Streets Of Nyc Quotes

She likes the mystery of that changeover, those fifteen minutes of sundown when the streets and trees and people and parked cars are delicate and immediate, every sound and smell and movement amplified by the lowest light or the lightest darkness. Even a city that’s broken and dirty can, in that time, be divine and intimate.

Friday’s “Working Lunch” is at The Avenue on St James's Street. It’s a bit like eating in an art installation, a White-Out affair that tries for a So-Serious NYC feel, but is occupied by Daddy’s Girls wearing pashmina’s and too many Pin Stripes worn by too many people called Hugo.

Reading is the true foundation of our civil liberties.

As I saw myself moving ever farther toward the social margin, nothing healed me of a sore and angry heart like a walk through the city. To see in the street the fifty different ways people struggle to remain human—the variety and inventiveness of survival techniques—was to feel the pressure relieved, the overflow draining off. I felt in my nerve endings the common refusal to go under.

You leave that life out there,” he said, motioning to the street. “You cross the threshold of your home and that’s it. Don’t bring any of that into your home. Ever.

Night is the permanent revolution, that of the globe. Every sundown the streets change, becoming sinister or libidinous, or, for that matter, longer or narrower or unexpectedly twisted. The familiar rebels against those who presume to know it. The map is altered and time is telescoped. Daylight restores things to their normal condition, or is that really their normal condition? The map of the city wrinkles and unfolds, wrinkles and unfolds.

joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of

Former and future nerdistocracy slowly, and to look at them you’d think reluctantly, filtering back out into the street, into the long September which has been with them in a virtual way since spring before last, continuing only to deepen. Putting their street faces back on for it. Faces already under silent assault, as if by something ahead, some Y2K of the workweek that no one is quite imagining, the crowds drifting slowly out into the little legendary streets, the highs beginning to dissipate, out into the casting-off of veils before the luminosities of dawn, a sea of T-shirts nobody’s reading, a clamor of messages nobody’s getting, as if it’s the true text history of nights in the Alley, outcries to be attended to and not be lost, the 3:00 am kozmo deliveries to code sessions and all-night shredding parties, the bedfellows who came and went, the bands in the clubs, the songs whose hooks still wait to ambush an idle hour, the day jobs with meetings about meetings and bosses without clue, the unreal strings of zeros, the business models changing one minute to the next, the start-up parties every night of the week and more on Thursdays than you could keep track of, which of these faces so claimed by the time, the epoch whose end they’ve been celebrating all night—which of them can see ahead, among the microclimates of binary, tracking earthwide everywhere through dark fiber and twisted pairs and nowadays wirelessly through spaces public and private, anywhere among cybersweatshop needles flashing and never still, in that unquiet vastly stitched and unstitched tapestry they have all at some time sat growing crippled in the service of—to the shape of the day imminent, a procedure waiting execution, about to be revealed, a search result with no instructions on how to look for it?

When I watch a movie or read a book, be it a melodrama or horror, I always hate the female character... Well, most of the time I do. Why? Because she is always dumb. I shit you not. For example in this one chick-flick movie, "Serendipity", Sara tells that Jonathan guy that she won't give him her number because if they are meant to meet again, they will. Seriously? Romantic movie my ass, there's not anything romantic in letting go of someone when you can grab them with both of your hands. That is not romantic, THAT is stupid. In another movie the girl storms out, never hearing the guy out, just like in that one book I've been reading recently, "Tangled". Now this is an issue with most of the books and chick-flicks. Like why? Why won't you stop a minute, take a deep breath, count to ten and listen to the guy. Only after that, for God's sake, say ‘fuck you’ then ‘Namaste’ and then walk away while swaying your hips like there is no tomorrow? Let them know what they will be missing for the rest of their lives. In some other movies I hate the main female character because of the scriptwriters. The girl somehow always appears in front of the guy out of nowhere. Like he can be walking down the street and then boom! ABRACADABRA! The main girl bumps into him in NYC out of all places. They make it seem like whatever they do their steps always bring them back to each other. Dumb, I know.

