Streets Of Rome Quotes

Ya got cigarettes?” she asks. “Yes,” I say, “I got cigarettes.” “Matches?” she asks. “Enough to burn Rome.” “Whiskey?” “Enough whiskey for a Mississippi River of pain.” “You drunk?” “Not yet.

Remember, my talented friend, there are Michelangelos begging everywhere in the streets of Rome...

She had always been fond of history, and here [in Rome] was history in the stones of the street and the atoms of the sunshine.

Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw— actually saw— a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs.

[H]e could see the island of Manhattan off to the left. The towers were jammed together so tightly, he could feel the mass and stupendous weight.Just think of the millions, from all over the globe, who yearned to be on that island, in those towers, in those narrow streets! There it was, the Rome, the Paris, the London of the twentieth century, the city of ambition, the dense magnetic rock, the irresistible destination of all those who insist on being where things are happening-and he was among the victors!

A journey is an adventure. Henry Miller said that it is far more important to discover a church no one has heard of, than go to Rome and feel obliged to visit the Sistine Chapel, with two hundred thousand tourists shouting all around you. Go to the Sistine Chapel, but also get lost in the streets, wander down alleyways, feel free to look for something, without knowing what it is. I swear you will find it and that it will change your life.

And I go looking looking for you in the streets And I never find you I never find you at all

Although the modern image of the imperial city is dominated by the ruins of the Coliseum and the Forum, the economic life of ancient Rome centered on side streets filled with apartments, shops, and horrea.

But I had no patience with this convent chatter. I had felt the brush take life in my hand that afternoon; I had had my finger in the great, succulent pie of creation. I was a man of the Renaissance that evening- of Browning's renaissance. I, who had walked the streets of Rome in Genoa velvet and had seen the stars through Galileo's tube, spurned the friars, with their dusty tomes, and their sunken, jealous eyes and their crabbed hair-splitting speech.

The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw- a flower.

Dear Natasha, It's the middle of the night. I can't sleep. Thoughts are creeping through my head like darkness slips around the bodies of sky scrapers in every city we've ever been to. From the bottom up, suffocating the life on the street first and then raising to the head and the brain, circling into smog and clouds until the black stretches up so high that nobody can even remember what the stars used to look like. This is how I feel when I lie awake and think of you. I miss you.

In ancient Rome, when a victorious general paraded through the streets, legend has it that he was sometimes trailed by a servant whose job it was to repeat to him, " Memento Mori": Remember you will die. A reminder of mortality would help the hero keep things in perspective, instill some humility. Job's memento mori had been delivered by his doctors, but it did not instill humility. Instead he roared back after his recovery with even more passion. The illness reminded him that he had nothing to lose, so he should forge ahead full speed. " He came back on a mission," said Cook. " Even though he was now running a large company, he kept making bold moves that I don't think anybody else would have done.

Here’s why the life of Muhammad [and Jesus] matters: Contrary to what many secularists would have us believe, religions are not entirely determined (or distorted) by the faithful over time. The lives and words of the founders remain central, no matter how long ago they lived. The idea that believers shape religion is derived, instead, from the fashionable 1960s philosophy of deconstructionism, which teaches that written words have no meaning other than that given to them by the reader. Equally important, it follows that if the reader alone finds meaning, there can be no truth (and certainly no religious truth); one person’s meaning is equal to another’s. Ultimately, according to deconstructionism, we all create our own set of “truths,” none better, or worse than any other. Yet for the religious man or woman on the streets of Chicago, Rome, Jerusalem, Damascus, Calcutta, and Bangkok, the words of Jesus, Moses, Muhammad, Krishna, and Buddha mean something far greater than any individual’s rendering of them. And even to the less-than-devout reader, the words of these great religious leaders are clearly not equal in their meaning.

My ancestors did from the streets of Rome The Tarquin drive, when he was call’d a king.

I'm getting old. Exiled ever further from the Rome of childhood in the distant empty provinces of old age, from which there is no return. And Rome no longer answers my letters. Somewhere the past exists as a house or a street that you've left for a short while, for five minutes, and you've found yourself in a strange city. It's been written that the past is a foreign country. Nonsense. The past is my home country. The future is a foreign country, full of strange faces, I won't set foot there. Let me go back home... my mother told me not to be late.

I felt myself a new species of child. Not a boy (most assuredly) but neither a (mere) girl. That skirt-bound race perpetually moving about serving tea had nothing to do with me. I had such high hopes, you see. The boundaries of the world seemed vast. I would visit Rome, Paris, Constantinople. Underground cafés presented in my mind where, crushed against wet walls, a (handsome, generous) friend and I sat discussing—many things. Deep things, new ideas. Strange green lights shone in the streets, the sea lapped nearby against greasy tilted moorings; there was trouble afoot, a revolution, into which my friend and I must— Well, as is often the case, my hopes were…not realized.

In February 62, Seneca came up against an unalterable reality. Nero ceased to listen to his old tutor, he shunned his company, encouraged slander of him at court and appointed a bloodthirsty praetorian prefect, Ofonius Tigellinus, to assist him in indulging his taste for random murder and sexual cruelty. Virgins were taken off the streets of Rome and brought to the emperor’s chambers. Senators’ wives were forced to participate in orgies, and saw their husbands killed in front of them. Nero roamed the city at night disguised as an ordinary citizen and slashed the throats of passers-by in back alleys. He fell in love with a young boy who he wished could have been a girl, and so he castrated him and went through a mock wedding ceremony. Romans wryly joked that their lives would have been more tolerable if Nero’s father Domitius had married that sort of a woman. Knowing he was in extreme danger, Seneca attempted to withdraw from court and remain quietly in his villa outside Rome. Twice he offered his resignation; twice Nero refused, embracing him tightly and swearing that he would rather die than harm his beloved tutor. Nothing in Seneca’s experience could allow him to believe such promises.

Parbleu!" said Albert, "do you think we are going to run about on foot in the streets of Rome, like lawyer's clerks?" "No; and your excellencies will do well not to think of that any longer; at Rome things can or cannot be done; when you are told anything cannot be done, there is an end to it." "It is much more convenient at Paris, - when anything cannot be done, you pay double , and it is done directly.

I had felt the brush take life in my hand that afternoon ; I had had my finger in the great, succulent pie of creation. I was a man of the Renaissance that evening — of Browning’s renaissance. I, who had walked the streets of Rome in Genoa velvet and had seen the stars through Galileo’s tube, spumed the friars, with their dusty tomes and their sunken, jealous eyes and their crabbed hair-splitting speech.

Verdi's music did little to comfort him, and he left the theatre and walked homeward, without knowing his way, through the torturous, tragic streets of Rome, where heavier sorrows than his had been carried under the stars.

Many weeks of street fighting ensued. In his defense of Sestius against charges of violence in 56, Cicero described in graphic terms the effects of this gang warfare: “The Tiber was full of citizens’ corpses, the public sewers were choked with them and the blood that streamed from the Forum had to be mopped up with sponges.” To begin with, the cure was worse than the disease and public business once more came to a standstill. However, by the summer Clodius, while by no means defeated, was at least being contained.

I had chosen the fifteenth day of July, the day that Roman Knights go out crowned with olive wreaths to honor the Twins in a magnificent horseback procession:from the Temple of Mars they ride through the main streets of the City, circling back to the Temple of the Twins, where they offer sacrifices. The ceremony is a commemoration of the battle of Lake Regillus which was fought on that day over three hundred years ago. Castor and Pollux came riding in person to the help of a Roman army that was making a desperate stand on the lake-shore against a superior force of Latins; and ever since then they have been adopted as the particular patrons of the knights.

In that room on Via Clelia, I manage to create a world that corresponded to nothing outside it. My books, my city, myself. All I had to do then was let the novels I was reading lend their aura to this street and drop an illusory film over this buildings, a film that washed down Via Clelia like a sheet of rainwater, casting a shimmering spell on this hard, humdrum, here-and-now area of lower-middle-class Rome.

