“
Elend smiled. "Oh, come on. You have to admit that you're unusual, Vin. You're like some strange mixture of a noblewoman, a street urchin, and a cat. Plus, you've mangaged - in our short three years together - to kill not only my god, but my father, my brother, and my fiancée. That's kind of like a homicidal hat trick.
”
”
Brandon Sanderson (The Hero of Ages (Mistborn, #3))
“
Love is a religion, and its rituals cost more than those of other religions. It goes by quickly and, like a street urchin, it likes to mark its passage by a trail of devastation.
”
”
Honoré de Balzac (Père Goriot)
“
The stories in books hate the stories in newspapers, David's mother would say. Newspaper stories were like newly caught fish, worthy of attention only for as long as they remained fresh, which was not very long at all. They were like the street urchins hawking the evening editions, all shouty and insistent, while stories- real stories, proper made-up stories-were like stern but helpful librarians in a well-stocked library. Newspaper stories were as insubstantial as smoke, as long-lived as mayflies. They did not take root but were instead like weeds that crawled along the ground, stealing the sunlight from more deserving tales.
”
”
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
“
I feel for all faiths the warm sympathy of one who has come to learn that even the trust in reason is a precarious faith, and that we are all fragments of darkness groping for the sun. I know no more about the ultimates than the simplest urchin in the streets.
”
”
Will Durant
“
I don't know who had the training of you," he continued doggedly, "but your morals are shocking. You spent a night in my bed, remember, after a night in a bawdy house. You go about collecting street urchins and letting inebriated vagabonds kiss you, and then you get into brawls in pawnshops. You are probably past all redemption, but I'm going to reform you anyhow. If you behave yourself, perhaps I'll let you reform me on occasion, but I make no promises.
”
”
Loretta Chase (Viscount Vagabond)
“
Are you a princess?” an older girl asks, but I smile and shake my head. “No. Are you?” The children all scoff together, trading looks. “You think princesses live in the shanties like street urchins?” I lower my hood and give her a conspiratorial smile. “Maybe hidden princesses do.
”
”
Raven Kennedy (Gild (The Plated Prisoner, #1))
“
After all, my young Dodger, what exactly are you? A stalwart young man, plucky and brave and apparently without fear? Or, possibly, I suggest, a street urchin with a surfeit of animal cunning and the luck of Beelzebub himself.
”
”
Terry Pratchett (Dodger)
“
Ego is like a street urchin, born of fear and wanting and left to its own devices....
”
”
Kathleen Dowling Singh (The Grace in Aging: Awaken as You Grow Older)
“
What if America isn’t really the sort of place where a street urchin can charm his way to the top through diligence and talent? What if instead it’s the sort of place where heartwarming stories about abused children who triumphed through adversity are made up and marketed?
”
”
David Shields (Reality Hunger: A Manifesto)
“
I instantly thought the guy was cute, in that gaunt, never-sees-the-light-of-day, New York street urchin kind of way. And he never stood still for a second. From across the tracks I read his expression as I have everything on my side except destiny, only his expression clearly hadn't informed his head or heart yet. The guy looked over and caught me staring, and once his eyes met mine they never deviated. He took several cautious steps forward, stopping abruptly at the thick yellow line you weren't supposed to cross. His arms dangled like a puppet and he seemed to skim the ground when he walked, as if suspended over the edge of the world by a hundred invisible strings.
”
”
Tiffanie DeBartolo (How to Kill a Rock Star)
“
Don’t put anything in writing you wouldn’t want the world to read when you’re dead.
”
”
April White (An Urchin of Means (Baker Street, #1))
“
If you intend to look like a street urchin and smell like a sow, I shall have to call you something else." He looked Teach over from head to toe, noting his shabby black hair and beard. "You're no dandy. I'll call you Blackbeard. Welcome aboard.
”
”
Nicole Castroman (Blackhearts (Blackhearts, #1))
“
the history that makes the books is written by the victors. The poor never were and never will be victorious in any version of history, and change comes so slowly that individual contributions are always lost in the great gradual tide.
