Straw For The Fire Quotes

We've searched our database for all the quotes and captions related to Straw For The Fire. Here they are! All 100 of them:

Those who are willing to be vulnerable move among mysteries.
Theodore Roethke (Straw for the Fire: From the Notebooks of Theodore Roethke)
I will love you as a thief loves a gallery and as a crow loves a murder, as a cloud loves bats and as a range loves braes. I will love you as misfortune loves orphans, as fire loves innocence and as justice loves to sit and watch while everything goes wrong. I will love you as a battlefield loves young men and as peppermints love your allergies, and I will love you as the banana peel loves the shoe of a man who was just struck by a shingle falling off a house. I will love you as a volunteer fire department loves rushing into burning buildings and as burning buildings love to chase them back out, and as a parachute loves to leave a blimp and as a blimp operator loves to chase after it. I will love you as a dagger loves a certain person’s back, and as a certain person loves to wear dagger proof tunics, and as a dagger proof tunic loves to go to a certain dry cleaning facility, and how a certain employee of a dry cleaning facility loves to stay up late with a pair of binoculars, watching a dagger factory for hours in the hopes of catching a burglar, and as a burglar loves sneaking up behind people with binoculars, suddenly realizing that she has left her dagger at home. I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguised and until every home is rebuilt from the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where we once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from slim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and now matter how I am discovered after what happens to me as I am discovering this.
Lemony Snicket
Art is the means we have of undoing the damage of haste. It's what everything else isn't.
Theodore Roethke (Straw for the Fire: From the Notebooks of Theodore Roethke)
It’s your privilege to find me incomprehensible. I gave you my minutes; let them remain ours. I hope I haunt you.
Theodore Roethke (Straw for the Fire: From the Notebooks of Theodore Roethke)
I trust all joy
Theodore Roethke (Straw for the Fire: From the Notebooks of Theodore Roethke)
When you’re looking for a needle in a haystack, don’t afraid to burn the haystack to save yourself from spending half your life picking through strands of straw.
A.J. Darkholme (Rise of the Morningstar (The Morningstar Chronicles, #1))
My bones whisper to my blood; my sleep deceives me.
Theodore Roethke
Friend of fatherless! Fountain of happiness! Lord of the swill-bucket! Oh, how my soul is on Fire when I gaze at thy Calm and commanding eye. Like the sun in the sky, Comrade Napoleon! Thou are the giver of All thy creatures love, Full belly twice a day, clean straw to roll upon; Every beast great or small, Sleeps at peace in his stall, Thou watchest over all, Comrade Napoleon! Had I a sucking-pig, Ere he had grown as big Even as a pint bottle or a a rolling-pin He should have learned to be Faithful and true to thee, Yes, his first squeak should be Comrade Napoleon!
George Orwell (Animal Farm)
For when it comes to strength and goodness and brilliance and gentleness and grandneur of spirit so vast that it takes one's breath away, beauty is nothing, beauty is a mote of a mountain, beauty is a mere straw alight beside a barn on fire.
Lauren Groff (Matrix)
Though good and bad men suffer alike, we must not suppose that there is no difference between the men themselves, because there is no difference in what they both suffer. For even in the likeness of the sufferings, there remains an unlikeness in the sufferers; and though exposed to the same anguish, virtue and vice are not the same thing. For as the same fire causes gold to glow brightly, and chaff to smoke; and under the same flail the straw is beaten small, while the grain is cleansed; and as the lees are not mixed with the oil, though squeezed out of the vat by the same pressure, so the same violence of affliction proves, purges, clarifies the good, but damns, ruins, exterminates the wicked.
Augustine of Hippo (City of God)
O my poor words, bear with me.
Theodore Roethke (Straw for the Fire: From the Notebooks of Theodore Roethke)
I would imagine being tied up and put in a haystack while someone put the dry, stale straw ablaze. I would picture it perfectly while rocking on my hand. The daydream was about struggling to get free while the fire burned hotter and closer. I am not sure if I came when the fire reached me or after I had imagined escaping it. But I came. I orgasmed on my hand to the dream of fire.
Dorothy Allison (Bastard Out of Carolina)
There were four of them, Catelyn saw. An old man in the black of the Night’s Watch, two servants … and Tyrion Lannister, standing there small and bold as life. “My men will sleep in your stable, and as for myself, well, I do not require a large room, as you can plainly see.” He flashed a mocking grin. “So long as the fire’s warm and the straw reasonably free of fleas, I am a happy man.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
In the greater part of humankind there resides an instinct for survival. It is this which can clutch at straws and effect a rescue from them. It is this which can, now and then, outwit fate.
Tanith Lee
For when it comes to strength and goodness and brilliance and gentleness and grandeur of spirit so vast that it takes one’s breath away, beauty is nothing, beauty is a mote to a mountain, beauty is a mere straw alight beside a barn on fire.
Lauren Groff (Matrix)
I will love you as a drawer loves a secret compartment, and as a secret compartment loves a secret, and as a secret loves to make a person gasp, and as a gasping person loves a glass of brandy to calm their nerves, and as a glass of brandy loves to shatter on the floor, and as the noise of glass shattering loves to make someone else gasp, and as someone else gasping loves a nearby desk to lean against, even if leaning against it presses a lever that loves to open a drawer and reveal a secret compartment. I will love you until all such compartments are discovered and opened, and until all the secrets have gone gasping into the world. I will love you until all the codes and hearts have been broken and until every anagram and egg has been unscrambled. I will love you until every fire is extinguished and until every home is rebuilt form the handsomest and most susceptible of woods, and until every criminal is handcuffed by the laziest of policemen. I will love you until M. hates snakes and J. hates grammar, and I will love you until C. realizes S. is not worthy of his love and N. realizes he is not worthy of the V. I will love you until the bird hates a nest and the worm hates an apple, and until the apple hates a tree and the tree hates a nest, and until a bird hates a tree and an apple hates a nest, although honestly I cannot imagine that last occurrence no matter how hard I try. I will love you as we grow older, which has just happened, and has happened again, and happened several days ago, continuously, and then several years before that, and will continue to happen as the spinning hands of every clock and the flipping pages of every calendar mark the passage of time, except for the clocks that people have forgotten to wind and the calendars that people have forgotten to place in a highly visible area. I will love you as we find ourselves farther and farther from one another, where once we were so close that we could slip the curved straw, and the long, slender spoon, between our lips and fingers respectively. I will love you until the chances of us running into one another slip from skim to zero, and until your face is fogged by distant memory, and your memory faced by distant fog, and your fog memorized by a distant face, and your distance distanced by the memorized memory of a foggy fog. I will love you no matter where you go and who you see, no matter where you avoid and who you don’t see, and no matter who sees you avoiding where you go. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this, and no matter how I am discovered after what happens to me happens to me as I am discovering this. I will love you if you don’t marry me. I will love you if you marry someone else – your co-star, perhaps, or Y., or even O., or anyone Z. through A., even R. although sadly I believe it will be quite some time before two women can be allowed to marry – and I will love you if you have a child, and I will love you if you have two children, or three children, or even more, although I personally think three is plenty, and I will love you if you never marry at all, and never have children, and spend your years wishing you had married me after all, and I must say that on late, cold nights I prefer this scenario out of all the scenarios I have mentioned. That, Beatrice, is how I will love you even as the world goes on its wicked way.
Lemony Snicket (The Beatrice Letters)
I believe instinct took over because the shotgun fired in the opposite direction, and he disappeared. Good effort. "I don't think sarcasm is helping your situation right now!" I called out at no one as I racked my second round. The sound was comforting. He reappeared maybe ten feet away in front of me. I heard laughing in my head. You're strange. That's the last straw, buddy. "Yeah, well, you're dead." And I shot that angel right in the face.
Adrienne Kress (Outcast)
There was always something in me to catch fire, in this heap of straw that I have been.
Franz Kafka
Do not give dalliance Too much the rein; the strongest oaths are straw To the fire i’the blood. The Tempest     As
Stendhal (The Red and the Black)
It’s one of the secrets of strength: We’re so much more likely to find it in the service of others than we are to find it in service to ourselves. We have no idea why this is. It’s not just the mother who lifts the car to free her child, or the guy who shields his girlfriend when the gunman starts to fire. Those are extremes, brave extremes, which life rarely calls on us to offer. No, it is the less extreme strength—a strength that is not so much situational as it is constitutional—that we will find in order to give. How often did we see this, as we were dying? How many soft-spoken lovers turned into fierce watchdogs over our care? How many reticent parents shed that reticence to be there with us? Not all. Certainly, not everyone showed strength. Some supposedly strong people in our lives showed that their strength was actually made of straw. But so many held us up in ways they would not have held themselves. They saw us through, even as their worlds crumbled through their fingers. They kept fighting, even after we were gone. Or especially because we were gone. They kept fighting for us.
David Levithan (Two Boys Kissing)
O my poor words, bear with me. — Theodore Roethke, Straw for the Fire: From the Notebooks of Theodore Roethke, ed. David Wagoner (Copper Canyon Press November 1, 2006)
Theodore Roethke (Straw for the Fire: From the Notebooks of Theodore Roethke)
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
James Joyce (Ulysses)
Imagination transforms one substance into another. It changes what is into what might be, what was into what might have been. Straw becomes gold, gold straw, and neither is more real nor, I submit, more precious than the other. Pebbles turn into luminous pearls and pearls into little gray rocks, both solid and beautiful, both essential. Human beings take shape from clay, angels' wings are spun out of water, fire gives rise to the long tongues of demons, love emerges out of thin air, and the basic elements reconstitute themselves again and again." -The Man In The Ceiling
Steve Rasnic Tem
The duty of the inn-keeper,is to sell to the first comer, stews, repose, light, fire, dirty sheets, a servant, lice, and a smile; to stop passers-by, to empty small purses, and to honestly lighten heavy ones; to shelter travelling families respectfully: to shave the man, to pluck the woman, to pick the child clean; to quote the window open, the window shut, the chimney-corner,the arm-chair, the chair, the ottoman, the stool, the feather-bed, the mattress and the truss of straw; to know how much the shadow uses up the mirror, and to put a price on it; and, by five hundred thousand devils, to make the traveller pay for everything, even for the flies which his dog eats!
Victor Hugo (Les Misérables: Volume 1 of 2)
...Though exposed to the same anguish, virtue and vice are not the same thing. For as the same fire causes gold to glow brightly, and chaff to smoke; and under the same flail the straw is beaten small, while the grain is cleansed; and as the lees are not mixed with the oil, though squeezed out of the vat by the same pressure, so the same violence of affliction proves, purges, clarifies the good, but damns, ruins, exterminates the wicked.
