Stray Dogs Love Quotes

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My mother tells me that when I meet someone I like, I have to ask them three questions: 1. what are you afraid of? 2. do you like dogs? 3. what do you do when it rains? of those three, she says the first one is the most important. “They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.”I asked you what you were afraid of. “spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.” I asked you if you liked dogs. “I have three.” I asked you what you do when it rains. “sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.” he smiled like he knew. like his mom told him the same thing. “how about you?” me? I’m scared of everything. of the hole in the o-zone layer, of the lady next door who never smiles at her dog, and especially of all the secrets the government must be breaking it’s back trying to keep from us. I love dogs so much, you have no idea. I sleep when it rains. I want to tell everyone I love them. I want to find every stray animal and bring them home. I want to wake up in your hair and make you shitty coffee and kiss your neck and draw silly stick figures of us. I never want to ask anyone else these questions ever again.
Caitlyn Siehl (What We Buried)
History was indeed controlled by blind forces, as well as character and courage and treachery and love. And accident and random chance. And stray bullets and telegrams and tips. And cats.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
Some women would not cheat, and some would not have cheated, had they each married a man whom they love … or at least like.
Mokokoma Mokhonoana
Move across the country and hope the Sadness won’t find you, won’t follow you like a stray dog from coast to coast.
Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)
Move across the country and hope the Sadness won’t find you, won’t follow you like a stray dog from coast to coast. Hope the Sadness isn’t just a fog on a leash, shadowing you always. Hope the Sadness can’t be as fleet as you are, hope the Sadness is more rooted. Perhaps the Sadness has friends, a family, and can’t just pick up and go. Look at all this stuff the Sadness has here in San Jose or Chapel Hill or wherever you’re currently leaving. How’s the Sadness going to survive without all this stuff? Hope this isn’t one of those any-place-I-hang-my-hat-is-home-type situations where the Sadness hangs its hat on you. Hope that you are not the Sadness’s home, anywhere you go, no matter how far, no matter how quickly—the Sadness lives in you. Hope to God it’s not that.
Raphael Bob-Waksberg (Someone Who Will Love You in All Your Damaged Glory)
When the heart Is cut or cracked or broken Do not clutch it Let the wound lie open Let the wind From the good old sea blow in To bathe the wound with salt And let it sting. Let a stray dog lick it Let a bird lean in the hole and sing A simple song like a tiny bell And let it ring Let it go. Let it out. Let it all unravel. Let it free and it can be A path on which to travel.
Michael Leunig (The Prayer Tree)
I won't go back to the darkness! I am going to live! Is it really so wrong of me to want to live?!
Kafka Asagiri (文豪ストレイドッグス 55Minutes [Bungō Stray Dogs 55 Minutes])
I really loved this book. I did for a school book report last year and I really got into it I just couldnt take my eyes of! You really absolutley need to read this book!
Ann M. Martin (A Dog's Life: Autobiography of a Stray)
Little sister don't you worry about a thing today Take the heat from the sun Little sister I know that everything is not ok But you're like honey on my tongue True love never can be rent But only true love can keep beauty innocent I could never take a chance Of losing love to find romance In the mysterious distance Between a man and a woman No I could never take a chance 'Cause I could never understand The mysterious distance Between a man and a woman You can run from love And if it's really love it will find you Catch you by the heel But you can't be numb for love The only pain is to feel nothing at all How can I hurt when I'm holding you? I could never take a chance Of losing love to find romance In the mysterious distance Between a man and a woman And you're the one, there's no-one else who makes me want to lose myself In the mysterious distance Between a man and a woman Brown eyed girl across the street On rue Saint Divine I thought this is the one for me But she was already mine You were already mine... Little sister I've been sleeping in the street again Like a stray dog Little sister I've been trying to feel complete again But you're gone and so is God The soul needs beauty for a soul mate When the soul wants...the soul waits ... No I could never take a chance Of losing love to find romance In the mysterious distance Between a man and a woman For love and FAITH AND SEX and fear And all the things that keep us here In the mysterious distance Between a man and a woman How can I hurt when I'm holding you?
U2
My sweetheart, my love, my love, my love—do you know what—all the happiness of the world, the riches, power and adventures, all the promises of religions, all the enchantment of nature and even human fame are not worth your two letters. It was a night of horror, terrible anguish, when I imagined that your undelivered letter, stuck at some unknown post office, was being destroyed like a sick little stray dog . . . But today it arrived—and now it seems to me that in the mailbox where it was lying, in the sack where it was shaking, all the other letters absorbed, just by touching it, your unique charm and that that day all Germans received strange wonderful letters—letters that had gone mad because they had touched your handwriting. The thought that you exist is so divinely blissful in itself that it is ridiculous to talk about the everyday sadness of separation—a week’s, ten days’—what does it matter? since my whole life belongs to you. I wake at night and know that you are together with me,—I sense your sweet long legs, your neck through your hair, your trembling eyelashes—and then such happiness, such simmering bliss follows me in my dreams that I simply suffocate . . .
Vladimir Nabokov (Letters to Vera)
My mother tells me that when I meet someone I like, I have to ask them three questions: 1. what are you afraid of? 2. do you like dogs? 3. what do you do when it rains? of those three, she says the first one is the most important. “They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.” I asked you what you were afraid of. “spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.” I asked you if you liked dogs. “I have three.” I asked you what you do when it rains. “sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.” he smiled like he knew. like his mom told him the same thing. “how about you?” me? I’m scared of everything. of the hole in the o-zone layer, of the lady next door who never smiles at her dog, and especially of all the secrets the government must be breaking it’s back trying to keep from us. I love dogs so much, you have no idea. I sleep when it rains. I want to tell everyone I love them. I want to find every stray animal and bring them home. I want to wake up in your hair and make you shitty coffee and kiss your neck and draw silly stick figures of us. I never want to ask anyone else these questions ever again.
Caitlyn Siehl (What We Buried)
It is too simple to pet a stray dog then watch it run under a car and say it wasn't mine It is too simple to admire a rose then pick it and forget to put water in the vase It is too simple to use a person for loving without love then leave him standing alone and say I don't know him anymore It is too simple to know one's flaws then live them at great cost to others and say that's just the way I am It is too simple the way we sometimes live our lives for after all life simply is a serious matter
Margot Bickel
She saw that they felt themselves alone in that crowded room. And Vronsky’s face, always so firm and independent, held that look that had struck her, of bewilderment and humble submissiveness, like the expression of an intelligent dog when it has done wrong. Anna smiled, and her smile was reflected by him. She grew thoughtful, and he became serious. Some supernatural force drew Kitty’s eyes to Anna’s face. She was enchanting in her simple black dress, enchanting were her round arms with their bracelets, enchanting was her firm neck with its thread of pearls, fascinating the straying curls of her loose hair, enchanting the graceful, light movements of her little feet and hands, enchanting was that lovely face in its animation, but there was something terrible and cruel about her charm.
