Strength Tattoo Quotes

We've searched our database for all the quotes and captions related to Strength Tattoo. Here they are! All 50 of them:

I’ve had many enemies over the years. If there’s one thing I’ve learned, it’s never engage in a fight you’re sure to lose. On the other hand, never let anyone who has insulted you get away with it. Bide your time and strike back when you’re in a position of strength—even if you no longer need to strike back.
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
Kindness is the only strength there is.
Gregory J. Boyle (Tattoos on the Heart: The Power of Boundless Compassion)
Love yourself! You don’t need a man or a boy or a self-proclaimed love expert to tell you what you’re worth. Your power comes from who you are and what you do! You don't need all that noise, that constant hum in the background telling you whether or not you're good enough. All you need is you, your friends, and your family. And you will find the right person for you, if that's what you want - the one who respects your strength and beauty.
Amy Schumer (The Girl with the Lower Back Tattoo)
Turtles carry their homes on their backs.” Running her finger over the tattoo, she tells him what her dad told her: “They’re exposed and hidden at the same time. They’re a symbol of strength and perseverance.
Christina Baker Kline (Orphan Train)
Strength is an empty shell. One cannot violate the promptings of one’s nature without having that nature recoil upon itself. Show me a man with a tattoo, and I’ll show you a man with an interesting past.
Jack London (To Build a Fire)
We can look at our tattoos from cancer treatment as awful reminders of a ghastly time in our lives, or we can use them as reminders of what God brought us through.
Shirley Corder (Strength Renewed: Meditations for Your Journey through Breast Cancer)
Getting ink felt right, like it would help her put her life in order, to move forwards. It was her body, despite the things that'd been done to it, and she wanted to claim it, to own it, to prove that to herself. She knew it wasn't magic, but the idea of writing her own identity felt like the closest she could get to reclaiming her life. Sometimes there's power in the act; sometimes there's strength in words. She wanted to find an image that represented those things she was feeling, to etch it on her skin as tangible proof of her decision to change.
Melissa Marr (Ink Exchange (Wicked Lovely, #2))
Strength doesn't necessarily come from resisting fear, weakness, or any other feeling and overcoming it. Strength comes from looking at those things straight on--and accepting them as they really are.
Kat Von D. (Go Big or Go Home: Taking Risks in Life, Love, and Tattooing)
There was nothing her Ash could not overcome. Nothing he'd not endured. He had a resilience and strength only belonging to men of myth and ancient Gods. He was her own, personal legend." Chapter 22, page 243
Kerrigan Byrne (The Duke with the Dragon Tattoo (Victorian Rebels, #6))
People always ask me, "What kind of people make it through Hell Week?" I don't really have an answer to that. I do know-- generally-- who won't make it through Hell Week. The weightlifting meatheads who think the size of their biceps indicates their strength: they usually fail. The kids covered in tattoos announcing to the world how tough they are: they usually fail. The preening leaders who don't want to be dirty: they usually fail. The "me first, look at me, I'm the best" former athletes who've always been told they're stars: they usually fail. The blowhards who have a thousand stories about what they're going to do but a thin record of what they've actually done: they usually fail. The whiners, the "this is not fair" guys: they usually fail.
Eric Greitens (The Warrior's Heart: Becoming a Man of Compassion and Courage)
The tattoo is there not because I believe there is something wrong with me. It's there to remind me that our flaws are our strengths
Cecelia Ahern
Justice without strength isn't justice at all.
Shinjiro (Taboo Tattoo, Vol. 1 (Taboo Tattoo, 1))
To me, the haircut represented beauty and strength, that I was a woman who would live her life without the boundaries imposed upon her by other people.
