Stranger Things 3 Quotes

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Are you, are you coming to the tree? Wear a necklace of rope, side by side with me. Strange things did happen here. No stranger would let it be if we met up At midnight in the hanging tree.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I'm a big believer in putting things off, In fact, I even put off procrastinating. -Ella Varner
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
I've got about ten things to say to you right now. But at least nine of them would make me sound like a psycho.” In spite of the seriousness of the situation, I nearly smiled. “What’s the tenth thing?” I asked his shirtfront. He paused, considering it. “Never mind,” he grumbled. “That one would make me sound like a psycho, too.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
I’ve come to the conclusion that there are no set rules in life. You do what you have to do to survive. If that means running away from the love of your life to preserve your sanity, you do it. If it means breaking someone’s heart so yours doesn’t break; do it. Life is complicated — too much so for there to be absolutes. We are all so broken. Pick up a person, shake them around and you’ll hear the rattling of their broken pieces. Pieces our fathers broke, or our mothers, or our friends, strangers, or our loves. Olivia has stopped rattling quite as much as she used to. Love is a God-given tool, she tells me. It screws things back in place that were loose, and it cleans out all the broken pieces that you don’t need anymore. I believe her. Our love has been fixing each other. I hope to only hear a tiny jingle when I shake her in a few years
Tarryn Fisher (Thief (Love Me with Lies, #3))
No more Dane,” he eventually said with unnerving finality. I tried to be funny. “I can't decide if that means you don't want me to see him again or if you're planning to kill him.” “It means if the first thing happens, the second thing is likely to follow.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
If the feeling is there, you might as well admit it. Saying the words, or not saying them, doesn't change a damn thing
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
I wish you were a mind-reader. I want you to know everything but I don't want to have to tell you. Because there are some things I don't want to say out loud.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
They're just talking. They're flirting kind of like they're strangers, but at the same time they also seem to know each other really well. I don't get it." "So they're taking it slow. What's wrong with that?" Bill asked. "Kids today, they just want things to go fast-- boom boom BOOM.
Lauren Kate (Passion (Fallen, #3))
I understood finally that the thing I should have feared most was not loss, but never loving. The price for safety was the regret I felt at this moment. And yet I would have to live with it for the rest of my life
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Tell me everything, I would say. All about the blues, and the time your heart was broken, and what scares you the most, and the thing you've always wanted to do but haven 't yet.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Now lend me your ears. Here is Creative Writing 101: 1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted. 2. Give the reader at least one character he or she can root for. 3. Every character should want something, even if it is only a glass of water. 4. Every sentence must do one of two things—reveal character or advance the action. 5. Start as close to the end as possible. 6. Be a sadist. No matter sweet and innocent your leading characters, make awful things happen to them—in order that the reader may see what they are made of. 7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages. The greatest American short story writer of my generation was Flannery O'Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that.
Kurt Vonnegut Jr.
Are you, are you Coming to the tree They strung up a man They say who murdered three. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree. Are you, are you Coming to the tree Where the dead man called out For his love to flee. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree. Are you, are you Coming to the tree Where I told you to run, So we'd both be free. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree. Are you, are you Coming to the tree Wear a necklace of rope, Side by side with me. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
The only thing keeping two people together should be love. Not legalities.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
It's drugs, isn't it"? Tara was so innocent. She got pulled into that glamorous lifestyle with all her rich friends...all that cocaine dust floating around, she probably inhaled some by accident, and then -' 'There's no such thing as secondhand cocaine snorting, Mom.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Sometimes I did things I didn't want to do,or said things I didn't want to say. Sometimes I felt like crying for no reason, or snapped at people I cared about for less. I'd been so worried for so long that I was losing my mind, but now it felt like I was losing my body. I felt like a stranger.
Michelle Hodkin (The Retribution of Mara Dyer (Mara Dyer, #3))
I wrote a letter to you when I was in the capital. So stupid, to put it all in writing. Every thing I’d done. The information I passed to Tensen. The way I worked against the empire. What I felt. My father read it. He gave it to the emperor.” She was weeping. “And I know, I know that it hurt him, that I broke something, that he felt it break. Maybe I wasn’t me anymore, to him. Do you understand? Not his daughter. Not anyone he knew. Just a lying stranger. But how could he? Why couldn’t he love me most? Or enough. Why couldn’t he love me enough to choose me over his rules?
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Are you, are you Coming to the tree Where they strung up a man they say murdered three Where the dead man called out for his love to flee Where I told you to run, so we'd both be free Wear a necklace of rope, side by side with me Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Wow," I remarked to an older man who had just turned away from a group. "That's what I call a birthday cake. You think someone's going to jump out of that thing?" "Hope not," he said in a gravelly voice. "They might catch fire from all the candles.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Just curious. Like James and Victoria had been curious in the beginning? The thought of Victoria made me tremble, thought the one thing they seemed certain of was that it had not been her. Not this time. She would stick to her obsessed pattern. This was just someone else, a stranger.
Stephenie Meyer (Eclipse)
You do a great many things for strangers, Katarina. What are you willing to do for your friends?
Ally Carter (Perfect Scoundrels (Heist Society, #3))
The brown book I carry says there is nothing stranger than to explore a city wholly different from all those one knows, since to do so is to explore a second and unsuspected self. I have found a thing stranger: to explore such a city only after one has lived in it for some time without learning anything of it.
Gene Wolfe (The Sword of the Lictor (The Book of the New Sun, #3))
Are you, are you Coming to the tree Wear a necklace of rope, side by side with me. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
The monsters I understood were all just men underneath: Michael Myers, Jason, Leatherface. They loomed huge and hulking, hiding their faces behind masks, but they were still just flesh and blood.
Brenna Yovanoff (Runaway Max (Stranger Things, #3))
Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
This is the list you carry in your pocket, of the things you plan to say to Kay, when you find him, if you find him: 1. I’m sorry that I forgot to water your ferns while you were away that time. 2. When you said that I reminded you of your mother, was that a good thing? 3. I never really liked your friends all that much. 4. None of my friends ever really liked you. 5. Do you remember when the cat ran away, and I cried and cried and made you put up posters, and she never came back? I wasn’t crying because she didn’t come back. I was crying because I’d taken her to the woods, and I was scared she’d come back and tell you what I’d done, but I guess a wolf got her, or something. She never liked me anyway. 6. I never liked your mother. 7. After you left, I didn’t water your plants on purpose. They’re all dead. 8. Goodbye. 9. Were you ever really in love with me? 10. Was I good in bed, or just average? 11. What exactly did you mean, when you said that it was fine that I had put on a little weight, that you thought I was even more beautiful, that I should go ahead and eat as much as I wanted, but when I weighed myself on the bathroom scale, I was exactly the same weight as before, I hadn’t gained a single pound? 12. So all those times, I’m being honest here, every single time, and anyway I don’t care if you don’t believe me, I faked every orgasm you ever thought I had. Women can do that, you know. You never made me come, not even once. 13. So maybe I’m an idiot, but I used to be in love with you. 14. I slept with some guy, I didn’t mean to, it just kind of happened. Is that how it was with you? Not that I’m making any apologies, or that I’d accept yours, I just want to know. 15. My feet hurt, and it’s all your fault. 16. I mean it this time, goodbye.
Kelly Link (Stranger Things Happen)
So let’s talk a little about April May’s theory of tiered fame. Tier 1: Popularity You are a big deal in your high school or neighborhood. You have a peculiar vehicle that people around town recognize, you are a pastor at a medium-to-large church, you were once the star of the high school football team. Tier 2: Notoriety You are recognized and/or well-known within certain circles. Maybe you’re a preeminent lepidopterist whom all the other lepidopterists idolize. Or you could be the mayor or meteorologist in a medium-sized city. You might be one of the 1.1 million living people who has a Wikipedia page. Tier 3: Working-Class Fame A lot of people know who you are and they are distributed around the world. There’s a good chance that a stranger will approach you to say hi at the grocery store. You are a professional sports player, musician, author, actor, television host, or internet personality. You might still have to hustle to make a living, but your fame is your job. You’ll probably trend on Twitter if you die. Tier 4: True Fame You get recognized by fans enough that it is a legitimate burden. People take pictures of you without your permission, and no one would scoff if you called yourself a celebrity. When you start dating someone, you wouldn’t be surprised to read about it in magazines. You are a performer, politician, host, or actor whom the majority of people in your country would recognize. Your humanity is so degraded that people are legitimately surprised when they find out that you’re “just like them” because, sometimes, you buy food. You never have to worry about money again, but you do need a gate with an intercom on your driveway. Tier 5: Divinity You are known by every person in your world, and you are such a big deal that they no longer consider you a person. Your story is much larger than can be contained within any human lifetime, and your memory will continue long after your earthly form wastes away. You are a founding father of a nation, a creator of a religion, an emperor, or an idea. You are not currently alive.
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
Cathy's a monster, but there were a few things she got right'' I muttered. I read the lines quietly mostly to myself. '' If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger.'' I nodded, again to myself. ''I know exactly what she means. And I know who I cant live without.
Stephenie Meyer (Eclipse)
Alexander moved her off him, laid her down, was over her, was pressed into her, crushing her. Anthony was right there, he didn't care, he was trying to inhale her, trying to absorb her into himself. "All this time you were stepping out in front of me, Tatiana," he said. "Now I finally understand. You hid me on Bethel Island for eight months. For two years you hid me and deceived me - to save me. I am such an idiot," he whispered. "Wretch or not, ravaged or not, in a carapace or not, there you still were, stepping out for me, showing the mute mangled stranger your brave and indifferent face." Her eyes closed, her arms tightened around his neck. "That stranger is my life," she whispered. They crawled away from Anthony, from their only bed, onto a blanket on the floor, barricading themselves behind the table and chairs. "You left our boy to go find me, and this is what you found..." Alexander whispered, on top of her, pushing inside her, searching for peace. Crying out underneath him, Tatiana clutched his shoulders. "This is what you brought back from Sachsenhausen." his movement was tense, deep, needful. Oh God. Now there was comfort. "You thought you were bringing back him, but Tania, you brought back me." "Shura...you'll have to do..." Her fingers were clamped into his scars. "In you," said Alexander, lowering his lips to her parted mouth and cleaving their flesh, "are the answers to all things." All the rivers flowed into the sea and still the sea was not full.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Eight rules for writing fiction: 1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted. 2. Give the reader at least one character he or she can root for. 3. Every character should want something, even if it is only a glass of water. 4. Every sentence must do one of two things -- reveal character or advance the action. 5. Start as close to the end as possible. 6. Be a sadist. Now matter how sweet and innocent your leading characters, make awful things happen to them -- in order that the reader may see what they are made of. 7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia. 8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.