Augustine of Hippo (City of God)
My vagina was green water, soft pink fields, cow mooing sun resting sweet boyfriend touching lightly with soft piece of blond straw. There is something between my legs. I do not know what it is. I do not know where it is. I do not touch. Not now. Not anymore. Not since. My vagina was chatty, can't wait, so much, so much saying, words talking, can't quit trying, can't quit saying, oh yes, oh yes. Not since I dream there's a dead animal sewn in down there with thick black fishing line. And the bad dead animal smell cannot be removed. And its throat is slit and it bleeds through all my summer dresses. My vagina singing all girl songs, all goat bells ringing songs, all wild autumn field songs, vagina songs, vagina home songs. Not since the soldiers put a long thick rifle inside me. So cold, the steel rod canceling my heart. Don't know whether they're going to fire it or shove it through my spinning brain. Six of them, monstrous doctors with black masks shoving bottles up me too. There were sticks, and the end of a broom. My vagina swimming river water, clean spilling water over sun-baked stones over stone clit, clit stones over and over. Not since I heard the skin tear and made lemon screeching sounds, not since a piece of my vagina came off in my hand, a part of the lip, now one side of the lip is completely gone. My vagina. A live wet water village. My vagina my hometown. Not since they took turns for seven days smelling like feces and smoked meat, they left their dirty sperm inside me. I became a river of poison and pus and all the crops died, and the fish. My vagina a live wet water village. They invaded it. Butchered it and burned it down. I do not touch now. Do not visit. I live someplace else now. I don't know where that is.
V (formerly Eve Ensler) (The Vagina Monologues)
Travis, I love you with all of my being, but I love Cassie, too. And right now she needs me more than you do. Forgive me. Meri She loved him. The wonder of the statement seeped into him, but the joy that should have accompanied the knowledge faded beneath his growing frustration and fear. How could she possibly think that anyone needed her more than he did? She was his heart, his very life. If anything happened to her . . . Travis tore the top page from the tablet and hardened his jaw. He’d just have to make sure nothing did happen. After all, if a wife was going to tell her husband she loved him, she ought to do it in person. And he aimed to see that she did precisely that. Right after he kissed the living fire out of her and showed her exactly how much he truly needed her.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
[Isaiah] preached to the masses only in the sense that he preached publicly. Anyone who liked might listen; anyone who liked might pass by. He knew that the Remnant would listen; and knowing also that nothing was to be expected of the masses under any circumstances, he made no specific appeal to them, did not accommodate his message to their measure in any way, and did not care two straws whether they heeded it or not. As a modern publisher might put it, he was not worrying about circulation or about advertising. Hence, with all such obsessions quite out of the way, he was in a position to do his level best, without fear or favor, and answerable only to his august Boss.
Thomas E. Woods Jr. (Real Dissent: A Libertarian Sets Fire to the Index Card of Allowable Opinion)
The light obtained by setting straw men on fire is not what we mean by illumination.
Adam Gopnik
The one whose belly isn't full of straw isn't afraid of fire.
Algerian Proverb
I slept with Yes, but woke to No.
Theodore Roethke (Straw for the Fire: From the Notebooks of Theodore Roethke)
Fire, fire! The branches crackle and the night wind of late autumn blows the flame of the bonfire back and forth. The compound is dark; I am alone at the bonfire, and I can bring it still some more carpenters' shavings. The compound here is a privileged one, so privileged that it is almost as if I were out in freedom -- this is an island of paradise; this is the Marfino "sharashka" -- a scientific institute staffed with prisoners -- in its most privileged period. No one is overseeing me, calling me to a cell, chasing me away from the bonfire, and even then it is chilly in the penetrating wind. But she -- who has already been standing in the wind for hours, her arms straight down, her head drooping, weeping, then growing numb and still. And then again she begs piteously "Citizen Chief! Please forgive me! I won't do it again." The wind carries her moan to me, just as if she were moaning next to my ear. The citizen chief at the gatehouse fires up his stove and does not answer. This was the gatehouse of the camp next door to us, from which workers came into our compound to lay water pipes and to repair the old ramshackle seminary building. Across from me, beyond the artfully intertwined, many-stranded barbed-wire barricade and two steps away from the gatehouse, beneath a bright lantern, stood the punished girl, head hanging, the wind tugging at her grey work skirt, her feet growing numb from the cold, a thin scarf over her head. It had been warm during the day, when they had been digging a ditch on our territory. And another girl, slipping down into a ravine, had crawled her way to the Vladykino Highway and escaped. The guard had bungled. And Moscow city buses ran right along the highway. When they caught on, it was too late to catch her. They raised the alarm. A mean, dark major arrived and shouted that if they failed to catch the girl, the entire camp would be deprived of visits and parcels for whole month, because of her escape. And the women brigadiers went into a rage, and they were all shouting, one of them in particular, who kept viciously rolling her eyes: "Oh, I hope they catch her, the bitch! I hope they take scissors and -- clip, clip, clip -- take off all her hair in front of the line-up!" But the girl who was now standing outside the gatehouse in the cold had sighed and said instead: "At least she can have a good time out in freedom for all of us!" The jailer had overheard what she said, and now she was being punished; everyone else had been taken off to the camp, but she had been set outside there to stand "at attention" in front of the gatehouse. This had been at 6 PM, and it was now 11 PM. She tried to shift from one foot to another, but the guard stuck out his head and shouted: "Stand at attention, whore, or else it will be worse for you!" And now she was not moving, only weeping: "Forgive me, Citizen Chief! Let me into the camp, I won't do it any more!" But even in the camp no one was about to say to her: "All right, idiot! Come on it!" The reason they were keeping her out there so long was that the next day was Sunday, and she would not be needed for work. Such a straw-blond, naive, uneducated slip of a girl! She had been imprisoned for some spool of thread. What a dangerous thought you expressed there, little sister! They want to teach you a lesson for the rest of your life! Fire, fire! We fought the war -- and we looked into the bonfires to see what kind of victory it would be. The wind wafted a glowing husk from the bonfire. To that flame and to you, girl, I promise: the whole wide world will read about you.
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
For as the same fire causes gold to glow brightly, and chaff to smoke; and under the same flail the straw is beaten small, while the grain is cleansed; and as the lees are not mixed with the oil, though squeezed out of the vat by the same pressure, so the same violence of affliction proves, purges, clarifies the good, but damns, ruins, exterminates the wicked. and thus it is that in the same affliction the wicked detest God and blaspheme, while the good pray and praise. So material a difference does it make, not what ills are suffered, but what kind of man suffers them. For stirred up with the same movement, mud exhales a horrible stench, and ointment emits a fragrant odor.
Augustine of Hippo (City of God)
For, in the same fire, gold gleams and straw smokes; under the same flail the stalk is crushed and the grain threshed; the lees are not mistaken for oil because they issued from the same press. So, too, the tide of trouble will test, purify, and improve the good, but beat, crush, and wash away the wicked. So it is that, under the weight of the same affliction, the wicked deny and blaspheme God, and the good pray to Him and praise Him. The difference is not in what people suffer but in the way they suffer. The same shaking that makes fetid water stink makes perfume issue a more pleasant odor.
Augustine of Hippo
She imagined what it must be like to have Charlie's mind - to believe that red shoes are faster then other shoes; to believe, as he did, that ducks could drive fire engines and that pigs built houses out of bricks and straw. There were plenty of people who weren't three-and-three-quarters who believed equally implausible things...and when to war over them.
Alexander McCall Smith (The Uncommon Appeal of Clouds)
Why should one live? All is vain! To live - that is to thresh straw; to live - that is to burn oneself and yet not get warm.- Such ancient babbling still passes for "wisdom"; because it is old, however, and smells mustily, therefore is it the more honoured. Even mould ennobles.- Children might thus speak: they shun the fire because it has burnt them! There is much childishness in the old books of wisdom. And he who ever "threshes straw," why should he be allowed to rail at threshing! Such a fool one would have to muzzle! Such persons sit down to the table and bring nothing with them, not even good hunger: - and then do they rail: "All is vain!" But to eat and drink well, my brothers, is truly no hath burnt them! There is much childishness in the old books of wisdom. And he who ever “thrasheth straw,” why should he be allowed to rail at thrashing! Such a fool one would have to muzzle! Such persons sit down to the table and bring nothing with them, not even good hunger:—and then do they rail: “All is vain!” But to eat and drink well, my brethren, is verily no vain art! Break up, break up for me the tables of the never-joyous ones!
Friedrich Nietzsche (Thus Spoke Zarathustra)
Although your mind lies beyond birth and death, this illusory body does die, so practice while remembering death […] The guru said: Human beings don't think of death. A man's life is like a pile of chaff or a feather on a mountain pass. The demon Lord of Death comes suddenly, like an avalanche or a storm. Disturbing emotions are like straw catching fire. Your life-span decreases like the shadows of the setting sun.
Padmasambhava (Advice from the Lotus-Born: A Collection of Padmasambhava's Advice to the Dakini Yeshe Tsogyal and Other Close Disciples)
There is a moment during a structure fire when you know you are either going to get the upper hand or that it's going to get the upper hand on you. You notice the ceiling patch about to fall and the staircase eating itself alive and the synthetic carpet glued to the soles of your boots. The sum of the parts overwhelms, and that's when you back out and force yourself to remember that every fire will burn itself out, even without your help. These days, I'm fighting fire on six sides. I look in front of me and see Kate sick I look behind me and see Anna with her lawyer. The only time Jesse isn't drinking like a fish, he's strung out on drugs; Sara's grasping at straws. And me, I've got my gear on, safe. I'm holding dozens of hooks and irons and poles-all tools that are meant to destroy, when what I need is something to rope us together.
Jodi Picoult (My Sister’s Keeper)
For as the same fire causes gold to glow brightly, and chaff to smoke; and under the same flail the straw is beaten small, while the grain is cleansed; and as the lees are not mixed with the oil, though squeezed out of the vat by the same pressure, so the same violence of affliction proves, purges, clarifies the good, but damns, ruins, exterminates the wicked. And thus it is that in the same affliction the wicked detest God and blaspheme, while the good pray and praise.