Kat Von D. (Go Big or Go Home: Taking Risks in Life, Love, and Tattooing)
Originally, the anchor symbol was not used by those on the water, but by people on land. During the early years of Christianity, Christians were under heavy persecution by the Romans. To show their religion to other practicing Christians under the watchful eye of the ruling people, they would wear anchor jewelry or even tattoo anchors on themselves. The anchor was seen as a symbol of strength as anchors hold down ships even in the stormiest of weather. It was also a popular symbol because of its close resemblance to the cross. Anchors were also used to mark safe houses for those seeking refuge from persecution.   MyNameNecklace.com
L.J. Shen (Defy (Sinners of Saint, #0.5))
Ironically, the tattoo represents the opposite for me today. It reminds me that it's important to let yourself be vulnerable, to lose control and make a mistake. It reminds me that, as Whitman would say, I contain multitudes and I always will. I'm a level-one introvert who headlined Madison Square Garden—and was the first woman comic to do so. I'm the ‘overnight success’ who's worked her ass off every single waking moment for more than a decade. I used to shoplift the kind of clothing that people now request I wear to give them free publicity. I'm the SLUT or SKANK who's only had one one-night stand. I'm a ‘plus-size’ 6 on a good day, and a medium-size 10 on an even better day. I've suffered the identical indignities of slinging rib eyes for a living and hustling laughs for cash. I'm a strong, grown-ass woman who's been physically, sexually, and emotionally abused by men and women I trusted and cared about. I've broken hearts and had mine broken, too. Beautiful, ugly, funny, boring, smart or not, my vulnerability is my ultimate strength. There's nothing anyone can say about me that's more permanent, damaging, or hideous than the statement I have forever tattooed upon myself. I'm proud of this ability to laugh at myself—even if everyone can see my tears, just like they can see my dumb, senseless, whack, lame lower back tattoo.
Amy Schumer (The Girl with the Lower Back Tattoo)
And that reminds me of another memorable thing Linda once said to me: "There's so much strength in vulnerability. It's the ultimate gift you can give yourself because you allow yourself to open up; to invite someone in.
Kat Von D. (Go Big or Go Home: Taking Risks in Life, Love, and Tattooing)
Still, I also had grasped enough of the West’s views of such fatalism—that it made of us primitives, naïfs, and fools—to keep such beliefs to myself. In the West, it was believed that attitude and ambition saved you. In Africa, we had learned no one was immune to capricious tragedy. What I didn’t know then was that ignoring my own southern African knowledge was its own kind of mischief: it rendered me speechless when I should have spoken, helpless when I was profoundly capable, and broken when in fact the very places inside me that had been damaged and snapped were their own kind of strength. I saw the landscape around us as tattooed with death, fraught with the possibility of unrecovered land mines and undetonated ordnance.
Alexandra Fuller (Leaving Before the Rains Come)
She grinned then traced her hands over his back. "I'm going to finish your ink, make you shine, then love you until the day I die." He smiled back and she fell just that much more in love. "I'll be your everything. Your strength, your canvas, just yours." Forever.
Carrie Ann Ryan (Forever Ink (Montgomery Ink, #1.5))
He sat her on the edge of the bed then stood in front of her. When he stripped off his shirt, her jaw dropped. Dear. God. Ropes of corded muscles, hard lines of strength, sex, and everything in between covered his body. He had some chest hair, enough to enhance the beauty of his ink, but not too much. And, sweet baby Jesus, his ink.
Carrie Ann Ryan (Delicate Ink (Montgomery Ink, #1))
Akos lunged, and so did I. His hand was just reaching for Vas’s throat when I got to them, one hand on each chest, pressing them apart. It was surprise, not strength, that made this effective; they both moved backward, and I wedged myself between them. “Come with me,” I said to Akos. “Now.” Vas laughed. “Better listen to her, Kereseth. Those aren’t little heart tattoos she hides under that arm guard.
Veronica Roth (Carve the Mark (Carve the Mark, #1))
He studied Reyna. “How did you do that...that surge of energy?” Reyna turned her forearm. The tattoo still burned like hot wax: the symbol of Bellona, SPQR, with four lines for her years of service. “I don’t like to talk about it,” she said, “but it’s a power from my mother. I can impart strength to others.” Coach Hedge looked up from his rucksack. “Seriously? Why haven’t you hooked me up, Roman girl? I want super-muscles!
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
In Switzerland, 20% of police stations and prisons have at least one pink cell, using the color blancmange pink or “Baker-Miller pink” that was named after the two US Naval officers who first studied the effects that pink prison walls had on occupants. This color is widely used in the holding cells for prisoners to reduce violent and aggressive behavior, with some officials reporting lower muscle strength in under five seconds.
