Striking Gold Quotes

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I smiled,"Deoch, my heart is made of stronger stuff than glass. When she strikes she'll find it strong as iron-bound brass, or gold and adamant together mixed. Don't think I am unaware, some startled deer to stand transfixed by hunter's horns. It's she who should take care, for when she strikes, my heart will make a sound so beautiful and bright that it can't help but bring her back to me in winged light.
Patrick Rothfuss
Light, my light, the world-filling light, the eye-kissing light, heart-sweetening light! Ah, the light dances, my darling, at the centre of my life; the light strikes, my darling, the chords of my love; the sky opens, the wind runs wild, laughter passes over the earth. The butterflies spread their sails on the sea of light. Lilies and jasmines surge up on the crest of the waves of light. The light is shattered into gold on every cloud, my darling, and it scatters gems in profusion. Mirth spreads from leaf to leaf, my darling, and gladness without measure. The heaven's river has drowned its banks and the flood of joy is abroad.
Rabindranath Tagore (Gitanjali)
When the sunlight strikes raindrops in the air, they act like a prism and form a rainbow. The rainbow is a division of white light into many beautiful colors. These take the shape of a long round arch, with it’s path high above, and it’s two ends apparently beyond the horizon. There is, according to legend, a boiling pot of a gold at one end. People look, but no one ever finds it. When a man looks for something beyond his reach, his friends say he is looking for the pot of gold at the end of the rainbow.
Hayley Williams
It was quite the most incredible event that has ever happened to me in my life. It was almost as incredible as if you fired a 15-inch shell at a piece of tissue paper and it came back and hit you. [Recalling in 1936 the discovery of the nucleus in 1909, when some alpha particles were observed instead of travelling through a very thin gold foil were seen to rebound backward, as if striking something much more massive than the particles themselves. He won the Nobel Prize in Chemistry for this discovery.]
Ernest Rutherford
When the Sovereign pushed against me, I bent like Gold should, with grace, with dignity. But now she cuts at me, and beneath the grace, beneath the aplomb, her knife will strike iron. We make for Mars, and for war.
Pierce Brown (Golden Son (Red Rising Saga, #2))
Listen my hatchling, for now you shall hear Of the only seven slayers a dragon must fear. First beware Pride, lest belief in one’s might Has you discount the foeman who is braving your sight. Never Envy other dragons their wealth, power, or home For dark plots and plans will bring death to your own. Your Wrath shouldn’t win, when spears strike your scale Anger kills cunning, which you will need to prevail. A dragon must rest, but Sloth you should dread Else long years of napping let assassins to your bed. ‘Greed is good,’ or so foolish dragons will say Until piles of treasure bring killing thieves where they lay. Hungry is your body, and at times you must feed But Gluttony makes fat dragons, who can’t fly at their need. A hot Lust for glory, gems, gold, or mates Leads reckless young drakes to the blackest of fates. So take heed of this wisdom, precious hatchling of mine, And the long years of dragonhood are sure to be thine.
E.E. Knight (Dragon Champion (Age of Fire, #1))
So whenever any kind of disaster strikes, or something goes seriously “wrong” — illness, disability, loss of home or fortune or of a socially defined identity, breakup of a close relationship, death or suffering of a loved one, or your own impending death — know that there is another side to it, that you are just one step away from something incredible: a complete alchemical transmutation of the base metal of pain and suffering into gold. That one step is called surrender.
Eckhart Tolle (The Power of Now: A Guide to Spiritual Enlightenment)
You who wronged a simple man Bursting into laughter at the crime, And kept a pack of fools around you To mix good and evil, to blur the line, Though everyone bowed down before you, Saying virtue and wisdom lit your way, Striking gold medals in your honor, Glad to have survived another day, Do not feel safe. The poet remembers. You can kill one, but another is born. The words are written down, the deed, the date. And you’d have done better with a winter dawn, A rope, and a branch bowed beneath your weight.
Czesław Miłosz
I wanna strike gold in Poetry's mine. (But I don't want your money.)
B. Diehl (Temporary Obscurity)
My palm is smeared with gold. When I look at him, I see the remaining powder has been smudged over his cheekbones by the strike of my hand. I cant stop staring at it, cant stop thinking about the way he looked at me when he caught my fingers. That´s the only excuse I have for not noticing that hes led me back to his rooms, which are, I suppose, also mine since we´re married. Page 163
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
[I] threw open the door to find Rob sit­ting on the low stool in front of my book­case, sur­round­ed by card­board box­es. He was seal­ing the last one up with tape and string. There were eight box­es - eight box­es of my books bound up and ready for the base­ment! "He looked up and said, 'Hel­lo, dar­ling. Don't mind the mess, the care­tak­er said he'd help me car­ry these down to the base­ment.' He nod­ded to­wards my book­shelves and said, 'Don't they look won­der­ful?' "Well, there were no words! I was too ap­palled to speak. Sid­ney, ev­ery sin­gle shelf - where my books had stood - was filled with ath­let­ic tro­phies: sil­ver cups, gold cups, blue rosettes, red rib­bons. There were awards for ev­ery game that could pos­si­bly be played with a wood­en ob­ject: crick­et bats, squash rac­quets, ten­nis rac­quets, oars, golf clubs, ping-​pong bats, bows and ar­rows, snook­er cues, lacrosse sticks, hock­ey sticks and po­lo mal­lets. There were stat­ues for ev­ery­thing a man could jump over, ei­ther by him­self or on a horse. Next came the framed cer­tificates - for shoot­ing the most birds on such and such a date, for First Place in run­ning races, for Last Man Stand­ing in some filthy tug of war against Scot­land. "All I could do was scream, 'How dare you! What have you DONE?! Put my books back!' "Well, that's how it start­ed. Even­tu­al­ly, I said some­thing to the ef­fect that I could nev­er mar­ry a man whose idea of bliss was to strike out at lit­tle balls and lit­tle birds. Rob coun­tered with re­marks about damned blue­stock­ings and shrews. And it all de­gen­er­at­ed from there - the on­ly thought we prob­ably had in com­mon was, What the hell have we talked about for the last four months? What, in­deed? He huffed and puffed and snort­ed and left. And I un­packed my books.
Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
Watch him for a moment. Stick him if he gets out of line.” “Immobilizing strike or just a flesh wound?” the girl asks. “Goryhell. Just watch him. Little psycho.
Pierce Brown (Iron Gold (Red Rising Saga, #4))
He would never have known Laurent for what he was; never have given Laurent his loyalty or held Laurent’s trust for a moment in his hands. Guerin moved to strike the gold from his left wrist, and he pulled it back. ‘No,’ he heard himself say. ‘Leave that one on.’ Guerin
C.S. Pacat (Prince's Gambit (Captive Prince, #2))
Skirting the rubble and wreckage of the street at the foot of Center Point, he marched past a gigantic gold statue of Freddie Mercury that stood over the entrance of the Dominion Theatre across the road, head bowed, one fist raised in the air, like some pagan god of chaos.
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
Jim waited for us at the Gold Gate. His teeth were bared. “What happened to barely winning?” “You said sloppy! Look, I didn’t even use my sword; I hit him with my head like a moron.” “A man with a sword attacked you and you disarmed him and knocked him out cold in under two seconds.” He turned to Curran. The Beast Lord shrugged. “It’s not my fault that he didn’t know how to fall.” Jim’s gaze slid from Curran to Dali. “What the hell was that?” “Crimson Jaws of Death.” “And were you planning on letting me know that you can turn people’s elbows backwards?” “I told you I did curses.” “You said they don’t work!” “I said they don’t always work. This one worked apparently.” Dali wrinkled her forehead. “It’s not like I ever get to use them against live opponents anyway. It was an accident.” Jim looked at us. The clipboard snapped in his hands. He turned around and very deliberately walked away. “I think we hurt his feelings.” Dali looked at his retreating back, sighed, and went after him. Curran looked at me. “What the hell was I supposed to do, catch the werebison as he was falling?
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Nobody is familiar with his own profile, and it comes as a shock, when one sees it in a portrait, that one really looks like that to people standing beside one. For one’s full face, because of the familiarity that mirrors give it, a certain toleration and even affection is felt; but I must say that when I first saw the model of the gold piece that the mint-masters were striking for me I grew angry and asked whether it was intended to be a caricature.
Robert Graves (Claudius the God: And His Wife Messalina)
Get the hell out of—” Aelin let out a low whistle. “Allow me to introduce to you, Captain Rolfe, the incomparable, the beautiful, and the absolutely and all-around flawless Queen of Terrasen.” Dorian’s brows creased. But footsteps sounded, and then—The males shifted as Aelin Galathynius indeed strode into the room, clad in a dark green tunic of equal wear and dirt, her golden hair unbound, her turquoise-and-gold eyes laughing as she strode past a slack-jawed Rolfe and perched on the arm of Aelin’s chair. Dorian couldn’t tell—without a Fae’s sense of smell, he couldn’t tell. “What—what devilry is this,” Rolfe hissed, yielding a single step. Aelin and Aelin looked at each other. The one in black grinned up at the newcomer. “Oh, you are gorgeous, aren’t you?” The one in green smiled, but for all its delight, all its wicked mischief … It was a softer smile, made with a mouth that was perhaps less used to snarling and teeth-baring and getting away with saying hideous, swaggering things. Lysandra, then. The two queens faced Rolfe. “Aelin Galathynius had no twin,” he growled, a hand on his sword. Aelin in black—the true Aelin, who had been among them all along—rolled her eyes. “Ugh, Rolfe. You ruin my fun. Of course I don’t have a twin.” She jerked her chin at Lysandra, and the shifter’s flesh glowed and melted, hair becoming a heavy, straight fall of dark tresses, her skin sun-kissed, her uptilted eyes a striking green.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Your breath comes short and quick, you are feverish with excitement; the dinner-bell may ring its clapper off, you pay no attention; friends may die, weddings transpire, houses burn down, they are nothing to you; you sweat and dig and delve with a frantic interest—and all at once you strike it! Up comes a spadeful of earth and quartz that is all lovely with soiled lumps and leaves and sprays of gold. Sometimes
Mark Twain (Roughing It)
Magic happens when the wand of language strikes a stone and makes it melt, touches a spindle and turns it into gold, or taps a trunk and makes it fly. By drawing on a syntax of enchantment that conjures fluidity, ethereality, flimsiness, and transparency, writers turn solidity into resplendent airy lightness to produce miracles of linguistic transubstantiation. What is the effect of that beauty? How do readers respond to words that create that beauty? In a world that has discredited that particular attribute and banished it from high art, beauty has nonetheless held on to its enlivening power in children's books. It draws readers in, then draws them to understand the fictional worlds it lights up.
Maria Tatar (Enchanted Hunters: The Power of Stories in Childhood)
What rhymes with insensitive?” I tap my pen on the kitchen table, beyond frustrated with my current task. Who knew rhyming was so fucking difficult? Garrett, who’s dicing onions at the counter, glances over. “Sensitive,” he says helpfully. “Yes, G, I’ll be sure to rhyme insensitive with sensitive. Gold star for you.” On the other side of the kitchen, Tucker finishes loading the dishwasher and turns to frown at me. “What the hell are you doing over there, anyway? You’ve been scribbling on that notepad for the past hour.” “I’m writing a love poem,” I answer without thinking. Then I slam my lips together, realizing what I’ve done. Dead silence crashes over the kitchen. Garrett and Tucker exchange a look. An extremely long look. Then, perfectly synchronized, their heads shift in my direction, and they stare at me as if I’ve just escaped from a mental institution. I may as well have. There’s no other reason for why I’m voluntarily writing poetry right now. And that’s not even the craziest item on Grace’s list. That’s right. I said it. List. The little brat texted me not one, not two, but six tasks to complete before she agrees to a date. Or maybe gestures is a better way to phrase it... “I just have one question,” Garrett starts. “Really?” Tuck says. “Because I have many.” Sighing, I put my pen down. “Go ahead. Get it out of your systems.” Garrett crosses his arms. “This is for a chick, right? Because if you’re doing it for funsies, then that’s just plain weird.” “It’s for Grace,” I reply through clenched teeth. My best friend nods solemnly. Then he keels over. Asshole. I scowl as he clutches his side, his broad back shuddering with each bellowing laugh. And even while racked with laughter, he manages to pull his phone from his pocket and start typing. “What are you doing?” I demand. “Texting Wellsy. She needs to know this.” “I hate you.” I’m so busy glaring at Garrett that I don’t notice what Tucker’s up to until it’s too late. He snatches the notepad from the table, studies it, and hoots loudly. “Holy shit. G, he rhymed jackass with Cutlass.” “Cutlass?” Garrett wheezes. “Like the sword?” “The car,” I mutter. “I was comparing her lips to this cherry-red Cutlass I fixed up when I was a kid. Drawing on my own experience, that kind of thing.” Tucker shakes his head in exasperation. “You should have compared them to cherries, dumbass.” He’s right. I should have. I’m a terrible poet and I do know it. “Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies. Garrett snorts. “Brilliant minds at work. Terrific Grace, how sweet your ass.” He types on his phone again. “Jesus Christ, will you quit dictating this conversation to Hannah?” I grumble. “Bros before hos, dude.” “Call my girlfriend a ho one more time and you won’t have a bro.” Tucker chuckles. “Seriously, why are you writing poetry for this chick?” “Because I’m trying to win her back. This is one of her requirements.” That gets Garrett’s attention. He perks up, phone poised in hand as he asks, “What are the other ones?” “None of your fucking business.” “Golly gee, if you do half as good a job on those as you’re doing with this epic poem, then you’ll get her back in no time!” I give him the finger. “Sarcasm not appreciated.” Then I swipe the notepad from Tuck’s hand and head for the doorway. “PS? Next time either of you need to score points with your ladies? Don’t ask me for help. Jackasses.” Their wild laughter follows me all the way upstairs. I duck into my room and kick the door shut, then spend the next hour typing up the sorriest excuse for poetry on my laptop. Jesus. I’m putting more effort into this damn poem than for my actual classes.