Washington, D.C., with its wide streets, confounding roundabouts, marble statues, Doric columns, and domes, is supposed to feel like ancient Rome (that is, if the streets of ancient Rome were lined with homeless black people, bomb-sniffing dogs, tour buses, and cherry blossoms).

Perry continued, his voice even but firm as granite; "Do you prefer the easy platitudes? You said you didn't. How dare you speak about God like He's some frivolous clown? Do you think you're the only one who has suffered in this world? Every apostle but one died a martyr’s death. By the time of Nero the streets of Rome were lined with Christians hanging on crosses. Emperors would wrap them in wax and light them on fire, using their burning bodies as torches. Even Gods own Son was nailed to a cross. What makes you think you should be spared pain and difficulty? Anne started to speak but nothing came out so Perry continued. "I'm grieved at your loss but I won't waste time joining you in your pity party. Everyone faces hardship, disappointment and, sooner or later, tragedy. It's called Life. If you want to talk about how unfair God is you'll need to find a different audience, because I'm not going to listen to it" Perry watched Anne's jaw tighten and her eyes narrow as if to hold back the hurricane of fury swirling within her. "You owe me an apology", she said through tight lips. "You owe God an apology", Perry countered in the same still voice. A TREASURE DEEP

Most of all, however, these observances attack and undermine the very spirit of life within the minds of men. They afford to our Romans, from the street sweepers to the consuls, a vague sense of confidence where no confidence is and at the same time a pervasive fear, a fear which neither arouses to action nor calls forth ingenuity, but which paralyzes. They remove from men's shoulders the unremitting obligation to create, moment by moment, their own Rome. They come to us sanctioned by the usage of our ancestors and breathing the security of our childhood; they flatter passivity and console inadequacy

Rome was buzzing. Quite literally. Absolutely everyone had a mobile phone, and absolutely everybody was calling absolutely everybody else absolutely all the time. I wondered if there were some law making them compulsory. Frighteningly, it's possible, these days. I swear I saw a street beggar stop and take a call on his cellular. I even heard a trill from a baby carriage, but it turned out to be a toy mobile phone. They start dickhead training early in Italy.

No, no, I will not live among the wild scenes of nature, the enemy of all that lives. I will seek the towns—Rome, the capital of the world, the crown of man's achievements. Among its storied streets, hallowed ruins, and stupendous remains of human exertion, I shall not, as here, find every thing forgetful of man; trampling on his memory, defacing his works, proclaiming from hill to hill, and vale to vale,—by the torrents freed from the boundaries which he imposed—by the vegetation liberated from the laws which he enforced—by his habitation abandoned to mildew and weeds, that his power is lost, his race annihilated for ever.

But I had no patience with this convent chatter. I had felt the brush take life in my hand that afternoon... I was a man of the Renaissance that evening - of Browning's renaissance. I, who had walked the streets of Rome in Genoa velvet and had seen the stars through Galileo's tube... "You'll fall in love," I said. "Oh, pray not.

I had felt the brush take life in my hand that afternoon; I was a man of Renaissance that evening- of Browning's renaissance. I, who had walked the streets of Rome in Genoa velvet and had seen the stars through Galileo's tube, spurned the friars, with their dusty tomes and their sunken, jealous eyes and their crabbed hair-splitting speech.

I'm writing this letter at an outdoor café on a side street in Rome, sipping espresso as thick as the devil's sweat, and I have this strange feeling that I'm not myself anymore.

To spend a day walking the streets in Rome, we’re told, is to inhale the equivalent of eighteen cigarettes.30

We often ask ourselves what world we are leaving to our children,” he once said. “We might want to ask, too: What children are we leaving to the world?

Now you come to my street in the sunrise and hold me There are things you want to say but don’t There are things I want to say but I already said them

I love the way the Italians park. You turn any street corner in Rome and it looks as if you’ve just missed a parking competition for blind people.

What do you want, Rachel?” he asks. “I want the world,” I reply. “I want to sail around Phuket Island, topless on a yacht. I want to fuck in the gardens at Versailles and get chased out by French police. I want to eat pizza by the hour and drink wine straight from the bottle, stumbling around the streets of Rome at two in the morning. I want to dance in a fountain, Jake. I want to be a doctor and travel the country watching men at the top of their game play hazardous sports. I want to feel their sweat and smell their blood on the ice. I want to live. And I never want to turn an opportunity down out of fear that I’m not conforming to that dream of normal. Because I’m not normal, Jake. We’re not normal. We’re extraordinary. Be extraordinary with me.

What will be lost, and what saved, of our civilization probably lies beyond our powers to decide. No human group has ever figured out how to design its future. That future may be germinating today not in a boardroom in London or an office in Washington or a bank in Tokyo, but in some antic outpost or other -- a kindly British orphanage in the grim foothills of Peru, a house for the dying in a back street of Calcutta run by a fiercely single-minded Albanian nun, an easy-going French medical team at the starving edge of the Sahel, a mission to Somalia by Irish social workers who remember their own Great Hunger, a nursery program to assist convict-mothers at a New York Prison -- in some unheralded corner where a great-hearted human being is committed to loving o9utcasts in an extraordinary way.

One encounters in the streets, late at night on the evenings of fetes, the most strange and bizarre passers-by. Do these nights of popular celebration cause ancient and forgotten avatars to stir in the depths of the human soul? This evening, in the movement of the sweaty and excited crowd, I am certain that I passed between the masks of the liberated Bythinians and encountered the courtesans of the Roman decadence. There emerged, this evening, from that swarming esplanade of Des Invalides - amid the crackle of fireworks, the shooting stars, the stink of frying, the hiccuping of drunkards and the reeking atmosphere of menageries - the wild effusions of one of Nero's festivals. It was like the odour of a May evening on the Basso-Porto of Naples. It was easy to believe that the faces in that crowd were Sicilian.

Main Street is the climax of civilization. That this Ford car might stand in front of the Bon Ton Store, Hannibal invaded Rome and Erasmus wrote in Oxford cloisters. What Ole Jenson the grocer says to Ezra Stowbody the banker is the new law for London, Prague, and the unprofitable isles of the sea; whatsoever Ezra does not know and sanction, that thing is heresy, worthless for knowing and wicked to consider.

Vaughn couldn’t keep his hands off her. Jasper couldn’t stand not seeing her. Rome was hooked, or he’d never have tested Jasper’s patience. Particularly after the incident with Doc. Even fucking Freddy adored her.

ANNABETH WANTED TO HATE NEW ROME. But as an aspiring architect, she couldn’t help admiring the terraced gardens, the fountains and temples, the winding cobblestone streets and gleaming white villas. After the Titan War last summer, she’d gotten her dream job of redesigning the palaces of Mount Olympus. Now, walking through this miniature city, she kept thinking, I should have made a dome like that. I love the way those columns lead into that

And he knew he would not be travelling home. If he had to wear a donkey jacket and wait for fifty years, then he would wait. At last there was a place in the world where he had reason to be, a place that had meaning. For days, without realising it, he had sensed this meaning everywhere, in the streets, houses, ruins and temples of Rome. It could not be said of the feeling that it was 'filled with pleasurable expectation'. Rome and its millennia were not by nature associated with happiness, and what Mihály anticipated from the future was not what is usually conjured up by 'pleasurable expectation'. He was awaiting his fate, the logical, appropriately Roman, ending.

We arrived at Stazione Termini around 7 p.m. on a Wednesday evening. The air was thick and muggy, as if Rome had been awash in a rainstorm that had come and gone and relieved none of the dampness. With dusk scarcely an hour away, the street-lights glistened through dense halos, while the lighted storefronts seemed doused in gleaming colors of their own invention. Dampness clung to every forehead and every face. I wanted to caress his face. I couldn’t wait to get to our hotel and shower and throw myself on the bed, knowing all the while that, unless we had good air-conditioning, I’d be no better off after the shower. But I also loved the languor that sat upon the city, like a lover’s tired, unsteady arm resting on your shoulders.