Augustine of Hippo (The City of God)
After they buy their tickets, Emma pulls him to the concession line. "Galen, do you mind?" she says, drawing a distracting circle on his arm with her finger, sending fire pretty much everywhere inside him. He recognizes the mischief in her eyes but not the particular game she's playing. "Get whatever you want, Emma," he tells her. With a coy smile, she orders seventy-five dollars worth of candy, soda, and popcorn. By the cashier's expression, seventy-five dollars must be a lot. If the game is to spend all his money, she'll be disappointed. He brought enough cash for five more armfuls of this junk. He helps Emma carry two large fountain drinks, two buckets of popcorn and four boxes of candy to the top row of the half-full theater. When she's situated in her seat, she tears into a box and dumps the contents in her hand. "Look, sweet lips, I got your favorite, Lemonheads!" Sweet lips? What the- Before he can turn away, she forces three of them into his mouth. His instant pucker elicits an evil snicker from her. She pops a straw into one of the cups and hands it to him. "Better drink this," she whispers. "To take the bite out of the candy." He should have known better. The drink is so full of bubbles it turns clear up to his nostrils. Pride keeps him from coughing. Pride, and the Lemonhead lodged in his throat. Several more heaping gulps and he gets it down. After a few minutes, a sample of greasy popcorn, and the rest of the soda, the lights finally dim, giving Galen a reprieve. While Emma is engrossed in what she calls "stupid previews," Galen excuses himself to vomit in the bathroom. Emma wins this round.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
1 I watched TV. I had a Coke at the bar. I had four dreams in a row where you were burned, about to burn, or still on fire. I watched TV. I had a Coke at the bar. I had four Cokes, four dreams in a row. Here you are in the straw house, feeding the straw dog. Here you are in the wrong house, feeding the wrong dog. I had a Coke with ice. I had four dreams on TV. You have a cold cold smile. You were burned, you were about to burn, you’re still on fire. Here you are in the straw house, feeding ice to the dog, and you wanted an adventure, so I said Have an adventure. The straw about to burn, the straw on fire. Here you are on the TV, saying Watch me, just watch me. 2 Four dreams in a row, four dreams in a row, four dreams in a row, fall down right there. I wanted to fall down right there but I knew you wouldn’t catch me because you’re dead. I swallowed crushed ice pretending it was glass and you’re dead. Ashes to ashes. You wanted to be cremated so we cremated you and you wanted an adventure so I ran and I knew you wouldn’t catch me. You are a fever I am learning to live with, and everything is happening at the wrong end of a very long tunnel. 3 I woke up in the morning and I didn’t want anything, didn’t do anything, couldn’t do it anyway, just lay there listening to the blood rush through me and it never made any sense, anything. And I can’t eat, can’t sleep, can’t sit still or fix things and I wake up and I wake up and you’re still dead, you’re under the table, you’re still feeding the damn dog, you’re cutting the room in half. Whatever. Feed him whatever. Burn the straw house down. 4 I don’t really blame you for being dead but you can’t have your sweater back. So, I said, now that we have our dead, what are we going to do with them? There’s a black dog and there’s a white dog, depends on which you feed, depends on which damn dog you live with. 5 Here we are in the wrong tunnel, burn O burn, but it’s cold, I have clothes all over my body, and it’s raining, it wasn’t supposed to. And there’s snow on the TV, a landscape full of snow, falling from the fire-colored sky. But thanks, thanks for calling it the blue sky You can sleep now, you said. You can sleep now. You said that. I had a dream where you said that. Thanks for saying that. You weren’t supposed to.
Richard Siken (Crush)
[...] carpenter still builds according to Shinto tradition: he dons a priestly costume at a certain stage of his work, performs rites, and chants invocations, and places the new house under the protection of the gods. But the occupation of the swordsmith was in old days the most sacred of the crafts: he worked in priestly garb, and practiced Shinto rites of purification while engaged in the making of a good blade. Before his smithy was then suspended the rope of rice straw, which is the oldest symbol of Shinto; none even of his family might enter there, or speak to him; and he ate only of food cooked with holy fire [...]
Lafcadio Hearn
The wiry man scratched his head, looked the two inquisitors up and down and cleared his throat softly. “We must be quick.” He turned to go, pulling his cloak over his head and shuffling through the door into the moonlight. The two inquisitors moved with impossible silence behind, floating across the straw-covered floor like the cats on the walls outside the hut. The cats froze at the disturbance before scurrying noiselessly into the shadows as the three silhouettes crossed the ten yards of grass before the blackness of the forest swallowed them. No fires flickered at this time, when the full moon was highest in the cloudless summer sky, and the three were the only waking souls in the hamlet.
Gregory Figg (Threshold (Engines of Ascendancy Book 1))
ξύλα καὶ χόρτος καὶ καλάμη ὥστε μηκέτι ὑπάρχειν—ἀδύνατον δέ ἐστιν οὕτως ἀφανισθῆναι, ἀλλὰ ᾗ χόρτος εἰσὶν ἀφανίζονται· καὶ γὰρ τὸ πῦρ τοῦτο τὸ τῆς κολάσεως οὐκ ἐνεργεῖ εἰς οὐσίαν, ἀλλ᾽ εἰς ἕξεις καὶ ποιότητας. ἀναλίσκει τὸ πῦρ τοῦτο οὐ κτίσματα, ἀλλὰ ποιὰς καταστάσεις, ἕξεις τοιάσδε. It is impossible that wood, grass, and straw disappear in such a way as to not exist any more, but they [viz., sinners] will disappear insofar as they are grass and so on. Indeed, this fire of the corrective punishment is not active against the substance, but against the habits and qualities. For this fire consumes, not creatures, but certain conditions and certain habits. (Didymus, Comm. In Ps. 20-21 col. 21.15)
Didymus the Blind
In the stables, my horses were glad to see me. They kicked at their stalls, blew fire and whinnied indignantly, as if to say, Where the Hades have you been? I fed them their favourite gilded straw, then filled their nectar trough. I gave them each a good brushing and whispered sweet nothings in their ears until they stopped kicking me in the groin, which I took as a sign that they forgave me. It felt good to do something so routine — something I'd done millions of times before. (Taking care of horses, I mean. Not getting kicked in the groin.) I still didn't feel like my old self. I didn't really want to feel like my old self. But being in my stables felt much more comfortable and familiar than being on Olympus.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
Travis raised his head from sighting down the rifle as shock radiated through him. Those eyes. Such a vivid blue. It was as if he’d seen them before. But that was impossible. Females didn’t exactly pay them calls on a regular basis. Clearing his throat, he readjusted his rifle. “We don’t cotton to trespassers around here, lady. You best skedaddle back the way you came.” “I will. But not until I say my piece.” She pivoted to face him fully, her lashes lowering for just a moment before she aimed her gaze directly at him again. Even knowing what was coming didn’t stop the jolt from ricocheting through his chest when those piercing eyes latched onto him. “I came to warn you, Travis.” Travis? She knew who he was? Most folks meeting the Archers all at once had no way of knowing him from Crockett or Jim. Yet she said his name with the confidence of recognition. He squinted at her. “Look, lady. I don’t know what kind of game you’re playing, but I want no part of it.” “This is no game. Please, Travis. Just listen.” “You know this gal, Trav?” Out of the corner of his eye, he saw his youngest brother start to lower his rifle. “Hush up, Neill, and hold your line.” The kid obeyed without question, firming up his grip. “The man who wants to buy your land is sending men out here tonight to persuade you to change your mind. They plan to set fire to the place while you sleep and force you to accept the next offer in order to recoup your losses.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
Some recent theologians are of the opinion that the fire which both burns and saves is Christ himself, the Judge and Saviour. The encounter with him is the decisive act of judgement. Before his gaze all falsehood melts away. This encounter with him, as it burns us, transforms and frees us, allowing us to become truly ourselves. All that we build during our lives can prove to be mere straw, pure bluster, and it collapses. Yet in the pain of this encounter, when the impurity and sickness of our lives become evident to us, there lies salvation. His gaze, the touch of his heart heals us through an undeniably painful transformation “as through fire”. But it is a blessed pain, in which the holy power of his love sears through us like a flame, enabling us to become totally ourselves and thus totally of God.
Pope Benedict XVI
There was once a bunny who lived by the ocean. Every day he would stroll along the sandy beach and pick up thoughts which had washed ashore. He would find them in shells, under rocks, and sometimes even tangled up in seaweed. "Oh, this is a good one,” he would say, “We see chaos, but if we look carefully, if we look beneath the chaos, we find perfection." And into his bucket the thought would go. When the bunny had reached a ripe old age he gathered all the thoughts together and placed them carefully into a large silver cauldron heated by the fires of life. Using a straw broom, he stirred them thoroughly, and as he was stirring he listened carefully. Much to his surprise he heard the ocean singing a wordless song of incomparable beauty. The bunny closed his eyes and said, “Ah, it was all worth it.” --The Blue Monk of Niim
Various
(From Chapter 9: Hearts and Gizzards) I’m lying on the hard and narrow bed, on the mattress made of coarse ticking, which is what they call the covering of a mattress, though why do they call it that as it is not a clock. The mattress is filled with dry straw that crackles like a fire when I turn over, and when I shift it whispers to me, hush hush. It’s dark as a stone in this room, and hot as a roasting heart; if you stare into the darkness with your eyes open you are sure to see something after a time. I hope it will not be flowers. But this is the time they like to grow, the red flowers, the shining red peonies which are like satin, which are like splashes of paint. The soil for them is emptiness, it is empty space and silence. I whisper, Talk to me; because I would rather have talking than the slow gardening that takes place in silence, with the red satin petals dripping down the wall. I think I sleep. [...] I’m outside, at night. There are the trees, there is the pathway, and the snake fence with half a moon shining, and my bare feet on the gravel. But when I come around to the front of the house, the sun is just going down; and the white pillars of the house are pink, and the white peonies are glowing red in the fading light. My hands are numb, I can’t feel the ends of my fingers. There’s the smell of fresh meat, coming up from the ground and all around, although I told the butcher we wanted none. On the palm of my hand there’s a disaster. I must have been born with it. I carry it with me wherever I go. When he touched me, the bad luck came off on him. I think I sleep. I wake up at cock crow and I know where I am. I’m in the parlour. I’m in the scullery. I’m in the cellar. I’m in my cell, under the coarse prison blanket, which I likely hemmed myself. We make everything we wear or use here, awake or asleep; so I have made this bed, and now I am lying in it.
Margaret Atwood (Alias Grace)
I regret that almost all novels ever written are much too obedient to the rules of unity of action. What I mean to say is that at their core is one single chain of causally related acts and events. These novels are like a narrow street along which someone drives his characters with a whip. Dramatic tension is the real curse of the novel, because it transforms everything, even the most beautiful pages, even the most surprising scenes and observations merely into steps leading to the final resolution, in which the meaning of everything that preceded is concentrated. The novel is consumed in the fire of its own tension like a bale of straw… Do you think that everything that is not a mad chase after a final resolution is a bore? As you eat this wonderful duck are you bored? Are you rushing towards a goal? On the contrary, you want the duck to enter into a slowly as possible and you never want its taste to end. A novel shouldn’t be like a bicycle race but a feast of many courses.
