Stream Creek Quotes

Mist to mist, drops to drops. For water thou art, and unto water shalt thou return.

The waters of the stream played the part of the orchestra, and the sunlight provided the dancers. Every now and then a crescendo of wind highlighted the symphony in the clearing by the creek.

All the green in the planted world consists of these whole, rounded chloroplasts wending their ways in water. If you analyze a molecule of chlorophyll itself, what you get is one hundred thirty-six atoms of hydrogen, carbon, oxygen, and nitrogen arranged in an exact and complex relationship around a central ring. At the ring's center is a single atom of magnesium. Now: If you remove the atom of magnesium and in its exact place put an atom of iron, you get a molecule of hemoglobin. The iron atom combines with all the other atoms to make red blood, the streaming red dots in the goldfish's tail.

His eyes, grayish green in that light, reminded me of the rare icicle in Montgomery, or a pebbled creek's rushing stream in early spring. They revealed his intelligence in a way that made me want to dive inside his head and swim in its depths.

Corporations have polluted the oceans, Rivers, creeks, streams, groundwater, the air and get away with it. Rules and regulations however, are meant for everyone else, the poor and the defenseless

What I aim to do is not so much learn the names of the shreds of creation that flourish in this valley, but to keep myself open to their meanings, which is to try to impress myself at all times with the fullest possible force of their very reality. I want to have things as multiply and intricately as possible present and visible in my mind. Then I might be able to sit on the hill by the burnt books where the starlings fly over, and see not only the starlings, the grass field, the quarried rock, the viney woods, Hollins pond, and the mountains beyond, but also, and simultaneously, feathers’ barbs, springtails in the soil, crystal in rock, chloroplasts streaming, rotifers pulsing, and the shape of the air in the pines. And, if I try to keep my eye on quantum physics, if I try to keep up with astronomy and cosmology, and really believe it all, I might ultimately be able to make out the landscape of the universe. Why not?

Along the western slopes of the Oregon Coastal Range . . . come look: the hysterical crashing of tributaries as they merge into the Wakonda Auga River . . . The first little washes flashing like thick rushing winds through sheep sorrel and clover, ghost fern and nettle, sheering, cutting . . . forming branches. Then, through bear-berry and salmonberry, blueberry and blackberry, the branches crashing into creeks, into streams. Finally, in the foothills, through tamarack and sugar pine, shittim bark and silver spruce—and the green and blue mosaic of Douglas fir—

Toward the back of the small property, Twentymile Creek flows through a ravine two to three feet deep and three times as wide. The waters of the creek, high and vigorous from recent rains, purl noisily around stones bearded with green moss and swatched with lichen. There she finds the body, stretched across the frothing stream.

That night in bed I was thinking about the way creeks and streams operate. They start off little, gurgling and bubbling and jumping over rocks and stuff, full of energy, going all over the place. Then they get older and bigger, become rivers, take a more definite course, stick to their path, know where they're going, get slower and wider. And eventually they reach the ocean and become part of this vast mysterious world of water that stretches away forever. Yep, just like people.

...nothing from the summer carries more lasting allure for me than the memory of sitting with Ruth on the bank of a stream on campus, taking turns reading aloud from the books we held on our laps, while the wind wet leaves gossiping in the old trees above us and the creek rustled in its stony bed.

He whose life is one even and smooth path, will see but little of the glory of the Lord, for he has few occasions of self-emptying, and hence, but little fitness for being filled with the revelation of God. They who navigate little streams and shallow creeks, know but little of the God of tempests; but they who "do business in great waters," these see his "wonders in the deep.

In reality, a river's basic shape... is not a line but a tree. A river is, in its essence, a thing that branches... Although it flows inward toward its trunk, in geological time it grew, and continues to grow, outward, like an organism, from its ocean outlet to its many headwaters. In the vernacular of a new science, it is fractal, its structure echoing itself on all scales, from river to stream to brook to creek to rivulet, branches too small to name and too many to count.

I am happy to say that there is nothing to report." The guard's voice grew muffled as he bent to shrug off his armor. "Save that I now know every path and stream in this village as though I were born here and had never set foot outside it, and have counted all the leaves on all the trees and found them in good health and order, and have taken the liberty of naming all the frogs down by the creek, placing them into clans by the markings on their back and taking for myself the title King and Overlord of all Frog-Kind.

If I owned a bulldozer, it would be my paintbrush, and the land would be my canvas. My art would be full of streams, creeks, and waterfalls.

He reached a large stream, of the kind the locals called a creek and pronounced crick, and decided to follow it.

White Americans cannot deny their long history of abusive transactions with people of color. These offenses, it should be noted out of fairness, can be explained in part by the fact that no other sizable national state has ever been formed from the confluence of so many diverse ethnic streams. All our heterogeneous ferment no doubt made contentiousness inevitable.

But all of a sudden the scene changed; it was the memory, no longer of old impressions but of an old desire, only recently reawakened by the Fortuny gown in blue and gold, that spread before me another spring, a spring not leafy at all but on the contrary suddenly stripped of its trees and flowers by the name that I had just murmured to myself: “Venice”; a decanted springtime, which is reduced to its own essence and expresses the lengthening, the warming, the gradual unfolding of its days in the progressive fermentation, no longer, now, of an impure soil, but of a blue and virginal water, springlike without bud or blossom, which could answer the call of May only by the gleaming facets fashioned and polished by May, harmonising exactly with it in the radiant, unalterable nakedness of its dusky sapphire. Likewise, too, no more than the seasons to its flowerless creeks, do modern times bring any change to the Gothic city; I knew it, even if I could not imagine it, or rather, imagining it, this was what I longed for with the same desire which long ago, when I was a boy, in the very ardour of departure, had broken and robbed me of the strength to make the journey: to find myself face to face with my Venetian imaginings, to observe how that divided sea enclosed in its meanderings, like the sinuosities of the ocean stream, and urbane and refined civilization, but one that, isolated by their azure girdle, had evolved independently, had had its own schools of painting and architecture, to admire that fabulous garden of fruits and birds in coloured stone, flowering in the midst of the sea which kept it refreshed, lapped the base of the columns with its tide, and, like a somber azure gaze watching in the shadows, kept patches of light perpetually flickering on the bold relief of the capitals.

Until 1916, New Hampshire had a stream called the Quohquinapassakessamanagnog, but then the cheerless bureaucrats at the Board on Geographic Names in Washington, D.C., arbitrarily changed it to Beaver Creek. In

Wild Peaches" When the world turns completely upside down You say we’ll emigrate to the Eastern Shore Aboard a river-boat from Baltimore; We’ll live among wild peach trees, miles from town, You’ll wear a coonskin cap, and I a gown Homespun, dyed butternut’s dark gold color. Lost, like your lotus-eating ancestor, We’ll swim in milk and honey till we drown. The winter will be short, the summer long, The autumn amber-hued, sunny and hot, Tasting of cider and of scuppernong; All seasons sweet, but autumn best of all. The squirrels in their silver fur will fall Like falling leaves, like fruit, before your shot. 2 The autumn frosts will lie upon the grass Like bloom on grapes of purple-brown and gold. The misted early mornings will be cold; The little puddles will be roofed with glass. The sun, which burns from copper into brass, Melts these at noon, and makes the boys unfold Their knitted mufflers; full as they can hold Fat pockets dribble chestnuts as they pass. Peaches grow wild, and pigs can live in clover; A barrel of salted herrings lasts a year; The spring begins before the winter’s over. By February you may find the skins Of garter snakes and water moccasins Dwindled and harsh, dead-white and cloudy-clear. 3 When April pours the colors of a shell Upon the hills, when every little creek Is shot with silver from the Chesapeake In shoals new-minted by the ocean swell, When strawberries go begging, and the sleek Blue plums lie open to the blackbird’s beak, We shall live well — we shall live very well. The months between the cherries and the peaches Are brimming cornucopias which spill Fruits red and purple, sombre-bloomed and black; Then, down rich fields and frosty river beaches We’ll trample bright persimmons, while you kill Bronze partridge, speckled quail, and canvasback. 4 Down to the Puritan marrow of my bones There’s something in this richness that I hate. I love the look, austere, immaculate, Of landscapes drawn in pearly monotones. There’s something in my very blood that owns Bare hills, cold silver on a sky of slate, A thread of water, churned to milky spate Streaming through slanted pastures fenced with stones. I love those skies, thin blue or snowy gray, Those fields sparse-planted, rendering meagre sheaves; That spring, briefer than apple-blossom’s breath, Summer, so much too beautiful to stay, Swift autumn, like a bonfire of leaves, And sleepy winter, like the sleep of death.

She is waiting. Each spring the hard rains come and the creek rises and quickens, and more of the bank peels off, silting the water brown ad bringing to light another layer of dark earth, Decades pass. She is patient, shelled inside the blue tarp. Each spring the water laps closer, paling roots, loosening stones, scuffing and smoothing. She is waiting and one day a bit of blue appears in the bank and then more blue. The rain pauses and the sun appears but she is ready now and the bank trembles a moment and heaves the stands of tarp unfurl and she spills into the stream and is free. Bits of bone gather in an eddy, form a brief necklace. The current moves on toward the sea.

His eyes, grayish green in that light, reminded me of the rare icicle in Montgomery, or a pebbled creek’s rushing stream in early spring. They revealed his intelligence in a way that made me want to dive inside his head and swim in its depths.

He looked a moment at his "unsteadfast footing," then let his gaze wander to the swirling water of the stream racing madly beneath his feet. A piece of dancing driftwood caught his attention and his eyes followed it down the current. How slowly it appeared to move! What a sluggish stream!

