Strands Rope Quotes

If a chain is only as strong as its weakest link, then a family is more like a rope. We're lots of fragile little strands, and we survive by becoming hopelessly intertwined with each other.

His leaving had been like snipping off the end of a rope - leaving two unraveling strands.

If you choose to believe me, good. Now I will tell you how Octavia, the spider-web city, is made. There is a precipice between two steep mountains: the city is over the void, bound to the two crests with ropes and chains and catwalks. You walk on the little wooden ties, careful not to set your foot in the open spaces, or you cling to the hempen strands. Below there is nothing for hundreds and hundreds of feet: a few clouds glide past; farther down you can glimpse the chasm's bed. This is the foundation of the city: a net which serves as passage and as support. All the rest, instead of rising up, is hung below: rope ladders, hammocks, houses made like sacks, clothes hangers, terraces like gondolas, skins of water, gas jets, spits, baskets on strings, dumb-waiters, showers, trapezes and rings for children's games, cable cars, chandeliers, pots with trailing plants. Suspended over the abyss, the life of Octavia's inhabitants is less uncertain than in other cities. They know the net will only last so long.

What i'm saying is that the sun always rises. Fortune's a mix of good and bad luck. Like they say/ good luck and bad luck are strands of the same rope.

Are the Trials starting?” The girl claps her hands over her mouth. “I'm sorry,” she whispers. “I—” “It's all right.” I don't smile at her. It will only scare her. For a female slave, a smile from a Mask is not usually a good thing. “I'm actually wondering the same thing. What's your name?” “S-slave-Girl.” Of course. My mother would already have scourged her name out of existence. “Right. You work for the Commandant?” I want her to say no. I want her to say that my mother roped her into this. I want her to say she's assigned to the kitchens or infirmary, where slaves aren't scarred or missing body parts. But the girl nods in response to my question. Don't let my mother break you, I think. The girl meets my eyes, and there is that feeling again, low and hot and consuming. Don't be weak. Fight. Escape. A gust of wind whips a strand free from her bun and across her cheekbone. Defiance flashes across her face as she holds my gaze, and for a second, I see my own desire for freedom mirrored, intensified in her eyes. It's something I've never detected in the eyes of a fellow student, let alone a Scholar slave. For one strange moment, I feel less alone. But then she looks down, and I wonder at my own naiveté. She can't fight. She can't scape. Not from Blackcliff. I smile joylessly; in this, at least, the slave and I are more similar than she'll ever know.

Perhaps any life is such: different stories like different strands, each distinct in itself, each true, yet wound together to form one rope, one life.

All any feeling wants is be welcomed with tenderness. It wants room to unfold. It wants to relax and tell its story. It wants to dissolve like a thousand writhing snakes that with a flick of kindness become harmless strands of rope.

You do me proud, Captain. But, dear, I want to say one thing and then I'm done; for you don't need much advice of mine after my good man has spoken. I read somewhere that every inch of rope in the British Navy has a strand of red in it, so wherever a bit of it is found it is known. That is the text of my little sermon to you. Virtue, which means honour, honesty, courage, and all that makes character, is the red thread that marks a good man wherever he is. Keep that always and everywhere, so that even if wrecked by misfortune, that sign shall still be found and recognized. Yours is a rough life, and your mates not all we could wish, but you can be a gentleman in the true sense of the word; and no matter what happens to your body, keep your soul clean, your heart true to those who love you, and do your duty to the end.