Milan Kundera (Immortality)
Wherefore, though good and bad men suffer alike, we must not suppose that there is no difference between the men themselves, because there is no difference in what they both suffer. For even in the likeness of the sufferings, there remains an unlikeness in the sufferers; and though exposed to the same anguish, virtue and vice are not the same thing. For as the same fire causes gold to glow brightly, and chaff to smoke; and under the same flail the straw is beaten small, while the grain is cleansed; and as the lees are not mixed with the oil, though squeezed out of the vat by the same pressure, so the same violence of affliction proves, purges, clarifies the good, but damns, ruins, exterminates the wicked. And thus it is that in the same affliction the wicked detest God and blaspheme, while the good pray and praise. So material a difference does it make, not what ills are suffered, but what kind of man suffers them. For, stirred up with the same movement, mud exhales a horrible stench, and ointment emits a fragrant odor.
Augustine of Hippo (City of God)
some older people who need to sit down, Barb. We can’t put chairs out. I don’t want them to get too comfy or we’ll never get rid of them.’ ‘Oh, you’re being ridiculous.’ Henry is thinking that this is a fine time to call him ridiculous. He never wanted the stupid vigil. In bed last night they had another spit-whispered row about it. We could have it at the front of the house, Barbara had said when the vicar called by. Henry had quite explicitly said he would not support anything churchy – anything that would feel like a memorial service. But the vicar had said the idea of a vigil was exactly the opposite. That the community would like to show that they have not given up. That they continue to support the family. To pray for Anna’s safe return. Barbara was delighted and it was all agreed. A small event at the house. People would walk from the village, or park on the industrial estate and walk up the drive. ‘This was your idea, Barbara.’ ‘The vicar’s, actually. People just want to show support. That is what this is about.’ ‘This is ghoulish, Barb. That’s what this is.’ He moves the tractor across the yard again, depositing two more bales of straw alongside the others. ‘There. That should be enough.’ Henry looks across at his wife and is struck by the familiar contradiction. Wondering how on earth they got here. Not just since Anna disappeared, but across the twenty-two years of their marriage. He wonders if all marriages end up like this. Or if he is simply a bad man. For as Barbara sweeps her hair behind her ear and tilts up her chin, Henry can still see the full lips, perfect teeth and high cheekbones that once made him feel so very differently. It’s a pendulum that still confuses him, makes him wish he could rewind. To go back to the Young Farmers’ ball, when she smelled so divine and everything seemed so easy and hopeful. And he is wishing, yes, that he could go back and have another run. Make a better job of it. All of it. Then he closes his eyes. The echo again of Anna’s voice next to him in the car. You disgust me, Dad. He wants the voice to stop. To be quiet. Wants to rewind yet again. To when Anna was little and loved him, collected posies on Primrose Lane. To when he was her hero and she wanted to race him back to the house for tea. Barbara is now looking across the yard to the brazier. ‘You’re going to light a fire, Henry?’ ‘It will be cold. Yes.’ ‘Thank you. I’m doing soup in mugs, too.’ A pause then. ‘You really think this is a mistake, Henry? I didn’t realise it would upset you quite so much. I’m sorry.’ ‘It’s OK, Barbara. Let’s just make the best of it now.’ He slams the tractor into reverse and moves it out of the yard and back into its position inside the barn. There, in the semi-darkness, his heartbeat finally begins to settle and he sits very still on the tractor, needing the quiet, the stillness. It was their reserve position, to have the vigil under cover in this barn, if the weather was bad. But it has been a fine day. Cold but with a clear, bright sky, so they will stay out of doors. Yes. Henry rather hopes the cold will drive everyone home sooner, soup or no soup. And now he thinks he will sit here for a while longer, actually. Yes. It’s nice here alone in the barn. He finds
Teresa Driscoll (I Am Watching You)
Although your mind lies beyond birth and death, this illusory body does die, so practice while remembering death […] The guru said: Human beings don't think of death. A man's life is like a pile of chaff or a feather on a mountain pass. The demon Lord of Death comes suddenly, like an avalanche or a storm. Disturbing emotions are like straw catching fire. Your life-span decreases like the shadows of the setting sun […] This life is crossed in a brief moment, but samsara is endless. What will you do in the next life? Also, the length of this life is not guaranteed: the time of death lies uncertain, and like a convict taken to the scaffold, you draw closer to death with each step. All beings are impermanent and die. Haven't you heard about the people who died in the past? Haven't you seen any of your relatives die? Don't you notice that we grow old? And still, rather than practicing the Dharma, you forget about past grief. Chased by temporary circumstances, tied by the rope of dualistic fixation, exhausted by the river of desire, caught in the web of samsaric existence, held captive by the tight shackles of karmic ripening - even when the tidings of the Dharma reach you, you still cling to diversions and remain careless. Is it that death doesn't happen to people like you? I pity all sentient beings who think in this way! The guru said: When you keep in mind the misery of dying. it becomes clear that all activities are causes for suffering. so give them up. Cut all ties, even the smallest, and meditate in solitude on the remedy of emptiness. Nothing whatsoever will help you at the time of death, so practice the Dharma since it is your best companion...
Padmasambhava (Advice from the Lotus-Born: A Collection of Padmasambhava's Advice to the Dakini Yeshe Tsogyal and Other Close Disciples)
when a really cold day like this come along he’d take my grammaw, and the kids, my uncle and my aunt and my daddy—he was the youngest—and the serving girl and the hired man, and he’d go down with them to the creek, give ’em a little rum-and-herbs drink, it was a recipe he’d got from the old country, then he’d pour creek water over them. Course they’d freeze in seconds, stiff and blue as so many popsicles. He’d haul them to a trench they’d already dug and filled with straw, and he’d stack ’em down there, one by one, like so much cordwood in the trench, and he’d pack straw around them, then he’d cover the top of the trench with two-b’-fours to keep the critters out—in those days there were wolves and bears and all sorts you never see any more around here, no hodags though, that’s just a story about the hodags and I wouldn’t ever stretch your credulity by telling you no stories, no, sir,—he’d cover the trench with two-b’-fours and the next snowfall would cover it up completely, save for the flag he’d planted to show him where the trench was. “Then my grampaw would ride through the winter in comfort and never have to worry about running out of food or out of fuel. And when he saw that the true spring was coming he’d go to the flag, and he’d dig his way down through the snow, and he’d move the two-b’-fours, and he’d carry them in one by one and set the family in front of the fire to thaw. Nobody ever minded except one of the hired men who lost half an ear to a family of mice who nibbled it off one time my grampaw didn’t push those two-b’-fours all the way closed. Of course, in those days we had real winters. You could do that back then. These pussy winters we get nowadays it don’t hardly get cold enough.
Neil Gaiman (American Gods)
I’ll find out who’s inside. Wait here and keep alert!’ Hallam rasped. He skirted the main path to skulk towards one of the shuttered windows on the building’s eastern wall. There was a crack in the wood and he gently inched closer to peer inside. There was a hearth-fire with a pot bubbling away and a battered table made of a length of wood over two pieces of cut timber. A small ham hung from the rafters, away from the rats and mice. He couldn’t see anyone but there was a murmur of voices. Hallam leaned in even closer and a young boy with hair the colour of straw saw the movement to stare. It was Little Jim. Thank God, the child was safe. Snot hung from his nose and he was pale. Hallam put a finger to his lips, but the boy, not even four, did not understand, and just gaped innocently back. Movement near the window. A man wearing a blue jacket took up a stone bottle and wiped his long flowing moustache afterwards. His hair was shoulder-length, falling unruly over the red collar of his jacket. Tied around his neck was a filthy red neckerchief. A woman moaned and the man grinned with tobacco stained teeth at the sound. Laughter and French voices. The woman whimpered and Little Jim turned to watch unseen figures. His eyes glistened and his bottom lip dropped. The woman began to plead and Hallam instinctively growled. The Frenchman, hearing the noise, pushed the shutter open and the pistol’s cold muzzle pressed against his forehead. Hallam watched the man’s eyes narrow and then widen, before his mouth opened. Whatever he intended to shout was never heard, because the ball smashed through his skull to erupt in a bloody spray as it exited the back of the Frenchman’s head. There was a brief moment of silence. ‘28th!’ Hallam shouted, as he stepped back against the wall. ‘Make ready!
David Cook (Blood on the Snow (The Soldier Chronicles, #3))
Last Night My Soul Cried O Exalted Sphere Of Heaven Last night my soul cried, “O exalted sphere of Heaven, you hang indeed inverted, with flames in your belly. “Without sin and crime, eternally revolving upon your body in its complaining is the indigo of mourning; “Now happy, now unhappy, like Abraham in the fire; at once king and beggar like Ebrahim-e Adham. “In your form you are terrifying, yet your state is full of anguish: you turn round like a millstone and writhe like a snake.” Heaven the blessed replied, “How should I not fear that one who makes the Paradise of the world as Hell? “In his hand earth is as wax, he makes it Zangi and Rumi , he makes it falcon and owl, he makes it sugar and poison. “He is hidden, friend, and has set us forth thus patent so that he may become concealed. “How should the ocean of the world be concealed under straws? The straws have been set adancing, the waves tumbling up and down’ “Your body is like the land floating on the waters of the soul; your soul is veiled in the body alike in wedding feast or sorrow. “In the veil you are a new bride, hot-tempered and obstinate; he is railing sweetly at the good and the bad of the world. “Through him the earth is a green meadow, the heavens are unresting; on every side through him a fortunate one pardoned and preserved. “Reason a seeker of certainty through him, patience a seeker of help through him, love seeing the unseen through him, earth taking the form of Adam through him. “Air seeking and searching, water hand-washing, we Messiah-like speaking, earth Mary-like silent. “Behold the sea with its billows circling round the earthy ship; behold Kaabas and Meccas at the bottom of this well of Zamzam!” The king says, “Be silent, do not cast yourself into the well, for you do not know how to make a bucket and a rope out of my withered stumps.
Jalal ad-Din Muhammad ar-Rumi
For the good man is neither uplifted with the good things of time, nor broken by its ills; but the wicked man, because he is corrupted by this world's happiness, feels himself punished by its unhappiness. Yet often, even in the present distribution of temporal things, does God plainly evince His own interference. For if every sin were now visited with manifest punishment, nothing would seem to be reserved for the final judgment; on the other hand, if no sin received now a plainly divine punishment, it would be concluded that there is no divine providence at all. And so of the good things of this life: if God did not by a very visible liberality confer these on some of those persons who ask for them, we should say that these good things were not at His disposal; and if He gave them to all who sought them, we should suppose that such were the only rewards of His service; and such a service would make us not godly, but greedy rather, and covetous. Wherefore, though good and bad men suffer alike, we must not suppose that there is no difference between the men themselves, because there is no difference in what they both suffer. For even in the likeness of the sufferings, there remains an unlikeness in the sufferers; and though exposed to the same anguish, virtue and vice are not the same thing. For as the same fire causes gold to glow brightly, and chaff to smoke; and under the same flail the straw is beaten small, while the grain is cleansed; and as the lees are not mixed with the oil, though squeezed out of the vat by the same pressure, so the same violence of affliction proves, purges, clarifies the good, but damns, ruins, exterminates the wicked. And thus it is that in the same affliction the wicked detest God and blaspheme, while the good pray and praise. So material a difference does it make, not what ills are suffered, but what kind of man suffers them.