Kurt Vonnegut Jr. (Bagombo Snuff Box)
Few things are stranger than watching a giant hippo fly.
Orpheus Collar (The Serpent's Shadow: The Graphic Novel (The Kane Chronicles, #3))
From the time she was a little biddy thing I always told her: Melinda, don’t talk to strangers. But she loved everyone. She was a real good girl.
Amanda Kyle Williams (Don't Talk to Strangers (Keye Street, #3))
Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Are you, are you Coming to the tree Where I told you to run, so we’d both be free. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Are you, are you... Coming to the tree? Where they strung up a man they say who murdered three Strange things did happen here no stranger would it be If we met up at midnight in the Hanging Tree
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Are you, are you Coming to the tree Where they strung up a man They say murdered three. Strange things have happened here No stranger would it be If we met at midnight In the hanging tree. Are you, are you Coming to the tree Where the dead man called out For his love to flee. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree. Are you, are you Coming to the tree Where I told you to run, So we'd both be free. Strange things have happened here No stranger would it be If we met at midnight In the hanging tree. Are you, are you Coming to the tree Wear a necklace of hope, Side by side with me. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree. Are you, are you Coming to the tree Where I told you to run, So we'd both be free. Strange things have happened here No stranger would it be If we met at midnight In the hanging tree Are you, are you Coming to the tree Where they strung up a man They say murdered three. Strange things have happened here No stranger would it be If we met at midnight In the hanging tree. Are you, are you Coming to the tree Where the dead man called out For his love to flee. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The mockingjays begin to alter their songs as they become aware of my new offering. “Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” I have the birds’ attention now. In one more verse, surely they will have captured the melody, as it’s simple and repeats four times with little variation. “Are you, are you Coming to the tree Where I told you to run, so we’d both be free. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” A hush in the trees. Just the rustle of leaves in the breeze. But no birds, mockingjay or other. Peeta’s right. They do fall silent when I sing. Just as they did for my father. “Are you, are you Coming to the tree Wear a necklace of rope, side by side with me. Strange things did happen here No stranger would it be
Suzanne Collins (Mockingjay (The Hunger Games, #3))
If hard things ultimately have a purpose, then they aren’t so hard anymore. Therefore, I listed what I had learned: 1. It’s easy to forget that people can think you think what you don’t think. 2. Don’t write when you’re angry and under deadline, with time to test it only on friends who know what you mean, not on strangers who don’t. 3. A writer’s greatest reward is naming something unnamed that many people are feeling. A writer’s greatest punishment is being misunderstood. The same words can do both.
Gloria Steinem (My Life on the Road)
have not sung “The Hanging Tree” out loud for ten years, because it’s forbidden, but I remember every word. I begin softly, sweetly, as my father did.   “Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.”   The mockingjays begin to alter their songs as they become aware of my new offering.   “Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I had hooked up my iPod to the speakers. The air was filled with the raw, sexy purr of Etta James. "The thing that's great about the blues," I told Luke, pausing to sip from my glass of wine, "is that it's about feeling, loving, wanting without the brakes on. No one's brave enough to live that way. Except maybe musicians.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Communication between me and you will happen in 4 stages: 1. We will talk about other people and things. 2. We will talk about each other. 3. There will be no 'about'. There will be just me and you and silent communication. 4. There will be no me and no you. There will be eternity. Come, o familiar stranger! Let's communicate.
Shunya
In Boston right around the same time, another criminologist did a similar study: Half the crime in the city came from 3.6 percent of the city’s blocks. That made two examples. Weisburd decided to look wherever he could: New York. Seattle. Cincinnati. Sherman looked in Kansas City, Dallas. Anytime someone asked, the two of them would run the numbers. And every place they looked, they saw the same thing: Crime in every city was concentrated in a tiny number of street segments. Weisburd decided to try a foreign city, somewhere entirely different—culturally, geographically, economically. His family was Israeli, so he thought Tel Aviv. Same thing. “I said, ‘Oh my God. Look at that! Why should it be that five percent of the streets in Tel Aviv produce fifty percent of the crime? There’s this thing going on, in places that are so different.’” Weisburd refers to this as the Law of Crime Concentration.6 Like suicide, crime is tied to very specific places and contexts. Weisburd’s experiences in the 72nd Precinct and in Minneapolis are not idiosyncratic. They capture something close to a fundamental truth about human behavior. And that means that when you confront the stranger, you have to ask yourself where and when you’re confronting the stranger—because those two things powerfully influence your interpretation of who the stranger is.
Malcolm Gladwell (Talking to Strangers: What We Should Know About the People We Don’t Know)
I probably should say that this is what makes you a good traveler in my opinion, but deep down I really think this is just universal, incontrovertible truth. There is the right way to travel, and the wrong way. And if there is one philanthropic deed that can come from this book, maybe it will be that I teach a few more people how to do it right. So, in short, my list of what makes a good traveler, which I recommend you use when interviewing your next potential trip partner: 1. You are open. You say yes to whatever comes your way, whether it’s shots of a putrid-smelling yak-butter tea or an offer for an Albanian toe-licking. (How else are you going to get the volcano dust off?) You say yes because it is the only way to really experience another place, and let it change you. Which, in my opinion, is the mark of a great trip. 2. You venture to the places where the tourists aren’t, in addition to hitting the “must-sees.” If you are exclusively visiting places where busloads of Chinese are following a woman with a flag and a bullhorn, you’re not doing it. 3. You are easygoing about sleeping/eating/comfort issues. You don’t change rooms three times, you’ll take an overnight bus if you must, you can go without meat in India and without vegan soy gluten-free tempeh butter in Bolivia, and you can shut the hell up about it. 4. You are aware of your travel companions, and of not being contrary to their desires/​needs/​schedules more often than necessary. If you find that you want to do things differently than your companions, you happily tell them to go on without you in a way that does not sound like you’re saying, “This is a test.” 5. You can figure it out. How to read a map, how to order when you can’t read the menu, how to find a bathroom, or a train, or a castle. 6. You know what the trip is going to cost, and can afford it. If you can’t afford the trip, you don’t go. Conversely, if your travel companions can’t afford what you can afford, you are willing to slum it in the name of camaraderie. P.S.: Attractive single people almost exclusively stay at dumps. If you’re looking for them, don’t go posh. 7. You are aware of cultural differences, and go out of your way to blend. You don’t wear booty shorts to the Western Wall on Shabbat. You do hike your bathing suit up your booty on the beach in Brazil. Basically, just be aware to show the culturally correct amount of booty. 8. You behave yourself when dealing with local hotel clerks/​train operators/​tour guides etc. Whether it’s for selfish gain, helping the reputation of Americans traveling abroad, or simply the spreading of good vibes, you will make nice even when faced with cultural frustrations and repeated smug “not possible”s. This was an especially important trait for an American traveling during the George W. years, when the world collectively thought we were all either mentally disabled or bent on world destruction. (One anecdote from that dark time: in Greece, I came back to my table at a café to find that Emma had let a nearby [handsome] Greek stranger pick my camera up off our table. He had then stuck it down the front of his pants for a photo. After he snapped it, he handed the camera back to me and said, “Show that to George Bush.” Which was obviously extra funny because of the word bush.) 9. This last rule is the most important to me: you are able to go with the flow in a spontaneous, non-uptight way if you stumble into something amazing that will bump some plan off the day’s schedule. So you missed the freakin’ waterfall—you got invited to a Bahamian family’s post-Christening barbecue where you danced with three generations of locals in a backyard under flower-strewn balconies. You won. Shut the hell up about the waterfall. Sally
Kristin Newman (What I Was Doing While You Were Breeding)
Alex, please.” He balls his fists. “Stop saying my name. You don’t know me anymore.” “I do know you.” I’m still crying, swallowing back spasms in my throat, struggling to breathe. This is a nightmare and I will wake up. This is a monster-story, and he has come back to me a terror-creation, patched together, broken and hateful, and I will wake up and he will be here, and whole, and mine again. I find his hands, lace my fingers through his even as he tries to pull away. “It’s me, Alex. Lena. Your Lena. Remember? Remember 37 Brooks, and the blanket we used to keep in the backyard—” “Don’t,” he says. His voice breaks on the word. “And I always beat you in Scrabble,” I say. I have to keep talking, and keep him here, and make him remember. “Because you always let me win. And remember how we had a picnic one time, and the only thing we could find from the store was canned spaghetti and some green beans? And you said to mix them—” “Don’t.” “And we did, and it wasn’t bad. We ate the whole stupid can, we were so hungry. And when it started to get dark you pointed to the sky, and told me there was a star for every thing you loved about me.” I’m gasping, feeling as though I am about to drown; I’m reaching for him blindly, grabbing at his collar. “Stop.” He grabs my shoulders. His face is an inch from mine but unrecognizable: a gross, contorted mask. “Just stop. No more. It’s done, okay? That’s all done now.” “Alex, please—” “Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.” “Alex!” He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.” The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak. He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.” “Please.” I don’t know how I stay on my feet, why I don’t shatter into dust right there, why my heart keeps beating when I want it so badly to stop. “Please don’t do this, Alex.” “Stop saying my name.