”
”
April White (An Urchin of Means (Baker Street, #1))
“
The people are hungry,” Mihali said. He lifted his hands, spreading them to encompass the city. “The people need to be fed. They need bread and wine and soup and meat. But not just that. They need friendship.” He pointed to a minor noble, some viscount decked out in his finest foppish frills, who poured a bottle of St. Adom’s Festival wine into the cups of a half-dozen street urchins.
“They need companionship,” Mihali said. “They need love and brotherhood.” He turned to Tamas. He reached out with one hand, putting a palm to Tamas’s cheek. Instinct told Tamas to step back. He found that he couldn’t.
“You gorged them on the blood of the nobility,” Mihali said gently. “They drank, but were not filled. They ate of hatred and grew hungrier.” He took a deep breath. “Your intentions were… well, not pure, but just. Justice is never enough.” He let go of Tamas and turned to the square. “I will put things right,” he said. He puffed out his chest and spread his arms. “I will feed all of Adro. It is what they need.
”
”
Brian McClellan (Promise of Blood (Powder Mage, #1))
“
The mind of Sir Isaac Newton, the sass of a rebel and the purse of a street urchin.
”
”
Lawrence H. Levy (Second Street Station (A Mary Handley Mystery, #1))
“
Juliette Cai,” Dimitri greeted, acting like they were exchanging pleasantries. “I heard you grew up a socialite. Where did you learn to grapple like a street urchin?
”
”
Chloe Gong (Our Violent Ends (These Violent Delights, #2))
“
The last time they had been together, they'd waltzed in a winter garden. Now, they were de-lousing a pestilent street urchin.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
Oh dear Lord." Switching his glare from the street urchin to his partner, Wellington whispered tersely, "You failed to mention this part of the plan!"
"Which part, Welly?"
"The part where the toddler is in charge!
”
”
Philippa Ballantine (The Janus Affair (Ministry of Peculiar Occurrences, #2))
“
Those with hands cupped them for alms, those lacking in hands clenched the bill of a baseball cap in their teeth. Military amputees flapped empty sleeves like flightless birds, mute elderly beggars fixed cobra eyes on you, street urchins told tales taller than themselves about their pitiable conditions, young widows rocked colicky babies whom they might have rented, and assorted cripples displayed every imaginable, unappetizing illness known to man. Farther
”
”
Viet Thanh Nguyen (The Sympathizer)
“
But you don't come to Palermo to stay in minimalist hotels and eat avocado toast; you come to Palermo to be in Palermo, to drink espressos as dark and thick as crude oil, to eat tangles of toothsome spaghetti bathed in buttery sea urchins, to wander the streets at night, feeling perfectly charmed on one block, slightly concerned on the next. To get lost. After a few days, you learn to turn down one street because it smells like jasmine and honeysuckle in the morning; you learn to avoid another street because in the heat of the afternoon the air is thick with the suggestion of swordfish three days past its prime.
”
”
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
“
I hunted rats and ate out of dustbins and saw my kittens killed and was hung by my tail and abused by wicked urchins,” Graymalk said suddenly, “before the mistress found me. She was an orphan who’d lived on the streets. Her life had been even worse.
”
”
Roger Zelazny (A Night in the Lonesome October)
“
Tom knew he was being a surly ass, when he should have been making the most of the opportunity by trying to charm her. But this situation was not something he wanted Cassandra to associate him with.
The last time they had been together, they'd waltzed in a winter garden. Now, they were de-lousing a pestilent street urchin.
It wasn't exactly progress.
Moreover, it would make Tom look even worse in comparison to the well-bred gentlemen who were undoubtedly pursuing her.
Not that he was competing for her. But a man had pride.
”
”
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
“
...and when the Assembly arrived at Dusk I hasten'd into the Streets and made my self a child of Hazard. There was a Band of little Vagabonds who met by moon-light in the Moorfields, and for a time I wandred with them; most of them had been left as Orphans in the Plague and, out of the sight of Constable or Watch, would call out to Passers-by Lord Bless you give us a Penny or Bestow a half penny on us: I still hear their Voices in my Head when I walk abroad in a Croud, and some times I am seiz'd with Trembling to think I may be still one of them.
