Stranded Man Quotes

Man did not weave the web of life, he is merely a strand in it. Whatever he does to the web, he does to himself.

There will be other lives. There will be other lives for nervous boys with sweaty palms, for bittersweet fumblings in the backseats of cars, for caps and gowns in royal blue and crimson, for mothers clasping pretty pearl necklaces around daughters' unlined necks, for your full name read aloud in an auditorium, for brand-new suitcases transporting you to strange new people in strange new lands. And there will be other lives for unpaid debts, for one-night stands, for Prague and Paris, for painful shoes with pointy toes, for indecision and revisions. And there will be other lives for fathers walking daughters down aisles. And there will be other lives for sweet babies with skin like milk. And there will be other lives for a man you don't recognize, for a face in a mirror that is no longer yours, for the funerals of intimates, for shrinking, for teeth that fall out, for hair on your chin, for forgetting everything. Everything. Oh, there are so many lives. How we wish we could live them concurrently instead of one by one by one. We could select the best pieces of each, stringing them together like a strand of pearls. But that's not how it works. A human's life is a beautiful mess.

Too weird for jocks, and not weird enough for hipsters, I was neither freak nor geek, and that left me stranded in no-man’s-land.

America is woven of many strands. I would recognise them and let it so remain. Our fate is to become one, and yet many.

Love is not control, Logan. Love is partnership. Friendship. A wise man once said, 'If you want to be loved, be lovable.

Whence all this passion towards conformity anyway? Diversity is the word. Let man keep his many parts and you will have no tyrant states. Why, if they follow this conformity business, they'll end up by forcing me, an invisible man, to become white, which is not a color but the lack of one. Must I strive towards colorlessness? But seriously and without snobbery, think of what the world would lose if that should happen. America is woven of many strands. I would recognize them and let it so remain.

She grinned, shaking her head. “It’s a good thing I’m not superstitious. We’ve been stranded in the rain twice in one day. That’s gotta be a sign.” Her smile faded. “Probably not a good one.” “Bullshit. Easy for a man to stick by you in fair weather. It’s the man who stays when the storm is howlin’ that’s worth yer trust.

Lucky Beauty. Her beast was a man in beast trappings. Far scarier is a beast in the trappings of a man.

The unteachable man is sentenced to being taught only by experience. The tragedy is he reaches nothing further than his own pain.

I can't bury another friend." "You won't." "If anything ever happened to you, Rowan-" "Don't" he breathed. "Don't even say it. We dealt with that enough the other night." He lifted a hand - hesitated, and then brushed back a strand of hair that had fallen across her face. His callused fingers scrapped against her cheekbone, then caressed the shell of her ear. It was foolish to even start down that road, when every other man she'd let in had left some wound, in one way or another, accidentally or not. There was nothing tender in his face. Only a predator's glittering gaze. "When we get back," he said, "remind me to prove you wrong about every thought that just went through your head." She lifted an eyebrow. "Oh?" He gave her a sly smile that made thinking impossible. Exactly what he wanted - to distract her from the horrors of tomorrow. "I'll even let you decide how I tell you: with words"- his eyes flickered once to her mouth- "or with my teeth and tongue.

NOT, I’ll not, carrion comfort, Despair, not feast on thee; Not untwist—slack they may be—these last strands of man In me ór, most weary, cry I can no more. I can; Can something, hope, wish day come, not choose not to be.

Fifty stranded whales are a tangible crisis with a visible solution. There’s camaraderie in the process, a Free Willy fantasy, an image of Flipper in everyone’s mind. There’s nothing romantic about waking up a man on a park bench and making him walk to a shelter.

Whilst man is in one location, he thinks of another. Dancing with one woman, he can't help but long to see the quiet curve of another's nude shoulder; to never be satisfied, to never have the mind and body cheerfully stranded in a single location - this is the curse of the human race!

Man did not weave the web of life—he is merely a strand in it. Whatever he does to the web, he does to himself.”1

The earth does not belong to man, man belongs to the earth. All things are connected like the blood that unites one family. Man did not weave the web of life, he is merely a strand in it. Whatever he does to the web, he does to himself. The earth is sacred and men and animals are but one part of it. Treat the earth with respect so that it lasts for centuries to come and is a place of wonder and beauty for our children.

She wasn’t ready for this kind of distraction he caused her. It was bad enough she found him attractive, but having a attractive man in her home was just asking for trouble.

I’m not a mama’s boy or anything. I’m a full-grown man who only occasionally wears diapers (you have to in an EVA suit).

