Stranger By The Shore Quotes

And if these mountains had eyes, they would wake to find two strangers in their fences, standing in admiration as a breathing red pours its tinge upon earth's shore. These mountains, which have seen untold sunrises, long to thunder praise but stand reverent, silent so that man's weak praise should be given God's attention.

In a sea of strangers, you've longed to know me. Your life spent sailing to my shores.

Intimacy issues' is code for 'I haven't met the right person.'" "And what is 'trust issues' code for?" Pierce held his gaze. "I'm afraid to believe I've met the right person.

out of the arms... out of the arms of one love and into the arms of another I have been saved from dying on the cross by a lady who smokes pot writes songs and stories, and is much kinder than the last, much much kinder, and the sex is just as good or better. it isn't pleasant to be put on the cross and left there, it is much more pleasant to forget a love which didn't work as all love finally doesn't work... it is much more pleasant to make love along the shore in Del Mar in room 42, and afterwards sitting up in bed drinking good wine, talking and touching smoking listening to the waves... I have died too many times believing and waiting, waiting in a room staring at a cracked ceiling waiting for the phone, a letter, a knock, a sound... going wild inside while she danced with strangers in nightclubs... out of the arms of one love and into the arms of another it's not pleasant to die on the cross, it's much more pleasant to hear your name whispered in the dark.

I had spent the day friendless, lonely and sad, a stranger to myself. After drowning the day on the sea shore, I walked back to my empty house on the deserted street. The moment I opened the door, the book on my table flipped its pages and said: "Friend, Where were you for so long?

She was perfectly sane in streets unknown. She loved conversing with people tagged as strangers. She was social, amiable & all that is her. Yet, with known people she felt unknown, she choked words and fought inside. And indeed she tripped insane while traversing those streets known. She stared at others and consumed their happiness through senses cold. And so she waits for Winter's warmth to touch her in streets of distant shore, in her own world of simple happiness.

Fate seems to be taking me in some even stranger directions.

You need to be confronted By the Stranger on the shore You need to have Him search your soul You need to hear the call You need to learn exactly What it means for you to follow You need to realize that He`s asking for your all.

Sea of Strangers In a sea of strangers, you've longed to know me. Your life spent sailing to my shores. The arms that yearn to someday hold me, will ache beneath the heavy oars. Please take your time and take it slowly; as all you do will run its course. And nothing else can take what only— was always meant as solely yours.

I desire you and love you, Cristina, and so does Mark. Stay with us.” Cristina couldn’t move. She thought again of the first time she’d seen Mark and Kieran together. The desire she’d felt. She’d thought at the time she wanted something like what they had: that she wanted that passion for herself and some unnamed boy whose face she didn’t know. But it had been a long time since any face in her dreams had not been either Mark’s or Kieran’s. Since she had imagined any eyes looking into hers that were both the same color. She had not wanted some vague approximation of what they had: She had wanted them. She looked at Mark, who seemed pinned between hope and terror. “Kieran,” he said. His voice shook. “How can you ask her that? She’s not a faerie, she’ll never talk to us again—” “But you will leave me,” she said, hearing her own voice as if it were a stranger’s. “You love each other and belong together. You will leave me and go back to Faerie.” They looked at her with expressions of identical shock. “We will never leave you,” said Mark. “We will stay as close to you as the tide to the shore,” said Kieran. “Neither of us wishes for anything else.” He reached out a hand. “Please believe us, Lady of Roses.

Along the shore the cloud waves break, The twin suns sink behind the lake, The shadows lengthen In Carcosa. Strange is the night where black stars rise, And strange moons circle through the skies, But stranger still is Lost Carcosa. Songs that the Hyades shall sing, Where flap the tatters of the King, Must die unheard in Dim Carcosa. Song of my soul, my voice is dead, Die thou, unsung, as tears unshed Shall dry and die in Lost Carcosa.

My story starts at sea, a perilous voyage to an unknown land. A shipwreck. The wild waters roar and heave. The brave vessel is dashed all to pieces. And all the helpless souls within her drowned. All save one. A lady. Whose soul is greater than the ocean, and her spirit stronger than the sea's embrace. Not for her a watery end, but a new life beginning on a stranger shore. It will be a love story. For she will be my heroine for all time. And her name will be Viola." "She was incomprehensible, for, in her, soul and spirit were one - the beauty of her body was the essence of her soul. She was that unity sought for by philosophers through many centuries. In this outdoor waiting room of winds and stars she had been sitting for a hundred years, at peace in the contemplation of herself." "He knew that there was passion there, but there was no shadow of it in her eyes or on her mouth; there was a faint spray of champagne on her breath. She clung nearer desperately and once more he kissed her and was chilled by the innocence of her kiss, by the glance that at the moment of contact looked beyond him out into the darkness of the night, the darkness of the world." "Her heart sank into her shoes as she realized at last how much she wanted him. No matter what his past was, no matter what he had done. Which was not to say that she would ever let him know, but only that he moved her chemically more than anyone she had ever met, that all other men seemed pale beside him." "I used to build dreams about you." "Then she kissed him until the sky seemed to fade out and all her smiles and tears to vanish in an ecstasy of eternal seconds.

You cannot discover new oceans unless you have the courage to lose sight of the shore. — AndrÉ Gide

The world upsets, disappoints, frustrates and hurts us in countless ways at every turn. It delays us, rejects our creative endeavours, overlooks us for promotions, rewards idiots and smashes our ambitions on its bleak, relentless shores. And almost invariably, we can’t complain about any of it. It’s too difficult to tease out who may really be to blame; and too dangerous to complain even when we know for certain (lest we be fired or laughed at). There is only one person to whom we can expose our catalogue of grievances, one person who can be the recipient of all our accumulated rage at the injustices and imperfections of our lives. It is of course the height of absurdity to blame them. But this is to misunderstand the rules under which love operates. It is because we cannot scream at the forces who are really responsible that we get angry with those we are sure will best tolerate us for blaming them. We take it out on the very nicest, most sympathetic, most loyal people in the vicinity, the ones least likely to have harmed us, but the ones most likely to stick around while we pitilessly rant at them. The accusations we direct at our lovers make no particular sense. We would utter such unfair things to no one else on earth. But our wild charges are a peculiar proof of intimacy and trust, a symptom of love itself – and, in their own way, a perverted manifestation of commitment. Whereas we can say something sensible and polite to any stranger, it is only in the presence of the lover we wholeheartedly believe in that we can dare to be extravagantly and boundlessly unreasonable. A

in hopes of impressing others with his social or professional status. A gentleman who seeks to shore up his self-image by the use of gadgetry, especially among strangers, is a very needy gentleman indeed.