So I take it you and Gansey get along, then?” Maura’s expression was annoyingly knowing. “Mom.” “Orla told me about his muscle car,” Maura continued. Her voice was still angry and artificially bright. The fact that Blue was well aware that she’d earned it made the sting of it even worse. “You aren’t planning on kissing him, are you?” “Mom, that will never happen,” Blue assured her. “You did meet him, didn’t you?” “I wasn’t sure if driving an old, loud Camaro was the male equivalent of shredding your T-shirts and gluing cardboard trees to your bedroom walls.” “Trust me,” Blue said. “Gansey and I are nothing like each other. And they aren’t cardboard. They’re repurposed canvas.” “The environment breathes a sigh of relief.” Maura attempted another sip of her drink; wrinkling her nose, she shot a glare at Persephone. Persephone looked martyred. After a pause, Maura noted, in a slightly softer voice, “I’m not entirely happy about you’re getting in a car without air bags.” “Our car doesn’t have air bags,” Blue pointed out. Maura picked a long strand of Persephone’s hair from the rim of her glass. “Yes, but you always take your bike.” Blue stood up. She suspected that the green fuzz of the sofa was now adhered to the back of her leggings. “Can I go now? Am I in trouble?” “You are in trouble. I told you to stay away from him and you didn’t,” Maura said. “I just haven’t decided what to do about it yet. My feelings are hurt. I’ve consulted with several people who tell me that I’m within my rights to feel hurt. Do teenagers still get grounded? Did that only happen in the eighties?” “I’ll be very angry if you ground me,” Blue said, still wobbly from her mother’s unfamiliar displeasure. “I’ll probably rebel and climb out my window with a bedsheet rope.” Her mother rubbed a hand over her face. Her anger had completely burned itself out. “You’re well into it, aren’t you? That didn’t take long.” “If you don’t tell me not to see them, I don’t have to disobey you,” Blue suggested. “This is what you get, Maura, for using your DNA to make a baby,” Calla said. Maura sighed. “Blue, I know you’re not an idiot. It’s just, sometimes smart people do dumb things.” Calla growled, “Don’t be one of them.” “Persephone?” asked Maura. In her small voice, Persephone said, “I have nothing left to add.” After a moment of consideration, she added, however, “If you are going to punch someone, don’t put your thumb inside your fist. It would be a shame to break it.” “Okay,” Blue said hurriedly. “I’m out.” “You could at least say sorry,” Maura said. “Pretend like I have some power over you.

But who among us is perfect? Even the greatest strategists have their eclipses, and the greatest blunders, like the thickest ropes, are often compounded of a multitude of strands. Take the rope apart, separate it into the small threads that compose it, and you can break them one by one. You think, 'That is all there was!' But twist them all together and you have something tremendous.

I read somewhere that every inch of rope used in the British Navy has a strand of red in it, so that wherever a bit of it is found it is known. That is the text of my little sermon to you. Virtue, which means honour, honesty, courage, and all that makes character, is the red thread that marks a good man wherever he is.

Okay. You’re stranded in a deserted train station during the zombie apocalypse. Quick, which book do you have with you?” “Hopefully The Zombie Survival Guide.

Today, i learned something. "Good luck and bad luck are strands of the same rope." This expression has deep meaning -turtle Basically, it means that good things and bad things are often interwined, like strands of a rope. You can have one without the other. So even if something bad happens, it's nothing to get worried about. Because life will provide the balance. -Ootake

It was evening, the hour of speculation; Phil pondered how one man passes a gift on to another, how like the very chains and lengths of rawhide rope a man makes, human character is woven on a strand of this and a strand of that--sometimes beautifully and sometimes poorly. It was in simple homage to Joe and to Bronco Henry, those two braiders and plaiters, that Phil braided now. Each had taught him something.

If a chain is only as strong as its weakest link, then a family is more like a rope. We're lots of fragile little strands, and we survive by becoming hopelessly intertwined with each other. The happiest families I ever met were all frayed...but they were also tighter than a hangmen's noose. - Hazel, Saga # 40

There can be moments, when the rope we hold to, becomes a strand of thread, where we feel that we are barely hanging on but when the thread feels as though it's about to break; just know that God will never let us fall but rather, He will be there to catch us and when He does, He will carry us away, on wings of love, to a higher plateau, where evil cannot touch us.