Johannes Kepler, who was one of the first to apply mathematics to the motion of the planets, was an imperial adviser to Emperor Rudolf Il and perhaps escaped persecution by piously including religious elements in his scientific work. The former monk Giordano Bruno was not so lucky. In 1600, he was tried and sentenced to death for heresy. He was gagged, paraded naked in the streets of Rome, and finally burned at the stake. His chief crime? Declaring that life may exist on planets circling other stars.

The Jews believed Jerusalem to be the centre. I have seen a kratometric chart designed to show that the city of Philadelphia was in the same thermic belt, and, by inference, in the same belt of empire, as the cities of Athens, Rome, and London. It was drawn by a patriotic Philadelphian, and was examined with pleasure, under his showing, by the inhabitants of Chestnut Street. But, when carried to Charleston, to New Orleans, and to Boston, it somehow failed to convince the ingenious scholars of all those capitals.

Rome has been called the "Sacred City": - might not our Oxford be called so too? There is an air about it, resonant of joy and hope: it speaks with a thousand tongues to the heart: it waves its mighty shadow over the imagination: it stands in lowly sublimity, on the "hill of ages"; and points with prophetic fingers to the sky: it greets the eager gaze from afar, "with glistering spires and pinnacles adorned," that shine with an internal light as with the lustre of setting suns; and a dream and a glory hover round its head, as the spirits of former times, a throng of intellectual shapes, are seen retreating or advancing to the eye of memory: its streets are paved with the names of learning that can never wear out: its green quadrangles breathe the silence of thought.

A Baby Elephant Right now my love for you is a baby elephant Born in Berlin or in Paris, And treading with its cushioned feet Around the zoo director's house. Do not offer it French pastries, Do not offer it cabbage heads, It can eat only sections of tangerines, Or lumps of sugar and pieces of candy. Don't cry, my sweet, because it will be put Into a narrow cage, become a joke for mobs, When salesman blow cigar smoke into its trunk To the cackles of their girl friends. Don't imagine, my dear, that the day will come When, infuriated, it will snap its chains And rush along the streets, Crushing howling people like a bus. No, may you dream of it at dawn, Clad in bronze and brocade and ostrich feathers, Like that magnificent beast which once Bore Hannibal to trembling Rome.

In the most high and palmy state of Rome, A little ere the mightiest Julius fell, The graves stood tenantless, and the sheeted dead Did squeak and gibber in the Roman streets; 130 As, stars with trains of fire and dews of blood, Disasters in the sun; and the moist star, Upon whose influence Neptune’s empire stands, Was sick almost to doomsday with eclipse: And even the like precurse of fierce events,— 135 As harbingers preceding still the fates, And prologue to the omen coming on,— Have heaven and earth together demonstrated Unto our climature and countrymen.

But I had no patience with this convent chatter. I had felt the brush take life in my hand that afternoon; I had had my finger in the great, succulent pie of creation. I was a man of the Renaissance that evening - of Browning's renaissance. I, who had walked the streets of Rome in Genoa velvet and had seen the stars through Galileo's tube, spurned the friars, with their dusty tomes and their sunken, jealous eyes and their crabbed hair-splitting speech. "You'll fall in love," I said. "Oh, pray not. I say, do you think I could have another of those scrumptious meringues?

The pilgrimage of Italy, which I now accomplished, had long been the object of my curious devotion. The passage of Mount Cenis, the regular streets of Turin, the Gothic cathedral of Milan, the scenery of the Boromean Islands, the marble palaces of Genoa, the beauties of Florence, the wonders of Rome, the curiosities of Naples, the galleries of Bologna, the singular aspect of Venice, the amphitheatre of Verona, and the Palladian architecture of Vicenza, are still present to my imagination. I read the Tuscan writers on the banks of the Arno; but my conversation was with the dead rather than the living, and the whole college of Cardinals was of less value in my eyes than the transfiguration of Raphael, the Apollo of the Vatican, or the massy greatness of the Coliseum. It was at Rome, on the fifteenth of October, 1764, as I sat musing amidst the ruins of the Capitol, while the barefooted fryars were singing Vespers in the temple of Jupiter, that the idea of writing the decline and fall of the City first started to my mind. After Rome has kindled and satisfied the enthusiasm of the Classic pilgrim, his curiosity for all meaner objects insensibly subsides.

In ancient Rome, when a victorious general paraded through the streets, legend has it that he was sometimes trailed by a servant whose job it was to repeat to him, “Memento mori”: Remember you will die. A reminder of mortality would help the hero keep things in perspective, instill some humility.

But beyond the extravagance of Rome's wealthiest citizens and flamboyant gourmands, a more restrained cuisine emerged for the masses: breads baked with emmer wheat; polenta made from ground barley; cheese, fresh and aged, made from the milk of cows and sheep; pork sausages and cured meats; vegetables grown in the fertile soil along the Tiber. In these staples, more than the spice-rubbed game and wine-soaked feasts of Apicius and his ilk, we see the earliest signs of Italian cuisine taking shape. The pillars of Italian cuisine, like the pillars of the Pantheon, are indeed old and sturdy. The arrival of pasta to Italy is a subject of deep, rancorous debate, but despite the legend that Marco Polo returned from his trip to Asia with ramen noodles in his satchel, historians believe that pasta has been eaten on the Italian peninsula since at least the Etruscan time. Pizza as we know it didn't hit the streets of Naples until the seventeenth century, when Old World tomato and, eventually, cheese, but the foundations were forged in the fires of Pompeii, where archaeologists have discovered 2,000-year-old ovens of the same size and shape as the modern wood-burning oven. Sheep's- and cow's-milk cheeses sold in the daily markets of ancient Rome were crude precursors of pecorino and Parmesan, cheeses that literally and figuratively hold vast swaths of Italian cuisine together. Olives and wine were fundamental for rich and poor alike.

I love the way the Italians park. You turn any street corner in Rome and it looks as if you’ve just missed a parking competition for blind people. Cars are pointed in every direction, half on the sidewalks and half off, facing in, facing sideways, blocking garages and side streets and phone booths, fitted into spaces so tight that the only possible way out would be through the sun roof.

Old Paris: City of bright colors and narrow streets, of carnival and plague. And then there was new Paris. The change had come slowly. From the time of the Renaissance, lighter, classical spaces began to appear in her dark medieval mass. Royal palaces and noble squares created a new splendor. Broad boulevards began to carve through the rotting old warrens. Ambitious rulers created vistas worthy of ancient Rome.

Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of

It is late afternoon and the daily, or nightly, game of cat and mouse between Rome’s vigili urbani, or traffic police, and the unlicensed street peddlers who set up their portable tables and lamps in Piazza Sant’Egidio where I live, or nearby, is about to start. And, as usual, the mice will win. Not because they are smarter but simply because they care more about breaking the law than the authorities care about enforcing it.

One must act radically. When one pulls out a tooth, one does it with a single tug, and the pain quickly goes away. The Jew must clear out of Europe. Otherwise no understanding will be possible between Europeans. It's the Jew who prevents everything. When I think about it, I realise that I'm extraordinarily humane. At the time of the rule of the Popes, the Jews were mistreated in Rome. Until 1830, eight Jews mounted on donkeys were led once a year through the streets of Rome. For my part, I restrict myself to telling them they must go away. If they break their pipes on the journey, I can't do anything about it. But if they refuse to go voluntarily, I see no other solution but extermination. Why should I look at a Jew through other eyes than if he were a Russian prisoner-of-war? In the p.o.w. camps, many are dying. It's not my fault. I didn't want either the war or the p.o.w. camps. Why did the Jew provoke this war? A good three hundred or four hundred years will go by before the Jews set foot again in Europe. They'll return first of all as commercial travellers, then gradually they'll become emboldened to settle here—the better to exploit us. In the next stage, they become philanthropists, they endow foundations. When a Jew does that, the thing is particularly noticed—for it's known that they're dirty dogs. As a rule, it's the most rascally of them who do that sort of thing. And then you'll hear these poor Aryan boobies telling you : "You see, there are good Jews !" Let's suppose that one day National Socialism will undergo a change, and become used by a caste of privileged persons who exploit the people and cultivate money. One must hope that in that case a new reformer will arise and clean up the stables.