Sea of Strangers In a sea of strangers, you’ve longed to know me. Your life spent sailing to my shores. The arms that yearn to someday hold me, will ache beneath the heavy oars. Please take your time and take it slowly; as all you do will run its course. And nothing else can take what only— was always meant as solely yours.

You said I was the girl who couldn't decide between the ocean and the shore. Said the only way to make me fall in love with the present was to turn it into my past.

Clevinger really thought he was right, but Yossarian had proof, because strangers he didn’t know shot at him with cannons every time he flew up into the air to drop bombs on them, and it wasn’t funny at all. And if that wasn’t funny, there were lots of things that weren’t even funnier. There was nothing funny about living like a bum in a tent in Pianosa between fat mountains behind him and a placid blue sea in front that could gulp down a person with a cramp in the twinkling of an eye and ship him back to shore three days later, all charges paid, bloated, blue and putrescent, water draining out through both cold nostrils.

You accepted like a beast of burden the whip of a stranger's curse and the mindless menace it holds along with the scar it leaves as a definition you spend your life refuting although that hateful word is only a slim line drawn on a shore and quickly dissolved in a seaworld any moment when an equally mindless wave fondles it like the accidental touch of a finger on a clarinet stop that the musician converts into silence in order to let the true note ring out loud.

I understand why people prefer to be inside on a wet night, but I want to follow the year’s cycle out here on the shore, feel the rain and wind as well as turning my face to the sun at midnight and standing shivering under the aurora.

The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.

In the aftermath of Hurricane Katrina, the state legislature set up the Southeast Flood Control Commission to come up with a plan for protecting Louisiana from floods. They concluded that the best course of action was to fill in the canals and repair the shore. Since this was a task the oil companies had in their contracts agreed to do, and had not done, in 2014 the commission did what had never been done: it sued the ninety-seven responsible oil companies. Governor Jindal quickly squashed the upstart commission. He removed members from it. He challenged its right to sue. In another unprecedented move, the legislature voted to nullify—retroactively—the lawsuit by withdrawing the authority to file it from those who had done so. A measure (SB 553) called for costs of repairs to be paid, not by the oil companies, but by the state’s taxpayers.

If you never knew the worlds in my mind your sense of loss would be small pity and we’ll forget this on the trail. Take what you’re given and turn away the screwed face. I do not deserve it, no matter how narrow the strand of your private shore. If you will do your best I’ll meet your eye. It’s the clutch of arrows in hand that I do not trust bent to the smile hitching my way. We aren’t meeting in sorrow or some other suture bridging scars. We haven’t danced the same thin ice and my sympathy for your troubles I give freely without thought of reciprocity or scales on balance. It’s the decent thing, that’s all. Even if that thing is a stranger to so many. But there will be secrets you never knew and I would not choose any other way. All my arrows are buried and the sandy reach is broad and all that’s private cools pinned on the altar. Even the drips are gone, that child of wants with a mind full of worlds and his reddened tears. The days I feel mortal I so hate. The days in my worlds, are where I live for ever, and should dawn ever arrive I will to its light awaken as one reborn. Poet’s Night iii.iv The Malazan Book of the Fallen Fisher kel Tath

Wedding Superstitions The Bridal Gown White - You have chosen right. Grey - You'll go far away. Black - You'll wish yourself back. Red - You'll wish yourself dead. Green - Ashamed to be seen. Blue - You'll always be true. Pearl - You'll live in a whirl. Peach - A love out of reach. Yellow - Ashamed of your fellow. Pink - Your Spirits will sink. The Wedding Day Monday for health, Tuesday for wealth, Wednesday best of all, Thursday for losses, Friday for crosses, Saturday for no luck at all. The Wedding Month Marry in May, and you'll rue the day, Marry in Lent, you'll live to repent. Married when the year is new, He'll be loving, kind and true. When February birds do mate, You wed nor dread your fate. If you wed when March winds blow, Joy and sorrow both you'll know. Marry in April when you can, Joy for maiden and the man. Marry in the month of May, And you'll surely rue the day. Marry when the June roses grow, Over land and sea you'll go. Those who in July do wed, Must labour for their daily bread. Whoever wed in August be, Many a change is sure to see. Marry in September's shine, Your living will be rich and fine. If in October you do marry, Love will come, but riches tarry. If you wed in bleak November, Only joys will come, remember, When December's snows fall fast, Marry and true love will last. Married in January's roar and rime, Widowed you'll be before your prime. Married in February's sleepy weather, Life you'll tread in time together. Married when March winds shrill and roar, Your home will lie on a distant shore. Married 'neath April's changeful skies, A checkered path before you lies. Married when bees o'er May blossoms flit, Strangers around your board will sit. Married in month of roses June, Life will be one long honeymoon. Married in July with flowers ablaze, Bitter-sweet memories in after days. Married in August's heat and drowse, Lover and friend in your chosen spouse. Married in September's golden glow, Smooth and serene your life will go. Married when leaves in October thin, Toil and hardships for you begin. Married in veils of November mist, Fortune your wedding ring has kissed. Married in days of December's cheer, Love's star shines brighter from year to year

There’s an ocean of hermit literature; I began my reading on one shore, with Lao-tzu’s Tao Te Ching (I recommend the Red Pine translation), and started swimming from there. Excellent explorations of the history and motivations of hermits include Solitude by Anthony Storr, A Pelican in the Wilderness by Isabel Colegate, Hermits by Peter France, and Solitude by Philip Koch.

Graceland Marie Starr-Shore-Porter - whatever your name is - my life wasn't real without you. It was a series of days all strung together by a bunch of regrets, But then I got you back. This is the right time, I promise; this is our time. You're the love of my life. I fucking love you, Grace. I've always loved you. I loved you when I wasn't with you, and before that, and right now. Marry me?

Ronald Takaki, an ethnic studies professor at the University of California at Berkeley, once called the Chinese and other Asian Americans “strangers from a different shore.” I propose to take this a step further. At various times in history, the Chinese Americans have been treated like strangers on both shores—a people regarded by two nations as too Chinese to be American, and too American to be Chinese.

Fly! Fly! About with your ship and fly! Row, row, row for your lives away from this accursed shore.” “Compose yourself,” said Reepicheep, “and tell us what the danger is. We are not used to flying.” The stranger started horribly at the voice of the Mouse, which he had not noticed before. “Nevertheless you will fly from here,” he gasped. “This is the Island where Dreams come true.” “That’s the island I’ve been looking for this long time,” said one of the sailors.