Augustine of Hippo (City of God)
The defenders retreated, but in good order. A musket flamed and a ball shattered a marine’s collar bone, spinning him around. The soldiers screamed terrible battle-cries as they began their grim job of clearing the defenders off the parapet with quick professional close-quarter work. Gamble trod on a fallen ramrod and his boots crunched on burnt wadding. The French reached steps and began descending into the bastion. 'Bayonets!' Powell bellowed. 'I want bayonets!' 'Charge the bastards!' Gamble screamed, blinking another man's blood from his eyes. There was no drum to beat the order, but the marines and seamen surged forward. 'Tirez!' The French had been waiting, and their muskets jerked a handful of attackers backwards. Their officer, dressed in a patched brown coat, was horrified to see the savage looking men advance unperturbed by the musketry. His men were mostly conscripts and they had fired too high. Now they had only steel bayonets with which to defend themselves. 'Get in close, boys!' Powell ordered. 'A Shawnee Indian named Blue Jacket once told me that a naked woman stirs a man's blood, but a naked blade stirs his soul. So go in with the steel. Lunge! Recover! Stance!' 'Charge!' Gamble turned the order into a long, guttural yell of defiance. Those redcoats and seamen, with loaded weapons discharged them at the press of the defenders, and a man in the front rank went down with a dark hole in his forehead. Gamble saw the officer aim a pistol at him. A wounded Frenchman, half-crawling, tried to stab with his sabre-briquet, but Gamble kicked him in the head. He dashed forward, sword held low. The officer pulled the trigger, the weapon tugged the man's arm to his right, and the ball buzzed past Gamble's mangled ear as he jumped down into the gap made by the marines charge. A French corporal wearing a straw hat drove his bayonet at Gamble's belly, but he dodged to one side and rammed his bar-hilt into the man's dark eyes. 'Lunge! Recover! Stance!
David Cook (Heart of Oak (The Soldier Chronicles, #2))
At night in the tent, he leaves the flaps open, to feel the fire outside, to hear Anthony in the trailer, to see her better. She asks him to lie on his stomach, and he does, though he can't see her, while she runs her bare breasts over his disfigured back, her nipples hardening into his scars. You feel that? she whispers. Oh, he does. He still feels it. She kisses him from the top of his head downward, from his buzz-cut scalp, his shoulder blades, his wounds. Inch by inch she cries over him and kisses her own salt away, murmuring into him, why did you have to keep running? Look what they did to you. Why didn't you just stay put? Why couldn't you feel I was coming for you? You thought I was dead, he says. You thought I had been killed and pushed through the ice in Lake Ladoga. And what really happened was, I was a Soviet man left in a Soviet prison. Wasn't I dead? He is fairly certain he is alive now, and while Tatiana lies on top of his back and cries, he remembers being caught by the dogs a kilometer from Oranienburg and held in place by the Alsatians until Karolich arived, and being flogged in Sachsenhausen's main square and then chained and tattooed publicly with the 25-point star to remind him of his time for Stalin, and now she lies on his back, kissing the scars he received when he tried to escape to make his way back to her so she could kiss him. As he drives across Texas, Alexander remembers himself in Germany lying in the bloody straw after being beaten and dreaming of her kissing him, and these dreams morph with the memories of last night, and suddenly she is kissing not the scars but the raw oozing wounds, and he is in agony for she is crying and the brine of her tears is eating away the meat of his flesh, and he is begging her to stop because he can't take it anymore. Kiss something else, he pleads. Anything else. He's had enough of himself. He's sick of himself. She is tainted not just with the Gulag. She is tainted with his whole life. Does it hurt when I touch them? He has to lie. Every kiss she plants on his wounds stirs a sense memory of how he got them. He wanted her to touch him, and this is what he gets. But if he tells her the truth, she will stop. So he lied. No, he says.
Paullina Simons
There was talk in the fields about the witch in the woods, but go see her? No one would dare. So I thought to myself I’d sneak out one night to see what I could find there.   I slipped from my straw, jumped over the gate, a candle alight in my hand. I went to the woods at the edge of the park as the moon fell down on this land.   I walked through the trees, so scared and alone, though with hope in the back of my mind. As I saw a small light and smoke rising high I wondered what I would find.   I walked up to a door but before I could knock, it opened with a creak and a squeak. There stood a woman all dressed in white; I felt completely unable to speak.   I sat on a chair by the side of a fire whilst she looked fondly at me. ‘Are you a witch?’ I asked her at last. And she said ‘I may possibly be.   But don’t be afraid I just prefer it out here Away from experienced minds. I live with my innocent, simple, sweet thoughts That are pure and gentle and kind.’   I was a little confused So I said to her now, ‘How do you even survive?’ She said to me softly ‘Just love, my young man, It is only on love that I thrive.’   ‘What can I do?’ I said to her now ‘So I can be just like you?’ ‘What, wearing a dress? Clad only in white? I’m sure you’d look better in blue!’   ‘No,’ I said, laughing, ‘To feel just like you Where everything seems so right.’ She thought for a while, And closed her deep eyes As the full moon shed its fair light.   ‘All I can say Is open your mind, The world is more than you know. Look deeper than deep, Be a dreamer, my boy, And give love wherever you go.   When others hurt you, Accept that it hurts, Have faith in the bad and the good. Walk with the soul And the eyes of a child You will always be safe in these woods.   As for the world That lies there outside, Remember the words that I’ve said. Keep them inside Your heart and your mind And by them may you be led.   Soon others will see There is no such thing As being too nice or too kind. And then one fine day, When more are like you, I can leave this sweet glory behind.’   So when I got home I thought of the woman That had entered my life that dark night. I will walk tall forever With the eyes of a child, To the blackness of life I’ll bring light.
Stuart Ayris (Tollesbury Time Forever)
Who really benefited from the death of President Kennedy? Oswald only served as a straw man.[86] Unbeknownst to him, he was being prepared by the CIA and the FBI for his role as a scapegoat. Do not forget that there are often mind control elements at work in these kinds of political assassinations (See chapter 44, Josef Mengele and Monarch Mind Control). Lyndon B. Johnson had foreknowledge of the plan to kill Kennedy. His longtime lover, Madeleine Brown, wrote about Johnson’s foreknowledge of the assassination in her book Texas in the Morning (see also Benjamin Bradlee, Conversations with Kennedy 1975). One day before Kennedy was killed, Johnson said: “Tomorrow those goddamn Kennedys will never embarrass me again. That’s no threat, that’s a promise.” Why John Kennedy choosed Lyndon Johnson as his running mate is unknown. He and his brother Robert did not like Johnson at all. They knew that Johnson stole the election that put him in the US Senate. There were also many scandals swirled around Johnson as vice president and a string of murders that may be associated with him. To his assistant Hyman Raskin, Kennedy once said: “You know, we had never considered Lyndon. But I was left with no choice. Those bastards were trying to frame me. They threatened me with problems.” Who were those bastards? Did he refer to the Illuminati? There is no doubt that Kennedy had been submitted to blackmail. Kennedy excused his choice of Johnson several times: “The whole story will never be known. And it’s just as well that it won’t be.” Lyndon Johnson, who was an Illuminati mole, was up to his neck into the conspiracy. He had orders to cover everything up. Within hours of the killing, he placed all the weight of his newly acquired authority to obstruct the quest for the truth. He received the full support of the CIA and FBI director Edgar Hoover, who circulated a memo asserting his conviction that Oswald had acted on his own initiative. Harvey Oswald fired just three bullets from above and behind. Did he really wound all the limousine’s occupants with these shots? The killing of Kennedy is more complex than is usually admitted. Officially, one of Oswald´s bullets hit Kennedy twice and Governor John Connally who was sitting in the front seat of the limousine, three times!
Robin de Ruiter (Worldwide Evil and Misery - The Legacy of the 13 Satanic Bloodlines)
I don’t…believe you,” she lied, her blood running wild through her veins. His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers. This was not what she’d set out to get from him. But oh, the joy of it. The heat of it. His mouth covered hers, seeking, coaxing. Without breaking the kiss, he pushed her back against the wall, and she grabbed for his shoulders, his surprisingly broad and muscular shoulders. As he sent her plummeting into unfamiliar territory, she held on for dear life. Time rewound to when they were in her uncle’s garden, sneaking a moment alone. But this time there was no hesitation, no fear of being caught. Glorying in that, she slid her hands about his neck to bring him closer. He groaned, and his kiss turned intimate. He used lips and tongue, delving inside her mouth in a tender exploration that stunned her. Enchanted her. Confused her. Something both sweet and alien pooled in her belly, a kind of yearning she’d never felt with Edwin. With any man but Dom. As if he sensed it, he pulled back to look at her, his eyes searching hers, full of surprise. “My God, Jane,” he said hoarsely, turning her name into a prayer. Or a curse? She had no time to figure out which before he clasped her head to hold her for another darkly ravishing kiss. Only this one was greedier, needier. His mouth consumed hers with all the boldness of Viking raiders of yore. His tongue drove repeatedly inside in a rhythm that made her feel all trembly and hot, and his thumbs caressed her throat, rousing the pulse there. Thank heaven there was a wall to hold her up, or she was quite sure she would dissolve into a puddle at his feet. Because after all these years apart, he was riding roughshod over her life again. And she was letting him. How could she not? His scent of leather and bergamot engulfed her, made her dizzy with the pleasure of it. He roused urges she’d never known she had, sparked fires in places she’d thought were frozen. Then his hands swept down her possessively as if to memorize her body…or mark it as belonging to him. Belonging to him. Oh, Lord! She shoved him away. How could she have fallen for his kisses after what he’d done? How could she have let him slip that far under her guard? Never again, curse him! Never! For a moment, he looked as stunned by what had flared between them as she. Then he reached for her, and she slipped from between him and the wall, panic rising in her chest. “You do not have the right to kiss me anymore,” she hissed. “I’m engaged, for pity’s sake!” As soon as her words registered, his eyes went cold. “It certainly took you long enough to remember it.” She gaped at him. “You have the audacity to…to…” She stabbed his shoulder with one finger. “You have no business criticizing me! You threw me away years ago, and now you want to just…just take me up again, as if nothing ever happened between us?” A shadow crossed his face. “I did not throw you away. You jilted me, remember?” That was the last straw. “Right. I jilted you.” Turning on her heel, she stalked back toward the road. “Just keep telling yourself that, since you’re obviously determined to believe your own fiction.” “Fiction?” He hurried after her. “What are you talking about?” “Oh, why can’t you just admit what you really did and be done with it?” Grabbing her by the arm, he forced her to stop just short of the street. He stared into her face, and she could see when awareness dawned in his eyes. “Good God. You know the truth. You know what really happened in the library that night.” “That you manufactured that dalliance between you and Nancy to force me into jilting you?” She snatched her arm free. “Yes, I know.” Then she strode out of the alley, leaving him to stew in his own juices.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Activity pouch on airplanes Buttons and pins Crayons and coloring place mats from restaurants Disposable sample cup from the grocery store Erasers and pencils with eraser tops Fireman hat from a visit to the fire station Goodie bags from county fairs and festivals Hair comb from picture day at school Infant goods from the maternity ward Junior ranger badge from the ranger station and Smokey the Bear Kids’ meal toys Lollipops and candy from various locations, such as the bank Medals and trophies for simply participating in (versus winning) a sporting activity Noisemakers to celebrate New Year’s Eve OTC samples from the doctor’s office Party favors and balloons from birthday parties Queen’s Jubilee freebies (for overseas travelers) Reusable plastic “souvenir” cup and straw from a diner Stickers from the doctor’s office Toothbrushes and floss from the dentist’s office United States flags on national holidays Viewing glasses for a 3-D movie (why not keep one pair and reuse them instead?) Water bottles at sporting events XYZ, etc.: The big foam hand at a football or baseball game or Band-Aids after a vaccination or various newspapers, prospectuses, and booklets from school, museums, national parks . . .