He felt the ripples upon his face and heard their separate sounds as they struck. He looked at the forest on the bank of the stream, saw the individual trees, the leaves and the veining of each leaf — he saw the very insects upon them: the locusts, the brilliant bodied flies, the gray spiders stretching their webs from twig to twig. He noted the prismatic colors in all the dewdrops upon a million blades of grass. The humming of the gnats that danced above the eddies of the stream, the beating of the dragon flies’ wings, the strokes of the water spiders’ legs, like oars which had lifted their boat — all these made audible music.

Chloroplasts bear chlorophyll; they give the green world its color, and they carry out the business of photosynthesis. Around the inside perimeter of each gigantic cell trailed a continuous loop of these bright green dots. They spun . . . they pulsed, pressed, and thronged . . . they shone, they swarmed in ever-shifting files around and around the edge of the cell; they wandered, they charged, they milled, raced . . . they flowed and trooped greenly . . . All the green in the planted world consists of these whole, rounded chloroplasts . . . If you analyze a molecule of chlorophyll itself, what you get is one hundred thirty-six atoms of hydrogen, carbon, oxygen, and nitrogen arranged in an exact and complex relationship around a central ring. At the ring’s center is a single atom of magnesium. Now: If you remove the atom of magnesium and in its place put an atom of iron, you get a molecule of hemoglobin. The iron atom combines with all the other atoms to make red blood, the streaming red dots in the goldfish’s tail.

John Steinbeck many years later would write in East of Eden, “The names of places carry a charge of the people who named them, reverent or irreverent, descriptive, either poetic or disparaging.” The Scotch-Irish gave the American places where they made whiskey names like Gallows Branch, Cutthroat Gap, or, in one instance, Shitbritches Creek. In Lunenburg County, Virginia, they even named two streams Tickle Cunt Branch and Fucking Creek. They often called themselves “rednecks,” an old Scots border term for Presbyterians. Another title they used for themselves was “crackers,” a term that came from the Scots word craik, which literally means “talk,” but was typically used to describe the kind of loud

All of Berleburg's streets slanted away from the palace like rays of the sun, fell downhill to the Odeborn Creek, and turned into the market square. Even now, in February, the center of the stream ran free, water rushing by, smelling of greenness, past banks thick with cattails, rimed with ice. A rooster crowed as the town awakened, stoked its fires, fried its sausage.

John Steinbeck many years later would write in East of Eden, “The names of places carry a charge of the people who named them, reverent or irreverent, descriptive, either poetic or disparaging.” The Scotch-Irish gave the American places where they made whiskey names like Gallows Branch, Cutthroat Gap, or, in one instance, Shitbritches Creek. In Lunenburg County, Virginia, they even named two streams Tickle Cunt Branch and Fucking Creek. They often called themselves “rednecks,” an old Scots border term for Presbyterians. Another title they used for themselves was “crackers,” a term that came from the Scots word craik, which literally means “talk,” but was typically used to describe the kind of loud bragging that usually leads to a fight.

Wrapped in his arms, Alice watched as all the colors of the sky seemed to stream down the walls of gorge and pool on the glassy surface of the creek, reflecting swirls of light back upwards again. She shook her head: the gorge and the creek were perfect bowl-like mirror reflections of each other, drenched in the fiery colors of the setting sun. The sight reminded her of her books of fairytales: the enchanted empty chalice that miraculously filled; the wishing well that held heaven in its depths.

If you allow a creek to go back to being a creek, if you let the trees and the bramble get overgrown, and you let the stream overrun its banks whenever it wants to, the wetland will take care of itself. The water that trickles into the ocean will be clean and pristine if everything is just left alone to work the way it was designed to work. Earthworms have shown that they can take care of the soil in the same way that a wetland takes care of the water. Nature regenerates. It Cleans. It hides a multitude of sins.

With the flashlight to illuminate my way, I climbed the steep walls of the south canyon, got up on the highway streaming with cars Frisco-bound in the night, scrambled down the other side, almost falling, and came to the bottom of a ravine where a little farmhouse stood near a creek and where every blessed night the same dog barked at me. Then it was a fast walk along a silvery, dusty road beneath inky trees of California—a road like in The Mark of Zorro and a road like all the roads you see in Western B movies. I used to take out my gun and play cowboys in the dark.

I like rainbows. We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction… Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge. ... …We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall. Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall. Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall. “It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots. Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical. Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light. In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.

Yearning for some form of reconciliation, for a new, fresh beginning to their relationship, she looked forward to her father’s driving her to college—a time when she would be alone with him for several hours. But the long-anticipated trip proved a disaster: her father behaved true to form by grousing at length about the ugly, garbage-littered creek by the side of the road. She, on the other hand, saw no litter whatsoever in the beautiful, rustic, unspoiled stream. She could find no way to respond and eventually, lapsing into silence, they spent the remainder of the trip looking away from each other. Later, she made the same trip alone and was astounded to note that there were two streams—one on each side of the road. “This time I was the driver,” she said sadly, “and the stream I saw through my window on the driver’s side was just as ugly and polluted as my father had described it.” But by the time she had learned to look out her father’s window, it was too late—her father was dead and buried. That story has remained with me, and on many occasions I have reminded myself and my students, “Look out the other’s window. Try to see the world as your patient sees it.” The woman who told me this story died a short time later of breast cancer, and I regret that I cannot tell her how useful her story has been over the years, to me, my students, and many patients.

If mind belongs to humans alone, then stones, trees, and streams become mere objects of human tinkering. We can plunder the earth's resources with impunity, treating creeks and mountaintops in Kentucky or rivers in India or forests in northwest America as if they existed only for economic development. Systems of land and river become inert chunks of lifeless mud or mechanical runs of H2O rather than the living, breathing bodies upon which we and all other creatures depend for our very lives. Not to mention what 'nature as machine' has done to our emotional and spiritual well-being. When we regard nature as churning its way forward mindlessly through time, we turn our backs on mystery, shunning the complexity as well as the delights of relationship. We isolate ourselves from the rest of the creatures with whom we share this world. We imagine ourselves the apex of creation -- a lonely spot indeed. Human minds become the measure of creation and human thoughts become the only ones that count. The result is a concept of mind shorn of its wild connections, in which feelings become irrelevant, daydreams are mere distractions, and nighttime dreams -- if we attend to them at all -- are but the cast-offs of yesterday's overactive brain. Mind is cut off from matter, untouched by exingencies of mud or leaf, shaped by whispers or gales of wind, as if we were not, like rocks, made of soil. And then we wonder at our sadness and depression, not realizing that our own view of reality has sunk us into an unbearable solipsism, an agony of separateness -- from loved ones, from other creatures, from rich but unruly emotions, in short, from our ability to connect, through senses and feeling and imagination, with the world that is our home.

If she dies, you’re all to blame,” he said, turning accusing eyes on his family and hers. “This damned feud has to stop. Here. Now. For good.” He turned his gaze to Sam and said, “I’m sorry for what happened to you. It was an accident, plain and simple. I love your sister and I am, by God, going to make her my wife.” He turned to the rest of them and said, “And we’re going to be showing up for the holidays, and you’d better damned well make us welcome.” Owen was crying, the tears streaming unashamedly town his face. “I love Bayleigh Creed. Do you hear me? I love her!” “I think everyone can hear you just fine,” Bay murmured. “Oh, God, Red,” he said, smiling down at her through the blur of tears. “I thought you were dying.” She lifted a shaky hand to her head, but he caught it before she could touch the wound. “My head hurts like hell. But I enjoyed the speech, Owe.

She wrote his name on a piece of paper and lit it with a match. The letters curled as they turned dark and misshapen until she didn’t recognize them. They were figments of something that she had done in her past, lost into some other form of existence. Where did the letters go now? She tried to find traces within the ash of some resemblance of what used to be. She dug down, her fingers turning black and gray like the depths of her. He was gone. Gone. What was she left with but ashes and darkness once the light of the flame went out? The smell of smoke lingered like a memory of him. Was this the end or could she write a new word? Not a new name, not his name, but could she call a new word into existence? A new piece of HER; a new reason for her existence? Picking up the permanent marker, Amy placed it in her pocket for later. Ashes blow in the creek bed and blend with the stream, moving down like sand in an hourglass.

Live water heals memories. I look up the creek and here it comes, the future, being borne aloft as on a winding succession of laden trays. You may wake and look from the window and breathe the real air, and say, with satisfaction or longing, “This is it.” But if you look up the creek, if you look up the creek in any weather, your spirit fills, and you are saying, with an exulting rise of the lungs, “Here it comes!” Here it comes. In the far distance I can see the concrete bridge where the road crosses the creek. Under the bridge and beyond it the water is flat and silent, blued by distance and stilled by depth. It is so much sky, a fallen shred caught in the cleft of banks. But it pours. The channel here is straight as an arrow; grace is itself an archer. Between the dangling wands of bankside willows, and Osage orange, I see the creek pour down. It spills toward me streaming over a series of sandstone tiers, down and down, and down. I feel as though I stand at the foot of an infinitely high staircase, down which some exuberant spirit is flinging tennis ball after tennis ball, eternally, and the one thing I want in the world is a tennis ball.

