“
Are you, are you coming to the tree?
Wear a necklace of rope, side by side with me.
Strange things did happen here.
No stranger would let it be if we met up
At midnight in the hanging tree.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
I'm a big believer in putting things off, In fact, I even put off procrastinating.
-Ella Varner
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
I've got about ten things to say to you right now. But at least nine of them would make me sound like a psycho.”
In spite of the seriousness of the situation, I nearly smiled. “What’s the tenth thing?” I asked his shirtfront.
He paused, considering it. “Never mind,” he grumbled. “That one would make me sound like a psycho, too.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
I’ve come to the conclusion that there are no set rules in life. You do what you have to do to survive. If that means running away from the love of your life to preserve your sanity, you do it. If it means breaking someone’s heart so yours doesn’t break; do it. Life is complicated — too much so for there to be absolutes. We are all so broken. Pick up a person, shake them around and you’ll hear the rattling of their broken pieces. Pieces our fathers broke, or our mothers, or our friends, strangers, or our loves. Olivia has stopped rattling quite as much as she used to. Love is a God-given tool, she tells me. It screws things back in place that were loose, and it cleans out all the broken pieces that you don’t need anymore. I believe her. Our love has been fixing each other. I hope to only hear a tiny jingle when I shake her in a few years
”
”
Tarryn Fisher (Thief (Love Me with Lies, #3))
“
No more Dane,” he eventually said with unnerving finality.
I tried to be funny. “I can't decide if that means you don't want me to see him again or if you're planning to kill him.”
“It means if the first thing happens, the second thing is likely to follow.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
If the feeling is there, you might as
well admit it. Saying the words, or not saying
them, doesn't change a damn thing
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
I wish you were a mind-reader. I want you
to know everything but I don't want to have
to tell you. Because there are some things I
don't want to say out loud.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
They're just talking. They're flirting kind of like they're strangers, but at the same time they also seem to know each other really well. I don't get it."
"So they're taking it slow. What's wrong with that?" Bill asked. "Kids today, they just want things to go fast-- boom boom BOOM.
”
”
Lauren Kate (Passion (Fallen, #3))
“
I understood finally that the thing I
should have feared most was not loss, but
never loving. The price for safety was the regret
I felt at this moment. And yet I would
have to live with it for the rest of my life
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
Tell me
everything, I would say. All about the blues,
and the time your heart was broken, and
what scares you the most, and the thing
you've always wanted to do but haven 't
yet.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
Now lend me your ears. Here is Creative Writing 101:
1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things—reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. No matter sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
The greatest American short story writer of my generation was Flannery O'Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that.
”
”
Kurt Vonnegut Jr.
“
Are you, are you
Coming to the tree
They strung up a man
They say who murdered three.
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree.
Are you, are you
Coming to the tree
Where the dead man called out
For his love to flee.
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree.
Are you, are you
Coming to the tree
Where I told you to run,
So we'd both be free.
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree.
Are you, are you
Coming to the tree
Wear a necklace of rope,
Side by side with me.
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
The only thing keeping two people together should be love. Not legalities.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
It's drugs, isn't it"? Tara was so innocent. She got pulled into that glamorous lifestyle with all her rich friends...all that cocaine dust floating around, she probably inhaled some by accident, and then -'
'There's no such thing as secondhand cocaine snorting, Mom.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
Sometimes I did things I didn't want to do,or said things I didn't want to say. Sometimes I felt like crying for no reason, or snapped at people I cared about for less. I'd been so worried for so long that I was losing my mind, but now it felt like I was losing my body. I felt like a stranger.
”
”
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
“
I wrote a letter to you when I was in the capital. So stupid, to put it all in writing. Every thing I’d done. The information I passed to Tensen. The way I worked against the empire. What I felt. My father read it. He gave it to the emperor.” She was weeping. “And I know, I know that it hurt him, that I broke something, that he felt it break. Maybe I wasn’t me anymore, to him. Do you understand? Not his daughter. Not anyone he knew. Just a lying stranger. But how could he? Why couldn’t he love me most? Or enough. Why couldn’t he love me enough to choose me over his rules?
”
”
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
“
Are you, are you
Coming to the tree
Where they strung up a man they say murdered three
Where the dead man called out for his love to flee
Where I told you to run, so we'd both be free
Wear a necklace of rope, side by side with me
Strange things did happen here
No stranger would it be
If we met up at midnight in the hanging tree
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Wow," I remarked to an older man who
had just turned away from a group. "That's
what I call a birthday cake. You think
someone's going to jump out of that thing?"
"Hope not," he said in a gravelly voice.
"They might catch fire from all the candles.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
Just curious. Like James and Victoria had been curious in the beginning? The thought of Victoria made me tremble, thought the one thing they seemed certain of was that it had not been her. Not this time. She would stick to her obsessed pattern. This was just someone else, a stranger.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
You do a great many things for strangers, Katarina. What are you willing to do for your friends?
”
”
Ally Carter (Perfect Scoundrels (Heist Society, #3))
“
The brown book I carry says there is nothing stranger than to explore a city wholly different from all those one knows, since to do so is to explore a second and unsuspected self. I have found a thing stranger: to explore such a city only after one has lived in it for some time without learning anything of it.
”
”
Gene Wolfe (The Sword of the Lictor (The Book of the New Sun, #3))
“
Are you, are you Coming to the tree Wear a necklace of rope, side by side with me. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
The monsters I understood were all just men underneath: Michael Myers, Jason, Leatherface. They loomed huge and hulking, hiding their faces behind masks, but they were still just flesh and blood.
”
”
Brenna Yovanoff (Runaway Max (Stranger Things, #3))
“
Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
This is the list you carry in your pocket, of the things you plan to say to Kay, when you find him, if you find him:
1. I’m sorry that I forgot to water your ferns while you were away that time.
2. When you said that I reminded you of your mother, was that a good thing?
3. I never really liked your friends all that much.
4. None of my friends ever really liked you.
5. Do you remember when the cat ran away, and I cried and cried and made you put up posters, and she never came back? I wasn’t crying because she didn’t come back. I was crying because I’d taken her to the woods, and I was scared she’d come back and tell you what I’d done, but I guess a wolf got her, or something. She never liked me anyway.
6. I never liked your mother.
7. After you left, I didn’t water your plants on purpose. They’re all dead.
8. Goodbye.
9. Were you ever really in love with me?
10. Was I good in bed, or just average?
11. What exactly did you mean, when you said that it was fine that I had put on a little weight, that you thought I was even more beautiful, that I should go ahead and eat as much as I wanted, but when I weighed myself on the bathroom scale, I was exactly the same weight as before, I hadn’t gained a single pound?
12. So all those times, I’m being honest here, every single time, and anyway I don’t care if you don’t believe me, I faked every orgasm you ever thought I had. Women can do that, you know. You never made me come, not even once.
13. So maybe I’m an idiot, but I used to be in love with you.
14. I slept with some guy, I didn’t mean to, it just kind of happened. Is that how it was with you? Not that I’m making any apologies, or that I’d accept yours, I just want to know.
15. My feet hurt, and it’s all your fault.
16. I mean it this time, goodbye.
”
”
Kelly Link (Stranger Things Happen)
“
Eight rules for writing fiction:
1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things -- reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them -- in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
”
”
Kurt Vonnegut Jr. (Bagombo Snuff Box)
“
So let’s talk a little about April May’s theory of tiered fame. Tier 1: Popularity You are a big deal in your high school or neighborhood. You have a peculiar vehicle that people around town recognize, you are a pastor at a medium-to-large church, you were once the star of the high school football team. Tier 2: Notoriety You are recognized and/or well-known within certain circles. Maybe you’re a preeminent lepidopterist whom all the other lepidopterists idolize. Or you could be the mayor or meteorologist in a medium-sized city. You might be one of the 1.1 million living people who has a Wikipedia page. Tier 3: Working-Class Fame A lot of people know who you are and they are distributed around the world. There’s a good chance that a stranger will approach you to say hi at the grocery store. You are a professional sports player, musician, author, actor, television host, or internet personality. You might still have to hustle to make a living, but your fame is your job. You’ll probably trend on Twitter if you die. Tier 4: True Fame You get recognized by fans enough that it is a legitimate burden. People take pictures of you without your permission, and no one would scoff if you called yourself a celebrity. When you start dating someone, you wouldn’t be surprised to read about it in magazines. You are a performer, politician, host, or actor whom the majority of people in your country would recognize. Your humanity is so degraded that people are legitimately surprised when they find out that you’re “just like them” because, sometimes, you buy food. You never have to worry about money again, but you do need a gate with an intercom on your driveway. Tier 5: Divinity You are known by every person in your world, and you are such a big deal that they no longer consider you a person. Your story is much larger than can be contained within any human lifetime, and your memory will continue long after your earthly form wastes away. You are a founding father of a nation, a creator of a religion, an emperor, or an idea. You are not currently alive.
”
”
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
“
Alexander moved her off him, laid her down, was over her, was pressed into her, crushing her. Anthony was right there, he didn't care, he was trying to inhale her, trying to absorb her into himself. "All this time you were stepping out in front of me, Tatiana," he said. "Now I finally understand. You hid me on Bethel Island for eight months. For two years you hid me and deceived me - to save me. I am such an idiot," he whispered. "Wretch or not, ravaged or not, in a carapace or not, there you still were, stepping out for me, showing the mute mangled stranger your brave and indifferent face."