”
”
Peter Ackroyd (Hawksmoor)
“
We got out of our car in Agra to be faced with 150 people and instantly knew that we were their target. We were white (we still are) and wealthy (in comparison). And these people are masters at the art of distraction. You’ll spot the one approaching from the left, but not the imminent threat from the right. And if you say no they have ways of making you say yes. We were greeted with, “Give me money” by street urchins, “Give me 20 rupees,” by a man in a ‘locker room’ looking after our camera equipment, and graceful, exquisite and amused smiles by some of the most magnificently beautiful women in the world. Ladies with coconut oil in their hair, eyes the colour of artisan’s gold, and spirituality in their hearts. And everywhere we went we were greeted with the Añjali Mudrā gesture and the word Namaste, indicating 'I bow to the divine in you.
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
Ziggy is in front of the tube, as if nothing much has been happening in his day, watching Scooby Goes Latin! (1990). Maxine after a quick visit to the bathroom to reformat, knowing better than to start in with the Q&A, comes in and sits down next to him about the time it breaks for a commercial. “Hi, Mom.” She wants to enfold him forever. Instead lets him recap the plot for her. Shaggy, somehow allowed to drive the van, has become confused and made some navigational errors, landing the adventurous quintet eventually in Medellín, Colombia, home at the time to a notorious cocaine cartel, where they stumble onto a scheme by a rogue DEA agent to gain control of the cartel by pretending to be the ghost—what else—of an assassinated drug kingpin. With the help of a pack of local street urchins, however, Scooby and his pals foil the plan.
”
”
Thomas Pynchon (Bleeding Edge)
“
Sir William was also startled, but when Vicky smiled at him, rather in the manner of an engaging street-urchin, his countenance relaxed slightly, and he asked her what she was doing with herself now that she had come home to live.
"Well it all depends," she replied seriously.
Sir William had no daughters, but only his memories of his sisters to guide him, so he said that he had no doubt she was a great help to her mother, arranging flowers, and that kind of thing.
"Oh no, only if it's that sort of a day!" said Vicky.
Sir William was still turning this remark over in his mind when the butler came in to announce that dinner was served.
”
”
Georgette Heyer (No Wind of Blame (Inspectors Hannasyde & Hemingway, #5))
“
we sat down; not wishing to part in the tumult and blaze of Piccadilly. I had told her again that she should share in my good fortune, if I met with any; and that I would never forsake her, as soon as I had power to protect her.
”
”
Thomas de Quincey (Confessions of an English Opium Eater)
“
No institution- behind the façade, behind the pompous name and the numerous employees- truly functioned. No decipherable order, only an unruly and uncontrollable crowd on streets cluttered with sellers of every possible type of merchandise, people speaking at the top of their lungs, urchins, beggars.
”
”
Elena Ferrante (The Story of the Lost Child (Neapolitan Novels, #4))
“
What are the fifty newspapers, which those precocious urchins are bawling down the street, and which are kept filed within, what are they but amusements? Not vapid, waterish amusements, but good strong stuff; dealing in round abuse and blackguard names; pulling off the roofs of private houses, as the Halting Devil did in Spain; pimping and pandering for all degrees of vicious taste, and gorging with coined lies the most voracious maw; imputing to every man in public life the coarsest and the vilest motives; scaring away from the stabbed and prostrate body-politic, every Samaritan of clear conscience and good deeds; and setting on, with yell and whistle and the clapping of foul hands, the vilest vermin and worst birds of prey.
”
”
Charles Dickens (The Complete Works of Charles Dickens)
“
One night, walking along 8th Street in the East Village, I saw some adolescent boys, out too late and unattended. They were playing an arcade video game set up on the sidewalk, piloting a digital spacecraft through starlit infinity, blasting everything in their path to bits. Now and then, the machine would let out a robotic shout of encouragement: You’re doing great! So the urchins flew on through the make-believe nothingness, destroying whatever they saw, hypnotized by the mechanical praise that stood in for the human voice of love. That, it seemed to me, was postmodernism in a nutshell. It ignored the full spiritual reality of life all around it in order to blow things apart inside a man-made box that only looked like infinity. You’re doing great, intellectuals! You’re doing great. Much
”
”
Andrew Klavan (The Great Good Thing: A Secular Jew Comes to Faith in Christ)
“
I am an urchin, standing in the cold, elbowed aside by the glossy rich visitors in their fur coats and ostentatious jewellery, being fussed into the hotel by pompous-looking doormen.