Leo Tolstoy (Anna Karenina)
The pageant of the river bank had marched steadily along, unfolding itself in scene-pictures that succeeded itself in stately procession. Purple loosestrife arrived early, shaking luxuriant locks along the edge of the mirror whence its own face laughed back at it. Willow-herb, tender and wistful, like a pink sunset-cloud was not slow to follow. Comfrey, the purple hand-in-hand with the white, crept forth to take its place in the line; and at last one morning the diffident and delaying dog-rose stepped delicately on the stage, and one knew, as if string music has announced it in stately chords that strayed into a gavotte, that June at last was here. One member of the company was still awaited; the shepherd-boy for the nymphs to woo, the knight for whom the ladies waited at the window, the prince that was to kiss the sleeping summer back to life and love. But when meadow-sweet, debonair and odorous in amber jerkin, moved graciously to his place in the group, then the play was ready to begin.
Kenneth Grahame (The Wind in the Willows)
Later, long after my grandfather was dead, I would regret that I could never be the kind of man that he was. Though I adored him as a child and found myself attracted to the safe protectorate of his soft, uncritical maleness, I never wholly appreciated him. I did not know how to cherish sanctity, and I had no way of honoring, of giving small voice to the praise of such natural innocence, such a generous simplicity. Now I know that a part of me would like to have traveled the world as he traveled it, a jester of burning faith, a fool and a forest prince brimming with the love of God. I would like to walk his southern world, thanking God for oysters and porpoises, praising God for birdsongs and sheet lightning, and seeing God reflected in pools of creekwater and the eyes of stray cats. I would like to have talked to yard dogs and tanagers as if they were my friends and fellow travelers along the sun-tortured highways, intoxicated with a love of God, swollen with charity like a rainbow, in the thoughtless mingling of its hues, connecting two distant fields in its glorious arc. I would like to have seen the world with eyes incapable of anything but wonder, and a tongue fluent only in praise.
Pat Conroy (The Prince of Tides)
Imagine a very long time passing - and I find my way out, following someone who already knows how to leave Hell. And God says to me on Earth for the first time, "Xas!" in a tone of discovery, as if I'm a misplaced pair of spectacles or a stray dog. And he puts it to me that he wants me in Heaven. But Lucifer has doubled back - it was him I followed - to find me, where I am, in a forest, smitten, because the Lord has noticed me, and I'm overcome, as hopeless as your dog Josie whom you got rid of because she loved me.' Xas glared at Sobran. Then he drew a breath - all had been said on only three. He went on: 'Lucifer says to God the He can't have me. And at this I sit up and tell Lucifer that I didn't even think he knew my name, then say to God no thank you - very insolent this - and that Hell is endurable so long as the books keep appearing.
Elizabeth Knox (The Vintner's Luck (Vintner's Luck, #1))
Have you ever wondered What happens to all the poems people write? The poems they never let anyone else read? Perhaps they are Too private and personal Perhaps they are just not good enough. Perhaps the prospect of such a heartfelt expression being seen as clumsy shallow silly pretentious saccharine unoriginal sentimental trite boring overwrought obscure stupid pointless or simply embarrassing is enough to give any aspiring poet good reason to hide their work from public view. forever. Naturally many poems are IMMEDIATELY DESTROYED. Burnt shredded flushed away Occasionally they are folded Into little squares And wedged under the corner of An unstable piece of furniture (So actually quite useful) Others are hidden behind a loose brick or drainpipe or sealed into the back of an old alarm clock or put between the pages of AN OBSCURE BOOK that is unlikely to ever be opened. someone might find them one day, BUT PROBABLY NOT The truth is that unread poetry Will almost always be just that. DOOMED to join a vast invisible river of waste that flows out of suburbia. well Almost always. On rare occasions, Some especially insistent pieces of writing will escape into a backyard or a laneway be blown along a roadside embankment and finally come to rest in a shopping center parking lot as so many things do It is here that something quite Remarkable takes place two or more pieces of poetry drift toward each other through a strange force of attraction unknown to science and ever so slowly cling together to form a tiny, shapeless ball. Left undisturbed, this ball gradually becomes larger and rounder as other free verses confessions secrets stray musings wishes and unsent love letters attach themselves one by one. Such a ball creeps through the streets Like a tumbleweed for months even years If it comes out only at night it has a good Chance of surviving traffic and children and through a slow rolling motion AVOIDS SNAILS (its number one predator) At a certain size, it instinctively shelters from bad weather, unnoticed but otherwise roams the streets searching for scraps of forgotten thought and feeling. Given time and luck the poetry ball becomes large HUGE ENORMOUS: A vast accumulation of papery bits That ultimately takes to the air, levitating by The sheer force of so much unspoken emotion. It floats gently above suburban rooftops when everybody is asleep inspiring lonely dogs to bark in the middle of the night. Sadly a big ball of paper no matter how large and buoyant, is still a fragile thing. Sooner or LATER it will be surprised by a sudden gust of wind Beaten by driving rain and REDUCED in a matter of minutes to a billion soggy shreds. One morning everyone will wake up to find a pulpy mess covering front lawns clogging up gutters and plastering car windscreens. Traffic will be delayed children delighted adults baffled unable to figure out where it all came from Stranger still Will be the Discovery that Every lump of Wet paper Contains various faded words pressed into accidental verse. Barely visible but undeniably present To each reader they will whisper something different something joyful something sad truthful absurd hilarious profound and perfect No one will be able to explain the Strange feeling of weightlessness or the private smile that remains Long after the street sweepers have come and gone.
Shaun Tan (Tales from Outer Suburbia)
So much for the gods not wanting me to suffer. They all tease. I might as well have been a stray dog, pelted with stones or with its tail set alight for their amusement. Not the fat and bones of animals, but our suffering, is what they love to savour.
Margaret Atwood (The Penelopiad)
Each day, Fred reminded me that a loving, adventurous, and rewarding life was possible if I could continue to choose to be optimistic, even in the face of great calamity or despair. I knew I had rescued Fred once, but Fred continued to rescue me time and time again.
Craig Grossi (Craig & Fred: A Marine, A Stray Dog, and How They Rescued Each Other)
This is a story of; light & dark – moon & stars – hurt & heart A human – A Woman – A bird A man – A key A friendship – A relationship – A sinking ship Anger – Hope – Grief – Dismay A cat – A plant – A knight – A dog stray love & hate A cage – A knife And endless preys Succumbed together, Suppressed below the layers Of skin & blood vessels turned black ‘t i s a story of a heart burnt to r o t !