Her eyes closed, her arms tightened around his neck. "That stranger is my life," she whispered. They crawled away from Anthony, from their only bed, onto a blanket on the floor, barricading themselves behind the table and chairs. "You left our boy to go find me, and this is what you found..." Alexander whispered, on top of her, pushing inside her, searching for peace.
Crying out underneath him, Tatiana clutched his shoulders.
"This is what you brought back from Sachsenhausen." his movement was tense, deep, needful. Oh God. Now there was comfort. "You thought you were bringing back him, but Tania, you brought back me."
"Shura...you'll have to do..." Her fingers were clamped into his scars.
"In you," said Alexander, lowering his lips to her parted mouth and cleaving their flesh, "are the answers to all things."
All the rivers flowed into the sea and still the sea was not full.
”
”
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
“
Cathy's a monster, but there were a few things she got right'' I muttered. I read the lines quietly mostly to myself. '' If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger.'' I nodded, again to myself. ''I know exactly what she means. And I know who I cant live without.
”
”
Stephenie Meyer (Eclipse (The Twilight Saga, #3))
“
Are you, are you
Coming to the tree
Where they strung up a man
They say murdered three.
Strange things have happened here
No stranger would it be
If we met at midnight
In the hanging tree.
Are you, are you
Coming to the tree
Where the dead man called out
For his love to flee.
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree.
Are you, are you
Coming to the tree
Where I told you to run,
So we'd both be free.
Strange things have happened here
No stranger would it be
If we met at midnight
In the hanging tree.
Are you, are you
Coming to the tree
Wear a necklace of hope,
Side by side with me.
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree.
Are you, are you
Coming to the tree
Where I told you to run,
So we'd both be free.
Strange things have happened here
No stranger would it be
If we met at midnight
In the hanging tree
Are you, are you
Coming to the tree
Where they strung up a man
They say murdered three.
Strange things have happened here
No stranger would it be
If we met at midnight
In the hanging tree.
Are you, are you
Coming to the tree
Where the dead man called out
For his love to flee.
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Few things are stranger than watching a giant hippo fly.
”
”
Orpheus Collar (The Serpent's Shadow: The Graphic Novel (The Kane Chronicles, #3))
“
From the time she was a little biddy thing I always told her: Melinda, don’t talk to strangers. But she loved everyone. She was a real good girl.
”
”
Amanda Kyle Williams (Don't Talk to Strangers (Keye Street, #3))
“
Little things, like a greeting from a stranger, were surely a sign of a good way of life.
”
”
Juneau Black (Mirror Lake (Shady Hollow #3))
“
Are you, are you Coming to the tree Where I told you to run, so we’d both be free. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Are you, are you...
Coming to the tree?
Where they strung up a man they say who murdered three
Strange things did happen here no stranger would it be
If we met up at midnight in the Hanging Tree
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
have not sung “The Hanging Tree” out loud for ten years, because it’s forbidden, but I remember every word. I begin softly, sweetly, as my father did. “Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The mockingjays begin to alter their songs as they become aware of my new offering. “Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
If hard things ultimately have a purpose, then they aren’t so hard anymore. Therefore, I listed what I had learned: 1. It’s easy to forget that people can think you think what you don’t think. 2. Don’t write when you’re angry and under deadline, with time to test it only on friends who know what you mean, not on strangers who don’t. 3. A writer’s greatest reward is naming something unnamed that many people are feeling. A writer’s greatest punishment is being misunderstood. The same words can do both.
”
”
Gloria Steinem (My Life on the Road)
“
Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The mockingjays begin to alter their songs as they become aware of my new offering. “Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” I have the birds’ attention now. In one more verse, surely they will have captured the melody, as it’s simple and repeats four times with little variation. “Are you, are you Coming to the tree Where I told you to run, so we’d both be free. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” A hush in the trees. Just the rustle of leaves in the breeze. But no birds, mockingjay or other. Peeta’s right. They do fall silent when I sing. Just as they did for my father. “Are you, are you Coming to the tree Wear a necklace of rope, side by side with me. Strange things did happen here No stranger would it be
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
I had hooked up my iPod to the speakers. The air was filled with the raw, sexy purr of Etta James. "The thing that's great about the blues," I told Luke, pausing to sip from my glass of wine, "is that it's about feeling, loving, wanting without the brakes on. No one's brave enough to live that way. Except maybe musicians.
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
Communication between me and you will happen in 4 stages: 1. We will talk about other people and things. 2. We will talk about each other. 3. There will be no 'about'. There will be just me and you and silent communication. 4. There will be no me and no you. There will be eternity. Come, o familiar stranger! Let's communicate.
”
”
Shunya
“
In Boston right around the same time, another criminologist did a similar study: Half the crime in the city came from 3.6 percent of the city’s blocks. That made two examples. Weisburd decided to look wherever he could: New York. Seattle. Cincinnati. Sherman looked in Kansas City, Dallas. Anytime someone asked, the two of them would run the numbers. And every place they looked, they saw the same thing: Crime in every city was concentrated in a tiny number of street segments. Weisburd decided to try a foreign city, somewhere entirely different—culturally, geographically, economically. His family was Israeli, so he thought Tel Aviv. Same thing. “I said, ‘Oh my God. Look at that! Why should it be that five percent of the streets in Tel Aviv produce fifty percent of the crime? There’s this thing going on, in places that are so different.’” Weisburd refers to this as the Law of Crime Concentration.6 Like suicide, crime is tied to very specific places and contexts. Weisburd’s experiences in the 72nd Precinct and in Minneapolis are not idiosyncratic. They capture something close to a fundamental truth about human behavior. And that means that when you confront the stranger, you have to ask yourself where and when you’re confronting the stranger—because those two things powerfully influence your interpretation of who the stranger is.
”
”
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
“
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/needs/schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/train operators/tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
”
”
Kristin Newman (What I Was Doing While You Were Breeding)
“
The ten commandments according to Leó Szilárd
1. Recognize the connections of things and laws of conduct of men, so that you may know what you are doing.
2. Let your acts be directed toward a worthy goal, but do not ask if they will reach it; they are to be models and examples, not means to an end.
3. Speak to all men as you do to yourself, with no concern for the effect you make, so that you do not shut them out from your world; lest in isolation the meaning of life slips out of sight and you lose the belief in the perfection of creation.
4. Do not destroy what you cannot create.
5. Touch no dish, except that you are hungry.
6. Do not covet what you cannot have.
7. Do not lie without need.
8. Honor children. Listen reverently to their words and speak to them with infinite love.
9.Do your work for six years; but in the seventh, go into solitude or among strangers, so that the memory of your friends does not hinder you from being what you have become.
10. Lead your life with a gentle hand and be ready to leave whenever you are called.
Leo Szilard 'Die Stimme der Delphine.' Utopische Erzählungen. Rowohit Taschenbuch Verlag. 1963. Translated by Dr. Jacob Bronowski.
”
”
Leo Szilard
“
Alex, please.”
He balls his fists. “Stop saying my name. You don’t know me anymore.”
“I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—”
“Don’t,” he says. His voice breaks on the word.
“And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them—”
“Don’t.”
“And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.” I’m gasping, feeling as though I am about to drown; I’m reaching for him blindly, grabbing at his collar.
“Stop.” He grabs my shoulders. His face is an inch from mine but unrecognizable: a gross, contorted mask. “Just stop. No more. It’s done, okay? That’s all done now.”
“Alex, please—”
“Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.”
“Alex!”
He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.”
The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak.
He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.”
“Please.” I don’t know how I stay on my feet, why I don’t shatter into dust right there, why my heart keeps beating when I want it so badly to stop. “Please don’t do this, Alex.”
“Stop saying my name.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
They had hoped, hated, loved, suffered, sung, and wept. They had known loss. They had surrounded and comforted themselves with objects. They had driven automobiles. They had walked dogs and pushed children on swing sets and waited in line at the grocery store. They had said stupid things. They had kept secrets, nurtured grudges, blown upon the embers of regret. They had worshipped a variety of gods or no god at all. They had awakened in the night to the sound of rain. They had apologized. They had attended various ceremonies. They had explained the history of themselves to psychologists, priests, lovers, and strangers in bars. They had, at unexpected moments, experienced bolts of joy so unalloyed, so untethered to events, that they seemed to come from above; they had longed to be known and, sometimes, almost were. Heirs
”
”
Justin Cronin (The City of Mirrors (The Passage, #3))
“
Apologies were fast becoming a lost art form, thanks to the repeated warping of the concept. There was the ‘I’m sorry if anybody was offended’ apology; the ‘I’m sorry that somebody thinks I said this thing that I didn’t say’ apology; and its near-identical twin, the ‘I’m sorry if you misunderstood what I said’ apology. There were numerous variations, but they all amounted to the fact that the person wasn’t sorry at all.