Lauren Oliver (Requiem (Delirium, #3))
They had hoped, hated, loved, suffered, sung, and wept. They had known loss. They had surrounded and comforted themselves with objects. They had driven automobiles. They had walked dogs and pushed children on swing sets and waited in line at the grocery store. They had said stupid things. They had kept secrets, nurtured grudges, blown upon the embers of regret. They had worshipped a variety of gods or no god at all. They had awakened in the night to the sound of rain. They had apologized. They had attended various ceremonies. They had explained the history of themselves to psychologists, priests, lovers, and strangers in bars. They had, at unexpected moments, experienced bolts of joy so unalloyed, so untethered to events, that they seemed to come from above; they had longed to be known and, sometimes, almost were. Heirs
Justin Cronin (The City of Mirrors (The Passage, #3))
Remember, my dear, you are dealing with the world as it is, not as you believe, maybe rightly, that it ought to be. There will be a great many things you can achieve not by attacking them but with a little patience and a modicum of flattery. Stop to consider what it is you really want, rather than pursuing your anger or your vanity to charge in. So often we leap to passionate judgments—when if we but knew the one thing more, they would be so different.
Anne Perry (The William Monk Mysteries: The Face of a Stranger / A Dangerous Mourning / Defend and Betray (William Monk, #1-3))
Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The mockingjays begin to alter their songs as they become aware of my new offering. “Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Ode, Elegy, Aubade, Pslam" 1 The songbird that escapes from a burning house will build its nest in the shape of a cage. 2 This is one thing we know: song begs for the places that make it grow from seed to starling, 3 places that put the heart’s hemlock in an empty rowboat and heave it from the shore. 4 We only praise what we cannot keep: violin strings berried with rain, teacups overflowing with brandywine, radios sickened with static. 5 Glass tossed out with the tide will come back smoother and stranger, but never to the same person. 6 This is something we want to know. The woman in love never touches her ears. 7 The man in his house is always lost without her. 8 Morning pulls light from the dark like a boy hoisting a trout from the lake by its clean, pink gills. 9 When the woman escapes from a burning house she will know the path of the wind, 10 how it writes its scripture in peach blossoms blown into a baby’s empty pram. 11 She’ll feel it compose its words against her body, against the night, against the water, in an endless, artless psalm.
Ryan Teitman (Litany for the City)
Psalm 94 God the Refuge of the Righteous 1O LORD God, †to whom vengeance belongs— O God, to whom vengeance belongs, shine forth! 2Rise up, O †Judge of the earth; aRender punishment to the proud. 3LORD, †how long will the wicked, How long will the wicked triumph? 4They †utter speech, and speak insolent things; All the workers of iniquity boast in themselves. 5They break in pieces Your people, O LORD, And afflict Your heritage. 6They slay the widow and the stranger, And murder the fatherless. 7†Yet they say, “The LORD does not see,
Anonymous (Holy Bible, New King James Version)
Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The mockingjays begin to alter their songs as they become aware of my new offering. “Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” I have the birds’ attention now. In one more verse, surely they will have captured the melody, as it’s simple and repeats four times with little variation. “Are you, are you Coming to the tree Where I told you to run, so we’d both be free. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” A hush in the trees. Just the rustle of leaves in the breeze. But no birds, mockingjay or other. Peeta’s right. They do fall silent when I sing. Just as they did for my father. “Are you, are you Coming to the tree Wear a necklace of rope, side by side with me. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The
Suzanne Collins (Mockingjay (The Hunger Games, #3))
The ten commandments according to Leó Szilárd 1. Recognize the connections of things and laws of conduct of men, so that you may know what you are doing. 2. Let your acts be directed toward a worthy goal, but do not ask if they will reach it; they are to be models and examples, not means to an end. 3. Speak to all men as you do to yourself, with no concern for the effect you make, so that you do not shut them out from your world; lest in isolation the meaning of life slips out of sight and you lose the belief in the perfection of creation. 4. Do not destroy what you cannot create. 5. Touch no dish, except that you are hungry. 6. Do not covet what you cannot have. 7. Do not lie without need. 8. Honor children. Listen reverently to their words and speak to them with infinite love. 9.Do your work for six years; but in the seventh, go into solitude or among strangers, so that the memory of your friends does not hinder you from being what you have become. 10. Lead your life with a gentle hand and be ready to leave whenever you are called. Leo Szilard 'Die Stimme der Delphine.' Utopische Erzählungen. Rowohit Taschenbuch Verlag. 1963. Translated by Dr. Jacob Bronowski.
Leo Szilard
night.” “Sometimes, yes,” Meggie had said. “But it only works for children.” Which made Mo tweak her nose. Mo. Meggie had never called her father anything else. That night—when so much began and so many things changed forever—Meggie had one of her favorite books under her pillow, and since the rain wouldn’t let her sleep she sat up, rubbed the drowsiness from her eyes, and took it out. Its pages rustled promisingly when she opened it. Meggie thought this first whisper sounded a little different from one book to another, depending on whether or not she already knew the story it was going to tell her. But she needed light. She had a box of matches hidden in the drawer of her bedside table. Mo had forbidden her to light candles at night. He didn’t like fire. “Fire devours books,” he always said, but she was twelve years old, she surely could be trusted to keep an eye on a couple of candle flames. Meggie loved to read by candlelight. She had five candlesticks on the windowsill, and she was just holding the lighted match to one of the black wicks when she heard footsteps outside. She blew out the match in alarm—oh, how well she remembered it, even many years later—and knelt to look out of the window, which was wet with rain. Then she saw him. The rain cast a kind of pallor on the darkness, and the stranger was little more than a shadow. Only his face gleamed white as he looked up at Meggie. His hair clung to his wet forehead. The rain was falling on him, but he ignored it. He stood there motionless, arms crossed over his chest as if that might at least warm him a little. And he kept on staring at the house. I must go and wake Mo, thought Meggie. But she stayed put, her heart thudding, and went on gazing out into the night as if the stranger’s stillness had infected her. Suddenly, he turned his head, and Meggie felt as if he were looking straight into her eyes. She shot off the bed so fast the open book fell to the floor, and she ran barefoot out into the dark corridor. This was the end of May, but it was chilly in the old house. There was still a light on in Mo’s room. He often stayed up reading late into the night. Meggie had inherited her love of books from her father. When she took refuge from a bad dream with him, nothing could lull her to sleep better than Mo’s calm breathing beside her and the sound of the pages turning. Nothing chased nightmares away faster than
Cornelia Funke (Inkheart / Inkspell / Inkdeath (The Inkheart Trilogy #1-3))
The internet’s prime purpose is to facilitate uniformity of thought (always a good starting point for the bluffer when discussing social media). The rules for what you’re allowed to think online change all the time, but they’re usually something like this: 1. Julian Assange is the victim of a CIA and media conspiracy aimed at causing his eventual death. 2. Rupert Murdoch is Satan. 3. You are compelled to say RIP about the death of strangers. 4. You are not allowed to offend anyone, ever. 5. Anything someone else says can be taken as offensive. 6. Being offensive is illegal. 7. Cats do the cutest things.
Susie Boniface (Bluffer's Guide to Social Media (Bluffer's Guides))
Here’s a fact for you: In 1995, according to the Washington Post, computer hackers successfully breached the Pentagon’s security systems 161,000 times. That works out to eighteen illicit entries every hour around the clock, one every 3.2 minutes. Oh, I know what you’re going to say. This sort of thing could happen to any monolithic defense establishment with the fate of the earth in its hands. After all, if you stockpile a massive nuclear arsenal, it’s only natural that people are going to want to go in and have a look around, maybe see what all those buttons marked “Detonate” and “Code Red” mean. It’s only human nature.
Bill Bryson (I'm a Stranger Here Myself: Notes on Returning to America After 20 Years Away)
If you’re reading this book and did not purchase it, or it was not purchased for your use only, please purchase your own copy. So, live your life that the fear of death can never enter your heart. Trouble no one about their religion; respect others in their view, and demand that they respect yours. Love your life, perfect your life, beautify all things in your life. Seek to make your life long and its purpose in the service of your people. Prepare a noble death song for the day when you go over the great divide. Always give a word or a sign of salute when meeting or passing a friend, even a stranger, when in a lonely place. Show respect to all people and grovel to none. When you arise in the morning give thanks for the food and for the joy of living. If you see no reason for giving thanks, the fault lies only in yourself. Abuse no one and no thing, for abuse turns the wise ones to fools and robs the spirit of its vision. When it comes your time to die, be not like those whose hearts are filled with the fear of death, so that when their time comes they weep and pray for a little more time to live their lives over again in a different way. Sing your death song and die like a hero going home. ~ Chief Tecumseh Blurb A woman who betrayed her county.
Riley Edwards (Redeeming Violet (The Red Team #3; Special Forces: Operation Alpha))
I have not sung “The Hanging Tree” out loud for ten years, because it’s forbidden, but I remember every word. I begin softly, sweetly, as my father did. “Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The mockingjays begin to alter their songs as they become aware of my new offering. “Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” I have the birds’ attention now. In one more verse, surely they will have captured the melody, as it’s simple and repeats four times with little variation. “Are you, are you Coming to the tree Where I told you to run, so we’d both be free. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” A hush in the trees. Just the rustle of leaves in the breeze. But no birds, mockingjay or other. Peeta’s right. They do fall silent when I sing. Just as they did for my father. “Are you, are you Coming to the tree Wear a necklace of rope, side by side with me. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
I’ve come to the conclusion that there are no set rules in life. You do what you have to do to survive. If that means running away from the love of your life to preserve your sanity, you do it. If it means breaking someone’s heart so yours doesn’t break; do it. Life is complicated — too much so for there to be absolutes. We are all so broken. Pick up a person, shake them around and you’ll hear the rattling of their broken pieces. Pieces our fathers broke, or our mothers, or our friends, strangers, or our loves. Olivia has stopped rattling quite as much as she used to. Love is a God-given tool, she tells me. It screws things back in place that were loose, and it cleans out all the broken pieces that you don’t need anymore.