The morning after / my death” The morning after my death we will sit in cafés but I will not be there I will not be * There was the great death of birds the moon was consumed with fire the stars were visible until noon. Green was the forest drenched with shadows the roads were serpentine A redwood tree stood alone with its lean and lit body unable to follow the cars that went by with frenzy a tree is always an immutable traveller. The moon darkened at dawn the mountain quivered with anticipation and the ocean was double-shaded: the blue of its surface with the blue of flowers mingled in horizontal water trails there was a breeze to witness the hour * The sun darkened at the fifth hour of the day the beach was covered with conversations pebbles started to pour into holes and waves came in like horses. * The moon darkened on Christmas eve angels ate lemons in illuminated churches there was a blue rug planted with stars above our heads lemonade and war news competed for our attention our breath was warmer than the hills. * There was a great slaughter of rocks of spring leaves of creeks the stars showed fully the last king of the Mountain gave battle and got killed. We lay on the grass covered dried blood with our bodies green blades swayed between our teeth. * We went out to sea a bank of whales was heading South a young man among us a hero tried to straddle one of the sea creatures his body emerged as a muddy pool as mud we waved goodbye to his remnants happy not to have to bury him in the early hours of the day We got drunk in a barroom the small town of Fairfax had just gone to bed cherry trees were bending under the weight of their flowers: they were involved in a ceremonial dance to which no one had ever been invited. * I know flowers to be funeral companions they make poisons and venoms and eat abandoned stone walls I know flowers shine stronger than the sun their eclipse means the end of times but I love flowers for their treachery their fragile bodies grace my imagination’s avenues without their presence my mind would be an unmarked grave. * We met a great storm at sea looked back at the rocking cliffs the sand was going under black birds were leaving the storm ate friends and foes alike water turned into salt for my wounds. * Flowers end in frozen patterns artificial gardens cover the floors we get up close to midnight search with powerful lights the tiniest shrubs on the meadows A stream desperately is running to the ocean The Spring Flowers Own & The Manifestations of the Voyage (The Post-Apollo Press, 1990)

Toward an Organic Philosophy SPRING, COAST RANGE The glow of my campfire is dark red and flameless, The circle of white ash widens around it. I get up and walk off in the moonlight and each time I look back the red is deeper and the light smaller. Scorpio rises late with Mars caught in his claw; The moon has come before them, the light Like a choir of children in the young laurel trees. It is April; the shad, the hot headed fish, Climbs the rivers; there is trillium in the damp canyons; The foetid adder’s tongue lolls by the waterfall. There was a farm at this campsite once, it is almost gone now. There were sheep here after the farm, and fire Long ago burned the redwoods out of the gulch, The Douglas fir off the ridge; today the soil Is stony and incoherent, the small stones lie flat And plate the surface like scales. Twenty years ago the spreading gully Toppled the big oak over onto the house. Now there is nothing left but the foundations Hidden in poison oak, and above on the ridge, Six lonely, ominous fenceposts; The redwood beams of the barn make a footbridge Over the deep waterless creek bed; The hills are covered with wild oats Dry and white by midsummer. I walk in the random survivals of the orchard. In a patch of moonlight a mole Shakes his tunnel like an angry vein; Orion walks waist deep in the fog coming in from the ocean; Leo crouches under the zenith. There are tiny hard fruits already on the plum trees. The purity of the apple blossoms is incredible. As the wind dies down their fragrance Clusters around them like thick smoke. All the day they roared with bees, in the moonlight They are silent and immaculate. SPRING, SIERRA NEVADA Once more golden Scorpio glows over the col Above Deadman Canyon, orderly and brilliant, Like an inspiration in the brain of Archimedes. I have seen its light over the warm sea, Over the coconut beaches, phosphorescent and pulsing; And the living light in the water Shivering away from the swimming hand, Creeping against the lips, filling the floating hair. Here where the glaciers have been and the snow stays late, The stone is clean as light, the light steady as stone. The relationship of stone, ice and stars is systematic and enduring: Novelty emerges after centuries, a rock spalls from the cliffs, The glacier contracts and turns grayer, The stream cuts new sinuosities in the meadow, The sun moves through space and the earth with it, The stars change places. The snow has lasted longer this year, Than anyone can remember. The lowest meadow is a lake, The next two are snowfields, the pass is covered with snow, Only the steepest rocks are bare. Between the pass And the last meadow the snowfield gapes for a hundred feet, In a narrow blue chasm through which a waterfall drops, Spangled with sunset at the top, black and muscular Where it disappears again in the snow. The world is filled with hidden running water That pounds in the ears like ether; The granite needles rise from the snow, pale as steel; Above the copper mine the cliff is blood red, The white snow breaks at the edge of it; The sky comes close to my eyes like the blue eyes Of someone kissed in sleep. I descend to camp, To the young, sticky, wrinkled aspen leaves, To the first violets and wild cyclamen, And cook supper in the blue twilight. All night deer pass over the snow on sharp hooves, In the darkness their cold muzzles find the new grass At the edge of the snow.

Lester.” Reyna sighed. “What in Tartarus are you saying? I’m not in the mood for riddles.” “That maybe I’m the answer,” I blurted. “To healing your heart. I could…you know, be your boyfriend. As Lester. If you wanted. You and me. You know, like…yeah.” I was absolutely certain that up on Mount Olympus, the other Olympians all had their phones out and were filming me to post on Euterpe-Tube. Reyna stared at me long enough for the marching band in my circulatory system to play a complete stanza of “You’re a Grand Old Flag.” Her eyes were dark and dangerous. Her expression was unreadable, like the outer surface of an explosive device. She was going to murder me. No. She would order her dogs to murder me. By the time Meg rushed to my aid, it would be too late. Or worse—Meg would help Reyna bury my remains, and no one would be the wiser. When they returned to camp, the Romans would ask What happened to Apollo? Who? Reyna would say. Oh, that guy? Dunno, we lost him. Oh, well! the Romans would reply, and that would be that. Reyna’s mouth tightened into a grimace. She bent over, gripping her knees. Her body began to shake. Oh, gods, what had I done? Perhaps I should comfort her, hold her in my arms. Perhaps I should run for my life. Why was I so bad at romance? Reyna made a squeaking sound, then a sort of sustained whimper. I really had hurt her! Then she straightened, tears streaming down her face, and burst into laughter. The sound reminded me of water rushing over a creek bed that had been dry for ages. Once she started, she couldn’t seem to stop. She doubled over, stood upright again, leaned against a tree, and looked at her dogs as if to share the joke. “Oh…my…gods,” she wheezed. She managed to restrain her mirth long enough to blink at me through the tears, as if to make sure I was really there and she’d heard me correctly. “You. Me? HA-HA-HA-HA-HA-HA-HA.

She slipped into the shadows and waited, like a she-wolf, for her quarry. Bay caught her breath when Owen Blackthorne stepped into the cool night air. He was close enough to touch. His shaggy black hair looked rumpled, as though he’d shoved both hands through it in agitation. When he started to move off the porch, Bay reached out and grasped his sleeve. A second later she was slammed back against the wall, a powerful male hand at her throat choking her. She could feel the heat of him, the solid maleness of him. And panicked. She clawed at Owen’s flesh with her nails and drove her knee upward toward his genitals. Her thrust her upraised knee aside, and the full weight of his over-six-foot frame shoved hard against her from shoulders to thighs. Bay froze, staring up at him in mute horror. Her body trembled in shock. She tried to speak, but there was no air to be had beneath the crushing pressure of his grip on her throat. “What the hell . . .?” He released her throat and grabbed her arms to yank her into the narrow stream of light from the kitchen doorway. She gasped a breath of air, coughed, then gasped another, pressing a shaky hand to her injured throat. She wrenched to free herself, but he let her go without a struggle and took a wary step back. She rubbed her arms where he’d held her, wishing she’d approached him more directly. “What are you doing out here, Mizz Creed?” His voice was clipped but controlled. The violence she’d felt in his touch was still there in his eyes, which glittered with hostility. “It’s Dr. Creed,” she rasped, glaring back at him. He lifted a black brow. “Well, Dr. Creed.” She opened her mouth to say I need your help. But the words wouldn’t come. There was nothing wrong with her voice. She just hated the thought of asking a Blackthorne for anything. “I haven’t got all night,” he said. “There’s an emergency at the barn—” “Ruby’s foal has already been delivered safely,” she said. “I made up that story because I wanted to speak privately with you.

First she saw light, the rising sun reflecting off something at the clearing’s edge. In that moment before she heard the voices, she confusedly thought she was seeing fireflies in the daytime, then realized it was silver brooches catching the light. No one had told her to expect the family, but there they were: Rising Hawk’s uncle, his parents, and assorted cousins, including Dream Teller, who gave Livy a tight smile she took for a peace offering. Rising Hawk lagged behind, carrying a scrawny deer over his shoulders, his eyes focused on the path. The others had the good sense and tact to pass on with a simple greeting, but Buffalo Creek Woman put her hands to Livy’s chest and with a stream of words, finally cut short by Cold Keeper, forgave her everything.

Mr. Flanagan decided to move in with his son in Calgary. He listed the property for sale several weeks ago with Smith Real Estate in Dawson. I’m the person who bought it.” His features looked even harder than they had before. “That’s impossible. I tried to buy this place from Mose Flanagan every other month for the last four years. He refused to even consider it.” Her irritation inched up a notch. “Well, apparently he changed his mind. The transaction officially closed yesterday morning. I don’t know why he didn’t tell you the property was for sale.” When his black scowl deepened, she couldn’t resist adding, “Maybe he just didn’t like you.” He opened his mouth to argue, clamped down on his jaw instead, and a muscle jumped in his cheek. Apparently her goading had hit on a portion of the truth. “So now you’re the owner,” he said darkly. “That’s right, I am.” He looked her over from head to foot, taking in her Liz Claiborne jeans and the touch of makeup she hadn’t been able to resist. She bristled at his smug expression. “And you actually intend to move in?” “I am in, Mr…?” “Hawkins. McCall Hawkins. I’m your next-door neighbor, so to speak. And I don’t appreciate all that hammering you’ve been doing. I like things nice and quiet. I enjoy my privacy and I don’t like being disturbed. It’ll be easier on both of us if you keep that in mind.” “I’ll do my best,” she lied, thinking of the noisy dredging equipment she intended to use in the stream. She gave him a too-sweet smile. “I’d say it was a pleasure, Mr. Hawkins, but we both know it wasn’t. Now if you’ll excuse me, I have to get back to work.” Turning away from him, she climbed the stairs to the porch, picking up her hammer, and started pounding on the dresser again, dismissing him as if he had never been there. For several long moments, he simply stood there glaring. Then she caught the movement of his shadow as he turned and stalked away, back down the path beside the creek. Of all the nerve. Who the devil did he think he was?