My reading has been lamentably desultory and immedthodical. Odd, out of the way, old English plays, and treatises, have supplied me with most of my notions, and ways of feeling. In everything that relates to science, I am a whole Encyclopaedia behind the rest of the world. I should have scarcely cut a figure among the franklins, or country gentlemen, in King John's days. I know less geography than a schoolboy of six weeks standing. To me a map of old Ortelius is as authentic as Arrowsmith. I do not know whereabout Africa merges into Asia, whether Ethiopia lie in one or other of those great divisions, nor can form the remotest, conjecture of the position of New South Wales, or Van Diemen's Land. Yet do I hold a correspondence with a very dear friend in the first named of these two Terrae Incognitae. I have no astronomy. I do not know where to look for the Bear or Charles' Wain, the place of any star, or the name of any of them at sight. I guess at Venus only by her brightness - and if the sun on some portentous morn were to make his first appearance in the west, I verily believe, that, while all the world were grasping in apprehension about me, I alone should stand unterrified, from sheer incuriosity and want of observation. Of history and chronology I possess some vague points, such as one cannot help picking up in the course of miscellaneous study, but I never deliberately sat down to a chronicle, even of my own country. I have most dim apprehensions of the four great monarchies, and sometimes the Assyrian, sometimes the Persian, floats as first in my fancy. I make the widest conjectures concerning Egypt, and her shepherd kings. My friend M., with great pains taking, got me to think I understood the first proposition in Euclid, but gave me over in despair at the second. I am entirely unacquainted with the modern languages, and, like a better man than myself, have 'small Latin and less Greek'. I am a stranger to the shapes and texture of the commonest trees, herbs, flowers - not from the circumstance of my being town-born - for I should have brought the same inobservant spirit into the world with me, had I first seen it, 'on Devon's leafy shores' - and am no less at a loss among purely town objects, tool, engines, mechanic processes. Not that I affect ignorance - but my head has not many mansions, nor spacious, and I have been obliged to fill it with such cabinet curiosities as it can hold without aching. I sometimes wonder how I have passed my probation with so little discredit in the world, as I have done, upon so meagre a stock. But the fact is, a man may do very well with a very little knowledge, and scarce be found out, in mixed company; everybody is so much more ready to produce his own, than to call for a display of your acquisitions. But in a tete-a-tete there is no shuffling. The truth will out. There is nothing which I dread so much, as the being left alone for a quarter of an hour with a sensible, well-informed man that does not know me.

Thus it is that they whom we denominate "savages" are made to deserve the title. When the inhabitants of some sequestered island first descry the "big canoe" of the European rolling through the blue waters towards their shores, they rush down to the beach in crowds, and with open arms stand ready to embrace the strangers. Fatal embrace! They fold to their bosoms the vipers whose sting is destined to poison all their joys; and the instinctive feeling of love within their breasts is soon converted into the bitterest hate.

Ode, Elegy, Aubade, Pslam" 1 The songbird that escapes from a burning house will build its nest in the shape of a cage. 2 This is one thing we know: song begs for the places that make it grow from seed to starling, 3 places that put the heart’s hemlock in an empty rowboat and heave it from the shore. 4 We only praise what we cannot keep: violin strings berried with rain, teacups overflowing with brandywine, radios sickened with static. 5 Glass tossed out with the tide will come back smoother and stranger, but never to the same person. 6 This is something we want to know. The woman in love never touches her ears. 7 The man in his house is always lost without her. 8 Morning pulls light from the dark like a boy hoisting a trout from the lake by its clean, pink gills. 9 When the woman escapes from a burning house she will know the path of the wind, 10 how it writes its scripture in peach blossoms blown into a baby’s empty pram. 11 She’ll feel it compose its words against her body, against the night, against the water, in an endless, artless psalm.

Marie-Neige was on the shore, near the light, a tin outline. She lifted the lamp above her head and called out his name and he said Yes and she turned. She could see the ribs on his body as he came into more and more light. She placed the lamp on the grass and picked up her cotton dress and began drying her hair, so it was no longer plastered around her face, then came nearer to him and rubbed his hair dry with the dress. So now they looked as they did in a room, or across a table, no longer appearing as strangers to each other. On his knees, behind her, he pulled her thighs back to him in a slow rocking, as if he wanted her now to search for him, the heat of her cave onto his coldness, missing each other, and she said his name again and he moved into her, her softness and the unknown warmth. How many stories were read between them in which they had discovered the codes of eventual love and said nothing in their shyness. She’d barely been touched by him—his cupped hands once on her shoulders, his hard grip when she pulled the splinter out of his eye, his holding her small hands across a table. It was as if they had both known what all this would be like, these doorways and reflections of each other, this cautious modesty and the secrets of herself she had hidden from others. All that witnessed them was a lamp in the grass. She moved back onto his lap so she could control their movement, slow him into more intimacy, so his hands could hold the quiver in her stomach and there could be an equal pleasure. They heard nothing, not the sterile thunder or the mock of the bird or the million insects carelessly yelling. Just their breath, as if they were dying beside each other.

Certain it is,” he predicted in his book The Land of Gold, published in 1855, “that the greater the diversity of colors and qualities of men, the greater will be the strife and conflict of feeling.” Helper insisted that America should be a homogeneous white society. Comparing the entry of the Chinese in the West to the existence of blacks in the East, he protested: “Our population was already too heterogeneous before the Chinese came. I should not wonder at all, if the copper of the Pacific yet becomes as great a subject of discord and dissension as the ebony of the Atlantic.

Herveus is impervious to emotions, but Aveline has unlocked something in him. He is drowning in a great wave, just trying to get back to the shore. The main memories he has from his childhood are of hunger. Just the echo of the gnawing pain makes him double over clasping his stomach. The other strongest memories are of violence—beatings from strangers leaving him unable to move for days. In all the haunting recollections, it had always been just him, alone. How could I forget my sister? It was like an impenetrable gate had opened in his mind, bringing forth another set of sad blue eyes from a time forgotten. I hadn’t been alone

Speech to a Crowd Tell me, my patient friends, awaiters of messages. From what other shore, from what stranger, Whence, was the word to come? Who was to lesson you? Listeners under a child’s crib in a manger, Listeners once by the oracles, now by the transoms, Whom are you waiting for? Who do you think will explain? Listeners thousands of years and still no answer— Writers at night to Miss Lonely-Hearts, awkward spellers, Open your eyes! There is only earth and the man! There is only you. There is no one else on the telephone: No one else is on the air to whisper: No one else but you will push the bell. No one knows if you don’t: neither ships Nor landing-fields decode the dark between. You have your eyes and what your eyes see, is. The earth you see is really the earth you are seeing. The sun is truly excellent, truly warm, Women are beautiful as you have seen them— Their breasts (believe it) like cooing of doves in a portico. They bear at their breasts tenderness softly. Look at them! Look at yourselves. You are strong. You are well formed. Look at the world—the world you never took! It is really true you may live in the world heedlessly. Why do you wait to read it in a book then? Write it yourselves! Write to yourselves if you need to! Tell yourselves there is sun and the sun will rise. Tell yourselves the earth has food to feed you. Let the dead men say that men must die! Who better than you can know what death is? How can a bone or a broken body surmise it? Let the dead shriek with their whispering breath. Laugh at them! Say the murdered gods may wake But we who work have end of work together. Tell yourselves the earth is yours to take! Waiting for messages out of the dark you were poor. The world was always yours: you would not take it.