Tarryn Fisher (Thief (Love Me with Lies, #3))
Are you, are you Coming to the tree? They strung up a man They say who murdered three. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree. Are you, are you Coming to the tree? Where dead man called out For his love to flee. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree. Are you, are you Coming to the tree? Where I told you to run, So we'd both be free. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree. Are you, are you Coming to the tree? Wear a necklace of rope, Side by side with me. Strange things did happen here No stranger would it be If we met at midnight In the hanging tree.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Rule #1 – Don’t get involved with clients Rule #2 – Don’t take out a woman who won’t eat Rule #3 – Don’t talk to arrogant strangers Rule #4 – Don’t play with fire if you don’t want to get burned Rule #5 – Be nice to little old ladies Rule #6 – Don’t play your hand too soon Rule #7 – No public displays of affection Rule #8 – Wrap it before you tap it Rule #9 – A promise is a promise Rule #10 – If you don’t have anything, you have nothing to lose Rule #11 – All good things come to those who wait Rule #12 – Sometimes you gotta do what you gotta do Rule #13 – Some things are just meant to be Rule #14 – Forever Rule #15 – Money doesn’t always make life easier Rule #16 – Carpe diem Rule #17 – Whatever happens, happens Rule #18 – Forever isn’t long enough
Samantha Christy (Stone Rules (The Stone Brothers, #1))
Man overboard!” Then everyone was busy. Some of the sailors hurried aloft to take in the sail; others hurried below to get to the oars; and Rhince, who was on duty on the poop, began to put the helm hard over so as to come round and back to the man who had gone overboard. But by now everyone knew that it wasn’t strictly a man. It was Reepicheep. “Drat that mouse!” said Drinian. “It’s more trouble than all the rest of the ship’s company put together. If there is any scrape to be got into, in it will get! It ought to be put in irons--keelhauled--marooned--have its whiskers cut off. Can anyone see the little blighter?” All this didn’t mean that Drinian really disliked Reepicheep. On the contrary he liked him very much and was therefore frightened about him, and being frightened put him in a bad temper--just as your mother is much angrier with you for running out into the road in front of a car than a stranger would be. No one, of course, was afraid of Reepicheep’s drowning, for he was an excellent swimmer; but the three who knew what was going on below the water were afraid of those long, cruel spears in the hands of the Sea People. In a few minutes the Dawn Treader had come round and everyone could see the black blob in the water which was Reepicheep. He was chattering with the greatest excitement but as his mouth kept on getting filled with water nobody could understand what he was saying. “He’ll blurt the whole thing out if we don’t shut him up,” cried Drinian. To prevent this he rushed to the side and lowered a rope himself, shouting to the sailors, “All right, all right. Back to your places. I hope I can heave a mouse up without help.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
I have a theory about men like you, Jack.” That seemed to lighten his mood. He slid me an amused glance. “What is your theory, Ella?” “It’s about why you haven’t committed to anyone yet. It’s really a matter of efficient market dynamics. Most of the women you date are basically the same. You show them a good time, and then it’s on to the next, leaving them to wonder why it didn’t last. They don’t realize that no one ever outperforms the market by offering the same thing everyone else is offering, no matter how well packaged. So the only thing that’s going to change your situation is when something random and unexpected occurs. Something you haven’t seen on the market before. Which is why you’re going to end up with a woman who’s completely different from what you and everyone else expects you to go for.” I saw him smile. “What do you think?” “I think you could talk the ears off a chicken,” he said. -Ella & Jack
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
I made an appointment with a sleep doctor, who explained that during the sleep study people would be watching me sleep and monitoring my brain waves to see how I reacted during the four stages of sleep. I'd explain those stages if I could spell all the complicated words but they basically range from "Wide awake" to "Just barely not dead." My sleep cycle is a bit more elaborate. The seven stages of sleep (according to my body) STAGE 1: You take the maximum dose of sleeping pills, but they don't work at all and then you glare at their smug bottles at three a.m., whispering, "You lying bastards." STAGE 2: You fall asleep for eight minutes and you have that dream where you've missed a semester of classes and don't know where you're supposed to be and when you wake up you realize that even in your sleep you're fucking your life up. STAGE 3: You close your eyes for just a minute but never lose consciousness and then you open your eyes and realize it's been hours since you closed your eyes and you feel like you've lost time and were probably abducted by aliens. STAGE 4: This is the sleep that you miss because you're too busy looking up "Symptoms of Alien Abduction" on your phone. STAGE 5: This is the deep REM sleep that recharges you completely and doesn't actually exist but is made up by other people to taunt you. STAGE 6: You hover in a state of half sleep when you're trying to stay under but someone is touching your nose and you think it's a dream but now someone is touching your mouth and you open your eyes and your cat's face is an inch from yours and he's like, "BOOP. I got your nose." STAGE 7: You finally fall into the deep sleep you desperately need. Sadly, this sleep only comes after you're suppose to be awake, and you feel guilty about getting it because you should have been up hours ago but you've been up all night and now your arms are missing. I suspected that the only stage of sleep I'd have during the sleep study would be the sleep you don't get because strangers are watching you.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Are you, are you Coming to the tree Where they strung up a man they say murdered three. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” The mockingjays begin to alter their songs as they become aware of my new offering. “Are you, are you Coming to the tree Where the dead man called out for his love to flee. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” I have the birds’ attention now. In one more verse, surely they will have captured the melody, as it’s simple and repeats four times with little variation. “Are you, are you Coming to the tree Where I told you to run, so we’d both be free. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.” A hush in the trees. Just the rustle of leaves in the breeze. But no birds, mockingjay or other. Peeta’s right. They do fall silent when I sing. Just as they did for my father. “Are you, are you Coming to the tree Wear a necklace of rope, side by side with me. Strange things did happen here No stranger would it be If we met up at midnight in the hanging tree.
Suzanne Collins (Mockingjay (The Hunger Games, #3))
You didn’t tell me,” he says. “Why not?” “Because I didn’t…” I shake my head. “I didn’t know how to.” He scowls. “It’s pretty easy, Tris--” “Oh yeah,” I say, nodding. “It’s so easy. All I have to do is go up to you and say, ‘By the way, I shot Will, and now guilt is ripping me to shreds, but what’s for breakfast?’ Right? Right?” Suddenly it is too much, too much to contain. Tears fill my eyes, and I yell, “Why don’t you try killing one of your best friends and then dealing with the consequences?” I cover my face with my hands. I don’t want him to see me sobbing again. He touches my shoulder. “Tris,” he says, gently this time. “I’m sorry. I shouldn’t pretend that I understand. I just meant that…” He struggles for a moment. “I wish you trusted me enough to tell me things like that.” I do trust you, is what I want to say. But it isn’t true--I didn’t trust him to love me despite the terrible things I had done. I don’t trust anyone to do that, but that isn’t his problem; it’s mine. “I mean,” he says, “I had to find out that you almost drowned in a water tank from Caleb. Doesn’t that seem a little strange to you?” Just when I was about to apologize. I wipe my cheeks hard with my fingertips and stare at him. “Other things seem stranger,” I say, trying to make my voice light. “Like finding out that your boyfriend’s supposedly dead mother is still alive by seeing her in person. Or overhearing his plans to ally with the factionless, but he never tells you about it. That seems a little strange to me.” He takes his hand from my shoulder. “Don’t pretend this is only my problem,” I say. “If I don’t trust you, you don’t trust me either.” “I thought we would get to those things eventually,” he says. “Do I have to tell you everything right away?” I feel so frustrated I can’t even speak for a few seconds. Heat fills my cheeks. “God, Four!” I snap. “You don’t want to have to tell me everything right away, but I have to tell you everything right away? Can’t you see how stupid that is?” “First of all, don’t use that name like a weapon against me,” he says, pointing at me. “Second, I was not making plans to ally with the factionless; I was just thinking it over. If I had made a decision, I would have said something to you. And third, it would be different if you had actually intended to tell me about Will at some point, but it’s obvious that you didn’t.” “I did tell you about Will!” I say. “That wasn’t truth serum; it was me. I said it because I chose to.” “What are you talking about?” “I was aware. Under the serum. I could have lied; I could have kept it from you. But I didn’t, because I thought you deserved to know the truth.” “What a way to tell me!” he says, scowling. “In front of over a hundred people! How intimate!” “Oh, so it’s not enough that I told you; it has to be in the right setting?” I raise my eyebrows. “Next time should I brew some tea and make sure the lighting is right, too?” Tobias lets out a frustrated sound and turns away from me, pacing a few steps. When he turns back, his cheeks are splotchy. I can’t remember ever seeing his face change color before. “Sometimes,” he says quietly, “it isn’t easy to be with you, Tris.” He looks away. I want to tell him that I know it’s not easy, but I wouldn’t have made it through the past week without him. But I just stare at him, my heart pounding in my ears. I can’t tell him I need him. I can’t need him, period--or really, we can’t need each other, because who knows how long either of us will last in this war? “I’m sorry,” I say, all my anger gone. “I should have been honest with you.” “That’s it? That’s all you have to say?” He frowns. “What else do you want me to say?” He just shakes his head. “Nothing, Tris. Nothing.” I watch him walk away. I feel like a space has opened up within me, expanding so rapidly it will break me apart.