Cary G. Weldy (The Power of Tattoos: Twelve Hidden Energy Secrets of Body Art Every Tattoo Enthusiast Should Know)
She was free in her wildness. She was a wanderess, a drop of free water. She belonged to no man and to no city. (by Roman Payne, from “The Wanderess.” How this quote became so popular, I have no idea. I wrote it about one woman: The heroine of “The Wanderess,” Saskia; yet I wrote these lines to describe Saskia at her best—praising the qualities of a heroine that all women should strive to have, or keep if they have them. I wrote these lines to make Saskia be like a statue of Psyche or Demeter. The masculine sculptor doesn’t see rock when he carves Aphrodite. He sees before him the carving of the perfect feminine creature. I was creating my ‘perfect feminine creature’ when I wrote about Saskia. She is completely wild and fearless in her dramatic performance of life. She knows that she may only have one life to live and that most people in her society wish to see her fail in her dream of living a fulfilled life. For if a woman acts and lives exactly as society wants her to live, she will never be truly happy, never fulfilled. For societies do not want girls and women to wander. I am surprised that this quote became so famous, since I didn’t spend more than a few seconds writing it. It was written merely as three sentences in a novel. I didn’t write it to be a solitary poem. This quote that touches so many people is no more than an arrangement of twenty-four words in a book of three-hundred pages. What touches me the most is when fans send me photos of tattoos they’ve had done of this quote—either a few words from it or the whole quote. The fact that these wonderful souls are willing to guard words that I’ve written on their precious skin for the rest of their lives makes me feel that what I am writing is worth something and not nothing. When I get depressed and feel the despair that haunts me from time to time, and cripples me, I look at these photos of these tattoos, and it helps me to think that what I am doing is important to some people, and it helps me to start writing again. Am I a masculine version of the wanderess in this quote? Of course I am! I am wild and fearless, I am a wanderer who belongs to no city and to nobody; I am a drop of free water. I am—to cite one of my other quotes—“free as a bird. King of the world and laughing!
Roman Payne (The Wanderess)
I have a mermaid tattoo on my ankle because mermaids are not afraid of depths, of storms, and of men. The mermaid is, in my opinion, the most powerful archetype for the modern day woman; courageously braving mental challenges and emotional storms in a world dominated by men. Mermaids are never caught; they are only dreamt of, longed for. And if you want to stay with one, you must learn to breathe underwater, learn to enter her oceans. You, too, must become more than mundane.
C. JoyBell C.
A complete back tattoo, stretching from the collar of the neck down to the tailbone can take one hundred hours. Such extensive tattooing, then, became a test of strength, and the gamblers eagerly adopted the practice to show the world their courage, toughness, and masculinity. It showed, at the same time, another, more humble purpose - as a self-inflicted wound that would permanently distinguish the outcasts from the rest of the world. The tattooing marks the yakuza as misfits, forever unable or unwilling to adapt themselves to Japanese society.
David E. Kaplan (Yakuza: Japan's Criminal Underworld)
The nurses told me what you did, Livia. You made my heart beat in the woods.” He looked at her lips and continued, “You gave me breath. Were you scared, love? I’m sorry.” “You’re apologizing because you stopped breathing?” Livia wrinkled her nose. He nodded reverently. “I left you in the clearing again.” “You took the bullet that had my name on it and let it lodge in your back,” Livia responded. “You never left me in those woods. You gave me strength when I needed it. You don’t need to apologize, but it’s perfectly acceptable for you to never, ever stop breathing again.” She touched his Sorry tattoo.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
I trace the lines of the tattoo on his chest---two tigers facing off with symbols and words. "I thought you didn't like cats. When did you get this?" "Oh, I love cats. Just not my mother's," he says. "As for the tattoo, I think I told you that I practice mixed martial arts. I got this one when my family lived in Thailand, setting up one of the resorts, when I was eighteen and practicing Muay Thai. This design has traditional symbols of Sak Yant---twin tigers, five lines, nine peaks, and eight directions, all deeply rooted in ancient Buddhist and Hindu practices and representing forces like power, strength, fearlessness, protection, and wealth." "You definitely have all those attributes," I say, enraptured by the design and the softness of his skin. Everything about him is so sensual---from his lips to his toes and whatever he's hiding under the towel.
Samantha Verant (The Spice Master at Bistro Exotique)
A good hard fuck later, she stared at me in a sleepy way. Raven needed more rest after all our fun. I know I sure as hell did. “My dick needs a nap,” I told her while brushing hair away from her face. “I should go.” Resting on my back, I sighed. “I need a nap too.” “After we sleep, you’ll drive me to my car, so I can go home?” she muttered with her eyes half closed. “No, we’ll get something to eat then I’ll take you to Jodi’s for your car.” “Getting something to eat sounds like a date and I’m not dating anyone,” she said, forcing her eyes open. “It’s not a date, crabapple. We’re friends with benefits. We’ve done the benefits. Now, let’s do the friend crap.” “I don’t want to be your friend,” she said, cuddling up against my arm. Smirking, I pulled a sheet over us. “Of course, you do. I’m awesome.” “I don’t want to eat with you.” “You need to keep your strength up, Raven, because I’m really looking forward to fucking you at your place. Doing a chick in more than one location is my thing.” A grinning Raven nuzzled the “Hungry Like a Wolf” tattoo on my shoulder. “You’re an idiot.” “Fuck you, darling. I’m the Einstein of the Reapers. Now, shut up and go to sleep.
