is usually not wise to discuss matters of costume with people who dress like this, -- politics or religion being far safer topicks.
Thomas Pynchon (Mason & Dixon)
Salander was dressed for the day in a black T-shirt with a picture on it of E.T. with fangs, and the words I AM ALSO AN ALIEN. She had on a black skirt that was frayed at the hem, a worn-out black, mid-length leather jacket, rivet belt, heavy Doc Marten boots, and horizontally striped, green-and-red knee socks. She had put on make-up in a colour scheme that indicated she might be colourblind. In other words, she was exceptionally decked out.
Stieg Larsson (The Girl with the Dragon Tattoo Trilogy)
He was looking at Mr. Nancy, an old black man with a pencil moustache, in his check sports jacket and his lemon yellow gloves, riding a carousel lion as it rose and lowered, high in the air; and, at the same time, in the same place, he saw a jeweled spider as high as a horse, its eyes an emerald nebula, strutting, staring down at him; and simultaneously he was looking at an extraordinarily tall man with teak colored skin and three sets of arms, wearing a flowing ostrich-feather headdress, his face painted with red stripes, riding an irritated golden lion, two of his six hands holding on tightly to the beast’s mane; and he was also seeing a young black boy, dressed in rags, his left foot all swollen and crawling with black flies; and last of all, and behind all these things, Shadow was looking at a tiny brown spider, hiding under a withered ochre leaf. Shadow saw all these things, and he knew they were the same thing.
Neil Gaiman (American Gods (American Gods, #1))
She was beautiful and lithe, with soft skin the color of bread and eyes like green almonds, and she had straight black hair that reached to her shoulders, and an aura of antiquity that could just as well have been Indonesian as Andean. She was dressed with subtle taste: a lynx jacket, a raw silk blouse with very delicate flowers, natural linen trousers, and shoes with a narrow stripe the color of bougainvillea. ‘This is the most beautiful woman I’ve ever seen,’ I thought, when I saw her pass by with the stealthy stride of a lioness, while I waited in the check-in line at Charles de Gaulle Airport in Paris for the plane to New York.
Gabriel García Márquez (Strange Pilgrims: Twelve Stories)
Simi rolled back and forth and spun around on Ash’s wheeled desk chair. Dressed in a neon pink lab coat and black and white striped leggings with thigh high laced platform boots that went all the way up to her black lace miniskirt, she was adorable. Her face was mostly covered by a black surgical mask with a matching pink skull and crossbones on the right side of it. Her glowing red eyes were emphasized by her solid jet-black pigtails and dark purple eyeliner. She’d been so excited about the impending birth of the baby, that she’d been dressed that way for a month and shadowing Tory’s every step. If Tory so much as hiccuped, Simi had whipped out a black baseball glove and asked, “is it time yet? The Simi’s gots her glove all ready to catch it if it is, ’cause sometimes they come out flying.”’ – Simi
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
Cook was then very handsome in a fey English way and dressed in floor-length, striped djellaba. In the role of the dead-eyed Spiggott, he intoned lines like “You fill me with inertia,” while appearing utterly indifferent to the beauties who danced in attendance. It was a scene that might have provided the basic blueprint for what would later become the Pet Shop Boys’ career.
Elvis Costello (Unfaithful Music & Disappearing Ink)
Why can’t I have normal friends?’ Stonny demanded. ‘Ones without tiger stripes and cat eyes? Ones without a hundred thousand souls riding their backs? Here comes a rider from that other lagging company – maybe he’s normal! Hood knows, he’s dressed like a farmer and looks inbred enough to manage only simple sentences. A perfect man! Hey! You! No, what are you hesitating for? Come to us, then! Please!
Steven Erikson (Memories of Ice (Malazan Book of the Fallen, #3))
Miss Caroline was no more than twenty-one. She had bright auburn hair, pink cheeks, and wore crimson fingernail polish. She also wore high-heeled pumps and a red-and-white-striped dress. She looked and smelled like a peppermint drop. She boarded across the street one door down from us in Miss Maudie Atkinson’s upstairs front room, and when Miss Maudie introduced us to her, Jem was in a haze for days.
Harper Lee (To Kill a Mockingbird)
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms." My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff. "No,Nate," we say. He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut. Condoms.Oh my God, how humiliating. St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that? We reach the landing,and St. Clair scratches his head. "Er..." "So..." "I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully. "Yeah.Me too.I'm going to...get ready for bed,too." "See you in a minute?" I swell with relief. "Up there or down here?" "Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him. Like I'd even know how. St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing. "Room service," he says. My mind goes...blank. "Ha ha," I say weakly. He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something. After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says. "It's okay." "..." "..." "Anna?" "Yeah?" "Thanks for letting me sleep here again. Last night..." The pressure inside my chest is torturous. What? What what what? "I haven't slept that well in ages." The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
To me, the highlight of the event is watching a reenactor in a long striped dress sitting alone on a blanket, winding yarn. Absorbed in the task of wrapping strands of wool around her hand, she never looks up. Watching her is so mesmerizing and oddly sacred that it never occurs to me to interrupt her and ask her name or how she got into the yarn-winding reenactment biz, maybe because she isn’t recreating; she is creating.
Sarah Vowell (Lafayette in the Somewhat United States)
Her fingernails were cut short and workmanlike, but were painted in pink and white stripes. The smartphone leaning dangerously from the pocket of her loose dress was a similarly aggressive shade of candyfloss, which seemed a crime against an otherwise perfectly decent model. She was the most overtly feminine person he had met since his kindergarten days, when small girls came bedecked with bows, ruffles and sparkly purses.
Elle Pierson (Artistic License)
They gathered around the living room TV and the media woman plugged a thumb drive into the digital port and brought the advertisement up: Smalls was dressed in a gray pin-striped suit, bankerish, but with a pale blue shirt open at the collar. He was in his Minnesota Senate office, with a hint of the American flag to his right, a couple of red and white stripes—not enough of a flag display to invite sarcasm, but it was there.
John Sandford (Silken Prey (Lucas Davenport #23))
Thin, androgynous, simply dressed in striped naval-uniform-style suits, or schoolboy sports clothes and blazers, the “Chanel woman” conjured the silhouette of the war’s millions of soldiers—the young men dying just out of sight of the general population.
Rhonda K. Garelick (Mademoiselle: Coco Chanel and the Pulse of History)
Her dress caught my eye in a way the others didn't. Closely fitted to her form, the dress was sewn of alternating horizontal stripes of black satin and black velvet. Pink silk roses wreathed the hem, almost as if she stood knee-deep in a field of flowers.
Susan Maupin Schmid (The Starlight Slippers (100 Dresses, #3))
The waiters wore striped waistcoats and green baize aprons. Bond ordered an Americano and examined the sprinkling of over-dressed customers, mostly from Paris he guessed, who sat talking with focus and vivacity, creating that theatrically clubbable atmosphere of ‘l’heure de l’apéritif’.
Ian Fleming (Casino Royale (James Bond, #1))
The woman with the cat complex is named Mrs. Alice Plesher, but she doesn't reveal her first name to him and Sai only finds out by accident, later. Mrs. Plesher calls the paper and is put through to Sai. He has no idea why although he could guess the new guy gets all of the reporter-on-the-beat drudgery assignments until proven worthy. Alice speaks haltingly as if hardened by age and her voice reveals a rasp. Sai pictures her in a long house dress from the fifties, wide pink and white stripes fading with age---a smock of beige over the dress, a multitude of cats clinging to the fabric like stick-ons.