What man doesn't have dress socks and shoes?" he asks pointedly. "You wanna grow up to be a hobo?

Stranded alone with a brutal but delicious alien man that can’t speak English but has great…ahem…body language? Yup, handled.

She had time to make room for him in her closet. The cat had time to get used to him. They had all the time they needed, because he'd told her he was hers, and he was a man of his word. "I've got all I need," she told him. He leaned down and kissed her again, then stroked a finger over her temple, tucking a loose strand of hair behind her ear. "I want you to know," he said. "That you're the best choice I ever made." "No regrets?" "No regrets.

One Day I Wrote Her Name Upon the Strand One day I wrote her name upon the strand, But came the waves and washèd it away: Again I wrote it with a second hand, But came the tide and made my pains his prey. Vain man (said she) that dost in vain assay A mortal thing so to immortalise; For I myself shall like to this decay, And eke my name be wipèd out likewise. Not so (quod I); let baser things devise To die in dust, but you shall live by fame; My verse your virtues rare shall eternise, And in the heavens write your glorious name: Where, when as Death shall all the world subdue, Our love shall live, and later life renew.

The good ones who listen to women to children and the poor die too soon, their lives bedeviled by opposition: our hearts grieve for them. This was the world my father knew. A poor man he saw good men come and mostly go; leaving behind the stranded and bereft. People of hopes, dreams, and so much hard work! Yearning for a future suddenly foreclosed. But today you write me all is well even though the admirable Hugo Chavez has died this afternoon. Never again will we hear that voice of reasoned anger and disgust of passionate vision and of triumph. This is true. But what a lot he did in his 58 years! You say. What a mighty ruckus Hugo Chavez made! This is also true. Thank you for reminding me. That though life - this never-ending loop - has passed us by today but carried off in death a hero of the masses it is his spirit of fiercely outspoken cariño that is not lost. That inheritance has gone instantly into the people to whom he listened and it is there that we will expect it to rise as early as tomorrow; and there that we will encounter it always soon again.

White hair. She remembers one of her bosses, a middle-aged man who used to say how he longed to see a former lover again in old age, when her hair would be feather-white. When we’re really old... when every single strand of our hair has gone white, I want to see her then, absolutely. If there was a time when he would want to see her again, it would certainly be then. When both young and flesh would have fallen away. When there would be no time left for desire. When only one thing would remain to be done once that meeting was over: to separate. To part from their own bodies, and thus to part forever.

You do me proud, Captain. But, dear, I want to say one thing and then I'm done; for you don't need much advice of mine after my good man has spoken. I read somewhere that every inch of rope in the British Navy has a strand of red in it, so wherever a bit of it is found it is known. That is the text of my little sermon to you. Virtue, which means honour, honesty, courage, and all that makes character, is the red thread that marks a good man wherever he is. Keep that always and everywhere, so that even if wrecked by misfortune, that sign shall still be found and recognized. Yours is a rough life, and your mates not all we could wish, but you can be a gentleman in the true sense of the word; and no matter what happens to your body, keep your soul clean, your heart true to those who love you, and do your duty to the end.

A block or two west of the new City of Man in Turtle Bay there is an old willow tree that presides over an interior garden. It is a battered tree, long suffering and much climbed, held together by strands of wire but beloved of those who know it. In a way it symbolizes the city: life under difficulties, growth against odds, sap-rise in the midst of concrete, and the steady reaching for the sun. Whenever I look at it nowadays, and feel the cold shadow of the planes, I think: "This must be saved, this particular thing, this very tree." If it were to go, all would go -- this city, this mischevious and marvelous monument which not to look upon would be like death.

With the spirit of her people those who would not know defeat, even when it stared them in the face, she raised her chin. She could get Rhett back. She knew she could. There had never been a man she couldn't get, once she set her mind upon him. I'll think of it all tomorrow at Tara. I can strand it then. Tomorrow , I'll think of some way to get him back. After all, tomorrow is another day.

Patriotism Breathes there the man with soul so dead, Who never to himself hath said, 'This is my own, my native land!' Whose heart hath ne'er within him burn'd As home his footsteps he hath turn'd From wandering on a foreign strand? If such there breathe, go, mark him well; For him no Minstrel raptures swell; High though his titles, proud his name, Boundless his wealth as wish can claim; Despite those titles, power, and pelf, The wretch, concentred all in self, Living, shall forfeit fair renown, And, doubly dying, shall go down To the vile dust from whence he sprung, Unwept, unhonour'd, and unsung.