Bijou Hunter (Damaged and the Outlaw (Damaged, #4))
The Mother’s Prayer for Its Daughter First, Lord: No tattoos. May neither the Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For Childhood is short—a Tiger Flower blooming Magenta for one day— And Adulthood is long and Dry-Humping in Cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, That I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes. Amen
Tina Fey (Bossypants)
Turtles carry their homes on their backs.” Running her finger over the tattoo, she tells him what her dad told her: “They’re exposed and hidden at the same time. They’re a symbol of strength and perseverance.” “That’s very deep.
Christina Baker Kline (Orphan Train)
He had a warrior’s body, all lean muscles and strength. Her hands tingled even though she carefully skirted his bicep. When he realized what she was doing, he caught her hand, brought it back up, and placed it directly over his tattoo. “I can protect you from that, now that I know you’re sensitive to it.” After a few seconds, he brought her hand up to his lips and kissed her fingertips. “I am sorry that happened, Lena. That darkness is my burden to carry. You shouldn’t have to share it.” She twined her hands behind his neck and leaned into him, pleasing them both with the press of her breasts against his chest. “We all have darkness that haunts us, Sandor. Yours may be worse than most, but I have a few nightmares of my own.” He sat back on his haunches and lifted her to straddle his lap. “Then share them with me. Maybe I can ease them for you.” She shot him an incredulous look and gave his erection a long, low stroke. “You want to trade bad memories right now?” “Actually, no.” His chuckle was low and rough. “Remind me later.
Alexis Morgan (Dark Warrior Unbroken (Talions, #2))
You have an accent I do not recognize," he was saying. 'Tis certainly not local…." "Really, Lord Gareth — you should rest, not try to talk. Save your strength." "My dear angel, I can assure you I'd much rather talk to you, than lie here in silence and wonder if I shall live to see the next sunrise. I ... do not wish to be alone with my thoughts at the moment. Pray, amuse me, would you?" She sighed. "Very well, then. I'm from Boston." "County of Lincolnshire?" "Colony of Massachusetts." His smile faded. "Ah, yes ... Boston."  The town's name fell wearily from his lips and he let his eyes drift shut, as though that single word had drained him of his remaining strength. "You're a long way from home, aren't you?" "Farther, perhaps, than I should be," she said, cryptically. He seemed not to hear her. "I had a brother who died over there last year, fighting the rebels.... He was a captain in the Fourth. I miss him dreadfully." Juliet leaned the side of her face against the squab and took a deep, bracing breath. If this man died, he would never know just who the little girl playing so contentedly with his cravat was. He would never know that the stranger who was caring for him during his final moments was the woman his brother had loved, would never know just why she — a long way from home, indeed — had come to England. It was now or never. "Yes," she whispered, tracing a thin crack in the squab near her face. "So do I." "Sorry?" "I said, yes. I miss him too." "Forgive me, but I don't quite understand...."  And then he blanched and stiffened as the truth hit him with debilitating force. His eyes widened, their lazy dreaminess fading. His head rose halfway out of her lap. He stared at her and blinked, and in the sudden, charged silence that filled the coach, Juliet heard the pounding tattoo of her own heart, felt his gaze boring into the underside of her chin as his mind, dulled by pain and shock, quickly put the pieces together. Boston. Juliet. I miss him, too. He gave an incredulous little laugh. "No," he said, slowly shaking his head, as though he suspected he was the butt of some horrible joke or worse, knew she was telling the truth and could not find a way to accept it. He scrutinized her features, his gaze moving over every aspect of her face. "We all thought ... I mean, Lucien said he tried to locate you ... No, I am hallucinating, I must be!  You cannot be the same Juliet. Not his Juliet —" "I am," she said quietly. "His Juliet. And now I've come to England to throw myself on the mercy of his family, as he bade me to do should anything happen to him." "But this is just too extraordinary, I cannot believe —" Juliet was gazing out the window into the darkness again. "He told you about me, then?" "Told us? His letters home were filled with nothing but declarations of love for his 'colonial maiden,' his 'fair Juliet' — he said he was going to marry you. I ... you ... dear God, you have shocked my poor brain into speechlessness, Miss Paige. I do not believe you are here, in the flesh!" "Believe it," she said, miserably. "If Charles had lived, you and I would have been brother and sister. Don't die, Lord Gareth. I have no wish to see yet another de Montforte brother into an early grave." He settled back against her arm and flung one bloodstained wrist across his eyes, his body shaking. For a moment she thought the shock of her revelation had killed him. But no. Beneath the lace of his sleeve she could see his gleaming grin, and Juliet realized that he was not dying but convulsing with giddy, helpless mirth. For the life of her, she did not see what was so funny. "Then this baby —" he managed, sliding his wrist up his brow to peer up at her with gleaming eyes — "this baby —" "Is your niece.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
That’s not true! Turtles mean something very specific in my culture.” “Oh yeah, warrior princess?” he says. “Like what?” “Turtles carry their homes on their backs.” Running her finger over the tattoo, she tells him what her dad told her: “They’re exposed and hidden at the same time. They’re a symbol of strength and perseverance.