Justin Bog (A Great Distance)
No, not them,’ said Bruno. ‘The people I see from my window. In the huts, in the distance. They’re all dressed the same.’ ‘Ah, those people,’ said Father, nodding his head and smiling slightly. ‘Those people … well, they’re not people at all, Bruno.’ Bruno frowned. ‘They’re not?’ he asked, unsure what Father meant by that.
John Boyne (The Boy in the Striped Pyjamas)
Poppy is wearing a loose-fitting dress made of blue and white striped cotton, with navy woolen tights and a pair of navy leather pumps. Her brown hair is tied back and has two small red clips in it. It’s a very formal outfit for a young girl, Laurel feels. The sort of thing she’d have had to bribe both her girls to wear when they were that age
Lisa Jewell (Then She Was Gone)
You are all more or less wearing the same types of clothes—look around the room and you will see it’s true. Now imagine you’re the only one not wearing a cool symbol. How would that make you feel? The Nike swoop, the three Adidas stripes, the little Polo player on a horse, the Hollister seagull, the symbols of Philadelphia’s professional sports teams, even our high school mascot that you athletes wear to battle other schools—some of you wear our Mustang to class even when there is no sporting event scheduled. These are your symbols, what you wear to prove that your identity matches the identity of others. Much like the Nazis had their swastika. We have a very loose dress code here and yet most of you pretty much dress the same. Why? Perhaps you feel it’s important not to stray too far from the norm. Would you not also wear a government symbol if it became important and normal to do so? If it were marketed the right way? If it was stitched on the most expensive brand at the mall? Worn by movie stars? The president of the United States?
Matthew Quick (Forgive Me, Leonard Peacock)
Ichecked myself over nervously. I had never been the new kid before, and I wanted at least one friend before the day was done. One besides Josh. Girlfriends were a necessity. Plenty had eyed me up at the ball but none had been brave enough to talk to me. Not even when I danced with Josh. I smiled unintentionally, thinking about Josh. Perhaps he would be my only friend. I could live with that, couldn’t I? No. Girlfriends were a necessity. Who would I toil over Josh with? And who would I talk about Briton with? No, I needed fiends. I surveyed my gray skinny jeans, black-and-white striped three-quarter-sleeve shirt, and knee-high beige dress boots, and grinned. I looked like a city kid. Great. No one would want to hang with me. My long hair looked silky and fine, not thick and unruly like it truly was, and I had on too much makeup. Yikes.
Tara Brown (Sunder)
My mother rebelled, cautiously and craftily, as thwarted women will. She gave me lessons in the stolen time while Father was away at business. I remember her standing before me in a bluebell-striped dress, her tired face suddenly shining as she opened A Ladies Instructor For Painting Diverse Delights, so we might copy its hand-colored plates. "Grace, you have a fine eye," Mother said. I wanted to dissect the heart of my subjects, to catch the shadow of the wilting rose in cadmium red, and conjure the snow tumbling like thistledown outside the window in washes of cerulean blue. One day, when painting the gleaming sphere of an apple, a black wriggling creature punctured the skin from the inside. Mother was bemused that I carried on painting, recording the creature's ugly pointed head and shiny segments. "That is the truth," I insisted, proud of my picture.
Martine Bailey (A Taste for Nightshade)
But that evening, driving back to the plant in the little underground train, I firmly believed my bad luck was over. One of the cars I had admired that morning took me back to the city. Fortunately some shops were still open here and there; I could buy myself a new suit. For Teresa I bought a nice summer dress with red stripes, which reminded me of the one in which I had seen her for the first time. It fitted to perfection – I knew her measurements. She had shared many hours with me, mainly bitter ones. We went out for dinner; it was one of the days one never forgets. Quite soon the happenings in Zapparoni's garden began to fade in my memory. There is much that is illusory in techniques. But I never forgot Teresa's words, and her smile when she spoke. Now she was happy about me. This smile was more powerful than all the automatons – it was a ray of reality.
Ernst Jünger (The Glass Bees)
In the history of terrible holidays, this ranks as the worst ever. Worse than the Fourth of July when Granddad showed up to see the fireworks in a kilt and insisted on singing "Flower of Scotland" instead of "America the Beautiful." Worse than the Halloween when Trudy Sherman and I both went to school dressed as Glinda the Good Witch,and she told everyone her costume was better than mine,because you could see my purple "Monday" panties through my dress AND YOU TOTALLY COULD. I'm not talking to Bridgette.She calls every day,but I ignore her.It's over. The Christmas gift I bought her,a tiny package wrapped in red-and-white striped paper,has been shoved into the bottom of my suitcase.It's a model of Pont Neuf,the oldest bridge in Paris. It was part of a model train set,and because of my poor language skills, St. Clair spent fifteen minutes convincing the shopkeeper to sell the bridge to me seperately. I hope I can return it. I've only been to the Royal Midtown 14 once,and even though I saw Hercules, Toph was there,too.And he was like, "Hey, Anna.Why won't you talk to Bridge?" and I had to run into the restroom. One of the new girls followed me in and said she thinks Toph is an insensitive douchebag motherhumping assclown,and that I shouldn't let him get to me.Which was sweet,but didn't really help.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Ivan Ilych saw that he was dying, and he was in continual despair. In the depth of his heart he knew he was dying, but not only was he unaccustomed to the thought, he simply did not and could not grasp it. The syllogism he had learnt from Kiesewetter’s Logic: ‘Caius is a man, men are mortal, therefore Caius is mortal,’ had always seemed to him correct as applied to Caius, but it certainly didn’t apply to himself. That Caius - man in the abstract - was mortal, was perfectly correct, but he was not Caius, not an abstract man, but a creature quite separate from all others. He had been little Vanya, with a mamma and a papa, with Mitya and Volodya, with toys, a coachman and a nanny, afterwards with Katenka and with all the joys, griefs, and delights of childhood, boyhood, and youth. What did Caius know of the smell of that striped leather ball Vanya had been so fond of? Had Caius kissed his mother’s hand like that, and did the silk of her dress rustle for Caius? Had he noted like that at school when the pastry was bad? Had Caius been in love like that? Could Caius preside at session as he did? Caius really was mortal, and it was right for him to die; but as for me, little Vanya, Ivan Ilych, with all my thoughts and emotions, it’s altogether a different matter. It cannot be that I ought to die. That would be too terrible. Such was his feeling.
Leo Tolstoy
I wore a purple dress--not my mother’s finery this time, but something cheap that I didn’t mind ruining--and I had painted my face to disguise it, with a thick diagonal stripe that covered all of one eye and most of the other. I had bound my hair back tightly, painting it blue to keep it in place. Without the currentshadows, I wouldn’t look like the Cyra Noavek that the city of Voa knew. Akos was dressed in black and green, but since he wasn’t recognizable, he hadn’t bothered with any disguise. When he saw me, he stared. For a long time. I knew how I looked. My face was not a relief to the eyes, the way the faces of uncomplicated people were; it was a challenge, like the blinding color of the currentstream. How I looked wasn’t important, particularly as my appearance was always obscured by the shifting veins of the current. But it was strange to see him notice at all. “Put your eyes back in your head, Kereseth,” I said. “You’re embarrassing yourself.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
I love the way the rain melts the colors together, like a chalk drawing on the sidewalk. There is a moment, just after sunset, when the shops turn on their lights and steam starts to fog up the windows of the cafés. In French, this twilight time implies a hint of danger. It's called entre chien et loup, between the dog and the wolf. It was just beginning to get dark as we walked through the small garden of Palais Royal. We watched as carefully dressed children in toggled peacoats and striped woolen mittens finished the same game of improvised soccer we had seen in the Place Sainte Marthe. Behind the Palais Royal the wide avenues around the Louvre gave way to narrow streets, small boutiques, and bistros. It started to drizzle. Gwendal turned a corner, and tucked in between two storefronts, barely wider than a set of double doors, I found myself staring down a corridor of fairy lights. A series of arches stretched into the distance, topped with panes of glass, like a greenhouse, that echoed the plip-plop of the rain. It was as if we'd stepped through the witch's wardrobe, the phantom tollbooth, what have you, into another era. The Passage Vivienne was nineteenth-century Paris's answer to a shopping mall, a small interior street lined with boutiques and tearooms where ladies could browse at their leisure without wetting the bustles of their long dresses or the plumes of their new hats. It was certainly a far cry from the shopping malls of my youth, with their piped-in Muzak and neon food courts. Plaster reliefs of Greek goddesses in diaphanous tunics lined the walls. Three-pronged brass lamps hung from the ceiling on long chains. About halfway down, there was an antique store selling nothing but old kitchenware- ridged ceramic bowls for hot chocolate, burnished copper molds in the shape of fish, and a pewter mold for madeleines, so worn around the edges it might have belonged to Proust himself. At the end of the gallery, underneath a clock held aloft by two busty angels, was a bookstore. There were gold stencils on the glass door. Maison fondée en 1826.