Those unearthly eyes were so close, she could see the reflection of her own furious expression in their depths. “I’d rather watch you take a lover than die at my hands.” She knew how much those words must’ve tortured him. Even now, the air was staining bloodred with anger. “And would you let that man live?” she whispered. No response. That gave her hope even when hope seemed impossible. “Then we fight, Judd.” She dared to place her hand gently on his chest. He flinched but didn’t move away. “We fight until every avenue is closed and then we dig under the roadblocks. Because I am not walking away from us.” Strong words, but she was shaking. He could destroy her with a few careless comments. “You’re the strongest, most determined woman I know.” He played his fingers along the strands of her hair. “You’d make mincemeat out of a lesser man. It’s a good thing you belong to me.” Relief almost collapsed her knees. “Not funny.” “I’m serious.” Something very male moved over his face. “If you say yes now, I won’t let you go if you decide I’m not what you want later on down the road. You say yes, you say yes forever. Be sure.

David Copperfield has no magic in him. I'm talking about Santa flying around the world in one night kind of magic. Pumpkins transformed into coaches kind of magic.

Double Indemnity, Gaslight, Saboteur, The Big Clock . . . We lived in monochrome those nights. For me, it was a chance to revisit old friends; for Ed, it was an opportunity to make new ones. And we’d make lists. The Thin Man franchise, ranked from best (the original) to worst (Song of the Thin Man). Top movies from the bumper crop of 1944. Joseph Cotten’s finest moments. I can do lists on my own, of course. For instance: best Hitchcock films not made by Hitchcock. Here we go: Le Boucher, the early Claude Chabrol that Hitch, according to lore, wished he’d directed. Dark Passage, with Humphrey Bogart and Lauren Bacall—a San Francisco valentine, all velveteen with fog, and antecedent to any movie in which a character goes under the knife to disguise himself. Niagara, starring Marilyn Monroe; Charade, starring Audrey Hepburn; Sudden Fear!, starring Joan Crawford’s eyebrows. Wait Until Dark: Hepburn again, a blind woman stranded in her basement apartment. I’d go berserk in a basement apartment.

I read somewhere that every inch of rope used in the British Navy has a strand of red in it, so that wherever a bit of it is found it is known. That is the text of my little sermon to you. Virtue, which means honour, honesty, courage, and all that makes character, is the red thread that marks a good man wherever he is.

Jesus, what a complicated process,” Venkat said. “Try updating a Linux server sometime,” Jack said. After a moment of silence, Tim said, “You know he was telling a joke, right? That was supposed to be funny.” “Oh,” said Venkat. “I’m a physics guy, not a computer guy.” “He’s not funny to computer guys, either.” “You’re a very unpleasant man, Tim,” Jack said.

Far away in the west the sun was setting and the last glow of all too fleeting day lingered lovingly on sea and strand, on the proud promontory of dear old Howth guarding as ever the waters of the bay, on the weedgrown rocks along Sandymount shore and, last but not least, on the quiet church whence there streamed forth at times upon the stillness the voice of prayer to her who is in her pure radiance a beacon ever to the stormtossed heart of man, Mary, star of the sea.

My Name Once when the lawn was a golden green and the marbled moonlit trees rose like fresh memorials in the scented air, and the whole countryside pulsed with the chirr and murmur of insects, I lay in the grass, feeling the great distances open above me, and wondered what I would become and where I would find myself, and though I barely existed, I felt for an instant that the vast star-clustered sky was mine, and I heard my name as if for the first time, heard it the way one hears the wind or the rain, but faint and far off as though it belonged not to me but to the silence from which it had come and to which it would go.

A wise man will know what game to play to-day, and play it. We must not be governed by rigid rules, as by the almanac, but let the season rule us. The moods and thoughts of man are revolving just as steadily and incessantly as nature's. Nothing must be postponed. Take time by the forelock. Now or never! You must live in the present, launch yourself on every wave, find your eternity in each moment. Fools stand on their island opportunities and look toward another land. There is no other land; there is no other life but this, or the like of this. Where the good husbandman is, there is the good soil. Take any other course, and life will be a succession of regrets. Let us see vessels sailing prosperously before the wind, and not simply stranded barks. There is no world for the penitent and regretful.

the world is one great web, and a man dare not touch a single strand lest all the others tremble.