Elle Kennedy (The Mistake (Off-Campus, #2))
It launched one worker, Eugene Debs, into a lifetime of activism for labor unions and socialism. Debs was arrested for supporting the strike. Two years later he wrote: The issue is Socialism versus Capitalism. I am for Socialism because I am for humanity. We have been cursed with the reign of gold long enough. Money constitutes no proper basis for civilization. The time has come to regenerate [renew] society—we are on the eve of a universal change. Like
Howard Zinn (A Young People's History of the United States)
Should it happen, that your partner leaves you for someone else with more money. To where later you strike it richer than the person they left you for, and the ex finds out, after losing all and regretting. It was a blessing that it ended. Though money wasn't sufficient then, mostly they were rich with your love, now suffering being broke in both.
Anthony Liccione
When I write sometimes I strike gold, sometimes I labor in vain and keep producing rubbish
Bangambiki Habyarimana (Pearls Of Eternity)
Love life with a smile even when it is painful, pain is inevitable. No gain without pain. Gold shines more after every hammer strike.
Srinivas Mishra
Not all battles are won with the strike of a sword. Sometimes all it takes is an inspiring word, a little spark.
Elizabeth Helen (Woven by Gold (Beasts of the Briar, #2))
You are dreaming, children, dreams dearer than gold, more blest than the Blest beyond the North Wind's raging. Dreams are easy, oh, but the double lash is striking home.
Aeschylus (The Libation Bearers (Oresteia, #2))
A single gleaming sword sat in the middle on a raised portion of the red velvet. Magda noticed an ornate gold and silver scabbard attached to a baldric lying on the floor. The scabbard was so striking that it could only belong with the sword.
Terry Goodkind (The First Confessor (The Legend of Magda Searus, #1))
There is no gainsaying the fact that this suggested program will strike most people as impossibly “radical” and “unrealistic”; any suggestion for changing the status quo, no matter how slight, can always be considered by someone as too radical, so that the only thoroughgoing escape from the charge of impracticality is never to advocate any change whatever in existing conditions. But to take this approach is to abandon human reason, and to drift in animal- or plant-like manner with the tide of events.
Murray N. Rothbard (The Case for a 100 Percent Gold Dollar)
The Rafa Nadal the world saw as he stormed onto the Centre Court lawn for the start of the 2008 Wimbledon final was a warrior, eyes glazed in murderous concentration, clutching his racquet like a Viking his axe. A glance at Federer revealed a striking contrast in styles: the younger player in sleeveless shirt and pirate’s pantaloons, the older one in a cream, gold-embossed cardigan and classic Fred Perry shirt; one playing the part of the street-fighting underdog, the other suave and effortlessly superior.
Rafael Nadal (Rafa: My Story)
Bootie Grant Glover! You do amaze me!" Mem stared at her sister. "Do I understand this? You're giving me permission to engage in a romantic tryst?" "Certainly not!" Bootie pulled to her full diminished height. "I'm merely saying if disaster strikes, I won't abandon you.
Maggie Osborne (Brides of Prairie Gold (Dangerous Men, #2))
Odets, differently, was avowedly embarked on a campaign to poeticize American playwriting, and worked to create a swinging lyricism that indeed was quirky and easily identifiable as his own and no one else’s. It could be memorable a lot of the time and created some instant imitators. For myself, it soon lost its impact possibly because of its very success in sounding odd, original, even peculiar. “I’m going out to get an eight-cylinder sandwich” can strike gold the first time it is heard but possibly because of its self-consciousness it somehow doesn’t bear repeating.
Tennessee Williams (A Streetcar Named Desire)
Love, that is first and last of all things made, The light that has the living world for shade, The spirit that for temporal veil has on The souls of all men woven in unison, One fiery raiment with all lives inwrought And lights of sunny and starry deed and thought, And alway through new act and passion new Shines the divine same body and beauty through, The body spiritual of fire and light That is to worldly noon as noon to night; Love, that is flesh upon the spirit of man And spirit within the flesh whence breath began; Love, that keeps all the choir of lives in chime; Love, that is blood within the veins of time; That wrought the whole world without stroke of hand, Shaping the breadth of sea, the length of land, And with the pulse and motion of his breath Through the great heart of the earth strikes life and death, The sweet twain chords that make the sweet tune live Through day and night of things alternative, Through silence and through sound of stress and strife, And ebb and flow of dying death and life: Love, that sounds loud or light in all men's ears, Whence all men's eyes take fire from sparks of tears, That binds on all men's feet or chains or wings; Love that is root and fruit of terrene things; Love, that the whole world's waters shall not drown, The whole world's fiery forces not burn down; Love, that what time his own hands guard his head The whole world's wrath and strength shall not strike dead; Love, that if once his own hands make his grave The whole world's pity and sorrow shall not save; Love, that for very life shall not be sold, Nor bought nor bound with iron nor with gold; So strong that heaven, could love bid heaven farewell, Would turn to fruitless and unflowering hell; So sweet that hell, to hell could love be given, Would turn to splendid and sonorous heaven; Love that is fire within thee and light above, And lives by grace of nothing but of love; Through many and lovely thoughts and much desire Led these twain to the life of tears and fire; Through many and lovely days and much delight Led these twain to the lifeless life of night.
Algernon Charles Swinburne (Tristram of Lyonesse: And Other Poems)
Yet many creative spirits have found inspiration in the idea that the Creator might be, among other things, an artist whose esthetic motivations we can appreciate and share-or even, in daring speculation, that the Creator is primarily a creative artist. Such spirits have engaged our Question, in varied and evolving forms, across many centuries. Thus inspired, they have produced deep philosophy, great science, compelling literature, and striking imagery. Some have produced works that combine several, or all, of those features. These works are a vein of gold running back through our civilization.
Frank Wilczek (A Beautiful Question: Finding Nature's Deep Design)
The taste for books was an early one. As a child he was sometimes found at midnight by a page still reading. They took his taper away, and he bred glow-worms to serve his purpose. They took the glow-worms away, and he almost burnt the house down with a tinder. To put it in a nutshell, leaving the novelist to smooth out the crumpled silk and all its implications, he was a nobleman afflicted with a love of literature. Many people of his time, still more of his rank, escaped the infection and were thus free to run or ride or make love at their own sweet will. But some were early infected by a germ said to be bred of the pollen of the asphodel and to be blown out of Greece and Italy, which was of so deadly a nature that it would shake the hand as it was raised to strike, and cloud the eye as it sought its prey, and make the tongue stammer as it declared its love. It was the fatal nature of this disease to substitute a phantom for reality, so that Orlando, to whom fortune had given every gift--plate, linen, houses, men-servants, carpets, beds in profusion--had only to open a book for the whole vast accumulation to turn to mist. The nine acres of stone which were his house vanished; one hundred and fifty indoor servants disappeared; his eighty riding horses became invisible; it would take too long to count the carpets, sofas, trappings, china, plate, cruets, chafing dishes and other movables often of beaten gold, which evaporated like so much sea mist under the miasma. So it was, and Orlando would sit by himself, reading, a naked man.
Virginia Woolf
Curran rested the back of his head on the edge of the hot tub and closed his eyes. I stared at the way his face looked, etched against the darkness of the wall. He really was a handsome bastard. Poised like this, he seemed very human. Nobody to impress. Nobody to command. Just him, in the hot water, tired, hurting, stealing a few precious moments of rest, and so irresistibly erotic. Well, that last one came out of nowhere. It was the beer. Had to be. Despite all his growling and threats, his arrogance, I liked being next to him. He made me feel safe. It was a bizarre emotion. I was never safe. I closed my eyes. That seemed like the only reasonable way out of the situation. If I couldn’t see him, I couldn’t drool over him. “So you didn’t want to see me hurt?” he said. His voice was deceptively smooth and soft, the deep, throaty, sly purr of a giant cat who wanted something. Admitting that I took his well-being into consideration might have been a fatal mistake. “I didn’t want you to have to kill Derek.” “And if he had gone loup?” “I would have taken care of it.” “How exactly were you planning on pushing Jim aside? He was the highest alpha. The duty was his.” “I pulled rank,” I told him. “I declared that since you had accepted the Order’s assistance, I outranked everybody.” He laughed. “And they believed you?” “Yep. I also glared menacingly for added effect. Unfortunately, I can’t make my eyes glow the way yours do.” “Like this?” he breathed in my ear. My eyes snapped open. He stood inches away, anchored on the tub floor, his arms leaning on the tub wall on each side of me. His eyes were molten gold, but it wasn’t the hard, lethal glow of an alpha stare. This gold was warm and enticing, touched with a hint of longing. “Don’t make me break this bottle over your head,” I whispered. “You won’t.” He grinned. “You don’t want to see me hurt.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Similarly, Medusa (or Gorgon) was celebrated for her outstanding beauty. She was a daughter of the very wealthy king Phorcys whose large kingdom was surrounded by the sea. This Medusa, according to the ancient stories, was of such striking beauty that not only did she surpass all other women--which was an amazing and supernatural thing--but she also attracted to herself, because of her pleasing appearance--her long and curly blond hair spun like gold, along with her beautiful face and body--every mortal creature upon whom she looked, so that she seemed to make people immovable. For this reason the fable claimed that they had turned to stone.
Christine de Pizan (The Book of the City of Ladies)
This, he thought, was how women roped you in. They added you to lists and forced you to confirm and commit. They impressed upon you that if you didn't show up a plate of hot food would go begging, a gold-backed chair would remain unoccupied, a cardboard place name would sit shamefully upon a table, announcing your rudeness to the world.
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
She stepped aside, dodging him with maddening ease. Grave lunged again. But faster than he could follow she ducked and slashed her sword across his shins. He hit the wet ground before he felt the pain. The world flashed black and gray and red, and agony tore at him. A dagger still left in his hand, he scuttled backward toward the wall. But his legs wouldn’t respond, and his arms strained to pull him through the damp filth. “Bitch,” he hissed. “Bitch.” He hit the wall, blood pouring from his legs. Bone had been sliced. He would not be able to walk. He could still find a way to make her pay, though. She stopped a few feet away and sheathed her sword. She drew a long, jeweled dagger. He swore at her, the filthiest word he could think of. She chuckled, and faster than a striking asp, she had one of his arms against the wall, the dagger glinting. Pain ripped through his right wrist, then his left as it, too, was slammed into the stone. Grave screamed—truly screamed—as he found his arms pinned to the wall by two daggers. His blood was nearly black in the moonlight. He thrashed, cursing her again and again. He would bleed to death unless he pulled his arms from the wall. With otherworldly silence, she crouched before him and lifted his chin with another dagger. Grave panted as she brought her face close to his. There was nothing beneath the cowl—nothing of this world. She had no face. “Who hired you?” she asked, her voice like gravel. “To do what?” he asked, almost sobbing. Maybe he could feign innocence. He could talk his way out, convince this arrogant whore he had nothing to do with it … She turned the dagger, pressing it into his neck. “To kill Princess Nehemia.” “N-n-no one. I don’t know what you’re talking about.” And then, without even an intake of breath, she buried another dagger he hadn’t realized she’d been holding into his thigh. So deep he felt the reverberation as it hit the cobblestones beneath. His scream shattered out of him, and Grave writhed, his wrists rising farther on the blades. “Who hired you?” she asked again. Calm, so calm. “Gold,” Grave moaned. “I have gold.” She drew yet another dagger and shoved it into his other thigh, piercing again to the stone. Grave shrieked—shrieked to gods who did not save him. “Who hired you?” “I don’t know what you’re talking about!” After a heartbeat, she withdrew the daggers from his thighs. He almost soiled himself at the pain, at the relief. “Thank you.” He wept, even as he thought of how he would punish her. She sat back on her heels and stared at him. “Thank you.” But then she brought up another dagger, its edge serrated and glinting, and hovered it close to his hand. “Pick a finger,” she said. He trembled and shook his head. “Pick a finger.” “P-please.” A wet warmth filled the seat of his pants. “Thumb it is.” “N-no. I … I’ll tell you everything!” Still, she brought the blade closer, until it rested against the base of his thumb. “Don’t! I’ll tell you everything!