To Marry One's Soul Being true to who we are means carrying our spirit like a candle in the center of our darkness. If we are to live without silencing or numbing essential parts of who we are, a vow must be invoked and upheld within oneself. The same commitments we pronounce when embarking on a marriage can be understood internally as a devotion to the care of one's soul: to have and to hold … for better or for worse … in sickness and in health … to love and to cherish, till death do us part. This means staying committed to your inner path. This means not separating from yourself when things get tough or confusing. This means accepting and embracing your faults and limitations. It means loving yourself no matter how others see you. It means cherishing the unchangeable radiance that lives within you, no matter the cuts and bruises along the way. It means binding your life with a solemn pledge to the truth of your soul. It is interesting that the nautical definition of marry is “to join two ropes end to end by interweaving their strands.” To marry one's soul suggests that we interweave the life of our spirit with the life of our psychology; the life of our heart with the life of our mind; the life of our faith and truth with the life of our doubt and anxiety. And just as two ropes that are married create a tie that is twice as strong, when we marry our humanness to our spirit, we create a life that is doubly strong in the world.

I jump from a building As if I were falling asleep, The wind like a pillow Slowing me down, Slowing me down As if I were dreaming. Surrounded by air, I come to a stop, And stand like a tourist Watching the pigeons. People in offices, Wanting to save me, Open their mouths. 'Throw me a stone,' I yell, Wanting to fall. But nobody listens. They throw me a rope. And now I am walking, Taking to you, Talking to you As if I were dreaming I were alive.

Belief was a fraying rope bridge over a stormy sea. Strand by silver strand, I unraveled.

The greatest blunders, like the thickest ropes, are often compounded of a multitude of strands. Take the rope apart, separate it into the small threads that compose it, and you can break them one by one.

The gravity of our situation isn't lost on me, but I stall for a few more moments. No one will like what I have to say. Our island is self-sufficient alright. Except for the threads of kelp we use to make súgán, rope that makes the trambles that we desperately need to catch fish. The long-stranded kelp comes from a dangerous, forbidden place below the island, a land belonging to no one that is situated between us and an enemy tribe, a tribe of fish people known as Iasc. As such, for lack of a better name, my people call the almost mythical area, as none of us has laid eyes on it, the Between.

Tis Ahab—his body’s part; but Ahab’s soul’s a centipede, that moves upon a hundred legs. I feel strained, half stranded, as ropes that tow dismasted frigates in a gale; and I may look so. But ere I break, ye’ll hear me crack; and till ye hear that, know that Ahab’s hawser tows his purpose yet. Believe ye, men, in the things called omens? Then laugh aloud, and cry encore! For ere they drown, drowning things will twice rise to the surface; then rise again, to sink for evermore.

You were just in South Dakota a couple of weeks ago,” he pointed out. “Why didn’t you get it then?” “It wasn’t available then.” She brushed back a tiny strand of loose hair. “Don’t cross-examine me, okay? It’s been a long day.” He ran a hand around the back of his neck, under his braid of hair, and stared at her own hair in the tight bun at her nape as she replaced the errant strand. “I thought you took it down at night.” “At bedtime,” she corrected. His eyes narrowed. “Lucky Colby,” he said deliberately. She wasn’t going to give him any rope to hang her with. She just smiled. He glared at her. “He won’t change,” he said flatly. “I don’t care,” she said. “I appreciate all you’ve done for me, Tate, but my private life is my own business, not yours.” “That’s a hell of a way to talk to me.” “That works both ways,” she replied, eyes narrowing. “What gives you the right to ask questions about the men I date?” Her words made him mad. His lips compressed until they made a straight line. He looked like his father when he was angry. He finished his coffee in a tense silence and got to his feet. He glanced at his watch. “I’ve got to go. I just wanted to see how you were.” “You just wanted to see if Colby was here,” she corrected and smiled mirthlessly when he blinked. “You know I don’t approve of Colby,” he told her. “Like I care?” she said. He took a step toward her. His black eyes glittered with conflicting emotions. She aroused him more lately than any woman he’d ever known. Just looking at her sent him over the edge. On some level she recognized the tension in him, the need that he was denying. He was upset about Matt Holden pulling him out of the security work, not because of the money, but rather because it seemed nothing more than spite. Actually Holden was saving them both from a political upheaval because he could have been accused of nepotism. But deeper than that was a frustration because he wanted a woman he couldn’t have. Cecily knew that at some level. He was trying to start a fight. She couldn’t let him. “Colby is a sweet man,” she said gently. “He’s good company and he doesn’t drink around me, ever.” “He’s an alcoholic,” he said quietly, trying to control the anger. “I told you before, he’s in therapy,” she said. “He’s trying, Tate.” “So you expect me not to worry about you? After what my own father put me and my mother through?