Suddenly William loomed over him, scowling, snarling and bloody, his suit dirt-stained and ripped. “Do you know. How many strands. Of hair I lost. On my way down?” Whatever. “Math was never my thing, but I’m gonna say you lost…a lot.” Electric-blues glittered with menace. “You are a cruel, sadistic bastard. My hair needs TLC and you…you… Damn you! I’ve gutted men for less.” “I know. I’ve watched you.” Paris lumbered to his feet and scanned the rocky bank they stood upon, the crimson ocean lapping and bubbling in every direction. The drawbridge was only a fifty-yard dash away. “Don’t kill the messenger, but I’m thinking you should change your dating profile to balding.” Masculine cheeks went scarlet as the big bad warrior struggled for a comeback. … “One of these days you’re going to wake up,” William finally said, “and I will have shaved you. Everywhere.” “Won’t make a difference. Women will still want me. But you know what else? What I did to you wasn’t cruel, Willy.” He offered the warrior a white-flag grin. A trick. A lie. “This, however, is.” He grabbed William by the wrist, swung the man around and around before at last releasing him and hurling his body directly onto the bridge.

Man I’m tired. Been up all night, and it’s time to sleep. But I’ll drift off to dreamland in the best mood I’ve been in since Sol 6. Things are finally going my way. In fact, they’re going great! I have a chance to live after all! LOG ENTRY: SOL 37 I am fucked, and I’m gonna die!

Ink runs from the corners of my mouth. There is no happiness like mine. I have been eating poetry. The librarian does not believe what she sees. Her eyes are sad and she walks with her hands in her dress. The poems are gone. The light is dim. The dogs are on the basement stairs and coming up. Their eyeballs roll, their blond legs burn like brush. The poor librarian begins to stamp her feet and weep. She does not understand. When I get on my knees and lick her hand, she screams. I am a new man. I snarl at her and bark. I romp with joy in the bookish dark.

To the mind (Geist), good and evil, above and below, are not skeptical, relative concepts, but terms of a function, values that depend on the context they find themselves in…. It regards nothing as fixed, no personality, no order of things: because our knowledge may change from day to day, it regards nothing as binding: everything has the value it has only until the next act of creation, as a face changes with the words we are speaking to it. And so the mind or spirit is the great opportunist, itself impossible to pin down, take hold of, anywhere: on is tempted to believe that of all its influence nothing is left but decay. Every advance is a gain in particular and a separation in general; it is an increase in power leading only to a progressive increase in impotence, but there is no way to quit. Ulrich thought of that body of facts and discoveries, growing almost by the hour, out of which the mind must peer today if it wishes to scrutinize any given problem closely. This body grows away from its inner life. Countless views, opinions, systems of ideas from every age and latitude, from all sorts of sick and sound, waking and dreaming brains run through it like thousands of small sensitive nerve strands, but the central nodal point tying them all together is missing. Man feels dangerously close to repeating the fate of those gigantic primeval species that perished because of their size; but he cannot stop himself.

A well-spoken sentence in Aturan is a straight line pointing. A well-spoken sentence in Adem is like a spiderweb, each strand with a meaning of its own, a piece of something greater, more complex.

must explain Henry early, to avoid disappointment. If I simply said he was a detective, and let it go at that, I should be obtaining the reader's interest under false pretences. He was really only a sort of detective, a species of sleuth. At Stafford's International Investigation Bureau, in the Strand,

She knows we can see her, right?" "The light's behind her," Teagan pointed out. "All she sees is her own reflection." "Face check," Abby said, as Ms Skinner stretched her lips again, then puckered. She dug a lipstick out of her purse and applied it. "Uh-huh. Now the hair," Abby said. As if on cue, Ms. Skinner rearranged her ginger bangs, fluffed them, then twisted a strand around her finger to make it curl. "That woman's man-hunting. Hide your dad, Tea." "Don't ler her get Dad!" Aiden shouted from his fort. "Nobody is getting Dad," Teagan assured him.

Think about what it is you're after." "Understanding," she said slowly. "Good," Bill said. "What else?" A nervous energy was coursing through her, as if she was on the brink of something important. "I want to find out why Daniel and I were cursed. And I want to break that curse.I want to stop love from killing me so that we can finally be together-for real." "Whoa,whoa,whoa." Bill started waving his hands like a man stranded on the side of a dark road. "Let's not get crazy. This is a very long-standing damnation you're up againat here. You and Daniel,it's like...I don't know, you can't just snap your pretty little fingers and break out of that. You gotta start out small.