The main entrance was off a closed court, not the street Perennius had been following. He paused on the corner, sighed and cinched up his equipment belt. The agent was used to palaces, to great houses, to headquarters of many sorts; but he had never felt comfortable in this one. It occurred to him that it was because he had no real business there. There were Imperial agents and informers throughout Rome, and no doubt the Emperor had as much need for them here as he did for them anywhere else in the Empire.

Attraversiamo.” He couldn’t understand why I liked it so much. Let’s cross the street? But to my ear, it’s the perfect combination of Italian sounds. The wistful ah of introduction, the rolling trill, the soothing s, that lingering “ee-ah-moh” combo at the end. I love this word. I say it all the time now. I invent any excuse to say it. It’s making Sofie nuts. Let’s cross over! Let’s cross over! I’m constantly dragging her back and forth across the crazy traffic of Rome. I’m going to get us both killed with this word.

Tom Holland is an award-winning historian of the ancient world, a translator of Greek classical texts, and a documentary writer. He is the author of six other books, including Rubicon, recipient of the Hessell-Tiltman Prize for History and shortlisted for the Samuel Johnson Prize, and Persian Fire, winner of the Anglo-Hellenic League’s Runciman Award. He contributes regularly to the Guardian, the Times of London, the Wall Street Journal, and the New York Times. He co-presents the chart-topping podcast The Rest Is History. He lives in London.

The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw- a flower...'Habitualization,' a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, 'devours works, clothes, furniture, one's wife, and the fear of war.

A mote it is to trouble the mind’s eye. In the most high and palmy state of Rome, A little ere the mightiest Julius fell, The graves stood tenantless and the sheeted dead 115Did squeak and gibber in the Roman streets As stars with trains of fire and dews of blood, Disasters in the sun, and the moist star Upon whose influence Neptune’s empire stands Was sick almost to doomsday with eclipse. 120And even the like precurse of feared events, As harbingers preceding still the fates And prologue to the omen coming on, Have heaven and earth together demonstrated Unto our climatures and countrymen.

The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw - a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there'd be pandemonium in the streets. People would lie by the thousands in the fields on their backs.

Johannes Kepler, who was one of the first to apply mathematics to the motion of the planets, was an imperial adviser to Emperor Rudolf Il and perhaps escaped persecution by piously including religious elements in his scientific work. The former monk Giordano Bruno was not so lucky. In 1600, he was tried and sentenced to death for heresy. He was gagged, paraded naked in the streets of Rome, and finally burned at the stake. His chief crime? Declaring that life may exist on planets circling other stars. The great Galileo, the father of experimental science, almost met the same fate. But unlike Bruno, Galileo recanted his theories on pain of death. Nonetheless, he left a lasting legacy with his telescope, perhaps the most revolutionary and seditious invention in all of science. With a telescope, you could see with your own eyes that the moon was pockmarked with craters; that Venus had phases consistent with its orbiting the sun; that Jupiter had moons, all of which were heretical ideas. Sadly, he was placed under house arrest, isolated from visitors, and eventually went blind. (It was said because he once looked directly at the sun with his telescope.) Galileo died a broken man. But the very year that he died, a baby was born in England who would grow up to complete Galileo's and Kepler's unfinished theories, giving us a unified theory of the heavens.

Imitation nation by nation, the simple means of communication and conflict. Stranger than fiction, always has been this way. In the heart of Rome, I never wanted this Halloween season to end, sweet dreams of dark love and wild west wide nights the universe was inside all along. The mystic river beyond metaphysical questions, I can't believe these pink walls anymore, can't remember the names of every street corner I lost my mind to every kind of street art sensual experience. Sunrise rooftops, all the make-up in the world couldn't heal the wounds from the false words in the every day scene of the fiery red lips predicting a gone future puff by single breath. Seeing my skin peel off the city lights.

In our five thousand years of civilization, our history has often been the handmaid of geography. We lie exactly midway between the North Pole and the Equator. We are the gateway between the Fertile Crescent and Europe, between landlocked Central Asia and the Mediterranean world and beyond that, the Atlantic. Peoples and empires have ebbed and flowed across this land. Even today sixty per cent of Europe’s gas supply either passes down the Bosphorus or runs under our very feet through pipelines. We have always been the navel of the world. Yet our favoured location by its very nature surrounded us with historical enemies; to the north, Russia to the south, the Arabs; to the east, Persia and to the west, the Red Apple itself, Europe.’ The Red Apple, the myth of Ottoman imperialism. When Mehmet the Conqueror looked out from the parapets of his fortress of Europe at Constantinople, the Red Apple had been the golden globe in the open palm of Justinian’s statue in the Hippodrome, the symbol of Roman power and ambition. Mehmet rode through the crumbling Hippodrome, the decaying streets of dying Byzantium and the Red Apple became Rome itself. The truth of the Red Apple was that it would always be unattainable, for it was the westering spirit, the globe of the setting sun itself. ‘Now we find ourselves caught between Arab oil, Russian gas and Iranian radiation and we found that the only way we could take the Red Apple was by joining it.’ This is poor stuff, Georgios thinks. You would not insult undergraduates’ intelligence with this.

Not every change is so subtle. There are chefs in Rome taking the same types of risks other young cooks around the world are using to bend the boundaries of the dining world. At Metamorfosi, among the gilded streets of Parioli, the Columbian-born chef Roy Caceres and his crew turn ink-stained bodies into ravioli skins and sous-vide egg and cheese foam into new-age carbonara and apply the tools of the modernist kitchen to create a broad and abstract interpretation of Italian cuisine. Alba Esteve Ruiz trained at El Celler de Can Roca in Spain, one of the world's most inventive restaurants, before, in 2013, opening Marzapane Roma, where frisky diners line up for a taste of prawn tartare with smoked eggplant cream and linguine cooked in chamomile tea spotted with microdrops of lemon gelée.

So often have I studied the views of Florence, that I was familiar with the city before I ever set foot within its walls; I found that I could thread my way through the streets without a guide. Turning to the left I passed before a bookseller's shop, where I bought a couple of descriptive surveys of the city (guide). Twice only was I forced to inquire my way of passers by, who answered me with politeness which was wholly French and with a most singular accent; and at last I found myself before the facade of Santa Croce. Within, upon the right of the doorway, rises the tomb of Michelangelo; lo! There stands Canova's effigy of Alfieri; I needed no cicerone to recognise the features of the great Italian writer. Further still, I discovered the tomb of Machiavelli; while facing Michelangelo lies Galileo. What a race of men! And to these already named, Tuscany might further add Dante, Boccaccio and Petrarch. What a fantastic gathering! The tide of emotion which overwhelmed me flowed so deep that it scarce was to be distinguished from religious awe. The mystic dimness which filled the church, its plain, timbered roof, its unfinished facade – all these things spoke volumes to my soul. Ah! Could I but forget...! A Friar moved silently towards me; and I, in the place of that sense of revulsion all but bordering on physical horror which usually possesses me in such circumstances, discovered in my heart a feeling which was almost friendship. Was not he likewise a Friar, Fra Bartolomeo di San Marco, that great painter who invented the art of chiaroscuro, and showed it to Raphael, and was the forefather of Correggio? I spoke to my tonsured acquaintance, and found in him an exquisite degree of politeness. Indeed, he was delighted to meet a Frenchman. I begged him to unlock for me the chapel in the north-east corner of the church, where are preserved the frescoes of Volterrano. He introduced me to the place, then left me to my own devices. There, seated upon the step of a folds tool, with my head thrown back to rest upon the desk, so that I might let my gaze dwell on the ceiling, I underwent, through the medium of Volterrano's Sybills, the profoundest experience of ecstasy that, as far as I am aware, I ever encountered through the painter's art. My soul, affected by the very notion of being in Florence, and by proximity of those great men whose tombs I had just beheld, was already in a state of trance. Absorbed in the contemplation of sublime beauty, I could perceive its very essence close at hand; I could, as it were, feel the stuff of it beneath my fingertips. I had attained to that supreme degree of sensibility where the divine intimations of art merge with the impassioned sensuality of emotion. As I emerged from the porch of Santa Croce, I was seized with a fierce palpitations of the heart (that same symptom which, in Berlin, is referred to as an attack of nerves); the well-spring of life was dried up within me, and I walked in constant fear of falling to the ground. I sat down on one of the benches which line the piazza di Santa Croce; in my wallet, I discovered the following lines by Ugo Foscolo, which I re-read now with a great surge of pleasure; I could find no fault with such poetry; I desperately needed to hear the voice of a friend who shared my own emotion (…)