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
I. IN WINTER Myself Pale mornings, and I rise. Still Morning Snow air--my fingers curl. Awakening New snow, O pine of dawn! Winter Echo Thin air! My mind is gone. The Hunter Run! In the magpie's shadow. No Being I, bent. Thin nights receding. II. IN SPRING Spring I walk out the world's door. May Oh, evening in my hair! Spring Rain My doorframe smells of leaves. Song Why should I stop for spring? III. IN SUMMER AND AUTUMN Sunrise Pale bees! O whither now? Fields I did not pick a flower. At Evening Like leaves my feet passed by. Cool Nights At night bare feet on flowers! Sleep Like winds my eyelids close. The Aspen's Song The summer holds me here. The Walker In dream my feet are still. Blue Mountains A deer walks that mountain. God of Roads I, peregrine of noon. September Faint gold! O think not here. A Lady She's sun on autumn leaves. Alone I saw day's shadow strike. A Deer The trees rose in the dawn. Man in Desert His feet run as eyes blink. Desert The tented autumn, gone! The End Dawn rose, and desert shrunk. High Valleys In sleep I filled these lands. Awaiting Snow The well of autumn--dry.
Yvor Winters (The Magpie's Shadow)
It was a moment of equal parts anxiety and awe, like the striking of a wide seam of gold. The prospector sinks to his knees--he's only been looking for coal. At a gush of oil he'd hoot, baptize himself and buy the drinks. But the sight of gold is different. He observes a moment's silence. Then he rises, eyes watering. How to get it properly out of the earth? How not to be robbed in the meantime?
Ann-Marie MacDonald (Fall on Your Knees)
Hermione made purple and gold streamers erupt from the end of her wand and drape themselves artistically over the trees and bushes. “Nice,” said Ron, as with one final flourish of her wand, Hermione turned the leaves on the crabapple tree to gold. “You’ve really got an eye for that sort of thing.” “Thank you, Ron!” said Hermione, looking both pleased and a little confused. Harry turned away, smiling to himself. He had a funny notion that he would find a chapter on compliments when he found time to peruse his copy of Twelve Fail-Safe Ways to Charm Witches; he caught Ginny’s eye and grinned at her before remembering his promise to Ron and hurriedly striking up a conversation with Monsieur Delacour. “Out of the way, out of the way!” sang Mrs. Weasley, coming through the gate with what appeared to be a giant, beach-ball-sized Snitch floating in front of her. Seconds later Harry realized that it was his birthday cake, which Mrs. Weasley was suspending with her wand, rather than risk carrying it over the uneven ground. When the cake had finally landed in the middle of the table, Harry said, “That looks amazing, Mrs. Weasley.” “Oh, it’s nothing, dear,” she said fondly. Over her shoulder, Ron gave Harry the thumbs-up and mouthed, Good one.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
I love you. Is that reason enough?” Maybe. Maybe it would have been. But as the music drained from the air, Kestrel saw Arin on the fringes of the crowd. He watched her, his expression oddly desperate. As if he, too, were losing something, or it was already lost. She saw him and didn’t understand how she had ever missed his beauty. How it didn’t always strike her as it did now, like a blow. “No,” Kestrel whispered. “What?” Ronan’s voice cut into the quiet. “I’m sorry.” Ronan swiveled to find the target of Kestrel’s gaze. He swore. Kestrel walked away, pushing past slaves bearing trays laden with glasses of pale gold wine. The lights and people blurred in her stinging eyes. She walked through the doors, down a hall, out of the palace, and into the cold night, knowing without seeing or hearing or touching him that Arin was at her side.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
let not thy sword skip one: Pity not honour'd age for his white beard; He is an usurer: strike me the counterfeit matron; It is her habit only that is honest, Herself's a bawd: let not the virgin's cheek Make soft thy trenchant sword; for those milk-paps, That through the window-bars bore at men's eyes, Are not within the leaf of pity writ, But set them down horrible traitors: spare not the babe, Whose dimpled smiles from fools exhaust their mercy; Think it a bastard, whom the oracle Hath doubtfully pronounced thy throat shall cut, And mince it sans remorse: swear against objects; Put armour on thine ears and on thine eyes; Whose proof, nor yells of mothers, maids, nor babes, Nor sight of priests in holy vestments bleeding, Shall pierce a jot. There's gold to pay soldiers: Make large confusion; and, thy fury spent, Confounded be thyself! Speak not, be gone.
William Shakespeare (Timon of Athens)
By now the moon was well down. Over the tree tops they had seen her cruise across the heavens to strike on a reef of jagged clouds, and now she foundered among them in the semblance of a ruined galleon, the sails lost overboard, the belly-shaped hull punctured; and just above her there swung a single red star, like a riding light set on an invisible spar to mark the wreck. But the moon had come up, not as a ship but as a tipsy tile-layer. First, across her contract, she flung a long stepladder of celestial gold; then so wrought that the waves all turned to silver scallops with a separate bright rime for each separate tessellation. But the job was done only to be undone. As the wind went down with her, the water was smoothing out; the checkers were vanishing, the paved surface, between the shores, changing and tarnishing to a duller metal. Catching tone from this, the woodland grew denser and darker. Open spaces which ten minutes before had been glades for the fairies to dance in were mysteries for witchcraft now.
Irvin S. Cobb (On an Island that Cost Twenty-Four Dollars)
In other words, Navajo country. It was, Carleton said, “a princely realm…a magnificent mineral country. Providence has indeed blessed us, for the gold lies here at our feet to be had by the mere picking of it up.” Where Carleton obtained his evidence for these claims was not clear—he seems to have simply wished it into being. The more salient point was this: There might be gold in Navajo country. To ensure the safety of geological exploration, and the inevitable onrush of miners once a strike was made, the Diné would have to be removed.
Hampton Sides (Blood and Thunder: The Epic Story of Kit Carson and the Conquest of the American West)
Men and women of today! if there be among you any pure, fresh flower, let it be laid on the altar of God. If there are among you any who, being young, do not desire to return into the world, let them give up! Let them renounce! This is the one secret of spirituality, renunciation. Dare to do this. Be brave enough to do it. Such great sacrifices are necessary. Can you not see the tide of death and materialism that is rolling over these Western lands? Can you not see the power of lust and unholiness, that is eating into the very vitals of society? Believe me, you will not arrest these things by talk, or by movements of agitation for reform; but by renunciation, by standing up, in the midst of decay and death, as mountains of righteousness. Talk not, but let the power of purity, the power of chastity, the power of renunciation, emanate from every pore of your body. Let it strike those who are struggling day and night for gold, that even in the midst of such a state of things, there can be one to whom wealth counts for nothing. Put away lust and wealth. Sacrifice yourselves.
Swami Vivekananda (Meditation and Its Methods)
When a person loses a friend, he consoles himself with the many other friends about him, and if he loses his gold, he meditates for a while and casts misfortune from his mind, especially when he finds himself healthy and still laden with ambition. But when a man loses the ease of his heart, where can he find comfort, and with what can he replace it? What mind can master it? When death strikes close by, you will suffer. But when the day and the night pass, you will feel the smooth touch of the soft fingers of Life; then you will smile and rejoice. 
Kahlil Gibran (11 Books: The Prophet / Spirits Rebellious / The Broken Wings / A Tear and a Smile / The Madman / The Forerunner / Sand and Foam / Jesus the Son of Man / Lazarus and His Beloved / The Earth Gods / The Wanderer / The Garden of the Prophet)
Since Rose, he’d never wanted to be the right guy for anyone. He hadn’t wanted to carry that extra burden. He liked things nice and simple. But things sure as hell weren’t simple with Lena. They’d never been simple with Lena. Things with Lena had been one hundred shades of unadulterated complication from day one. That fact alone should have sent him running in the opposite direction with all the speed of an Olympic gold medalist. But no, here he stood. Holding on to her as if his life depended on it. Heaven help him, his life probably did depend on it.
Loren Mathis (Swift Strike (SEAL Team 14 #2))
In a low voice that only Eragon and Jörmundur could hear, Nasuada said, “If we can but gain their support…” “What will they want in return, though?” asked Jörmundur. “Our coffers are near empty, and our future uncertain.” Her lips barely moving, she said, “Perhaps they wish nothing more of us than a chance to strike back at Galbatorix.” She paused. “But if not, we shall have to find means other than gold to persuade them to join our ranks.” “You could offer them barrels of cream,” said Eragon, which elicited a chortle from Jörmundur and a soft laugh from Nasuada.
Christopher Paolini (Inheritance (The Inheritance Cycle, #4))
Who are you?” Luce asked, falling to her knees. “What do you want?” “Show some respect.” The angel’s throat convulsed as if he meant to bark, but his voice came out warbled and faint and old. “Earn my respect,” Luce said. “And I’ll give it to you.” He gave her half an evil smirk and dropped his head low. Then he pulled down the cloak to expose the back of his neck. Luce blinked in the dim light. His neck bore a painted brand, which shimmered gold in the glow of streetlights mingled with the moon. She counted seven points on the star. He was one of the Scale. “Recognize me now?” “Is this how the Throne’s enforcers work? Bludgeoning innocent angels?” “No Outcast is innocent. Nor is anyone else, for that matter, until they are proven to be so.” “You’ve proven yourself innocent of any honor, striking a girl from behind.” “Insolence.” He wrinkled his nose at he. “Won’t get you far with me.” “That’s exactly where I want to be.” Luce’s eyes darted to Olianna, to her pale hand and the starshot clenched in its grip. “But it’s not where you will stay,” the Scale said haltingly, as if having to force himself to commit to heir illogical banter.
Lauren Kate (Rapture (Fallen, #4))
We’ll meet back here in fifteen minutes,” he said before turning toward the shop. “Aren’t you going to lock the truck?” “Not necessary.” The door swung shut behind him, and Phoebe was left standing on the sidewalk, wondering whether she’d heard him right. No need to lock the truck, even with her suitcases in the backseat and his window rolled down? She’d heard about places like that but had always assumed the people who lived there were fictional--or idiots. Zane didn’t strike her as stupid, and her body’s lingering reaction to his touch confirmed that he was very much a real man.
Susan Mallery (Kiss Me (Fool's Gold, #17))
Clever and civilized men will not stay home Leave your homeland and explore foreign fields Go out! You shall find replacement for those you have left Give your all, the sweetness of life will be tasted after the struggle I have seen that standing water stagnates If it flows, it is pure, if it does not, it will become murky If the lion doesn’t leave his den, he will not eat If the arrow does not leave the bow, it will not strike If the sun stands still in its orbit Man will tire of it Gold dust merely soil before excavated Aloewood is just ordinary wood if in the forest Travel by Imam Syafii
Ahmad Fuadi (Negeri 5 Menara)
We have left the land and have embarked. We have burned our bridges behind us—indeed, we have gone farther and destroyed the land behind us. Now, little ship, look out! Beside you is the ocean: to be sure, it does not always roar, and at times it lies spread out like silk and gold and reveries of graciousness. But hours will come when you will realize that it is infinite and that there is nothing more awesome than infinity. Oh, the poor bird that felt free and now strikes the walls of this cage! Woe, when you feel homesick for the land as if it had offered more freedom—and there is no longer any “land”.
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
Unsullied!” Dany galloped before them, her silver-gold braid flying behind her, her bell chiming with every stride. “Slay the Good Masters, slay the soldiers, slay every man who wears a tokar or holds a whip, but harm no child under twelve, and strike the chains off every slave you see.” She raised the harpy’s fingers in the air … and then she flung the scourge aside. “Freedom!” she sang out. “Dracarys! Dracarys!” “Dracarys!” they shouted back, the sweetest word she’d ever heard. “Dracarys! Dracarys!” And all around them slavers ran and sobbed and begged and died, and the dusty air was filled with spears and fire.