Editors keep pushing deadline strain while people sleep on benches and subway grates; a welter weight boxer dances on the platform at 125th Street station, commuters look unfazed...

Anyone who would willingly ride a bicycle through the frenzied streets of New York City could only have an I.Q. in the low double digits. That, or a death wish.

One morning as Eddie Murphy stepped out of his Porsche in NYC, his foot came down into a curl of dog crap. Gingerly taking off his expensive, now-besmirched Italian shoes, he left them on the street and walked on. Another pair was hurriedly couriered direct to his feet.

One morning as Eddie Murphy stepped out of his Porsche in NYC, his foot came down into a curl of dog crap. Gingerly taking off his expensive, now-besmirched Italian shoes, he left them on the street and walked on. Another pair was hurriedly couriered direct to his feet.

How has a failure, or apparent failure, set you up for later success? Do you have a “favorite failure” of yours? Many, many moons ago, I used to be a corporate lawyer. I was an ambivalent corporate lawyer at best, and anyone could have told you that I was in the wrong profession, but still: I’d dedicated tons of time (three years of law school, one year of clerking for a federal judge, and six and a half years at a Wall Street firm, to be exact) and had lots of deep and treasured relationships with fellow attorneys. But the day came, when I was well along on partnership track, that the senior partner in my firm came to my office and told me that I wouldn’t be put up for partner on schedule. To this day, I don’t know whether he meant that I would never be put up for partner or just delayed for a good long while. All I know is that I embarrassingly burst into tears right in front of him—and then asked for a leave of absence. I left work that very afternoon and bicycled round and round Central Park in NYC, having no idea what to do next. I thought I’d travel. I thought I’d stare at the walls for a while. Instead—and it all happened so suddenly and cinematically that it might defy belief—I remembered that actually I had always wanted to be a writer. So I started writing that very evening. The next day I signed up for a class at NYU in creative nonfiction writing. And the next week, I attended the first session of class and knew that I was finally home. I had no expectation of ever making a living through writing, but it was crystal clear to me that from then on, writing would be my center, and that I would look for freelance work that would give me lots of free time to pursue it. If I had “succeeded” at making partner, right on schedule, I might still be miserably negotiating corporate transactions 16 hours a day. It’s not that I’d never thought about what else I might like to do other than law, but until I had the time and space to think about life outside the hermetic culture of a law practice, I couldn’t figure out what I really wanted to do.

pollution and public health. In 1908 Gotham’s 120,000 horses deposited 60,000 gallons of urine and 2.5 million pounds of manure on the city streets every day.

Reformers believed moral and political relationships were learned in play. Given street-afforded license, kids would grow up bad. “If we let the gutter set its stamp upon their early days,” Jacob Riis warned in 1904, “we shall have the gutter reproduced in our politics.” The antidote to the street was the supervised playground. Settlement houses had opened rudimentary play spaces in the 1890s. In 1898 the Outdoor Recreation League (ORL), founded by Lillian Wald and Charles B. Stover and housed in the College Settlement, opened the city’s first outdoor playground in Hudsonbank Park (at West 53rd Street), whose sand gardens, running track, and equipment were supervised by Hartley House’s headworker. Playground proponents insisted the city take over and expand these programs. An 1898 University Settlement report argued: “Waterloo was won in part on the playing fields of Eton said Wellington; good government for New York may partially be won on the playgrounds of the East Side.” In 1902 the city assumed responsibility for the nine ORL playgrounds created to date. And in 1903 Seward Park became the first municipal park in the country to be equipped as a playground.