All of our savings were consumed in the effort to bring my dog over. Steve loved Sui so much that he understood completely why it was worth it to me. The process took forever, and I spent my days tangled in red tape. I despaired. I loved my life and I loved the zoo, but there were times during that desperate first winter when it seemed we were fighting a losing battle. Then our documentaries started to air on Australian television. The first one, on the Cattle Creek croc rescue, caused a minor stir. There was more interest in the zoo, and more excitement about Steve as a personality. We hurried to do more films with John Stainton. As those hit the airwaves, it felt like a slow-motion thunderclap. Croc Hunter fever began to take hold. The shows did well in Sydney, even better in Melbourne, and absolutely fabulous in Brisbane, where they beat out a long-running number one show, the first program to do so. I believe we struck a chord among Australians because Steve wasn’t a manufactured TV personality. He actually did head out into the bush to catch crocodiles. He ran a zoo. He wore khakis. Among all the people of the world, Australians have a fine sense of the genuine. Steve was the real deal. Although the first documentary was popular and we were continuing to film more, it would be years before we would see any financial gain from our film work. But Steve sat down with me one evening to talk about what we would do if all our grand plans ever came to fruition. “When we start to make a quid out of Crocodile Hunter,” he said, “we need to have a plan.” That evening, we made an agreement that would form the foundation of our marriage in regard to our working life together. Any money we made out of Crocodile Hunter--whether it was through documentaries, toys, or T-shirts (we barely dared to imagine that our future would hold spin-offs such as books and movies)--would go right back into conservation. We would earn a wage from working at the zoo like everybody else. But everything we earned outside of it would go toward helping wildlife, 100 percent. That was our deal. As a result of the documentaries, our zoo business turned from a trickle to a steady stream. Only months earlier, a big day to us might have been $650 in total receipts. When we did $3,500 worth of business one Sunday, and then the next Sunday upped that record to bring in $4,500, we knew our little business was taking off. Things were going so well that it was a total shock when I received a stern notice from the Australian immigration authorities. Suddenly it appeared that not only was it going to be a challenge to bring Shasta and Malina to my new home of Australia, I was encountering problems with my own immigration too. Just when Steve and I had made our first tentative steps to build a wonderful life together, it looked as though it could all come tumbling down.

They're kidding themselves, of course. Our sky can go from lapis to tin in the blink of an eye. Blink again and your latte's diluted. And that's just fine with me. I thrive here on the certainty that no matter how parched my glands, how anhydrous the creek beds, how withered the weeds in the lawn, it's only a matter of time before the rains come home. The rains will steal down from the Sasquatch slopes. They will rise with the geese from the marshes and sloughs. Rain will fall in sweeps, it will fall in drones, it will fall in cascades of cheap Zen jewelry. And it will rain a fever. And it will rain a sacrifice. And it will rain sorceries and saturnine eyes of the totem. Rain will primitivize the cities, slowing every wheel, animating every gutter, diffusing commercial neon into smeary blooms of esoteric calligraphy. Rain will dramatize the countryside, sewing pearls into every web, winding silk around every stump, redrawing the horizon line with a badly frayed brush dipped in tea and quicksilver. And it will rain an omen. And it will rain a trance. And it will rain a seizure. And it will rain dangers and pale eggs of the beast. Rain will pour for days unceasing. Flooding will occur. Wells will fill with drowned ants, basements with fossils. Mossy-haired lunatics will roam the dripping peninsulas. Moisture will gleam on the beak of the Raven. Ancient shamans, rained from their rest in dead tree trunks, will clack their clamshell teeth in the submerged doorways of video parlors. Rivers will swell, sloughs will ferment. Vapors will billow from the troll-infested ditches, challenging windshield wipers, disgusing intentions and golden arches. Water will stream off eaves and umbrellas. It will take on the colors of beer signs and headlamps. It will glisten on the claws of nighttime animals. And it will rain a screaming. And it will rain a rawness. And it will rain a disorder, and hair-raising hisses from the oldest snake in the world. Rain will hiss on the freeways. It will hiss around the prows of fishing boats. It will hiss in the electrical substations, on the tips of lit cigarettes, and in the trash fires of the dispossessed. Legends will wash from desecrated burial grounds, graffiti will run down alley walls. Rain will eat the old warpaths, spill the huckleberries, cause toadstools to rise like loaves. It will make poets drunk and winos sober, and polish the horns of the slugs. And it will rain a miracle. And it will rain a comfort. And it will rain a sense of salvation from the philistinic graspings of the world. Yes, I am here for the weather. And when I am lowered at last into a pit of marvelous mud, a pillow of fern and skunk cabbage beneath my skull, I want my epitaph to read, IT RAINED ON HIS PARADE, AND HE WAS GLAD!

But I like to think of life in the same way I think of flowing water. Sometimes, the creeks, the streams, and the lakes will all be dry. Filled with carnage, broken branches, dead leaves, dust, and dirt. But then the rain comes, and all the tiny droplets of water merge together to create the river once more.

seas, lakes, rivers, streams, creeks, and puddles.

Late in the spring of 1837, apostles Thomas Marsh, David Patten, and William Smith left their homes in Missouri and set out for Kirtland. Many of the Saints in Zion were now settled along a stream called Shoal Creek, about fifty miles northeast of Independence. There they had founded a town called Far West, using Joseph’s plan for the city of Zion as their guide to lay out the settlement. Hoping to find a peaceful solution to the Saints’ ongoing problems with their neighbors, the Missouri legislature had organized Caldwell County, which encompassed the land around Far West and Shoal Creek, for the settlement of the Saints.1

Norman slid down a 30 cm (12 inches) wide bench of snow beside the creek on his hip until he reached a rock bowl. At the far side, the stream emptied over an icy waterfall on to sharp rocks 15 m (50 ft) below. Somehow he used cracks to worm his way down from rocky crease to icy blister. The slope wasn’t steep here, but Norman had to traverse giant shale boulders. His stomach was chewing itself and exhaustion tore at him like an animal. He staggered woozily on until looked up and saw the meadow of snow 180 m (600 ft) down slope. But the mountain still wasn’t done with him. Now the enemy was a snarling mass of buckthorn, which lurked below a thin layer of snow. He dropped into it and stuck deep in the well formed by the jagged branches, unable to climb out. A plane passed high above. He yelled and waved. It circled. It had seen him. No. It sailed over the massive ridgeline. ‘I never gave up. My dad taught me to never give up.’ From Crazy for the Storm by Norman Ollestad. With the last ounces of his strength, Norman scrabbled and slithered out of the nest of buckthorn. With a flush of euphoria he found he had made it to the oasis of the snow meadow. It was tempting to sit down and celebrate, but he knew he might never get up again. He had to push on. But how would he get out? The vines wove a dense forest on the other side of the meadow. Then, he found some footprints. They were fresh. Norman followed them. After a few minutes, he realized the boot tracks made a circle. Was he delirious? Panic flooded his system. Then: ‘Hello! Anybody there?’ Norman screamed his lungs out. A teenage boy and his dog appeared out of the thickening gloom. ‘You from the crash?’ ‘Yes.’ ‘Anyone else?

While we were washing and swimming in the stream any old place, there were rules, it turns out: wash clothes downstream, where the forest creek runs into the crocodile river. Bathe in the middle. Draw water for drinking up above the village.... We have offended all the oldest divinities, in every thinkable way...holding our head high in sacred ignorance while our neighbors gasp, hand to mouth.... Downstream is always someone else's up.

An anchorite’s hermitage is called an anchor-hold; some anchor-holds were simple sheds clamped to the side of a church like a barnacle to a rock. I think of this house clamped to the side of Tinker Creek as an anchor-hold. It holds me at anchor to the rock bottom of the creek itself and keeps me steadied in the current, as a sea anchor does, facing the stream of light pouring down. It’s a good place to live; there’s a lot to think about. The creeks are an active mystery, fresh every minute. Theirs is the mystery of the continuous creation and all that providence implies: the uncertainty of vision, the horror of the fixed, the dissolution of the present, the intricacy of beauty, the pressure of fecundity, the elusiveness of the free, and the flawed nature of perfection. The mountains are a passive mystery, the oldest of them all. Theirs is the simple mystery of creation from nothing, of matter itself, anything at all, the given. Mountains are giant, restful, absorbent. You can heave your spirit into a mountain and the mountain will keep it, folded, and not throw it back as some creeks will. The creeks are the world with all its stimulus and beauty; I live there. But the mountains are home.

On cool autumn nights, eels hurrying to the sea sometimes crawl for a mile or more across dewy meadows to reach streams that will carry them to salt water.” These are adult eels, silver eels, and this descent that slid down my mind in the fall from a long spring ascent the eels made years ago…sometimes as high as 8,000 feet above sea level. There they lived without breeding “for at least 8 years.” In the late summer of the year they reached maturity, they stopped eating, and their dark color vanished. They turned silver; now they are heading to the sea. Down streams to rivers, down rivers to the seas, south in the North Atlantic where they meet, they are returning to the Sargasso Sea, where, in floating sargassum weed in the deepest waters of the Atlantic, they will mate, release their eggs, and die. This, the whole story of eels at which I have just hinted, is extravagant to the extremes, and food for another kind of thought, a thought about the meaning of such wild, incomprehensible gestures. Imagine a chilly night and a meadow; balls of dew droop from the curved grass. All right: the grass at the edge of the meadow begins to tremble and sway. Here come the eels. The largest are five feet long. They stream into the meadow, sift between grasses, veer from your path. There are too many to count. All you see is a silver slither, like twisted ropes of water falling roughly…If I saw that sight, would I live? If I stumbled across it, would I ever set foot out of my door again? Or would I be seized to join that compelling rush, would I cease eating, and pale, and abandon all to start walking?