GOD I am ready for you to come back. Whether in a train full of dying criminals or on the gleaming saddle of a locust, you are needed again. The earth is a giant chessboard where the dark squares get all the rain. On this one the wet is driving people mad—the bankers all baying in the woods while their markets fail, a florist chewing up flowers to spit mouthfuls here and there as his daughter’s lungs seize shut from the pollen. There is a flat logic to neglect. Sweet nothings sour in the air while the ocean hoots itself to sleep. I live on the skull of a giant burning brain, the earth’s core. Sometimes I can feel it pulsing through the dirt, though even this you ignore. The mind wants what it wants: daily newspapers, snapping turtles, a pound of flesh. The work I’ve been doing is a kind of erasing. I dump my ashtray into a bucket of paint and coat myself in the gray slick, rolling around on the carpets of rich strangers while they applaud and sip their scotch. A body can cause almost anything to happen. Remember when you breathed through my mouth, your breath becoming mine? Remember when you sang for me and I fell to the floor, turning into a thousand mice? Whatever it was we were practicing cannot happen without you. I thought I saw you last year, bark wrapped around your thighs, lurching toward the shore at dawn. It was only mist and dumb want. They say even longing has its limits: in a bucket, an eel will simply stop swimming long before it starves. Wounded wolves will pad away from their pack to die lonely and cold. Do you not know how scary it can get here? The talons that dropped me left long scars around my neck that still burn in the wind. I was promised epiphany, earth- honey, and a flood of milk, but I will settle for anything that brings you now, you still-hungry mongrel, you glut of bone, you, scentless as gold.

In the landscape of my native land, a stranger in my own fields, --I had a homeland where the Duero flows between gray cliffs and the ghosts of ancient oaks, there in Castile, mystic and warlike, graceful Castile, humble and boastful, Castile of arrogance and power, in the fields of Andalusia where I was born, I long to sing! My childhood memories are here, images of palm trees and sun against a golden brilliance, distant bell towers with storks, city streets without women under an indigo sky, deserted swuares where blazing orange trees ripen with round vermillon fruit, and in a shady garden, the dusty branches of a lemon tree, pale yellow lemons reflected in the clear water of the fountains. The scent of lilies and carnations, pungent odor of basil and mint. images of gloomy olive groves under a torrid sun that blinds and dazes, winding blue mountain ranges under the red glow of an immense afternoon; but if the thread that links memory to the heart is missing, the anchor to the shore, these memories are soulless. In their ragged dress, they are remnants of memory, castoffs the mind drags along. One day, anointed with light from below, our virginal bodies will return to their ancient shore.

Fly! Fly! About with your ship and fly! Row, row, row for your lives away from this accursed shore.” “Compose yourself,” said Reepicheep, “and tell us what the danger is. We are not used to flying.” The stranger started horribly at the voice of the Mouse, which he had not noticed before. “Nevertheless you will fly from here,” he gasped. “This is the Island where Dreams come true.” “That’s the island I’ve been looking for this long time,” said one of the sailors. “I reckon I’d find I was married to Nancy if we landed here.” “And I’d find Tom alive again,” said another. “Fools!” said the man, stamping his foot with rage. “That is the sort of talk that brought me here, and I’d better have been drowned or never born. Do you hear what I say? This is where dreams--dreams, do you understand--come to life, come real. Not daydreams: dreams.” There was about half a minute’s silence and then, with a great clatter of armor, the whole crew were tumbling down the main hatch as quick as they could and flinging themselves on the oars to row as they had never rowed before; and Drinian was swinging round the tiller, and the boatswain was giving out the quickest stroke that had ever been heard at sea. For it had taken everyone just that half-minute to remember certain dreams they had had--dreams that make you afraid of going to sleep again--and to realize what it would mean to land on a country where dreams come true. Only Reepicheep remained unmoved. “Your Majesty, your Majesty,” he said, “are you going to tolerate this mutiny, this poltroonery? This is a panic, this is a rout.” “Row, row,” bellowed Caspian. “Pull for all our lives. Is her head right, Drinian? You can say what you like, Reepicheep. There are some things no man can face.” “It is, then, my good fortune not to be a man,” replied Reepicheep with a very stiff bow.

People are so soon gone; let us catch them. That man there, by the cabinet; he lives, you say, surrounded by china pots. Break one and you shatter a thousand pounds. And he loved a girl in Rome and she left him. Hence the pots, old junk found in lodging-houses or dug from the desert sands. And since beauty must be broken daily to remain beautiful, and he is static, his life stagnates in a china sea. It is strange though; for once, as a young man, he sat on damp ground and drank rum with soldiers. One must be quick and add facts deftly, like toys to a tree, fixing them with a twist of the fingers. He stoops, how he stoops, even over an azalea. He stoops over the old woman even, because she wears diamonds in her ears, and, bundling about her estate in a pony carriage, directs who is to be helped, what tree felled, and who turned out tomorrow. (I have lived my life, I must tell you, all these years, and I am now past thirty, perilously, like a mountain goat, leaping from crag to crag; I do not settle long anywhere; I do not attach myself to one person in particular; but you will find that if I raise my arm, some figure at once breaks off and will come.) And that man is a judge; and that man is a millionaire, and that man, with the eyeglass, shot his governess “through the heart with an arrow when he was ten years old. Afterwards he rode through deserts with despatches, took part in revolutions and now collects materials for a history of his mother’s family, long settled in Norfolk. That little man with a blue chin has a right hand that is withered. But why? We do not know. That woman, you whisper discreetly, with the pearl pagodas hanging from her ears, was the pure flame who lit the life of one of our statesmen; now since his death she sees ghosts, tells fortunes, and has adopted a coffee-coloured youth whom she calls the Messiah.* That man with the drooping moustache, like a cavalry officer, lived a life of the utmost debauchery (it is all in some memoir) until one day he met a stranger in a train who converted him between Edinburgh and Carlisle by reading the Bible. Thus, in a few seconds, deftly, adroitly, we decipher the hieroglyphs written on other people’s faces. Here, in this room, are the abraded and battered shells cast on the shore.