Elizabeth Bard (Lunch in Paris: A Love Story, with Recipes)
My parents didn't settle for the lives their parents lived. They stepped out and up, my father lying his way into the Navy when he was too young to enlist, my mother marrying this fugitive from the mills when she was too young for marriage. A smart guy, he took every course the Navy offered, aced them all, becoming the youngest chief warrant officer in the service. After Pearl Harbor the Navy needed line officers fast and my dad was suddenly wearing gold stripes. My mother watched and learned, getting good at the ways of this new world. She dressed beautifully. Our quarters were always handsomely fitted out. She and Dad were gracious, well-spoken. They were far from rich, but there were books and there was music and sometimes conversations about the world. We even listened to the Metropolitan Opera broadcasts on Saturdays. Still, when I finished high school, their attitudes and the times said that there was little point in further educating a girl. I would take a clerical job until I could find the right junior officer to marry and pursue his career, as helpmeet. If I picked well and worked hard, I might someday be an admiral's wife.
Ann Medlock
raving maniacs, half paralysed with hunger and fear’. In collaboration with an UNRRA team, the soldiers took over a former Napola School at Feldafing, drafted many of its German staff, including cooks and medical personnel, and turned it into a refugee camp, with a nearby hotel requisitioned as hospital accommodation. The number of inmates rapidly grew to some 4,000. By the end of May 1945, the camp had experienced its first survivor wedding and those in the hospital – now moved to a former monastery – had been treated to a concert by the Kovno Ghetto orchestra, dressed in their striped concentration-camp pyjamas.
Frederick Taylor (Exorcising Hitler: The Occupation and Denazification of Germany)
In the dewy wood tinselled with bewildering moonlight, the bumbling, tumbling babies of the fairy creche trip over the hem of her dress, which is no more nor less than the margin of the wood itself; they stumble in the tangled grass as they play with the coneys, the quick brown fox-cubs, the russet fieldmice and the wee scraps of grey voles, blind velvet Mole and striped Brock with his questing snout - all the denizens of the woodland are her embroiderings, and the birds flutter round her head, settle on her shoulders and make their nests in her great abundance of disordered hair, in which are plaited poppies and ears of wheat.
Angela Carter
When I got to the gig I was told I would be singing for a male vocalist. In walked this sexy, serene, toasted-almond-colored artsy young man—he just looked like the definition of an artist. His thick, dark hair was just in the beginning phases of dreadlocks. He had a perfect five o’clock shadow, with a thick stripe of goatee down the center of his chin. He was dressed rock star casual: heavy black leather vintage motorcycle jacket, black jeans, black T-shirt. He had a thin ring in his nose and smelled how I imagined ancient Egyptian oils would smell. His face was kind and fine, with a boyish smile. He went by the name of Romeo Blue. His friends called him Lenny. And about a year later, the world would know him as Lenny Kravitz.
Mariah Carey (The Meaning of Mariah Carey)
In the deep woods of the far North, under feathery leaves of fern, was a great fairyland of merry elves, sometimes called forest brownies. These elves lived joyfully. They had everything at hand and did not need to worry much about living. Berries and nuts grew plentiful in the forest. Rivers and springs provided the elves with crystal water. Flowers prepared them drink from their flavorful juices, which the munchkins loved greatly. At midnight the elves climbed into flower cups and drank drops of their sweet water with much delight. Every elf would tell a wonderful fairy tale to the flower to thank it for the treat. Despite this abundance, the pixies did not sit back and do nothing. They tinkered with their tasks all day long. They cleaned their houses. They swung on tree branches and swam in forested streams. Together with the early birds, they welcomed the sunrise, listened to the thunder growling, the whispering of leaves and blades of grass, and the conversations of the animals. The birds told them about warm countries, sunbeams whispered of distant seas, and the moon spoke of treasures hidden deeply in the earth. In winter, the elves lived in abandoned nests and hollows. Every sunny day they came out of their burrows and made the forest ring with their happy shouts, throwing tiny snowballs in all directions and building snowmen as small as the pinky finger of a little girl. The munchkins thought they were giants five times as large as them. With the first breath of spring, the elves left their winter residences and moved to the cups of the snowdrop flowers. Looking around, they watched the snow as it turned black and melted. They kept an eye on the blossoming of hazel trees while the leaves were still sleeping in their warm buds. They observed squirrels moving their last winter supplies from storage back to their homes. Gnomes welcomed the birds coming back to their old nests, where the elves lived during winters. Little by little, the forest once more grew green. One moonlight night, elves were sitting at an old willow tree and listening to mermaids singing about their underwater kingdom. “Brothers! Where is Murzilka? He has not been around for a long time!” said one of the elves, Father Beardie, who had a long white beard. He was older than others and well respected in his striped stocking cap. “I’m here,” a snotty voice arose, and Murzilka himself, nicknamed Feather Head, jumped from the top of the tree. All the brothers loved Murzilka, but thought he was lazy, as he actually was. Also, he loved to dress in a tailcoat, tall black hat, boots with narrow toes, a cane and a single eyeglass, being very proud of that look. “Do you know where I’m coming from? The very Arctic Ocean!” roared he. Usually, his words were hard to believe. That time, though, his announcement sounded so marvelous that all elves around him were agape with wonder. “You were there, really? Were you? How did you get there?” asked the sprites. “As easy as ABC! I came by the fox one day and caught her packing her things to visit her cousin, a silver fox who lives by the Arctic Ocean. “Take me with you,” I said to the fox. “Oh, no, you’ll freeze there! You know, it’s cold there!” she said. “Come on.” I said. “What are you talking about? What cold? Summer is here.” “Here we have summer, but there they have winter,” she answered. “No,” I thought. “She must be lying because she does not want to give me a ride.” Without telling her a word, I jumped upon her back and hid in her bushy fur, so even Father Frost could not find me. Like it or not, she had to take me with her. We ran for a long time. Another forest followed our woods, and then a boundless plain opened, a swamp covered with lichen and moss. Despite the intense heat, it had not entirely thawed. “This is tundra,” said my fellow traveler. “Tundra? What is tundra?” asked I. “Tundra is a huge, forever frozen wetland covering the entire coast of the Arctic Ocean.