'No problem. I'd better get home, actually Mr – Gustav. A drink is very tempting, but maybe not such a good idea after all.' I pat my pockets. 'And I'm skint.'
'Pavements not paved with gold yet, eh?' He moves on along the facade of the grand hotel to the corner, and waits. He's staring not back at me but down St James Street. I wage a little war with myself. He's a stranger, remember.
The newspaper headlines, exaggerated by the time they reach the office of Jake's local rag: Country girl from the sticks raped and murdered in London by suave conman.
Even Poppy would be wagging her metaphorical finger at me by now. Blaming herself for not being there, looking out for me. But we're out in public here. Lots of people around us. He's charming. He's incredibly attractive. He's got a lovely deep, well spoken voice. And he's an entrepreneur who must be bloody rich if he owns more than one house. What the hell else am I going to do with myself when everyone else is out having fun?
One thing I won't tell him is that my pockets might be empty, but my bank account is full.
'One drink. Then I must get back.'
He doesn't answer or protest, but with a courtly bow he crooks his elbow and escorts me down St James. We turn right and into the far more subtle splendour of Dukes Hotel.
'Dress code?' I ask nervously, wiping my feet obediently on the huge but welcoming doormat and drifting ahead of him into the smart interior where domed and glassed corridors lead here and there. The foyer smells of mulled wine and candles and entices you to succumb to its perfumed embrace.
”
”
Primula Bond
“
This is not a hypothetical example. In the middle of the nineteenth century Karl Marx reached brilliant economic insights. Based on these insights he predicted an increasingly violent conflict between the proletariat and the capitalists, ending with the inevitable victory of the former and the collapse of the capitalist system. Marx was certain that the revolution would start in countries that spearheaded the Industrial Revolution – such as Britain, France and the USA – and spread to the rest of the world. Marx forgot that capitalists know how to read. At first only a handful of disciples took Marx seriously and read his writings. But as these socialist firebrands gained adherents and power, the capitalists became alarmed. They too perused Das Kapital, adopting many of the tools and insights of Marxist analysis. In the twentieth century everybody from street urchins to presidents embraced a Marxist approach to economics and history. Even diehard capitalists who vehemently resisted the Marxist prognosis still made use of the Marxist diagnosis. When the CIA analysed the situation in Vietnam or Chile in the 1960s, it divided society into classes. When Nixon or Thatcher looked at the globe, they asked themselves who controls the vital means of production. From 1989 to 1991 George Bush oversaw the demise of the Evil Empire of communism, only to be defeated in the 1992 elections by Bill Clinton. Clinton’s winning campaign strategy was summarised in the motto: ‘It’s the economy, stupid.’ Marx could not have said it better. As people adopted the Marxist diagnosis, they changed their behaviour accordingly. Capitalists in countries such as Britain and France strove to better the lot of the workers, strengthen their national consciousness and integrate them into the political system. Consequently when workers began voting in elections and Labour gained power in one country after another, the capitalists could still sleep soundly in their beds. As a result, Marx’s predictions came to naught. Communist revolutions never engulfed the leading industrial powers such as Britain, France and the USA, and the dictatorship of the proletariat was consigned to the dustbin of history. This is the paradox of historical knowledge. Knowledge that does not change behaviour is useless. But knowledge that changes behaviour quickly loses its relevance. The more data we have and the better we understand history, the faster history alters its course, and the faster our knowledge becomes outdated.