Sijdah Hussain (Red Sugar, No More)
Can you tell me why I’m here?” “You ran out of sheep to fuck and went looking for some action?” “Gods, I love Camorri. Constitutionally incapable of doing things the easy way.” Cortessa slapped Jean hard enough to make his eyes water. “Try again. Why am I here?” “You heard,” Jean gasped, “that we’d finally discovered the cure for being born with a face like a stray dog’s ass.” “No. If that were true you would have used it.” Cortessa
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
After all, everyone wanted warmth. Especially a stray dog that had frozen in the bitter cold so many times that the mere sight of salted roads made him tremble in the anticipation of snow, of the coming of winter. Taxian-jun looked imposing, but only he himself knew the truth. That he was nothing but a laughable stray. A stray that had always been looking for a place that he could curl up at, a place to call 'home', but he spent fifteen years looking and he still couldn't find it. And so, his love and hate become laughably simple - If someone gave him a beating, he would hate that person. If someone gave him a bowl of soup, he would love that person. He was only so simple, after all.
Rou Bao Bu Chi Rou (The Husky and His White Cat Shizun: Erha He Ta De Bai Mao Shizun (Novel) Vol. 2)
Why do people write? Because inside a story, you can see those you want to any time.
Kafka Asagiri (文豪ストレイドッグス 18 [Bungō Stray Dogs 18])
The fog turned a strange yellow, then orange, then black. The gilded winged statue Victory at Buckingham Palace retreated into mist. St. Paul's was a hazy outline, ghostlike in the gloom. La Traviata at the Sadler's Wells theatre was terminated midway because the audience could no longer see the singers on stage. Pedestrians noticed how everything below the waist disappeared. Knees, shoes, dogs became indistinguishable. The Great Smog was days and nights of people and things passing out of sight and existence. It seemed a fitting time for a mother to evaporate.
Kyo Maclear (Stray Love)
Yet it is at this very age when, in his heart of hearts, a young lad most craves for recognition and love; and he becomes the devoted slave of any one who shows him consideration. But none dare openly love him, for that would be regarded as undue indulgence and therefore bad for the boy. So, what with scolding and chiding, he becomes very much like a stray dog that has lost his master.
Rabindranath Tagore (Stories from Tagore)
WhatsApp forwards about love and kindness. I wonder if on a Sunday morning all these enthusiastic do-gooders could send out truly helpful things like ‘11 cures for a hangover’ or ‘How to clean puke stains from your dress’. I have no such luck; all I get are strange messages like ‘Little memories can last for years’. Very useful when you are trying hard to forget all the embarrassing things you did the night before. Do I really need messages saying, ‘A little hug can wipe out a big tear’ or ‘Friendship is a rainbow’? There is also a message saying, ‘God blues you’, which I am trying to guess could mean that either God wants to bless me, rule me or make a blue movie with me. Has it ever happened that a murderer just before committing his crime gets a message stating, ‘Life is about loving’, and stops in his tracks, or a banker reads ‘No greater sin than cheating’, and quits his job? So, what do these messages really do? I think they allow lazy people to think that they are doing a good deed in the easiest possible manner by sending these daft bits of information out into the universe. Go out there! Sweep a pavement, plant a tree, feed a stray dog. Do something, anything; rather than just using your fingers to tap three keys and destroy 600 people’s brain cells in one shot. 11 a.m.: This is turning out to be a hectic day. The
Twinkle Khanna (Mrs Funnybones: She's just like You and a lot like Me)
Despite the sisters' pretend rivalry and occasional squabbles, they were each other's staunchest ally and closest friend. Few people in Lillian's life had ever loved her except Daisy, who adored the ugliest stray dogs, the most annoying children, and things that needed to be repaired or thrown out altogether. And yet for all their closeness, they were quite different. Daisy was an idealist, a dreamer, a mercurial creature who alternated between childlike whimsy and shrewd intelligence. Lillian knew herself to be a sharp-tongued girl with a fortress of defenses between herself and the rest of the world- a girl with well-maintained cynicism and a biting sense of humor.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
It was a glorious night. The moon had sunk, and left the quiet earth alone with the stars. It seemed as if, in the silence and the hush, while we her children slept, they were talking with her, their sister—conversing of mighty mysteries in voices too vast and deep for childish human ears to catch the sound. They awe us, these strange stars, so cold, so clear. We are as children whose small feet have strayed into some dim-lit temple of the god they have been taught to worship but know not; and, standing where the echoing dome spans the long vista of the shadowy light, glance up, half hoping, half afraid to see some awful vision hovering there. And yet it seems so full of comfort and of strength, the night. In its great presence, our small sorrows creep away, ashamed. The day has been so full of fret and care, and our hearts have been so full of evil and of bitter thoughts, and the world has seemed so hard and wrong to us. Then Night, like some great loving mother, gently lays her hand upon our fevered head, and turns our little tear-stained faces up to hers, and smiles; and, though she does not speak, we know what she would say, and lay our hot flushed cheek against her bosom, and the pain is gone. Sometimes, our pain is very deep and real, and we stand before her very silent, because there is no language for our pain, only a moan. Night’s heart is full of pity for us: she cannot ease our aching; she takes our hand in hers, and the little world grows very small and very far away beneath us, and, borne on her dark wings, we pass for a moment into a mightier Presence than her own, and in the wondrous light of that great Presence, all human life lies like a book before us, and we know that Pain and Sorrow are but the angels of God. Only those who have worn the crown of suffering can look upon that wondrous light; and they, when they return, may not speak of it, or tell the mystery they know.