Christina Baker Kline (Orphan Train)
After a moment to regain his composure, he propped himself up on his elbow to look down at me, desire still lurking in his mesmerizing eyes. “Alera? Are you…all right?” “Narian, we can’t do this.” I was more than a little shocked at the both of us. His brow furrowed, and he ran a hand through his disheveled hair. He took a breath and opened his mouth, then stopped, apparently unable to decide exactly what he wanted to say. “Why not?” “Because,” I said, pushing myself upright. “We’re not married!” He sat up as well and lit the lantern on my bedside table. I pulled my chemise back onto my shoulders and wrapped my arms around my legs while I waited for his reaction. “And marriage, that’s…important to you…for this,” he surmised, trying to work out the basis for my objection. “Yes,” I told him fervently. “Isn’t it to you?” He glanced at the bedclothes, as though he anticipated an unpleasant reaction to what he would say. “Well, no. We don’t have marriage in Cokyri.” My eyebrows shot upward. “You don’t have…marriage? Well then, how do you…I mean, where…where do your children come from?” “We just choose a partner,” he said, ignoring the absurdity of my question. “A woman chooses a man, and if he accepts, he is marked with a tattoo around his forearm. The tattoo is a great honor--men in Cokyri are proud to bear it.” “What about the church?” He shrugged, no longer worrying about how I might react. “Cokyri has no official religion. Some people seek the High Priestess’s approval to be bound, but they come to her of their own accord. Again, it is a choice.” “So…in order to be with me, all you would need is a tattoo?” I spoke tentatively, trying to absorb and understand his words. “Only to signify that I am yours and no one else’s. If that is what we both want.” His closing statement, though subtle, sough confirmation, his steel-blue eyes filled with love and longing. “I choose you,” I said, leaning toward him, and his mouth met mine with such ardor that my senses reeled all over again. He lay down with me on top of him, and it took all my strength of will to pull away. “But we have to be married.” He studied me, concluding that I truly believed in what I said. “Then let’s go get married.” “Now?” I blurted, eyes wide. “Is now a problem?
Cayla Kluver (Sacrifice (Legacy, #3))
His was an appetite crafted only for this woman, and he’d not be satisfied until he’d sampled every lush, pale or pink inch of her. Driven by twenty years of pent-up need, he backed her against the nearest wall, lifting her so her weight wouldn’t rest on her ankle. She might be slight, and delicate, but he had enough strength for them both. She never had to worry about that. He would bear the brunt of any cruelty. He’d shield her from pain. He’d fulfill her every whim. All she’d have to do was endure him.
Kerrigan Byrne (The Duke with the Dragon Tattoo (Victorian Rebels, #6))
they are tattooed with the goodbyes of everyone they never got the chance to shine for.
Bianca Sparacino (The Strength In Our Scars)
In whaling stories of the nineteenth century, the harpooner is a man of unusual strength and daring who is often depicted as an outsider, set apart from the rest of the crew by the danger and difficulty of his job. The four pagan harpooners in Moby-Dick are good examples of the type: Daggoo the giant African, Tashtego the Indian from Gay Head, Fedallah the Zoroastrian, and, of course, Queequeg the tattooed South Sea Islander.
Christina Thompson (Sea People: The Puzzle of Polynesia)
I’ve had many enemies over the years. If there’s one thing I’ve learned, it’s never engage in a fight you’re sure to lose. On the other hand, never let anyone who has insulted you get away with it. Bide your time and strike back when you’re in a position of strength – even if you no longer need to strike back.