In 1976, a doctoral student at the University of Nottingham in England demonstrated that randomizing letters in the middle of words had no effect on the ability of readers to understand sentences. In tihs setncene, for emalxpe, ervey scarbelmd wrod rmenias bcilasaly leibgle. Why? Because we are deeply accustomed to seeing letters arranged in certain patterns. Because the eye is in a rush, and the brain, eager to locate meaning, makes assumptions. This is true of phrases, too. An author writes “crack of dawn” or “sidelong glance” or “crystal clear” and the reader’s eye continues on, at ease with combinations of words it has encountered innumerable times before. But does the reader, or the writer, actually expend the energy to see what is cracking at dawn or what is clear about a crystal? The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential—X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We’d pass out every time we saw—actually saw—a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there’d be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something—gray-brown bark, say, fissured into broad, vertical plates—and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife? “Habitualization,” a Russian army-commissar-turned-literary-critic named Viktor Shklovsky wrote in 1917, “devours works, clothes, furniture, one’s wife, and the fear of war.” What he argued is that, over time, we stop perceiving familiar things—words, friends, apartments—as they truly are. To eat a banana for the thousandth time is nothing like eating a banana for the first time. To have sex with somebody for the thousandth time is nothing like having sex with that person for the first time. The easier an experience, or the more entrenched, or the more familiar, the fainter our sensation of it becomes. This is true of chocolate and marriages and hometowns and narrative structures. Complexities wane, miracles become unremarkable, and if we’re not careful, pretty soon we’re gazing out at our lives as if through a burlap sack. In the Tom Andrews Studio I open my journal and stare out at the trunk of the umbrella pine and do my best to fight off the atrophy that comes from seeing things too frequently. I try to shape a few sentences around this tiny corner of Rome; I try to force my eye to slow down. A good journal entry—like a good song, or sketch, or photograph—ought to break up the habitual and lift away the film that forms over the eye, the finger, the tongue, the heart. A good journal entry ought be a love letter to the world. Leave home, leave the country, leave the familiar. Only then can routine experience—buying bread, eating vegetables, even saying hello—become new all over again.

There will always be one final everything; the last word, of course, the last breath; there will be one last check you write, one last nap, one last artichoke. There will be a last time you chop scallions, a last movie you will see, a last time you fly to Rome. It doesn't matter how many coins you leave in the fountain. You will make one last photograph, and be photographed one final time by somebody else; there will be one last time you will walk on a particular street, one last time you will go out from your house or come back into it. You will have one last dream, one last orgasm, one last cigarette. There will be one final time you will see or be seen by the man or the woman you have loved, or the people you have known, unless of course, you outlive them all, which is not likely. You will lick one last stamp. You won't know it when you do.

Great cities invite you to love them in extreme close-up, to love every inch of them. And the more eccentric, convoluted, broken, and uneven they are, the more there is to love. The tenements on the Lower East Side in New York City, the decaying wooden houses above the waterfront in Istanbul, the fading rose-colored buildings in the magical little grid south of the Spanish Steps in Rome, the bombed-out villas near the Vucciria in Palermo—it is precisely the irregularity of these places that allows your heart to get a grip on them, like a climber finding a tiny hold that will not give way. Shimmering Venice has the most beautiful inches of any city in the world. San Francisco cannot compete, because it does not have streets made of water. But it has the next best thing: It has dirt trails. They make this city a place where mystery is measured in soft footsteps, and magic in clouds of dust.

What, I have often asked myself, really constitutes the charm of London, that something about London which satisfies you as only Rome does, that queer, disturbing vision of bridges, spires, towers and crowded streets which comes to you at moments when you are far away and brings with it as much pain as pleasure? The answer is to be found in history. Behind everything in London is something else, and, behind that, is something else still; and so on through the centuries, so that London as we see her is only the latest manifestation of other Londons, and to love her is to plunge into ancestor-worship. London is a place where millions of people have been living and dying for a very long time on the same plot of earth, drenching it with their blood, glorifying it with their nobility or degrading it with their villainy, pulling it down and building it up, generation after generation, yet never destroying the vision of an earlier day.

OK, there’s a guy in a suit standing at the window. This is the fourth time I’ve seen him in three days. And I will promise you one thing. If you look now, he won’t be there.” I turned around. A man in a suit disappeared down the sidewalk. “What did I say?” she said. “Are you telling me you’re being followed?” “It’s unclear.” Fishing vests, sleeping in public, antipsychotic medication, and now men following her? When Bee was two, she developed a strange attachment to a novelty book Bernadette and I had bought years ago from a street vendor in Rome. ROME Past and Present A Guide To the Monumental Centre of Ancient Rome With Reconstructions of the Monuments It has photographs of present-day ruins, with overlays of how they looked in their heyday. Bee would sit in her hospital bed, hooked up to her monitors, and flip back and forth among the images. The book had a puffy red plastic cover that she’d chew on. I realized I was now looking at Bernadette Past and Present. There was a terrifying chasm between the woman I fell in love with and the ungovernable one sitting across from me.

The mind craves ease; it encourages the senses to recognize symbols, to gloss. It makes maps of our kitchen drawers and neighborhood streets; it fashions a sort of algebra out of life. And this is useful, even essential - X is the route to work, Y is the heft and feel of a nickel between your fingers. Without habit, the beauty of the world would overwhelm us. We'd pass out every time we saw - actually saw - a flower. Imagine if we only got to see a cumulonimbus cloud or Cassiopeia or a snowfall once a century: there'd be pandemonium in the streets. People would lie by the thousands in the fields on their backs. We need habit to get through a day, to get to work, to feed our children. But habit is dangerous, too. The act of seeing can quickly become unconscious and automatic. The eye sees something - gray-brown bark, say, fissured into broad, vertical plates - and the brain spits out tree trunk and the eye moves on. But did I really take the time to see the tree? I glimpse hazel hair, high cheekbones, a field of freckles, and I think Shauna. But did I take the time to see my wife?

POEM – MY AMAZING TRAVELS [My composition in my book Travel Memoirs with Pictures] My very first trip I still cannot believe Was planned and executed with such great ease. My father, an Inspector of Schools, was such a strict man, He gave in to my wishes when I told him of the plan. I got my first long vacation while working as a banker One of my co-workers wanted a travelling partner. She visited my father and discussed the matter Arrangements were made without any flutter. We travelled to New York, Toronto, London, and Germany, In each of those places, there was somebody, To guide and protect us and to take us wonderful places, It was a dream come true at our young ages. We even visited Holland, which was across the Border. To drive across from Germany was quite in order. Memories of great times continue to linger, I thank God for an understanding father. That trip in 1968 was the beginning of much more, I visited many countries afterward I am still in awe. Barbados, Tobago, St. Maarten, and Buffalo, Cirencester in the United Kingdom, Miami, and Orlando. I was accompanied by my husband on many trips. Sisters, nieces, children, grandchildren, and friends, travelled with me a bit. Puerto Rico, Los Angeles, New York, and Hialeah, Curacao, Caracas, Margarita, Virginia, and Anguilla. We sailed aboard the Creole Queen On the Mississippi in New Orleans We traversed the Rockies in Colorado And walked the streets in Cozumel, Mexico. We were thrilled to visit the Vatican in Rome, The Trevi Fountain and the Colosseum. To explore the countryside in Florence, And to sail on a Gondola in Venice. My fridge is decorated with magnets Souvenirs of all my visits London, Madrid, Bahamas, Coco Cay, Barcelona. And the Leaning Tower of Pisa How can I forget the Spanish Steps in Rome? Stratford upon Avon, where Shakespeare was born. CN Tower in Toronto so very high I thought the elevator would take me to the sky. Then there was El Poble and Toledo Noted for Spanish Gold We travelled on the Euro star. The scenery was beautiful to behold! I must not omit Cartagena in Columbia, Anaheim, Las Vegas, and Catalina, Key West, Tampa, Fort Lauderdale, and Pembroke Pines, Places I love to lime. Of course, I would like to make special mention, Of two exciting cruises with Royal Caribbean. Majesty of the Seas and Liberty of the Seas Two ships which grace the Seas. Last but not least and best of all We visited Paris in the fall. Cologne, Dusseldorf, and Berlin Amazing places, which made my head, spin. Copyright@BrendaMohammed