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog) — Warbler Classics Illustrated Edition)
Poppy," she murmured, "no matter how Miss Marks tries to civilize me- and I do try to listen to her- I still have my own way of looking at the world. To me, people are scarcely different from animals. We're all God's creatures, aren't we? When I meet someone, I know immediately what animal they would be. When we first met Cam, for example, I knew he was a fox." "I suppose Cam is somewhat fox-like," Poppy said, amused. "What is Merripen? A bear?" "No, unquestionably a horse. And Amelia is a hen." "I would say an owl." "Yes, but don't you remember when one of our hens in Hampshire chased after a cow that had strayed too close to the nest? That's Amelia." Poppy grinned. "You're right." "And Win is a swan." "Am I also a bird? A lark? A robin?" "No, you're a rabbit." "A rabbit?" Poppy made a face. "I don't like that. Why am I a rabbit?" "Oh, rabbits are beautiful soft animals who love to be cuddled. They're very sociable, but they're happiest in pairs." "But their timid," Poppy protested. "Not always. They're brave enough to be companions to many other creatures. Even cats and dogs." "Well," Poppy said in resignation, "it's better than being a hedgehog, I suppose." "Miss Marks is a hedgehog," Beatrix said in a matter-of-fact tone that made Poppy grin. "And you're a ferret, aren't you, Bea?" "Yes. But I was leading to a point." "Sorry, go on." "I was going to say that Mr. Rutledge is a cat. A solitary hunter. With an apparent taste for rabbit.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
There’s no efficient way to kill yourself with a dressmaker’s pin (I wouldn’t call contracting gangrene an efficient way to kill yourself) – I puzzled over it for a long time, seeing as they’d left the pins there, but it’s just not possible. Useful for picking locks though. I so loved the burglary lessons we got when we were training. Didn’t so much enjoy the bleak aftermath of my unsuccessful attempt to put them to use – very good at picking locks but not so good at getting out of the building. Our prison cells are only hotel bedrooms, but we are guarded like royalty. And also, there are dogs. After that episode with the pins, they had a good go at making sure I wouldn’t be able to walk if I did manage to get out – don’t know where you pick up the skills for disabling a person without actually breaking her legs, Nazi School of Assault and Battery? Like everything else it wasn’t permanent damage, nothing left this week but the bruises, and they check me carefully now for stray bits of metal. I got caught yesterday trying to hide a pen nib in my hair (I didn’t have a plan for it, but you never know). Oh – often I forget I am not writing this for myself, and then it’s too late to scratch it out. The evil Engel always snatches everything away from me and raises an alarm if she sees me trying to retract anything. Yesterday I tried ripping off the bottom of the page and eating it, but she got to it first. (It was when I realised I had thoughtlessly mentioned the factory at Swinley. It is refreshing sometimes to fight with her. She has the advantage of freedom, but I am a lot more imaginative. Also I am willing to use my teeth which she is squeamish about.) Where was I? Hauptsturmführer von Linden has taken away everything I wrote yesterday. It is your own fault, you cold and soulless Jerry bastard, if I repeat myself.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
Every Inch of the Way is a great page turning adventure which is as close as you can get, without actually saddling up and pedalling yourself into the unknown. It takes real magic to turn a great adventure, into a great book. For one thing, most people can't relate to the mindset of the long distance cyclist and I found myself laughing along to Tom's thoughts and observations, wondering if they were in - jokes, shared by those who had seen the world at the speed of a bike, for example his relationship with Serbia's stray dogs! . But his anecdotes have a great balance of the cultures and places, as opposed to just inward reflections, so I am sure would be enjoyed by anyone with an interest in travel and human experience. A lovely story, written from the heart.
Mark Beaumont
What in Hades were you doing, lady? I almost hit you." Remington rose to confront him, but before he could say a word, Madeline came up like an infuriated wasp. "What was I doing? What were you doing? You almost hit this dog." Her cheeks and the tip of her nose glowed scarlet with fury. Her eyes sparked with brilliant blue. She had a smudge on one cheek and her hat was askew, but that didn't matter, for all the passion she had revealed in the morning's kiss she put into the defense of a mutt she had never before seen. Surly with guilt, the youth said, "It was just a flea-ridden stray." Then her loveliness registered. He jerked to attention, back straight, shoulders back. He stared with avid fascination into her face. "I believe we may have met, although I can't quite remember-" She rampaged on, "Is that the way you were taught? To run over defenseless animals?" Stepping back, Remington folded his arms. This youth didn't stand a chance. Her eyes narrowed. "Wait a minute. I recognize you. You're Lord Mauger!" "Yes, I... I am. Viscount Mauger, humbly at your service." Whipping his hat from his head, the youth bowed, eager to make a belated good impression on the beauty before him. "And you are...?" She wasn't impressed or interested. "I know your mother, and she would box your ears for this." Dull red rose in Mauger's cheeks. "You won't tell her." "Not if you promise to be more careful in the future. I won't be around to rescue the next dog, and I remember what a fine lad you were. You love animals, and you'd feel guilty if you killed one." "You're... you're right." Mauger's pleading eyes looked much like the dog's. "I just bought the chestnut, and came into town, and I wanted to show him off, but that's no excuse..." As Mauger dug his toe into the dirt, Remington realized he was observing a master at work. She had taken the young man from fury, to infatuation, to guilt in one smooth journey, and Mauger adored her for it.
Christina Dodd (One Kiss From You (Switching Places, #2))
When next Eve woke, the sun was shining through the windows. She blinked and realized a large male arm was thrown across her stomach, pinning her in place. Oddly, she didn't panic. Instead she gingerly removed the arm and slowly, carefully levered herself up to peer at her sleeping bedmate. Asa Makepeace was on his back, his arms and legs spread wide and taking up most of the bed. A sunbeam struck his hair, making gold and red strands glint in the brown. Dark reddish brown hair stubbled his jaw. His lips were slightly parted and on each exhalation was the faintest suggestion of a snore. Eve smiled at the sound and reached for the small sketchbook and pencil that always sat on the table beside her bed. She settled back against the pillows and began drawing him: the slightly overlarge nose, the eyes unlined in sleep, the slack, beautiful mouth. How was it possible that this man she'd at first found merely irritating, overwhelmingly male- 'frightening'- should turn out to have so many sides to him? A lover of opera. A fighter of highwaymen. A shouter of arguments. A savior of stray dogs. Stubborn, cynical, violent, and sometimes mean. And yet a man who had tenderly shown her how to love. No one had ever cared so much for her.
Elizabeth Hoyt (Sweetest Scoundrel (Maiden Lane, #9))
will never know what Carter’s early life was like. I don’t even know his real age. I can only speculate on the potential traumas he may have endured as a stray dog or as an unwanted pet. But I don’t regret saving him. Ever. And I’ll always love him, even though there are things about him I can never, ever know. Love means accepting each other’s mysteries.
Drew Magary (The Night the Lights Went Out: A Memoir of Life After Brain Damage)
Come on... Someone tell me. Is the common man not allowed to protect what he holds dear?