In 1906 Gulick and others founded the Playground Association of America (PAA) to spread the New York gospel to the country. (Crucial funding would come from the Russell Sage Foundation.) Honorary President Theodore Roosevelt wrote in the organization’s magazine, the Playground (1907), that cities must find “some other place than the streets” for children to play “if we would have our citizens content and law-abiding.” Members were ecstatic about playgrounds’ ability to produce “more loyal as well as more efficient citizens.” One PAA director noted in 1907 that Tompkins Square Park, where once “the rally to the red flag” had been commonplace, was now “the scene of games . . . and other forms of patriotic play.” Another suggested that six weeks of playground interaction between Jews and Italians so reduced animosities that “they did not know whether they were Jews or Italians.

Nor was her support for the urban realists a one-off affair. In 1907 she set up an apartment and studio in Greenwich Village, remodeling a stable at 19 MacDougal Alley, just north of Washington Square, and made it available for informal exhibitions. In 1914 she bought the adjacent building (8 West 8th Street) and established therein a professional gallery, the Whitney Studio,

The transition from competitive to corporate capitalism, and the emergence of Wall Street bankers as organizers of the industrial economy, created new facts on the ground. On the one hand, the tremendous concentration of power gave even greater cause for worry about individual malfeasance. But on the other, the magnitude and complexity of the new economy seemed to transcend the ability of any set of actors to control it.

Sinclair was implicitly insisting that financial crises were not systemic—inherent by-products of the capitalist accumulation process—but rather the consequence of machinations by Wall Street insiders. This assessment of causation affected what could be done about them. If panics were attributable to greedy financiers, their makers could be exposed and held morally accountable or criminally liable. If they were rooted in the larger economic order, citizens would have to undertake the more difficult and perhaps impossible task of either reversing the incorporation process (as populist writers desired), or putting the management or regulation of corporations in the hands of “the people” (as socialists or progressives urged).

…we dipped down into the tunnel taking us under the Hudson River and into the heart of the “Big Apple.” I knew New York City well, so it only took minutes before I found my way to 42nd Street and was on the Great White Way! There was a sense of excitement being surrounded by people who all seemed to be in a hurry to get somewhere. I ambled over to 8th Avenue, and found one of many bars advertising two drinks for the price of one. I entered thinking that in uniform I looked old enough to be served, but was still surprised when it happened. I don’t remember how much money I had on me, but it couldn’t have been much. Sitting at the bar, I blended in and no one seemed to care, so I had the second glass of what must have been the cheapest whiskey ever sold. Fortified by liquid courage, I started to feel bigger than life, and I thought to myself that if nobody else cared, why should I? The world was my oyster and I was the “King of the Hill.” The bartender asked if I wanted another drink. Looking at my watch I suddenly realized that it was later than I thought…. Where had the time gone? I had to get back! I had just arrived in the City and couldn’t believe how fast the time had flown by. I hurried to the new Port Authority Bus Terminal two blocks away and luckily caught the bus to Perth Amboy just in time. I felt a little lightheaded, but had it together enough to realize that I was racing against the clock. The bus seemed to take forever, making many more stops for red lights than I expected….

Big Apple I said Big Apple NY Big Apple Big Apple, Rotten Cherry, Wall Street Jungle, King Kong Empire State, Drunken Blitz, Central Park, NyT Press, Bestseller #1 Baby It's all about NYc and NyC Big Apple

we're probably sitting on Ground Zero, right here at this table, for h-Bomb number !" table was at 57th Street and 7th Avenue NYC

(You used to be able to wander the streets of NYC with whatever you wanted to ingest and be pretty much left alone by the cops as long as it was in a brown paper bag. And if you were white. Which I was. Very much so.)

Next day, evening rush hour, it's just starting to rain... sometimes she can't resist, she needs to be out in the street. What might only be a simple point on the workday cycle, a reconvergence of what the day scattered as Sappho said some place back in some college course, Maxine forgets, becomes a million pedestrian dramas, each one charged with mystery, more intense than high-barometer daylight can ever allow. Everything changes. There's that clean, rained-on smell. The traffic noise gets liquefied. Reflections from the street into the windows of city buses fill the bus interiors with unreadable 3-D images, as surface unaccountably transforms to volume. Average pushy Manhattan schmucks crowding the sidewalks also pick up some depth, some purpose—they smile, they slow down, even with a cellular phone stuck in their ear they are more apt to be singing to somebody than yakking. Some are observed taking houseplants for walks in the rain. Even the lightest umbrella-to-umbrella contact can be erotic.