So much for Caligula as emperor; we must now tell of his career as a monster.... He lived in habitual incest with all his sisters, and at a large banquet he placed each of them in turn below him, while his wife reclined above. Many men of honourable rank were first disfigured with the marks of branding-irons and then condemned to the mines, to work at building roads, or to be thrown to the wild beasts; or else he shut them up in cages on all fours, like animals, or had them sawn asunder. Not all these punishments were for serious offences, but merely for criticising one of his shows, or for never having sworn by his genius. Having asked a man who had been recalled from an exile of long standing, how in the world he spent his time there, the man replied by way of flattery: "I constantly prayed the gods for what has come to pass, that Tiberius might die and you become emperor." Thereupon Caligula, thinking that his exiles were likewise praying for his death, sent emissaries from island to island to butcher them all. Wishing to have one of the senators torn to pieces, he induced some of the members to assail him suddenly, on his entrance into the House, with the charge of being a public enemy, to stab him with their styles, and turn him over to the rest to be mangled; and his cruelty was not sated until he saw the man's limbs, members, and bowels dragged through the streets and heaped up before him. He used to say that there was nothing in his own character which he admired and approved more highly than what he called his ἀδιατρεψία, that is to say, his shameless impudence. He seldom had anyone put to death except by numerous slight wounds, his constant order, which soon became well-known, being: "Strike so that he may feel that he is dying." When a different man than he had intended had been killed, through a mistake in the names, he said that the victim too had deserved the same fate. He even used openly to deplore the state of his times, because they had been marked by no public disasters, saying that the rule of Augustus had been made famous by the Varus massacre, and that of Tiberius by the collapse of the amphitheatre at Fidenae,​ while his own was threatened with oblivion because of its prosperity; and every now and then he wished for the destruction of his armies, for famine, pestilence, fires, or a great earthquake. While he was lunching or revelling capital examinations by torture were often made in his presence, and a soldier who was adept at decapitation cut off the heads of those who were brought from prison. At a public banquet in Rome he immediately handed a slave over to the executioners for stealing a strip of silver from the couches, with orders that his hands be cut off and hung from his neck upon his breast, and that he then be led about among the guests.

She drifted down the walk carelessly for a moment, stunned by the night. The moon had come out, and though not dramatically full or a perfect crescent, its three quarters were bright enough to turn the fog and dew and all that had the power to shimmer a bright silver, and everything else- the metal of the streetlamps, the gates, the cracks in the cobbles- a velvety black. After a moment Wendy recovered from the strange beauty and remembered why she was there. She padded into the street before she could rethink anything and pulled up her hood. "Why didn't I do this earlier?" she marveled. Sneaking out when she wasn't supposed to was its own kind of adventure, its own kind of magic. London was beautiful. It felt like she had the whole city to herself except for a stray cat or two. Despite never venturing beyond the neighborhood much by herself, she had plenty of time with maps, studying them for someday adventures. And as all roads lead to Rome, so too do all the major thoroughfares wind up at the Thames. Names like Vauxhall and Victoria (and Horseferry) sprang from her brain as clearly as if there had been signs in the sky pointing the way. Besides Lost Boys and pirates, Wendy had occasionally terrified her brothers with stories about Springheel Jack and the half-animal orphan children with catlike eyes who roamed the streets at night. As the minutes wore on she felt her initial bravery dissipate and terror slowly creep down her neck- along with the fog, which was also somehow finding its way under her coat, chilling her to her core. "If I'm not careful I'm liable to catch a terrible head cold! Perhaps that's really why people don't adventure out in London at night," she told herself sternly, chasing away thoughts of crazed, dagger-wielding murderers with a vision of ugly red runny noses and cod-liver oil. But was it safer to walk down the middle of the street, far from shadowed corners where villains might lurk? Being exposed out in the open meant she would be more easily seen by police or other do-gooders who would try to escort her home. "My mother is sick and requires this one particular tonic that can only be obtained from the chemist across town," she practiced. "A nasty decoction of elderberries and slippery elm, but it does such wonders for your throat. No one else has it. And do you know how hard it is to call for a cab this time of night? In this part of town? That's the crime, really." In less time than she imagined it would take, Wendy arrived at a promenade that overlooked the mighty Thames. She had never seen it from that particular angle before or at that time of night. On either bank, windows of all the more important buildings glowed with candles or gas lamps or even electric lights behind their icy panes, little tiny yellow auras that lifted her heart. "I do wish I had done this before," she breathed. Maybe if she had, then things wouldn't have come to this...

The shift from precious metals to paper in retrospect clarifies that artifacts serving as money tokens are no more than representations of abstract exchange value—they are thus ultimately coveted for their potential use in social transaction, nor for some imagined, essential value intrinsic to the money tokens themselves. If it were not for international agreements such as those of Bretton Woods, gold could conceivably be as useless a medium of exchange in some cultural contexts as seashells are to modern Europeans. This understanding of money, however, simultaneously implies that there is no such thing as intrinsic value. If value ubiquitously pertains to social relations, any notion of intrinsic value is an illusion. Although the European plundering and hoarding of gold and silver, like the Melanesian preoccupation with kula and the Andean reverence for Spondylus, has certainly been founded on such essentialist conceptions of value, the recent representation of exchange value in the form of electronic digits on computer screens is a logical trajectory of the kind of transformation propagated by [Marco] Polo. It is difficult to imagine how money appearing as electronic information could be perceived as possessing intrinsic value. This suggests that electronic money, although currently maligned as the root of the financial crisis, could potentially help us rid ourselves of money fetishism. Paradoxically, the progressive detachment of money from matter, obvious in the transitions from metals through paper to electronics, is simultaneously a source of critique and a source of hope.

For most of our history, walking wasn’t a choice. It was a given. Walking was our primary means of locomotion. But, today, you have to choose to walk. We ride to work. Office buildings and apartments have elevators. Department stores offer escalators. Airports use moving sidewalks. An afternoon of golf is spent riding in a cart. Even a ramble around your neighborhood can be done on a Segway. Why not just put one foot in front of the other? You don’t have to live in the country. It’s great to take a walk in the woods, but I love to roam city streets, too, especially in places like New York, London, or Rome, where you can’t go half a block without making some new discovery. A long stroll slows you down, puts things in perspective, brings you back to the present moment. In Wanderlust: A History of Walking (Viking, 2000), author Rebecca Solnit writes that, “Walking, ideally, is a state in which the mind, the body, and the world are aligned, as though they were three characters finally in conversation together, three notes suddenly making a chord.” Yet in our hectic, goal-oriented culture, taking a leisurely walk isn’t always easy. You have to plan for it. And perhaps you should. Walking is good exercise, but it is also a recreation, an aesthetic experience, an exploration, an investigation, a ritual, a meditation. It fosters health and joie de vivre. Cardiologist Paul Dudley White once said, “A vigorous five-mile walk will do more good for an unhappy but otherwise healthy adult than all the medicine and psychology in the world.” A good walk is anything but pedestrian. It lengthens your life. It clears, refreshes, provokes, and repairs the mind. So lace up those shoes and get outside. The most ancient exercise is still the best.