The Blue One will live to see the Caterpillar rut everything they walk on—seacliff buckwheat cleared, relentless ice plant to replace it, the wild fields bisected by the scenic highway, canyons covered with cul-de-sacs, gas stations, comfortable homes, the whole habitat along this coastal stretch endangered, everything, everyone, everywhere in it danger as well— but now they're logging the one stilling hawk Smith sights, the conspiring grasses' shh shhhh ssh, the coreopsis Mattoni's boot barely spares, and, netted, a solitary blue butterfly. Smith ahead of him chasing the stream, Mattoni wonders if he plans to swim again. Just like that the spell breaks. It's years later, Mattoni lecturing on his struggling butterfly. How fragile. • If his daughter spooled out the fabric she's chosen for her wedding gown, raw taffeta, burled, a bright hued tan, perhaps Mattoni would remember how those dunes looked from a distance, the fabric, balanced between her arms, making valleys in the valley, the fan above her mimicking the breeze. He and his friend loved everything softly undulating under the coyest wind, and the rough truth as they walked through the land's scratch and scrabble and no one was there, then, besides Mattoni and his friend, walking along Dolan's Creek, in that part of California they hated to share. The ocean, a mile or so off, anything but passive so that even there, in the canyon, they sometimes heard it smack and pull well-braced rocks. The breeze, basic: salty, bitter, sour, sweet. Smith trying to identify the scent, tearing leaves of manzanita, yelling: "This is it. Here! This is it!" his hand to his nose, his eyes, having finally seen the source of his pleasure, alive. • In the lab, after the accident, he remembered it, the butterfly. How good a swimmer Smith had been, how rough the currents there at Half Moon Bay, his friend alone with reel and rod—Mattoni back at school early that year, his summer finished too soon— then all of them together in the sneaker wave, and before that the ridge, congregations of pinking blossoms, and one of them bowing, scaring up the living, the frail and flighty beast too beautiful to never be pinned, those nights Mattoni worked without his friend, he remembered too. He called the butterfly Smith's Blue

Physically, too, he is funny—never more so than when indulging his passion for eccentric exercise. Senator Henry Cabot Lodge has been heard yelling irritably at a portly object swaying in the sky, “Theodore! if you knew how ridiculous you look on top of that tree, you would come down at once.”53 On winter evenings in Rock Creek Park, strollers may observe the President of the United States wading pale and naked into the ice-clogged stream, followed by shivering members of his Cabinet.54 Thumping noises in the White House library indicate that Roosevelt is being thrown around the room by a Japanese wrestler; a particularly seismic crash, which makes the entire mansion tremble, signifies that Secretary Taft has been forced to join in the fun.

Measurement of lengths of individual pools and riffles is partly a matter of judgment. With this qualification, we may say that we found in Seneca Creek that the average length of one repeating distance is 324 feet, which is 5.1 times the mean width of the bankfull channel. The ratio 5.1 in Seneca Creek compares favorably with the corresponding ratio, 5, for meanders in streams of comparable size. In Seneca Creek the average length of pool is 1.6 times the length of riffle. No corresponding figure is available for meanders.

From the Bridge” by Captain Hank Bracker Pebbles, Rocks & Mountains Rocks can be formed in many different ways and are found in just about every corner of our planet, the Moon, up in space and who knows where else. Now pebbles are the mini-me’s of rocks and generally are about one to three inches in size. Geologists will tell you that they are about 5 millimeters in diameter, but who’s counting? In fact there are two beaches that are made up entirely of pebbles such as the Shingle Beach in Somerset, England. Generally pebbles are found along rivers, streams and creeks whereas mountains are usually a part of a chain that was created along geothermal fault lines. The process of Mountain formation is associated with movements of the earth's crust, which is referred to as plate tectonics. See; now that I looked it up, I know these things! What I’m about to say has absolutely nothing to do with geology and everything to do about human nature. In the course of events we never trip over mountains and seldom over rocks, but tripping over pebbles is another thing. Marilyn French, a writer and feminist scholar is credited with saying, “Men (she should have included Women) stumble over pebbles, never over mountains.” She was the lady (I should have said woman) whose provocative 1977 novel, “The Women's Room” captured the frustration and fury of a generation of women fed up with society's traditional conceptions of their roles (and this is true). However, this has nothing to do with the feminist movement and is simply a metaphor. Of course we’re not going to trip over mountains, not unless we are bigger than the “Jolly Green Giant!” and so it’s usually the little things that trip us up and cause us problems. What comes to mind is found on page 466 of The Exciting Story of Cuba. This is a book that won two awards by the “Florida Authors & Publishers Association” and yet there are small mistakes. They weren’t even caused by me or my team and yet there they are, getting bigger and bigger every time I look at them. Now I’m not about to tell you what they are, since that would take the fun out of it, but if you look hard enough in the book, you’ll succeed in discovering them! I will however tell you that one of these mistakes was caused by a computer program called “Word.” It’s wonderful that this program has a spell check and can even correct my grammar, but it can’t read my mind. In its infernal wisdom, the program was so insistent that it was right and that I was wrong that it changed the spelling of, in this case, the name of a person in the middle of the night. It happened while I was sleeping! I would have seen it if it had been as big as a mountain, however being just a little pebble it escaped my review and even escaped the eagle eyes of Lucy who still remains the best proof reader and copy editor that I know. When you discover what I missed please refrain from emailing me, although, normally, I would really enjoy hearing from you! I unfortunately already know most of the errors in the book, for which I take full responsibility. The truth of it is that my mistakes leave me feeling stupid and frustrated. Now, you may disagree with me however I don’t think that I am really all that stupid, but when you write hundreds of thousands of words, a few of them might just slip between the cracks. None of us are infallible and we all make mistakes. I sometimes like to say that “I once thought that I had made a mistake, but then found out that I was mistaken.” And so it is; if you think about it, it’s the pebbles that create most of our problems, not the rocks and certainly not the mountains. I’ll let you know as soon as my other books, Suppressed I Rise – Revised Edition; Seawater One…. And Words of Wisdom, “From the Bridge” are available. It’s Seawater One that has the naughty bits in it… but that just spices it up. Now with that book you can really tell me what you think….

The language was also shamelessly intimate and earthy: passersby were addressed as “honey” and children as “little shits.” They dubbed local landmarks Gallows Branch or Cutthroat Gap or Shitbritches Creek (in North Carolina). In Lunenberg County, Virginia, they even named two local streams Tickle Cunt Branch and Fucking Creek.

Their era was ending when Jim Clyman got to Independence in ’44 and found Bill Sublette, who had first taken wagons up the Platte Valley in 1830, now taking invalids to Brown’s Hole for a summer’s outing. It was twenty-one years since Jim had first gone up the Missouri, forty years since Lewis and Clark wintered at the Mandan villages, thirty-three years since Wilson Hunt led the Astorians westward, twenty years since Clyman with Smith and Fitzpatrick crossed South Pass, eighteen years since Ashley, in the Wasatch Mountains, sold his fur company to Smith, Sublette, and Jackson. Thirty-two years ago Robert McKnight had been imprisoned by the Spanish for taking goods to Santa Fe. Twenty-three years ago William Becknell had defied the prohibition and returned from Santa Fe in triumph. Eighteen years ago the Patties had got to San Diego by the Gila route and Jed Smith had blazed the desert trail to San Bernardino Valley; fourteen years ago Ewing Young, with Kit Carson, had come over the San Bernardino Mountains, making for the San Joaquin. There had been a trading post at the mouth of Laramie Creek for just ten years. Bent’s Fort was fifteen years old. Now the streams were trapped out, and even if beaver should come back, the price of plews would never rise again. There were two or three thousand Americans in Oregon, a couple of hundred in California, and in Independence hundreds of wagons were yoking up. Bill Sublette and Black Harris were guiding movers. Carson and Fitzpatrick were completing the education of John Charles Frémont. Forty years since Lewis and Clark. Think back to that blank paper with some names sketched in, the Wind River peaks, the Tetons, the Picketwire River, the Siskidee, names which, mostly, the mountain men sketched in — something under a million square miles, the fundamental watershed, a thousand mountain men scalped in this wilderness, the deserts crossed, the trails blazed and packed down, the mountains made known, the caravans carrying freight to Santa Fe, Bill Bowen selling his place to go to Oregon, half a dozen wagonwrights setting up at Independence … and, far off, like a fly buzzing against a screen, Joe Meek’s cousin, Mr. Polk, preparing war. Whose country was it? III Pillar of Cloud ALL through February Congress debated the resolution to terminate the joint occupancy of Oregon, and by its deliberation, Polk thought, informed the British that we were irresolute.

When I say you will bathe, Becca Brandt, you will bathe,” he hissed. She shrieked as he swept her up into his arms. Suddenly, she was flying through the air. Before she could scream again, she hit the water. The shock of the numbing cold stream drove everything but self-preservation from her mind. She struggled to get her head above the surface, came up sputtering and gasping for breath, lost her balance, and fell under again. Strong hands closed around her shoulders and lifted her to her feet. As the panic receded, she realized that the water was only waist deep and she was in no danger of drowning. “By the great deeds of Glooskap! Are you possessed of a demon, woman, that you try me so? Can you not bathe without drowning yourself?” She stared at him through dripping strands of hair and cursed him with the foulest expletive she could muster. “Good,” he said. “If you can call me names, you’ve enough breath to survive.” He let go of her and waded out of the creek. “I will go downstream,” he said, “and wash my own body. See that you clean your hair properly, or I will throw you in again and do it myself.” “You . . . you’re crazy!” she said with chattering teeth. “I’m . . . freezing!” “Then wash quickly and return to the fire. I’ll try and find us something to break our fast.” “Fiend!” she shouted at his broad back. He must be an animal not to feel the cold, she thought, as she splashed half-heartedly in the shallows. Her feet and legs were solid ice. Her body shook with chills. “Damn him,” she muttered. “Damn him to a frozen hell.

deep-seated hatred between the cattlemen and the settler.”40 This should come as no shock; the only surprise is that the big cattlemen would sometimes deny their attitude toward settlers. A settler who exercised his perfect right to 160 acres along a stream could significantly impair a big cowman’s range; if several did so, the range would be lost altogether, as happened, for example, along Shell Creek in the Big Horn Basin.