”
”
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
“
Even at that hour, London was awake and there would be cutpurses and pickpockets and maunderers about. Each week he saw more and more of them, lurking on street corners and huddled in doorways – vagrants and paupers pouring in from the countryside where they could not eke out a living on land being enclosed for animals, and could no longer turn to the charity of the old religious houses. For all their extravagance and corruption, the ancient monasteries had provided food and shelter to the poor and sick of their counties. Now London grew larger, dirtier and more overcrowded with each day while Londoners grumbled and cursed and demanded an end to the river of vagrants and harsher penalties for their crimes. But to no avail. A man had only to walk along Fleet Street to see that the problem was getting worse by the week. On the corner of Pilgrim Street, butchers and bakers were already setting out their stalls and aiming kicks at the half-naked urchins who scrabbled about in the dirt, squabbling over a stale crust or a scrap of offal. The urchins had to be quick. Hungry dogs sniffed about while kites watched hopefully from the rooftops. Christopher saw a bird swoop from its perch, take a morsel in its beak and flap away before it could be frightened off. A filthy child saw him and dashed across the street to demand a coin. She grabbed his gown and held on like a terrier with a rat until he gave up trying to free himself and tossed
”
”
A.D. Swanston (The Incendium Plot (Christopher Radcliff, #1))
“
As the royal party moved through the streets, one of the young street urchins darted up to Lord Owain, the eldest son of Lord Gruffudd, and attempted to slip his hand into his pocket. Owain quickly grabbed the boy and shook him roughly. “Have some respect,” he snapped.
Hearing the altercation, Gruffudd turned his head and smiled at the boy. He reached into his pocket and pulled out a coin, tossing it to the boy.
“Run along now and remember to have more respect for your superiors in the future,” he said, giving him a cuff to the arm. The boy, red-faced nodded his head in thanks and ran back into the crowd.
“Why did you do that?” Owain asked.
“Because now he will go on his way and not bother us again,” Gruffudd explained.
Owain simply shook his head in disgust, and with a surly look towards the crowd, rubbed his hands on his tunic. The boy’s clothing had been so filthy that he could feel the dirt coating his fingers.
”
”
Sydney Williams
“
I know you do not take kindly to roaring boys and thugs. I know you to be brave, kind and curious, that you delight an old bookseller with your intelligence, that you give even street urchins and ragamuffins a chance. I know you to see good in those others refuse to, and to be accomplished with the chocolate.
”
”
Karen Brooks (The Chocolate Maker's Wife)
“
Might as well rest the horses,” St. Just said, nudging his beast out of the middle of the beaten path. “Westhaven, can you dismount?” “I cannot. My backside is permanently frozen to the saddle; my ability to reproduce is seriously jeopardized.” “Anna will be desolated.” St. Just waited while Westhaven swung down, then whistled at an urchin shivering in the door to a nearby church. “We’ll just get the feeling back into our feet, and the saddles will be chilled sufficiently to threaten even your lusty inclination.” Westhaven led his horse to the side of the street, such as it was. “Cold weather makes Emmie frisky.” St. Just assayed his signature grin. “We have a deal of cold weather up in the West Riding, so I’ve learned to appreciate it. Let’s at least find a tot of grog while Baby Brother sees to his precious violin.” “The
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
WILL emerges from the theatre into a street throbbing with nefarious life-whores, cutpurses, hawkers, urchins, tract-sellers, riffraff of all kinds in an area of stews (lowdown pubs), brothers and slums.
”
”
Marc Norman (Shakespeare in Love: A Screenplay)
“
You are the only person who can ever truly determine your worth. No one else has that power unless you give it to them.
”
”
April White (An Urchin of Means (Baker Street, #1))
“
The night was alive with music and merriment, but to Farah it seemed that she and Morley were apart from all that. Instead of being dazzled by the vibrant colors and merry music, they watched the street urchins dart between the legs of the wealthy, and the beggars reach out to callous and disinterested revelers. The city was ever split by an excess of wealth and poverty, of civilized progression and criminal erosion, and that weighed heavily on Farah's mind tonight in the form of Gemma Warlow.
”
”
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
“
If one had asked Manucci during his days as a street urchin, as he sat, in defiance of municipal orders, astride the gun Zam-Zammah, Manucci would probably have said that ACs were hot. The first time he saw one jutting out into the street from the wall of a shop in the old city, he walked up to the noisy box and was amazed at the blast of hot air it sent straight into his face. Why do people turn on hot air in the middle of summer? he often wondered.