I have seen elsewhere houses in ruins, and statues both of gods and men: these are men still. 'Tis all true; and yet, for all that, I cannot so often revisit the tomb of that so great and so puissant city,—[Rome]— that I do not admire and reverence it. The care of the dead is recommended to us; now, I have been bred up from my infancy with these dead; I had knowledge of the affairs of Rome long before I had any of those of my own house; I knew the Capitol and its plan before I knew the Louvre, and the Tiber before I knew the Seine..... .... Finding myself of no use to this age, I throw myself back upon that other, and am so enamoured of it, that the free, just, and flourishing state of that ancient Rome (for I neither love it in its birth nor its old age) interests and impassionates me; and therefore I cannot so often revisit the sites of their streets and houses, and those ruins profound even to the Antipodes, that I am not interested in them. Is it by nature, or through error of fancy, that the sight of places which we know to have been frequented and inhabited by persons whose memories are recommended in story, moves us in some sort more than to hear a recital of their—acts or to read their writings? It pleases me to consider their face, bearing, and vestments: I pronounce those great names betwixt my teeth, and make them ring in my ears: Of things that are in some part great and admirable, I admire even the common parts: I could wish to see them in familiar relations, walk, and sup. It were ingratitude to contemn the relics and images of so many worthy and valiant men as I have seen live and die, and who, by their example, give us so many good instructions, knew we how to follow them. And, moreover, this very Rome that we now see, deserves to be beloved.

[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.

Many real-world Northwestern endonyms have European origins, such as “Portland,” “Victoria,” “Bellingham,” and “Richland.” To address this phenomenon while also contributing a sense of the fantastic, I chose to utilize a forgotten nineteenth century European artificial language as a source. Volapük is clumsy and awkward, but shares a relationship with English vocabulary (upon which it is based) that I was able to exploit. In my fictional universe, that relationship is swapped, and English (or rather, “Vendelabodish”) words derive from Volapük (“Valütapük”). This turns Volapük into an ancient Latin-like speech, offering texture to a fictional history of the colonizers of my fictional planets. Does one have to understand ancient Rome and medieval Europe and America’s Thirteen Colonies to understand the modern Pacific Northwest? Nah. But exploring the character and motivations of a migrating, imperial culture certainly sets the stage for explaining a modernist backlash against the atrocities that inevitably come with colonization.             The vocabulary of Volapük has also given flavor that is appropriate, I feel, to the quasi-North American setting. While high fantasy worlds seem to be built with pillars of European fairy tales, the universe of Geoduck Street is intentionally built with logs of North American tall tales. Tolkien could wax poetic about the aesthetic beauty of his Elvish words all he wanted, since aesthetic beauty fits the mold of fairies and shimmering palaces, but Geoduck Street needed a “whopper-spinning” approach to artificial language that would make a flapjack-eating Paul Bunyan proud. A prominent case in point: in this fictional universe, the word “yagalöp” forms the etymological root of “jackalope.” “Yag,” in the original nineteenth century iteration of Volapük, means “hunting,” while “löp” means “summit.” Combining them together makes them “the summit of hunting.” How could a jackalope not be a point of pride among hunting trophies?

When we are sold perfume, we are accustomed to also being sold the idea of a life we will never have. Coty's Chypre enabled Guerlain to create Mitsouko; Coty's Emeraude of 1921 was the bedrock on which Shalimar was built and Coty's L'Origan become the godmother of L'heure bleue, also by Guerlain. Some people dedicate themselves to making life beautiful. With instinctual good taste, magpie tendencies and a flair for color, they weave painfully exquisite tableaux, defining the look of an era. Paul Poiret was one such person. After his success, he went bust in 1929 and had to sell his leftover clothing stock as rags. Swept out of the picture by a new generation of designers, his style too ornate and Aladdinesque, Poiret ended his days as a street painter and died in poverty. It was Poiret who saw that symbolic nomenclature could turn us into frenzied followers, transforming our desire to own a perfume into desperation. The beauty industry has always been brilliant at turning insecurities into commercial opportunities. Readers could buy the cologne to relax during times of anxiety or revive themselves from strain. Particularly in the 1930s, releases came thick and fast, intended to give the impression of bounty, the provision of beauty to all women in the nation. Giving perfumes as a gift even came under the Soviet definition of kulturnost or "cultured behavior", including to aunts and teachers on International Women's Day. Mitsouko is a heartening scent to war when alone or rather, when not wanting to feel lonely. Using fragrance as part of a considered daily ritual, the territorial marking of our possessions and because it offers us a retrospective sense of naughtiness. You can never tell who is going to be a Nr. 5 wearer. No. 5 has the precision of well-cut clothes and that special appeal which comes from a clean, bare room free of the knick-knacks that would otherwise give away its age. Its versatility may well be connected to its abstraction. Gardenia perfumes are not usually the more esoteric or intellectual on the shelves but exist for those times when we demand simply to smell gorgeous. You can depend on the perfume industry to make light of the world's woes. No matter how bad things get, few obstacles can block the shimmer and glitz of a new fragrance. Perfume became so fashionable as a means of reinvention and recovery that the neurology department at Columbia University experimented with the administration of jasmine and tuberose perfumes, in conjunction with symphony music, to treat anxiety, hysteria and nightmares. Scent enthusiasts cared less for the nuances of a composition and more for the impact a scent would have in society. In Ancient Rome, the Stoics were concerned about the use of fragrance by women as a mask for seducing men or as a vehicle of deception. The Roman satirist Juvenal talked of women buying scent with adultery in mind and such fears were still around in the 1940s and they are here with us today. Similarly, in crime fiction, fragrance is often the thing that gives the perpetrator away. Specifically in film noir, scent gets associated with misdemeanors. With Opium, the drugs tag was simply the bait. What YSL was really marketing, with some genius, was perfume as me time: a daily opportunity to get languid and to care sod-all about anything or anyone else.

Until this night, this awful night, he’d had a little joke about himself. He didn’t know who he was, or where he’d come from, but he knew what he liked. And what he liked was all around him-the flower stands on the corners, the big steel and glass buildings filled with milky evening light, the trees, of course, the grass beneath his feet. And the telephones-it didn’t matter. He liked to figure them out, master them, then crush them into tiny hard multicolored balls which he could then juggle or toss through plate glass windows when nobody was about. He liked piano music, the motion pictures, and the poems he found in books. He also liked the automobiles that burnt oil from the earth like lamps. And the great jet planes that flew on the same scientific principles, above the clouds. He always stopped and listened to the people laughing and talking up there when one of the people laughing and talking up there when one of the planes flew overhead. Driving was an extraordinary pleasure. In a silver Mercedes-Benz, he had sped on smooth empty roads from Rome to Florence to Venice in one night. He also liked television-the entire electric process of it, with tiny bits of lights. How soothing it was to have the company of the television, the intimacy with so many artfully painted faces speaking to you in friendship from the glowing screen. The rock and roll, he liked that too. He liked the music. He liked the Vampire Lestat singing “Requiem for the Marquise”. He didn’t pay attention to the words much. It was the melancholy and the dark undertone of drums and cymbals. Made him want to dance. He liked the giant yellow machines that dug into the earth late at night in the big cities with men in uniforms, crawling all over them; he liked the double-decker buses of London, and the people-the clever mortals everywhere-he liked, too, of course. He liked walking in Damascus during the evening, and seeing in sudden flashes of disconnected memory the city of the ancients. Romans, Greeks, Persians, Egyptians in these streets. He liked the libraries where he could find photographs of ancient monuments in big smooth good-smelling books. He took his own photographs of the new cities around him and sometimes he could put images on those pictures which came from his thoughts. For example, in his photograph of Rome there were Roman people in tunics and sandals superimposed upon the modern versions in their thick ungraceful clothes. Oh, yes, much to like around him always-the violin music of Bartók, little girls in snow white dresses coming out of the church at midnight having sung at the Christmas mass. He liked the blood of his victims too, of course. That went without saying. It was no part of his little joke. Death was not funny to him. He stalked his prey in silence; he didn’t want to know his victims. All a mortal had to do was speak to him and he was turned away. Not proper, as he saw it, to talk to these sweet, soft-eyed things and then gobble their blood, break their bones and lick the marrow, squeeze their limbs to dripping pulp. And that was the way he feasted now, so violently. He felt no great need for blood anymore; but he wanted it. And the desire overpowered him in all its ravening purity, quite apart from the thirst. He could have feasted upon three or four mortals a night.