”
”
C.K. McDonnell (Love Will Tear Us Apart (Stranger Times, #3))
“
Remember, my dear, you are dealing with the world as it is, not as you believe, maybe rightly, that it ought to be. There will be a great many things you can achieve not by attacking them but with a little patience and a modicum of flattery. Stop to consider what it is you really want, rather than pursuing your anger or your vanity to charge in. So often we leap to passionate judgments—when if we but knew the one thing more, they would be so different.
”
”
Anne Perry (The William Monk Mysteries: The Face of a Stranger / A Dangerous Mourning / Defend and Betray (William Monk, #1-3))
“
Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The mockingjays begin to alter their songs as they become aware of my new offering. “Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Ode, Elegy, Aubade, Pslam"
1
The songbird that escapes
from a burning house
will build its nest
in the shape of a cage.
2
This is one thing
we know: song begs
for the places that make it
grow from seed to starling,
3
places that put the heart’s hemlock
in an empty rowboat
and heave it from the shore.
4
We only praise what we cannot
keep: violin strings berried with rain,
teacups overflowing with brandywine,
radios sickened with static.
5
Glass tossed out with the tide
will come back smoother and stranger,
but never to the same person.
6
This is something we want
to know. The woman in love
never touches her ears.
7
The man in his house is always lost
without her.
8
Morning pulls light
from the dark like a boy
hoisting a trout from the lake
by its clean, pink gills.
9
When the woman escapes
from a burning house
she will know the path of the wind,
10
how it writes its scripture
in peach blossoms blown
into a baby’s empty pram.
11
She’ll feel it compose its words
against her body, against the night,
against the water, in an endless, artless psalm.
”
”
Ryan Teitman (Litany for the City)
“
Psalm 94 God the Refuge of the Righteous 1O LORD God, †to whom vengeance belongs— O God, to whom vengeance belongs, shine forth! 2Rise up, O †Judge of the earth; aRender punishment to the proud. 3LORD, †how long will the wicked, How long will the wicked triumph? 4They †utter speech, and speak insolent things; All the workers of iniquity boast in themselves. 5They break in pieces Your people, O LORD, And afflict Your heritage. 6They slay the widow and the stranger, And murder the fatherless. 7†Yet they say, “The LORD does not see,
”
”
Anonymous (Holy Bible, New King James Version)
“
Man overboard!” Then everyone was busy. Some of the sailors hurried aloft to take in the sail; others hurried below to get to the oars; and Rhince, who was on duty on the poop, began to put the helm hard over so as to come round and back to the man who had gone overboard. But by now everyone knew that it wasn’t strictly a man. It was Reepicheep.
“Drat that mouse!” said Drinian. “It’s more trouble than all the rest of the ship’s company put together. If there is any scrape to be got into, in it will get! It ought to be put in irons--keelhauled--marooned--have its whiskers cut off. Can anyone see the little blighter?”
All this didn’t mean that Drinian really disliked Reepicheep. On the contrary he liked him very much and was therefore frightened about him, and being frightened put him in a bad temper--just as your mother is much angrier with you for running out into the road in front of a car than a stranger would be. No one, of course, was afraid of Reepicheep’s drowning, for he was an excellent swimmer; but the three who knew what was going on below the water were afraid of those long, cruel spears in the hands of the Sea People.
In a few minutes the Dawn Treader had come round and everyone could see the black blob in the water which was Reepicheep. He was chattering with the greatest excitement but as his mouth kept on getting filled with water nobody could understand what he was saying.
“He’ll blurt the whole thing out if we don’t shut him up,” cried Drinian. To prevent this he rushed to the side and lowered a rope himself, shouting to the sailors, “All right, all right. Back to your places. I hope I can heave a mouse up without help.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The mockingjays begin to alter their songs as they become aware of my new offering. “Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” I have the birds’ attention now. In one more verse, surely they will have captured the melody, as it’s simple and repeats four times with little variation. “Are you, are you Coming to the tree Where I told you to run, so we’d both be free. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” A hush in the trees. Just the rustle of leaves in the breeze. But no birds, mockingjay or other. Peeta’s right. They do fall silent when I sing. Just as they did for my father. “Are you, are you Coming to the tree Wear a necklace of rope, side by side with me. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
night.” “Sometimes, yes,” Meggie had said. “But it only works for children.” Which made Mo tweak her nose. Mo. Meggie had never called her father anything else. That night—when so much began and so many things changed forever—Meggie had one of her favorite books under her pillow, and since the rain wouldn’t let her sleep she sat up, rubbed the drowsiness from her eyes, and took it out. Its pages rustled promisingly when she opened it. Meggie thought this first whisper sounded a little different from one book to another, depending on whether or not she already knew the story it was going to tell her. But she needed light. She had a box of matches hidden in the drawer of her bedside table. Mo had forbidden her to light candles at night. He didn’t like fire. “Fire devours books,” he always said, but she was twelve years old, she surely could be trusted to keep an eye on a couple of candle flames. Meggie loved to read by candlelight. She had five candlesticks on the windowsill, and she was just holding the lighted match to one of the black wicks when she heard footsteps outside. She blew out the match in alarm—oh, how well she remembered it, even many years later—and knelt to look out of the window, which was wet with rain. Then she saw him. The rain cast a kind of pallor on the darkness, and the stranger was little more than a shadow. Only his face gleamed white as he looked up at Meggie. His hair clung to his wet forehead. The rain was falling on him, but he ignored it. He stood there motionless, arms crossed over his chest as if that might at least warm him a little. And he kept on staring at the house. I must go and wake Mo, thought Meggie. But she stayed put, her heart thudding, and went on gazing out into the night as if the stranger’s stillness had infected her. Suddenly, he turned his head, and Meggie felt as if he were looking straight into her eyes. She shot off the bed so fast the open book fell to the floor, and she ran barefoot out into the dark corridor. This was the end of May, but it was chilly in the old house. There was still a light on in Mo’s room. He often stayed up reading late into the night. Meggie had inherited her love of books from her father. When she took refuge from a bad dream with him, nothing could lull her to sleep better than Mo’s calm breathing beside her and the sound of the pages turning. Nothing chased nightmares away faster than
”
”
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
“
The internet’s prime purpose is to facilitate uniformity of thought (always a good starting point for the bluffer when discussing social media). The rules for what you’re allowed to think online change all the time, but they’re usually something like this: 1. Julian Assange is the victim of a CIA and media conspiracy aimed at causing his eventual death. 2. Rupert Murdoch is Satan. 3. You are compelled to say RIP about the death of strangers. 4. You are not allowed to offend anyone, ever. 5. Anything someone else says can be taken as offensive. 6. Being offensive is illegal. 7. Cats do the cutest things.
”
”
Susie Boniface (Bluffer's Guide to Social Media (Bluffer's Guides))
“
Here’s a fact for you: In 1995, according to the Washington Post, computer hackers successfully breached the Pentagon’s security systems 161,000 times. That works out to eighteen illicit entries every hour around the clock, one every 3.2 minutes. Oh, I know what you’re going to say. This sort of thing could happen to any monolithic defense establishment with the fate of the earth in its hands. After all, if you stockpile a massive nuclear arsenal, it’s only natural that people are going to want to go in and have a look around, maybe see what all those buttons marked “Detonate” and “Code Red” mean. It’s only human nature.
”
”
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After 20 Years Away)
“
If you’re reading this book and did not purchase it, or it was not purchased for your use only, please purchase your own copy. So, live your life that the fear of death can never enter your heart. Trouble no one about their religion; respect others in their view, and demand that they respect yours. Love your life, perfect your life, beautify all things in your life. Seek to make your life long and its purpose in the service of your people. Prepare a noble death song for the day when you go over the great divide. Always give a word or a sign of salute when meeting or passing a friend, even a stranger, when in a lonely place. Show respect to all people and grovel to none. When you arise in the morning give thanks for the food and for the joy of living. If you see no reason for giving thanks, the fault lies only in yourself. Abuse no one and no thing, for abuse turns the wise ones to fools and robs the spirit of its vision. When it comes your time to die, be not like those whose hearts are filled with the fear of death, so that when their time comes they weep and pray for a little more time to live their lives over again in a different way. Sing your death song and die like a hero going home. ~ Chief Tecumseh Blurb A woman who betrayed her county.
”
”
Riley Edwards (Redeeming Violet (The Red Team #3; Special Forces: Operation Alpha))
“
I have not sung “The Hanging Tree” out loud for ten years, because it’s forbidden, but I remember every word. I begin softly, sweetly, as my father did. “Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The mockingjays begin to alter their songs as they become aware of my new offering. “Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” I have the birds’ attention now. In one more verse, surely they will have captured the melody, as it’s simple and repeats four times with little variation. “Are you, are you Coming to the tree Where I told you to run, so we’d both be free. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” A hush in the trees. Just the rustle of leaves in the breeze. But no birds, mockingjay or other. Peeta’s right. They do fall silent when I sing. Just as they did for my father. “Are you, are you Coming to the tree Wear a necklace of rope, side by side with me. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
I’ve come to the conclusion that there are no set rules in life. You do
what you have to do to survive. If that means running away from the love of
your life to preserve your sanity, you do it. If it means breaking someone’s
heart so yours doesn’t break; do it. Life is complicated — too much so for
there to be absolutes. We are all so broken. Pick up a person, shake them
around and you’ll hear the rattling of their broken pieces. Pieces our
fathers broke, or our mothers, or our friends, strangers, or our loves. Olivia
has stopped rattling quite as much as she used to. Love is a God-given
tool, she tells me. It screws things back in place that were loose, and it
cleans out all the broken pieces that you don’t need anymore.