You do me proud, Captain. But, dear, I want to say one thing and then I'm done; for you don't need much advice of mine after my good man has spoken. I read somewhere that every inch of rope in the British Navy has a strand of red in it, so wherever a bit of it is found it is known. That is the text of my little sermon to you. Virtue, which means honour, honesty, courage, and all that makes character, is the red thread that marks a good man wherever he is. Keep that always and everywhere, so that even if wrecked by misfortune, that sign shall still be found and recognized. Yours is a rough life, and your mates not all we could wish, but you can be a gentleman in the true sense of the word; and no matter what happens to your body, keep your soul clean, your heart true to those who love you, and do your duty to the end.

Cardan is waiting for me when I get off the field. I am struck suddenly be his height, by the arrogant sneer he wears like a crown. He would seem like a prince even dressed in rags. Cardan grabs my face, fingers splayed against my neck. His breath is against my cheek. His other hand grabs my hair, winding it in to a rope. 'Do you know what mortal means? It means born to die. It means deserving of death. That's what you are, what defines you- dying. And yet here you stand, determined to oppose me even as you rot away from the inside out, you corrupt, corrosive mortal creature. Tell me how that is. Do you really think you can win against me? Against a prince of Faerie?' I swallow hard. 'No,' I say. His black eyes simmer with rage. 'So you're not completely lacking in some small amount of animal cunning. Good. Now, beg my forgiveness.' I take a step back and tug, trying to wrench free of his grasp. He holds on to my braid, staring down in to my face with hungry eyes and a small, awful smile. Then he opens his hand, letting me stagger free. Individual strands of hair flutter through the air.

But after he had been singing awhile, mist and shadows seemed to gather about him, sometimes coming out of the sea, and sometimes moving upon it. It seemed to him that one of the shadows was the queen-woman he had seen in her sleep at Slieve Echtge; not in her sleep now, but mocking, and calling out to them that were behind her: 'He was weak, he was weak, he had no courage.' And he felt the strands of the rope in his hand yet, and went on twisting it, but it seemed to him as he twisted, that it had all the sorrows of the world in it. And then it seemed to him as if the rope had changed in his dream into a great water-worm that came out of the sea, and that twisted itself about him, and held him closer and closer, and grew from big to bigger till the whole of the earth and skies were wound up in it, and the stars themselves were but the shining of the ridges of its skin. And then he got free of it, and went on, shaking and unsteady, along the edge of the strand, and the grey shapes were flying here and there around him. And this is what they were saying, 'It is a pity for him that refuses the call of the daughters of the Sidhe, for he will find no comfort in the love of the women of the earth to the end of life and time, and the cold of the grave is in his heart for ever. It is death he has chosen; let him die, let him die, let him die.