Bea Johnson (Zero Waste Home: The Ultimate Guide to Simplifying Your Life by Reducing Your Waste (A Simple Guide to Sustainable Living))
Curious, Amy asked Absalom how anarchists celebrated the holidays. The girl explained her family exchanged radical pamphlets and gelignite recipes while dining on a roast swan her father had specifically poached from a royal estate. Instead of carols around a tree, they sang revolutionary songs in front of a fire into which they threw straw dollies made in the image of kings, presidents, colossi of finance and secret police chiefs. Absalom and her sisters nibbled biscuits decorated with red sugar stars and slogans of the struggle.
Kim Newman (The Secrets of Drearcliff Grange School (Drearcliff Grange #1))
The Lilly in a Christal You have beheld a smiling Rose When Virgins hands have drawn O’r it a Cobweb-Lawne: And here, you see, this Lilly shows, Tomb’d in a Christal stone, More faire in this transparent case, Then when it grew alone; And had but single grace. You see how Creame but naked is; Nor daunces in the eye Without a Strawberrie: Or some fine tincture, like to this, Which draws the sight thereto, More by that wantoning with it; Then when the paler hieu No mixture did admit. You see how Amber through the streams More gently stroaks the sight, With some conceal’d delight; Then when he darts his radiant beams Into the boundless aire: Where either too much light his worth Doth all at once impaire, Or set it little forth. Put Purple Grapes, or Cherries in- To Glasse, and they will send More beauty to commend Them, from that cleane and sbutile skin, Then if they naked stood, And had no other pride at all, But their own flesh and blood, And tinctures natural. Thus Lillie, Rose, Grape, Cherry, Creame And Straw-berry do stir More love, when they transfer A weak, a soft, a broken beame; Then if they sho’d discover At fulltheir proper excellence; Without some Scean cast over, To juggle with the sense. Thus let this Christal’d Lillie be A Rule, how far to teach, Your nakednesse must reach: And that, no further, then we see Those glaring colours laid By Arts wise hand, but to this end They sho’d obey a shade; Lest they too far extend. So though y’are white as Swan, or Snow, And have the power to move A world of men to love: Yet, when your Lawns & Silks shal flow; And that white cloud divide Into a doubtful Twi-light; then, Then will your hidden Pride Raise greater fires in men.
Robert Welch Herrick (Selected Poems (Shearsman Classics))
For weeks, as his mission had moved closer to completion, he had increasingly thought about what he would do then—he had no desire to stay in Germany and no reason to return to Lebanon. Within days, he knew, a modern plague—the black pox was how he thought of it—would burst into the public consciousness. Its presence would start slow, like a match in straw, but it would rapidly become what scientists call a self-amplifying process—an explosion—and the whole barn would be on fire. America—the great infidel—would be ground zero, the kill rate astronomical. Deprived of its protector, Israel’s belly would be exposed and at last it would be left to the mercy of its near enemies. As economic activity fell off a cliff, the price of oil would collapse and the ruling Saudi elite—unable to buy off its own people any longer or fall back on the support of the United States—would invoke a fearful repression and in doing so, sow the seeds of its own destruction. In the short term, the world would close down and travel be rendered impossible, as nations sought safety in quarantine and isolation. Some would be more successful than others and though a billion people had died from smallpox in the hundred years before its eradication, nothing like it had ever happened in the modern world—not even AIDS—and nobody could predict where the rivers of infection would flood and where they would turn.
Terry Hayes (I Am Pilgrim (Pilgrim, #1))
The protracted failure to provide or permit any medical attention at all ensured that the wound he had received had been fatal. It would be this culpable negligence that would be the final straw of repeated aggressive incidents toward Allied missions (one estimate had them numbered at least four to six times a year). It froze American-Soviet relations, as President Reagan’s administration castigated Moscow. Although it wasn’t known at the time how serious Nicholson’s injuries were, just as serious was the repeated firing on Allied personnel by Soviet troops.
Iain MacGregor (Checkpoint Charlie: The Cold War, the Berlin Wall and the Most Dangerous Place on Earth)
And thus, taking from ours that which is like, since all were liable to the corruption of death, delivering it over to death on behalf of all, he offered it to the Father, doing this in his love for human beings, so that, on the one hand, with all dying in him the law concerning corruption in human beings might be undone,and, on the other hand, that as human beings had turned towards corruption he might turn them again to incorruptibility and give them life from death, by making the body his own and by grace of the resurrection banishing death from them as straw from the fire.
Athanasius of Alexandria (On the Incarnation)
So I did a good thing, prevented that guy from getting brain damage from this cretin, and now I’m going to be stuck with him for the foreseeable future. How the hell did I draw the short straw in this whole thing?” “But you love helping people,” Brixton cajoles. “Just consider me your newest charity case. That must get you all kinds of excited, trying to reform the hopeless, unredeemable asshole.” “I’d rather gauge out my eyes with hot fire pokers,” I grumble. “There’s definitely gonna be a place in heaven for you, choir boy.
Brooklyn Cate (Tight End (Red Zone #4))
STAY CLOSE, MY HEART Stay close, my heart, to the one who knows your ways; Come into the shade of the tree that allays has fresh flowers. Don't stroll idly through the bazaar of the perfume-markers: Stay in the shop of the sugar-seller. If you don't find true balance, anyone can deceive you; Anyone can trick out of a thing of straw, And make you take it for gold Don't squat with a bowl before every boiling pot; In each pot on the fire you find very different things. Not all sugarcanes have sugar, not all abysses a peak; Not all eyes possess vision, not every sea is full of pearls. O nightingale, with your voice of dark honey! Go on lamenting! Only your drunken ecstasy can pierce the rock's hard heart! Surrender yourself, and if you cannot be welcomes by the Friend, Know that you are rebelling inwardly like a thread That doesn't want to go through the needle's eye! The awakened heart is a lamp; protect it by the him of your robe! Hurry and get out of this wind, for the weather is bad. And when you've left this storm, you will come to a fountain; You'll find a Friend there who will always nourish your soul. And with your soul always green, you'll grow into a tall tree Flowering always with sweet light-fruit, whose growth is interior.
Jalal ad-Din Muhammad ar-Rumi
He sauntered to the counter. “What can I do for you?” The red bandana he wore held back the hair that typically covered his eyes. I loved his eyes. Chocolate-brown, full of mischief and a spark ready to light the world on fire. “Can I have a glass of water, please?” And please let it be free. “Is that it?” My stomach growled, loud enough for Noah to hear. “Yep, that’s it.” He fixed me a glass and handed it to me. “Are you sure you wouldn’t like a burger? A nice thick burger on a toasted bun with salty fries on the side?” I sucked on my straw, gulping the ice water down. Funny, water didn’t give me that warm, fuzzy, full feeling like a burger and fries would. “I’m fine, thank you.” “Suit yourself. You see that nice-looking piece of meat right there?” He motioned to the patty frying. The aroma made my mouth water.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
There are two judgments we face as a Christian. In the first judgment we will be asked if we accepted Christ as our Lord and Savior. This judgment will allow us to enter the gates of heaven or send us directly to hell. The second judgment comes to judge our works. What did we do with our time on earth? Things done that were meaningless will burn up like wood, hay and straw when put to the fire. Things that were done of value will stand the test of fire. Gold, silver and costly stones will stand the test of fire. I believe working with our kids and all that it entails is gold, silver and costly stones. When our works are put before us in heaven, the time that we have spent cooking meals from scratch, tutoring our children, spending our money on their needs, the struggles that it took to get them to take the supplements their bodies needed, spending sleepless nights reading and researching to help them will all stand the test of the fire that is yet to come.
Kathy Medina (Finding God in Autism: A Forty Day Devotional for Parents of Autistic Children)
Leaving the Connecticut River March 8, 1704 Temperature 40 degrees They marched until the captives could not take another step. Eben dragged Eliza half the way and Sarah dragged her the rest. Mercy and Joseph took turns hauling Ruth. That night they slept like rocks, and in the morning Mercy understood why bears spent the whole winter sleeping. It sounded good to Mercy. Perhaps it sounded good to the Indians too, because they did not leave camp. Instead, they built two fires, gathering an enormous woodpile. Joseph was stripped of his English clothes. Too torn and filthy to bother with, they were tossed into the woods. He was given a long deerskin shirt and leggings that hung from thigh to ankle, held up by cords strung to a belt. Then came coat, hat and mittens, all Indian. How dark Joseph’s hair was. How tan his skin. Joseph looked like a young brave. In a moment, the Indians did the same with Eben, whose coloring was very English, ruddy cheeks and straw-yellow hair. He did not look at all Indian, but in deerskin, he looked tough and strong and much older. The girls were nervous. They did not want their clothes stripped off their bodies, no matter how torn and filthy. But Eben’s Indian, Thorakwaneken, hoisted a flintlock musket and looked questioningly at each girl. Mercy could not imagine what he was asking of her. Eliza did not notice him or the gun. And Ruth was the last person to whom a sensible Indian would hand a weapon. Sarah, however, nodded. “I’m a good shot.” She took the musket from Thorakwaneken. Food was such a problem that even Joseph and Eben would be armed and sent forth to hunt. The girls would stay by the fire with enough wood to last for days, and Sarah to fend off wolves.