”
”
Tarryn Fisher (Thief (Love Me with Lies, #3))
“
Are you, are you
Coming to the tree?
They strung up a man
They say who murdered three.
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree.
Are you, are you
Coming to the tree?
Where dead man called out
For his love to flee.
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree.
Are you, are you
Coming to the tree?
Where I told you to run,
So we'd both be free.
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree.
Are you, are you
Coming to the tree?
Wear a necklace of rope,
Side by side with me.
Strange things did happen here
No stranger would it be
If we met at midnight
In the hanging tree.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
Rule #1 – Don’t get involved with clients Rule #2 – Don’t take out a woman who won’t eat Rule #3 – Don’t talk to arrogant strangers Rule #4 – Don’t play with fire if you don’t want to get burned Rule #5 – Be nice to little old ladies Rule #6 – Don’t play your hand too soon Rule #7 – No public displays of affection Rule #8 – Wrap it before you tap it Rule #9 – A promise is a promise Rule #10 – If you don’t have anything, you have nothing to lose Rule #11 – All good things come to those who wait Rule #12 – Sometimes you gotta do what you gotta do Rule #13 – Some things are just meant to be Rule #14 – Forever Rule #15 – Money doesn’t always make life easier Rule #16 – Carpe diem Rule #17 – Whatever happens, happens Rule #18 – Forever isn’t long enough
”
”
Samantha Christy (Stone Rules (The Stone Brothers, #1))
“
I have a theory about men like you, Jack.”
That seemed to lighten his mood. He slid me an amused glance. “What is your theory, Ella?”
“It’s about why you haven’t committed to anyone yet. It’s really a matter of efficient market dynamics. Most of the women you date are basically the same. You show them a good time, and then it’s on to the next, leaving them to wonder why it didn’t last. They don’t realize that no one ever outperforms the market by offering the same thing everyone else is offering, no matter how well packaged. So the only thing that’s going to change your situation is when something random and unexpected occurs. Something you haven’t seen on the market before. Which is why you’re going to end up with a woman who’s completely different from what you and everyone else expects you to go for.”
I saw him smile.
“What do you think?”
“I think you could talk the ears off a chicken,” he said.
-Ella & Jack
”
”
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
“
In the gospel of Matthew, the ninety-nine sheep are left behind by the shepherd to seek the one that is missing. This narrative undermines the majority perspective. None are truly free until all are free. The majority is unwhole until the minority finds its place in the circle. We see this concern for "all" again in 2 Peter 3:9:"The Lord...is patient with you, not wanting any to perish but all to come to repentance." Theologian James Alison highlights this passage in 2 Peter as indicative of the apostles' dawning realization that the kingdom Jesus reveals is finally non-sacrificial. The New Testament undoes majority reasoning with a glimplse of universal love--a love that cannot be contained, begetting a beloved community opening ever outward. In the mind of God, which holds all things, there is only this all. The membership of the community opens out into infinity: What of the stranger, the enemy, the orphan? What of the trees, the rivers, the plankton? Who is now my neighbour?
”
”
Marcus Peter Rempel (Life at the End of Us Versus Them: Cross Culture Stories)
“
I made an appointment with a sleep doctor, who explained that during the sleep study people would be watching me sleep and monitoring my brain waves to see how I reacted during the four stages of sleep. I'd explain those stages if I could spell all the complicated words but they basically range from "Wide awake" to "Just barely not dead."
My sleep cycle is a bit more elaborate.
The seven stages of sleep (according to my body)
STAGE 1: You take the maximum dose of sleeping pills, but they don't work at all and then you glare at their smug bottles at three a.m., whispering, "You lying bastards."
STAGE 2: You fall asleep for eight minutes and you have that dream where you've missed a semester of classes and don't know where you're supposed to be and when you wake up you realize that even in your sleep you're fucking your life up.
STAGE 3: You close your eyes for just a minute but never lose consciousness and then you open your eyes and realize it's been hours since you closed your eyes and you feel like you've lost time and were probably abducted by aliens.
STAGE 4: This is the sleep that you miss because you're too busy looking up "Symptoms of Alien Abduction" on your phone.
STAGE 5: This is the deep REM sleep that recharges you completely and doesn't actually exist but is made up by other people to taunt you.
STAGE 6: You hover in a state of half sleep when you're trying to stay under but someone is touching your nose and you think it's a dream but now someone is touching your mouth and you open your eyes and your cat's face is an inch from yours and he's like, "BOOP. I got your nose."
STAGE 7: You finally fall into the deep sleep you desperately need. Sadly, this sleep only comes after you're suppose to be awake, and you feel guilty about getting it because you should have been up hours ago but you've been up all night and now your arms are missing.
I suspected that the only stage of sleep I'd have during the sleep study would be the sleep you don't get because strangers are watching you.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The mockingjays begin to alter their songs as they become aware of my new offering. “Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” I have the birds’ attention now. In one more verse, surely they will have captured the melody, as it’s simple and repeats four times with little variation. “Are you, are you Coming to the tree Where I told you to run, so we’d both be free. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” A hush in the trees. Just the rustle of leaves in the breeze. But no birds, mockingjay or other. Peeta’s right. They do fall silent when I sing. Just as they did for my father. “Are you, are you Coming to the tree Wear a necklace of rope, side by side with me. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
”
”
Suzanne Collins (Mockingjay (The Hunger Games, #3))
“
You didn’t tell me,” he says. “Why not?”
“Because I didn’t…” I shake my head. “I didn’t know how to.”
He scowls. “It’s pretty easy, Tris--”
“Oh yeah,” I say, nodding. “It’s so easy. All I have to do is go up to you and say, ‘By the way, I shot Will, and now guilt is ripping me to shreds, but what’s for breakfast?’ Right? Right?” Suddenly it is too much, too much to contain. Tears fill my eyes, and I yell, “Why don’t you try killing one of your best friends and then dealing with the consequences?”
I cover my face with my hands. I don’t want him to see me sobbing again. He touches my shoulder.
“Tris,” he says, gently this time. “I’m sorry. I shouldn’t pretend that I understand. I just meant that…” He struggles for a moment. “I wish you trusted me enough to tell me things like that.”
I do trust you, is what I want to say. But it isn’t true--I didn’t trust him to love me despite the terrible things I had done. I don’t trust anyone to do that, but that isn’t his problem; it’s mine.
“I mean,” he says, “I had to find out that you almost drowned in a water tank from Caleb. Doesn’t that seem a little strange to you?”
Just when I was about to apologize.
I wipe my cheeks hard with my fingertips and stare at him.
“Other things seem stranger,” I say, trying to make my voice light. “Like finding out that your boyfriend’s supposedly dead mother is still alive by seeing her in person. Or overhearing his plans to ally with the factionless, but he never tells you about it. That seems a little strange to me.”
He takes his hand from my shoulder.
“Don’t pretend this is only my problem,” I say. “If I don’t trust you, you don’t trust me either.”
“I thought we would get to those things eventually,” he says. “Do I have to tell you everything right away?”
I feel so frustrated I can’t even speak for a few seconds. Heat fills my cheeks.
“God, Four!” I snap. “You don’t want to have to tell me everything right away, but I have to tell you everything right away? Can’t you see how stupid that is?”
“First of all, don’t use that name like a weapon against me,” he says, pointing at me. “Second, I was not making plans to ally with the factionless; I was just thinking it over. If I had made a decision, I would have said something to you. And third, it would be different if you had actually intended to tell me about Will at some point, but it’s obvious that you didn’t.”
“I did tell you about Will!” I say. “That wasn’t truth serum; it was me. I said it because I chose to.”
“What are you talking about?”
“I was aware. Under the serum. I could have lied; I could have kept it from you. But I didn’t, because I thought you deserved to know the truth.”
“What a way to tell me!” he says, scowling. “In front of over a hundred people! How intimate!”
“Oh, so it’s not enough that I told you; it has to be in the right setting?” I raise my eyebrows. “Next time should I brew some tea and make sure the lighting is right, too?”
Tobias lets out a frustrated sound and turns away from me, pacing a few steps. When he turns back, his cheeks are splotchy. I can’t remember ever seeing his face change color before.
“Sometimes,” he says quietly, “it isn’t easy to be with you, Tris.” He looks away.
I want to tell him that I know it’s not easy, but I wouldn’t have made it through the past week without him. But I just stare at him, my heart pounding in my ears.
I can’t tell him I need him. I can’t need him, period--or really, we can’t need each other, because who knows how long either of us will last in this war?
“I’m sorry,” I say, all my anger gone. “I should have been honest with you.”
“That’s it? That’s all you have to say?” He frowns.
“What else do you want me to say?”
He just shakes his head. “Nothing, Tris. Nothing.”
I watch him walk away. I feel like a space has opened up within me, expanding so rapidly it will break me apart.
