Strike Three You're Dead Quotes

We've searched our database for all the quotes and captions related to Strike Three You're Dead. Here they are! All 7 of them:

Memory is a strange combination of those things we work to remember and the things we can never forget
Elena Hartwell (Three Strikes, You're Dead (An Eddie Shoes Mystery, #3))
Three injured. Three dead. That’s what all the news reports said. Six people caught bullets that night at Mystic—half of them died, while the other half lived. The neurotic asshole that exists inside of me loves the symmetry of it. Three has always been my favorite number. Three books in a trilogy. Three sheets to the wind. They say the third time is the charm. Three strikes and you’re out. Rock, paper, scissors... Beetlejuice, Beetlejuice, Beetlejuice... the good, the bad, and the ugly... need I go on? Hell, there are three good Star Wars movies. I’ll leave it up to you to figure out which ones I’m talking about. They say deaths come in threes, too.
J.M. Darhower (Menace (Scarlet Scars, #1))
Zap. Sports channel. Normal is nine innings, four balls, three strikes, somebody wins, somebody loses, there’s no such thing as a tie. Zap. Normal is unreal people, mostly rich unreal people, having sex with rappers and basketball players and thinking of their unreal family as a real-world brand, like Pepsi or Drano or Ford. Zap. News channels. Normal is guns and the normal America that really wants to be great again. Then there’s another normal if your skin color is the wrong color and another if you’re educated and another if you think education is brainwashing and there’s an America that believes in vaccines for kids and another that says that’s a con trick and everything one normal believes is a lie to another normal and they’re all on TV depending where you look, so, yeah, it’s confusing. I’m really trying to understand which this is America now. Zap zap zap. A man with his head in a bag being shot by a man without a shirt on. A fat man in a red hat screaming at men and women also fat also in red hats about victory, We’re undereducated and overfed. We’re full of pride over who the f*ck knows. We drive to the emergency room and send Granny to get our guns and cigarettes. We don’t need no stinkin’ allies cause we’re stupid and you can suck our dicks. We are Beavis and Butt-Head on ’roids. We drink Roundup from the can. Our president looks like a Christmas ham and talks like Chucky. We’re America, bitch. Zap. Immigrants raping our women every day. We need Space Force because Space ISIS. Zap. Normal is Upside-Down Land. Our old friends are our enemies now and our old enemy is our pal. Zap, zap. Men and men, women and women in love. The purple mountains’ majesty. A man with an oil painting of himself with Jesus hanging in his living room. Dead schoolkids. Hurricanes. Beauty. Lies. Zap, zap, zap. “Normal doesn’t feel so normal to me,” I tell him. “It’s normal to feel that way,” he replies.
Salman Rushdie (Quichotte)
And the ladies dressed in red for my pain and with my pain latched onto my breath, clinging like the fetuses of scorpions in the deepest crook of my neck, the mothers in red who sucked out the last bit of heat that my barely beating heart could give me — I always had to learn on my own the steps you take to drink and eat and breathe, I was never taught to cry and now will never learn to do this, least of all from the great ladies latched onto the lining of my breath with reddish spit and floating veils of blood, my blood, mine alone, which I drew myself and which they drink from now after murdering the king whose body is listing in the river and who moves his eyes and smiles, though he’s dead and when you’re dead, you’re dead, for all the smiling you do, and the great ladies, the tragic ladies in red have murdered the one who is floating down the river and I stay behind like a hostage in their eternal custody. I want to die to the letter of the law of the commonplace, where we are assured that dying is the same as dreaming. The light, the forbidden wine, the vertigo. Who is it you write for? The ruins of an abandoned temple. If only celebration were possible. A mournful vision, splintered, of a garden of broken statues. Numb time, time like a glove upon a drum. The three who compete in me remain on a shifting point and we neither are nor is. My eyes used to find rest in humiliated, forsaken things. Nowadays I see with them; I’ve seen and approved of nothing. Seated at the bottom of a lake. She has lost her shadow, but not the desire to be, to lose. She is alone with her images. Dressed in red, and unseeing. Who has reached this place that no one ever reaches? The lord of those dead who are dressed in red. The man who is masked in a faceless face. The one who came for her takes her without him. Dressed in black, and seeing. The one who didn’t know how to die of love and so couldn’t learn a thing. She is sad because she is not there. There are words with hands; barely written, they search my heart. There are words condemned like the lilac in a tempest. There are words resembling some among the dead, and from these I prefer the ones that evoke the doll of some unhappy girl. Ward 18 when I think of occupational therapy I think of poking out my eyes in a house in ruin then eating them while thinking of all my years of continuous writing, 15 or 20 hours writing without a break, whetted by the demon of analogies, trying to configure my terrible wandering verbal matter, because — oh dear old Sigmund Freud — psychoanalytic science forgot its key somewhere: to open it opens but how to close the wound? for other imponderables lovelier than the smile of the Virgin of the Rocks the shadows strike blows the black shadows of the dead nothing but blows and there were cries nothing but blows