Kafka Asagiri (文豪ストレイドッグス 18 [Bungō Stray Dogs 18])
As she writes, she feels a warm assurance; she likes her phrasing, and her conclusions, which are not absolute. On the contrary, they retain an ambiguous hesitant air, a little like done thinking out loud. She rereads her first notes and at times disagrees with herself, and she loves that, she has always liked changing her mind. She thinks about Chaura Paillacar struggling with headaches and about the unnamed poet's jumpy eyes, and Aurelia Bala writing with both hands and Floridor Pérez with his son Chile, whom she imagines as a teenager every bit as skinny and gangly as the country that gave him the name he wanted to change at any cost. She thinks about Hernaldo Bravo just after he was hit by a car, in a hospital, writing poems out of pure boredom, and about the twins scribbling incessantly on the walls of Bernadita Socorro's small, light-filled apartment... that the world of Chilean poets is a little stupid but it is more genuine, less false than the ordinary lives of people who follow the rules and keep their heads down. Of course there is opportunism and cruelty, but also real passion and heroism and allegiance to dreams. She thinks that Chilean poets are stray dogs and stray dogs are Chilean poets and that she herself is a Chilean poet, poking her snout into the trash cans of an unknown city...
Alejandro Zambra (Chilean Poet)
As she writes, she feels a warm assurance; she likes her phrasing, and her conclusions, which are not absolute. On the contrary, they retain an ambiguous, hesitant air, a little like someone thinking out loud. She rereads her first notes and at times disagrees with herself, and she loves that, she has always liked changing her mind. She thinks about Chaura Paillacar struggling with headaches and about the unnamed poet's jumpy eyes, and Aurelia Bala writing with both hands and Floridor Pérez with his son Chile, whom she imagines as a teenager every bit as skinny and gangly as the country that gave him the name he wanted to change at any cost. She thinks about Hernaldo Bravo just after he was hit by a car, in a hospital, writing poems out of pure boredom, and about the twins scribbling incessantly on the walls of Bernadita Socorro's small, light-filled apartment... that the world of Chilean poets is a little stupid but it is more genuine, less false than the ordinary lives of people who follow the rules and keep their heads down. Of course there is opportunism and cruelty, but also real passion and heroism and allegiance to dreams. She thinks that Chilean poets are stray dogs and stray dogs are Chilean poets and that she herself is a Chilean poet, poking her snout into the trash cans of an unknown city...
Alejandro Zambra (Chilean Poet)
I have known death all my life. I fear it, course. But it is familiar. Death is a stray dog I have taken in and fed, not because I love it but because I don't want it biting me out of hunger.
Jeffrey Cranor (You Feel It Just Below the Ribs)
A fertile, open mind is like a sponge. Every individual, event and episode in one’s life is a learning experience. It’s up to you what you want to emulate; the good or the bad, as your personality is constantly evolving. The innocence of a baby, the selfless love of a pet dog, or a stray comment from a stranger - all these can have an everlasting effect and help to mould your character. It’s these incidents and experiences, episodes and the people you meet along the way, that weave the tapestry of your life.
Pratima Kapur (Tapestry)
That dog has been my companion for two years,” Christopher snapped. “The last thing I would subject him to is that bedlam of a household. He doesn’t need chaos. He doesn’t need noise and confusion--” He was interrupted by an explosion of wild barking, accompanied by an earsplitting metallic crash. Albert had come racing through the entrance hall and had crossed paths with a housemaid bearing a tray of polished silver flatware. Beatrix caught a glimpse of forks and spoons scattering to the doorway, just before she was thrown bodily to the receiving room floor. The impact robbed her of breath. Stunned, she found herself pinned to the carpet and covered by a heavy masculine weight. Dazedly she tried to take in the situation. Christopher had jumped on her. His arms were around her head…he had instinctively moved to shelter her with his own body. They lay together in a confusion of limbs and disheveled garments and panting breaths. Lifting his head, Christopher cast a wary glance at their surroundings. For a moment, the blank ferocity of his face frightened Beatrix. This, she realized, was how he had looked in battle. This was what his enemies had seen as he had cut them down. Albert rushed toward them, baying furiously. “No,” Beatrix said in a low tone, extending her arm to point at him. “Down.” The dog’s barking flattened into a growl, and he slowly lowered to the floor. His gaze didn’t move from his master. Beatrix turned her attention back to Christopher. He was gasping and swallowing, struggling to regain his wits. “Christopher,” she said carefully, but he didn’t seem to hear. At this moment, no words would reach him. She slid her arms around him, one at his shoulders, the other at his waist. He was a large man, superbly fit, his powerful body trembling. A feeling of searing tenderness swept through her, and she let her fingers stroke the rigid nape of his neck. Albert whined softly, watching the two of them. Beyond Christopher’s shoulder, Beatrix glimpsed the housemaid standing uncertainly at the doorway, stray forks clutched in her hand. Although Beatrix didn’t give a fig about appearances or scandal, she cared very much about shielding Christopher during a vulnerable moment. He would not want anyone to see him when he was not fully in command of himself. “Leave us,” she said quietly. “Yes, miss.” Gratefully the maid fled, closing the door behind her.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
Every square inch of Delhi is claimed by gangs of stray dogs who vociferously defend their turf. There is a whole political structure to their world: the Hauz Khas Howlers guard the market against territory incursions by the Aurobindo Maulers while maintaining a dumpster-sharing agreement with the Green Park Greyhounds; the former are allowed access to the discarded chapattis on Tuesdays, Thursdays, Fridays and alternating Saturdays, during which time the latter take over to ensure that no passing autorickshaw goes un-barked at. The stray dogs live, love and lie on the street; but their docile daytime trotting gives way to snarls and warfare at night, and the evening streets echo with their power struggles.
Anonymous
You always were the hot head. You got a temper in you that can't be tamed, yet you also got a soft spot for stray dogs, kids in trouble and damsels in distress. See why folks label you a complex conundrum.
Vonnie Davis (For the Love of a Fireman (Wild Heat, #2))
Despite Grumblethorpe's noises of disapproval, Esme knew she liked the family pets.She just did't approve of having so many of them in her mistress's bedroom at once. Still, it was an old battle and one the lady's maid had given up waging long ago. Good thing too, since four of Esme's six cats- who had all started life in either Braebourne stables or as strays she'd rescued- were snoozing in various locations around her room. They included a big orange male, Tobias, who was curled up in a cozy spot in the middle of her bed; Queen Elizabeth- a sweet-natured tabby, who was lounging in her usual window seat; Mozart- a luxuriously coated white longhair who luckily loved being brushed; and Naiad, a one-eyed black female, whom Esme had rescued from drowning as a kitten. Her other two cats, Persephone and Ruff, were out and about, seeing to their own cat business. As for the dogs, Burr lay stretched out on the hearthrug in front of the fireplace. He snored gently, clearly tired after their recent adventures. And joining him in the land of dreams was dear old Henry, a brindle spaniel who was curled up inside a nearby dog bed lined with plush pillows that helped cushion his aging joints. Handel and Haydn, a pair of impish Scottish terriers, were absent. She suspected they were on the third floor playing with her increasingly large brood of nieces and nephews. The dogs loved the children.