Stieg Larsson (The Girl with the Dragon Tattoo (Millennium, #1))
Kahnawake August 1704 Temperature 75 degrees “It’s me! Mercy Carter! Oh, Mr. Williams! Do you have news?” She flung herself on top of him. Oh, his beautiful beard! The beard of a real father, not a pretend Indian father or a French church father. “My brothers,” she begged. “John and Sam and Benny. Have you seen them? Have you heard anything about them? Do you know what happened to the little ones? Daniel? Have you found Daniel?” Mercy had forgotten that she had taken off her tunic to go swimming. That Joseph did not even have on his breechclout. That Mercy wore earrings and Joseph had been tattooed on his upper arms. That they stank of bear. Mr. Williams did not recognize Joseph, and Mercy he knew only by the color of her hair. He was stupefied by the two naked slimy children trying to hug him. In ore horror than even Ruth would have mustered, he whispered, “Your parents would be weeping. What have the savages done to you? You are animals.” Despair and shock mottled Mr. Williams’s face. Mercy stumbled back from him. Her bear grease stained his clothing. “Mercy,” he said, turning away from her, “go cover yourself.” Shame covered her first. Red patches flamed on her cheeks. She ran back to the swimmers, fighting sobs. She was aware of her bare feet, hard as leather from no shoes. Savage feet. Dear Lord in Heaven, thought Mercy, Ruth is right. I have committed terrible sins. My parents would be weeping. She did not look at Snow Walker but yanked on the deerskin tunic. She had tanned the hide herself, and she and Nistenha had painted the rows of turtles around the neckline and Nistenha had tied tiny tinkling French bells into the fringe. But it was still just animal skin. To be wearing hides in front of Mr. Williams was not much better than being naked. Snow Walker burst out of the water. “The white man? Was he cruel? I will call Tannhahorens.” No! Tannhahorens would not let her speak to Mr. Williams. She would never find out about her brothers; never redeem herself in the minister’s eyes. Mercy calmed down with the discipline of living among Indians. Running had shown weakness. “Thank you, Snow Walker,” she said, striving to be gracious, “but he merely wanted me to be clothed like an English girl. There is no need to call Tannhahorens.” She walked back. On the jetty, Joseph stood with his eyes fixed on the river instead of on his minister. He had not fled like Mercy to cover himself. He was standing his ground. “They aren’t savages, Mr. Williams. And they aren’t just Indians. Those children over there are Abenaki, the boy fishing by the rocks is Pennacook, and my own family is Kahnawake Mohawk.” Tears sprang into Mr. Williams’s eyes. “What do you mean--your family?” he said. “Joseph, you do not have a family in this terrible place. You have a master. Do not confuse savages who happen to give you food with family.” Joseph’s face hardened. “They are my family. My father is Great Sky. My mother--” The minister lost his temper. “Your father is Martin Kellogg,” he shouted, “with whom I just dined in Montreal. You refer to some savage as your father? I am ashamed of you.” Under his tan, Joseph paled and his Indian calm left him. He was trembling. “My--my father? Alive? You saw him?” “Your father is a field hand for a French family in Montreal. He works hard, Joseph. He has no choice. But you have choices. Have you chosen to abandon your father?” Joseph swallowed and wet his lips. “No.” He could barely get the syllable out. Don’t cry, prayed Mercy. Be an eagle. She fixed her eyes upon him, giving him all her strength, but Mr. Williams continued to destroy whatever strength the thirteen-year-old possessed. “Your father prays for the day you and he will be ransomed, Joseph. All he thinks of is the moment he can gather his beloved family back under his own roof. Is that not also your prayer, Joseph?