Anna Khvolson
Drake stood speechless. Admiration- and something else Serena could not quite identify, pride perhaps- showing from his eyes. "Turn around," his deep voice commanded softly. "I would see all of you." She turned slowly, holding back a delighted laugh. Her gown was gold, the color of the amber flecks in her eyes, with a green-and-gold-striped underskirt and matching puffed sleeves. Emeralds hung from her ears, swaying provocatively and catching the candlelight from the wall scones. A choker wrapped around her neck and tiny tear-shaped jewels sparkled from her hair. It had taken the combined urgings of her personal maid and the housekeeper to convince her it was acceptable to wear such a low-cut gown in public. Elegant gloves covered her arms to the elbows with an emerald and gold bracelet on one wrist and a Chinese fan dangling from the other. "I knew you would be beautiful dressed as my duchess, but Serena, I am speechless. The men will adore you and the women will envy you." He spoke the last in an underbreath, as though to himself.
Jamie Carie (The Duchess and the Dragon)
After twenty minutes of hard swimming, his muscles were burning. He hoisted himself out of the water, breathing heavily, and went to fetch a towel from a stack on a table. As he dried himself vigorously, he caught a glimpse of someone standing by the other end of the swimming bath. He went very still at the sight of rose-copper hair... pink cheeks and round blue eyes... and lavish curves contained in a fashionable striped wool dress. Every filament of his nervous system sparked with an infusion of joy. "Evie?" he asked huskily, afraid he was imagining her. She glanced at the water, remarking innocently, "You were swimming so hard, I thought there might be a sh-shark." It took all Sebastian's concentration to reply casually, "You know better than that, pet." He wrapped the towel around his waist and tucked in the overlapping edge to fasten it. "I am the shark." He went to his wife in no apparent hurry, but as he drew closer his stride quickened, and he snatched her up with an ardor that nearly lifted her feet from the floor. She gasped and clutched his shoulders, and lifted her smiling mouth to his. Glorying in the taste and feel of her, Sebastian kissed her thoroughly, eventually finishing with a soft, provocative bite at her lower lip.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Right when Marston and Peter must have been meeting with Gaines and Mayer to talk about what Wonder Woman ought to look like, a new superhero made his debut. Captain America.19 He quickly became Timely Comics’ most popular character. Captain America Comics #1 (March 1941) (illustration credit 23.7) Marston wanted his comic book’s “under-meaning,” about “a great movement now under way—the growth in the power of women,” to be embodied in the way Wonder Woman carried herself, how she dressed, and what powers she wielded. She had to be strong, and she had to be independent. Everyone agreed about the bracelets (inspired by Olive Byrne’s): it helped Gaines with his public relations problem that she could stop bullets with them; that was good for the gun problem. Also, this new superhero had to be uncommonly beautiful; she’d wear a tiara, like the crown awarded at the Miss America pageant. Marston wanted her to be opposed to war, but she had to be willing to fight for democracy. In fact, she had to be superpatriotic. Captain America wore an American flag: blue tights, red gloves, red boots, and, on his torso, red and white stripes and a white star. Like Captain America—because of Captain America—Wonder Woman would have to wear red, white, and blue, too. But, ideally, she’d also wear very little. To sell magazines, Gaines wanted his superwoman to be as naked as he could get away with.
Jill Lepore (The Secret History of Wonder Woman)
THE NIGHTGOWN was only the first of the garments in the box. There were seven nightgowns, in fact—one for each day of the week—of delicate silk, lovely georgette, and beautiful tiffany. As Alexandra pulled them out, she draped them on the bed. She’d never seen a nightgown that wasn’t white, but these were almond and pale blush pink, powder blue and soft peach, with delicate edgings of lace and intricate, exquisite embroidery. “They’re stunning,” she said. “Madame Rodale has nothing like them in her book of fashion plates.” Tris just grinned. He seemed different tonight. More relaxed, less worried. She didn’t know what had prompted his sudden good humor, but she didn’t want to question it. She’d rather enjoy it instead. After the afternoon she’d had—starting with Elizabeth’s letter and ending with three fruitless interviews—she wasn’t about to risk the one thing that seemed to be going right. “Are you going to try one on for me?” he asked. Her face heated. He chose a nightgown off the bed, palest lavender with black lace and violet embroidery. “This one,” he said, handing it to her. “Do you require assistance with your dress?” “Just the buttons,” she said, and turned to let him unfasten them. She shifted the nightgown in her hands. It felt so light. “There,” he said when the back of her green dress gaped open. He kissed her softly on the nape of her neck, then settled on one of the striped chairs, sipping from the glass of port he’d brought upstairs with him. “Use the dressing room. I’ll be waiting.” In the dressing room, she shakily stripped out of her frock, chemise, shoes, and stockings, then dropped the nightgown over her head and smoothed it down over her hips. The fabric whispered against her legs. She turned to see herself in the looking glass. Sweet heaven. She’d never imagined nightgowns like this existed. Her nightgowns all had high collars that tied at the throat. This one had a wide, low neckline. Her nightgowns all had long, full sleeves. This one had tiny puffed sleeves that began halfway off her shoulders. Her nightgowns were made of yards and yards of thick, billowing fabric. This one was a slender column that left no curve to the imagination. It was wicked. “Are you ready yet?” Tris called. Alexandra swallowed hard, reminding herself that he’d seen her in less clothing. And he was her husband. Still, wearing the nightgown for him somehow felt more intimate than wearing nothing at all. She was as ready as she’d ever be. Drawing a deep breath, she exited the dressing room, walked quickly through the sitting room, and paused in the bedroom’s doorway. She dropped her gaze, then raised her lashes, giving him the look—the one Juliana had said would make men fall at her feet. Judging from the expression on Tris’s face, it was a good thing he was sitting. The way he looked at her made her heartbeat accelerate. He rose and moved toward her. She met him halfway, licking suddenly dry lips. “Will you kiss me?” she asked softly, reaching up to sweep that always unruly lock off his forehead. It worked this time. He kissed her but good.
Lauren Royal (Alexandra (Regency Chase Brides #1))
The New Dog I. “I’m intensely afraid of almost everything. Grocery bags, potted poinsettias, bunches of uprooted weeds wilting on a hot sidewalk, clothes hangers, deflated rubber balls, being looked in the eye, crutches, an overcoat tossed across the back of a chair (everybody knows empty overcoats house ghosts), children, doorways, music, human hands and the newspaper rustling as my owner, in striped pajamas, drinks coffee and turns its pages. He wants to find out where there’ll be war in the mid-east this week. Afraid even of eating, if someone burps or clinks a glass with a fork, or if my owner turns the kitchen faucet on to wash his hands during my meal I go rigid with fear, my legs buckle, then I slink from the room. I pee copiously if my food bowl is placed on the floor before the other dogs’. I have to be served last or the natural order of things - in which every moment I am about to be sacrificed - (have my heart ripped from my chest by the priest wielding his stone knife or get run out of the pack by snarling, snapping alphas) - the most sacred hierarchy, that fated arrangement, the glue of the universe, will unstick. The evolution will never itself, and life as we know it will subside entirely, until only the simplest animal form remain - jellyfish headless globs of cells, with only microscopic whips for legs and tails. Great swirling arms of gas will arm wrestle for eons to win cosmic dominance. Starless, undifferentiated chaos will reign. II. I alone of little escaped a hell of beating, neglect, and snuffling dumpsters for sustenance before this gullible man adopted me. Now my new owner would like me to walk nicely by his side on a leash (without cowering or pulling) and to lie down on a towel when he asks, regardless of whether he has a piece of bologna in his pocket or not. I’m growing fond of that optimistic young man in spite of myself. If only he would heed my warnings I’d pour out my thoughts to him: When panic strikes you like a squall wind and disaster falls on you like a gale, when you are hunted and scorned, wisdom shouts aloud in the streets: What is consciousness? What is sensation? What is mind? What is pain? What about the sorrows of unwatered houseplants? What indoor cloudburst will slake their thirst? What of my littler brothers and sisters, dead at the hands of dirty two legged brutes? Who’s the ghost in the universe behind its existence, necessary to everything that happens? Is it the pajama-clad man offering a strip of bacon in his frightening hand (who’ll take me to the park to play ball if he ever gets dressed)? Is it his quiet, wet-eyed, egg-frying wife? Dear Lord, Is it me?