Two sailors hauled on ropes, hoisting the jolly boat up to the ship’s side, revealing two apocryphal figures standing in the center of the small craft. At first glance, Sophia only saw clearly the shorter of the two, a gruesome creature with long tangled hair and a painted face, wearing a tight-fitting burlap skirt and a makeshift corset fashioned from fishnet and mollusk shells. The Sea Queen, Sophia reckoned, a smile warming her cheeks as the crew erupted into raucous cheers. A bearded Sea Queen, no less, who bore a striking resemblance to the Aphrodite’s own grizzled steward. Stubb. Sophia craned her neck to spy Stubb’s consort, as the foremast blocked her view of Triton’s visage. She caught only a glimpse of a white toga draped over a bronzed, bare shoulder. She took a jostling step to the side, nearly tripping on a coil of rope. “Foolish mortals! Kneel before your king!” The assembled sailors knelt on cue, giving Sophia a direct view of the Sea King. And even if the blue paint smeared across his forehead or the strands of seaweed dangling from his belt might have disguised him, there was no mistaking that persuasive baritone. Mr. Grayson. There he stood, tall and proud, some twenty feet away from her. Bare-chested, save for a swath of white linen draped from hip to shoulder. Wet locks of hair slicked back from his tanned face, sunlight embossing every contour of his sculpted arms and chest. A pagan god come swaggering down to earth. He caught her eye, and his smile widened to a wolfish grin. Sophia could not for the life of her look away. He hadn’t looked at her like this since…since that night. He’d scarcely looked in her direction at all, and certainly never wearing a smile. The boldness of his gaze made her feel thoroughly unnerved, and virtually undressed. Until the very act of maintaining eye contact became an intimate, verging on indecent, experience. If she kept looking at him, she felt certain he knees would give out. If she looked away, she gave him the victory. There was only one suitable alternative, given the circumstances. With a cheeky wink to acknowledge the joke, Sophia dropped her eyes and curtsied to the King. Mr. Grayson laughed his approval. Her curtsy, the crew’s gesture of fealty-he accepted their obeisance as his due. And why should he not? There was a rightness about it somehow, an unspoken understanding. Here at last was their true leader: the man they would obey without question, the man to whom they’d pledge loyalty, even kneel. This was his ship. “Where’s the owner of this craft?” he called. “Oh, right. Someone told me he’s no fun anymore.” As the men laughed, the Sea King swung over the rail, hoisting what looked to be a mop handle with vague aspirations to become a trident. “Bring forth the virgin voyager!

Rage and unbearable pain meshed together like twin strands in an ever-tightening rope.

There is a modern parable I am particularly fond of that illustrates my point: A man is caught in a flood and as the water begins to rise, he climbs up onto the roof of his house and awaits rescue. As the hours pass and the water rises, no help comes, so he begins to pray: Dear Lord, in your divine mercy please save me from the rising floodwater. Suddenly a helicopter appears and lowers a rope down to the stranded man—'take the rope' says the pilot. 'No thanks' replies the stranded man, 'I'm waiting for God to rescue me.' Three more times the pilot of the helicopter tries to convince the stranded man to climb up the rope and three more times he is refused: 'I'm waiting for God.' All the while, the water is rising and rising, until finally, the house is swept away, the man with it. His last words being 'God, why have you forsaken me?' So you see, when God announces his presence he always makes it obvious to humanity. How much more obvious than the events of the last few years does he need to make it before you will believe?

Before you know it, you are bound to Prakriti by her twisted, three-stranded rope; you begin to believe that what happens in Prakriti unconsciously – birth, death, pain, pleasure, desire, anger – is real, that it is all done by you, felt by you, made to happen by you. Or that they are all happening to you. Both are not true.’ ‘A three-stranded rope?’ Arjuna frowned. ‘What do You mean, Lord?’ ‘Know this, Mahabahu,’ said Krishna. ‘Goodness (Sattva), Rajas (passion) and Tamas (dullness) are the three strands of Nature’s rope, which bind down the soul. Rajas is part of Nature’s creative side – birth, energy, movement, change, action, the season of spring. Tamas is part of Nature’s destructive side – death, decay, inertia, heaviness, winter. Sattva is the state in between – harmony, wholesomeness, lucidity, stillness, summer. ‘Of these, Sattva, pure and good, can illuminate your soul in its shining light, but even Sattva is a golden shackle. Once you enjoy that happy state of Sattva – good health, knowledge, harmony and peace – you get attached to it, not willing to let it go, yearning for it when it is gone, as it will. ‘Rajas springs from desire, yearning, dissatisfaction with the way things are. It prompts you to action, and once you act, it attaches you to the result of your action, makes you want a particular outcome, makes you happy when you get it, unhappy when you don’t. Beware, Kaunteya, for Rajas binds your soul tight. ‘Tamas is born of ignorance - it confuses, deludes, makes you negligent. It binds your soul to indolence, sleep, sloth, laziness. ‘The power of goodness makes slaves of the happy, makes them constantly hunger for peace and harmony. Passion enslaves the doers, traps them in an unending cycle of wanting something and then acting to get it. Dullness enslaves the careless and negligent, who never want to leave that torpid state of ignorance and lethargy.’ Too true, mused Arjuna. No wonder human life was so full of torment. ‘Goodness, passion and dullness are present in all beings, Arjuna,’ Krishna went on, ‘combined in different ways, constantly in motion, rising and falling, one following the other. They are all present in you; they are your nature. Sometimes goodness prevails over the other two, making you feel calm, radiant, happy, at peace, fulfilled; sometimes passion prevails, making you feel restless, greedy, impatient, excited, excitable, full of energy. At other times, dullness prevails, which destroys clear thinking – anger, fear, grief, confusion arise in this state.