In the uncertain hour before the morning Near the ending of interminable night At the recurrent end of the unending After the dark dove with the flickering tongue Had passed below the horizon of his homing While the dead leaves still rattled on like tin Over the asphalt where no other sound was Between three districts whence the smoke arose I met one walking, loitering and hurried As if blown towards me like the metal leaves Before the urban dawn wind unresisting. And as I fixed upon the down-turned face That pointed scrutiny with which we challenge The first-met stranger in the waning dusk I caught the sudden look of some dead master Whom I had known, forgotten, half recalled Both one and many; in the brown baked features The eyes of a familiar compound ghost Both intimate and unidentifiable. So I assumed a double part, and cried And heard another's voice cry: 'What! are you here?' Although we were not. I was still the same, Knowing myself yet being someone other— And he a face still forming; yet the words sufficed To compel the recognition they preceded. And so, compliant to the common wind, Too strange to each other for misunderstanding, In concord at this intersection time Of meeting nowhere, no before and after, We trod the pavement in a dead patrol. I said: 'The wonder that I feel is easy, Yet ease is cause of wonder. Therefore speak: I may not comprehend, may not remember.' And he: 'I am not eager to rehearse My thoughts and theory which you have forgotten. These things have served their purpose: let them be. So with your own, and pray they be forgiven By others, as I pray you to forgive Both bad and good. Last season's fruit is eaten And the fullfed beast shall kick the empty pail. For last year's words belong to last year's language And next year's words await another voice. But, as the passage now presents no hindrance To the spirit unappeased and peregrine Between two worlds become much like each other, So I find words I never thought to speak In streets I never thought I should revisit When I left my body on a distant shore. Since our concern was speech, and speech impelled us To purify the dialect of the tribe And urge the mind to aftersight and foresight, Let me disclose the gifts reserved for age To set a crown upon your lifetime's effort. First, the cold friction of expiring sense Without enchantment, offering no promise But bitter tastelessness of shadow fruit As body and soul begin to fall asunder. Second, the conscious impotence of rage At human folly, and the laceration Of laughter at what ceases to amuse. And last, the rending pain of re-enactment Of all that you have done, and been; the shame Of motives late revealed, and the awareness Of things ill done and done to others' harm Which once you took for exercise of virtue. Then fools' approval stings, and honour stains. From wrong to wrong the exasperated spirit Proceeds, unless restored by that refining fire Where you must move in measure, like a dancer.' The day was breaking. In the disfigured street He left me, with a kind of valediction, And faded on the blowing of the horn. -T.S. Eliot, "Little Gidding

THE INSTRUCTION OF PTAHHOTEP Instruction of the Mayor of the city, the Vizier Ptahhotep, under the Majesty of King Isesi, who lives for all eternity. The mayor of the city, the vizier Ptahhotep, said: O king, my lord! Age is here, old age arrived. Feebleness came, weakness grows, Childtike one sleeps all day. Eyes are dim, ears deaf. Strength is waning through weariness, The mouth, silenced, speaks not, The heart, void, recalls not the past, The bones ache throughout. Good has become evil, all taste is gone, What age does to people is evil in everything. The nose, clogged, breathes not, Painful are standing and sitting. May this servant be ordered to make a staff of old age, So as to teil him the words of those who heard, The ways of the ancestors, Who have listened to the gods. May such be done for you. So that strife may be banned from the people, And the Two Shores may serve you! Said the majesty of this god: Instruct him then in the sayings of the past, May he become a model for the children of the great, May obedience enter him, And the devotion of him who speaks to him, No one is born wise. Beginning of the formulations of excellent discourse spoken by the Prince, Count, God's Father, God's beloved, Eldest Son of the King, of his body, Mayor of the city and Vizier, Ptahhotep, in instructing the ignorant in knowledge and in the standard of excellent discourse, as profit for him who will hear, as woe to him who would neglect them. He spoke to his son: Don’t be proud of your knowledge. Consult the ignorant and the wise; The limits of art are not reached, No artist’s skills are perfect; Good speech is more hidden than greenstone, Yet may be found among maids at the grindstones. If you meet a disputant in action, A powerful man, superior to you. Fold your arms, bend your back, To flout him will not make him agree with you. Make little of the evil speech By not opposing him while he's in action; He will be called an ignoramus, Your self-control will match his pile (of words). If you meet a disputant in action Who is your equal, on your level, You will make your worth exceed his by silence, While he is speaking evilly, There will be much talk by the hearers. Your name will be good in the mind of the magistrates. If you meet a disputant in action, A poor man, not your equal. Do not attack him because he is weak, Let him alone, he will confute himself. Do not answer him to relieve your heart, Do not vent yourself against your opponent, Wretched is he who injures a poor man, One will wish to do what you desire. You will beat him through the magistrates’ reproof. If you are a man who leads, Who controls the affairs of the many, Seek out every beneficent deed, That your conduct may be blameless. Great is justice, lasting in effect, Unchallenged since the time of Osiris. One punishes the transgressor of laws, Though the greedy overlooks this; Baseness may seize riches, Yet crime never lands its wares; In the end it is justice that lasts, Man says: “It is my father's ground.” Do not scheme against people, God punishes accordingly: If a man says: “I shall live by it,” He will lack bread for his mouth. If a man says: “I shall be rich' He will have to say: “My cleverness has snared me.” If he says: “I will snare for myself,” He will be unable to say: “I snared for my profit.” If a man says: "I will rob someone,” He will end being given to a stranger. People’s schemes do not prevail, God’s command is what prevails; Live then in the midst of peace, What they give comes by itself.

At a concert, you could look around at all the strangers and think: We love this band, yes, we’re the same, in this one particular way. We’re so glad we’re here in this dark room that we will scream with joy and sing along to the songs we know by heart, and this is the one place in the whole world right now where you can sing with the people who wrote these songs. What magic.

The Eviction by Stewart Stafford The mind's paper vessel crumples Sodden with learning and memory Ne'er to sail waves of reminiscence A living statue, hewn by sculptor Time. The physician nor the shaman console Self-pitying sobs in the moaning wind Brought down by jackals in the dunes The skull's tenant but a daily squatter Nostalgic waves batter alien shores Déjà vu of the blood and the collegial A stranger's reflection in misting eyes A sandcastle sacked to the four winds © Stewart Stafford, 2024. All rights reserved

The shore is a dense wall of bristling pines and hemlocks thronged up to the very edge of the water and stretching back for hundreds of miles in every direction, interrupted only by clear-cuts. And here we are, two tiny fleas on a teardrop in the middle of it all with our dead mother’s incinerated flesh and bones.

The woods press thickly all around the shore.

Go lightly on this fragile earth We are all strangers on this shore Remember what your life is worth And what it was we came here for And hidden deep within our heart There's a light that shines on everything On the right and the wrong On the weak and the strong On the prayers and the songs that we sing Go lightly on this precious land We're part of everything we see A tear-drop on the ocean The wind that whispers in the trees The wind that cries in the holy rage At the deeds and the damage we have done For how little we care for the life that is there Go lightly native son Go lightly on this sacred earth Go lightly on your way You are among the ones who took a second birth And we are blessed More than words can ever say And maybe sometimes your heart is broken But it's nothing that love cannot repair So with the gifts that you bring remember one thing It's the love for yourself that you share

That the winter snow is less deep than it was when we were children, the crabs fewer under the rocks by the shore, the birds at dawn too quiet, the forest oddly lonesome. That the weather and seasons have become strangers to us. And that we, the human species, are in one way or another responsible.