”
”
Mohsin Hamid (Moth Smoke)
“
The Congo is not just blood and gore. It also has an incandescent, raw energy to it, a dogged hustle that can be seen in street-side hawkers and besuited ministers alike. This charm is not unlike that of America’s mythical Wild West, full of gunslingers, Bible-thumpers, prostitutes, street urchins, and rogue businessmen. This is the paradox of the Congo: Despite its tragic past, and probably in part due to the self-reliance and ingenuity resulting from state decay, it is one of the most alive places I know.”
— Jason Stearns, Dancing in the Glory of Monsters
”
”
Jason Stearns
“
I was as raw and reactive as a twenty-year-old sea anemone walking down the rough asphalt streets of the city. I fashioned myself into a spiky sea urchin to protect my soft places.
”
”
Kevin Manders (Transcending: Trans Buddhist Voices)
“
With her fair skin, big green eyes, and those stunning freckles, it wouldn't take much to banish her current street urchin look. Because even as she was, all raw and unpolished, it was easy to see she was a natural beauty, almost bohemian in nature---a modern-day flower child.
”
”
Heather Webber (In the Middle of Hickory Lane)
“
Kate Webster had ensured her place in the murderers’ hall of fame by attacking her mistress with the axe, hacking the corpse to pieces, and boiling down the remains in the copper, removing the bones. Most grisly of all was the fate of the fat. Webster had scooped the fat from the copper and sold it around the neighbourhood as dripping. One street urchin even claimed Webster had offered him a bowl
”
”
Catharine Arnold (Underworld London: Crime and Punishment in the Capital City)
“
For at the window of my house I looked through my casement, and beheld among the simple ones, I discerned among the youths, a young man void of understanding, passing through the street near her corner; and he went the way to her house, in the twilight, in the evening, in the black and dark night: and, behold, there met him a woman with the attire of an harlot, and subtil of heart. She is loud and stubborn; her feet abide not in her house: now is she without, now in the streets, and lieth in wait at every corner. So she caught him, and kissed him, and with an impudent face said unto him, “I have peace offerings with me; this day have I payed my vows.” Proverbs 7:6-14
”
”
Mark Goodwin (Urchin (Lamentations for the Fallen, #1))
“
Mouse scurried to catch up with her, trying to match his strides to her long, fluid gait. She glanced down at his shabby garments and smudged face.
“You’d best make certain nobody sees you with me,” she reminded him. “You look like a street urchin.”
“I am a street urchin.” He smirked up at her.
“You were a street urchin.
”
”
Jenelle Leanne Schmidt (The Orb and the Airship (Turrim Archive, #1))
“
In addition, to fetch cartridges up from the magazine, we had a shrivelled child of uncertain age, by the name of “Nimmo”. He was one of about twenty ship’s boys that lived in dank corners of the vessel down below the water-line. Phiandra’s boys were all street urchins that had been “saved” by the Marine Society, who caught them, cleaned them, fed them a bit, gave them the scrapings of an education and parcelled them off in batches to serve afloat. Captain Bollington approved of this scheme and took his ship’s boys from no other source.
”
”
John Drake (Fletcher's Fortune (Fletcher #1))
“
Evie, daughter of Evil Queen, spotted Jay making his way toward the street and returned to strutting across a table, where disheveled urchins were trying to eat. They ogled Evie’s dazzling smile, dark wavy hair, and hypnotizing eyes. She wore all blue, with a necklace that had a red gem topped by a gold crown. She carried a red box-shaped purse. She was a natural beauty, but it was hard to tell under all the makeup. Her mom had taught her that looks were everything. She glanced around to see Jay was gone.
”
”
Walt Disney Company (Descendants Junior Novel)
“
Let us not forget,” Nick called out loudly, interrupting the pompous fool. “Lord Byron also said those who will not reason are bigots, those who cannot are fools, and those who dare not are slaves. Lord Byron did not, however, differentiate men from women, lords from ladies or street urchins in his musings.
”
”
Christi Caldwell (To Enchant a Wicked Duke (The Heart of a Duke, #13))
“
Everyone, she said, everyone, century after century, praised the great port, the sea, the ships, the castles, Vesuvius tall and black with its disdainful flames, the city like an amphitheater, the gardens, the orchards, the palaces. But then, century after century, they began to complain about the inefficiency, the corruption, the physical and moral poverty. No institution—behind the façade, behind the pompous name and the numerous employees—truly functioned. No decipherable order, only an unruly and uncontrollable crowd on streets cluttered with sellers of every possible type of merchandise, people speaking at the top of their lungs, urchins, beggars. Ah, there is no city that gives off so much noise and such a clamor as Naples.