Amy Gerstler (Ghost Girl)
her gentle but continuous harangue as she coaxed him into dressing and tried to teach him to match his shirt and pants. But sometimes an incipient tantrum she had no time for meant that checks and stripes were the order of the day. “Have fun at the circus,” she’d say to Sean’s back as he ran out the door to catch the bus. Rebecca
Dexter Palmer (Version Control)
So they were here sometime before ten, but we don’t know how long before, and they were gone before eleven,” Robertson said. Robertson was sartorially distinct from his partner, wearing a blue-striped Façonnable long-sleeved dress shirt, dark blue slender jeans with the cuffs rolled up a half inch, and tan lace-up shoes; Lucas envied him the shoes. “We have a call on Likely’s phone, to Baker, at nine o’clock, so he was alive then.
John Sandford (Extreme Prey (Lucas Davenport, #26))
Good evening, all.” The warm room was empty. Only the crackling fire and waiting furniture greeted him. His perfect posture dropped half an inch. So much for a triumphal entry.  He closed the door and removed his hat. “Did you all hear I was coming and decide to hide?” “Good evening, Nathaniel.” Kitty stepped into the parlor from the kitchen, removing her striped apron to reveal a yellow, rose-dotted dress that molded to her curves in a way Nathaniel hadn’t thought possible. Simple ringlets bobbed at her neck and an alluring grin threatened to topple his well-placed line of defense.  “Good evening, lovely lady.” Extinguishing every spark of emotion with the skill of a perfect marksman, Nathaniel draped himself in his cloak of dramatic charm and bowed deeply. He closed his eyes and inhaled through his nose. “Aw, Kitty, you have done it again. All I must do is savor that aroma to know this evening’s meal will very likely be the best I’ve ever tasted.” If he stayed jocular he wouldn’t be at risk of succumbing to the emotions that toyed with him so carelessly. Kitty rolled her eyes and started toward the fire. “Oh, Nathaniel. You’re always full of exaggerated compliments, though I thank you just the same.” The grin behind her eyes toyed with his humor. “Are you calling me a liar, Miss Campbell?” He stepped forward. Her lips twitched as if she held back a smile that yearned for exposure. “Should I be?” Before
Amber Lynn Perry (So True a Love (Daughters of His Kingdom #2))
Matilda, looking decidedly smart in a dress of blue and black stripes, was standing beside her husband, talking with the Portuguese Ambassador.
Anthony Powell (The Military Philosophers (A Dance of Music and Time))
He had one leg crossed over the other and sat with both hands resting casually in his lap. He wore a three-piece suit, silvery grey in colour, with the jacket open to reveal the waistcoat and a striped red and white dress shirt underneath. His tie was ruby red and affixed to the shirt by a gold tie bar shaped like a pirate’s cutlass. His shoes were brown tasselled loafers with the toes polished to a mirror sheen. Light brown hair was swept back from a face that was far more youthful than Victor had expected. He looked no older than twenty-eight or nine.
Tom Wood (The Game (Victor the Assassin, #3))
The syllogism he had learnt from Kiesewetter's Logic: "Caius is a man, men are mortal, therefore Caius is mortal," had always seemed to him correct as applied to Caius, but certainly not as applied to himself. That Caius—man in the abstract—was mortal, was perfectly correct, but he was not Caius, not an abstract man, but a creature quite, quite separate from all others. He had been little Vanya, with a mamma and a papa, with Mitya and Volodya, with the toys, a coachman and a nurse, afterwards with Katenka and [with] all the joys, griefs, and delights of childhood, boyhood, and youth. What did Caius know of the smell of that striped leather ball Vanya had been so fond of? Had Caius kissed his mother's hand like that, and did the silk of her dress rustle so for Caius? Had he rioted like that at school when the pastry was bad? Had Caius been in love like that? Could Caius preside at a session as he did? "Caius really was mortal, and it was right for him to die; but for me, little Vanya, Ivan Ilych, with all my thoughts and emotions, it's altogether a different matter. It cannot be that I ought to die. That would be too terrible.
Leo Tolstoy
D. Donovan, Senior Reviewer, Midwest Book Review writes: "Sea Creatures and Poems: Plus Some Other Fish Rhymes illustrates the fun that poetry can embrace, providing a zany collection for all ages that is both ocean-focused and whimsical. The operative description for both poems and pictures is "silly," and the book fulfills this promise with a series of engaging observations that belay the usual staid approaches of too many poetry books. Art combined with poetry is "a delicious combination," as Richard Merritts reflects in the collection's introduction. The poems inspired the author to add illustrations which are just as whimsically touched...and, also, quite artistically rendered. These aren't demanding works. Take "Pompano Pompano Pompano," for example. Its very short observation concludes with an ironic twist after identifying the "flat fish from Florida" outside of its normal sea environment. Succinct? Yes. But the poem really...snags readers, landing a winning insight on both the pompano and its ultimate fate. Readers trawling for humor will find plenty in this book. Even the poetry titles present original, fun observations, as in "By Jove, I Hooked a Snook." Aside from its delightful observations, the poems represent diverse structures, from free verse to rhyme: "From the depths of the sea;/Came a fish that could be;/From a prison did flee;/Dressed in stripes, so you see..." From redfish and ahi to the anglers who long for them, Sea Creatures and Poems will appeal to a wide audience, especially those who do not view poetry as an opportunity for philosophical and psychological analysis alone. Its blend of natural history info, inviting color illustrations, and accompanying fun insights is recommended for those who fish to those who enjoy eating or studying them, as well as poetry lovers who will appreciate the very different approaches, poetic variety, and whimsical inspections within. Libraries catering to these audiences will want to include it in their collections, but Sea Creatures and Poems will prove a delightful choice for adults who seek to instill in the young an appreciation for poetry's capability for fun and its diverse structural representations.
D. Donovan, Senior Editor, Midwest Book Review
Her back is torn open like a great cat has used her spine for a scratching post. Long stripes of split flesh crisscross from shoulder to hip, some thin as a razor, others open wide enough to reveal folds of tissue in pinks and reds that I’ve only seen at the butcher. The whip took skin and cloth, leaving both her body and dress in shreds. A human did this to another human. Some boy did this to Abby over some perceived slight. She ran for help and no one gave it to her. They handed her over to a boy who tore her body open and left her for dead. Fury builds in me like venom. A sharp, dangerous feeling I’ve never felt about someone I haven’t met. “Carr.” Patricia nods. “His monument is on the quad.” “His monument?” I turn to her, enraged that this monster is honored at Carolina or anywhere else. She sighs heavily. “Everything has two histories. Especially in the South.