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
In the Horizon of the Infinite.—We have left the land and have gone aboard ship! We have broken down the bridge behind us— nay, more, the land behind us! Well, little ship! look out! Beside thee is the ocean; it is true it does not always roar, and sometimes it spreads out like silk and gold and a gentle reverie. But times will come when thou wilt feel that it is infinite, and that there is nothing more frightful than infinity. Oh, the poor bird that felt itself free, and now strikes against the walls of this cage! Alas, if home sickness for the land should attack thee, as if there had been more freedom there, —and there is no "land" any longer!
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
As soon as Ben had been set down and the lorry driver had plodded off to unload the next waxwork, Ben darted off down the corridor. He needed to find the scene of the crime, to see if there were any clues the police had missed. Eventually, after passing the waxworks of presidents and popes and pop stars, but strangely no plumbers, he found the room where the figures of the British royal family were on display. As the theft had been in the news, the room was full of tourists eager to catch a glimpse of the empty space where the waxwork of the Queen had stood. Some were even taking pictures of… well, nothing. Ben looked around the ornate red-and-gold room, decorated to look like the
David Walliams (Gangsta Granny Strikes Again!)
we will pay those proud survivors 3000 for slaughter of kin killed in their homeland when young Swede-warriors strike once again learn that Beowulf our beloved warleader lies lifeless now his last breath-moment vanished into time a tale for mead-benches songs for a king who crushed hell-monsters stepped up to a throne served his people there held high his promise. Now haste will be best that we go to find him guide him at last from that fire-black field where he fell deathwards 3010 to his final bedrest. Those fine gold-treasures will melt with his heart that mighty dragon-hoard shall all go with him grimly purchased with his own lifeblood—for the last time now he has paid for goldrings. Pyre-flames shall eat them flame-roof shall thatch them no thane shall wear them treasures so dear no dressed hall-maidens shall wear on their bosoms wound-gold necklaces but grief will adorn them of gold-love bereft as they wander in exile through alien domains 3020 now that our lord has laid down his laughter songs and hall-joys. Now spears will be lifted grim and morning-cold gripped in anguish with frost-numbing hands. No harp’s sweet sounding will waken bench-warriors but the black-gleaming raven circling with fate will say many things describe to the eagle ample corpse-banquets how he shared with the wolf wondrous slaughter-meals.” So that grim messenger gave his report his unfrivolous news nor did he lie much 3030 in words or warnings.
Unknown (Beowulf: An Updated Verse Translation)
The front door of the BMW opened, and a man slid out from the driver’s seat. Elijah recognised him immediately. Risky Bizness was tall and slender, a good deal over six feet, his already impressive height accentuated by an unruly afro that added another three or four inches. His face was striking rather than handsome: his nose was crooked, his forehead a little too large, his skin marked with acne scars. His eyebrows, straight and manicured, sat above cold and impenetrable black eyes. He was wearing a thin designer windcheater, black fingerless gloves, and his white Nike hi-tops were pristine. He wore two chunky gold rings on his fingers, diamond earrings through the lobes of both ears, and a heavy gold chain swung low around his neck.
Mark Dawson (The Cleaner (John Milton, #1))
He had a wild yellow beard and long, tangled hair that stood out from his head in a way that made it seem too large for his shoulders, though they were twice the width of mine. But these were not the things I noticed first. Nor, I think, the things that anyone would notice first. Before anything else, I saw his eyes: They were huge, and yellow as gold. And after that, I saw the way he moved. Cim Glowing is beautiful, and walks with liquid grace; but sometimes she looks clumsy beside him. I think I had guessed who he was before she called his name. “Ketin,” she said, and raised the endieva wand as though to strike, backing away until her shoulders were against the wall. “Yes, Ketin,” the bearded man said. His voice was like a storm five kilometers off.
Gene Wolfe (The Island of Dr. Death and Other Stories and Other Stories)
Here at the palace, Hitler encountered suffocating palace etiquette for the first time. The noble Italian chief of protocol bowed before him and then led his guests up the long, shallow flight of stairs, striking every plush red-carpeted tread solemnly with a gold-encrusted staff. He was accustomed to this measured tread, but Hitler was not: the nervous foreign visitor fell out of step, found himself gaining on the uniformed nobleman ahead, stopped abruptly, causing confusion and clatter on the steps behind, then started again, walking more quickly until he was soon alongside the Italian again. The latter affected not to notice, but perceptibly quickened his own pace, his lacquered slippers and silken stockings flashing, until the whole throng was trotting up the last few stairs in an undignified Charlie Chaplin gallop. There
David Irving (The War Path)
fifty thousand years ago there were these three guys spread out across the plain, and they each heard something rustling in the grass. The first one thought it was a tiger, and he ran like hell, and it was a tiger but the guy got away. The second one thought the rustling was a tiger, and he ran like hell, but it was only the wind and his friends all laughed at him for being such a chickenshit. But the third guy, he thought it was only the wind, so he shrugged it off and a tiger had him for dinner. And the same thing happened a million times across ten thousand generations—and after a while everyone was seeing tigers in the grass even when there weren’t any tigers, because even chickenshits have more kids than corpses do. And from those humble beginnings we learned to see faces in the clouds and portents in the stars, to see agency in randomness, because natural selection favors the paranoid. Even here in the twenty-first century you can make people more honest just by scribbling a pair of eyes on the wall with a Sharpie. Even now, we are wired to believe that unseen things are watching us. And it came to pass that certain people figured out how to use that. They painted their faces or they wore funny hats, they shook their rattles and waved their crosses and they said, Yes, there are tigers in the grass, there are faces in the sky, and they will be very angry if you do not obey their commandments. You must make offerings to appease them, you must bring grain and gold and altar boys for our delectation or they will strike you down and send you to the Awful Place. And people believed them by the billions, because after all, they could see the invisible tigers.
Anonymous
McDougall was a certified revolutionary hero, while the Scottish-born cashier, the punctilious and corpulent William Seton, was a Loyalist who had spent the war in the city. In a striking show of bipartisan unity, the most vociferous Sons of Liberty—Marinus Willett, Isaac Sears, and John Lamb—appended their names to the bank’s petition for a state charter. As a triple power at the new bank—a director, the author of its constitution, and its attorney—Hamilton straddled a critical nexus of economic power. One of Hamilton’s motivations in backing the bank was to introduce order into the manic universe of American currency. By the end of the Revolution, it took $167 in continental dollars to buy one dollar’s worth of gold and silver. This worthless currency had been superseded by new paper currency, but the states also issued bills, and large batches of New Jersey and Pennsylvania paper swamped Manhattan. Shopkeepers had to be veritable mathematical wizards to figure out the fluctuating values of the varied bills and coins in circulation. Congress adopted the dollar as the official monetary unit in 1785, but for many years New York shopkeepers still quoted prices in pounds, shillings, and pence. The city was awash with strange foreign coins bearing exotic names: Spanish doubloons, British and French guineas, Prussian carolines, Portuguese moidores. To make matters worse, exchange rates differed from state to state. Hamilton hoped that the Bank of New York would counter all this chaos by issuing its own notes and also listing the current exchange rates for the miscellaneous currencies. Many Americans still regarded banking as a black, unfathomable art, and it was anathema to upstate populists. The Bank of New York was denounced by some as the cat’s-paw of British capitalists. Hamilton’s petition to the state legislature for a bank charter was denied for seven years, as Governor George Clinton succumbed to the prejudices of his agricultural constituents who thought the bank would give preferential treatment to merchants and shut out farmers. Clinton distrusted corporations as shady plots against the populace, foreshadowing the Jeffersonian revulsion against Hamilton’s economic programs. The upshot was that in June 1784 the Bank of New York opened as a private bank without a charter. It occupied the Walton mansion on St. George’s Square (now Pearl Street), a three-story building of yellow brick and brown trim, and three years later it relocated to Hanover Square. It was to house the personal bank accounts of both Alexander Hamilton and John Jay and prove one of Hamilton’s most durable monuments, becoming the oldest stock traded on the New York Stock Exchange.
Ron Chernow (Alexander Hamilton)
Alliance (Sonata)" Of dusty gazes fallen down to the soil or leaves without sound and entombing. Of metals without light, with the void, with the absence of the dead day of coup. At the top of the hands the dazzle of butterflies, the start of butterflies whose light has no end. You were keeping the trail of light, of broken beings that the sun abandoned, getting dark, throws to the churches. Stained with glances, with the aim of bees, your material of unexpected flame fleeing coming before and after the day and to your family of gold. The days stalked they cross the secrecy but fall inside of your voice of light. Oh proprietress of love, on your rest I founded my dream, my silent attitude. With your body of shy number, extended suddenly until quantities that define the earth, behind the fight of the white days of space and chills of slow deaths and withered stimuli, I feel burn your lap and move your kisses making fresh swallows in my dream. Sometimes the fate of your tears amounts as the age up to my forehead, there they are striking the waves, being destroyed of death: its’ movement is damp, depressed, final.
Pablo Neruda (Residence on Earth)
MARCH 6 YOU WILL DEFEAT THE ENEMIES OF YOUR FINANCES I HAVE PROMISED that I will defend My people and keep them from harm. I will strike your enemies with great panic, and they will seize each other by the hand and attack one another. The wealth of all your surrounding enemies will be collected—great quantities of silver and gold and material possessions—and will be given to My people. Blessed is the man who fears Me and finds great delight in My commands. Your children will be mighty in the land, and your generations will be blessed. Honor Me with the wealth that I give to you, and your barns will be filled to overflowing. My blessing upon you brings wealth, and I will add no trouble to it. ZECHARIAH 14:13–14; PSALM 112:2–3; JOHN 10:10 Prayer Declaration In the name of Jesus I bind and cast out every thief that would try to steal my finances. The Lord will rebuild the finances of His people and give the treasures of the nations to them. I will not put my hope in my wealth, but I will place my hope in God, who richly has provided me with everything for my enjoyment. I will lay up treasure for myself in heaven and take hold of life eternal.
John Eckhardt (Daily Declarations for Spiritual Warfare: Biblical Principles to Defeat the Devil)
Couldn’t sleep?” he asked as he approached, then stopped by the railing next to her. She shook her head. “I guess I’m too excited about the cattle drive.” “It’s keeping me up, too, but not from excitement.” The simple statement caught her unaware. With a few words, he expressed a vulnerability that made her heart squeeze, even as her hormones hummed a Dixie Chicks song about cowboys and being taken away. It was the night, she told herself. Or maybe it was just the man. Regardless, wouldn’t this be a good time to suddenly be witty and charming? Or even gorgeous. She would settle for gorgeous and not funny, as long as she didn’t have to talk to much. “I know it’s a big responsibility,” she said when she neither transformed into a supermodel nor thought of anything brilliant to say. “But you seem to have everything figured out. I’m sure it will be fine.” He sighed. “Want to guarantee that in writing?” “Would it help if I did?” “No.” He stared up at the sky. “I couldn’t get them to leave.” “Yes, well, you tried.” He grunted. She guessed that trying and failing didn’t count for much in his world. Yet another strike against her. She screwed up all the time.
Susan Mallery (Kiss Me (Fool's Gold, #17))
The song just started again, and now I sang it, too. "These strong hands belong to you..." I found a place between two men. The first was about my age, maybe a little younger, with high cheekbones and small eyes. The other was middle-aged, with a wide forehead and bulb nose, and beside him was a man with a striking face, a square, dimpled chin and high cheekbones... and then there was another, and another--all the kinds of faces in all the colors the world calls black: brown and tan and yellow and orange, copper and bronze and gold. "These strong hands belong to you..." They sang--we sang--with no enthusiasm or joy. We used to sing at Bell's, crossing the yard or working on the pile, just like slaves used to sing in Old Slavery, spirituals and work songs, sly lyrics, silly lyrics, yearning for freedom or roasting Massa in nonsense words he couldn't understand. This, though--this was a different kind of singing. I looked from man to man, and they were singing mechanically, eyes front, mouths moving like puppets. Singing this dumb refrain about how much they loved their bosses and loved their work. Nothing spiritual about this. This was something else altogether.
Ben H. Winters (Underground Airlines)
Advice to a Young Poet Don’t spend yourself in the small copper coins of complaint and accusation. Don’t answer those in authority, those who fancy themselves all-powerful, with grubby, fingered words for which you’ll be picked up at three in the morning. Answer with pictures that no one has ever painted, answer with thoughts which no one has ever thought, answer with verses which no one has ever fashioned, answer with a language which no one has ever uttered. Not with the sword, poet, will you sly tyranny but with the freshness of spring and autumn’s maturity. Beaten and blood-stained, strike your gold coins, heavy with the destiny of your age, heavy with your own destiny, golden coins bearing your own likeness, reflecting mankind’s suffering against the background of man’s two million years upon our planet. Such coins shall stay in circulation even after ten thousand years, valid like life’s rebellious spring, like life repeating itself, ever-youthful— while the coins with the theatrical, proud and imperial gestures— the measure of pride reflecting stupidity— will long have lain dead in the museum show-cases under artificial light, shunning the sun, dead for a thousand years.