Caroline B. Cooney (The Ransom of Mercy Carter)
The body protects itself, and the same happens in the mind. It occurs sluggishly and imperfectly, a bad job done by indifferent craftsmen, but within minutes an accretion of defence mechanisms starts to form around the trauma, blunting its edges, eventually sealing it away inside scar tissue. Like a sliver of glass buried deep in a cut, the event will never go away, and often a movement will cause it to nudge a nerve ending and burn like fire for a while. However much it hurts when that happens, the last thing you want.
Michael Marshall (The Straw Men (Straw Men, #1))
Young & Dumb She bit my hand so hard that it drew blood, I think that was the moment I knew true love, She says she loves who I'd be if I grew up, But 'til then could I please keep my shoes on, Cause she says we've still got forever, We're young and dumb and we don't know better - and I don't get her - but I tell her - She'll come around, Well I know, We're up and down - But that won't, mess us around - No no, oh-oh, And this may be jumping in the deep end, But maybe we could watch some TV on the weekend, I'll come to yours maybe we could have some pizzas, Fight about some dumb shit and tell each other secrets, And while you were getting plates and the tea set, I saved time and thought of names for our three kids, But I'll forget them when we argue for no reason, Tease you endlessly but worry 'bout your feelings, Cause she says we've still got forever, We're young and dumb and we don't know better - and I don't get her - but I tell her - She'll come around, Well I know, We're up and down - But that won't, mess us around - No no, oh-oh, oh-oh, And you say that together we make true love, And in time you'll show me what you're made of And I'd be lying if this wasn't a test So get your shit right or I'll give you an f Am I foolish? Is this real? Smashing the tea set to bring you to heel, But who cares? Who knows? Clean this mess up and let's give it a go 'Cause he says we've still got forever, We're young and dumb and we don't know better - and I don't get him - so I tell him He'll come around, Well I know, we're up and down - But that won't, mess us around - No no, oh-oh, Our final straw's still holding fast, Our house of sticks won't blow apart, We laid these bricks on broken hearts, And set a fire in the hearth; And if the wolves don't fear the sparks, Or if I fuck it up my God, I'd rather sit here in the dark, My love, my love Cause she says we've still got forever, We're young and dumb and we don't know better - And I don't get her - but I tell her - No he don't get me but he tells me No I don't get her No he don't get me No I don't get her but I tell her You'll come around, Well I know, We're up and down - But that won't, mess us around - No no, oh-oh,
Chance Waters
There was once a bunny who lived by the ocean. Every day he would stroll along the beach and pick up thoughts which had washed ashore. He would find them in shells, under rocks, and sometimes even tangled up in seaweed. "Oh, this is a good one,” he would say, “We see chaos, but if we look carefully, if we look beneath the chaos, we find order and perfection." And into his bucket the thought would go. When the bunny had reached a ripe old age he gathered all the thoughts together and placed them carefully into a large silver cauldron heated by the fires of life. Using a straw broom, he stirred them thoroughly, and as he was stirring he listened carefully. Much to his surprise he heard the ocean singing a wordless song of incomparable beauty. The bunny closed his eyes and said, “Ah, it was all worth it.” The Blue Monk stood up. “We will sing for you now, Edmund. It is the ocean’s wordless song of incomparable beauty. It is the song of the universe, the song of your past, the song of your future.” Edmund’s eyes were still closed when he heard the first Blue Monk sing.
Various
There was once a bunny who lived by the ocean. Every day he would stroll along the beach and pick up thoughts which had washed ashore. He would find them in shells, under rocks, and sometimes even tangled up in seaweed. "Oh, this is a good one,” he would say, “We see chaos, but if we look carefully, if we look beneath the chaos, we find order and perfection." And into his bucket the thought would go. When the bunny had reached a ripe old age he gathered all the thoughts together and placed them carefully into a large silver cauldron heated by the fires of life. Using a straw broom, he stirred them thoroughly, and as he was stirring he listened carefully. Much to his surprise he heard the ocean singing a wordless song of incomparable beauty. The bunny closed his eyes and said, “Ah, it was all worth it.” The Blue Monk stood up. “We will sing for you now, Edmund. It is the ocean’s wordless song of incomparable beauty. It is the song of the universe, the song of your past, the song of your future.” Edmund’s eyes were still closed when he heard the first Blue Monk sing.
Tom Hoffman
Well, that episode was the last straw, as my mom explains it, and the Nun Boss basically fired my mom, but even though she was a failed nun and never got to marry God, she went home feeling as if a huge weight had been lifted off her shoulders.
Judy Greer (I Don't Know What You Know Me From: My Life as a Co-Star)
Fire engine ladders that can reach the 6th floor are a wondrous invention, unless you're on the 7th floor, then it's a stupid piece of junk.
David Hammons (The Bean Straw: The Chicken Factor)
Come, Robin Goodfellow, I give you these treats: A soft ground warmed by straw-burning fire; A maukin draped with elegant attire; Honey'd wine, the more to pleasure thee- A 'mess of white milk and bread' for your standing fee. Come, Good Master, and make a happy sound: Stamp your cloven feet 'pon this merry ground. Your Lady's brow is fair, her face is sweet, Her mouth is red and her mouth is neat, For Her love, come to this merry ground. Come, Robin Goodfellow, and some call Buck- Whether name they you 'Hobbgoblin' or 'Sweet Puck', Every day you give them mirth, And every day you give them luck.
Robin Artisson (Letters from the Devil's Forest: An Anthology of Writings on Traditional Witchcraft, Spiritual Ecology and Provenance Traditionalism)
Perhaps the best way, then, to read the tough language in Matthew that all sin and all sinners will be burned up in the fire of God’s judgment is to understand it as a graphic expression of what is ultimately a glad, confident, and hopeful promise that nothing that mars God’s goodness will endure. There is no cancer, no killing virus, no Alzheimer’s, no plague, no child abuse, no tyranny, no cruelty, no oppression, no lynching, no placing of children in cages, no homelessness, no tragic tears, no suffocating loneliness, no torture, no death in the kingdom of heaven. God and God’s kingdom will be revealed to be all that truly exists, all-consuming, and nothing outside of it will have any reality at all. All that has destroyed and maimed and oppressed and polluted creation and the human prospect will be burned away like straw.
Thomas G. Long (Proclaiming the Parables: Preaching and Teaching the Kingdom of God)
This ends up being less sloppy than you might think. Athens doesn’t have the fake regality on football weekends that, say, Oxford, Mississippi, has—that place looks like the party from Get Out on football Saturdays; everybody’s got bow ties and straw hats—but we don’t set fire to the world just to watch it burn like the lunatics at LSU either.
Will Leitch (How Lucky)
At our first breath, we begin to race Fortune.” Valentino spoke as if he had already surrendered his hope of defeating her. “She draws a map of each man’s life, marking the distance that bounds our mortality, requiring of us that we race against her, ever faster, toward the oblivion that lies beyond. Santa Maria, that distance is short, the contest brief.” I thought I saw a glimmer at the corner of his eye. “Perhaps the nun of Mantua simply saw Fortune’s map of my life. Because if I do not find this schoolboy’s geometry, then all this, all my hopes for a new Italy, will be consumed more quickly than straw in a fire.
Michael Ennis (The Malice of Fortune)
Stimulation is anything that wakes up the nervous system, gets its attention, makes the nerves fire off another round of the little electrical charges that they carry. We usually think of stimulation as coming from outside, but of course it can come from our body (such as pain, muscle tension, hunger, thirst, or sexual feelings) or as memories, fantasies, thoughts, or plans. Stimulation can vary in intensity (like the loudness of a noise) or in duration. It can be more stimulating because it is novel, as when one is startled by a honk or shout, or in its complexity, as when one is at a party and hearing four conversations at once plus music. Often we can get used to stimulation. But sometimes we think we have and aren’t being bothered, but suddenly feel exhausted and realize why: We have been putting up with something at a conscious level while it was actually wearing us down. Even a moderate and familiar stimulation, like a day at work, can cause an HSP to need quiet by evening. At that point, one more “small” stimulation can be the last straw.
Elaine N. Aron (The Highly Sensitive Person)
The sacrifice taken as a whole is conceived as Haug notes "to be a kind of machinery in which every piece must tally with the other," the slightest discrepancy in the performance of even a minute ritualistic detail, say in the pouring of the melted butter on the fire, or the proper placing of utensils employed in the sacrifice, or even the misplacing of a mere straw contrary to the injunctions was sufficient to spoil the whole sacrifice with whatsoever earnestness it might be performed. Even if a word was mispronounced the most dreadful results might follow. Thus when Tva@s@t@r performed a sacrifice for the production of a demon who would be able to kill his enemy Indra, owing to the mistaken accent of a single word the object was reversed and the demon produced was killed by Indra. But if the sacrifice could be duly performed down to the minutest detail, there was no power which could arrest or delay the fruition of the object. Thus the objects of a sacrifice were fulfilled not by the grace of the gods, but as a natural result of the sacrifice. The performance of the rituals invariably
Surendranath Dasgupta (A History of Indian Philosophy, Volume 1)
Look at the way the rice is shining... it looks like jewels. Each grain of rice retains its original shape... and they're all the same size too. It's stickiness and scent... it's been washed to perfection. Washing the rice just to rinse off the dirt and excess bran without wasting the flavor and scent of the rice is extremely difficult. I made my fortune before the war at the rice market... I still find time to do research on rice. I'm sure I can figure out what this rice is and where it comes from... It's Sasanishiki... but it's not from Miyagi. It's Shonai rice, from Amarume-Yamagata prefecture! Well?! " "That is correct!" "Wow... he guessed the type of rice and where it came from!" "I don't believe it!" "This rice has been dried under sunlight, not by machine--- and you milled it right here, just before washing it, didn't you?" You cook it over an old-fashioned furnace using firewood for fuel... and just before steaming it, you throw a handful of straw into the fire if you want to cook rice like this." "Yes." "Then this miso soup too... Ah... it's real miso made from domestic soy and natural salt. The dashi is made from katsuobushi, an obushi from Makurazaki. And he used the good part in the center. And the tofu is made with domestic soybeans and real brine. Aah... this is so good that it's making me cry!