Tracy Deonn (Legendborn (Legendborn, #1))
... and spoke softly above my ear, "You wished to prove me wrong but it will be me who will prove you wrong in the end" -The girl in the striped dress
Ellie Midwood
The syllogism he had learnt from Kiesewetter's Logic: "Caius is a man, men are mortal, therefore Caius is mortal," had always seemed to him correct as applied to Caius, but certainly not as applied to himself. That Caius—man in the abstract—was mortal, was perfectly correct, but he was not Caius, not an abstract man, but a creature quite, quite separate from all others. He had been little Vanya, with a mamma and a papa, with Mitya and Volodya, with the toys, a coachman and a nurse, afterwards with Katenka and will all the joys, griefs, and delights of childhood, boyhood, and youth. What did Caius know of the smell of that striped leather ball Vanya had been so fond of? Had Caius kissed his mother's hand like that, and did the silk of her dress rustle so for Caius? Had he rioted like that at school when the pastry was bad? Had Caius been in love like that? Could Caius preside at a session as he did? "Caius really was mortal, and it was right for him to die; but for me, little Vanya, Ivan Ilych, with all my thoughts and emotions, it's altogether a different matter. It cannot be that I ought to die. That would be too terrible.
Leo Tolstoy (The Death of Ivan Ilych)
Celebrities who in the sixties had led Barbie-esque lives now forswore them. Jane Fonda no longer vamped through the galaxy as "Barbarella," she flew to Hanoi. Gloria Steinem no longer wrote "The Passionate Shopper" column for New York, she edited Ms. And although McCalVs had described Steinem as "a life-size counter-culture Barbie doll" in a 1971 profile, Barbie was the enemy. NOW's formal assault on Mattel began in August 1971, when its New York chapter issued a press release condemning ten companies for sexist advertising. Mattel's ad, which showed boys playing with educational toys and girls with dolls, seems tame when compared with those of the other transgressors. Crisco, for instance, sold its oil by depicting a woman quaking in fear because her husband hated her salad dressing. Chrysler showed a marriage-minded mom urging her daughter to conceal from the boys how much she knew about cars. And Amelia Earhart Luggage—if ever a product was misnamed—ran a print ad of a naked woman painted with stripes to match her suitcases.
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
Ma patched you up the best she could and got you dressed and in bed. I told her not to bother curling your hair, but she did it anyway. Made it easier for her to look at that knot at the back of your head.” He reached up and flipped one of my striped cotton curlers with his fingers. “Looks cute, though. Very John Philip Sousa.” At first I thought he meant I looked like the heavily bearded composer on the cover of one of Pops’ old records, the guy who wrote all those patriotic marches the marching bands play during parades, but I shot him a playful glare when I got the reference. The red, white, and blue rag curlers. “Oh yes, I know, very Stars and Stripes Forever.
M.G. Buehrlen (The 57 Lives of Alex Wayfare (Alex Wayfare, #1))
David Sassoon For several decades, British designer David Sassoon has provided the best in evening wear for fashionable and famous customers from his high-profile store in London. His work has been featured in many international fashion shows and museums throughout the world, and his garments are in high demand at such notable stores as Sak’s Fifth Avenue, Harrods, and Neiman Marcus. The Princess of Wales would often make surprise visits to my shop, as I had made her going-away dress and many other outfits for her trousseau. In August 1982, Diana came to my shop with Lady Sarah Armstrong-Jones, the daughter of Princess Margaret, who had been a bridesmaid at Diana’s wedding. The Princess was wearing a blue-and-white-striped sailor-style two-piece outfit; Sarah wore a white shirt and a cotton skirt, as it was a very hot day. Diana said that she would like to choose a long evening dress for Sarah as a present. The dress was to be worn at a ball at Balmoral Castle. This was Sarah’s first long dress, and Diana wanted her to have her dream dress. There were lots of giggles and excitement as Diana helped Sarah try on some of the dresses, and the dressing room was full of laughter. Finally, Sarah chose a bright red strapless taffeta ball dress, which made her feel very grown up. We brought them tea while the dress was being fitted, and Sarah, who obviously adored Diana, listened to her advice about what accessories would complement the dress. Sarah was so excited about her beautiful and glamorous present when they left the shop. Diana had made a young girl’s dream come true.
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
There you are, Amelia,” his lordship drawled in a bored voice. “Thank God you’ve finally come in. You’re the only bright note in this otherwise dreary affair. Can’t imagine what Lady Winterson was thinking this year. No dancing and a bunch of ill-mannered, grubby children kicking up a fuss. It’s beastly, if you want to know. I don’t know how you can bear it.” Nigel felt Amelia’s slender body go rigid, understandably, since two of the grubby children were her siblings. He could also tell that while a retort hovered on the tip of her tongue, her sense of courtesy prevented her from voicing it. But Nigel was done with niceties when it came to idiots like Broadmore. “Really, Broadmore?” he said. “Don’t mean to insult you, but the children aren’t the ones kicking up the fuss.” He inspected one young lad, dressed neat as a pin and sitting quietly with Lady Peterson, then shifted his gaze onto Broadmore’s garish purple and yellow striped waistcoat that made Nigel’s color choice look positively subdued. “In fact, I’m forced to remark that the children seem both better behaved and better dressed than you. Can’t imagine why you thought that particular color combination in a waistcoat was a good idea. Makes you look rather like a large insect.” Broadmore gaped at him momentarily, but then his dark eyebrows snapped together in a thunderous scowl. Amelia made a choking sound before clutching Nigel’s sleeve and pulling him away. “Excuse us, Lord Broadmore,” she said in a bright voice over her shoulder, “but I’ve been meaning to introduce Mr. Dash to my sister Penelope. You know this is her first ton party, and she’s feeling a little shy.” Broadmore’s scowl was replaced by a smirk. “Oh, of course. Dash is the perfect fellow to sit with the children while we enjoy ourselves. I’ll come rescue you in a few minutes, my dear. You needn’t worry that I’ll abandon you this evening.” Before Nigel could make a suitable riposte, Amelia dragged him off to the other end of the cavernous drawing room.
Anna Campbell (A Grosvenor Square Christmas)
Clark went on to tell us that we would provide a color guard every Friday for the recruit parade.  There would also be color guard details all over the San Diego area.   Any service club, school, ball team of any kind that wanted a color guard at their event could get one just by asking.   “You’re lucky it isn’t football season or we might as well live in our dress blues.
W.R. Spicer (Sea Stories of a U.S. Marine, Book 1, Stripes to Bars)
She dressed for a future not yet with us but which she expected to arrive. That’s what her plain white linen trousers were for, her blue-and-white-striped “Breton” T-shirt, her frayed espadrilles, her severe and beautiful African head—everything so plain, so understated, completely out of step with the spirit of the time, and with the place.
Zadie Smith (Swing Time)
Chase located North in the break room. Instead of a flight suit or cammies, he was dressed in a white T-shirt and his dress blue trousers with the blood stripe running along the outer legs. Blood stripes represented the bloodshed of Marines during the Mexican-American battle at Chapultepec in 1847.
Carver Greene (An Unlawful Order (The Chase Anderson Series Book 1))
At 5:00 a.m. the clubs get going properly; the Forbes stumble down from their loggias, grinning and swaying tipsily. They are all dressed the same, in expensive striped silk shirts tucked into designer jeans, all tanned and plump and glistening with money and self-satisfaction. They join the cattle on the dance floor. Everyone is wrecked by now and bounces around sweating, so fast it’s almost in slow motion. They exchange these sweet, simple glances of mutual recognition, as if the masks have come off and they’re all in on one big joke. And then you realize how equal the Forbes and the girls really are. They all clambered out of one Soviet world. The oil geyser has shot them to different financial universes, but they still understand each other perfectly. And their sweet, simple glances seem to say how amusing this whole masquerade is, that yesterday we were all living in communal flats and singing Soviet anthems and thinking Levis and powdered milk were the height of luxury, and now we’re surrounded by luxury cars and jets and sticky Prosecco. And though many westerners tell me they think Russians are obsessed with money, I think they’re wrong: the cash has come so fast, like glitter shaken in a snow globe, that it feels totally unreal, not something to hoard and save but to twirl and dance in like feathers in a pillow fight and cut like papier-mâché into different, quickly changing masks. At 5:00 a.m. the music goes faster and faster, and in the throbbing, snowing night the cattle become Forbeses and the Forbeses cattle, moving so fast now they can see the traces of themselves caught in the strobe across the dance floor. The guys and girls look at themselves and think: “Did that really happen to me? Is that me there? With all the Maybachs and rapes and gangsters and mass graves and penthouses and sparkly dresses?