Ondra Lysohorsky (Selected poems (Cape editions))
Globalization has shipped products at a faster rate than anything else; it’s moved English into schools all over the world so that now there is Dutch English and Filipino English and Japanese English. But the ideologies stay in their places. They do not spread like the swine flu, or through sexual contact. They spread through books and films and things of that nature. The dictatorships of Latin America used to ban books, they used to burn them, just like Franco did, like Pope Gregory IX and Emperor Qin Shi Huang. Now they don’t have to because the best place to hide ideologies is in books. The dictatorships are mostly gone—Brazil, Argentina, Uruguay. The military juntas. Our ideologies are not secrets. Even the Ku Klux Klan holds open meetings in Alabama like a church. None of the Communists are still in jail. You can buy Mao’s red book at the gift shop at the Museum of Communism. I will die soon, in the next five to ten years. I have not seen progress during my lifetime. Our lives are too short and disposable. If we had longer life expectancies, if we lived to 200, would we work harder to preserve life or, do you think that when Borges said, ‘Jews, Christians, and Muslims all profess belief in immortality, but the veneration paid to the first century of life is proof that they truly believe in only those hundred years, for they destine all the rest, throughout eternity, to rewarding or punishing what one did when alive,’ we would simply alter it to say ‘first two centuries’? I have heard people say we are living in a golden age, but the golden age has passed—I’ve seen it in the churches all over Latin America where the gold is like glue. The Middle Ages are called the Dark Ages but only because they are forgotten, because the past is shrouded in darkness, because as we lay one century of life on top of the next, everything that has come before seems old and dark—technological advances provide the illusion of progress. The most horrendous tortures carried out in the past are still carried out today, only today the soldiers don’t meet face to face, no one is drawn and quartered, they take a pill and silently hope a heart attack doesn’t strike them first. We are living in the age of dissociation, speaking a government-patented language of innocence—technology is neither good nor evil, neither progress nor regress, but the more advanced it becomes, the more we will define this era as the one of transparent secrets, of people living in a world of open, agile knowledge, oceans unpoliced—all blank faces, blank minds, blank computers, filled with our native programming, using electronic appliances with enough memory to store everything ever written invented at precisely the same moment we no longer have the desire to read a word of it.
John M. Keller (Abracadabrantesque)
It doesn’t matter what they think. Dance with me.” He took her hand, and for the first time in a long while, she felt safe. He pulled her to the center of the floor and into the motions of the dance. Ronan didn’t speak for a few moments, then touched a slim braid that curved in a tendril along Kestrel’s cheek. “This is pretty.” The memory of Arin’s hands in her hair made her stiffen. “Gorgeous?” Ronan tried again. “Transcendent? Kestrel, the right adjective hasn’t been invented to describe you.” She attempted a light tone. “What will ladies do, when this kind of exaggerated flirtation is no longer the fashion? We shall be spoiled.” “You know it’s not mere flirtation,” Ronan said. “You’ve always known.” And Kestrel had, it was true that she had, even if she hadn’t wanted to shake the knowledge out of her mind and look at it, truly see it. She felt a dull spark of dread. “Marry me, Kestrel.” She held her breath. “I know things have been hard lately,” Ronan continued, “and that you don’t deserve it. You’ve had to be so strong, so proud, so cunning. But all of this unpleasantness will go away the instant we announce our engagement. You can be yourself again.” But she was strong. Proud. Cunning. Who did he think she was, if not the person who mercilessly beat him at every Bite and Sting game, who gave him Irex’s death-price and told him exactly what to do with it? Yet Kestrel bit back her words. She leaned into the curve of his arm. It was easy to dance with him. It would be easy to say yes. “Your father will be happy. My wedding gift to you will be the finest piano the capital can offer.” Kestrel glanced into his eyes. “Or keep yours,” he said hastily. “I know you’re attached to it.” “It’s just…you are very kind.” He gave a short, nervous laugh. “Kindness has little to do with it.” The dance slowed. It would end soon. “So?” Ronan had stopped, even though the music continued and dancers swirled around them. “What…well, what do you think?” Kestrel didn’t know what to think. Ronan was offering everything she could want. Why, then, did his words sadden her? Why did she feel like something had been lost? Carefully, she said, “The reasons you’ve given aren’t reasons to marry.” “I love you. Is that reason enough?” Maybe. Maybe it would have been. But as the music drained from the air, Kestrel saw Arin on the fringes of the crowd. He watched her, his expression oddly desperate. As if he, too, were losing something, or it was already lost. She saw him and didn’t understand how she had ever missed his beauty. How it didn’t always strike her as it did now, like a blow. “No,” Kestrel whispered. “What?” Ronan’s voice cut into the quiet. “I’m sorry.” Ronan swiveled to find the target of Kestrel’s gaze. He swore. Kestrel walked away, pushing past slaves bearing trays laden with glasses of pale gold wine. The lights and people blurred in her stinging eyes. She walked through the doors, down a hall, out of the palace, and into the cold night, knowing without seeing or hearing or touching him that Arin was at her side.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
As I listened to him describing the scene of the procurer seducing the young girl, I found myself torn between two conflicting emotions, between a powerful desire to laugh and an overwhelming surge of indignation. I was in agony. Again and again a roar of laughter prevented my rage bursting forth; again and again the rage rising in my heart became a roar of laughter. I was dumbfounded by such shrewdness and such depravity; by such soundness of ideas alternating with such falseness; by so general a perversity of feeling, so total a corruption, and so exceptional a candour. He saw how agitated I was. 'What's the matter?' he asked. ME: Nothing. HIM: I think you're upset. ME: Indeed I am. HIM: So what do you think I should do? ME: Talk about something else. What a wretched fate, to have been born and to have fallen so low! HIM: I agree. But don't let my state affect you too much. In opening my heart to you, it was not my intention to upset you. I've managed to save a little, while I was with those people. Remember I wanted for nothing, nothing whatsoever, and they also made me a small allowance for incidentals. [Here he began to strike himself on the forehead with his fist, bite his lips, and roll his eyes like a lunatic, then he said:] What's done is done. I've put a bit aside. Time's passed, so I'm that much to the good. ME: You mean to the bad. HIM: No, to the good. Live one day less, or have an ecu more, it's all the same. The important thing is to open your bowels easily, freely, enjoyably, copiously, every evening; 'o stercus pretiosum!' That's the grand outcome of life in every condition. At the final moment, we're all equally rich - Samuel Bernard who by dint of theft, pillage, and bankruptcy leaves twenty-seven millions in gold, and Rameau who'll leave nothing, Rameau for whom charity will provide the winding-sheet to wrap him in.
Denis Diderot
What is that?” Morgan asked, coming out of her shock and pointing at the “wagon” they had procured for the journey. “What do you mean?” Ladon asked. “It’s a wagon. For Melisande and the supplies.” Melly cleared her throat and tried not to laugh. “Generally wagons in the human world are made of wood. Not gold and precious gems.” She didn’t want to even think about how strong those fire beasts had to be to pull a solid gold wagon. Morgan laughed beside her while Melly continued, trying to be diplomatic, “If we are trying to remain unnoticed, we” “ will need to be a little less ... ostentatious.” The dragons looked around at each other. It was Eben who spoke. “We decided since there was no way for our dragons to pass as human, we would give a display of wealth and violence, so that the humans would be impressed enough to keep their distance.” Melly looked at Morgan, who rolled her eyes, her lips twitching. “I believe that the Dragon Knights and flaming horses will be a sufficient sight to strike fear in the populace,” Melly said, trying to keep the smile out of her voice. “Perhaps excessive even. But it would be best not to advertise quite so strongly the wealth of the dragon lands. Humans have been known to act foolishly when wealth is at stake.” All the dragons looked to the wagon again. “Perhaps you are right,” Eben finally said. The big blue dragon male shrugged his massive shoulders and nodded. “Humans can be greedy things.” Coming from a people that surrounded themselves with treasure and had made a solid gold wagon, this struck Melly as ironic. Morgan must have thought so too. Her voice was dry when she spoke. “Yes, If only they had the fortitude of dragons to be able to resist acquiring shiny baubles.” The dragons turned as one and looked at them, blinking big exotic eyes, and glinting like jewels in the sun. Melly cleared her throat. “So, a wooden wagon?
Kelly Lucille (Web of Bones (Dragon Mage, #2))
LOOK, BRÜKS WANTED to say: fifty thousand years ago there were these three guys spread out across the plain, and they each heard something rustling in the grass. The first one thought it was a tiger, and he ran like hell, and it was a tiger but the guy got away. The second one thought the rustling was a tiger, and he ran like hell, but it was only the wind and his friends all laughed at him for being such a chickenshit. But the third guy, he thought it was only the wind, so he shrugged it off and a tiger had him for dinner. And the same thing happened a million times across ten thousand generations—and after a while everyone was seeing tigers in the grass even when there weren’t any tigers, because even chickenshits have more kids than corpses do. And from those humble beginnings we learned to see faces in the clouds and portents in the stars, to see agency in randomness, because natural selection favors the paranoid. Even here in the twenty-first century you can make people more honest just by scribbling a pair of eyes on the wall with a Sharpie. Even now, we are wired to believe that unseen things are watching us. And it came to pass that certain people figured out how to use that. They painted their faces or they wore funny hats, they shook their rattles and waved their crosses and they said, Yes, there are tigers in the grass, there are faces in the sky, and they will be very angry if you do not obey their commandments. You must make offerings to appease them, you must bring grain and gold and altar boys for our delectation or they will strike you down and send you to the Awful Place. And people believed them by the billions, because after all, they could see the invisible tigers. And you’re a smart kid, Lianna. You’re a bright kid and I like you but someday you’ve got to grow up and realize that it’s all a trick. It’s all just eyes scribbled on the wall, to make you think there’s something looking back
Peter Watts (Echopraxia (Firefall, #2))
You sit and lean against the wall, and look at the beautiful, riddlesome totality. The Summa52 lies before you like a book, and an unspeakable greed seizes you to devour it. Consequently you lean back and stiffen and sit for a long time. You are completely incapable of grasping it. Here and there a light flickers, here and there a fruit falls from high trees which you can grasp, here and there your foot strikes gold. But what is it, ifyou compare it with the totality, which lies spread out tangibly close to you? You stretch out your hand, but it remains hanging in invisible webs. You want to see it exactly as it is but something cloudy and opaque pushes itself exactly in between. You would like to tear a piece out of it; it is smooth and impenetrable like polished steel. So you sink back against the wall, and when you have crawled through all the glow- ing hot crucibles of the Hell of doubt, you sit once more and lean back, and look at the wonder of the Summa that lies spread out before you. Here and there a light flickers, here and there a fruit falls. For you it is all too little. But you begin to be satisfied with yourself, and you pay no attention to the years passing away. What are years? What is hurrying time to him that sits under a tree? Your time passes like a breath of air and you wait for the next light, the next fruit. The writing lies before you and always says the same, if you believe in words. But if you believe in things in whose places only words stand, you never come to the end. And yet you must go an endless road, since life flows not only down a finite path but also an infinite one. But the unbounded makes you53 anxious since the unbounded is fearful and your humanity rebels against it. Consequently you seek limits and restraints so that you do not lose yoursel£ tumbling into infinity Restraint becomes imperative for you. You cry out for the word which has one meaning and no other, so that you escape boundless ambiguity. The word becomes your God, since it protects you from the countless possibilities of interpretation. The word is protective magic against the daimons of the unending, which tear at your soul and want to scatter you to the winds. You are saved if you can say at last: that is that and only that. You spealc the magic word, and the limitless is finally banished. Because of that men seek and make words.54 He who breaks the wall ofwords overthrows Gods and defiles temples. The solitary is a murderer. He murders the people, because he thus thinks and thereby breaks down ancient sacred walls. He calls up the daimons of the boundless. And he sits, leans back, and does not hear the groans of mankind, whom the fearful fiery smoke has seized. And yet you cannot find the new words if you do not shatter the old words. But no one should shatter the old words, unless he finds the new word that is a firm rampart against the limitless and grasps more life in it than in the old word. A new word is a new God for old men. Man remains the same, even if you create a new model of God for him. He remains an imitator. What was word, shall become man. The word created the world and came before the world. It lit up like a light in the darkness, and the darkness did not comprehend it.55 And thus the word should become what the darkness can comprehend, since what use is the light if the darkness does not comprehend it? But your darkness should grasp the light. The God of words is cold and dead and shines from afar like the moon, mysteriously and inaccessibly: Let the word return to its / creator, to man, and thus the word will be heightened in man. Man should be light, limits, measure. May he be your fruit, for which you longingly reach. The darkness does not compre- hend the word, but rather man; indeed, it seizes him, since he himself is a piece of the darkness. Not from the word down to man, but from the word up to man: that is what the darkness comprehends. The darkness is your mother; she is dangerous.