The web disappeared into the shadows, finer than hair and twisted into ropes of all sizes, some thick as her finger. Every strand grew from the furred belly of the spider. “Anchorite Nadine,” it would whisper in the voice of her long-dead sister. “Anchorite Nadine. Have you anything interesting to report?” - The Anchorite Wakes, Clarkesworld Magazine, Issue 143

If a chain is only as strong as its weakest link, then a family is more like a rope. We're lots of fragile little strands, and we survive by becoming hopelessly intertwined with each other. The happiest families I ever met were all frayed... but they were also tighter than a hangman's noose.

love was a rope bridge made of the thinnest strands. It might hold your

Admit it—own up to the fact you have an undesirable habit. Tell the Lord about it (He already knows; it just helps you to open up about it). 2. Replace it—trade the bad behavior for something better. 3. Stick with it (the good one, that is)—be persistent and diligent! Every day brings you closer to forming your new habit. And when you force yourself to practice the new behavior (even though you don’t “feel” like it), it’s like adding one more strand; before long, you’ve got a rope.

You are weeping, child," the old man said as he rested a companionable hand on her shoulder. "So I am," she agreed. But this time she let the tears fall. "Truly, there is more to you than I first saw." He regarded the burning stone with a frown as light flickered along its length and began to die. "I can only see through the gateways using the power of blood. Yet you can simply look, and thereby see." Startled, she turned on him. "I thought you were a great sorcerer. Can't you teach me everything I need to know?" He smiled at her and walked away, but he was only going to sit on his bench of rock. He picked up the rope and began to twist the strands against his thigh. "In the end, only one person can teach you everything you need to know, and that is your own self. If you wish to learn with me, you must be patient. Now." He gestured toward the burning stone. "You must make your choice - there or here. The gateway is closing." The flames flickered lower until they rippled like a sheen of water trembling along the surface of the stone. She was still weeping, gentle tears that slid down her cheeks. "Ai, Lady! What must I do? How can I leave them?" Yet she had known all along that it might come to this. She could never regret the choice she has made before and, knowing what she had known then, she would make the same choice again: to return to Sanglant. But she knew a lot more now. Now she know who her enemies were.

Circumstantial evidence is not, as they [defense counsel] claim, like a chain. You could have a chain spanning the Atlantic Ocean from Nova Scotia to Bordeaux, France, consisting of millions of links, and with one weak link that chain is broken. Circumstantial evidence, to the contrary, is like a rope. And each fact is a strand of that rope. And as the prosecution piles one fact upon another we add strands and we add strength to that rope. If one strand breaks—and I’m not conceding for a moment that any strand has broken in this case—but if one strand does break, the rope is not broken. The strength of the rope is barely diminished. Why? Because there are so many other strands of almost steel-like strength that the rope is still more than strong enough to bind these two defendants to justice. That’s what circumstantial evidence is all about.5