Caroline B. Cooney (The Ransom of Mercy Carter)
A chill fog had blanketed the world the night before, seeping in through every nook and cranny. Nestled under layers of quilts and down blankets, Aelin rolled over in bed and stretched a hand across the mattress, reaching lazily for the warm male body beside hers. Cold, silken sheets slid against her fingers. She opened an eye. This wasn’t Wendlyn. The luxurious bed bedecked in shades of cream and beige belonged to her apartment in Rifthold. And the other half of the bed was neatly made, its pillows and blankets undisturbed. Empty. For a moment, she could see Rowan there—that harsh, unforgiving face softened into handsomeness by sleep, his silver hair glimmering in the morning light, so stark against the tattoo stretching from his left temple down his neck, over his shoulder, all the way to his fingertips. Aelin loosed a tight breath, rubbing her eyes. Dreaming was bad enough. She would not waste energy missing him, wishing he were here to talk everything through, or to just have the comfort of waking up beside him and knowing he existed. She swallowed hard, her body too heavy as she rose from the bed. She had told herself once that it wasn’t a weakness to need Rowan’s help, to want his help, and that perhaps there was a kind of strength in acknowledging that, but … He wasn’t a crutch, and she never wanted him to become one. Still, as she downed her cold breakfast, she wished she hadn’t felt such a strong need to prove that to herself weeks ago. Especially when word arrived via urchin banging on the warehouse door that she’d been summoned to the Assassins’ Keep. Immediately.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
All of your artwork — in your home and work, on the canvas of your skin, and on the clothing you wear — is part of your living vision board. It sends profound energy and information to the Universe that reveals your strengths, your weaknesses, your victories, and your pain. Rather than simply tell a story of your past that will be recreated, you can energetically design your art as a tool for attracting what you want. In doing so, you begin to attract your heartfelt dreams and goals with far greater ease.
Cary G. Weldy (The Power of Tattoos: Twelve Hidden Energy Secrets of Body Art Every Tattoo Enthusiast Should Know)
or a Pelé or a Marcus Aurelius or a Copernicus over extended periods of training. The true geniuses all started out as ordinary people. But they practiced building up their strength so much and so often that showing up at world-class became automated. Here’s another brain tattoo The Spellbinder taught me: Legendary performers practice being spectacular for so long that they no longer remember how to behave in non-spectacular ways.
Robin S. Sharma (The 5AM Club: Own Your Morning. Elevate Your Life.)
Sooner or later, we all discover that kindness is the only strength there is. I can remember listening to a kid at a probation camp read at Mass from 1 Corinthians 13. If you've been to as many weddings as I have, you go numb as you hear, "Love is patient. Love is kind. Love is blah, blah, blah." Your mind floats away. You start wondering if the Dodgers won last night and remind yourself to move your clothes from the washer to the dryer. But this kid started to read it like it mattered and it, as the homies would say, 'woke my a** up proper." He looked out at everyone and proclaimed with astounding surety: "Love...never...fails." And he sat down. And I believed him. Every day, you choose to believe this all over again and want only "to live as though the truth were true." (p124-125)
Gregory Boyle (Tattoos on the Heart: The Power of Boundless Compassion)
(these are my highlighted parts of the book) Not human, thought Maura, as the hairs stood up on the back of her neck. My god, what have I brought back from the dead? This poor woman's already died once. Let's not have it happen again. Do you solemnly swear that the testimony you are about to give to the court in the case now in hearing shall be the truth, the whole truth, and nothing but the truth, so help you God? Corpses have woken up in morgues. Old graves have been dug up, and they have found claw marks inside the coffin lids. People are so terrified of the possibility that some casket makers sell coffins equipped with emergency transmitters to call for help. Just in case you're buried alive. The resurrection of Christ wasn't a true resurrection. It was merely a case of premature burial. When they ask you to play a child, it means they want you to be scared. They want you to scream. They enjoy it if you bleed. It's not strength, Mila. It's hate. That's what keeps you alive. Duplex rounds are designed to inflict maximum damage. In marines, we call them "torso meat tags" because they're useful for identifying your corpse. In a blast, there's a good chance you'd lose your extremities. So a lot of soldiers choose to get their tattoos on their chest or back. The world is evil, Mila, and there's no way to change it. The best you can do is to stay alive...and not be evil. You're worse tan a whore. You don't just sell out yourself. You'd sell out anyone else. But these bars look different; these are not to trap people in; they are meant to keep people out. Come on baby. Stop being so goddamn stubborn. Help your mama out! Some babies are born screamers. They refuse to be ignored. God put mothers on this earth for a reason. Now, I'm not saying it takes a village to raise a kid. But it sure does help to have a grandma. Human. A02/B00/C02(7cm)/D42 Scalp hair. Slightly curved, shaft is seven centimeters, pigment is medium red. Reality's a bitch, ain't it? And so am I. Whenever there are big boys playing with a lot of money, you can bet sex comes into it. When I open my eyes again, I see more of Anja peeking out from the sand. The curve of her hip bone, the brown shaft of her thigh. The desert has decided to give her up, and now she is re-emerging from the earth. Nothing that happened to you was your fault. Whatever those men did to you - whatever they made you do - they forced on you. It was done to your body. It has nothing to do with your soul. Your soul, Mila, is still pure.