Peter Pomerantsev (Nothing Is True and Everything Is Possible: The Surreal Heart of the New Russia)
Elizabeth went from stand to stand as if I wasn't there, exchanging cash for heavy bags of produce: pink-and-white-striped beans, tan-colored pumpkins with long necks, purple potatoes mixed with yellow and red. When she was busy paying for a bag of nectarines, I stole a green grape off an overflowing with my teeth. "Please!" exclaimed a short, bearded man I hadn't noticed. "Sample! They're delicious, perfectly ripe." He tore off a bunch of grapes and placed them in my wrapped hands. "Say thank you," Elizabeth said, but my mouth was full of grapes. Elizabeth bought three pounds of grapes, six nectarines, and a bag of dried apricots. On a bench facing a long, grassy field we sat together, and she held out a yellow plum a few inches from my lips. I leaned forward and ate it out of her hand, the juice dripping down my chin and onto my dress.
Vanessa Diffenbaugh (The Language of Flowers)
Marc walked down the jet way, blinking into the rising sun. He dug in the bag for the USAF-issue sunglasses that he habitually carried and wiped them clean. Lucy was waiting at the foot of the ramp, dressed in the same kind of almost-neutral clothing as he was. She was peering at a sheaf of paper maps, and among the sheets Marc saw a blow-up of the satellite image he had provided to Rubicon, the errant picture salvaged from the comm files. ‘We can make this by late afternoon if we hustle,’ she told him. ‘A helo would draw too much attention. We’ll take the highway.’ She jerked her thumb at a battered Land Rover parked in the shadow of the jet. Malte, the taciturn driver, was in the process of loading the 4x4 with two equipment cases, one labelled with a red stripe, another with blue. ‘Is he coming with us?’ Lucy shook her head. ‘Just you and me, pal.
James Swallow (Nomad (Marc Dane, #1))
A hunting rifle had been leaning against the wall on the other side of their room and Alora already had the rifle expertly armed and pointed at the door. She fired. The man on her left wearing a dark, grey-striped suit fell to the floor. A second shot rang out, from behind the intruders, and the other business-suited man collapsed in the hallway. Both were dead. Now, other men in suit pants and dress shirts were suddenly all over the hallway and crowding into the bedroom which smelled of cordite. ‘You killed that guy,’ said Sinatra, lighting a cigarette. Her voice shaking Alora protested: ‘But they had guns. ‘They were coming to kill us.’ ‘Those weren’t guns,’ added Sinatra. ‘They were walkie-talkies.
Mike Rothmiller (Frank Sinatra and the Mafia Murders)
He accosted me with excessive warmth, for he had been drinking much. The man wore motley.3 He had on a tight-fitting parti-striped dress, and his head was surmounted by the conical cap and bells. I was so pleased to see him, that I thought I should never have done wringing his hand.
Joseph Kelly (The Seagull Book of Stories (Fifth Edition))
Her mother’s golden hair was lit by the reflection from an elaborate lavender silk dress, her skirts voluminous and extravagantly decorated. She drove a large and simple carriage, and Catherine sat in the front seat, between her mother and a man, a military man who was not her father. In her memory, as it came to her, she could not see his face. Behind them, straight as pins, sat three other young men, cadets, smartly dressed in tight wool uniforms with epaulets and braids and stripes
Robert Goolrick (A Reliable Wife)
At 5 a.m. the clubs get going properly; the Forbeses stumble down from their loggias, grinning and swaying tipsily. They are all dressed the same, in expensive striped silk shirts tucked into designer jeans, all tanned and plump and glistening with money and self-satisfaction. They join the cattle on the dance floor. Everyone is wrecked by now and bounces around sweating, so fast it’s almost in slow motion. They exchange these sweet, simple glances of mutual recognition, as if the masks have come off and they’re all in on one big joke. And then you realise how equal the Forbeses and the girls really are. They all clambered out of one Soviet world. The oil geyser has shot them to different financial universes, but they still understand each other perfectly. And their sweet, simple glances seem to say how amusing this whole masquerade is, that yesterday we were all living in communal flats and singing Soviet anthems and thinking Levis and powdered milk were the height of luxury, and now we’re surrounded by luxury cars and jets and sticky Prosecco. And though many Westerners tell me they think Russians are obsessed with money, I think they’re wrong: the cash has come so fast, like glitter shaken in a snow globe, that it feels totally unreal, not something to hoard and save but to twirl and dance in like feathers in a pillow fight and cut like papier mâché into different, quickly changing masks. At 5 a.m. the music goes faster and faster, and in the throbbing, snowing night the cattle become Forbeses and the Forbeses cattle, moving so fast now they can see the traces of themselves caught in the strobe across the dance floor. The guys and girls look at themselves and think: ‘Did that really happen to me? Is that me there? With all the Maybachs and rapes and gangsters and mass graves and penthouses and sparkly dresses?’ A Hero for Our Times I am in a meeting at TNT when my phone goes off.
Peter Pomerantsev (Nothing is True and Everything is Possible: Adventures in Modern Russia)
The orange wave was real. Layton and the NDP won 103 seats on May 2, 2011, and for the first and only time in its history, the party formed the official opposition with Layton at the helm. It was a huge accomplishment for the NDP, but for Jack Layton there was very little time to celebrate. The cancer had returned. It was about to race through his body. Just one hundred and twelve days after election night, the battle against it ended. On August 22, just before five in the morning, my phone rang. I've been around long enough to know that when the phone rings in the middle of the night the odds are it's not good news. It wasn't. "Jack just passed away. We will be announcing it publicly in a few hours. Perhaps you could make it known before then." I got up, showered, and dressed. I drove into Toronto from our home in Stratford thinking about those last conversations we'd had during the campaign. In St. John's after that interview had ended, I'd thanked him for being so frank about his health and his hopes in the few days we'd just spent together. Standing on the dock I'd told him that while he and I had done many interviews in the years before, all my questions in those past years had been so predictable. Before I could say anything, he smiled and looked at me. "And all my answers were so predictable too." We both laughed. It was so true. But 2011 had been different. I parked my car and walked into the studio where Heather Hiscox was hosting her morning show and, to her surprise, I sat down, unannounced, beside her. She could tell something wasn't right and, on air, she asked me what was up. "Jack Layton has just died." Heather's face said it all. She was shocked and saddened, just like so many Canadians of all political stripes were, as they found out in that same moment. A person's life have been stolen from them at the pinnacle of their professional career. The country was instantly in mourning. Two weeks later, Layton's widow, Olivia Chow, returned with me to the spot on Toronto Island where they had been married twenty-three years before and talked about what the final moments had been like. "It was very difficult, but he had no fear. He had no fear. He was ready, so I thought, okay. So we held him.