Jones described what followed in his official report: All the oil, the tanks, barrels,engines for pumping, engine-houses, and wagons- in a word, everything used for rising, holding, or sending it off was burned. The smoke is very dense and jet black. The boats, filled with oil in bulk, burst with a report almost equaling artillery, and spread the burning fuel down the river. Before night huge columns of ebony smoke marked the meanderings of the stream as far as the eye could see. By dark the oil from the tanks on the burning creek had reached the river and the whole stream was a sheet of fire. A burning river, carrying destruction to our merciless enemy, was a scene of magnificence that might well carry joy to every patriotic heart.- General William E. " Grumble" Jones

In Manhattan, appreciation of history is exemplified in Collect Pond Park, a one-acre green space in Manhattan’s Civic Center whose name commemorates a pond where many pivotal events took place in the first two centuries of the city’s history. In 2012, the city began a reconstruction project that included a reflecting pool to evoke the park’s namesake pond. To

On Staten Island, instead of sewers, an innovative Bluebelt program repurposed the borough’s ponds and creeks as natural drainage corridors for runoff coming from nearby streets, reducing the burden for sewage treatment plants. The

Mill Basin was the only inlet of Jamaica Bay that had a drawbridge at its outlet, enabling tall vessels to pass through. Completed in 1940, the Mill Basin Drawbridge, which carried the Belt Parkway between Barren Island and Bergen Beach, had a clearance above water at high tide of 35 feet (when it wasn’t raised). The state is currently in the process of replacing this drawbridge with a fixed bridge, which will have a clearance of 60 feet.

For Charleston and Rossville residents, the forest around Clay Pit Ponds was an irreplaceable natural area with native and industrial history. In 1951, Parks Commissioner Robert Moses proposed filling in the freshwater wetlands with trash to prepare the land for development. The Federation of Sportsmen and Conservationists, the Staten Island Museum, and the Audubon Society teamed up to save the seven ponds in the preserve, home to herons, ducks, muskrats, and bitterns. “I can’t imagine any park commissioner in the world permitting the dumping of garbage into such beautiful ponds,” said W. Lynn McCracken, chairman of the Park Association of Staten Island.

Hourglass and Stump Ponds are accessible by hiking trails that circle behind Pouch Camp. The lengthy walk that is required to reach Hourglass Pond gives it the distinction of being the most secluded natural area in the city, according to Bruce Kershner,

The geology of Staten Island is the most complex of the city’s boroughs, containing the terminal moraine of the last ice age, a fault line from 470 million years ago, the southern tail of the Palisades formation, and sediments collected over the millennia.

There are many ways to go home; many are mundane, some are divine. My clients tell me these mundane endeavors constitute a return to home for them[...] Rereading passages of books and single poems that have touched them. Spending even a few minutes near a river, a stream, a creek. Lying on the ground in dappled light. Being with a loved one without kids around. Sitting on the porch shelling something, knitting something, peeling something. Walking or driving for an hour, any direction, then returning. Boarding any bus, destination unknown. Making drums while listening to music. Greeting sunrise. Driving out to where the city lights do not interfere with the night sky. Praying. A special friend. Sitting on abridge with legs dangling over. Holding an infant. Sitting by a window in a café and writing. Sitting in a circle of trees. Drying hair in the sun. Putting hands in a rain barrel. Potting plants,being sure to get hands very muddy. Beholding beauty, grace, the touching frailty of human beings.

Old Country Longing August 9, 2024 at 8:49 AM [Verse] Old country, I miss your dusty roads, The fields where wildflowers still grow. I feel lonely when I can't see your face, Yearnin' for your warm, familiar embrace. [Verse 2] I desire to walk through your rolling hills, To hear the whisper of your creeks and rills. Obsessed, I hunger for your taste and scent, Missin' every single moment we spent. [Chorus] Old country, you fill my dreams, Your rivers and plains, your whispering streams. In your fields and farms, I long to find, The feel of your soul, touchin' mine. [Verse 3] I reminisce 'bout your moonlit nights, Your crickets singin' soft lullabies. The summer breeze that danced in my hair, In your presence, I felt no despair. [Verse 4] Your rusty barns and your forest trails, Every path tells a hundred tales. I crave the scent of your fresh cut hay, Dreamin' of home every single day. [Chorus] Old country, you fill my dreams, Your rivers and plains, your whispering streams. In your fields and farms, I long to find, The feel of your soul, touchin' mine.

Mary put

The pond transforms and becomes Ravenna Creek. The dancing water flows right next to the footpath. The three amble down the path and hear the stream burbling. It sings to everyone in the park. Johann listens to the melody of the water.

Another half hour went by. Chet sighted a clear stream, flashing in the sun, pouring through a green meadow. “There!” he exclaimed in triumph. “Uh-uh!” said Joe, poker-faced. “No shade. I can’t eat in the blazing sun. Hurts my digestion.” “Oh-h,” the stout boy moaned, but proceeded doggedly ahead. Presently the woods closed in on both sides, and the road crossed a small creek. “Now?” Chet sighed hopefully. “No.” Frank shook his head. “Oh-h! Now why?” “Too many trees. No sun. Can’t eat without a little sun.

For the more adventurous fisherman, Yellowstone offers waters far from well-traveled roads. It takes more time to reach these waters, and the best fishing is later in the day due to higher elevations. But the extra effort pays off with bigger rewards. Fall River Basin boasts some of the best fly-fishing waters anywhere, let alone the Park. It’s only 75 miles from Idaho Falls, yet fly-fishers bypass it to take part in crowd-forming events on the Henry’s Fork and Madison River to the north and the South Fork to the south. Yes, a four-mile walk is required to access Bechler River and Boundary Creek in the meadows. A 2 to 3 mile walk reaches Fall River, Mountain Ash Creek and Beula and Hering Lakes. Each stream hosts large cutthroat-rainbow hybrid trout, which can rival those of the Henry’s Fork and the Madison River in size and pickiness.

Keep the tarp rolled back and wait for night. What was that song? If I die before I wake, feed Jake, he’s been a good dog … Maybe better. But then he would have had to be the one to die of heartbreak. Better like this. Like the darkness pouring back into the canyon covering the stream covering us in a black shroud. Still. No resolution ever. None. Nothing decided, nothing finished. The Dipper wheels back into place. Just one turn. One turn of the wheel and we are different, never the same. Not ever. Not even those stars. Even they, they decay, collapse, coalesce, break apart. Close my eyes. It’s what’s inside. What’s inside moving, swimming in the pain like a blind fish forever swimming. Is what lives what remains. Renews, renews the love and the pain. The love is the creek bed and the pain fills it. Fills it every day with tears.

There are halibut as big as doors in the ocean down below the town, flapskimming on the murky ocean floor with vast skates and rays and purple crabs and black cod large as logs, and sea lions slashing through the whip-forests of bull kelp and eelgrass and sugar wrack, and seals in the rockweed and giant perennial kelp and iridescent kelp and iridescent fish and luminous shrimp too small to see with the naked eye but billions of which feed the gray whales which slide hugely slowly by like rubbery zeppelins twice a year, north in spring and south in fall. Salmonberries, thimbleberries, black raspberries, gooseberries, bearberries, snowberries, salal berries, elderberries, blackberries along the road and by the seasonal salt marshes north and south. The ground squirrels burrow along the dirt banks of the back roads, their warren of mysterious holes, the thick scatter of fine brown soil before their doorsteps, the flash of silver-gray on their back fur as they rocket into the bushes; the bucks and does and fawns in the road in the morning, their springy step as they slip away from the gardens they have been eating; the bobcat seen once, at dusk, its haunches jacked up like a teenager's hot-rodding car; the rumor of cougar in the hills; the coyotes who use the old fire road in the hills; the tiny mice and bats one sometimes finds long dead and leathery like ancient brown paper; the little frenetic testy chittering skittering cheeky testy chickaree squirrels in the spruces and pines - Douglas squirrels, they are, their very name remembering that young gentleman botanist who wandered near these hills centuries ago. The herons in marshes and sinks and creeks and streams and on the beach sometimes at dusk; and the cormorants and pelicans and sea scoters and murres (poor things so often dead young on the beach after the late-spring fledging) and jays and crows and quorking haunted ravens (moaning Poe! Poe! at dusk) especially over the wooded hills, and the goldfinches mobbing thistles in the meadowed hills, and sometimes a falcon rocketing by like a gleeful murderous dream, and osprey of all sizes all along the Mink like an osprey police lineup, and the herring gulls and Caspian terns and arctic terns, and the varied thrushes in wet corners of thickets, and the ruffed grouse in the spruce by the road, and the quail sometimes, and red-tailed hawks floating floating floating; from below they look like kites soaring brownly against the piercing blue sky, which itself is a vast creature bluer by the month as summer deepens into crispy cold fall.

Neither of us was hungry, but we managed to force down a little of Poe's bread, which was, as ever, delicious, buttery with a hint of chocolate, and very refreshing. Having finished the water we had brought with us, we were now forced to drink from creeks and streams. I was not happy about this, but there was no alternative.* *In some stories, drinking from faerie streams has the same effect upon mortals as faerie wine.