In the 1890’s horses, carrying people to work, dropped 4.5 million tons of manure on the streets of Manhattan, every year. That was the big environmental problem of the day. “NYC will be buried in horse manure by 1950!” screamed the headlines. It doesn’t matter what your opinion about this was. None of the people living in NY solved the problem despite the 1000s of opinions. People with passion for mechanics in Detroit made something called a car. Problem solved.

History abounds in and around New York City, however much of it is buried in the concrete of newer construction. The downtown financial district from Battery Park to Wall Street is such a historical district. Trinity Church at Wall Street and Broadway and the Churchyard surrounding it is where Alexander Hamilton and his wife Elizabeth Schuyler Hamilton along with other notables are buried. The story of Alexander Hamilton is an important part of New York City’s history and has become a Broadway musical. At the top of the Palisades in Weehawken is a small park known as the Dueling Grounds. This Revolutionary War site, overlooking New York City to the east, and what had been Half Moon Bay to the north and directly beneath it, is where Alexander Hamilton, a founding father of the United States, was mortally wounded by a single shot from Aaron Burr’s dueling pistol. He died the following day in Greenwich Village at the home of his friend William Bayard Jr.

Images such as these familiar ones (I mean to suggest) build up an imaginary country in which the story becomes credible; we recognize it as the particular country of our imagination where people would act as they do in the story, would do the deed they do. And the largeness of the images makes it a country wide enough so that the victim could escape, if he chose; like Achilles. But it is the rhythmic power of the dancing, of the dance scenes, that turns the pantomime quality of a gesture into an emblem, into an image with all its own country all around it.

On February 9th, 1942, the SS Normandie, a proud ocean liner and the pride of the French Merchant Marine, was being converted into a troop transport. A welder’s torch cut through a bulkhead and set afire a bundle of flammable rags and a stack of life jackets. The fire soon roared throughout the ship and since the internal fire protection system had been disabled, the only assistance available was from the New York City Fire Department. Fireboats pumped water onto the blaze until it caused this magnificent vessel to become unstable. I guess it never occurred to anyone that the water going into the ship, should have been pumped out! On February 10th, the ship rolled over onto its port side, sinking into the mud alongside Pier 88 in Manhattan. Investigations ensued with the thought being that this tragedy was caused by enemy sabotage. However, later findings indicated that the fire had been completely accidental. There are still some allegations contradicting this, and claims that the fire was indeed arson and involved “Lucky” Luciano, the Mafia boss who controlled the waterfront. From the time the fire started until the Normandie was righted in 1943, I watched what was happening to the now renamed USS Lafayette from a perfect vantage point at the top of the Palisades near North Street Park. It was the talk of the town and everyone continued to speculate as to who was at fault. “It must have been the Nazis,” was the conventional wisdom. The soldiers to whom I frequently talked, stationed at the searchlights and gun emplacements, were the ones who surely would know. Eventually, stripped of her superstructure, the ship was righted at great expense. There was talk of converting her into an aircraft carrier, or of cutting her down to become a smaller vessel. However, in the end she was sold for $161,680 to Lipsett, Inc., an American shipyard, where the once magnificent ship was reduced to scrap metal.

Whatever my future held, I was certain it wouldn’t be borne on the bitter wind that blew along Broadway. It was waiting in a place where lime-green leaves burst forth from soil the color of night, where flowers bloomed under skies on fire, where pariah dogs fucked in the streets and wild monkeys called in the twilight—a place where women smiled and the moon smiled with them.

If I lived above 14th Street I’d be a regional manager for an office supplies concern.