When Bill was a fluffy white blob, the lassie rose and started to dry her thick hair, darkened to milky coffee with rain. Lyle struggled not to notice how the brisk movement of her arms jiggled her generous bosom against her thin blouse. He had a liking for small, curvy women. Or at least he did now. After draping his wet, crumpled towel over another chair, Lyle straightened and stared at his adorably disheveled companion. “Shouldn’t we introduce ourselves?” She lowered the towel from her hair and regarded him with unreadable eyes. To his complete amazement, she dropped into a curtsy. “My name is Flora, sir. I’m a housemaid here.” With difficulty, he stifled a scoffing laugh. His intelligence mustn’t have impressed her. That lie wouldn’t convince the county’s greatest blockhead. Not least because she spoke with a clipped upper-class accent and her hands, while undoubtedly competent, were as smooth and unblemished as any lady’s. “Flora…” he said in a thoughtful voice, studying the wee besom and trying to make sense of this latest twist in their interactions. “Yes, sir,” she said, dropping her gaze with unconvincing humility. What the devil was she playing at, Sir John Warren’s beautiful only child? She’d kept him guessing from the first, which promised interesting times to come. Last week in his London club, her father had offered this girl to Lyle as his bride. Intrigued and faintly annoyed that she judged him daft enough to swallow this twaddle, Lyle decided to allow her enough rope to hang herself. Plastering an ingenuous smile on his face, he stepped closer. “I’m delighted to meet you, Miss Flora. My name is Smith. Ebenezer Smith.

We set our faith in the lines drawn by Star and Fate, that all of our worlds here conjoin to make one rope, each strand a man or woman, all pulling in unison for the joy of life well-lived. In the name of Star, Fate, and Breath, illuminated by Logos, inspired by the example of the Good Man, we will not fail in our duties, though the seas roar and mountains shoot flame.” He added, in a voice barely audible, “And though our own kindred set against us.

contingent of soldiers with you.” Almost opening his mouth in protest, Killian seemed to think the better of it. “Yes, Madam.” He glanced quickly at Talis and the others. “Shouldn’t our guests come as well? The priests should cleanse them of…of any defilement that may have possessed them on their long voyage.” The Madam frowned. “I suppose that is true. The priests must perform their rites. Go on, now.” Talis wondered what kind of rites they practiced here on the island. Whatever it was, it couldn’t be good. He glanced at Rikar who shook his head slightly in a gesture of disapproval. They followed the twins out of the palace with a group of soldiers leading them north along the gardens until they turned east along the wall. Talis snuck a look at the looming outer walls. So close to freedom, if only the Madam hadn’t sent so many soldiers to mind them. But he couldn’t leave without finding his sword. The way opened up to a park surrounded by a wrought-iron fence. Inside, they reached a stand of mangroves. Small wooden temples dotted the interior, with hundreds of strands of white rope stretched from branch to temple roof. White flags with ancient script in gold ink adorned the ropes. Talis recognized some of the characters: death, mountains, volcano, sky, chaos.  “Lieutenant,” Killian said. “Summon the priests, then be on your way. We can manage things ourselves from here on.

Out of yellow and black triple-strand PolyPro, the C and S shapes start to form. You were mesmerized by the way I looped the rope and tightened the noose. "Will it break?" "No. It will break you before you break it." "Good, I will hang nicely then.

Finally, a lack of safe people can wreak havoc in your personal relationship with God. In fact, your “relational condition” and your “spiritual condition” are as intricately connected as strands on a rope.

The truth he hid about his obsessions with rope ran much deeper than the eye could follow. To the outsider, he was an impressive monkey tying and binding, securing, restraining, entangling, and tightening. But beneath that hid the good stuff. The ethereal strands making up the fibers of a soul. Where tying became connecting, binding became trust. Securing was safety and tightening, control.

Your beauty is a darkened form," he began, his voice shooting sparks through her pulse. "Wispy strands within a crippled storm." He slid his finger along the hair near her face. "Weaving its way into every thread... that protects my soul and keeps me dead..." Her heart clenched and seized her breath at those words. "Decayed fibers guard your heart... By terror's strings, you dance the part... My hidden masterpiece in dark so dark... I see the rosy glow upon your scars..." She gasped as tears flooded her eyes. "Down to the marrow of your beautiful soul... I'll trap every shadow in your broken bones... I'll find you in your hellish maze... And set a snare with my blinding rage... Oh, I'll set a snare, of blinding rage... My love... My heart... My soul...