The plan was majestic. It contemplated two huge new dams on the Colorado River in Marble Gorge and Bridge Canyon, at opposite ends of Grand Canyon National Park. Both had been carefully situated so as not to flood the park itself—except for what the Bureau called “minor” flooding that would drown lower Havasu Creek, the canyon’s most beautiful side stream, and submerge Lava Falls, the river’s most thunderous rapid. But the park would sit inside a dam sandwich: Bridge Canyon Dam would back up water for ninety-three miles below it, entirely flooding the bottom of Grand Canyon National Monument, and Marble Gorge Dam would create a reservoir more than forty miles long right above it. The dams had one purpose—hydroelectric power—and a single objective: lots and lots of cash. They would not conserve any water, because there was none left to conserve; in some years, they would cause a net loss to the river through evaporation. They were there only to take advantage of the thousand feet of elevation loss between Glen Canyon and Hoover dams. Together, they would generate 2.1 million kilowatts of peaking power, marketable at premium rates. Later, the power revenues would finance an artificial river of rescue; for now it would pay for the other features of the plan. One of those features—actually, it was the centerpiece of the plan—was a pair of big dams on the Trinity River, in far-northern California, and a long hard-rock tunnel that would turn their water into the Sacramento River, where it would begin its journey to Los Angeles.

Exploding toilets? Heard about that one. Son of Poseidon claimed in a stream during capture the flag? Got the details courtesy of Zephyros Creek. Underwater kiss? Canoe Lake gushed about it for days afterward.

Like other eastern tribes, the Cherokee played a ball game similar to lacrosse. Called "the friend or companion of battle," or simply "little brother of war," these stickball games were very rough--there were often broken bones, torn muscles, cuts, and bruises. Elaborate rituals preceded the game. If someone wanted a contest, he gathered his friends and sent a challenge to another town. If the town accepted the challenge, people were selected for various tasks: an elderly man to oversee the game, a person to sing for the players, another to whoop, and a musician for seven women who danced on the seventh night of preparations for the game. The night before the game, players danced together around the fire with their ball sticks, pretending that they were playing. Then they hung up their sticks, went to a brisk stream, and bathed seven times, after which they went to bed. At daybreak, the shaman took them to the creek again. During their preparations the players were not allowed to go near women and they could not eat meat or anything hot or salty. Seven women were chosen to prepare meals of cold bread and a drink of parched cornmeal and water. The men could not be served by women, so boys brought the food to them. During the day the men were scratched with rattlesnake fangs or turkey quills to toughen them for the "little brother of war." The two teams gathered on a large field where goalposts were set up at each end. Players paired off, the referee threw the ball up in the air between the two captains, and a mad scramble ensued. The game was "anything goes," and there was biting, gouging, choking, scratching, twisting arms and legs, and banging each other with the wooden rackets. The object of the game was to carry the ball between the goals twelve times. The first team with twelve wooden pegs stuck in the ground by the shaman won the game. There was no time limit and often the game went on until dark. There was also no time-out or substitution. If a player was injured, he and the opponent with whom he was paired both left the game. Cherokee gathered from throughout the mountains to watch and bet on these hotly contested games.

At mile 7.6 (7,405), cross Meadows Group Campground Road, then go through a gate and veer left at mile 7.7 (7,364). (For Buffalo Creek Trailhead go right 0.2 mile.) After a nice walk along Buffalo Creek to a bridge, cross it and FS Rd 543 at mile 8.0 (7,391). Turn left at an intersection with Redskin Creek Trail at mile 8.3 (7,448). At mile 9.1 (7,900) there is a dry campsite. Ahead is a rifle range south of the trail and it’s common to hear shots; stay on the trail. The trail climbs to mile 9.6 (7,930), where it crosses the road to Buffalo Creek Gun Club. At mile 11.9 (8,127), cross a small stream where there’s good camping. After a short but steep climb, arrive at FS Rd 560 (Wellington Lake Road) and Rolling Creek Trailhead, the end of Segment 3 at mile 12.2 (8,279).

TRAIL DESCRIPTION Segment 3 begins at the Little Scraggy Trailhead next to the interpretive display at the northwest end of the parking area, mile 0.0 (7,834 feet). Head west on the trail. The CT and side trails in Segment 3 are part of the Buffalo Creek trails network popular with mountain bicyclists. At mile 0.6 (7,855), the trail crosses FS Rd 550, then rolls before dropping slightly to a small intermittent stream at mile 1.3 (7,813) and, beyond, a small campsite on the left side of the trail. The trail crosses the Shingle Mill Trail at mile 1.9 (7,795), then crosses another small intermittent stream with marginal camping at mile 2.1 (7,746). At mile 2.8 (7,709), where there’s an abandoned jeep trail, cross a stream, then cross another stream at mile 3.4 (7,760). Cross Tramway Creek at mile 5.1 (7,797), where there are some good campsites, and take a left at the Tramway Trail at mile 5.6 (7,681). Intersect the Green Mountain Trail and take a right at mile 6.3 (7,645). Cross a small stream at mile 6.4 (7,592). From here, the trail descends slightly to an intersection at mile 7.0 (7,516) with a trail that leads to Buffalo Creek Campground, a fee area about a quarter-mile north. Go straight through this intersection and continue on to another intersection at mile 7.5 (7,441), this time following the CT to the right.

Classical theology saw nature as a book, reading its symbols in order to understand the mind of a heavenly author. Our culture reads nature like a map, defined by roads leading to roads leading to places of money, the land merely blank space…there is another kind of vision. The eyes feel the curve and slope of the earth as it flows, following the water to the sea. The mind follows as well, wondering what creek lies below, what stream below that, what river. It is a geographic vision. What is here does not end here; all is unbroken. Place molds the sensual mind. The essays in this book are now also part of…the grain of this place. They explore with uncommon sensitivity what it means to be at home on the earth. There is no one way to do so; there are various kinds of settings in which this can and must be accomplished…what we make of ourselves and of our society is linked to what we make of the earth, and how we let the earth make us.

TRAILHEAD/ACCESS POINTS FS Rd 560/Rolling Creek Trailhead: Drive west from Denver on US Hwy 285 for about 39 miles to Bailey. Turn left and head southeast on Park County Rd 68 (the main intersection in town) that eventually turns into FS Rd 560 (Wellington Lake Road). After about 5 miles, you come to a Y in the road. Take the right branch, which continues as FS Rd 560. Two miles farther on, take the right fork again (still FS Rd 560). Continue another mile to Rolling Creek Trailhead, a small parking area on the right. Drive slowly; it is easy to miss. A small road goes a short distance southwest to another small parking area. North Fork Trailhead: This trailhead is remote and the last 4 miles of the road are seldom used (except during hunting season). It is suitable only for four-wheel-drive vehicles with high clearance. Drive southwest from Denver on US Hwy 285 for 58 miles to Kenosha Pass. Continue another 3.2 miles to a gravel side road on the left marked Lost Park Road (Jefferson County Rd 56 and later FS Rd 56). Proceed a little more than 16 miles to a side road (FS Rd 134) that branches to the left and starts to climb. Follow it about 4 miles to its end. The CT is just a short walk across the valley on the other side of the stream. The Brookside-McCurdy Trail comes into the trailhead from the southeast and joins the CT, going northwest along it for a couple of miles, then exiting to the north.

There are small seasonal streams, including one at mile 2.4 (9,146), and potential campsites in the next two miles. Intersect the Payne Creek Trail on the right at mile 3.3 (9,307) and continue straight ahead. Cross the headwaters of Craig Creek at mile 4.5 (9,375). There are good campsites nearby. At mile 5.6 (9,897), reach an intersection where the trail leaves the old road. Take a left onto the single-track trail and begin a steep climb. Reaching a saddle at mile 7.4 (10,483), the trail rejoins the old road, begins descending, and crosses a small spring at mile 8.0 (10,343), then leaves the wilderness area at mile 8.2 (10,314). After entering a large, grassy valley, follow the North Fork of Lost Creek upstream. There are many potential campsites along the way. The Brookside-McCurdy Trail joins The Colorado Trail at mile 8.9 (10,199) by a trail register. Then at mile 9.2 (10,249) cross a seasonal stream. At mile 11.3 (10,428), the Brookside-McCurdy Trail goes to the right, while the CT bears to the left. Leave the valley at mile 14.5 (10,929) and enter the forest at the head of the North Fork of Lost Creek. The trail descends steeply from here. After crossing a small stream at mile 16.5 (10,200), hike a short distance to an intersection with Long Gulch Trail above FS Rd 56 at mile 16.6 (10,176) and the end of Segment 4. For trailhead parking, take Long Gulch Trail 0.2 mile downhill (south).

TRAIL DESCRIPTION NOTE: This description begins at the trailhead parking area and sign just off Lost Park Road. A side trail, marked as the Long Gulch Trail, goes 0.2 mile up the hillside to intersect The Colorado Trail. Thru-hikers will not encounter this trailhead unless they make a specific detour to it. From the trailhead, cross the creek on a small bridge and go uphill for 0.2 mile to the CT, mile 0.0 (10,176 feet). Westbound hikers will turn left at this well-marked intersection. There is a good campsite near here, with water available from the fast-moving creek. Cross the creek about 300 feet past the intersection. The trail enters the Lost Creek Wilderness Area at mile 0.3 (10,263). Then at mile 1.6 (10,380) it heads through a mixed aspen-fir forest with some bristlecone pines. Cross a seasonal stream at mile 2.9 (10,366). There is a good campsite nearby. Cross a marshy area at mile 3.1 (10,387) and streams at mile 3.9 (10,347) and mile 4.5 (10,258). There is another creek at mile 5.3 (10,174) with several good campsites. The CT leaves the Lost Creek Wilderness Area at mile 6.6 (9,816) and crosses Rock Creek at mile 7.3 (9,534) where users should refill their bottles. Turn left when intersecting the Ben Tyler Trail at mile 7.4 (9,519). Ranch buildings are visible ahead. Pass through a Forest Service gate at mile 7.6 (9,555), continue to the Rock Creek Trailhead at mile 8.0 (9,726), and cross the road. Cross Johnson Gulch and a small, seasonal stream at mile 8.4 (9,521). This possible water source is the last until Kenosha Pass and there’s room to camp. Just past the stream, the CT crosses a jeep road and eventually passes through a stand of large aspen trees. At mile 10.6 (9,956) continue straight on the CT at a T road intersection. There are great views of the mountains to the south and west and toward the town of Jefferson. The trail eventually reaches a parking area at mile 14.4 (10,010). It continues to the left, and after crossing US Hwy 285, reaches the end of Segment 5 at mile 14.6 (9,969).

