Stranger In The Alps Quotes

At length the grandeur of the mountains becomes monotonous; with familiarity, the landscape ceases to provoke awe and wonder and the traveller sees the alps with the indifferent eye of those who always live there.

What do they think has happened, the old fools, To make them like this ? Do they somehow suppose It's more grown-up when your mouth hangs open and drools And you keep on pissing yourself, and can't remember Who called this morning ? Or that, if they only chose, They could alter things back to when they danced all night, Or went to their wedding, or sloped arms some September ? Or do they fancy there's really been no change, And they've always behaved as if they were crippled or tight, Or sat through days of thin continuous dreaming Watching light move ? If they don't (and they can't), it's strange: Why aren't they screaming ? At death, you break up: the bits that were you Start speeding away from each other for ever With no one to see. It's only oblivion, true: We had it before, but then it was going to end, And was all the time merging with a unique endeavour To bring to bloom the million-petalled flower Of being here. Next time you can't pretend There'll be anything else. And these are the first signs: Not knowing how, not hearing who, the power Of choosing gone. Their looks show that they're for it: Ash hair, toad hands, prune face dried into lines- How can they ignore it ? Perhaps being old is having lighted rooms Inside your head, and people in them, acting. People you know, yet can't quite name; each looms Like a deep loss restored, from known doors turning, Setting down a Iamp, smiling from a stair, extracting A known book from the shelves; or sometimes only The rooms themselves, chairs and a fire burning, The blown bush at the window, or the sun' s Faint friendliness on the wall some lonely Rain-ceased midsummer evening. That is where they live: Not here and now, but where all happened once. This is why they give An air of baffled absence, trying to be there Yet being here. For the rooms grow farther, leaving Incompetent cold, the constant wear and tear Of taken breath, and them crouching below Extinction' s alp, the old fools, never perceiving How near it is. This must be what keeps them quiet. The peak that stays in view wherever we go For them is rising ground. Can they never tell What is dragging them back, and how it will end ? Not at night? Not when the strangers come ? Never, throughout The whole hideous inverted childhood? Well, We shall find out. - The Old Fools

The Greek word “nostalgia” derives from the root nostros, meaning “return home,” and algia, meaning “longing.” Doctors in seventeenth-century Europe considered nostalgia an illness, like the flu, mainly suffered by displaced migrant servants, soldiers, and job seekers, and curable through opium, leeches, or, for the affluent, a journey to the Swiss Alps. Throughout time, such feeling has been widely acknowledged. The Portuguese have the term saudade. The Russians have toska. The Czechs have litost. Others too name the feeling: for Romanians, it’s dor, for Germans, it’s heimweh. The Welsh have hiraeth, the Spanish mal de corazon. Many

He turned to the lumbering crowd who, in the last two hours, had sacrificed a bit of their time to heal a stranger and thrown themselves into a fight against one hell of an angel. These were the GoneGod World’s lost, but as I stared out at the crowd of kitsune, alps and vodniks, dwarves, wondjinas, and pixies, the hodge-podge of Others who had travelled from all over the world to try to better themselves, in their ill-fitting clothes and with their confused looks, I knew I was standing before this world’s elite.

She tells of an emotionally powerful event in her life: “sitting in a hospital waiting room after the sudden death of a dear friend. Everything about that time was surreal, of course, with people coming and going, some of them familiar–her family members and some of our mutual friends–and others who were complete strangers. These were the ones who confused me. Didn’t they know that I was the number one friend, the one who knew Ginny the best? But here they were, unaware of me and just as stricken by shock and loss. All those people know different sides of my adventurous friend.. They had climbed rock walls or hiked the Rocky Mountains with her, sat in her writing classes, or taught with her at different times in her life. My friend Ginny was the writer and hiker, the scholar with the ironic sense of humor. I had written books and organized conferences with her, chatted for hours over cups of coffee and plates of Indian food. Their friend was someone else entirely, the Ginny who spent the summer in a chalet high up in the Alps reading French novels or Ginny the neighborhood mom. And unless I was prepared to share my friend with other people, I would never really know her. . . . That experience of the familiar suddenly becoming strange . . . is why we need to know the stories of the past. (p. 48)