Veronica Roth (Allegiant (Divergent, #3))
to look around. At first sight, the apartment was perfectly ordinary. He made a quick circuit of the living room, kitchenette, bathroom, and bedroom. The place was tidy enough, but with a few items strewn here and there, the sort of things that might be left lying around by a busy person—a magazine, a half-finished crossword puzzle, a book left open on a night table. Abby had the usual appliances—an old stove and a humming refrigerator, a microwave oven with an unpronounceable brand name, a thirteen-inch TV on a cheap stand, a boom box near a modest collection of CDs. There were clothes in her bedroom closet and silverware, plates, and pots and pans in her kitchen cabinets. He began to wonder if he’d been unduly suspicious. Maybe Abby Hollister was who she said she was, after all. And he’d taken a considerable risk coming here. If he was caught inside her apartment, all his plans for the evening would be scotched. He would end up in a holding cell facing charges that would send him back to prison for parole violation. All because he’d gotten a bug up his ass about some woman he hardly knew, a stranger who didn’t mean anything. He decided he’d better get the hell out. He was retracing his steps through the living room when he glanced at the magazine tossed on the sofa. Something about it seemed wrong. He moved closer and took a better look. It was People, and the cover showed two celebrities whose recent marriage had already ended in divorce. But on the cover the stars were smiling over a caption that read, Love At Last. He picked up the magazine and studied it in the trickle of light through the filmy curtains. The date was September of last year. He put it down and looked at the end tables flanking the sofa. For the first time he noticed a patina of dust on their surfaces. The apartment hadn’t been cleaned in some time. He went into the kitchen and looked in the refrigerator. It seemed well stocked, but when he opened the carton of milk and sniffed, he discovered water inside—which was just as well, since the milk’s expiration period had ended around the time that the People cover story had been new. Water in the milk carton. Out-of-date magazine on the sofa. Dust everywhere, even coating the kitchen counters. Abby didn’t live here. Nobody did. This apartment was a sham, a shell. It was a dummy address, like the dummy corporations his partner had set up when establishing the overseas bank accounts. It could pass inspection if somebody came to visit, assuming the visitor didn’t look too closely, but it wasn’t meant to be used. Now that he thought about it, the apartment was remarkable for what
Michael Prescott (Dangerous Games (Abby Sinclair and Tess McCallum, #3))
In the wake of the Cognitive Revolution, gossip helped Homo sapiens to form larger and more stable bands. But even gossip has its limits. Sociological research has shown that the maximum ‘natural’ size of a group bonded by gossip is about 150 individuals. Most people can neither intimately know, nor gossip effectively about, more than 150 human beings. Even today, a critical threshold in human organisations falls somewhere around this magic number. Below this threshold, communities, businesses, social networks and military units can maintain themselves based mainly on intimate acquaintance and rumour-mongering. There is no need for formal ranks, titles and law books to keep order. 3A platoon of thirty soldiers or even a company of a hundred soldiers can function well on the basis of intimate relations, with a minimum of formal discipline. A well-respected sergeant can become ‘king of the company’ and exercise authority even over commissioned officers. A small family business can survive and flourish without a board of directors, a CEO or an accounting department. But once the threshold of 150 individuals is crossed, things can no longer work that way. You cannot run a division with thousands of soldiers the same way you run a platoon. Successful family businesses usually face a crisis when they grow larger and hire more personnel. If they cannot reinvent themselves, they go bust. How did Homo sapiens manage to cross this critical threshold, eventually founding cities comprising tens of thousands of inhabitants and empires ruling hundreds of millions? The secret was probably the appearance of fiction. Large numbers of strangers can cooperate successfully by believing in common myths. Any large-scale human cooperation – whether a modern state, a medieval church, an ancient city or an archaic tribe – is rooted in common myths that exist only in people’s collective imagination. Churches are rooted in common religious myths. Two Catholics who have never met can nevertheless go together on crusade or pool funds to build a hospital because they both believe that God was incarnated in human flesh and allowed Himself to be crucified to redeem our sins. States are rooted in common national myths. Two Serbs who have never met might risk their lives to save one another because both believe in the existence of the Serbian nation, the Serbian homeland and the Serbian flag. Judicial systems are rooted in common legal myths. Two lawyers who have never met can nevertheless combine efforts to defend a complete stranger because they both believe in the existence of laws, justice, human rights – and the money paid out in fees.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
At a time when moguls vied to impress people with their possessions, Rockefeller preferred comfort to refinement. His house was bare of hunting trophies, shelves of richly bound but unread books, or other signs of conspicuous consumption. Rockefeller molded his house for his own use, not to awe strangers. As he wrote of the Forest Hill fireplaces in 1877: “I have seen a good many fireplaces here [and] don’t think the character of our rooms will warrant going into the expenditures for fancy tiling and all that sort of thing that we find in some of the extravagant houses here. What we want is a sensible, plain arrangement in keeping with our rooms.”3 It took time for the family to adjust to Forest Hill. The house had been built as a hotel, and it showed: It had an office to the left of the front door, a dining room with small tables straight ahead, upstairs corridors lined with cubicle-sized rooms, and porches wrapped around each floor. The verandas, also decorated in resort style, were cluttered with bamboo furniture. It was perhaps this arrangement that tempted John and Cettie to run Forest Hill as a paying club for friends, and they got a dozen to come and stay during the summer of 1877. This venture proved no less of a debacle than the proposed sanatorium. As “club guests,” many visitors expected Cettie to function as their unlikely hostess. Some didn’t know they were in a commercial establishment and were shocked upon returning home to receive bills for their stay.
Ron Chernow (Titan: The Life of John D. Rockefeller, Sr.)
My editor insists that I clarify that there isn’t actually a $25 bill hidden in this book, which is sort of ridiculous to have to explain, because there’s no such thing as a $25 bill. If you bought this book thinking you were going to find a $25 bill inside then I think you really just paid for a worthwhile lesson, and that lesson is, don’t sell your cow for magic beans. There was another book that explained this same concept many years ago, but I think my cribbed example is much more exciting. It’s like the Fifty Shades of Grey version of “Jack and the Beanstalk.” But with fewer anal beads, or beanstalks. 2. “Concoctulary” is a word that I just made up for words that you have to invent because they didn’t yet exist. It’s a portmanteau of “concocted” and “vocabulary.” I was going to call it an “imaginary” (as a portmanteau of “imagined” and “dictionary”) but turns out that the word “imaginary” was already concoctularied, which is actually fine because “concoctulary” sounds sort of unintentionally dirty and is also great fun to say. Try it for yourself. Con-COC-chew-lary. It sings. 3. My mental illness is not your mental illness. Even if we have the exact same diagnosis we will likely experience it in profoundly different ways. This book is my unique perspective on my personal path so far. It is not a textbook. If it were it would probably cost a lot more money and have significantly less profanity or stories about strangers sending you unexpected vaginas in the mail. As it is with all stories, fast cars, wild bears, mental illness, and even life, only one truth remains: your mileage may vary.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Fly! Fly! About with your ship and fly! Row, row, row for your lives away from this accursed shore.” “Compose yourself,” said Reepicheep, “and tell us what the danger is. We are not used to flying.” The stranger started horribly at the voice of the Mouse, which he had not noticed before. “Nevertheless you will fly from here,” he gasped. “This is the Island where Dreams come true.” “That’s the island I’ve been looking for this long time,” said one of the sailors. “I reckon I’d find I was married to Nancy if we landed here.” “And I’d find Tom alive again,” said another. “Fools!” said the man, stamping his foot with rage. “That is the sort of talk that brought me here, and I’d better have been drowned or never born. Do you hear what I say? This is where dreams--dreams, do you understand--come to life, come real. Not daydreams: dreams.” There was about half a minute’s silence and then, with a great clatter of armor, the whole crew were tumbling down the main hatch as quick as they could and flinging themselves on the oars to row as they had never rowed before; and Drinian was swinging round the tiller, and the boatswain was giving out the quickest stroke that had ever been heard at sea. For it had taken everyone just that half-minute to remember certain dreams they had had--dreams that make you afraid of going to sleep again--and to realize what it would mean to land on a country where dreams come true. Only Reepicheep remained unmoved. “Your Majesty, your Majesty,” he said, “are you going to tolerate this mutiny, this poltroonery? This is a panic, this is a rout.” “Row, row,” bellowed Caspian. “Pull for all our lives. Is her head right, Drinian? You can say what you like, Reepicheep. There are some things no man can face.” “It is, then, my good fortune not to be a man,” replied Reepicheep with a very stiff bow.
C.S. Lewis (The Voyage of the Dawn Treader (Chronicles of Narnia, #3))
Cultivate Spiritual Allies One of the most significant things you learn from the life of Paul is that the self-made man is incomplete. Paul believed that mature manhood was forged in the body of Christ In his letters, Paul talks often about the people he was serving and being served by in the body of Christ. As you live in the body of Christ, you should be intentional about cultivating at least three key relationships based on Paul’s example: 1. Paul: You need a mentor, a coach, or shepherd who is further along in their walk with Christ. You need the accountability and counsel of more mature men. Unfortunately, this is often easier said than done. Typically there’s more demand than supply for mentors. Some churches try to meet this need with complicated mentoring matchmaker type programs. Typically, you can find a mentor more naturally than that. Think of who is already in your life. Is there an elder, a pastor, a professor, a businessman, or other person that you already respect? Seek that man out; let him know that you respect the way he lives his life and ask if you can take him out for coffee or lunch to ask him some questions — and then see where it goes from there. Don’t be surprised if that one person isn’t able to mentor you in everything. While he may be a great spiritual mentor, you may need other mentors in the areas of marriage, fathering, money, and so on. 2. Timothy: You need to be a Paul to another man (or men). God calls us to make disciples (Matthew 28:19). The books of 1st and 2nd Timothy demonstrate some of the investment that Paul made in Timothy as a younger brother (and rising leader) in the faith. It’s your job to reproduce in others the things you learn from the Paul(s) in your life. This kind of relationship should also be organic. You don’t need to approach strangers to offer your mentoring services. As you lead and serve in your spheres of influence, you’ll attract other men who want your input. Don’t be surprised if they don’t quite know what to ask of you. One practical way to engage with someone who asks for your input is to suggest that they come up with three questions that you can answer over coffee or lunch and then see where it goes from there. 3. Barnabas: You need a go-to friend who is a peer. One of Paul’s most faithful ministry companions was named Barnabas. Acts 4:36 tells us that Barnabas’s name means “son of encouragement.” Have you found an encouraging companion in your walk with Christ? Don’t take that friendship for granted. Enjoy the blessing of friendship, of someone to walk through life with. Make it a priority to build each other up in the faith. Be a source of sharpening iron (Proverbs 27:17) and friendly wounds (Proverbs 27:6) for each other. But also look for ways to work together to be disruptive — in the good sense of that word. Challenge each other in breaking the patterns of the world around you in order to interrupt it with the Gospel. Consider all the risky situations Paul and Barnabas got themselves into and ask each other, “what are we doing that’s risky for the Gospel?