C.G. Jung
In less than a week, Harvard was going to call on his darling Neil and explain how sorry he was for all his imaginary offenses, and Neil would say that he’d only been put off by Harvard’s awful best friend. Then Harvard would realize everything had been Aiden’s fault all along, and also Neil would tell Harvard that he missed him, and they would get back together. Aiden would have to pretend he was happy for them. This was one of a very few, very precious days, like fairy gold turning to dust and leaves as they slipped through his fingers. And Aiden was wasting it by being sick and disgusting. “Sorry for being gross,” Aiden murmured into his pillow. “Hey, no,” said Harvard. “You’re still really cute.” Aiden scoffed into the pillow, which turned into more coughing. Harvard patted him on the back. Harvard was so good at this boyfriend thing it was ridiculous. He was screwing up the boyfriend curve for all other boyfriends. That was why Aiden didn’t want any of the others. He felt horrible and unpleasantly hot, and he could only bear this when Harvard was with him. Most of life was generally unfair and unpleasant, but it was all right if Harvard was there. “Stay with me until I go to sleep,” Aiden murmured, willfully forgetting that lunch was over and Harvard should go to class. For Aiden, Harvard would usually break the rules. “If you want me to,” Harvard murmured back. Aiden was ill and miserable and unguarded enough to whisper, “I never want anything but you.” “Okay.” Harvard laughed quietly, kindly. “I think the cough syrup has made you a little loopy.” Aiden wanted to be angry with Harvard for never understanding, but thank God Harvard didn’t. Besides, Aiden never could entirely manage to be angry with him. The emotion wouldn’t coalesce in Aiden’s chest, always collapsing in on itself and changing into different feelings. As Aiden slid into sleep, like tumbling beneath a blanket of darkness, he felt an awareness even with his eyes closed that someone was stooping over him, like an intuition of a shadow, and then the soft press of Harvard’s lips against Aiden’s forehead. More a blessing than a kiss.
Sarah Rees Brennan (Striking Distance (Fence, #1))
Raphael pulled out a paperback and handed it to me. The cover, done back in the time when computer-aided imagine manipulation had risen to the level of art, featured an impossibly handsome man, leaning forward, one foot in a huge black boot resting on the carcass of some monstrous sea creature. His hair flowed down to his shoulders in a mane of white gold, in stark contrast to his tanned skin and the rakish black patch hiding his left eye. His white, translucent shirt hung open, revealing abs of steel and a massive, perfectly carved chest graced by erect nipples. His muscled thighs strained the fabric of his pants, which were unbuttoned and sat loosely on his narrow hips, a touch of a strategically positioned shadow hinting at the world’s biggest boner. The cover proclaimed in loud golden letters: The Privateer’s Virgin Mistress, by Lorna Sterling. “Novel number four for Andrea’s collection?” I guessed. Raphael nodded and took the book from my hands. “I’ve got the other one Andrea wanted, too. Can you explain something to me?” Oh boy. “I can try.” He tapped the book on his leather-covered knee. “The pirate actually holds this chick’s brother for ransom, so she’ll sleep with him. These men, they aren’t real men. They’re pseudo-bad guys just waiting for the love of a ‘good’ woman.” “You actually read the books?” He gave me a chiding glance. “Of course I read the books. It’s all pirates and the women they steal, apparently so they can enjoy lots of sex and have somebody to run their lives.” Wow. He must’ve had to hide under his blanket with a flashlight so nobody would question his manliness. Either he really was in love with Andrea or he had a terminal case of lust. “These guys, they’re all bad and aggressive as shit, and everybody wets themselves when they walk by, and then they meet some girl and suddenly they’re not uber-alphas; they are just misunderstood little boys who want to talk about their feelings.” “Is there a point to this dissertation?” He faced me. “I can’t be that. If that’s what she wants, then I shouldn’t even bother.” I sighed. “Do you have a costume kink? French maid, nurse . . .” “Catholic school girl.” Bingo. “You wouldn’t mind Andrea wearing a Catholic school uniform, would you?” “No, I wouldn’t.” His eyes glazed over and he slipped off to some faraway place. I snapped my fingers. “Raphael! Focus.” He blinked at me. “I’m guessing—and this is just a wild stab in the dark—that Andrea might not mind if once in a while you dressed up as a pirate. But I wouldn’t advise holding her relatives for ransom nookie. She might shoot you in the head. Several times. With silver bullets.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Globalization has shipped products at a faster rate than anything else; it’s moved English into schools all over the world so that now there is Dutch English and Filipino English and Japanese English. But the ideologies stay in their places. They do not spread like the swine flu, or through sexual contact. They spread through books and films and things of that nature. The dictatorships of Latin America used to ban books, they used to burn them, just like Franco did, like Pope Gregory IX and Emperor Qin Shi Huang. Now they don’t have to because the best place to hide ideologies is in books. The dictatorships are mostly gone—Brazil, Argentina, Uruguay. The military juntas. Our ideologies are not secrets. Even the Ku Klux Klan holds open meetings in Alabama like a church. None of the Communists are still in jail. You can buy Mao’s red book at the gift shop at the Museum of Communism. I will die soon, in the next five to ten years. I have not seen progress during my lifetime. Our lives are too short and disposable. If we had longer life expectancies, if we lived to 200, would we work harder to preserve life or, do you think that when Borges said, ‘Jews, Christians, and Muslims all profess belief in immortality, but the veneration paid to the first century of life is proof that they truly believe in only those hundred years, for they destine all the rest, throughout eternity, to rewarding or punishing what one did when alive,’ we would simply alter it to say ‘first two centuries’? I have heard people say we are living in a golden age, but the golden age has passed—I’ve seen it in the churches all over Latin America where the gold is like glue. The Middle Ages are called the Dark Ages but only because they are forgotten, because the past is shrouded in darkness, because as we lay one century of life on top of the next, everything that has come before seems old and dark—technological advances provide the illusion of progress. The most horrendous tortures carried out in the past are still carried out today, only today the soldiers don’t meet face to face, no one is drawn and quartered, they take a pill and silently hope a heart attack doesn’t strike them first. We are living in the age of dissociation, speaking a government-patented language of innocence—technology is neither good nor evil, neither progress nor regress, but the more advanced it becomes, the more we will define this era as the one of transparent secrets, of people living in a world of open, agile knowledge, oceans unpoliced—all blank faces, blank minds, blank computers, filled with our native programming, using electronic appliances with enough memory to store everything ever written invented at precisely the same moment we no longer have the desire to read a word of it.” ― John M. Keller, Abracadabrantesque
John M. Keller
[the virgin birth account] occurs everywhere. When the Herod figure ( the extreme figure of misgovernment) has brought man to the nadir of spirit, the occult forces of the cycle begin to move. In an inconspicuous village, Mary is born who will maintain herself undefiled by fashionable errors of her generation. Her womb, remaining fallw as the primordial abyss, summons itself by its very readiness the original power that fertilzed the void. Mary's virgin birth story is recounted everywhere. and with such striking unity of the main contours, that early christian missionaries had to think the devil must be creating mockeries of Mary's birth wherever they testified. One missionary reports that after work was begun among Tunja and Sogamozzo South American Indians, "the demon began giving contrary doctrines. The demon sought to discredit Mary's account, declaring it had not yet come to pass; but presently, the sun would bring it to pass by taking flesh in the womb of a virgin in a small village, causing her to conceive by rays of the sun while she yet remained virgin." Hindu mythology tells of the maiden parvati who retreated to the high hills to practice austerities. Taraka had usurped mastery of the world, a tyrant. Prophecy said only a son of the high god Shiva could overthrow him. Shive however was the pattern god of yoga-alone, aloof, meditating. It was impossible Shiva could be moved to beget. Parvati tried changing the world situation by metching Shiva in meditation. Aloof, indrawn in her soul meditating, she fasted naked beneath the blazing sun, even adding to the heat by building four great fires. One day a Brahmin youth arrived and asked why anyone so beautiful should be destroying herself with such torture. "My desire," she said "is Shiva, the Highest. He is the god of solitude and concentration. I therefore imitate his meditation to move him from his balance and bring him to me in love." Shiva, the youth announced, is a god of destruction, shiva is World Annhilator. Snakes are his garlands. The virgin said: He is beyond the mind of such as you. He is terrifying but the source of grace. snake garlands or jewel garlands he can assume or put off at will. Shiva is my love. The youth thereupon put away his disguise-he was Shiva. The Buddha descended from heaven to his mother's womb in the shape of a milk white elephant. The Aztec Coatlicue was approached by a god in the form of a ball of feathers. The chapters of Ovid's Metamorphoses swarm with nymphs beset by gods in sundry masquerades: jove as a bull, a swan, a shower of gold. Any leaf, any nut, or even the breath of a breeze, may be enough to fertilize the ready virgin womb. The procreating power is everywhere. And according to whim or destiny of the hour, either a hero savior or a world--annihilating demon may be conceived-one can never know.
Joseph Campbell
8:00am The sun is shining, the cows are mooing, and I am ready for the mines. I hope I find something awesome today. Steve has told me about some pretty crazy things I had no idea existed. According to him, I must find empty tombs in the desert. That’s where the real treasures are. For today, I will stick to regular mining. Who knows, maybe I will come across an abandoned mine shaft; could be my lucky day.   12:30pm I was forced to come home for lunch today because I had too much stuff to carry. I was getting low on my iron ore, gold, and lapis lazuli stocks before this mine trip. It’s amazing how quick lapis goes when you are busy enchanting everything but the kitchen sink. I’d enchant that too if I had one. I wonder what an enchanted kitchen sink would do. Would it do my dishes for me? That would be so cool.   I have plenty of both now. I can make some new armor and enchant it! I love mining.   Steve decided to join me for lunch and we ate a couple of pork chops and some cake. I love cake! We ate until no more food could fill us up. Then, Steve had the guts to brag about how, when he mines, he takes a horse with extra storage so he can stay down there all day long. Well fancy you, Steve.   He also went on to tell me about how well the crops are doing these days. He thinks it’s because he is looking after them half of the time. What he doesn’t know is I throw bone marrow on them when I am working. Makes my job faster and gives me more free time so whatever you need to tell yourself, Steve.   Life may be easier switching every day between mines and farming, but it still doesn’t make me his biggest fan. I just don’t think he needs to fall in a hole, either. At least… Not right now. I would consider us to be frienemies; Friendly enemies. Yes. At times we pretend to get along, but most of the time, we are happiest doing our own thing.   6:00pm Mining this afternoon was super fun… Not! I got attacked by a partially hidden skeleton guy. I couldn’t see him enough to strike back until half of my life hearts were gone. I must not have made the space bright enough. Those guys are nasty. They are hard to kill too. If you don’t have a bow and arrow you might as well surrender. Plus, they kind of smell like death. Yuck.   Note to self: Bring more torches on the next mining day.   On the other hand, I came back with an overshare of Redstone, too much iron for my own good, and oddly, quite a few diamonds. I won’t be sharing the diamonds with anyone. They are far too precious. They will go to some new diamond pickaxes, and maybe some armor. Hmm, I could enchant those too! The iron and Redstone though, I am thinking a trip to the village may be in order. See what those up-tight weirdos are willing to trade me.   For now, it’s bedtime.   6:10pm You can only sleep at night. You can only sleep at night. You can only sleep at night.   6:11pm That stupid rule gets me every time. Why can’t I decide when it’s bed time?   First, I will go eat a cookie, then I will go to sleep. Day Thirty-Three   3:00am I just dreamt that our world was made of cookies.