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
A halo around the moon is always a sign of disruption, either a change in the weather, a fever to come, or a streak of bad fortune that won't go away. But when it's a double ring, all tangled and snarled, like an agitated rainbow or a love affair gone wrong, anything can happen. At times such as this, it's wise not to answer the telephone. People who know enough to be careful always shut their windows; they lock their doors, and never dare to kiss their sweethearts over a garden gate or reach out to pat a stray dog. Trouble is just like love, after all; it comes in unannounced and takes over before you've had a chance to reconsider, or even to think.
ALICE HOFFMANN (Practical Magic (Practical Magic, #1))
I’m probably gazing at him with the same wonder as the first day, when I thought that he was a literal angel surrounded in light. Except now I know better—he’s vain and childish and unstoppable. He sleeps too late and dances to Cascada and lives off cookies. He tamed me with microwave chicken nuggets and a stolen dog collar. Fuck angels. I’m pretty sure I love him.  Shit.
Riley Nash (Bad Dogs (Dirty Strays #1))
Someone's Double Shot of Whiskey [Verse] When the sun sets low on a Tennessee sky, And the world feels heavy, makes you wanna cry, You walk down that dirt road, kicking up dust, Thinking 'bout the past and who to trust. [Verse 2] The porch light's flickering, but no one's home, You're feeling like a stray dog, lost and alone, Nothing but the whispers of the evening breeze, And the sound of your boots on the fallen leaves. [Chorus] You may not be everyone's cup of tea, But believe me, honey, you're a sight to see. To someone out there, you're more than a dream, You're their double shot of whiskey, straight from the stream. [Verse 3] The radio plays those old-time songs, Reminding you of how far you've come along, Life ain't always bright, but it's not so bad, When you remember the good times you once had. [Verse 4] Folks might not understand your country ways, But there's someone out there prayin' for brighter days, For every broken heart and tear you cry, There's a love out there that won't pass you by. [Chorus] You may not be everyone's cup of tea, But believe me, honey, you're a sight to see. To someone out there, you're more than a dream, You're their double shot of whiskey, straight from the stream.
James Hilton-Cowboy
See, orders just came down and the Department of Defense hired contractors to kill all nonmilitary dogs found on American bases in Iraq. Seems word got out about the stray dogs eating dead bodies, and while it’s perfectly okay for us to make the bodies dead in the first place, it’s not quite cool to have dogs walking around eating them. There’s some fine line there I guess we’re not supposed to notice. Maybe it has to do with cooties. Anyway, it also turns out that I’m not the only loon who wants to get a dog out of Iraq.
Jay Kopelman (From Baghdad, With Love: A Marine, the War, and a Dog Named Lava (Lava #1))
I’ve always yearned to be a black man, to have a black man’s soul, a black man's laughter. You know why? Because I thought you were diflFerent from us. Yes, I thought you were something special, something difiFerent on this sad earth of ours. I wanted to escape with you from the white man’s hollow materialism, from his lack of faith, his humble and frustrated sexuality, from his lack of joy, of laughter, of magic, of faith in the richness of after-life. encouragement and signs of gratitude or recognition have been very few, if any, along my road. If humanity can be compared to a tribe, then you may say I’m completely de-tribalized. You love Negroes out of sheer misanthropy, because you think they aren’t really men. in the end all human faces look alike with nothing bright or hopeful around me, except those distant stars— and even there, let’s be frank: it’s only their distance that gives them that purity and beauty ideals don't die— obliged to live on shit sometimes, but don’t die! the company a great cause always keeps: men of good will and those who exploit them your skin, you know, is worth no more than the elephants’ hide. In Gennany, at Belsen, during the war, it seems we used to make lampshades out of human skin— for your information. And don’t forget, Monsieur Saint- Denis, that we Germans have always been forerunners in everything ‘Women,’ I concluded rather bitterly, ‘have at their command certain means of persuasion which the best- organized police forces do not possess.’ The number of animals who lived in cruel suffering, sometimes for years, with bullets in their bodies, wounds growing deeper and deeper, gangrenous and swarming with ticks and flies, could not be estimated to change species, to come over to the elephants and live in the wilds among honest animals Always cheerful, with the cheerfulness of a man who has gone deep down into things and come back reassured. No one knew the desert better than Scholscher, who had spent so many nights alone there on the starlit dunes, and no one understood better than he did that need for protection which sometimes grips men’s hearts and drives them to give a dog the affection they dream so desperately of receiving themselves. by ‘defending the splendors of nature . . .’ He meant liberty.” Islam calls that ’the roots of heaven.’ and to the Mexican Indians it is of life’— the thing that makes both of them fall on their knees and raise their eyes and beat their tormented breasts. A need for protection and company, from which obstinate people like Morel try to escape by means of petitions, fighting committees, by trying to take the protection of species in their own hands. Our needs- for justice, for freedom and dignity— are roots of heaven that are deeply imbedded in our hearts, but of heaven itself men know nothing but the gripping roots ...” . . . And that girl sitting there in front of him with her legs crossed, with her nylon stockings and cigarette and that silent gaze, in which could be read that stubborn need, not so different from what Morel had seen in the eyes of the stray dogs at the pound. but not even all that was comic and childish about him could deprive him of the dignity conferred upon him by his love for his Maker. that human mass whose physical strength was nothing compared to the faith and spirit that dwelt in him. Three quarters of the Oul6 traditions and magic rites had to do with war or hunting while it's easy to suppress a magic tradition it's difficult to fill up the strange voids which it leaves in what you call the primitive psychology and what I call the human soul The roots of heaven are forever planted in their hearts, yet of heaven itself they seem to know nothing but the gripping roots It must be very consoling to take refuge in cynicism and to try and drown your own remorse in a consoling vision of universal swinishness, and you can always
Romain Gary
In the USA last year, some ten million lost and forgotten cats and dogs ended up in shelters. The records tell us that stray cats are fifteen times less likely to be claimed from the shelters by their owners than dogs and are also at least 30 percent less likely to be adopted by new owners. As a result, cats made up most of the five million abandoned pets who never found another loving home and thus, after a short and terrifying period of confusion, were euthanized via lethal injection. There is no truer measure of our relationship with cats and dogs than this heartbreaking statistic.