I notice that nowadays few drivers in Rome automatically stop for you unless you have the courage to stride forward, arm outstretched, palm up in a dorky “stop-right-now” gesture. Another Roman habit that takes getting used to is that in many areas of town, such as Trastevere where I live, people seem to prefer walking in the street even when sidewalks, however narrow, exist. They seem convinced they are invincible and often don’t even look before crossing the street.

There were surely lives where she was sitting beside a swimming pool in the sunshine right now. Lives where she was playing music, or lying in a warm lavender-scented bath, or having incredible third-date sex, or reading on a beach in Mexico, or eating in a Michelin-starred restaurant, or strolling the streets of Paris, or getting lost in Rome, or tranquilly gazing at a temple near Kyoto, or feeling the warm cocoon of a happy relationship.

Going after what I wanted—it was like winning a series of campaigns in a war I'd spent so much time on my back foot, that I craved these victories. Vaughn's passion. Jasper's rough kisses and soft words. The passion-drenched and quiet moments with Rome. The dangerous invasion of Liam's kiss, that for just a little while had burned a path into the encroaching darkness and forced it back. Freddie's and Kellan—I wanted all of them. Slut or not. Whore or not. Whatever, I wasn't going to label it.

I said, who the fuck are you?” Rome raised his phone. There was a picture of Emersyn on it. The guy paled. Yep. He knew her. When Rome slid the photo to the next and showed the scars on her arms, sweat broke out on his forehead. He did it. He cut her up. Confirmation. “We’re vengeance,” I informed him. “You touched someone you shouldn’t have.” “You won’t do it again,” Rome said.

We’re getting a dog,” Milo said with a grunt. Yeah. We were. Rome had just said Emersyn needed one, and to be honest, I didn’t find fault with the idea—but Milo was right. We were gonna end up with a dog.

We hadn’t discussed it, and we didn’t need to. We were all on the same page where Hellspawn was concerned. Rome’s perfect girl… woman. The perfect woman for all of us, and Raptor’s baby sister, was one and the same. Life had to have its irony.

Jasper moved to where I stood, ready to back me, while Vaughn moved to cover Freddie and Hellspawn with Rome. Kel and Milo ranged between us. This right here was the shit I’d missed running with the Royals: the understanding and the backup.

Some of us are stubborn,” Doc admitted. “Some of us are really stubborn,” Jasper agreed. “Fuck that, we’re all stubborn,” Liam declared and Rome snorted. “Fine, we’re all stubborn, and Rome just does what he wants anyway.

Absolute freedom didn’t find me until Freddie did in Pinetree. Until we sat back-to-back, holding hands. He told me his story. I told him mine. Pulling out that brick had only been the first step. I’d had to chip away at the others, one at a time. First with Rome, then Vaughn, Kellan, Mickey…and eventually Liam and Jasper. Each time I had clawed back another piece of myself.

Lust and appreciation. Rome was beautiful. They all were. Rough. Thick. Lean. Tatted. Clean skinned. Scarred. Smooth. They were all so damn gorgeous. So warm. Safe.

Where Rome had filled in the craters between the broken bits, making them stronger, Jasper swept away the debris to leave it shinier and happier. Shiny happy people. Happy.

The scars didn’t shock me anymore. They were still angry and pink, but they weren’t so fresh. Or maybe after the ambush, Jasper being shot, the shooting here at the clubhouse, and then Rome and me being taken… I survived these cuts. The scars might be a fact of life, but the wounds were the past.

Rome? He was the other half of my soul.

I want all of you,” I admitted. If I was going to fall, I might as well fall with style. “I want—to belong. To you—to Rome…to Kellan and Jasper—

Are you comparing yourself to some of the all-time great men of the Bible?” Deacon Brown asks. “No,” Frank says. “I am pointing out that they were ordinary men with no theological training. I am a former soldier, and now I am a handyman. Like the disciples and the apostles, I know that I am ordinary. I am only a man, gentlemen, and yet those ordinary apostles built a church to increase God’s kingdom from the dusty streets of Palestine to the catacombs in Rome to what it is today, a light in a world of darkness.” Frank is giving me goose bumps! “And you think you can preach to Black folks,” Deacon Brown say. “I can preach to any folks because I’m a folk, too,” Frank says. “Because you married Sister Eve,” Deacon Combs says. “Marrying a Black woman didn’t make me Black, Deacon Combs,” Frank says. “And I know I will never be Black no matter how dark my tan gets, but I may have more insight into the lives of Black people than ordinary white folks because I lived for two years with an Apostolic Black family from when I was sixteen until I joined the Marines. I served beside Black soldiers for twenty-five years. I do see color, and so, obviously do you, gentlemen, but when it comes to God’s word, the only color that matters is light, and light comes in all the colors of the rainbow.

I believe that we shocked each other by how swiftly we went from being the people who knew each other best in the world to being a pair of the most mutually incomprehensible strangers who ever lived. But it was vital to my survival to have a one bedroom of my own i saw the aprtment almost as a sanatorium a hospice clinci for my own recovery I painted the walls in the warmest colors i could find and bought myself flowers every week as if i were visiting myself in the hospital is this lifetime supposed to be only about duty why are you studying Italian so that just in case Italy ever invades Ethiopia again and is actually successful this time? ciao comes from if you must know it's an abbreviation of a phrase used by medieval venetians as an intimate salutation Sono il Suo Schiavo meaning i am your slave. om Naamah Shivaya meaning I honor the divinity that resides whin me. I wanted to experience both , I wanted worldly enjoyment and divine transcendence the dual glories of a human life I wanted what the Greeks called kalos kai agathos the singular balance of the good and he beautiful I'd been missing both during these last hard years because both pleasure and devotion require a stress free space in which to flourish and I'd been living in a giant trash compactor of nonstop anxiety , As for how to balance the urge for pleasure against the longing for devotion. four feet on the ground a head full of foliage looking at the world through the heart. it was more than I wanted to toughly explore one aspect of myself set against the backdrop of each country in a place that has traditionally done that one thing very well. same guatemalan musicians are always playing id rather be a sparrow than a snail on their bamboo windpipes oh how i want italian to open itself up to me i havent felt so starved for comprehension since then dal centro della mia vita venne una grande fontanana dolce sitl nuovo Dante wrote his divine comedy in terza rima triple rhyme a chain of rhymes with each rhyme repeating here times every five lines. lamor che move il sole e laltre stelle we are the masters of bel far niente larte darrangiarsi The reply in italy to you deserve a break today would probably be yeah no duh that's why I'm planning on taking a break at noon to go over to your house and sleep with your wife, I walked home to my apartment and soft-boiled a pair of fresh brown eggs for my lunch i peeled the eggs and arranged them on a plate beside the seven stalks of the asparagus (which were so slim and snappy they didn't need to be cooked at all,)I put some olives on the plate too and the four knobs of goat cheese I'd picked up yesterday from the fromagerie down the street tend two slices of pink oily salmon for dessert a lovely peach which the woman at the market had given to me for free and which was still warm form the roman sunlight for the longest time I couldn't even touch this food because it was such a masterpiece of lunch a true expression of the art of making something out of nothing finally when i had fully absorbed the prettiness of my meal i went and sat in apatch of sunbeam on my clean wooden floor and ate every bit of it with my fingers while reading my daily newspaper article in Italian happiness inhabited my every molecule. I am inspired by the regal self assurance of this town so grounded and rounded so amused and monumental knowing that she is held securely in the palm of history i would like to be like rome when i am an old lady. I linger over my food and wine for many hours because nobody in