Crafty Nichole (Diary of an Angry Alex: Book 3 (an Unofficial Minecraft Book))
He adopted his standard mocking approach. “Having trouble getting out of the pool, Lily? There’s a ladder on the side for the old ladies who come and do aqua aerobics.” Everything inside her stilled. That condescending wretch. She felt him come closer, and was careful not to stir an inch, not even a hair. “You should get out of the pool and take a long hot shower. It’ll make you feel better,” he suggested, not ungently. His brow furrowed with worry. She ignored the thread of concern in his voice and concentrated on not moving too suddenly. Slowly, as if in unbearable agony, she lifted her head. He was dressed once more in his khakis and shirt, his sneakers were in one hand, his gear bag in the other. Good. She let her face crumble, her expression slip into wretchedness. Her lower lip trembled, a special added effect. “I—I’m not sure I can even make it to the ladder,” she confessed haltingly. “My whole body’s shot.” Damn, she must be hurting worse than he’d imagined. Trying not to stare at her lush lower lip quivering helplessly, Sean dropped his gear bag and stepped forward. “Here,” he said, leaning over, stretching out his hand. “Grab my hand. I’ll pull you out.” She’d braced her feet against the wall of the pool, knowing she’d have to strike fast. They grasped hands. The second his tightened about her forearm, she jerked backward with all her strength. Physics were on her side. Caught off balance, Sean somersaulted through the air, with only enough time to yell, “Shit!” before he landed with a cannonball-sized splash. Lily braced her arms on the pool deck. She’d intended to jump out and make a mad dash for the ladies’ locker room but her efforts were hampered by her convulsive laughter. A surprised “Oof!” flew from her lips. Sean’s arm had snaked out and wrapped around her waist, dumping her backward into the water. She pushed to the surface to find Sean glowering menacingly. He was sopping wet and just as furious. Lily’s laughter redoubled, then died away when his hands took her by the shoulders and pulled her close. Mere inches separated their bodies. “What are you doing?” Her voice came out an alarmed squeak. Her eyes flew to his. They sparkled with green and gold lights. “Payback time, Lily. You’ve pushed me once too often. I had my cell phone in my pocket. I don’t think it’s waterproof. My leather wallet is in my rear pocket, crammed with pictures of my adorable niece and nephew. Basically, Banyon, you owe me. Big time.” His tanned face, with drops of water still clinging to its chiseled planes, descended. He was going to kiss her, she realized, panic-stricken at the thought. “Don’t, Sean, don’t!” “I think I have to. It’s been a long time coming. Oh, by the way, I like lots of tongue.” Indignant, her mouth opened, ready to skewer him. But Sean was quicker. He shut Lily up the way he’d been dreaming of for so long. For years she’d driven him mad, made him crazed with desire. Now, by God, he was going to taste her. The passion and frustration inside him erupted. He seized her mouth, molding her lips to his own. Carnal fantasies gave way to a reality a thousand times sweeter. Starved for her, Sean’s lips plundered, boldly claiming her as his.
Laura Moore (Night Swimming: A Novel)
If the claims of the papacy cannot be proven from what we know of the historical Peter, there are, on the other hand, several undoubted facts in the real history of Peter which bear heavily upon those claims, namely: 1. That Peter was married, Matt. 8:14, took his wife with him on his missionary tours, 1 Cor. 9:5, and, according to a possible interpretation of the "coëlect" (sister), mentions her in 1 Pet. 5:13. Patristic tradition ascribes to him children, or at least a daughter (Petronilla). His wife is said to have suffered martyrdom in Rome before him. What right have the popes, in view of this example, to forbid clerical marriage?  We pass by the equally striking contrast between the poverty of Peter, who had no silver nor gold (Acts 3:6) and the gorgeous display of the triple-crowned papacy in the middle ages and down to the recent collapse of the temporal power. 2. That in the Council at Jerusalem (Acts 15:1–11), Peter appears simply as the first speaker and debater, not as president and judge (James presided), and assumes no special prerogative, least of all an infallibility of judgment. According to the Vatican theory the whole question of circumcision ought to have been submitted to Peter rather than to a Council, and the decision ought to have gone out from him rather than from "the apostles and elders, brethren" (or "the elder brethren," 15:23). 3. That Peter was openly rebuked for inconsistency by a younger apostle at Antioch (Gal. 2:11–14). Peter’s conduct on that occasion is irreconcilable with his infallibility as to discipline; Paul’s conduct is irreconcilable with Peter’s alleged supremacy; and the whole scene, though perfectly plain, is so inconvenient to Roman and Romanizing views, that it has been variously distorted by patristic and Jesuit commentators, even into a theatrical farce gotten up by the apostles for the more effectual refutation of the Judaizers! 4. That, while the greatest of popes, from Leo I. down to Leo XIII. never cease to speak of their authority over all the bishops and all the churches, Peter, in his speeches in the Acts, never does so. And his Epistles, far from assuming any superiority over his "fellow-elders" and over "the clergy" (by which he means the Christian people), breathe the spirit of the sincerest humility and contain a prophetic warning against the besetting sins of the papacy, filthy avarice and lordly ambition (1 Pet. 5:1–3). Love of money and love of power are twin-sisters, and either of them is "a root of all evil." It is certainly very significant that the weaknesses even more than the virtues of the natural Peter—his boldness and presumption, his dread of the cross, his love for secular glory, his carnal zeal, his use of the sword, his sleepiness in Gethsemane—are faithfully reproduced in the history of the papacy; while the addresses and epistles of the converted and inspired Peter contain the most emphatic protest against the hierarchical pretensions and worldly vices of the papacy, and enjoin truly evangelical principles—the general priesthood and royalty of believers, apostolic poverty before the rich temple, obedience to God rather than man, yet with proper regard for the civil authorities, honorable marriage, condemnation of mental reservation in Ananias and Sapphira, and of simony in Simon Magus, liberal appreciation of heathen piety in Cornelius, opposition to the yoke of legal bondage, salvation in no other name but that of Jesus Christ.
Philip Schaff (History Of The Christian Church (The Complete Eight Volumes In One))
The Old Issue October 9, 1899 “HERE is nothing new nor aught unproven,” say the Trumpets, “Many feet have worn it and the road is old indeed. “It is the King—the King we schooled aforetime !” (Trumpets in the marshes—in the eyot at Runnymede!) “Here is neither haste, nor hate, nor anger,” peal the Trumpets, “Pardon for his penitence or pity for his fall. “It is the King!”—inexorable Trumpets— (Trumpets round the scaffold at the dawning by Whitehall!) “He hath veiled the Crown and hid the Sceptre,” warn the Trumpets, “He hath changed the fashion of the lies that cloak his will. “Hard die the Kings—ah hard—dooms hard!” declare the Trumpets, Trumpets at the gang-plank where the brawling troop-decks fill! Ancient and Unteachable, abide—abide the Trumpets! Once again the Trumpets, for the shuddering ground-swell brings Clamour over ocean of the harsh, pursuing Trumpets— Trumpets of the Vanguard that have sworn no truce with Kings! All we have of freedom, all we use or know— This our fathers bought for us long and long ago. Ancient Right unnoticed as the breath we draw— Leave to live by no man’s leave, underneath the Law. Lance and torch and tumult, steel and grey-goose wing Wrenched it, inch and ell and all, slowly from the King. Till our fathers ’stablished, after bloody years, How our King is one with us, first among his peers. So they bought us freedom—not at little cost Wherefore must we watch the King, lest our gain be lost, Over all things certain, this is sure indeed, Suffer not the old King: for we know the breed. Give no ear to bondsmen bidding us endure. Whining “He is weak and far”; crying “Time shall cure.”, (Time himself is witness, till the battle joins, Deeper strikes the rottenness in the people’s loins.) Give no heed to bondsmen masking war with peace. Suffer not the old King here or overseas. They that beg us barter—wait his yielding mood— Pledge the years we hold in trust—pawn our brother’s blood— Howso’ great their clamour, whatsoe’er their claim, Suffer not the old King under any name! Here is naught unproven—here is naught to learn. It is written what shall fall if the King return. He shall mark our goings, question whence we came, Set his guards about us, as in Freedom’s name. He shall take a tribute, toll of all our ware; He shall change our gold for arms—arms we may not bear. He shall break his judges if they cross his word; He shall rule above the Law calling on the Lord. He shall peep and mutter; and the night shall bring Watchers ’neath our window, lest we mock the King— Hate and all division; hosts of hurrying spies; Money poured in secret, carrion breeding flies. Strangers of his counsel, hirelings of his pay, These shall deal our Justice: sell—deny—delay. We shall drink dishonour, we shall eat abuse For the Land we look to—for the Tongue we use. We shall take our station, dirt beneath his feet, While his hired captains jeer us in the street. Cruel in the shadow, crafty in the sun, Far beyond his borders shall his teachings run. Sloven, sullen, savage, secret, uncontrolled, Laying on a new land evil of the old— Long-forgotten bondage, dwarfing heart and brain— All our fathers died to loose he shall bind again. Here is naught at venture, random nor untrue— Swings the wheel full-circle, brims the cup anew. Here is naught unproven, here is nothing hid: Step for step and word for word—so the old Kings did! Step by step, and word by word: who is ruled may read. Suffer not the old Kings: for we know the breed— All the right they promise—all the wrong they bring. Stewards of the Judgment, suffer not this King!
Rudyard Kipling
They killed everyone in the camps. The whole world was dying there. Not only Jews. Even a black woman. Not gypsy. Not African. American like you, Mrs. Clara. They said she was a dancer and could play any instrument. Said she could line up shoes from many countries and hop from one pair to the next, performing the dances of the world. They said the Queen of Denmark honored her with a gold trumpet. But she was there, in hell with the rest of us. A woman like you. Many years ago. A lifetime ago. Young then as you would have been. And beautiful. As I believe you must have been, Mrs. Clara. Yes. Before America entered the war. Already camps had begun devouring people. All kinds of people. Yet she was rare. Only woman like her I saw until I came here, to this country, this city. And she saved my life. Poor thing. I was just a boy. Thirteen years old. The guards were beating me. I did not know why. Why? They didn't need a why. They just beat. And sometimes the beating ended in death because there was no reason to stop, just as there was no reason to begin. A boy. But I'd seen it many times. In the camp long enough to forget why I was alive, why anyone would want to live for long. They were hurting me, beating the life out of me but I was not surprised, expected no explanation. I remember curling up as I had seen a dog once cowering from the blows of a rolled newspaper. In the old country lifetimes ago. A boy in my village staring at a dog curled and rolling on its back in the dust outside a baker's shop and our baker in his white apron and tall white hat striking this mutt again and again. I didn't know what mischief this dog had done. I didn't understand why the fat man with flour on his apron was whipping it unmercifully. I simply saw it and hated the man, felt sorry for the animal, but already the child in me understood it could be no other way so I rolled and curled myself against the blows as I'd remembered the spotted dog in the dusty village street because that's the way it had to be. Then a woman's voice in a language I did not comprehend reached me. A woman angry, screeching. I heard her before I saw her. She must have been screaming at them to stop. She must have decided it was better to risk dying than watch the guards pound a boy to death. First I heard her voice, then she rushed in, fell on me, wrapped herself around me. The guards shouted at her. One tried to snatch her away. She wouldn't let go of me and they began to beat her too. I heard the thud of clubs on her back, felt her shudder each time a blow was struck. She fought to her feet, dragging me with her. Shielding me as we stumbled and slammed into a wall. My head was buried in her smock. In the smell of her, the smell of dust, of blood. I was surprised how tiny she was, barely my size, but strong, very strong. Her fingers dug into my shoulders, squeezing, gripping hard enough to hurt me if I hadn't been past the point of feeling pain. Her hands were strong, her legs alive and warm, churning, churning as she pressed me against herself, into her. Somehow she'd pulled me up and back to the barracks wall, propping herself, supporting me, sheltering me. Then she screamed at them in this language I use now but did not know one word of then, cursing them, I'm sure, in her mother tongue, a stream of spit and sputtering sounds as if she could build a wall of words they could not cross. The kapos hesitated, astounded by what she'd dared. Was this black one a madwoman, a witch? Then they tore me from her grasp, pushed me down and I crumpled there in the stinking mud of the compound. One more kick, a numbing, blinding smash that took my breath away. Blood flooded my eyes. I lost consciousness. Last I saw of her she was still fighting, slim, beautiful legs kicking at them as they dragged and punched her across the yard. You say she was colored? Yes. Yes. A dark angel who fell from the sky and saved me.
John Edgar Wideman (Fever)
It took several moments before Izzy dared open her eyes. When she did, she saw the beast that might have killed her lying lifeless on the ground. Standing over it in silent contemplation, bloodied sword in hand, was a golden-haired, lanky boy. He glanced over his shoulder as Izzy approached. Striking green-gold eyes met her astonished gaze. 'You saved my life.' Izzy came up beside him, finding it difficult to keep from staring at the felled beast, which was frightful even in death. 'That was the bravest deed I've ever seen,' she whispered. 'You might have been killed in my place.' 'A man must be willing to face danger,' he told her as he cleaned and resheathed his sword. He turned a solemn gaze on her. ''Tis a knight's duty to protect a lady in need, whatever the risk.