Strangers, Yedan? Not to me. They followed us.’ She swung herself onto her horse and tugged it towards the north trail. ‘We left a debt in blood,’ she said, baring her teeth. ‘Malazan blood. And it seems they will not let that stand.’ They are here. On this shore. The Malazans are on our shore.

March 16 MORNING “I am a stranger with thee.” — Psalm 39:12 YES, O Lord, with Thee, but not to Thee. All my natural alienation from Thee, Thy grace has effectually removed; and now, in fellowship with Thyself, I walk through this sinful world as a pilgrim in a foreign country. Thou art a stranger in Thine own world. Man forgets Thee, dishonours Thee, sets up new laws and alien customs, and knows Thee not. When Thy dear Son came unto His own, His own received Him not. He was in the world, and the world was made by Him, and the world knew Him not. Never was foreigner so speckled a bird among the denizens of any land as Thy beloved Son among His mother’s brethren. It is no marvel, then, if I who live the life of Jesus, should be unknown and a stranger here below. Lord, I would not be a citizen where Jesus was an alien. His pierced hand has loosened the cords which once bound my soul to earth, and now I find myself a stranger in the land. My speech seems to these Babylonians among whom I dwell an outlandish tongue, my manners are singular, and my actions are strange. A Tartar would be more at home in Cheapside than I could ever be in the haunts of sinners. But here is the sweetness of my lot: I am a stranger with Thee. Thou art my fellow-sufferer, my fellowpilgrim. Oh, what joy to wander in such blessed society! My heart burns within me by the way when Thou dost speak to me, and though I be a sojourner, I am far more blest than those who sit on thrones, and far more at home than those who dwell in their ceiled houses. “To me remains nor place, nor time: My country is in every clime; I can be calm and free from care On any shore, since God is there.” “While place we seek, or place we shun, The soul finds happiness in none: But with a God to guide our way, ’Tis equal joy to go or stay.

Along the shore the cloud waves break, The twin suns sink beneath the lake, The shadows lengthen In Carcosa.   Strange is the night where black stars rise, And strange moons circle through the skies But stranger still is Lost Carcosa.   Songs that the Hyades shall sing, Where flap the tatters of the King, Must die unheard in Dim Carcosa.   Song of my soul, my voice is dead; Die thou, unsung, as tears unshed Shall dry and die in Lost Carcosa.   Cassilda's Song in "The King in Yellow," Act i, Scene 2.

There was water and waves all around. They ran towered the shore, and made way for the boat as it ran through. At the back of the boat, water squirted out and some of it was white. It was magical.

I sit on the shore, with my knees bent, my face resting on them. I watch the people walk past me, walk past the sea. I watch their footprints on the wet sand, there for a second, and then erased by a lapping wave, like a hurrying maid, as if never she wanted those footprints there. I close my eyes, and think about you. I close my eyes and think about about your absence, your presence, the inevitable separation, my stupidity, my foolishness, my butterfly chase. I close my eyes and think about everyone who once touched me, who loved me,who love me, who thanked me.I close my eyes and think about a door closing on me, and another one being opened by some stranger. I close my eyes and think about life. And then, I meet life...again.

Better to sink with tempests raging o'er Masts all dismantled and hull gaping wide Than rest and rot on some unclouded shore The idle plaything of the listless tide. Better the grime of battle on the brow, With grim defeat to crush thy dying hand Than through long years of peace to tyrant bow Or dwell captive in a strangers land. Better the castle with beleaguered gate, By battle's lightning shivered in a day Than peaceful walls in pomp of sullen state, Through centuries sinking to a dull decay. Better resolve to win thy heart's desire, And striving bravely, die in the endeavor Than have the embers of some smothered fire Lie smouldering in thy saddened soul forever.

Maya the Chihuahua wound up dead in 2014. Maya was a beloved member of Wilbur Cerate’s family on Virginia’s Eastern Shore. One Saturday in October when Cerate came home from work, according to local TV station WAVY, Maya was gone. Cerate checked his security cameras, which had captured video of two women in a PETA van backing into the driveway, snatching Maya off the porch and driving off. Three days later, two women from PETA returned to the home and explained that Maya had been killed. They brought a fruit basket.27, 28 Perhaps it was the tiniest bit of solace for Cerate’s little daughter that her beloved Maya did not die a painful death, other than the terror of being snatched up by strangers and hauled to some foreign facility that, at best, must have seemed like a veterinarian’s office. Many of the other animals who die at the hands of bird-brained animal-rights activists suffer horrible deaths.

With a snarl of pain, she forced herself to sit up, her head spinning with the sudden movement. One hand touched her temple, sticky with dried blood. She winced, feeling a gash along her eyebrow. It was long but shallow, and already scabbing over. She clenched her jaw, teeth grinding, as she surveyed the beach with squinting eyes. The ocean stared back at her, empty and endless, a wall of iron blue. Then she noticed shapes along the beach, some half-buried in the sand, others caught in the rhythmic pull of the tide. She narrowed her eyes and the shapes solidified. A torn length of sail floated, tangled up with rope. A shattered piece of the mast angled out of the sand like a pike. Smashed crates littered the beach, along with other debris from the ship. Bits of hull. Rigging. Oars snapped in half. The bodies moved with the waves. Her steady breathing lost its rhythm, coming in shorter and shorter gasps until she feared her throat might close. Her thoughts scattered, impossible to grasp. All thoughts but one. “DOMACRIDHAN!” Her shout echoed, desperate and ragged. “DOMACRIDHAN!” Only the waves answered, crashing endless against the shore. She forgot her training and forced herself to stand, nearly falling over with dizziness. Her limbs aches but she ignored it, lunging toward the waterline. Her lips moved, her voice shouting his name again, though she couldn’t hear it above the pummel of her own heart. Sorasa Sarn was no stranger to corpses. She splashed into the waves with abandon, even as her head spun. Sailor, sailor, sailor, she noted, her desperation rising with every Tyri uniform and head of black hair. One of them looked ripped in half, missing everything from the waist down. His entrails floated with the rear of him, like a length of bleached rope. She suspected a shark got the best of him. Then her memories returned with a crash like the waves. The Tyri ship. Nightfall. The sea serpent slithering up out of the deep. The breaking of a lantern. Fire across the deck, slick scales running over my hands. The swing of a greatsword, Elder-made. Dom silhouetted against a sky awash with lightning. And then the cold, drowning darkness of the ocean. A wave splashed up against her and Sorasa stumbled back to the shore, shivering. She had not waded more than waist deep, but her face felt wet, water she could not understand streaking her cheeks. Her knees buckled and she fell, exhausted. She heaved a breath, then two. And screamed. Somehow the pain in her head paled in comparison to the pain in her heart. It dismayed and destroyed her in equal measure. The wind blew, stirring salt-crusted hair across her face, sending a chill down to her soul. It was like the wilderness all over again, the bodies of her Amhara kin splayed around her. No, she realized, her throat raw. This is worse. There is not even a body to mourn. She contemplated the emptiness for awhile, the beach and the waves, and the bodies gently pressing into the shore. If she squinted, they could only be debris from the ship, bits of wood instead of bloated flesh and bone. The sun glimmered on the water. Sorasa hated it. Nothing but clouds since Orisi, and now you choose to shine.