”
”
Veronica Roth (Allegiant (Divergent, #3))
“
to look around. At first sight, the apartment was perfectly ordinary. He made a quick circuit of the living room, kitchenette, bathroom, and bedroom. The place was tidy enough, but with a few items strewn here and there, the sort of things that might be left lying around by a busy person—a magazine, a half-finished crossword puzzle, a book left open on a night table. Abby had the usual appliances—an old stove and a humming refrigerator, a microwave oven with an unpronounceable brand name, a thirteen-inch TV on a cheap stand, a boom box near a modest collection of CDs. There were clothes in her bedroom closet and silverware, plates, and pots and pans in her kitchen cabinets. He began to wonder if he’d been unduly suspicious. Maybe Abby Hollister was who she said she was, after all. And he’d taken a considerable risk coming here. If he was caught inside her apartment, all his plans for the evening would be scotched. He would end up in a holding cell facing charges that would send him back to prison for parole violation. All because he’d gotten a bug up his ass about some woman he hardly knew, a stranger who didn’t mean anything. He decided he’d better get the hell out. He was retracing his steps through the living room when he glanced at the magazine tossed on the sofa. Something about it seemed wrong. He moved closer and took a better look. It was People, and the cover showed two celebrities whose recent marriage had already ended in divorce. But on the cover the stars were smiling over a caption that read, Love At Last. He picked up the magazine and studied it in the trickle of light through the filmy curtains. The date was September of last year. He put it down and looked at the end tables flanking the sofa. For the first time he noticed a patina of dust on their surfaces. The apartment hadn’t been cleaned in some time. He went into the kitchen and looked in the refrigerator. It seemed well stocked, but when he opened the carton of milk and sniffed, he discovered water inside—which was just as well, since the milk’s expiration period had ended around the time that the People cover story had been new. Water in the milk carton. Out-of-date magazine on the sofa. Dust everywhere, even coating the kitchen counters. Abby didn’t live here. Nobody did. This apartment was a sham, a shell. It was a dummy address, like the dummy corporations his partner had set up when establishing the overseas bank accounts. It could pass inspection if somebody came to visit, assuming the visitor didn’t look too closely, but it wasn’t meant to be used. Now that he thought about it, the apartment was remarkable for what
”
”
Michael Prescott (Dangerous Games (Abby Sinclair and Tess McCallum, #3))
“
In the wake of the Cognitive Revolution, gossip helped Homo sapiens to form larger and more stable bands. But even gossip has its limits. Sociological research has shown that the maximum ‘natural’ size of a group bonded by gossip is about 150 individuals. Most people can neither intimately know, nor gossip effectively about, more than 150 human beings. Even today, a critical threshold in human organisations falls somewhere around this magic number. Below this threshold, communities, businesses, social networks and military units can maintain themselves based mainly on intimate acquaintance and rumour-mongering. There is no need for formal ranks, titles and law books to keep order. 3A platoon of thirty soldiers or even a company of a hundred soldiers can function well on the basis of intimate relations, with a minimum of formal discipline. A well-respected sergeant can become ‘king of the company’ and exercise authority even over commissioned officers. A small family business can survive and flourish without a board of directors, a CEO or an accounting department. But once the threshold of 150 individuals is crossed, things can no longer work that way. You cannot run a division with thousands of soldiers the same way you run a platoon. Successful family businesses usually face a crisis when they grow larger and hire more personnel. If they cannot reinvent themselves, they go bust. How did Homo sapiens manage to cross this critical threshold, eventually founding cities comprising tens of thousands of inhabitants and empires ruling hundreds of millions? The secret was probably the appearance of fiction. Large numbers of strangers can cooperate successfully by believing in common myths. Any large-scale human cooperation – whether a modern state, a medieval church, an ancient city or an archaic tribe – is rooted in common myths that exist only in people’s collective imagination. Churches are rooted in common religious myths. Two Catholics who have never met can nevertheless go together on crusade or pool funds to build a hospital because they both believe that God was incarnated in human flesh and allowed Himself to be crucified to redeem our sins. States are rooted in common national myths. Two Serbs who have never met might risk their lives to save one another because both believe in the existence of the Serbian nation, the Serbian homeland and the Serbian flag. Judicial systems are rooted in common legal myths. Two lawyers who have never met can nevertheless combine efforts to defend a complete stranger because they both believe in the existence of laws, justice, human rights – and the money paid out in fees.
”
”
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
“
At a time when moguls vied to impress people with their possessions, Rockefeller preferred comfort to refinement. His house was bare of hunting trophies, shelves of richly bound but unread books, or other signs of conspicuous consumption. Rockefeller molded his house for his own use, not to awe strangers. As he wrote of the Forest Hill fireplaces in 1877: “I have seen a good many fireplaces here [and] don’t think the character of our rooms will warrant going into the expenditures for fancy tiling and all that sort of thing that we find in some of the extravagant houses here. What we want is a sensible, plain arrangement in keeping with our rooms.”3 It took time for the family to adjust to Forest Hill. The house had been built as a hotel, and it showed: It had an office to the left of the front door, a dining room with small tables straight ahead, upstairs corridors lined with cubicle-sized rooms, and porches wrapped around each floor. The verandas, also decorated in resort style, were cluttered with bamboo furniture. It was perhaps this arrangement that tempted John and Cettie to run Forest Hill as a paying club for friends, and they got a dozen to come and stay during the summer of 1877. This venture proved no less of a debacle than the proposed sanatorium. As “club guests,” many visitors expected Cettie to function as their unlikely hostess. Some didn’t know they were in a commercial establishment and were shocked upon returning home to receive bills for their stay.
”
”
Ron Chernow (Titan: The Life of John D. Rockefeller, Sr.)
“
My editor insists that I clarify that there isn’t actually a $25 bill hidden in this book, which is sort of ridiculous to have to explain, because there’s no such thing as a $25 bill. If you bought this book thinking you were going to find a $25 bill inside then I think you really just paid for a worthwhile lesson, and that lesson is, don’t sell your cow for magic beans. There was another book that explained this same concept many years ago, but I think my cribbed example is much more exciting. It’s like the Fifty Shades of Grey version of “Jack and the Beanstalk.” But with fewer anal beads, or beanstalks. 2. “Concoctulary” is a word that I just made up for words that you have to invent because they didn’t yet exist. It’s a portmanteau of “concocted” and “vocabulary.” I was going to call it an “imaginary” (as a portmanteau of “imagined” and “dictionary”) but turns out that the word “imaginary” was already concoctularied, which is actually fine because “concoctulary” sounds sort of unintentionally dirty and is also great fun to say. Try it for yourself. Con-COC-chew-lary. It sings. 3. My mental illness is not your mental illness. Even if we have the exact same diagnosis we will likely experience it in profoundly different ways. This book is my unique perspective on my personal path so far. It is not a textbook. If it were it would probably cost a lot more money and have significantly less profanity or stories about strangers sending you unexpected vaginas in the mail. As it is with all stories, fast cars, wild bears, mental illness, and even life, only one truth remains: your mileage may vary.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
Fly! Fly! About with your ship and fly! Row, row, row for your lives away from this accursed shore.”
“Compose yourself,” said Reepicheep, “and tell us what the danger is. We are not used to flying.”
The stranger started horribly at the voice of the Mouse, which he had not noticed before.
“Nevertheless you will fly from here,” he gasped. “This is the Island where Dreams come true.”
“That’s the island I’ve been looking for this long time,” said one of the sailors. “I reckon I’d find I was married to Nancy if we landed here.”
“And I’d find Tom alive again,” said another.
“Fools!” said the man, stamping his foot with rage. “That is the sort of talk that brought me here, and I’d better have been drowned or never born. Do you hear what I say? This is where dreams--dreams, do you understand--come to life, come real. Not daydreams: dreams.”
There was about half a minute’s silence and then, with a great clatter of armor, the whole crew were tumbling down the main hatch as quick as they could and flinging themselves on the oars to row as they had never rowed before; and Drinian was swinging round the tiller, and the boatswain was giving out the quickest stroke that had ever been heard at sea. For it had taken everyone just that half-minute to remember certain dreams they had had--dreams that make you afraid of going to sleep again--and to realize what it would mean to land on a country where dreams come true.
Only Reepicheep remained unmoved.
“Your Majesty, your Majesty,” he said, “are you going to tolerate this mutiny, this poltroonery? This is a panic, this is a rout.”
“Row, row,” bellowed Caspian. “Pull for all our lives. Is her head right, Drinian? You can say what you like, Reepicheep. There are some things no man can face.”
“It is, then, my good fortune not to be a man,” replied Reepicheep with a very stiff bow.