Bradley Trevor Greive (Why Dogs Are Better Than Cats)
Only a dozen or so of the Fae who had been gathered in the Court when she arrived waited on the green. Most held the reins of creatures so incredible that even Delphine, subsumed with sick fear about Emily, was momentarily transfixed. The Fae man with the golden eyes stood next to a salamander on legs like tree trunks, its ink-black body spotted with brilliant yellow. It opened its maw for a treat from the man, revealing a row of terrifying gilded teeth. A woman with dark blue eyes and a faint blue tinge to her complexion absently stroked the head of a white chicken whose comb bloomed with crystalline roses and whose dark red talons raked the earth. A dark-haired Fae woman with sinewy arms and strong shoulders bare had turned a black-and-white goat into a unicorn by twining its horns into a single ivory-hued spiral, as well as giving it a generous increase in size. Emily clapped her hands in delight. "Would you like to pet one, love?" the Fae woman asked, guiding her toward a bronze-furred creature that Delphine slowly appreciated had once been a squirrel, its size now outstripping a large dog. "That one cannot be ridden, but he is as good a scent hound as any earthbound canine." "Where did they come from?" Delphine gaped. She didn't expect a reply, but the man with the salamander laughed. "The same place you do. They wander in, rarely. When the door is opened, whether we mean it to be or not. Occasionally, they are bargained. But mostly they are just strays." She opened her mouth to ask how, and he cut her off with an abrupt wave of his hand. "We do not know how it works or why the doors open of their own accord any better than you, and we wish they would not." "Why, when they become wonders like these?" She reached tentatively toward the squirrel, who butted her hand with his enormous velvet head.
Rowenna Miller (The Fairy Bargains of Prospect Hill)
In a dear little village Remote and obscure A beautiful maiden resided As to whether or not Her intentions were pure Opinions were sharply divided She loved to lie Out 'neath the darkening sky And allow the night breeze To entrance her She whispered her dreams To the birds flying by But seldom received any answer Over the field and along the lane Gentle Alice would love to stray When it came to the end of the day She would wander away Unheeding Dreaming her innocent dreams she strode Quite unaffected by heat or cold Frequently freckled or soaked with rain Alice was out in the lane Who she met there Every day Was a question Answered by none But she'd get there And she'd stay there 'Til whatever she did Was undoubtedly done You might also like Mad Dogs And Englishmen Noël Coward You’re Losing Me (From The Vault) Taylor Swift Cupid (Twin Version) FIFTY FIFTY (피프티피프티) Over the field and along the lane Both her parents would call in vain Sadly, sorrowfully, they'd complain 'Alice is at it again.' Although that dear little village Surrounded by trees Had neither a school, nor a college Gentle Alice acquired From the birds and the bees Some exceedingly practical knowledge The curious secrets that nature revealed She refused to allow to upset her But she thought When observing the beasts of the field That things might have been organised better Over the field and along the lane Gentle Alice would make up And take up Her stand The road was not exactly arterial But it led to a town nearby Where quite a lot of masculine material Caught her rolling eye She was ready to hitchhike Cadillac or motorbike She wasn't proud or choosy All she Was aiming to be Was a pinked-up Minked-up Fly-by-night floozy When old Rogers Gave her pearls as large as Nuts on a chestnut tree All she'd say was 'Fiddle-di-dee! The wages of sin will be the death of me!' Over the field and along the lane Gentle Alice's parents Would wait Hand in hand Her dear old white-headed mother Wistfully sipping champagne Said 'We've spoiled our child Spared the rod Open up the caviar and say "Thank God!" We've got no cause to complain! Alice is at it again!
Noël Coward (Alice Is at It Again)
never wholly appreciated him. I did not know how to cherish sanctity; I had no way of honoring, of giving small voice to the praise of such natural innocence, such generous simplicity. Now I know that a part of me would like to have traveled the world as he traveled it, a jester of burning faith, a fool and a forest prince brimming with the love of God. I would like to have walked his southern world, thanking God for oysters and porpoises, praising God for birdsong and sheet lightning, and seeing God reflected in pools of creekwater and the eyes of stray cats. I would like to have talked to yard dogs and tanagers as if they were my friends and fellow travelers along the sun-tortured highways, intoxicated with a love of God, swollen with charity like a rainbow, in the thoughtless mingling of its hues, connecting two distant fields in its glorious arc.
Pat Conroy (The Prince of Tides)
Letter to a Lost Friend by Barbara Hamby There must be a Russian word to describe what has happened between us, like ostyt, which can be used for a cup of tea that is too hot, but after you walk to the next room, and return, it is too cool; or perekhotet, which is to want something so much over months and even years that when you get it, you have lost the desire. Pushkin said, when he saw his portrait by Kiprensky, “It is like looking into a mirror, but one that flatters me.” What is the word for someone who looks into her friend’s face and sees once smooth skin gone like a train that has left the station in Petersburg with its wide avenues and nights at the Stray Dog Cafe, sex with the wrong men, who looked so right by candlelight, when everyone was young and smoked hand-rolled cigarettes, painted or wrote all night but nothing good, drank too much vodka, and woke in the painful daylight with skin like fresh cream, books everywhere, Lorca on Gogol, Tolstoy under Madame de Sévigné, so that now, on a train in the taiga of Siberia, I see what she sees — all my books alphabetized and on shelves, feet misshapen, hands ribbed with raised veins, neck crumpled like last week’s newspaper, while her friends are young, their skin pimply and eyes bright as puppies’, and who can blame her, for how lucky we are to be loved for even a moment, though I can’t help but feel like Pushkin, a rough ball of lead lodged in his gut, looking at his books and saying, “Goodbye, my dear friends,” as those volumes close and turn back into oblong blocks, dust clouding the gold leaf that once shimmered on their spines.
Barbara Hamby
the cave all by herself. “Who are your friends?” asked one of the wolves. “Well tiger of course, and lion, and perhaps my good friend leopard may come with me,” said the goat. Now the wolves were terribly afraid of those creatures so they didn’t waste not another minute waiting for them to come out of the cave. Wise goat had outsmarted the wolves once again. How the Elephant and Dog became Friends There was a little stray dog who loved to visit the king’s stable where the elephants were kept. He began to make friends with one of the elephants. They would play together all day and the elephant would share his food with the dog each night. Sometimes the dog would jump on the elephants trunk and swing back and forth. This was a game that they enjoyed
Sharlene Alexander (100 Fun Stories for 4-8 Year Olds (Perfect for Bedtime & Young Readers))
The first time I noticed Francesca in the Rialto, I thought she was alone. Then the crowd shifted and I saw her massive Mother Superior standing at the stall of a spice merchant, picking through a sack of peppercorns, her nose twitching like a rabbit's, her face set and ready to do battle over the price. Francesca waited nearby, swinging her market basket and smiling at passersby. That smile snagged me, held me, and wouldn't let me go. She had all her teeth and they were white, so white, and her face was clean and sunstruck. A dog, small and wiry, sniffed the hem of her robe, and she knelt down to pet it. I heard her cooing and the dog nuzzled into her arms. She glanced around to be sure Mother Superior wasn't watching, then quickly took a sausage from her basket and fed it to the dog. He bolted it down greedily and then looked up at her with naked adoration. She laughed, and her laughter made me think of a field of wildflowers. Francesca pulled a square of lace from her sleeve to wipe the sausage grease from her fingers, and I had the fleeting thought that I'd never before seen a nun with such a fine lace handkerchief. But that thought vanished with the sight of Mother Superior rising up behind her. The older nun stood over her, shouting. "Don't you know better than to touch a stray animal? I swear, you're hopeless, girl. Hopeless." The light went out of Francesca's face. She moved off behind the older woman but looked back at the little dog and rolled her eyes. She waved good-bye and her fingers moved like butterflies.