”
”
Elena Ferrante (The Story of the Lost Child (The Neapolitan Novels, #4))
“
Ziggy is in front of the tube, as if nothing much has been happening in his day, watching Scooby Goes Latin! (1990).
Maxine after a quick visit to the bathroom to reformat, knowing better than to start in with the Q&A, comes in and sits down next to him about the time it breaks for a commercial. “Hi, Mom.” She wants to enfold him forever. Instead she lets him recap the plot for her. Shaggy, somehow allowed to drive the van, has become confused and made some navigational errors, landing the adventurous quintet eventually in Medellín, Colombia, home at the time to a notorious cocaine cartel, where they stumble onto a scheme by a rogue DEA agent to gain control of the cartel by pretending to be the ghost—what else—of an assassinated drug kingpin. With the help of a pack of local street urchins, however, Scooby and his pals foil the plan.
The cartoon comes back on, the villain is brought to justice. “And I would have got away with it, too, he complains, “if it hadn’t been for those Medellín kids!
”
”
Thomas Pynchon (Bleeding Edge)
“
A new day. She will face it tomorrow, for Maya’s sake. Along with the awakening sea, along with the rest of Bombay—the street urchins and the stray dogs, the impoverished nut vendors and the woman selling six cauliflowers a day, the hollow-eyed slum dwellers and the chubby-cheeked residents of nearby skyscrapers, the office workers spilling out of the trains at Churchgate and the young children boarding creaky school buses, the old men groaning on their deathbeds and the babies tumbling forth from the dark wombs of their mothers—along with the entire gigantic metropolis, with all its residents crawling along their individual destinies like an army of ants pretending to be an army of giants—along with Banubai in her damp bed, and Serabai in her shattered world, and Viraf baba with his choking guilt, and Maya with her tentative, hesitant dreams, and yes, along with Gopal and Amit waking up in a distant land to the smell of loamy earth, like all of them, the millions of people she has not met and the few she has—she, too, will face a new day tomorrow. Tomorrow. The word hangs in the air for a moment, both a promise and a threat. Then it floats away like a paper boat, taken from her by the water licking her ankles. It is dark, but inside Bhima’s heart it is dawn.
”
”
Thrity Umrigar (The Space Between Us)
“
[Marie Bashkirtseff] did spend days walking the slums of Paris with her notebook in hand, sketching everything she saw, research which would produce numerous paintings, including 1884’s A Meeting, which now hangs in the Musée d’Orsay in Paris, and depicts a group of young street urchins gathered on a street corner.
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Lauren Elkin (Flâneuse: Women Walk the City in Paris, New York, Tokyo, Venice and London)
“
The months of June and July passed. The monsoons were tardy this year—the nights hinted rain constantly with an aroma in the air, a cooling on the skin, soundless lightning across skies. But when morning came, the sun rose strong again, mocking Agra and its inhabitants. And the days crawled by, brazenly hot, when every breath was an effort, every movement a struggle, every night sweat-stewed. In temples, incantations were offered, the muezzins called the faithful to prayers, their voices melodious and pleading, and the bells of the Jesuit churches chimed. But the gods seemed indifferent. The rice paddies lay ploughed after the pre-monsoon rains, awaiting the seedlings; too long a wait and the ground would grow hard again. A few people moved torpidly in the streets of Agra; only the direst of emergencies had called them from their cool, stone-flagged homes. Even the normally frantic pariah dogs lay panting on doorsteps, too exhausted to yelp when passing urchins pelted them with stones. The bazaars were barren too, shopfronts pulled down, shopkeepers too tired to haggle with buyers. Custom could wait for cooler times. The whole city seemed to have slowed to a halt. The imperial palaces and courtyards were hushed in the night, the corridors empty of footsteps. Slaves and eunuchs plied iridescent peacock feather fans, wiping their perspiring faces with one hand. The ladies of the harem slept under the intermittent breeze of the fans, goblets of cold sherbets flavoured with khus and ginger resting by their sides. Every now and then, a slave would refresh the goblet, bringing in another one filled with new shards of ice. When her mistress awoke, and wake she would many times during the night, her drink would be ready. The ice, carved in huge chunks from the Himalayan mountains, covered with gunnysacks and brought down to the plains in bullock carts, was a blessing for everyone, nobles and commoners alike. But in this heat, ice melted all too soon, disappearing into a puddle of warm water under sawdust and jute. In Emperor Jahangir’s apartments, music floated through the courtyard, stopping and tripping in the still night air as the musicians’ slick fingers slipped on the strings of the sitar.