Alejandra Pizarnik
The gleaming orange and silver express slid to a stop beside them. Tiger barged his way on board. Bond waited politely for two or three women to precede him. When he sat down beside Tiger, Tiger hissed angrily, "First lesson, Bondo-san! Do not make way for women. Push them, trample them down. Women have no priority in this country. You may be polite to very old men, but to no one else. Is that understood?" "Yes, master," said Bond sarcastically. "And do not make Western-style jokes while you are my pupil. We are engaged on a serious mission." "Oh, all right, Tiger," said Bond resignedly. "But damn it all..." Tiger held up a hand. "And that is another thing. No swearing, please. There are no swearwords in the Japanese language and the usage of bad language does not exist." "But good heavens, Tiger! No self-respecting man could get through the day without his battery of four-letter words to cope with the roughage of life and let off steam. If you're late for a vital appointment with your superiors, and you find that you've left all your papers at home, surely you say, well, Freddie Uncle Charlie Katie, if I may put it so as not to offend." "No," said Tiger. "I would say 'Shimata', which means 'I have made a mistake.'" "Nothing worse?" "There is nothing worse to say." "Well, supposing it was your driver's fault that the papers had been forgotten. Wouldn't you curse him backwards and sideways?" "If I wanted to get myself a new driver, I might conceivably call him 'bakyaro' which means a 'bloody fool', or even 'konchikisho' which means 'you animal'. But these are deadly insults and he would be within his rights to strike me. He would certainly get out of the car and walk away." "And those are the worst words in the Japanese language! What about your taboos? The Emperor, your ancestors, all these gods? Don't you ever wish them in hell, or worse?" "No. That would have no meaning." "Well then, dirty words. Sex words?" "There are two--'chimbo' which is masculine and 'monko' which is feminine. These are nothing but coarse anatomical descriptions. They have no meaning as swearing words. There are no such things in our language." "Well I'm...I mean, well I'm astonished. A violent people without a violent language! I must write a learned paper on this. No wonder you have nothing left but to commit suicide when you fail an exam, or cut your girlfriend's head off when she annoys you." Tiger laughed. "We generally push them under trams or trains." "Well, for my money, you'd do much better to say 'You-------'," Bond fired off the hackneyed string, "and get it off your chest that way." "That is enough, Bondo-san," said Tiger patiently. "The subject is now closed. But you will kindly refrain both from using these words or looking them. Be calm, stoical, impassive. Do not show anger. Smile at misfortune. If you sprain your ankle, laugh.
Ian Fleming (You Only Live Twice (James Bond, #12))
After acknowledging that, I let other memories come. The way his presence made me feel. Like he was north and my heart was a compass that always found its way home.
Elena Hartwell (Three Strikes, You're Dead (An Eddie Shoes Mystery, #3))
They were, David decided, a very colourful lot, but apart from Herries himself he was unable, during those first weeks, to strike up a friendship with any one of them. It was as though he had joined a band of castaways on a desert island, the lone survivor of a subsequent wreck, and at first he was inclined to view his isolation as the inevitable result of his own mental confusion. In the end he took his problem to Herries. 'In a sense you are an outsider, my dear chap,' he said, 'and that's the reason I grabbed you the moment you showed up. You're the bridge, don't you see? A passage over a generation gap, and it isn't the conventional generation gap we all have to cross if we know our business properly. Your gap, caused by the war, is semi permanent. It might take twenty years to close.' 'But some of the chaps on the staff are only a year or so older than I am,' David argued. 'There's the C.3 men, and Carter.' 'It's not a matter of years, but of experience, don't you see? What are our casualties to date? Not far short of three million, I'd say, and a third of them dead at eighteen-plus. No one who hasn't been out can imagine what it's like. Mentally a man like you must have aged about a year every month, and that makes you immeasurably senior to theorists like me, and faithful old buffers like Cordwainer, Acton and Gibbs. Someone has to tackle the job of nudging all those young rascals over the threshold into what I sincerely hope will be an entirely new world. We can't do it because we're even more adrift than they are and haven't a compass reading between us. In a year or so I daresay we can find you some help. Hang it all, everyone in his early twenties can't be dead or maimed or gassed. In the meantime you're on your own, lad.
R.F. Delderfield