Peter Mansbridge (Off the Record)
When he reached the music room, he leaned in the open doorway for a moment and smiled as he studied the alluring arrangement of his darling mistress reclining on the light green settee. Dressed in a pink gown with striped satin skirts, Kate was idly thumbing through her mother's book, open on her lap. She had loosed her soft brown hair; it flowed over her shoulders in crimped waves from her earlier chignon. "There you are," he greeted her with a glow of appreciation in his eyes. "And don't you look pretty as a picture.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
walls of the Young Adult Room were painted purple and yellow. There were swirly zebra-print rugs on the floor and a lumpy cluster of beanbag chairs. A couple of sofas were designed to look like Scrabble trays, with letter-square pillows. Akimi nudged Kyle in the ribs. “Check it out.” In the far corner stood a carnival ticket booth with a mechanical dummy seated inside. A “Fun & Games” banner hung off the booth’s striped roof. The dummy inside the glass booth? He looked like Mr. Lemoncello. He wasn’t wearing a turban, but the Mr. Lemoncello mannequin reminded Kyle of the Zoltar Speaks fortuneteller booths he’d seen in video game arcades. “That’s not really him, is it?” said Akimi, who was right behind Kyle. “No. It’s a mechanical doll.” The frozen automaton was dressed in a black top hat and a bright red ringmaster jacket. Since the booth had the “Fun & Games” banner, Kyle figured you might have to talk to the dummy to get a game. “Um, hello,” he said. “We’d like to play a board game.” Bells rang, whistles whistled, and chaser lights blinked.
Chris Grabenstein (Escape from Mr. Lemoncello's Library (Mr. Lemoncello's Library, #1))
She was dressed in a rainbow-striped jumper that looked as if it had been crocheted for a gorilla by a gorilla.
Kate Atkinson
the last rays of the sun touched the hills at night," now, on his next to last day on earth, he had changed his mind and wanted to be buried on Lookout Mountain. "It's pretty up there.... You can look down into four states," he said. At any rate, Denver won the old plainsman's remains, and Lookout Mountain in nearby Golden, Colorado, would receive them-but not immediately. The funeral services were scheduled for Sunday, January 14, but the body would be kept in a mortuary vault in Olinger's Funeral Home until Memorial Day, when it would be finally buried on Lookout Mountain. Cody's funeral, like his life, was carried out on a grand scale. Described as "the most impressive and most largely-attended ever seen in the West," it was a service of such pomp and ceremony as only a head of state would have been granted. At ten o'clock on the morning of January 14, Cody's body was taken from the Decker home to the state capitol, where it lay in state in the rotunda, beneath the huge dome and its flagpole, on which the Stars and Stripes floated at half mast. The body was dressed in a frock coat on which were pinned the badges of the Legion of Honor and of the Grand Army of the Republic. The coffin bore the inscription: "Colonel William F. Cody, `Buffalo Bill."' Troopers from Fort Logan formed lines in the rotunda, through which passed the governors of Colorado and Wyoming, delegations from the legislatures from those states, officers of the United States Army, members of the fraternal organizations of which Cody was a member, veterans of the Grand Army of the Republic, thousands of men, women, and children. Among the mourners were a handful of old Indians and former scouts-those who had been performers in Buffalo Bill's Wild West. The rotunda was open for three hours. During that time, some eighteen thousand people according to the Denver Post's estimates-twenty-five thousand was the New York Times's guess-filed past the casket. At noon the crowd was kept back while the family, including his foster son, Johnny Baker, bade the Colonel farewell. A delegation of Knights Templar from North Platte followed.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
The last glimmer of it evaporated when she and Nick reached his dorm room and found yet another gift. “That one’s actually pretty inspired,” Nick remarked, nodding his head toward the stuffed yellow duck leaning against his door. Someone had dressed it in the old-time black and white stripes of a prison uniform. “Jailbird. Funny. I’m surprised Trey came up with something that creative.” “I’m sure he had help,” Beth replied, scowling at the stuffed animal.
Suzie O'Connell (Northstar Beginnings: First Instinct / Mountain Angel (Northstar Angels, #1 / Hammond Brothers #1-2))
Gary never stopped being a rock star, not even on his days off. He vanished into the bathroom for a long time to fix his hair and dressed in black skinny jeans accompanied by a red belt with three different chains hanging from it. His t-shirt had diagonal, red and black stripes on it, and his red canvas shoes were as seen on TV. It was hard to say whether Gary had dressed and behaved like a rock star from a young age or if he had assumed his role so well that he couldn’t even give it up in his spare time.
Pamela Harju (Yours Remotely)
Morrissey was singularly small, a man in his mid-thirties who had once been compared to a ferret. He had a thin trap of a mouth and greased black hair that he perpetually attended, directing it back from his forehead with a clogged comb. He was dressed now, as invariably he was, in flannel trousers and the jacket of a blue striped suit over a blue pullover, and a shirt that was buttoned to the neck but did not have a tie in its collar.
William Trevor (Mrs Eckdorf in O'Neill's Hotel)
It was the finest dress I had ever owned: dull silk, of a colour as much green as it was brown that made my eyes gleam like mahogany, painted asymmetrically with vines of delicate vermillion roses; along the bosom, the cinched waist, and the fully draped sleeves were barred pairs of emerald stripes. A single cascade of tiny buttons dripped from neck to waist, and it occurred to me, seeing the mischievous tilt to my lips, that I had never looked better.
Lyndsay Faye (Jane Steele)
Now we go swim! In the river!” “Everyone go!” Andrea chimes in eagerly. “Everyone swim after dance here.” This, in our overheated state, seems like the most brilliant idea in the world. I glance out the door, and now that I’m looking, I see a few dark shapes bobbing in the water. Someone dives in with a splash I can see but barely hear over the music, and people squeeze past us, making for the door. I see a girl start to pull off her dress; underneath it is a brightly striped bikini. They’ve all come prepared. Kendra gets it in a flash. “We don’t have bathing suits!” she points out. “Oh, no problem!” Leo responds, a gleam in his eyes. “We swim in our intimi--our underclothes.” “Underwear!” Paige yells, swatting him. “Underclothes? That’s hilarious!” But I turn to look at Kelly and see the same panic in her eyes I’m feeling myself. No way am I going outside to swim in my underwear in front of a bunch of boys!
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))
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The woman had stunning, golden eyes with slit pupils, long, silky, purple hair, and tanned, golden-hued skin. She was wearing a frilly, purple Gothic Lolita style dress with the pattern of pink hearts on it, black and white striped stockings, and shiny, patent leather shoes. There was a thick, silver collar around the
KuroKoneko Kamen (Handsome and the Yeti (Genderbent Fairytales Collection, Book 1) (Twisted Fairytales Collection))
So Mulhoffer was mad?” Ginger asked, as she stood in her father's office in front of his huge mahogany desk. “Yes,” he said, leaning back in his chair. “He believes if you dress like a moral man, then you'll act like one.” “Who died and made him God?” Ginger threw herself into one of the leather wingbacks, draped her legs over the arm. Her father leaned back in his chair. “Mulhoffer went to the Wednesday night Deerpath Creek service and came back with raves. He says they make Christianity fun, like going to a Broadway show or a sporting event.” “What do you think?” Ginger asked. “I've been out there. The head minister wore red suspenders and a blue striped shirt, like a Wall Street banker. They're using corporate philosophies to make everybody feel like they're moving up the church ladder, getting a raise or a promotion. But spiritual change is more subtle than that; you can't just check items off a list.” “Why'd you become a minister anyway?” “For the free wine,” her father smiled wearily, “and all those delicious tuna casseroles and Jell-O salads.” She laughed, but no matter how cavalier he acted, she knew he was worried, because the crease marks in his brow had grown deeper and that shell-shocked look never left his face. “The problem is,” he said, “is that Grace is impossible to explain.
Darcey Steinke (Jesus Saves)
Breton stripes
Sophie Claire (French Chic: 21 French Style Lessons To Dress Chic And Look Charming)