I stood as she straightened and snaked my arms around her, pulling her close to me, savoring the feel of every delicate curve. For three weeks, I spent my time convincing myself that our breakup was the right choice. But being this close to her, hearing her laugh, listening to her voice, I knew I had been telling myself lies. Her eyes widened when I lowered my head to hers. “It doesn’t have to be this way. We can find a way to make us work.” She tilted her head and licked her lips, whispering through shallow breaths, “You’re not playing fair.” “No, I’m not.” Echo thought too much. I threaded my fingers into her hair and kissed her, leaving her no opportunity to think about what we were doing. I wanted her to feel what I felt. To revel in the pull, the attraction. Dammit, I wanted her to undeniably love me. Her pack hit the floor with a resounding thud and her magical fingers explored my back, neck and head. Echo’s tongue danced manically with mine, hungry and excited. Her muscles stiffened when her mind caught up. I held her tighter to me, refusing to let her leave so easily again. Echo pulled her lips away, but was unable to step back from my body. “We can’t, Noah.” “Why not?” I shook her without meaning to, but if it snapped something into place, I’d shake her again. “Because everything has changed. Because nothing has changed. You have a family to save. I …” She looked away, shaking her head. “I can’t live here anymore. When I leave town, I can sleep. Do you understand what I’m saying?” I did. I understood all too well, as much as I hated it. This was why we ignored each other. When she walked away the first time, my damn heart ruptured and I swore I’d never let it happen again. Like an idiot, here I was setting off explosives. Both of my hands wove into her hair again and clutched at the soft curls. No matter how I tightened my grip, the strands kept falling from my fingers, a shower of water from the sky. I rested my forehead against hers. “I want you to be happy.” “You, too,” she whispered. I let go of her and left the main office. When I first connected with Echo, I’d promised her I would help her find her answers. I was a man of my word and Echo would soon know that.

Mathematicians still don’t understand the ball our hands made, or how your electrocuted grandparents made it possible for you to light my cigarettes with your eyes. It isn’t as simple as me climbing into the window to leave six ounces of orange juice and a doughnut by the bed, or me becoming the sand you dug your toes in, on the beach, when you wished to hide them from the sun and the fixed eyes of strangers, and your breath broke in waves over my earlobe, splashing through my head, spilling out over the opposite lobe, and my first poems under your door in the unshaven light of dawn: Your eyes remind me of a brick wall about to be hammered by a drunk driver. I’m that driver. All night I’ve swallowed you in the bar. Once I kissed the scar, stretching its sealed eyelid along your inner arm, dried raining strands of hair, full of pheromones, discovered all your idiosyncratic passageways, so I’d know where to run when the cops came. Your body is the country I’ll never return to. The man in charge of what crosses my mind will lose fingernails, for not turning you away at the border. But at this moment when sweat tingles from me, and blame is as meaningless as shooting up a cow with milk, I realise my kisses filled the halls of your body with smoke, and the lies came like a season. Most drunks don’t die in accidents they orchestrate, and I swallowed a hand grenade that never stops exploding.

I simply said he was a detective, and let it go at that, I should be obtaining the reader's interest under false pretences. He was really only a sort of detective, a species of sleuth. At Stafford's International Investigation Bureau, in the Strand,

He reaches forward slowly, to lift the pen from my lax grip. Wearily I regard the faltering trail of ink it has tracked down my page. I have seen that shape before, I think, but it was not ink then. A trickle of drying blood on the deck of a Red-Ship, and mine the hand that spilled it? Or was it a tendril of smoke rising black against a blue sky as I rode too late to warn a village of a Red-Ship raid? Or poison swirling and unfurling yellowly in a simple glass of water, poison I had handed someone, smiling all the while? The artless curl of a strand of woman's hair left upon my pillow? Or the trail of a man's heels left in the sand as we dragged the bodies from the smoldering tower at Sealbay? The track of a tear down a mother's cheek as she clutched her Forged infant to her despite his angry cries? Like Red-Ships, the memories come without warning, without mercy.

it go at that, I should be obtaining the reader's interest under false pretences. He was really only a sort of detective, a species of sleuth. At Stafford's International Investigation Bureau, in the Strand, where he was employed, they did not require

While working at a sawmill, he slipped and fell against the whirring blade, which tore through his upper body at the shoulder, creating a hole so large that his internal organs were exposed—one witness claimed he could see the poor man’s beating heart—and leaving his arm attached by just a few strands of glistening sinew. The millworkers bound the injuries as best they could and carried Lindbergh home, where he lay in silent agony for three days awaiting the arrival of a doctor from St. Cloud, forty miles away. When the doctor at last reached him, he took off the arm and sewed up the gaping cavity. It was said that Lindbergh made almost no sound. Remarkably, August Lindbergh recovered and lived another thirty years. Stoicism became the Lindbergh family’s most cultivated trait.