”
”
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
“
Cultivate Spiritual Allies One of the most significant things you learn from the life of Paul is that the self-made man is incomplete. Paul believed that mature manhood was forged in the body of Christ In his letters, Paul talks often about the people he was serving and being served by in the body of Christ. As you live in the body of Christ, you should be intentional about cultivating at least three key relationships based on Paul’s example: 1. Paul: You need a mentor, a coach, or shepherd who is further along in their walk with Christ. You need the accountability and counsel of more mature men. Unfortunately, this is often easier said than done. Typically there’s more demand than supply for mentors. Some churches try to meet this need with complicated mentoring matchmaker type programs. Typically, you can find a mentor more naturally than that. Think of who is already in your life. Is there an elder, a pastor, a professor, a businessman, or other person that you already respect? Seek that man out; let him know that you respect the way he lives his life and ask if you can take him out for coffee or lunch to ask him some questions — and then see where it goes from there. Don’t be surprised if that one person isn’t able to mentor you in everything. While he may be a great spiritual mentor, you may need other mentors in the areas of marriage, fathering, money, and so on. 2. Timothy: You need to be a Paul to another man (or men). God calls us to make disciples (Matthew 28:19). The books of 1st and 2nd Timothy demonstrate some of the investment that Paul made in Timothy as a younger brother (and rising leader) in the faith. It’s your job to reproduce in others the things you learn from the Paul(s) in your life. This kind of relationship should also be organic. You don’t need to approach strangers to offer your mentoring services. As you lead and serve in your spheres of influence, you’ll attract other men who want your input. Don’t be surprised if they don’t quite know what to ask of you. One practical way to engage with someone who asks for your input is to suggest that they come up with three questions that you can answer over coffee or lunch and then see where it goes from there. 3. Barnabas: You need a go-to friend who is a peer. One of Paul’s most faithful ministry companions was named Barnabas. Acts 4:36 tells us that Barnabas’s name means “son of encouragement.” Have you found an encouraging companion in your walk with Christ? Don’t take that friendship for granted. Enjoy the blessing of friendship, of someone to walk through life with. Make it a priority to build each other up in the faith. Be a source of sharpening iron (Proverbs 27:17) and friendly wounds (Proverbs 27:6) for each other. But also look for ways to work together to be disruptive — in the good sense of that word. Challenge each other in breaking the patterns of the world around you in order to interrupt it with the Gospel. Consider all the risky situations Paul and Barnabas got themselves into and ask each other, “what are we doing that’s risky for the Gospel?
”
”
Randy Stinson (A Guide To Biblical Manhood)
“
Do we need to talk about my kissing you a year ago? I’ve behaved myself for two weeks, Ellen, and hope by action I have reassured you where words would not.” Silence or the summer evening equivalent of it, with crickets chirping, the occasional squeal of a passing bat, and the breeze riffling through the woods nearby. “Ellen?” Val withdrew his hand, which Ellen had been holding for some minutes, and slid his arm around her waist, urging her closer. “A woman gone silent unnerves a man. Talk to me, sweetheart. I would not offend you, but neither will I fare well continuing the pretense we are strangers.” He felt the tension in her, the stiffness against his side, and regretted it. In the past two weeks, he’d all but convinced himself he was recalling a dream of her not a real kiss, and then he’d catch her smiling at Day and Phil or joking with Darius, and the clench in his vitals would assure him that kiss had been very, very real. At least for him. For him, that kiss had been a work of sheer art. “My husband seldom used my name. I was my dear, or my lady, or occasionally, dear wife. I was not Ellen, and I was most assuredly not his sweetheart. And to you I am the next thing to a stranger.” Val’s left hand, the one she’d just held for such long, lovely moments between her own, drifted up to trace slow patterns on her back. “We’re strangers who kissed. Passionately, if memory serves.” “But on only one occasion and that nearly a year ago.” “Should I have written? I did not think to see you again, nor you me, I’m guessing.” Now he wished he’d written, though it would hardly have been proper, even to a widow. That hand Valentine considered so damaged continued its easy caresses on Ellen’s back, intent on stealing the starch from her spine and the resolve from her best intentions. And she must have liked his touch, because the longer he stroked his hand over her back, the more she relaxed and leaned against him. “I did not think to see you again,” Ellen admitted. “It would have been much easier had you kept to your place in my memory and imagination. But here you are.” “Here we are.” Haunting a woman’s imagination had to be a good thing for a man whose own dreams had turned to nightmares. “Sitting on the porch in the moonlight, trying to sort out a single kiss from months ago.” “I shouldn’t have kissed you,” Ellen said, her head coming to rest on Val’s shoulder as if the weight of truth were a wearying thing. “But I’m lonely and sometimes a little desperate, and it seemed safe, to steal a kiss from a handsome stranger.” “It was safe,” Val assured her, seeing the matter from her perspective. In the year since he’d seen Ellen FitzEngle, he’d hardly been celibate. He wasn’t a profligate Philistine, but neither was he a monk. There had been an older maid in Nick’s household, some professional ladies up in York, the rare trip upstairs at David’s brothel, and the frequent occasion of self-gratification. But he surmised Ellen, despite the privileges of widowhood, had not been kissed or cuddled or swived or flirted with in all those days and weeks and months. “And now?” Ellen pressed. “You show up on my porch after dark and think perhaps it’s still safe, and here I am, doing not one thing to dissuade you.” “You are safe with me, Ellen.” He punctuated the sentiment with a kiss to her temple then rested his cheek where his lips had been. “I am a gentleman, if nothing else. I might try to steal a kiss, but you can stop me with a word from even that at any time. The question is, how safe do you want to be?” “Shame
”
”
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
“
Photographs from Distant Places
(1)
In distant villages,
You always see the same scenes:
Farms
Cattle
Worship spaces
Small local shops.
Just basic the things humans need
To endure life.
(2)
‘Can you stay with me forever?’
She asked him in the airport,
While hugging him tightly in her arms.
‘Sorry, I can’t. My flight leaves in two hours and a half.’
He responded with an artificially caring voice,
As he kissed her on her right cheek.
(3)
I was walking in one of Bucharest’s old streets,
In a neighborhood that looked harshly beaten
by Time,
And severely damaged by development and globalization.
I saw a poor homeless man
Combing his dirty hair
In a side mirror of a modern and expensive car!
(4)
The shape and the color of the eyes don’t matter.
What matters is that,
As soon as you gaze into them,
You know that they have seen a lot.
All eyes that dare to bear witness
To what they have seen are beautiful.
(5)
A stranger asked me how I chose my path in life.
I told him: ‘I never chose anything, my friend.’
My path has always been like someone forced to sit
In an airplane on a long flight.
Forced to sit with the condition
Of keeping the seatbelt on at all times,
Until the end of the flight.
Here I am still sitting with the seatbelt on.
I can neither move
Nor walk.
I can’t even throw myself
out of the plane’s emergency exit
To end this forced flight!
(6)
After years of searching and observing,
I discovered that despair’s favorite hiding place
Is under business suits and tuxedos.
Under jewelry and expensive night gowns.
Despair dances at the tables where
Expensive wines of corruption
And delicious dinners of betrayal are served.
(7)
Oh, my poet friend,
Did you know that
The bouquet of fresh flowers in that vase
On your table is not a source of inspiration or creativity?
The vase is just a reminder
Of a flower massacre that took place recently
In a field
Where these poor flowers happened to be.
It was their fate to have their already short lives cut shorter,
To wither and wilt in your vase,
While breathing the not-so-fresh air
In your room,
As you sit down at your table
And write your vain words.
(8)
Under authoritarian regimes,
99.9% of the population vote for the dictator.
Under capitalist ‘democratic’ regimes,
99.9% of people love buying and consuming products
Made and sold by the same few corporations.
Awe to those societies where both regimes meet
to create a united vicious alliance against the people!
To create a ‘nation’
Of customers, not citizens!
(9)
The post-revolution leaders are scavengers not hunters.
They master the art of eating up
The dead bodies and achievements
Of the fools who sacrificed themselves
For the ‘revolution’ and its ideals.
Is this the paradox and the irony of all revolutions?
(10)
Every person is ugly if you take a close look at them,
And beautiful, if you take a closer look.
(11)
Just as wheat fields can’t thrive
Under the shadow of other trees,
Intellectuals, too, can’t thrive under the shadow
Of any power or authority.
(12)
We waste so much time trying to change others.
Others waste so much time thinking they are changing.
What a waste!
October 20, 2015
”
”
Louis Yako (أنا زهرة برية [I am a Wildflower])
“
People meet strangers on the internet all the time now, and hardly any of them end up murdered.
”
”
Lucy Score (Things We Left Behind (Knockemout, #3))
“
Killing strangers isn’t the same thing as killing your own flesh and blood,” my dad warns. “You’re not my dad. You stopped being my dad the first time you beat the shit out of me. I was ten. Do you remember that, you fucking bastard?
”
”
Sonja Grey (Paved in Rage (Melnikov Bratva, #3))
“
I call this meeting of the fellowship to order. Also " I brought pie." And I'm doing you a favour." Ken carried a stack of paper plates and four metal forks. " I brought the means to eat the pie." Terry stage - whispered " I didn't tell him either.
”
”
Gwenda Bond (Stranger Things Series 3 Books Collection Set (Suspicious Minds, [Hardcover] Darkness on the Edge of Town, [Hardcover] Worlds Turned Upside Down))
“
Children were exhausting. But also? Kind of wonderful.
”
”
Gwenda Bond (Stranger Things Series 3 Books Collection Set (Suspicious Minds, [Hardcover] Darkness on the Edge of Town, [Hardcover] Worlds Turned Upside Down))
“
Being an adult about things was a total bummer.