Tetsu Kariya (The Joy of Rice)
firstly, all being held to have died in Him, the law involving the ruin of men might be undone (inasmuch as its power was fully spent in the Lord's body, and had no longer holding-ground against men, his peers), and that, secondly, whereas men had turned toward corruption, He might turn them again toward incorruption, and quicken them from death by the appropriation of His body and by the grace of the Resurrection, banishing death from them like straw from the fire. 9.
Athanasius of Alexandria (The Complete Works of St. Athanasius (20 Books): Cross-Linked to the Bible)
I (Josh) like to look at it this way: Imagine that after this life, you are standing in front of Jesus. All of your deed - both what you did for yourself and what you did to serve Jesus - are represented as a stack of wood, hay, and straw. You assume there are probably some jewels and gold in there, too. All of a sudden, a huge fire comes down and burns all the wood, hay, and straw, leaving behind only the things you did for Jesus: the only things that could not be burned. You look down in surprise to see a pile of gold and jewels small enough to fit in the palm of your hand. You walk up to that small pile, your deeds for Jesus throughout your entire life, and you scoop them up. You approach Jesus on His throne. You see the scars in His hands and on His feet: the evidence of what He has done for you with His life. You hold out your hand to Jesus, present Him with your small handful of jewels and gold, and the only thing you can muster to say is the honest, yet tragic confession, "I love you this much.
Josh Peck (The Second Coming of the New Age: The Hidden Dangers of Alternative Spirituality in Contemporary America and Its Churches)
Now if anyone builds on the foundation with gold, silver, precious stones, wood, hay, straw—the work of each builder will become visible, for the Day will disclose it, because it will be revealed with fire, and the fire will test what sort of work each has done. (1 Cor 3: 11-13, emphasis added)
Brian Zahnd (When Everything's on Fire: Faith Forged from the Ashes)
Most have been torn down now, replaced by brutal information boards stamped out in Helvetica, the official typeface of purgatory. Helvetica isn’t designed to make you feel anything good, to promise adventure or gladden the heart. Helvetica is for telling you that profits are down, that the photocopier needs servicing, and by the way, you’ve been fired.
Michael Marshall (The Straw Men)
Richard Baxter wisely commented that women sin when their clothing tends “to the ensnaring of the minds of the beholders in shameless, lustful, wanton passions, though you say, you intend it not, it is your sin, that you do that which probably will procure it, yea, that you did not your best to avoid it. And though it be their sin and vanity that is the cause, it is nevertheless your sin to be the unnecessary occasion: for you must consider that you live among diseased souls! And you must not lay a stumbling-block in their way, nor blow up the fire of their lust, nor make your ornaments their snares; but you must walk among sinful persons, as you would do with a candle among straw or gunpowder; or else you may see the flame which you would not foresee, when it is too late to quench it.
Jeff Pollard (Christian Modesty and the Public Undressing of America)
What’s a kelpie?” Nesta asked, heart pounding at the tension etched into their faces. “An ancient creature—one of the first true monsters of the faeries,” Cassian said. “Humans called them by other names: water-horses, nixies. They were shape-shifters who dwelled in the lakes and rivers and lured unwitting people into their arms. And after they drowned them, they feasted. Only the entrails would make it back to shore.” Nesta stared toward the bog’s black surface. “And they live in there?” “They vanished hundreds of years before we were born,” Cassian said firmly. “They’re a myth whispered around fires, and a warning for children not to play near the water. But no one knows where they went. Most were hunted, but the survivors …” He conceded with a nod to Azriel, “It’s possible that they fled to the Middle. The one place that could protect them.” Nesta grimaced. Cassian threw her a grin that didn’t meet his eyes. “Just don’t go running after a beautiful white horse or a pretty-faced young man and you’ll be fine.” “And stay out of the water,” Azriel added solemnly. “What if the Mask is in the water?” She gestured to the vast bog. They’d fly over it, they’d decided, and let her sense whatever lay here. “Then Az and I will draw straws like the tough warriors we are and the loser goes in.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
They occasionally turned up in Tudor inventories and linens would often be recorded in wills as bequeathed to others. Goodman tells us how she followed a Tudor body cleansing regime for a period of three months while living in modern society. No one complained or even noticed a sweaty smell. She wore natural fibre on top of the linen underwear but took neither a shower nor a bath for the whole period. When she recorded The Monastery Farm for television, she only changed her linen smock once weekly and her hose three times over six months and she still did not pong.9 Tudor England was not a place where everyone smelled as sweetly as most people who shower daily today but its people generally managed not to stink. Of course, the past did smell differently but being clean and sweet smelling certainly did matter to many Tudors. In 1485 only a few hundred people in England could afford essential oils which arrived during the Crusades. Perfume for most people originated from natural sources such as posies of violets, lavender bags and smoke from herbs burning over a fire. Sir Thomas More is known to have had a rosemary bush planted beneath his study window so its pleasant scent wafted up towards him as he worked. Lavender was often placed in bedrooms, tucked into the straw of a bolster or hung in bunches on bed posts so that its calming nature might induce relaxation. Rue and Tansey were known as insecticides and
Carol McGrath (Sex and Sexuality in Tudor England)
Harvesting by sickle yields straw as well as grain. Today we consider straw a by-product of cereal-farming, the primary purpose being to produce food. But archaeological evidence suggests things started the other way round.32 Human populations in the Middle East began settling in permanent villages long before cereals became a major component of their diets.33 In doing so, they found new uses for the stalks of wild grasses; these included fuel for lighting fires, and the temper that transformed mud and clay from so much friable matter into a vital tectonic resource, used to build houses, ovens, storage bins and other fixed structures. Straw could also be used to make baskets, clothing, matting and thatch. As people intensified the harvesting of wild grasses for straw (either by sickle or simply uprooting), they also produced one of the key conditions for some of these grasses to lose their natural mechanisms of seed dispersal.
David Graeber (The Dawn of Everything: A New History of Humanity)
Yelling, ‘Fire in the hole!’ and blowing your brains through a straw?
Amy Lane (Living Promises (Promises #3))
Billy’s story ended very curiously in a suburb untouched by fire and explosions. The guards and the Americans came at nightfall to an inn which was open for business. There was candlelight. There were fires in three fireplaces downstairs. There were empty tables and chairs waiting for anyone who might come, and empty beds with covers turned down upstairs. There was a blind innkeeper and his sighted wife, who was the cook, and their two young daughters, who worked as waitresses and maids. This family knew that Dresden was gone. Those with eyes had seen it burn and burn, understood that they were on the edge of a desert now. Still—they had opened for business, had polished the glasses and wound the clocks and stirred the fires, and waited and waited to see who would come. There was no great flow of refugees from Dresden. The clocks ticked on, the fires crackled, the translucent candles dripped. And then there was a knock on the door, and in came four guards and one hundred American prisoners of war. The innkeeper asked the guards if they had come from the city. “Yes.” “Are there more people coming?” And the guards said that, on the difficult route they had chosen, they had not seen another living soul. The blind innkeeper said that the Americans could sleep in his stable that night, and he gave them soup and ersatz coffee and a little beer. Then he came out to the stable to listen to them bedding down in the straw. “Good night, Americans,” he said in German. “Sleep well.
Kurt Vonnegut Jr. (Slaughterhouse-Five)
Thus, taking a body like our own, because all our bodies were liable to the corruption of death, He surrendered His body to death instead of all, and offered it to the Father. This He did out of sheer love for us, so that in His death all might die, and the law of death thereby be abolished because, having fulfilled in His body that for which it was appointed, it was thereafter voided of its power for men. This He did that He might turn again to incorruption men who had turned back to corruption, and make them alive through death by the appropriation of His body and by the grace of His resurrection. Thus He would make death to disappear from them as utterly as straw from fire.
Athanasius of Alexandria (On the Incarnation)
At the Judgment Seat of Christ, believers were thoroughly examined to see how faithful they were to the Bridegroom [Jesus] during this time. But this was also a time of celebration, as the Redeemed were rewarded for the good they did and for the evil they refrained from, after believing in Christ. Five eternal crowns were awarded to those deserving of them—the Crown of Righteousness, the Incorruptible Crown, the Crown of Life, the Crown of Rejoicing, and the Crown of Glory. These eternal rewards would never rust, tarnish or ever be stolen. The Crown of Righteousness was awarded to those who lived righteous lives in the eyes of the Lord, shunning evil whenever it visited their doorsteps. The Incorruptible Crown, also called the “Victor’s Crown”, was awarded to those who denied self, and rejected earthly opportunities in order to fully pursue God’s Kingdom. The Crown of Rejoicing was awarded to those who led others to faith in Christ. The Crown of Glory, also known as the “Elder’s Crown,” was awarded to those who preached the Word of God—pastors, ministers, priests, bishops, evangelists, and the like. The Crown of Life, sometimes called the “Martyr’s Crown,” was awarded to those who were killed because of their faith in God, and for their testimony. Those who lived righteous lives in the eyes of the Lord, who shunned evil in the flesh, denied self in order to further God’s Kingdom—leading many to Christ in the process—and preached the Gospel everywhere they went, then died martyr’s deaths received all five crowns. Many received four crowns at the Judgment Seat of Christ. Multitudes more received three. Others two. Some received only one. Sadly, some received none. As recorded in 1 Corinthians 3:15, “For no one can lay any foundation other than the one already laid, which is Jesus Christ. If any man builds on this foundation using gold, silver, costly stones, wood, hay or straw, his work will be shown for what it is, because the Day will bring it to light. It will be revealed with fire, and the fire will test the quality of each man’s work. If what he has built survives, he will receive his reward. If it is burned up, he will suffer loss; he himself will be saved, but only as one escaping through the flames.
Patrick Higgins (The Countering (Chaos in the Blink of an Eye, #4))
Perhaps Valek would show up and we could get reacquainted in the straw.
Maria V. Snyder (Fire Study (Study, #3))
This being so, when the good and the wicked suffer alike, the identity of their sufferings does not mean that there is no difference between them. Though the sufferings are the same, the sufferers remain different. Virtue and vice are not the same, even if they undergo the same torment. The fire which makes gold shine makes chaff smoke; the same flail breaks up the straw, and clears the grain; and oil is not mistaken for lees because both are forced out by the same press. In the same way, the violence which assails good men to test them, to cleanse and purify them, effects in the wicked their condemnation, ruin, and annihilation. Thus the wicked, under pressure of affliction, execrate God and blaspheme; the good, in the same affliction, offer up prayers and praises. This shows that what matters is the nature of the sufferer, not the nature of the sufferings. Stir a cesspit, and a foul stench arises; stir a perfume, and a delightful fragrance ascends. But the movement is identical.
Augustine of Hippo (City of God)