Randy Stinson (A Guide To Biblical Manhood)
Do we need to talk about my kissing you a year ago? I’ve behaved myself for two weeks, Ellen, and hope by action I have reassured you where words would not.” Silence or the summer evening equivalent of it, with crickets chirping, the occasional squeal of a passing bat, and the breeze riffling through the woods nearby. “Ellen?” Val withdrew his hand, which Ellen had been holding for some minutes, and slid his arm around her waist, urging her closer. “A woman gone silent unnerves a man. Talk to me, sweetheart. I would not offend you, but neither will I fare well continuing the pretense we are strangers.” He felt the tension in her, the stiffness against his side, and regretted it. In the past two weeks, he’d all but convinced himself he was recalling a dream of her not a real kiss, and then he’d catch her smiling at Day and Phil or joking with Darius, and the clench in his vitals would assure him that kiss had been very, very real. At least for him. For him, that kiss had been a work of sheer art. “My husband seldom used my name. I was my dear, or my lady, or occasionally, dear wife. I was not Ellen, and I was most assuredly not his sweetheart. And to you I am the next thing to a stranger.” Val’s left hand, the one she’d just held for such long, lovely moments between her own, drifted up to trace slow patterns on her back. “We’re strangers who kissed. Passionately, if memory serves.” “But on only one occasion and that nearly a year ago.” “Should I have written? I did not think to see you again, nor you me, I’m guessing.” Now he wished he’d written, though it would hardly have been proper, even to a widow. That hand Valentine considered so damaged continued its easy caresses on Ellen’s back, intent on stealing the starch from her spine and the resolve from her best intentions. And she must have liked his touch, because the longer he stroked his hand over her back, the more she relaxed and leaned against him. “I did not think to see you again,” Ellen admitted. “It would have been much easier had you kept to your place in my memory and imagination. But here you are.” “Here we are.” Haunting a woman’s imagination had to be a good thing for a man whose own dreams had turned to nightmares. “Sitting on the porch in the moonlight, trying to sort out a single kiss from months ago.” “I shouldn’t have kissed you,” Ellen said, her head coming to rest on Val’s shoulder as if the weight of truth were a wearying thing. “But I’m lonely and sometimes a little desperate, and it seemed safe, to steal a kiss from a handsome stranger.” “It was safe,” Val assured her, seeing the matter from her perspective. In the year since he’d seen Ellen FitzEngle, he’d hardly been celibate. He wasn’t a profligate Philistine, but neither was he a monk. There had been an older maid in Nick’s household, some professional ladies up in York, the rare trip upstairs at David’s brothel, and the frequent occasion of self-gratification. But he surmised Ellen, despite the privileges of widowhood, had not been kissed or cuddled or swived or flirted with in all those days and weeks and months. “And now?” Ellen pressed. “You show up on my porch after dark and think perhaps it’s still safe, and here I am, doing not one thing to dissuade you.” “You are safe with me, Ellen.” He punctuated the sentiment with a kiss to her temple then rested his cheek where his lips had been. “I am a gentleman, if nothing else. I might try to steal a kiss, but you can stop me with a word from even that at any time. The question is, how safe do you want to be?” “Shame
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
She is so good, your wife.” “Yes,” said Alexander. “So fresh and young. So lovely to look at.” “Yes,” said Alexander, closing his eyes. “And she doesn’t yell at you.” “No. Though I reckon she sometimes wants to.” “Oh, to have such restraint in my Bessie. She used to be a fine woman. And the girl was such a loving girl.” More drink, more smoke. “But have you noticed since coming back,” said Nick, “that there are things that women just don’t know? Won’t know. They don’t understand what it was like. They see me like this, they think this is the worst. They don’t know. That’s the chasm. You go through something that changes you. You see things you can’t unsee. Then you are sleepwalking through your actual life, shell-shocked. Do you know, when I think of myself, I have legs? In my dreams I’m always marching. And when I wake up, I’m on the floor, I’ve fallen out of bed. I now sleep on the floor because I kept rolling over and falling while dreaming. When I dream of myself, I’m carrying my weapons, and I’m in the back of a battalion. I’m in a tank, I’m yelling, I’m always screaming in my dreams. This way! That way! Fire! Cease! Forward! March! Fire, fire, fire!” Alexander lowered his head, his arms drooping on the table. “I wake up and I don’t know where I am. And Bessie is saying, what’s the matter? You’re not paying attention to me. You haven’t said anything about my new dress. You end up living with someone who cooks your food for you and who used to open her legs for you, but you don’t know them at all. You don’t understand them, nor they you. You’re two strangers thrown together. In my dreams, with legs, after marching, I’m always leaving, wandering off, long gone. I don’t know where I am but I’m never here, never with them. Is it like that with you, too?” Alexander quietly smoked, downing another glass of whiskey, and another. “No,” he finally said. “My wife and I have the opposite problem. She carried weapons and shot at men who came to kill her. She was in hospitals, on battlefields, on frontlines. She was in DP camps and concentration camps. She starved through a frozen, blockaded city. She lost everyone she ever loved.” Alexander took half a glass of sour mash into his throat and still couldn’t keep himself from groaning. “She knows, sees, and understands everything. Perhaps less now, but that’s my fault. I haven’t been much of a—” he broke off. “Much of anything. Our problem isn’t that we don’t understand each other. Our problem is that we do. We can’t look at each other, can’t speak one innocent word, can’t touch each other without touching the cross on our backs. There is simply never any peace.” Another stiff drink went into Alexander’s throat.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
You’re going to have to detach from Luke at some point,” Jack said. “Maybe you shouldn’t have said it to him.” “He’s a baby,” I said indignantly. “He has to hear it from someone. How would you like to come into the world and not have anyone say they loved you?” “My parents never said it. They thought you shouldn’t wear out the words.” “But you don’t agree?” “No. If the feeling is there, you might as well admit it. Saying the words, or not saying them, doesn’t change a damn thing.” -Jack & Ella
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Carefully I leaned over and adjusted the baby blanket higher over his chest. “Dane,” I said softly, “remember that thing you told me about the duck and the tennis ball? About how baby ducks get attached to the first thing they see after they’re born?” “Imprinting.” “How does that work again? . . .” “After the duckling is hatched, there’s a window of time during which another creature, or even an inanimate object, is stamped onto his nervous system, and he becomes bonded to it. In the study I read, a duckling became imprinted to a tennis ball.” “How long is the window of time?” Dane’s voice was half-wary, half-amused. “Why? Are you afraid you’re the tennis ball?” “I don’t know. It’s possible Luke is the tennis ball.” -Ella & Dane
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Have you eaten yet?” I heard Jack ask. “Other than snack food from the minibar, no.” “Do you want to go out to dinner?” “With you?” Caught off guard by the question, I looked at him in surprise. “You must be having a slow night. Don’t you have a harem to get back to or something?” Jack regarded me with narrowed eyes. I was instantly contrite. I had not meant to sound bitchy. But in my current state of physical and mental exhaustion, I had no conversational red flags left. Before I could apologize, Jack asked in a low voice, “Have I done something to you, Ella? Other than help you get a hotel room, and agree to take an unwarranted paternity test?” “I’m paying for the room. And the paternity test. And if it was all that unwarranted, you wouldn’t be taking it.” “I may back out of it now. There’s only so much I’ll put up with, even for a free buccal swab.” An apologetic grin pulled at the corners of my mouth. “I’m sorry,” I said. “I’m hungry and sleep-deprived. I’ve had no time to prepare for any of this. I can’t find my sister, my mother is crazy, and my boyfriend is in Austin. So I’m afraid you’re dealing with all my accumulated frustration. And I think on a subconscious level, you represent all the guys who might have knocked up my sister.” Jack gave me a sardonic glance. “It’s a lot easier to knock up someone when you actually have sex with her.” “We’ve already established that you’re not one hundred percent certain whether you slept with Tara or not.” “I am one hundred percent certain. The only thing we’ve established is that you don’t believe me.” -Jack & Ella
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
A pair of waiters brought a feast to the hotel room and arranged it in the sitting area. They unfolded the hot cart into a table, draped it in white linen, and brought out silver-domed plates. By the time the wine was poured and all the dishes were uncovered, I was trembling with hunger. Luke, however, became fractious after I changed his diaper, and he howled every time I tried to set him down. Holding him against one shoulder, I contemplated the steaming grilled steak in front of me and wondered how I was going to manage with only one hand. “Let me,” Jack murmured, and came to my side of the table. He cut the steak into small, neat bites with such adroitness that I gave him a look of mock-alarm. “You certainly know how to handle a knife.” “I hunt whenever I get the chance.” Finishing the task, Jack set down the utensils and tucked a napkin into the neckline of my shirt. His knuckles brushed my skin, eliciting a shiver. “I can field-dress a deer in fifteen minutes,” he told me. “That’s impressive. Disgusting, but impressive.” He gave me an unrepentant grin as he returned to his side of the table. “If it makes you feel better, I eat anything I catch or kill.” “Thanks, but that doesn’t make me feel better in the least. Oh, I’m aware that meat doesn’t magically appear all nicely packaged in foam and cellophane at the grocery store. But I have to stay several steps removed from the process. I don’t think I could eat meat if I had to hunt the animal and . . .” “Skin and gut it?” “Yes. Let’s not talk about that right now.” I took a bite of the steak. Either it was the long period of deprivation, or the quality of the beef, or the skill of the chef . . . but that succulent, lightly smoked, melting-hot steak was the best thing I had ever tasted. I closed my eyes for a moment, my tonsils quivering. He laughed quietly at my expression. “Admit it, Ella. It’s not so bad being a carnivore.” I reached for a chunk of bread and dabbed it in soft yellow butter. “I’m not a carnivore, I’m an opportunistic omnivore.” -Jack & Ella
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
The first thing we have to do,” I told Luke the next day, “is find a nice place we can rent or sublet. Should we focus on the downtown area? Montrose? Or would you be open to finding something close by in Sugar Land? We could always go to Austin, but we’d have to take care to avoid you-know-who. And it’s a lot more expensive to rent in Austin.” Luke looked contemplative, sucking slowly on the bottle as if he were mulling the possibilities. “Are you thinking it over?” I asked him. “Or are you working on another dirty diaper?” -Ella & Luke
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