”
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Indu Sundaresan (The Feast of Roses (Taj Mahal Trilogy, #2))
“
There are many worlds. Yet we constantly separate ourselves, by degrees, from the others. We create arbitrary distinctions to set ourselves apart. But let me speak first of the two main worlds that orbit each other. There are those who live in estates and cities that have mastered the clouds and sit on their perch of air to overlook the vast landscapes below. That is the upper world. The world of the wealthy. The world of the gifted. The world where the Mysteries hold sway. The other world is darker. There are neighborhoods of extreme poverty. Winding alleys and street urchins and gangs. This is a world of fog. It is a world of coughing, sickness, and pestilence. It is a world where industry beckons the ambitious to risk their all—and where the mighty and rich descend in shame after their fortunes have been ruined by games of chance and power. These are very different worlds. And yet, they are much the same.
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Jeff Wheeler (Storm Glass (Harbinger, #1))
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In a Bombay street an urchin was distributing business cards. He took one. 'Are you alcohol?' it read. 'We can help. Call this number for liquor home delivery.'
Excellent business model, he thought.
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Salman Rushdie
“
Half the food that he sends out is raw: ruby cubes of tuna dressed with a heaping mound of fresh wasabi; sea grapes the size of ball bearings that pop like caviar against the roof of your mouth; glistening beads of salmon roe meant to be stuffed into crispy sheets of nori.
The other half gets the blowtorch treatment. Tuna is transformed into a sort of tataki stir-fry, toasted, glazed with ponzu, and tossed with a thicket of spring onions. Fish heads are blitzed under the flame until the cheeks singe and the skin screams and the eyes melt into a glorious stew meant to be extracted with chopsticks. Even sea urchin, those soft orange tongues of ocean umami, with a sweetness so subtle that cooking it is considered heretical in most culinary circles, gets blasted like a crème brûlée by Toyo and his ring of fire.
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Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
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Night crept into London’s Grosvenor Square, like a street urchin picking a rich man’s pocket: stealthily at first and then all at once.
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Jack Murray (The Phantom (Lord Kit Aston #3))
“
Oh, come on. You have to admit that you’re unusual, Vin. You’re some strange mixture of a noblewoman, a street urchin, and a cat. Plus you’ve managed—in our short three years together—to kill not only my god, but my father, my brother, and my fiancée. That’s kind of like a homicidal hat trick. It’s a strange foundation for a relationship, wouldn’t you say?
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Brandon Sanderson (The Hero of Ages (Mistborn, #3))
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Retribution may come from any voice; the hardest, cruelest, most imbruted urchin at the street-corner can inflict it; surely help and pity are rarer things, more needful for the righteous to bestow.
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Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
“
You're like some strange mixture of a noblewoman, a street urchin, and a cat. Plus, you've managed—in our short three years together—to kill not only my god, but my father, my brother, and my fiancée. That's kind of like a homicidal hat trick. It's a strange foundation for a relationship, wouldn't you say?
”
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Brandon Sanderson (The Hero of Ages (Mistborn, #3))
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The invitation arrived by street urchin at ten o’clock the next morning.
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Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
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Elend smiled. “Oh, come on. You have to admit that you’re unusual, Vin. You’re some strange mixture of a noblewoman, a street urchin, and a cat. Plus you’ve managed—in our short three years together—to kill not only my god, but my father, my brother, and my fiancée. That’s kind of like a homicidal hat trick. It’s a strange foundation for a relationship, wouldn’t you say?
”
”
Brandon Sanderson (Mistborn Trilogy (Mistborn, #1-3))