I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat. “This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand. My gaze dropped to it and I made no attempt to take it. Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?” His question caught me off guard, but I kept quiet. He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.” “She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.” As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded. Rolland chuckled. “She’s had a rough day, Sadi.” At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag. “Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.” “Are you?” Daemon replied.
 Every hair on my body rose as my arms unfolded.
 “Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans. And oh, hell to the no. “Get your hands off him.”
 Sadi’s head snapped in my direction. “Excuse me?”
 “I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.” One side of her plump red lips curled up. “You want to make me?”
 In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away. “Stop it,” he murmured, voice dropped low in that teasing way of his. I saw red. The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red— “And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails. The pictures settled as I gaped at him. Being slapped in the face would’ve been better.

It was evening, the hour of speculation; Phil pondered how one man passes a gift on to another, how like the very chains and lengths of rawhide rope a man makes, human character is woven on a strand of this and a strand of that--sometimes beautifully and sometimes poorly. It was in simple homage to Joe and to Bronco Henry, those two braiders and plaiters, that Phil braided now. Each had taught him something.

Five members of the heretical sect of Quakers have been arrested,” he says, smiling blandly, “and more arrests are anticipated.” Two of the Quakers appear onscreen, a man and a woman. They look terrified, but they’re trying to preserve some dignity in front of the camera. The man has a large dark mark on his forehead; the woman’s veil has been torn off, and her hair falls in strands over her face. Both of them are about fifty.

There, in the unconscious, we sleep upon the psyche's oceanic floor, together like some vast bed of kelp, each wavering strand an individual American, swaying in the currents of national suggestion. In the form of a giant Portuguese man-of-war, our government hovers, rippling above us, showering freshly produced national memory spores on the fertile bed of our forgetfulness. Schools of undulating corporate jellyfish pass over, sowing the brands of products and services ... followed by the octopi called media and marketing, issuing milky clouds of sperm to fertilise the seeds with the animating plasma of The Great Dream.

Ich begriff, dass ich das Gleichgewicht des Tages, das ungewöhnliche Schweigen des Strandes zerstört hatte, an dem ich glücklich gewesen war. Dann schoss ich noch viermal auf einen leblosen Körper, in den die Kugeln eindrangen, ohne dass man es sah. Und es waren gleichsam vier kurze Schläge an das Tor des Unheils.

There’s something primal, something instinctive, about being with a man like him. Like he could catch a fish if I were hungry or fix my car if I were stranded. I’m no damsel in distress, my father ensured I’d always have the tools to take care of myself, but I can’t deny how much I adore the feeling of being . . . safe.

So I ask again — if a man who experiences such limited access to his own mental capacities can do such incredible work, how much more grand is the work of our Heavenly Father as he pulls together all the varied strands of life to reveal his grand design? Sometimes he uses soft and delicate colors; at other times he chooses dramatic and vibrant ones.

...but the world is one great web, and a man dare not touch a single strand lest all the others tremble.

This is so,” Illyrio agreed, “but the world is one great web, and a man dare not touch a single strand lest all the others tremble. More wine?

The summer evening had begun to fold the world in its mysterious embrace. Far away in the west the sun was setting and the last glow of all too fleeting day lingered lovingly on sea and strand, on the proud promontory of dear old Howth guarding as ever the waters of the bay, on the weedgrown rocks along Sandymount shore and, last but not least, on the quiet church whence there streamed forth at times upon the stillness the voice of prayer to her who is in her pure radiance a beacon ever to the storm-tossed heart of man, Mary, star of the sea.

IV REVEILLE Wake: the silver dusk returning Up the beach of darkness brims, And the ship of sunrise burning Strands upon the eastern rims. Wake: the vaulted shadow shaatters, Trampled to the floor it spanned, And the tent of night in tatters Straws the sky-pavilioned land. Up, lad, up, 'tis late for lying: Hear the drums of morning play; Hark, the empty highways crying "Who'll beyond the hills away?" Towns and countries woo together, Forelands beacon, belfries call; Never lad that trod on leather Lived to feast his heart with all. Up, lad: thews that lie and cumber Sunlit pallets never thrive; Morns abed and daylight slumber Were not meant for man alive. Clay lies still, but blood's a rover; Breath's a ware that will not keep Up, lad: when the journey's over There'll be time enough to sleep.