What happened with Dane?” Jack asked casually. “Did you break up?” “No, not at all. We’re still together.” I paused uncomfortably before adding, “But we’re on . . . hiatus. Just for three months, until Tara comes for her baby and I go back to Austin.” “Does that mean you’re free to see other people?” “We’ve always been free to see other people. Dane and I have an open relationship. No promises, no commitments.” “There is no such thing. A relationship is promises and commitments.” “To conventional people, maybe. But Dane and I believe you can’t own someone.” “Sure you can,” Jack said. I raised my brows. “Maybe it’s different in Austin,” Jack continued. “But in Houston, a dog doesn’t share his bone.” -Jack & Ella
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Come see the kitchen,” Haven told me, tugging me toward a tiled area with granite countertops and stainless-steel appliances. “Would you like something to drink?” “Yes, thanks.” She opened the refrigerator. “Mango iced tea, or raspberry basil?” “Mango, please.” I sat on a stool at the island. Jack ripped his attention away from the magazine long enough to protest, “Haven, you know I can’t stand that stuff. Just give me the regular kind.” “I don’t have the regular kind,” his sister retorted, pulling out a pitcher of citrus-colored tea. “You can try some of the mango.” “What’s wrong with tea-flavored tea?” “Quit complaining, Jack. Hardy tried this a few times and he likes it.” “Honey, Hardy would like it if you picked up grass clippings from the yard and brewed them. He’s pussy-whipped.” Haven bit back a smile. “I dare you to say that to his face.” “Can’t,” came the laconic reply. “He’s pussy-whipped, but he could still kick the crap out of me.” My eyes widened as I wondered what kind of man could manage to kick the crap out of Jack Travis. “My fiancé used to be a welder on a drilling rig and he’s tough as hell,” Haven informed me, her eyes twinkling. “Which is a good thing. Otherwise my three older brothers would have run him off by now.” “We’ve done everything short of giving him a medal for taking you on,” Jack retorted.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
I’m a big believer in putting things off,” I told him. “In fact, I even put off procrastinating.” -Ella
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Ella has a problem we were hoping you could help with,” Haven said from the kitchen, opening the refrigerator. Jack stared at me steadily, while one corner of his mouth curled upward. “What’s your problem, Ella?” “You want a beer, Jack?” came Hardy’s voice. “Yeah,” Jack replied. “Lime wedge if you got it.” “I’m trying to get a meeting with Mark Gottler,” I told Jack. “To talk with him about my sister.” His expression softened. “Is she okay?” “Yes, I think so. But I don’t think she’s doing anything to secure her own interests, or Luke’s. I need to meet with Gottler and pin him down on a few things. He’s not going to pay Tara’s clinic bill and dust his hands and think he’s through with the whole thing. He’s going to have to do right by Tara and Luke.” Settling Luke back onto the blanket, Jack picked up a little stuffed bunny and dangled it over him, causing Luke to kick his legs in enjoyment. “So you want me to get you in there,” he said. “Yes. I need to see Gottler privately.” “I can arrange a meeting, but the only way you’ll get in there is by going embedded.” I gave him an outraged glance, incredulous that he would have propositioned me within earshot of his sister. “If you think I’m going to sleep with you just so I can see Gottler—” “I said embedded, Ella. Not ‘in bed.’” “Oh,” I said, chastened. “You meant like a computer virus?” Jack nodded, looking sardonic. “I’ll come up with some reason to meet with him and take you along. No sex required. Although if you’re feeling grateful . . .” “I’m not that grateful.” But I couldn’t help smiling, because I had never met a man who could have exuded such barely leashed sexiness while holding a stuffed bunny.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Damn it.” He hauled me into his arms and held me close, breathing hard. “I’ve got about ten things I want to say to you right now. But at least nine of them would make me sound like a psycho.” In spite of the seriousness of the situation, I nearly smiled. “What’s the tenth thing?” I asked his shirtfront. He paused, considering it. “Never mind,” he grumbled. “That one would make me sound like a psycho, too.” -Jack & Ella
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
I wish you were a mind-reader. I want you to know everything but I don’t want to have to tell you. Because there are some things I don’t want to say out loud.” -Ella
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Wow,” I remarked to an older man who had just turned away from a group. “That’s what I call a birthday cake. You think someone’s going to jump out of that thing?” “Hope not,” he said in a gravelly voice. “They might catch fire from all the candles.” I laughed. “Yes, and all that frosting would make the stop, drop, and roll so messy.” Turning toward him, I extended my hand. “Ella Varner, from Austin. Are you a friend of the Travises? Never mind, of course you are. They wouldn’t invite one of their enemies, would they?” He smiled as he shook my hand. His teeth were a scrupulous shade of white I always found mildly startling in a person his age. “They would especially invite one of their enemies.” He was a good-looking old guy, not much taller than me, his steel-colored hair cut short, his skin leathery and sun-cured. Charisma clung to him as if it had been rubbed in like sunscreen. Meeting his gaze, I was arrested by the color of his eyes, the bittersweet dark of Venezuelan chocolate. As I stared into those familiar eyes, I knew exactly who he was. “Happy birthday, Mr. Travis,” I said with an abashed grin. “Thank you, Miss Varner.” “Call me Ella, please. I think my crashing your party puts us on a first-name basis, doesn’t it?
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
Did angels appear that way? They did in the Bible, Paul said, be sure to entertain stranger, because many had entertained angels unaware. If he never showed up again, she’d be inclined to think she’d hallucinated the entire thing, Jared and all.
Lucian Bane (Ruin Box Set 1-3)
Don’t settle for one-night stands in the arms of a stranger. Be obsessed with your wedding date. Guard against forgetfulness. Be intolerant of memory lapses. Write yourself notes. Memorize verses. Do whatever you need to do to remember. “ Aim at what is in heaven. Think only about the things in heaven” (Colossians 3:1–2).You are engaged to royalty, and your Prince is coming to take you home.
Max Lucado (NCV, The Devotional Bible: Experiencing The Heart of Jesus)
May 3 MORNING “In the world ye shall have tribulation.” — John 16:33 ART thou asking the reason of this, believer? Look upward to thy heavenly Father, and behold Him pure and holy. Dost thou know that thou art one day to be like Him? Wilt thou easily be conformed to His image? Wilt thou not require much refining in the furnace of affliction to purify thee? Will it be an easy thing to get rid of thy corruptions, and make thee perfect even as thy Father which is in heaven is perfect? Next, Christian, turn thine eye downward. Dost thou know what foes thou hast beneath thy feet? Thou wast once a servant of Satan, and no king will willingly lose his subjects. Dost thou think that Satan will let thee alone? No, he will be always at thee, for he “goeth about like a roaring lion, seeking whom he may devour.” Expect trouble, therefore, Christian, when thou lookest beneath thee. Then look around thee. Where art thou? Thou art in an enemy’s country, a stranger and a sojourner. The world is not thy friend. If it be, then thou art not God’s friend, for he who is the friend of the world is the enemy of God. Be assured that thou shalt find foemen everywhere. When thou sleepest, think that thou art resting on the battlefield; when thou walkest, suspect an ambush in every hedge. As mosquitoes are said to bite strangers more than natives, so will the trials of earth be sharpest to you. Lastly, look within thee, into thine own heart and observe what is there. Sin and self are still within. Ah! if thou hadst no devil to tempt thee, no enemies to fight thee, and no world to ensnare thee, thou wouldst still find in thyself evil enough to be a sore trouble to thee, for “the heart is deceitful above all things, and desperately wicked.” Expect trouble then, but despond not on account of it, for God is with thee to help and to strengthen thee. He hath said, “I will be with thee in trouble; I will deliver thee and honour thee.
Charles Haddon Spurgeon (Morning and Evening—Classic KJV Edition: A Devotional Classic for Daily Encouragement)
It’s all right, Alera. I don’t need a family.” “Maybe you don’t need one,” I said with a shrug, playing with the fabric of the quilt that lay between us. “But you deserve one.” I thought for a moment I had hit a nerve, but instead he made a joke out of it. “Just think--if I’d had Koranis as my father, I might have turned into him by now. I’d be brutish and pretentious, but at least my boastful garb would distract you from those flaws. Oh, and this hair you love? It would be gone.” I laughed at the ounce of truth in his statement, then fell silent, for some reason feeling sadder about his situation than he was. He reclined upon the pillows, considering me. “You know, in Cokyri, fathers don’t raise their children. I think maybe it’s better that way.” “How can you think that?” I asked, troubled by the decided tenor of his voice, and he sat up again, not having expected this reaction from me. “Your father controlled you and forced you to marry Steldor. How can you disagree with me after living through that?” “Because…” I faltered. “Because I love my father for all the good things he’s done. Because he made me laugh when I was a child. That’s what I think about when I see him. Not his mistakes.” “I couldn’t forgive him like you do.” “Could you forgive me? I mean, if I did something awful.” Narian did not immediately respond, unsettling me, but it was in his nature to weigh all things. “I don’t know,” he slowly answered. “But I would still love you.” He looked at me, an epiphany in his eyes, finally understanding my connection to my family. Then his expression changed, and I knew he was going to raise a difficult issue. “Explain this then. If that is how families are supposed to function, and you would forgive your father anything, and clearly my mother would forgive me anything, then Koranis fails because he won’t accept me. The women, you and my mother, are loving, but the man fails.” “Yes, but not all men fail.” “Prove it. Your father sold you into marriage, and the only father figures I’ve known have respectively made my life hell and rejected me.” He lay back once more, watching me, and though he had caught me off guard, I was determined to make my point. “Cannan is a just and fair man.” “Whose son is Steldor.” “Who has faults, yes--” “As all men do.” Frustrated, I threw my hands in the air. “Are you going to keep interrupting me?” “No, he said apologetically. “Go on.” “What about you? Am I, the woman who is in love with you, supposed to believe you’re a terrible person when I know better?” “I would be a terrible father,” he said, shifting onto his side. “What?” “Come, Alera, you have to admit it.” “I don’t have to admit anything, especially when I think you’re wrong.” “On what grounds?” I was so exasperated I wanted to tear my hair out. And his bemused visage only made it worse. “Because I saw you with that little girl this afternoon! You were perfect with her. And if you can be perfect with a stranger’s child, how could you be any different with our own?” “It’s different raising a child than talking with one,” he contended. “I never had a father, Alera. No one taught me how to be one.” “And did anyone teach you how to love me?” This stopped him short. “No.” “Well, you’re pretty good at it. So be quiet, and accept that our children are going to love you.” Narian’s eyebrows rose, and I started laughing. Taking my hand, he pulled me toward him and I lay down beside him, mirroring his position. “I’m sorry for yelling at you,” I murmured, giving him a light kiss. “You never know where a conversation is going to take you,” he said, gazing into my dark eyes. “I’m rather glad you did.