TRAIL DESCRIPTION Segment 6 begins on the west side of Kenosha Pass. There are large parking areas on both sides of the highway. After signing in at the trail register at mile 0.0 (9,969 feet), continue into the forest where the trail passes under a power line and reaches a ridge shortly afterward with great views to the west. At mile 1.5 (10,273), cross an old, unused jeep road. After passing through a stand of aspen trees and open meadows, the trail crosses an irrigation ditch at mile 2.8 (9,920) and FS Rd 809 at mile 3.0 (9,852). Just past the road, cross Guernsey Creek, a small stream at mile 3.1 (9,828). There are several good campsites in this area.

The trail continues west toward the Continental Divide. Cross FS Rd 427 at mile 4.4 (10,161) and Deadman Creek on a bridge at mile 4.5 (10,164). At mile 5.0 (10,180) cross a small stream and continue on the trail as it turns left. Gain a saddle and pass through a Forest Service gate at mile 5.2 (10,262). Cross Jefferson Lake Road at mile 5.9 (10,014) and Jefferson Creek at mile 6.0 (9,975). At mile 6.1 (9,986) there is an intersection. Take a right on the West Jefferson Trail for 0.1 mile, then go left at the fork at mile 6.2 (9,983). From here, the climb to Georgia Pass begins. At mile 7.8 (10,699), the CT intersects the Michigan Creek Trail. Stay to the right. After the trail leaves a subalpine fir forest and emerges above tree line, pass the Jefferson Creek Trail on the right at mile 11.7 (11,667) and cross a jeep road at mile 12.1 (11,838). Be aware of changing weather patterns when above tree line. Reach the top of Georgia Pass and the Continental Divide at mile 12.3 (11,874). Descend in a northerly direction. Reach Glacier Creek Road at mile 12.5 (11,798). This is the point where users first encounter the Continental Divide National Scenic Trail, which comes in from the north. The CT and CDNST are co-located for the next 314 miles (including along the CT Collegiate West) and into Segment 24 where the two trails diverge. Cross the road and descend on single-track as it turns right. After entering the trees, cross an ATV trail at mile 15.4 (11,135). Keep descending, passing a pond,

The trail continues in a southerly direction, climbing below Peak 3, Peak 4, and Peak 5 before reaching a seasonal stream at mile 7.6 (12,320). Continue climbing until you reach the crest of the Tenmile Range at mile 8.0 (12,495). The views on a clear day are magnificent. Along the way up, Lake Dillon and the town of Dillon are visible to the north, Breckenridge sits stately to the east, and Copper Mountain lies 2,500 feet below to the west. After topping out, follow the ridge, passing just west of Peak 6. Descending south, reach a seasonal spring at mile 9.0 (12,176). Continue on a steep descent to reach tree line at mile 9.9 (11,720). The trail then makes a sharp right turn where the Wheeler Trail diverges south at mile 10.4 (11,249). Traverse downhill to the northwest, crossing several small seasonal streams before reaching the valley floor and joining a paved rec path. Continue straight, crossing a bridge over Tenmile Creek at mile 12.4 (9,767). Continue 50 yards more alongside the Copper Far East Parking Lot and trail-head where the trail diverges left onto dirt single-track. There is good access to water and possible campsites before reaching CO Hwy 91, where parking is prohibited, and the end of Segment 7 at mile 12.8 (9,820). Ahead, there is no camping within the first 4 miles of Segment 8 while on Copper Mountain Resort property.

TRAIL DESCRIPTION Begin Segment 8 on the west side of CO Hwy 91 (no parking) at mile 0.0 (9,820). Camping is prohibited the next 4 miles. The trail enters the forest southwest and follows a few switchbacks uphill as it skirts the golf course, crosses a bridge, and passes under a power line. The CT then heads northwest and traverses ski runs, goes under a ski lift, and passes nearest the Copper Mountain Resort at mile 1.6 (9,768). There are restaurants, sporting goods shops, and some grocery shopping at the base of the ski hill. The trail passes underneath the American Eagle Ski Lift and then becomes single-track at mile 2.1 (9,988), following a few roundabout switchbacks up the hill. There are two streams ahead, followed by great views of the Tenmile Range. At mile 3.4 (10,345), bear sharply to the right and leave the horse trail the CT was following. A cross-country ski trail merges from the left at mile 5.0 (10,519), but the CT continues straight ahead. At mile 5.2 (10,480), pass Jacque Creek, immediately followed by Guller Creek. There is a campsite just up the hill between the two. Continue upstream along Guller Creek following an elongated meadow to mile 6.2 (10,854) for additional camping and water. Janet’s Cabin, a popular ski hut, comes into view as the trail climbs out of the canyon.

Leave the trees at mile 8.7 (11,708), cross Guller Creek headwaters at mile 9.2 (11,804), and continue to the top of Searle Pass at mile 9.7 (12,043). In the next few miles, the trail undulates across tundra and crosses seasonal streams with exposed campsites. Climb to the top of Elk Ridge at mile 12.3 (12,282), then descend to Kokomo Pass at mile 12.9 (12,023). From here, continue down to Cataract Creek headwaters at mile 13.2 (11,841) and tree line at mile 13.5 (11,639). Down farther find switchbacks and potential campsites as the trail travels along Cataract Creek. At mile 16.4 (10,085), ford Cataract Creek and bear right at a fork in the road 0.1 mile farther. Continue to mile 17.1 (9,668), where the trail turns right at the intersection just above the road. Cross Cataract Creek on a bridge by Cataract Falls at mile 17.2 (9,700). Camping is not allowed between this point and mile 20.1, due to possible unexploded munitions. At mile 17.9 (9,438), the trail comes to FS Rd 714. Take a right onto the road and walk 0.1 mile, picking up the trail again on the right. Rejoin the road at the Camp Hale Trailhead, where there is a small parking area at mile 18.6 (9,362). Beyond the parking area, continue to the right on FS Rd 714, looking for the next road on the left. Turn left on an intersecting road at mile 18.8 (9,349). The road ends at mile 19.2 (9,326) near some old concrete bunkers. Here the trail resumes, crossing a footbridge and heading uphill. At mile 20.1 (9,671), meet FS Rd 726. (There is a campsite about 0.1 mile north of this intersection and river water 0.1 mile farther northwest.) Cross the road and continue south and uphill.

My favorite time was dusk, in the summer, after supper. I sat on the creek bridge dangling my feet in the stream. During peak sweet corn season I swear I heard the sweet corn growing. The creeping darkness began flickering with hundreds of lightning bugs. It was magical, twinkling stars above, twinkling lighting bugs all around, and frogs, crickets and whip-poor-wills in full voice.

two businessmen approached him with that project in autumn 1854. It was generally known that petroleum—rock oil, as it was commonly called, translating its Latin compound—could be refined into kerosene using much the same distilling process that Gesner and others used for solid bitumens. The two men judged that a domestic liquid source would allow them to produce kerosene less expensively for the large and expanding market for lamp fuel than mined sources did. They had acquired a farm in western Pennsylvania, one hundred miles north of Pittsburgh in Venango County, near the town of Titusville, where seeps of brown, greenish-tinged oil gave their name to a stream called Oil Creek.

It joins with other creeks and becomes a river. It is brown now with soil and experience and runoff and living. It runs slower, no longer in a hurry. Muddy with patience, yet always feeling that pull, toward somewhere it is certain exists, but has never seen. Finally, after a life that started as simply as a clear stream, it pours, wide as a mile, into the ocean, the endless breadth of eternity. The home it hoped for was real.

Three car doors slammed in quick staccato as we got out. For a long moment we looked around at the lot, where we were just one in a massive sea of cars. Patrons who parked in the lot of the Willow Creek Faire could see the entrance when they got out of their cars: a two-dimensional castle façade that some volunteers had put together about five years ago. But not here. Our entire Faire could probably fit in this parking lot, and all we could see around us was row after row of cars. Like parking at Disney World, but without the trams or mouse ears. “Holy shit.” April wasn’t part of our Faire, but even she sounded impressed. “Where’s the entrance?” “Up that way.” I couldn’t see the gates I was pointing toward, but the stream of people told me I was indicating the right way. “A little bit of a hike, then.” April looked behind us, where the grassy lot continued to fill slowly with cars. “Holy shit,” she said again. “This isn’t a Faire. This is a town.” “Yeah.” Mitch had been here before—so had I; if you grew up around here you went to the Maryland Renaissance Festival at least once during your childhood—but even his eyes were a little wide at the vastness of it all. “This place is . . . It’s pretty big.” He paused. “That’s what she said.” I was too nervous to snicker, but April elbowed him in the ribs, and that was good enough. “Okay. We’re going in.” He reached over his head for the back of his T-shirt, pulling it off and tossing it into the back of the truck. April sighed. “All right, Kilty. Naked enough?” “Look on the bright side.” He wiggled his eyebrows at her as he stuck his keys into the sporran he wore attached to the kilt. “I’m not working this Faire. Which means I get to wear this kilt the way it’s meant to be worn.” I coughed. I didn’t want to think about what Mitch was or was not wearing under there. Which was sad, because thinking about Mitch in a kilt used to be one of my favorite hobbies. The man was born to wear that green plaid