Lara Adrian (White Lion's Lady (Warrior, #1))
At about this time David hit on a scheme to end their financial problems. With his growing family, their limited income must have been the cause of constant worry to him. Stories of the rich strikes in the Klondike a decade earlier, perhaps bolstered by his spell of active service in South Africa, seem to have persuaded him that gold-mining might be the answer. On hearing that a new goldfield had been discovered in Ontario, he staked several claims to forty acres near the small township of Swastika, in the Great Lakes area. Only small quantities of gold had been found there so far, but a big seam was believed to exist. ---- Over the next twenty years or so, David would travel to Ontario many times to work the claim. He had already been there alone when, in the spring of 1912, he and Sydney decided to go together and – the biggest treat — they were to sail on the maiden voyage of the Titanic. Fortunately, something happened to make this impossible, and their departure was delayed until autumn of the following year. ---- It is not difficult to see why David remained keen, although the mining project eventually came to nothing. Furthermore, he and Sydney were at their closest in the shack at Swastika through the winter in that inhospitable climate, and it was one of the happiest times of David’s life. It was there that Sydney conceived their fifth child. ---- The parents, still hoping for a second boy, were disappointed, but soon came round. There was time for another boy. In David’s absence Sydney called her Unity after an actress (Unity Moore) she admired, and then Grandfather Redesdale said that she must have a topically apposite second name so they added Valkyrie, after Wagner’s Norse war-maidens. Almost from the time of her birth she was known in family circles as ‘Bobo’, but with hindsight, Unity Valkyrie’s unusual name, combined with the place of her conception, Swastika, seems almost like an eerie prophecy which the fifth Mitford child had no alternative but to fulfil.
Mary S. Lovell (The Sisters: The Saga of the Mitford Family)
I like to be alone. Also, I drift, perhaps. When in a crowd, nothing seems to be worth while, and one is an ant in a hurrying mass. Alone, thoughts come with force. They strike one as bluntly as seen things impress themselves.
Charles J. Finger (In Lawless Lands (Short story index reprint series))
Can you make it past me, thief-catcher?” Mat called, careful not to take his eyes off the man waiting for him with blade poised to strike. Sandar had insisted irritably on “thief-catcher,” not “thief-taker,” though Mat could not see any difference. “I cannot,” Sandar called from behind him. “If you move to let me by, you will lose room to swing that oar you call a staff, and he will spit you like a grunt.” Like a what? “Well, think of something, Tairen. This ragamuffin is grating my nerves.” The man in the gold-striped coat sneered. “You will be honored to die on the blade of the High Lord Darlin, peasant, if I allow it so.” It was the first time he had deigned to speak. “Instead, I think I will have the pair of you hung by the heels, and watch while the skin is stripped from your bodies—” “I do not think I’d like that,” Mat said.
Robert Jordan
The Ozmists around him went iridescent emerald, like light striking a thousand whirring beetles in flight, gold and emerald, emerald and gold, the colors of Lurlinemas, the colors of pine polen in champagne sunlight.
Gregory Maguire (Out of Oz (The Wicked Years, #4))
(Back during the Gold Rush you could go into a stream of water and pan out a little gold dust. But if you really wanted to make a strike and get down where the real gold was, you had to dig for it. In the same way you can skim along on the top of scriptures—but if you really want to find out what the Bible says, you’ll have to dig down into the Word of God.)
Kenneth E. Hagin (The Woman Question)
Hey,” I say as inspiration strikes. “What if I steal the words to “Amazing Grace”? I can change it to…um…Terrific Grace.” “Yup,” Garrett cracks. “Pure gold right there. Terrific Grace.” I ponder the next line. “How sweet…” “Your ass,” Tucker supplies.
Anonymous
After agreeing to meet in an hour’s time, I returned to my quarters, then sent for Sahdienne. Too exhilarated to wait for her, I entered my bedroom and threw wide my wardrobe, hunting for a gown to suit the occasion. I hesitated before coming to a decision, my hand clutched around the fabric of the garment I was considering. It was my most beautiful gown--the one Steldor had given me for my sister’s seventeenth birthday party. In cream-and-gold fabric that matched my gold-and-pearl tiara, it was striking, with bell sleeves and a daringly cut neckline. It was the obvious choice--just as Steldor had been to be King. Sahdienne arrived at that moment, pulling me from my muddled memories. She had always loved the particular gown I’d chosen and had been enamored with my husband’s extraordinary taste. Now she eagerly assisted with my preparations, draping the beautiful gold-and-pearl necklace Steldor had given me to wear with the dress around my neck and styling my hair into an elegant roll at the back before fixing my tiara in place. With a quick curtsey, she departed and I walked into the parlor where my mother was waiting for me. I had not been informed of her arrival and immediately began to apologize. “I’m sorry to have kept you waiting, but…” I hesitated, for she was studying me with the strangest light in her blue eyes, and I wondered if I were overdressed. “Should I--? I mean, I can change into something else.” “No,” she said, approaching me to smooth my dark hair. “You’re perfect, dear. You’ve grown into such a beautiful woman.” I blushed, slightly embarrassed, but she candidly continued. “Since you and Steldor parted ways, I’ve often wondered if you’re lonely. No person has a whole heart until they find their match.
Cayla Kluver (Sacrifice (Legacy, #3))
In the two weeks following the All-Star Game, baseball was largely upstaged by the events of the XXI Olympiad in Montreal, including Romanian gymnast Nadia Comaneci’s seven perfect 10.0 scores, Bruce Jenner’s record-setting decathlon triumph, and the five gold medals won by U.S. boxers Howard Davis Jr., Sugar Ray Leonard, Leo Randolph, and brothers Leon and Michael Spinks—the mightiest performance of any American boxing team in Olympic history.
Dan Epstein (Stars and Strikes: Baseball and America in the Bicentennial Summer of '76)
February 9: Gladys enters Rockhaven Sanitarium. Marilyn pays $250 a month to support her mother. Marilyn is honored as “A Rising Star” at the Photoplay Awards Dinner at the Crystal Room of the Beverly Hills Hotel. Sidney Skolsky accompanies her after Joe DiMaggio refuses to do so. Her gold lamé dress causes a sensation. Columnist Florabel Muir writes that the dress seems painted onto Marilyn’s body and is so striking (photographs of it are often reproduced) that Joan Crawford and Lana Turner were hardly noticed at the event.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
Seiji was direly embarrassed by Nicholas’s presence, not to mention his appearance. He hadn’t wished to see Jesse again. If forced to, he would have preferred to see him while winning Olympic gold. Failing that, Seiji would’ve preferred to see Jesse literally anywhere other than here. In the middle of the woods, in a state of undress, with a companion who had apparently been raised by wolves and then abandoned by the pack for being too scruffy. There was… another consideration, besides embarrassment. Sometimes there were people who were obviously not on the winning side, and never would be. Bad at fencing or at words or at life in some crucial way Jesse could always ascertain. Occasionally, Jesse would casually amuse himself at some unfortunate soul’s expense. Seiji wouldn’t laugh because he never actually understood the jokes or why they were funny, but he didn’t care much. It was simply Jesse’s way. Now he recalled with unwelcome vividness how those people’s cheeks would bear sudden swift streaks of red, as though slashed. Or they might slink off with a curious look of defeat, as if a lunch table were a fencing match. Some of them, Seiji had noticed, never came back again. Seiji didn’t want to see Jesse do that to Nicholas. Not Nicholas.
Sarah Rees Brennan (Striking Distance (Fence, #1))
It could mean the difference between striking it rich and running out of cash.
Russell Gold (Superpower: One Man's Quest to Transform American Energy)
I vowed if I found my lifemate, I would not do as Mikhail and bow to her wishes. Yet now, I cannot stand to see sorrow in Alexandria's eyes. I feel sick when she is hurt or upset with me." A grin spread across Stefan's face. "You're in love, my old friend, and that is the downfall of all good men.” "Even Gregori, the dark one, allowed his lifemate her freedom because of her fear of him. How does one strike a balance between keeping a woman happy and protecting her?" Aidan mused aloud. Stefan shrugged. "You're in the modern world now, Aidan. Women rule their own lives. They make their own decisions and generally drive us all crazy. Welcome to the twenty-first century." Aidan shook his head. "She thinks she is going to work with that madman, Thomas Ivan. Yet I know what he wants to do with her." "If she wants to work, Aidan, have you any choice but to allow it?" The golden eyes flashed. "I have a choice, Stefan. Still, perhaps the line of least resistance is to have a little mind-to-mind chat with Mr. Ivan. I am certain I can make him see things my way." Stefan laughed. "I wish I had that particular talent, Aidan. It would come in handy with some of my business dealings.
Christine Feehan (Dark Gold (Dark, #3))
You're in love, my old friend, and that is the downfall of all good men.” "Even Gregori, the dark one, allowed his lifemate her freedom because of her fear of him. How does one strike a balance between keeping a woman happy and protecting her?" Aidan mused aloud. Stefan shrugged. "You're in the modern world now, Aidan. Women rule their own lives. They make their own decisions and generally drive us all crazy. Welcome to the twenty-first century.
Christine Feehan (Dark Gold (Dark, #3))
In a way, this process is like digging for gold: when you’re certain it’s there, you keep digging because you know that the deeper you go, the closer you are to striking it rich.
Linda Howe (How to Read the Akashic Records: Accessing the Archive of the Soul and Its Journey)
L. Wilson, editor of the Chicago Evening Journal; and General Henry Eugene Davies, who wrote a pamphlet, Ten Days on the Plains, describing the hunt. Among the others rounding out the group were Leonard W. and Lawrence R. Jerome; General Anson Stager of the Western Union Telegraph Company; Colonel M. V. Sheridan, the general's brother; General Charles Fitzhugh; and Colonel Daniel H. Rucker, acting quartermaster general and soon to be Phil Sheridan's father-in-law. Leonard W. Jerome, a financier, later became the grandfather of Winston Churchill when his second daughter, jenny, married Lord Randolph Churchill. The party arrived at Fort McPherson on September 22, 1871. The New York Herald's first dispatch reported: "General Sheridan and party arrived at the North Platte River this morning, and were conducted to Fort McPherson by General Emery [sic], commanding. General Sheridan reviewed the troops, consisting of four companies of the Fifth Cavalry. The party start[s] across the country tomorrow, guided by the renowned Buffalo Bill and under the escort of Major Brown, Company F, Fifth Cavalry. The party expect[s] to reach Fort Hays in ten days." After Sheridan's review of the troops, the general introduced Buffalo Bill to the guests and assigned them to their quarters in large, comfortable tents just outside the post, a site christened Camp Rucker. The remainder of the day was spent entertaining the visitors at "dinner and supper parties, and music and dancing; at a late hour they retired to rest in their tents." The officers of the post and their ladies spared no expense in their effort to entertain their guests, to demonstrate, perhaps, that the West was not all that wild. The finest linens, glassware, and china the post afforded were brought out to grace the tables, and the ballroom glittered that night with gold braid, silks, velvets, and jewels. Buffalo Bill dressed for the hunt as he had never done before. Despite having retired late, "at five o'clock next morning . . . I rose fresh and eager for the trip, and as it was a nobby and high-toned outfit which I was to accompany, I determined to put on a little style myself. So I dressed in a new suit of buckskin, trimmed along the seams with fringes of the same material; and I put on a crimson shirt handsomely ornamented on the bosom, while on my head I wore a broad sombrero. Then mounting a snowy white horse-a gallant stepper, I rode down from the fort to the camp, rifle in hand. I felt first-rate that morning, and looked well." In all probability, Louisa Cody was responsible for the ornamentation on his shirt, for she was an expert with a needle. General Davies agreed with Will's estimation of his appearance that morning. "The most striking feature of the whole was ... our friend Buffalo Bill.... He realized to perfection the bold hunter and gallant sportsman of the plains." Here again Cody appeared as the
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
She painted this one for me. We were playing ocean. Can't you see what it is?" Two dark oval shapes in the middle of the page; hard, glittering shells. Two turtles stretching their heads toward the shore. The translucent sea above the flickering seabed. Brownish black mangrove trees against warm sand. The figures on the beach are tiny, with long, flowing hair. The song floats away from them, out over the ocean; in gold and lurid pink it strikes the dark shapes of the creatures in an extravagance of light. "Those are the princesses," I say. Maraia nods. "The big song is taking them up into the light.
Anne Østby (Pieces of Happiness)
We don't worry more about the incident or war like recent situation of disputed Himalayan Indo-China border area in the Ladakh's Galwan Valley. Karma is religion. That means It is the Indian Armed Forces duty to the motherland as Karma and Dharma. Whether it's a surgical strike or a cross-border fight, their story of heroism & bravery are engraved in gold.
Srinivas Mishra