Cayla Kluver (Sacrifice (Legacy, #3))
Betty frowned and eyed the stranger hard. Trisha was right. Lebanon, Missouri was many things... big, it was not. Not like she’d know everyone in town, but she’d have noticed him.
Marie Hall (Kingdom Series Collection #1-3 (Kingdom, #1-3))
a holy person will desire to be spiritually minded. He will endeavor to set his affections entirely on things above (Colossians 3:2), and to hold things on earth with a very loose hand. He will not neglect the business of the life that now is, but his mind and thoughts will give priority to the life to come. He will aim to live like one whose treasure is in heaven, and he will want to pass through this world like a stranger and pilgrim traveling to his home. To commune with God in prayer, in the Bible, and in the assembly of His people will be the holy person’s main enjoyments. He will value every place and thing and company in proportion to how they draw him nearer to God. He will enter into something of David’s feeling when he says, My soul has followed hard after thee (Psalm 63:8) and My portion, O Lord, . . . will be to keep thy words (Psalm 119:57).
J.C. Ryle (Holiness: For the Will of God Is Your Sanctification – 1 Thessalonians 4:3 [Annotated, Updated])
Write down 3 – 5 things you are thankful for every night before going to bed. Say thank you. This can be to anyone you feel deserves it. A family member, doctor, friend, or stranger. Although being thankful is an act, gratitude is the feeling that will accompany it. Give a compliment. This is one of the most powerful ways of sharing love and happiness. Practice random acts of kindness. Pay for someone’s coffee, send someone flowers, mail a letter to someone special, the options are endless.
Jen Rozenbaum (What the F*ck Just Happened? A Survivors Guide to Life After Breast Cancer.)
Title: Professional Bridesmaid for Hire—w4w—26 (NYC) Post: When all of my friends started getting engaged, I decided to make new friends. So I did—but then they got engaged also, and for what felt like the hundredth time, I was asked to be a bridesmaid. This year alone, I’ve been a bridesmaid 4 times. That’s 4 different chiffon dresses, 4 different bachelorette parties filled with tequila shots and guys in thong underwear twerking way too close to my face, 4 different prewedding pep talks to the bride about how this is the happiest day of her life, and how marriage, probably, is just like riding a bike: a little shaky at first, but then she’ll get the hang of it. Right, she’ll ask as she wipes the mascara-stained tears from her perfectly airbrushed face. Right, I’ll say, though I don’t really know. I only know what I’ve seen and that’s a beautiful-looking bride walking down, down, down the aisle, one two, three, four times so far this year. So let me be there for you this time if: — You don’t have any other girlfriends except your third cousin, twice removed, who is often found sticking her tongue down an empty bottle of red wine. — Your fiancé has an extra groomsman and you’re looking to even things out so your pictures don’t look funny and there’s not one single guy walking down the aisle by himself. — You need someone to take control and make sure bridesmaid #4 buys her dress on time and doesn’t show up 3 hours late the day of the wedding or paint her nails lime green. Bridesmaid skills I’m exceptionally good at: — Holding up the 18 layers of your dress so that you can pee with ease on your wedding day. — Catching the bouquet and then following that moment up with my best Miss America–like “OMG, I can’t believe this” speech. — Doing the electric and the cha-cha slide. — Responding in a timely manner to prewedding email chains created by other bridesmaids and the maid of honor.
Jen Glantz (Always a Bridesmaid (For Hire): Stories on Growing Up, Looking for Love, and Walking Down the Aisle for Complete Strangers)
A redhead lied in a hospital like a vegetable, eyes pure white and limbs unmoving. An ex-basketball player gripped her hand as he sobbed uncontrollably, despite knowing full well she couldn’t feel a thing. He waited for the monster to take him too as the clock chimed. A man they’d grown to know as their babysitter lied still on the ground, limbs twisted up like a pretzel. A beautiful girl with a brilliant mind had her eyes rolled back into her skull, her body bent in various ways. A man who got lost along the way sat against the wall, waiting for the drugs to finish him off. A friend with hair longer than anyone else’s joined him, cause he wouldn’t let him be alone. A curly haired boy soon meets the same fate as his brother; bats rip into his body until nothing is left. A boy with a heart too big for his body lies still until he bleeds out; he’d rather take himself off the board then let the villain have his way. A boy, once so sweet and gentle, got overwhelmed with his rage and joined the other side. A town got corrupted, and everything began to die.
BewitchingNotes
I went into the bar and sank into a leather bar seat packed with down. Glasses tinkled gently, lights glowed softly, there were quiet voices whispering of love, or ten per cent, or whatever they whisper about in a place like that. A tall fine-looking man in a gray suit cut by an angel suddenly stood up from a small table by the wall and walked over to the bar and started to curse one of the barmen. He cursed him in a loud clear voice for a long minute, calling him about nine names that are not usually mentioned by tall fine-looking men in well cut gray suits. Everybody stopped talking and looked at him quietly. His voice cut through the muted rhumba music like a shovel through snow. The barman stood perfectly still, looking at the man. The barman had curly hair and a clear warm skin and wide-set careful eyes. He didn’t move or speak. The tall man stopped talking and stalked out of the bar. Everybody watched him out except the barman. The barman moved slowly along the bar to the end where I sat and stood looking away from me, with nothing in his face but pallor. Then he turned to me and said: “Yes, sir?” “I want to talk to a fellow named Eddie Prue.” “So?” “He works here,” I said. “Works here doing what?” His voice was perfectly level and as dry as dry sand. “I understand he’s the guy that walks behind the boss. If you know what I mean.” “Oh. Eddie Prue.” He moved one lip slowly over the other and made small tight circles on the bar with his bar cloth. “Your name?” “Marlowe.” “Marlowe. Drink while waiting?” “A dry martini will do.” “A martini. Dry. Veddy, veddy dry.” “Okay.” “Will you eat it with a spoon or a knife and fork?” “Cut it in strips,” I said. “I’ll just nibble it.” “On your way to school,” he said. “Should I put the olive in a bag for you?” “Sock me on the nose with it,” I said. “If it will make you feel any better.” “Thank you, sir,” he said. “A dry martini.” He took three steps away from me and then came back and leaned across the bar and said: “I made a mistake in a drink. The gentleman was telling me about it.” “I heard him.” “He was telling me about it as gentlemen tell you about things like that. As big shot directors like to point out to you your little errors. And you heard him.” “Yeah,” I said, wondering how long this was going to go on. “He made himself heard—the gentleman did. So I come over here and practically insult you.” “I got the idea,” I said. He held up one of his fingers and looked at it thoughtfully. “Just like that,” he said. “A perfect stranger.” “It’s my big brown eyes,” I said. “They have that gentle look.” “Thanks, chum,” he said, and quietly went away. I saw him talking into a phone at the end of the bar. Then I saw him working with a shaker. When he came back with the drink he was all right again.
Raymond Chandler (The High Window (Philip Marlowe #3))
No way out. They are cornered. Corralled. But even now, with no way out and no way forward, they fight. Maybe - maybe - they might still make it. Maybe some miracle might find them. Stranger things have happened since they began their journey together. Stranger things by far.
Amie Kaufman (Obsidio (The Illuminae Files, #3))
Love conquers all things; let us too surrender to love! — Virgil, Eclogue X (37 B.C.)
Elizabeth Bell (Native Stranger (Lazare Family Saga #3))
People meet strangers on the internet all the time now, and hardly any of them end up murdered.
Lucy Score (Things We Left Behind (Knockemout, #3))
Killing strangers isn’t the same thing as killing your own flesh and blood,” my dad warns. “You’re not my dad. You stopped being my dad the first time you beat the shit out of me. I was ten. Do you remember that, you fucking bastard?
Sonja Grey (Paved in Rage (Melnikov Bratva, #3))
My options were to sleep there or to return back to the trailer and face Leah and Oscar again. Or I could go with the green-eyed stranger who could have easily done any of the things he’d mentioned, but hadn’t. Maybe I was as stupid as he claimed, but like I’d said, I was desperate. “Okay.
Fiona Cole (Savior (Voyeur, #3))
The condition and manners of the Christians in this age are most beautifully described by the unknown author of the "Epistola ad Diognetum" in the early part of the second century.3 "The Christians," he says, "are not distinguished from other men by country, by language, nor by civil institutions. For they neither dwell in cities by themselves, nor use a peculiar tongue, nor lead a singular mode of life. They dwell in the Grecian or barbarian cities, as the case may be; they follow the usage of the country in dress, food, and the other affairs of life. Yet they present a wonderful and confessedly paradoxical conduct. They dwell in their own native lands, but as strangers. They take part in all things as citizens; and they suffer all things, as foreigners. Every foreign country is a fatherland to them, and every native land is a foreign. They marry, like all others; they have children; but they do not cast away their offspring. They have the table in common, but not wives. They are in the flesh, but do not live after the flesh. They live upon the earth, but are citizens of heaven. They obey the existing laws, and excel the laws by their lives. They love all, and are persecuted by all. They are unknown, and yet they are condemned. They are killed and are made alive. They are poor and make many rich. They lack all things, and in all things abound. They are reproached, and glory in their reproaches. They are calumniated, and are justified. They are cursed, and they bless. They receive scorn, and they give honor. They do good, and are punished as evil-doers. When punished, they rejoice, as being made alive. By the Jews they are attacked as aliens, and by the Greeks persecuted; and the cause of the enmity their enemies cannot tell. In short, what the soul is in the body, the Christians are in the world. The soul is diffused through all the members of the body, and the Christians are spread through the cities of the world. The soul dwells in the body, but it is not of the body; so the Christians dwell in the world, but are not of the world.
Philip Schaff (History Of The Christian Church (The Complete Eight Volumes In One))