I will do all you have said and will make my soul an envelope for your soul, and my heart a residence for your beauty and my breast a grave for your sorrows. I shall love you , Selma, as the prairies love the spring, and I shall live in you in the life of a flower under the sun’s rays. I shall sing your name as the valley sings the echo of the bells of the village churches; I shall listen to the language of your soul as the shore listens to the story of the waves. I shall remember you as a stranger remembers his beloved country, and as a hungry man remembers a banquet, and as a dethroned king remembers the days of his glory, and as a prisoner remembers the hours of ease and freedom. I shall remember you as a sower remembers the bundles of wheat on his threshing flour, and as a shepherd remembers the green prairies the sweet brooks.

Hearts on the shore were overconfident enough to take the chills and thrills.

One feels less like a stranger when one returns to oneself, even in dreams.

In sullen light of the inauspicious day. Now, free, by hazard's quirk, from the common ill Knocking our brothers down, we strike a stance Most mock-heroic, to cloak our waking awe At this rare rumpus which no man control : Meek and proud both fall; stark violence Lays all walls waste; private estates are torn, Ransacked in the public eye. We forsake Our lone luck now, compelled by bond, by blood To keep some unsaid pact; perhaps concern Is helpless here, quite extra, yet we must make The gesture, bend and hold the prone mans head And so we sail toward cities, streets and homes Of other men, where statues celebrate Brave acts played out in peace, in war; all dangers End: green shores appear; we assume our names Our luggage, as docks halt our brief epic; no debt Survives arrival; we walk the plank with strangers

One day when I meet you I’ll narrate to you a tale Of how when I asked if I must let go I received a sign to sail I’ll tell you of the dreams I dreamt And the prayers I prayed Of how the wait nearly destroyed me Yet my hope never swayed The day I meet you Silence may get the better of me So I may treat you like a stranger Trusting you to solve the mystery But if we’re destined for each other You’ll eventually get to read me as a book You’ll discover what helped me go on Even as demons ascended in every nook As you recite to me the oceans you crossed I’ll describe to you the castles I built at the shore When you shudder at the mountains you carried I’ll recount the miles I walked to reach our door.

… God’s precious “shalls” and “wills” are infinitely better than men’s oaths. God has said: ‘I will never leave you or forsake you.’ If you have to change your position in life; if you have to emigrate to distant shores; if you are cast into poverty or uplifted suddenly into a more responsible position than you ever imagined; if you are thrown among strangers or cast among foes — still you have no cause to tremble, for He says ‘I will guide you continually.’ There are no dilemmas out of which you will not be delivered if you live near to God and your heart is kept warm with holy love. He goes not amiss who goes in the company of God. Like Enoch, walk with God, and you cannot mistake your road. You have infallible wisdom to direct you, steadfast love, to comfort you, and eternal power to defend you. ‘Jehovah’— mark the word! — ‘Jehovah shall guide you continually.1

Abd al-Rahman, then aged twenty-six, spent his life fighting to keep the title, but he also started to beautify his capital Cordoba, crafting a mosque out of a Visigothic church that would become a wonder of the west with its forest of columns borrowed from Roman ruins across Spain and perhaps designed to recall the palm trees of Syria. He never ceased to miss Syria, comparing himself to a palm tree who was also ‘a stranger in the west / Far from your oriental home, like me unblessed…/ You would weep if you had tears to pour / For my companions on Euphrates’ shore’.

The manifestation of supernatural power aroused the superstitions of the people, and excited their fears. Further calamities might follow from having this Stranger among them. They apprehended financial ruin, and determined to be freed from His presence. Those who had crossed the lake with Jesus told of all that had happened on the preceding night, of their peril in the tempest, and how the wind and the sea had been stilled. But their words were without effect. In terror the people thronged about Jesus, beseeching Him to depart from them, and He complied, taking ship at once for the opposite shore.

Cassilda: (speaking to herself) We strain our ears for the sound of love, but must all mothers bear the horror of seeing their Children grow from wonderful possibility to grim reality? Stranger: (Stands mutely in the shadows, his hands folding across his chest) Cassilda: If only we could stay a moment behind the veil of time, and live in that moment of indecision. Stranger: (Whispers so Cassilda cannot hear) Existence is decision. (...) [Te Child appears before the closed curtain] 1 Te Child: I am not the Prologue, nor the Afterword; call me the Prototaph. My role is this: to tell you it is now too late to close the book or quit the theatre. You already thought you should have done so earlier, but you stayed. How harmless it all is! No definite principles are involved, no doctrines promulgated in these pristine pages, no convictions outraged…but the blow has fallen, and now it is too late. And shall I tell you where the sin lies? It is yours. You listened to us; and all the say you stay to see the Sign. Now you are ours, or, since the runes also run backwards, we are yours…forever. (...) Along the shore the cloud waves break, The twin suns sink behind the lake, The shadows lengthen In Carcosa. Strange is the night where black stars rise, And strange moons circle through the skies But stranger still is Lost Carcosa. Songs that the Hyades shall sing, Where flap the tatters of the King, Must die unheard in Dim Carcosa. Song of my soul, my voice is dead; Die thou, unsung, as tears unshed Shall dry and die in Lost Carcosa. (...) [As the gong continues to strike, everyone begins to unmask. There are murmurs and gestures of surprise, real or polite, as identities are recognized or revealed. Ten there is a wave of laugher. The music becomes louder and increases in tempo.] Camilla: You, sir, should unmask. Stranger: Indeed? Camilla: Indeed, it’s time. We have all laid aside disguise but you. Stranger: I wear no mask. Camilla: No mask? No mask! Stranger: I, I am the Pallid Mask itself. I, I am the Phantom of Truth. I came from Alar. My star is Aldebaran. Truth is our invention; it is our weapon of war. And see–by this sign we have conquered, and the siege of good and evil is ended… § [On the horizon, the towers of Carcosa begin to glow] Noatalba: (Pointing) Look, look! Carcosa, Carcosa is on fire! (...) The King: Te Phantom of ruth shall be laid. Te scalloped tattersof Te King must hide Haita forever. As for thee, Yhtill– All: No! No, no! Te King: And as for thee, we tell you this; it is a fearful thing to fall into the hands of the living god. (...) Te Stranger falls, and everyone else sinks slowly to the ground after him. Te King can now be seen, although only faintly. He stands in state upon the balcony. He has no face, and is twice as tall as a man. He wears painted shows under his tattered, fantastically colored robes, and a streamer of silk appears to fall from the pointed tip of his hood. Behind his back he holds inverted a torch with a turned and jeweled shaft, which emits smoke, but no light. At times he appears to be winged; at others, haloed. These details are for the costumier; at no point should Te King be sufficiently visible to make themall out. Behind him, Carcosa and the Lake of Hali have vanished. Instead, there appears at his back a huge sculptured shield, in shape suggesting a labrys of onyx, upon which the Yellow Sign is chased in gold. Te rest of the stage darkens gradually, until, at the end, it is lit only by the decomposed body of the Stranger, phosphorescing bluely.]