Tess Gerritsen (Vanish (Rizzoli & Isles, #5))
Guys name their kettlebells like they name their guns. They paint them with their units’ coats of arms. They get tattoos of kettlebells. The Russian kettlebell is the Harley-Davidson of weights.
Pavel Tsatsouline (Enter the Kettlebell!: Strength Secret of the Soviet Supermen)
The subversive Vodka, Pickle Juice, Kettlebell Lifting, and Other Russian Pastimes was published in 1998. The article was extremely well received by the most ruthless critics in the strength world. I started getting mail from guys with busted noses, cauliflower ears, scars, or at least Hells Angels tattoos. Incredulous, I told my friend and editor John Du Cane about it. He thought for a minute and said: “Let’s do it! I’ll make kettlebells and you teach people how to use them.
Pavel Tsatsouline (Enter the Kettlebell!: Strength Secret of the Soviet Supermen)
Rach.” He laughed low and my eyes snapped up to his. “What’s up?” “Oh, um . . .” This was a really bad idea. Would I look like a complete freak if I took off running for my car right now? “Well, I . . .” “Yes . . . ?” “You, uh, wanna have a lock-out night with me?” He mouthed the words lock-out night before recognition flashed through his gray eyes. “Mason with Candice?” “Yep.” “You don’t have to ask or have a reason, Rach. You’re welcome here whenever.” My eyes drifted over the colorful artwork covering his shoulders and arms and I somehow made it into the apartment without running into anything. I wanted to study the tattoos but he was still smirking, so I forced my eyes onto the TV and walked past him. “So did you get tired of hanging out at Starbucks for hours on end, or did they finally kick you out?” I huffed and shook my head. Such an ass. Spinning around, I began walking right back to the front door. I don’t care that he’s half-naked and I have to use superhuman strength to not throw myself at him and explore his sculpted body with my hands and mouth. He’s just such a freaking pain. “I don’t think so, Sour Patch.” He grabbed my arm and pulled me back until I was standing in front of the couch. “Sit.” “I’m not a dog.” He rolled his eyes. “Sit down, woman. I’ll be right back.” With a shove strong enough to send me down to the couch, he smiled wryly and turned toward his bedroom. “Put a shirt on while you’re in there!” He snorted.   Kash
Molly McAdams (Forgiving Lies (Forgiving Lies, #1))
The testimony is followed by another montage of Team Impact feats of strength. “Ladies and Gentlemen,” an amped up announcer voice a la Monster Truck Rally proclaims, “We are Team Impaaaaact. Standing on faith tonight let’s give it up for the King of Kings and Lord of Lords, the one, the only, the Risen Warrioooooor!” Are they talking about Jesus? Is he a cage fighter or the Lamb of God? If ever there was a cross-denying tribute to a theology of glory, it would be Team Impact. As is the case with the rest of TBN, the scandal of Jesus’ birth, life, teachings, death, and resurrection are ignored entirely in favor of a Jesus-as-Rambo theology; here the Lord just kicks ass and takes names, much like the freakishly muscular Team Impact guys. Taking one’s Christology from a couple of chapters of Revelation (ignoring the central Christ image, that of the Lamb who was slain) rather than the gospels is baffling to me. I recently saw an “inspirational” self-mocking emerging church poster. The word “incarnational” rested below an image of a heavily tattooed guy wearing a crown of thorns made of barbed wire. The caption read “What would Jesus do? I’m pretty sure he’d do stuff I think is cool.” We all wish to make Christ in our own image because the truth of a God who dies is too much. We’ll believe anything but that, and if that anything happens to bring us power and victory and glory then all the better.
Nadia Bolz-Weber (Salvation on the Small Screen?: 24 hours of Christian Television)
They had never promised each other every lifetime, every universe, every possible arrangement of atoms. Those are in infinite supply, and they are two girls. But they are two girls whose blood runs with the heat of exploding stars, even as it drips down their knuckles. They are two girls whose souls reach for each other and ignore probability and infinity. They are two girls who crash together and touch each other gently. They have each other’s names carved into their bones and each other’s fingerprints tattooed on their ligaments and they breathe in time with the other’s heartbeat. They would count the steps to hell and freeze it over to save one another and they would burn if there were no other choice. When the sun goes supernova and solar flares lick across the sky, they will see one another, even if only for an instant, and think, This is almost heaven. And with every instant they have they can read each other like braille with ink-stained fingertips and they are a force of nature if you dare to touch them, learning what happens when a hurricane protects its own.
Maia Brown-Jackson (The Magazine of Fantasy & Science Fiction, July/August 2021 (F&SF, #756))