”
”
Gwenda Bond (Stranger Things Series 3 Books Collection Set (Suspicious Minds, [Hardcover] Darkness on the Edge of Town, [Hardcover] Worlds Turned Upside Down))
“
Events are the walls and roof, the finishings and furnishings of a human life. But the thoughts, the wishes, the desires, the intents – these are the foundation and frame of that life. They determine whether the house can be built up, or whether it is destined to fall. Whether the house can become a great palace, a thing of beauty; or whether it is a danger to all nearby, and so must be burnt to the ground and the ashes scattered. Legion is a builder when possible. A destroyer when necessary.
”
”
Michaelbrent Collings (Stranger Danger: Book 3 of I Am Legion: a white-knuckle mystery-thriller that will have you on the edge of your seat)
“
Maybe I’d get lucky and Ignacio would fall off the side and get eaten by a shark. Stranger things have happened.
”
”
Ana Huang (King of Greed (Kings of Sin, #3))
“
The female that steps into the light and gazes at me with wide, khui-blue eyes is nothing like those tales. Her skin is the color of a mushroom cap, soft and strangely plush for all that she has no fur. The mane atop her head is full of coils, springing forth around her round face like a cloud of smoke. She is slim and brown, delicate and yet inviting. I was expecting an ugly creature that it would be easy to drop back onto the surface. “What do you think, Rem’eb the Fist?” calls Cas’zor through the door. Is it not obvious to him? It feels obvious to me. That everyone should realize that this is the moment—and the female—I have waited my entire life for. It does not matter that she is a stranger or most likely an enemy. “She…she is the most beautiful thing I have ever seen,” I tell him, humbled. I raise a hand to my chest, knowing that I must surely be resonating, and I am surprised to find I am not. Not yet, then. It feels inevitable. No matter that my khui is silent right now. I know that it is simply a matter of time.
”
”
Ruby Dixon (Romancing Rem'eb (Ice Planet Clones #3))
“
My options were to sleep there or to return back to the trailer and face Leah and Oscar again. Or I could go with the green-eyed stranger who could have easily done any of the things he’d mentioned, but hadn’t. Maybe I was as stupid as he claimed, but like I’d said, I was desperate. “Okay.
”
”
Fiona Cole (Savior (Voyeur, #3))
“
It was one thing to be a spectator when two strangers pummeled one another. Watching someone I knew possibly get knocked unconscious sounded more and more horrifying. I wanted boundaries between us—I didn’t want the man dead.
”
”
Jill Ramsower (Ruthless Salvation (The Byrne Brothers #3))
“
Most of all, I like the time I have to think. I never did much of it before, not really. I studied and worked and spent any free time in front of a screen, distracting myself. Deadening my feelings. Some people eat when they’re depressed. Some people drink, or do drugs, or have sex with strangers. The way I dealt with emotional pain was by feeding myself a steady diet of social media and video games and pretending it wasn’t there. It seems so obvious now. I was lonely. In a city of nearly a million people, I always felt alone. But here, in the middle of nowhere with only a crow and a killer for company, I don’t feel alone. I feel safe. I feel content. I feel, some days, like that bullet was the best thing to ever happen to me.
”
”
J.T. Geissinger (Savage Hearts (Queens & Monsters, #3))
“
They were lovers and friends, strangers and acquaintances, all those things, none of those things. They just were. Waiting.
”
”
RuNyx (The Emperor (Dark Verse, #3))
“
She took a deep breath and peered up from under her long, dark lashes.
He sucked air in. Damn, that look could undo any man – or wolf, or alien for that matter. “Something to eat?”
“No, Cameron.” She smiled with a hint of decadence. “There’s only one thing I need.”
“What’s that?”
She closed the space between them and grabbed the collar of his shirt with both hands, pulling him closer. “You.
”
”
Lisa Carlisle (Dark Stranger (Chateau Seductions, #3))
“
If you don't receive love from the ones who are meant to love you, you will never stop looking for it.” - Robert Goolrick
"it is better to be prepared for the worst case scenario, than to be crushed when positive outcomes do not come to pass" - Matt Mcconathy
"the truth is not what you see everyday, it's on a narrow road which is not the broad-road of media, and society norms - those who search for it will find it" - Matt Mcconathy
"it may be comforting to stay in the safety of this place for years, but time is telling, the only safety for your life is there's a whole world out there waiting on you" - Matt Mcconathy
"When your a kid you want to be exactly like your father, when your a teenager your cant stand rules, when your an adult you will appreciate what your father taught you" - Matt Mcconathy
"the more you love a memory; the stronger and stranger it becomes" - Vladimir Nabokov
"when diplomacy fails, there's only one alternative: violence, force must be applied without apology" - Captain Kathryn Janeway
"a dumb liar doesn't connect the story and forgets details, an intelligent liar is a conspirator and can deceive many" - Matt Mcconathy
"It seems strange my life should end in such a terrible place,
but for 3 years I had roses, and apologized to no one" - Valerie (V for Ventetta movie quote)
“There comes a time in your life when you have to choose to turn the page, write another book or simply close it" - Shannon L. Adler
"I hope that whoever you are, you escape this place. I hope that the world turns and that things get better. But what I hope most of all is that you know that even though I do not know you, and that i will never meet you, laugh with you, or be with you, I love you" - Valerie (V for Ventetta movie)
”
”
matt mcconathy, Captain Kathryn Janeway ,Vladimir Nabokov
“
Psalm 108 (109) 1For the End; a psalm by David.†ω O God, do not pass over my praise in silence, 2 For the mouth of the sinner and the mouth of the deceitful man opened against me; They spoke against me with a deceitful tongue; 3 And they surrounded me with words of hatred, And warred against me without cause. 4 Instead of loving me, they falsely accused me, But I continued to pray; 5 So they repaid me evil for good, And hatred for my love. 6 Set a sinner over him, And let the devil stand at his right hand. 7 And when he is judged, may he go forth condemned, And let his prayer become sin. 8 Let his days be very few, And may a different man receive his office; 9 Let his children be fatherless And his wife a widow; 10 Let his children wander about and be beggars; Let them be cast out of their houses. 11 Let the creditor search out whatever possessions he has; Let strangers plunder his labors; 12 Let there be no helper for him, Nor a compassionate one for his fatherless children; 13 Let his children be utterly destroyed; In a single generation, let his name be blotted out. 14 May the lawlessness of his fathers be remembered before the Lord, And may the sin of his mother not be blotted out; 15 Let them be continually before the Lord, And may the remembrance of them be utterly destroyed from the earth, 16 Because he did not remember to show mercy, But persecuted a poor and needy man, And one pierced to the heart, that he might kill him. 17 And he loved cursing, and it came to him, And he did not desire blessing, so it shall be far from him. 18 So he clothed himself with cursing like a garment, And it entered like water into his bowels And like oil into his bones; 19 Let it be for him like a garment that clothes him, And like a belt that girds him continually. 20 This is the work of those who falsely accuse me before the Lord, And of those who speak evil things against my soul. 21 But You, O Lord, O Lord, deal mercifully with me for Your name's sake, For Your mercy is good. 22 Save me, for I am poor and needy, And my heart is troubled within me. 23 I was removed like a shadow when it declines; I was shaken off like the locusts. 24 My knees were weak from fasting, And my flesh was changed because of the oil. 25 And I became an object of reproach to them; They saw me; they shook their heads. 26 Help me, O Lord my God; Save me according to Your mercy; 27 Then let them know this is Your hand, And You, O Lord, did this. 28 They themselves shall curse, but You shall bless; Let those who rise up against me be put to shame, But let Your servant be glad. 29 Let those who falsely accuse me be clothed with shame, And let them be covered with their dishonor like a double cloak. 30 I will give thanks to the Lord abundantly with my mouth, And in the midst of many I will praise Him, 31 Because He stood at the right hand of a poor man, To save me from those who persecute my soul.
”
”
Anonymous (The Orthodox Study Bible: Ancient Christianity Speaks to Today's World)
“
I’m good.” Maddox groaned as their cocks dragged together. He wasn’t any stranger to frot, but like many things, it felt new and deliciously different with Ben. “Was
”
”
Annabeth Albert (On Point (Out of Uniform, #3))
“
Easy.” She heard him laugh softly. “My fault. I shouldn’t have kissed you like that.” “You’re right,” she said, her sense of humor tentatively reasserting itself. “I should give you a set-down . . . slap you or something . . . what is the usual response from ladies you’ve taken liberties with?” “They encourage me to do it again?” Harry suggested in such a helpful manner that Poppy couldn’t help smiling. “No,” she said. “I’m not going to encourage you.” They faced each other in darkness relieved only by the slivers of light shed by upper-floor windows. How capricious life was, Poppy thought. She should have been dancing with Michael tonight. But now she was Michael’s castoff, and she was standing outside the ballroom, in the shadows with a stranger. Interesting, that she could be so in love with one man and yet find another so compelling. But Harry Rutledge was one of the most fascinating people she had ever met, with so many layers of charm and drive and ruthlessness that she couldn’t fathom what kind of man he really was. She wondered what he was like in his private moments. She was almost sorry she would never find out. “Give me a penance,” Harry urged. “I’ll do whatever you ask.” As their gazes caught and held in the shadows, Poppy realized that he actually meant it. “How large a penance?” she asked. Harry tilted his head a little, studying her intently. “Ask for anything.” “What if I wanted a castle?” “Done,” he said promptly. “Actually, I don’t want a castle. Too drafty. What about a diamond tiara?” “Certainly. A modest one suitable for daytime wear, or something more elaborate?” Poppy began to smile, when a few minutes earlier she had thought she would never smile again. She felt a surge of liking and gratitude. She couldn’t think of anyone else who would have been able to console her in these circumstances. But the smile turned bittersweet as she looked up at him once more. “Thank you,” she said. “But I’m afraid no one can give me the one thing I truly want.