In the other story, the real one that must be nurtured with the gentleness of a seedling plant, two days hence would bring leaves, grass and Robert Trout. His visit must remain clandestine, his company continue; there were too many questions, too much poetry to hear, more harp song perhaps. And the genial hum of him. Peculiar to feel such kinship with a stranger. And sympathy for his rootless plight filled Lavender like an interior stream---a rill and beck that coursed through her veins and chased the coracle of her heart along at a pace so rapid she trembled at the risk of it capsizing, tossing her onto the shores of some barren, alien planet.

People came and went from Connor's life like the pebbles one finds on the shore: turned continuously by the tide, or tossed firmly back into the ocean by the man himself. When he was younger, Connor had filled his pockets with all kinds of stones, big ones, grey ones, ones with tiny crystals and stripes. His shore had been bright, and vibrant, and he rushed to meet the tide every morning. Now, Connor’s arms were tired, his head heavy from the drugs, and his pockets were full of other things besides rocks. When Jack had rolled along, a stranger to those lonely, forgotten sands, everything had flipped on its axis. Suddenly, he was the pebble, spat out in white foam, a modest, lump of rock that any jaded person might have kicked along. Jack had been different. He had reached down, amongst the water’s debris and sticky sand, and plucked Connor from that shore. He had weighed Connor in his palm, turned him this way and that, and curved his fingers into his grooves and bumps. Whatever Jack saw in him that day, on that metaphorical spit of sand, Connor must have met his approval.

How many people were content with their lives? How many people were happy—happy in the moment and not in retrospect?

We are all so many people; a hundred burgeoning personalities confined within a single body. I am weak, I am strong. I am afraid, I am courageous. I am a vessel, I am the fluid that fills it. Akaten was languorous beneath me, and I was not the person who had swooned in the arms of the stranger in the shrine. I felt powerful, twice as tall, capable of anything, but entirely tender. My lovemaking was as gentle as the dew around us. When I slid into him, he opened for me like a flower. He was a lily on the water, and I rode him slowly, so slowly, to the shore.

Truly landlocked people know they are. Know the occasional Bitter Creek or Powder River that runs through Wyoming; that the large tidy Salt Lake of Utah is all they have of the sea and that they must content themselves with bank, shore and beach because they cannot claim a coast. And having none, seldom dream of flight. But the people living in the Great Lakes region are confused by their place on the country's edge - an edge that is border but not coast. They seem to be able to live a long time believing, as coastal people do, that they are at the frontier where final exit and total escape are the only journeys left. But those five Great Lakes which the St. Lawrence feeds with memories of the sea are themselves landlocked, in spite of the wandering river that connects them to the Atlantic. Once the people of the lake region discover this, the longing to leave because acute, and a break from the area, therefore, is necessarily dream-bitten, but necessary nonetheless. It might be an appetite for other streets, other slants of light. Or a yearning to be surrounded by strangers. It may even be a wish to hear the solid click of a door closing behind their backs.

From Iolcus the sea was first challenged, when the untried Argo scorned the shore and brought together nations that before were strangers; she first matched mankind against the raging winds and waves of ocean, and by her means a new form of death was added to the old.

Venus was rising, holding her own in the sky that was beginning to brighten. As I left the docks and warehouses behind, I came to a marshy shoreline, thick with water reeds. Though the sky above was clear, the water's surface swirled with little mists. I began to sing a song to Isis, made up on the spot, which caught the rhythm of the oars. A breeze sprang up and the reeds sang with me. Then as the first rays of sun dimmed the stars, birds everywhere lifted their voices and rose in line after line into the sky. On the outskirts of the city, I came to what looked like it might have been an abandoned villa or farmstead. I decided to sit down and watch the lake changing colors with the light. That's when I heard it. Not the soft lapping of the water against the shore, but the sound of flowing water. I looked and in the glowing light, I saw a small stream, eally just a trickle washing down a pebbly incline towards the lake. Something prompted me to follow the stream inland. I made my way though brambly thickets of brambling roses. The way seemed to open for me, the thorns all but retracting so as not to catch my cloak or scratch my arms and legs. At the source, I knelt down and parted the thicket, and there it was. The spring at the base of the hill so steep, it was almost a cliff. The water bubbled up from the darkness of earth, giving back the brightness of sky. Like all springs, a way between worlds. I was no stranger to sacred springs and magic wells. I was raised to revere them. I had first glimpsed my beloved on the well of wisdom on Tir n mBan. But this spring. I closed my eyes to listen to its sound, and I knew I had heard it before. The wind picked up, washing over me, scented with fish and roses. When it quieted again, I opened my eyes and gazed at the clear surface of the pool, and for an instant, I saw a tower, and the dawn sky, and the two people standing there. Then the image vanished, but I had seen all I needed to see. Alright, I said to myself, my goddess, to Miriam's know it all angels, Magala is is. And by the way, I added, my name is Maeve.

Chinese men were seen as sensuous creatures, especially interested in white women. A writer for the New York Times reported that he noticed “a handsome but squalidly dressed young white girl” in an opium den and inquired about her. The owner replied: “Oh, hard time in New York. Young girl hungry. Plenty come here. Chinaman always have something to eat, and he like young white girl. He! He!

At the state’s constitutional convention of 1878, John F. Miller warned: “Were the Chinese to amalgamate at all with our people, it would be the lowest, most vile and degraded of our race, and the result of that amalgamation would be a hybrid of the most despicable, a mongrel of the most detestable that has ever afflicted the earth.” Two years later, California lawmakers enacted legislation to prohibit the issuance of a license authorizing the marriage of a white person with a “negro, mulatto, or Mongolian.