An anomaly which often struck me in the character of my friend Sherlock Holmes was that, although in his methods of thought he was the neatest and most methodical of mankind, and although also he affected a certain quiet primness of dress, he was none the less in his personal habits one of the most untidy men that ever drove a fellow-lodger to distraction. Not that I am in the least conventional in that respect myself. The rough-and-tumble work in Afghanistan, coming on the top of a natural Bohemianism of disposition, has made me rather more lax than befits a medical man. But with me there is a limit, and when I find a man who keeps his cigars in the coal-scuttle, his tobacco in the toe end of a Persian slipper, and his unanswered correspondence transfixed by a jack-knife into the very centre of his wooden mantelpiece, then I begin to give myself virtuous airs. I have always held, too, that pistol practice should be distinctly an open-air pastime; and when Holmes, in one of his queer humors, would sit in an arm-chair with his hair-trigger and a hundred Boxer cartridges, and proceed to adorn the opposite wall with a patriotic V. R. done in bullet-pocks, I felt strongly that neither the atmosphere nor the appearance of our room was improved by it.

In that panic I convinced myself that this was all my fault; had I not come here under false pretenses, the lie that was my photograph? Did my husband not have the right to be disappointed in me? And I had been callow and stupid to criticize him. I thought of the night a week before when he praised the meal I had cooked and had allowed me to sit and eat with him. He was not a bad man; I was a bad wife. I would have to become a better one, that was all. It was the only way I could walk back into that little bungalow: to embrace the illusion that I could somehow change the situation, that I had some say over it. To admit that I had no say—that was too terrifying to contemplate. And so I sat there on the ground, weaving an illusion from strands of desperation, until at last I got up and started the long walk back to my husband’s house.

It is along the strands of the world that the privilege of possessing children is most blatantly seen. What torment for the spinster and the childless man, to see the various sizes of little demons and angels ranged along the tide line. Like some species of migratory animal. The human animal began as a mere wriggling thing in the ancient seas, struggling out onto land with many regrets. That is what brings us so full of longing to the sea.

As he strode across the strand, a drowned man returning from a call of nature stumbled into him in the darkness. “Damphair,” he murmured. Aeron laid a hand upon his head, blessed him, and moved on. The ground rose beneath his feet, gently at first, then more steeply. When he felt scrub grass between his toes, he knew that he had left the strand behind. Slowly he climbed, listening to the waves. The sea is never weary. I must be as tireless.

Everything about the man screamed danger, so, of course, I was drawn to him like a moth to a flame. Confidence radiated off of him in waves. I was immediately reminded of how you could tell a man made love by the way he danced.

She was lying on the bed, side by side with Stephan and Javier, Stephan in the middle, looking at his phone. Javier’s head was on his shoulder. Bianca and Stephan were holding hands. … She gripped my hair in both hands, stroking through the strands. I started kissing her skin, and quickly got carried away. “Seriously, man?” Stephan asked as I used my nose to push her shorts lower, mouth following. “Just so you know, these sheets haven’t been changed today.” I waited a beat. “And we had a busy morning.” “Oh God!” Javier said, jumping up. “That’s messed up, man,” Stephan said with a laugh, getting up more slowly. It worked. They gave us a moment of privacy. Well, more like an hour.

They’re astronauts,” Venkat confirmed. “Well. That’s a ludicrous idea and I’ll never okay it.” “We’ll work on it some more,” Venkat said. “Try to make it safer.” “Do that. Any idea how to keep him alive for four years?” “Nope.” “Work on that, too.” “Will do,” Venkat said. Teddy swiveled his chair and looked out the window to the sky beyond. Night was edging in. “What must it be like?” he pondered. “He’s stuck out there. He thinks he’s totally alone and that we all gave up on him. What kind of effect does that have on a man’s psychology?” He turned back to Venkat. “I wonder what he’s thinking right now.” LOG ENTRY: SOL 61 How come Aquaman can control whales? They’re mammals! Makes no sense.

Tell me, when your wife died...how did you go on living?" He opened his mouth and closed it without answering. She turned away. They went back through the forest to the sea. On the stony strand of the isle, he was still unable to speak. He watched as she unclipped and let fall her purple cloak, and then dropped the brooch that has pinned it and turned and went away along the white stones. The man named Mariscus followed her out of sight. How did you go on living?

To make a good man, God has to use all of his skill. Some of the goodness of God himself goes into such a man. And when the man is ready to take his place on the earth, God must feel the pride that I feel when I look at the rug I am weaving, at the strands that bind closely together and knot and make a pattern, and at the beauty of the colours. Such a long day's work to make a good man! And yet, one bullet that takes a second to speed through the air and strike a man will kill him in an instant. How can God forgive such a thing? And yet He can, so it is said, for His heart is great and His forgiveness infinite, if the sinner repents. But I am not God and I cannot forgive the man who killed my brother.