Elle Newmark (The Book of Unholy Mischief)
Then you found Mr. Rutledge unsettling, too?” “No, but I understand why you do. He watches you like one of those ambushing sort of predators. The kind that lie in wait before they spring.” “How dramatic,” Poppy said with a dismissive laugh. “He’s not a predator, Bea. He’s only a man.” Beatrix made no reply, only made a project of smoothing Dodger’s fur. As she leaned over him, he strained upward and kissed her nose affectionately. “Poppy,” she murmured, “no matter how Miss Marks tries to civilize me—and I do try to listen to her—I still have my own way of looking at the world. To me, people are scarcely different from animals. We’re all God’s creatures, aren’t we? When I meet someone, I know immediately what animal they would be. When we first met Cam, for example, I knew he was a fox.” “I suppose Cam is somewhat fox-like,” Poppy said, amused. “What is Merripen? A bear?” “No, unquestionably a horse. And Amelia is a hen.” “I would say an owl.” “Yes, but don’t you remember when one of our hens in Hampshire chased after a cow that had strayed too close to the nest? That’s Amelia.” Poppy grinned. “You’re right.” “And Win is a swan.” “Am I also a bird? A lark? A robin?” “No, you’re a rabbit.” “A rabbit?” Poppy made a face. “I don’t like that. Why am I a rabbit?” “Oh, rabbits are beautiful soft animals who love to be cuddled. They’re very sociable, but they’re happiest in pairs.” “But they’re timid,” Poppy protested. “Not always. They’re brave enough to be companions to many other creatures. Even cats and dogs.” “Well,” Poppy said in resignation, “it’s better than being a hedgehog, I suppose.” “Miss Marks is a hedgehog,” Beatrix said in a matter-of-fact tone that made Poppy grin. “And you’re a ferret, aren’t you, Bea?” “Yes. But I was leading to a point.” “Sorry, go on.” “I was going to say that Mr. Rutledge is a cat. A solitary hunter. With an apparent taste for rabbit.” Poppy blinked in bewilderment. “You think he is interested in . . . Oh, but Bea, I’m not at all . . . and I don’t think I’ll ever see him again . . .” “I hope you’re right.” Settling on her side, Poppy watched her sister in the flickering glow of the hearth, while a chill of uneasiness penetrated the very marrow of her bones. Not because she feared Harry Rutledge. Because she liked him.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
And so for me the expression “ordinary child” became a term of utter contempt. It was better to grow up to be a stray dog, better to be a cripple or a mental retard, better to be a girl even, provided I didn’t become an “ordinary child” like the rest of them, provided I could go on being “so very special!” or “really out of the ordinary!
Amos Oz (A Tale of Love and Darkness)
Poppy,” she murmured, “no matter how Miss Marks tries to civilize me—and I do try to listen to her—I still have my own way of looking at the world. To me, people are scarcely different from animals. We’re all God’s creatures, aren’t we? When I meet someone, I know immediately what animal they would be. When we first met Cam, for example, I knew he was a fox.” “I suppose Cam is somewhat fox-like,” Poppy said, amused. “What is Merripen? A bear?” “No, unquestionably a horse. And Amelia is a hen.” “I would say an owl.” “Yes, but don’t you remember when one of our hens in Hampshire chased after a cow that had strayed too close to the nest? That’s Amelia.” Poppy grinned. “You’re right.” “And Win is a swan.” “Am I also a bird? A lark? A robin?” “No, you’re a rabbit.” “A rabbit?” Poppy made a face. “I don’t like that. Why am I a rabbit?” “Oh, rabbits are beautiful soft animals who love to be cuddled. They’re very sociable, but they’re happiest in pairs.” “But they’re timid,” Poppy protested. “Not always. They’re brave enough to be companions to many other creatures. Even cats and dogs.” “Well,” Poppy said in resignation, “it’s better than being a hedgehog, I suppose.” “Miss Marks is a hedgehog,” Beatrix said in a matter-of-fact tone that made Poppy grin. “And you’re a ferret, aren’t you, Bea?” “Yes. But I was leading to a point.” “Sorry, go on.” “I was going to say that Mr. Rutledge is a cat. A solitary hunter. With an apparent taste for rabbit.” Poppy blinked in bewilderment. “You think he is interested in . . . Oh, but Bea, I’m not at all . . . and I don’t think I’ll ever see him again . . .” “I hope you’re right.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
I remind myself of what old Trust, when I came to know him well, told me: "Sheep and men are very much alike," said Trust, who thought both very poor creatures. "Very much alike, indeed. They go in flocks; and can't give a reason why. They leave their fleece on any bramble that is strong enough to insist on fleecing them. They bleat loud at imagined evils, while they tumble straight into real dangers. And for going oil' the line, there's nothing like them. There may be pits, thorns, quagmires, spring-guns, what not, the other side of the hedge, but go off the straight track they will; and no dog can stop them. It's just the sheer love of straying. You may bark at them right and left, go they will, though they break their legs down a limekiln. Oh, men and sheep are wonderfully similar, take them.all in all.
Ouida (Puck)
I AM BLACK Not because I'm born in Africa but because Africa is born in me. I'm black not because of choice nor decision but because it is my birth right You see black is not just a skin color Black is a survivor,black is a hard worker, black is a family man,black is the most kindest human being ,black is a pure soul filled with love,joy, happiness, compassion ,kindness, understanding of others, selflessness and humbleness Black is not and should not be the person you are afraid of Black is not and should not be the person you feel like making a mockery of everyday because of the color of their skin Black is not and should not be treated like an outsider, like a stray dog with no home,no family ,no future and no hope. Black is authenticity,black is my identity and being hopeful is our treasured ability.
Akhona.p
Because I see the way you look at me—like I’m some kind of harmless stray dog who only needs a little love.
Kit Rocha (Beyond Solitude (Beyond, #4.5))