”
”
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
“
1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things — reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them — in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
”
”
Kurt Vonnegut Jr.
“
The only thing stranger would be running into … the brother you actually forgot you had, until just now.
”
”
N.K. Jemisin (The Stone Sky (The Broken Earth, #3))
“
Jeremiah’s Temple Message 7 This is the word that the LORD spoke to Jeremiah: 2“Stand at the gate of the Temple and preach this message there: “‘Hear the word of the LORD, all you people of the nation of Judah! All you who come through these gates to worship the LORD, listen to this message! 3This is what the LORD All-Powerful, the God of Israel, says: Change your lives and do what is right! Then I will let you live in this place. 4Don’t trust the lies of people who say, “This is the Temple of the LORD. This is the Temple of the LORD. This is the Temple of the LORD!” 5You must change your lives and do what is right. Be fair to each other. 6You must not be hard on strangers, orphans, and widows. Don’t kill innocent people in this place! Don’t follow other gods, or they will ruin your lives. 7If you do these things, I will let you live in this land that I gave to your ancestors to keep forever. 8“‘But look, you are trusting lies, which is useless. 9Will you steal and murder and be guilty of adultery? Will you falsely accuse other people? Will you burn incense to the god Baal and follow other gods you have not known? 10If you do that, do you think you can come before me and stand in this place where I have chosen to be worshiped? Do you think you can say, “We are safe!” when you do all these hateful things? 11This place where I have chosen to be worshiped is nothing more to you than a hideout for robbers. I have been watching you, says the LORD. 12“‘You people of Judah, go now to the town of Shiloh, where I first made a place to be worshiped. See what I did to it because of the evil things the people of Israel had done. 13You people of Judah have done all these evil things too, says the LORD. I spoke to you again and again, but you did not listen to me. I called you, but you did not answer. 14So I will destroy the place where I have chosen to be worshiped in Jerusalem. You trust in that place, which I gave to you and your ancestors, but I will destroy it just as I destroyed Shiloh. 15I will push you away from me just as I pushed away your relatives, the people of Israel!’ 16“As for you, Jeremiah, don’t pray for these people. Don’t cry out for them or ask anything for them or beg me to help them, because I will not listen to you. 17Don’t you see what they are doing in the towns of Judah and in the streets of Jerusalem? 18The children gather wood, and the fathers use the wood to make a fire. The women make the dough for cakes of bread, and they offer them to the Queen Goddess. They pour out drink offerings to other gods to make me angry. 19But I am not the one the people of Judah are really hurting, says the LORD. They are only hurting themselves and bringing shame upon themselves. 20“‘So this is what the Lord God says: I will pour out my anger on this place, on people and animals, on the trees in the field and the crops in the ground. My anger will be like a hot fire that no one can put out.
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Max Lucado (NCV, Grace for the Moment Daily Bible: Spend 365 Days reading the Bible with Max Lucado)
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1 My son, if thou wilt receive my words, and hide my commandments within thee,
2 And cause thine ears to hearken unto wisdom, and incline thine heart to
understanding,
3 (For if thou callest after knowledge, and cryest for understanding:
4 If thou seekest her as silver, and searchest for her as for treasures,
5 Then shalt thou understand the fear of the Lord, and find the knowledge of
God.
6 For the Lord giveth wisdom, out of his mouth cometh knowledge and
understanding.
7 He preserveth the state of the righteous: he is a shield to them that walk
uprightly,
8 That they may keep the ways of judgment: and he preserveth the way of his
Saints)
9 Then shalt thou understand righteousness, and judgment, and equity, and
every good path. 10 When wisdom entereth into thine heart, and knowledge
delighteth thy soul,
11 Then shall counsel preserve thee, and understanding shall keep thee,
12 And deliver thee from the evil way, and from the man that speaketh froward
things,
13 And from them that leave the ways of righteousness to walk in the ways of
darkness:
14 Which rejoice in doing evil, and delight in the frowardness of the wicked,
15 Whose ways are crooked and they are lewd in their paths.
16 And it shall deliver thee from the strange woman, even from the stranger,
which flattereth with her words.
17 Which forsaketh the guide of her youth, and forgetteth the covenant of her
God.
18 Surely her house tendeth to death, and her paths unto the dead.
19 All they that go unto her, return not again, neither take they hold of the ways of
life.
20 Therefore walk thou in the way of good men, and keep the ways of the
righteous.
21 For the just shall dwell in the land, and the upright men shall remain in it.
22 But the wicked shall be cut off from ye earth, and the transgressors shall be
rooted out of it.
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Proverbs
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Betty frowned and eyed the stranger hard. Trisha was right. Lebanon, Missouri was many things... big, it was not. Not like she’d know everyone in town, but she’d have noticed him.
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Marie Hall (Kingdom Series Collection #1-3 (Kingdom, #1-3))
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1 A STRANGER IN THE NIGHT The moon shone in the rocking horse’s eye, and in the mouse’s eye, too, when Tolly fetched it out from under his pillow to see. The clock went tick-tock, and in the stillness he thought he heard little bare feet running across the floor, then laughter and whispering, and a sound like the pages of a big book being turned over. L. M. Boston, The Children of Green Knowe Rain fell that night, a fine, whispering rain. Many years later, Meggie had only to close her eyes and she could still hear it, like tiny fingers tapping on the windowpane. A dog barked somewhere in the darkness, and however often she tossed and turned Meggie couldn’t get to sleep. The book she had been reading was under her pillow, pressing its cover against her ear as if to lure her back into its printed pages. “I’m sure it must be very comfortable sleeping with a hard, rectangular thing like that under your head,” her father had teased the first time he found a book under her pillow. “Go on, admit it, the book whispers its story to you at night.” “Sometimes, yes,” Meggie had said. “But it only works for children.” Which made Mo tweak her nose. Mo. Meggie had never called her father anything else. That night—when so much began and so many things changed forever—Meggie had one of her favorite books under her pillow, and since the rain wouldn’t let her sleep she
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Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
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If you were stranded on an island, what 3 things would you bring with you?
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Matt Morris (Do Talk To Strangers: A Creative, Sexy, and Fun Way To Have Emotionally Stimulating Conversations With Anyone)
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She is so good, your wife.” “Yes,” said Alexander. “So fresh and young. So lovely to look at.” “Yes,” said Alexander, closing his eyes. “And she doesn’t yell at you.” “No. Though I reckon she sometimes wants to.” “Oh, to have such restraint in my Bessie. She used to be a fine woman. And the girl was such a loving girl.” More drink, more smoke. “But have you noticed since coming back,” said Nick, “that there are things that women just don’t know? Won’t know. They don’t understand what it was like. They see me like this, they think this is the worst. They don’t know. That’s the chasm. You go through something that changes you. You see things you can’t unsee. Then you are sleepwalking through your actual life, shell-shocked. Do you know, when I think of myself, I have legs? In my dreams I’m always marching. And when I wake up, I’m on the floor, I’ve fallen out of bed. I now sleep on the floor because I kept rolling over and falling while dreaming. When I dream of myself, I’m carrying my weapons, and I’m in the back of a battalion. I’m in a tank, I’m yelling, I’m always screaming in my dreams. This way! That way! Fire! Cease! Forward! March! Fire, fire, fire!” Alexander lowered his head, his arms drooping on the table. “I wake up and I don’t know where I am. And Bessie is saying, what’s the matter? You’re not paying attention to me. You haven’t said anything about my new dress. You end up living with someone who cooks your food for you and who used to open her legs for you, but you don’t know them at all. You don’t understand them, nor they you. You’re two strangers thrown together. In my dreams, with legs, after marching, I’m always leaving, wandering off, long gone. I don’t know where I am but I’m never here, never with them. Is it like that with you, too?” Alexander quietly smoked, downing another glass of whiskey, and another. “No,” he finally said. “My wife and I have the opposite problem. She carried weapons and shot at men who came to kill her. She was in hospitals, on battlefields, on frontlines. She was in DP camps and concentration camps. She starved through a frozen, blockaded city. She lost everyone she ever loved.” Alexander took half a glass of sour mash into his throat and still couldn’t keep himself from groaning. “She knows, sees, and understands everything. Perhaps less now, but that’s my fault. I haven’t been much of a—” he broke off. “Much of anything. Our problem isn’t that we don’t understand each other. Our problem is that we do. We can’t look at each other, can’t speak one innocent word, can’t touch each other without touching the cross on our backs. There is simply never any peace.” Another stiff drink went into Alexander’s throat.
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Paullina Simons (The Summer Garden (The Bronze Horseman, #3))