Identity politics forces those who ask for our support to do their jobs: To understand that the self-made man got zoned into a good school district and received a high-quality education, one that wouldn’t have existed if his zip code changed by a digit. To recognize that the woman on welfare with three kids is the product of divorce in a state where she risks losing food stamps if her low-wage job pays her too much. Or that the homeless junkie is an Iraq War veteran who was in the National Guard but lost his job due to multiple deployments and didn’t qualify for full VA care. And that the laborer is a migrant farmworker who overstayed his visa to care for his American-born children. Single-strand identities do not exist in a household, let alone in a nation.

...The man who stood before her was taller and stranger than anyone she had ever encountered. His unkempt hair was a long dark brown, partially braided and twisted around twigs, the tips of his pointed ears poking between strands. His bare chest made her flush, but it was completely covered in green inked tattoos. Leather breeches creaked when he shifted. He held his hand out to her, uncurling fingers with long nails. "Aislin," he repeated, his voice gruff and purring, "do not be frightened. I have been waiting so long for you.

Thought I saw you on the beach this morning...Thought I saw you standing on the white strand, your back to the wind. The rain had stopped and there was a brisk clarity in the air. You watched me over your left shoulder, head tucked in coyly. Seabirds flying low in the sky, and the grey-green waves at your foot. A whole panorama thrown up behind you. I was on the coast road coming back from the shops. I stopped walking once I caught sight of you. You were wearing a reefer jacket with the collar turned up against the weather. It might have been navy, but it looked black in the distance. As did your trousers. As did your shoes. All of you was black except your face and hair. You wore no hat...Never once saw you in Winter clothes, yet there you were as clear as day for a whole moment. Only your eyes were visible above the upturned collar. Your hair was in your eyes. You watched me through those pale strands. And I watched you. Intently. The man from down the road drove by in his faded red car. He was going the other way, so he didn't offer a lift. He just waved. I waved back. And then I turned to you again, and we looked at each other a little longer. Very calm. Heart barely shifted. Too far away to see your features. No matter. There was salt on your face. Sea salt. It was in your hair. It was on your mouth. It was all over you, as though you gazed at me through ice. And it was all over me. It tingled on my skin. After a time I moved off, and you broke into two. You realigned yourself into driftwood and stone. I came inside and lit a fire. Sat in front of it and watched it burn. The window fogged up as my clothes and hair dried out. That was hours ago. The fire is nearly gone. But I can still taste the salt on my lips. It is a dry and stinging substance and it is everywhere now. It has touched everything that is left. Coated every surface with its sparkling silt. I will always be thirsty.

I heard Nik bellow, “Aimee. Get your ass back in here, now!” As the doors slid closed, I flipped him off. Just who did that man think he was? I would figure this out myself. I was sick and tired of these powerful, commanding men telling me what to do with my life. They could all go to hell. *****

Having to deal with all of this surrealism was one thing, but it didn’t help matters that Aaron was mesmerizing to the point of distraction. Those eyes. That voice. That hair…well maybe not the hair. Those blonde strands were looking a little more chaos than organized since she’d last seen him several months ago. But that body. Man, that body. And that face. It was all too much to take, especially as Beckit was trying to process all of this new information. She was seriously beginning to think that he should have come with a government-issued warning label: DO NOT STARE DIRECTLY INTO THE FINE.

Collins was in the space capsule all alone. While his partners were down there collecting rocks, Collins was manning the wheel. Twenty-six times he circled the moon—solo. Imagine? He was completely out of radio contact. Couldn’t talk to his partners. Couldn’t talk to NASA. He was cut off from every living soul in the universe. If he panicked, if he fucked up, if he pushed the wrong button, he’d strand Armstrong and Aldrin. Or if they did something wrong, if their lunar car broke down, if they couldn’t restart the thing, if they couldn’t blast off and reconnect with Collins forty-five miles above the moon, he’d have to head back to earth all by himself. Leave his partners to die. Slowly running out of air. While watching earth in the distance. It was such a real possibility, Collins returning to earth by himself, that Nixon wrote up a speech to the nation. Collins—now that’s one stone-cold wheelman. That’s the guy you want sitting at the wheel of a gassed-up Ford while you’re inside a bank.

Every night, millions of Americans spend their free hours watching television rather than engaging in any form of social interaction. What are they watching? In recent years we have seen reality television become the most popular form of television programming. To discover the nature of our current “reality,” we might consider examples such as Survivor, the series that helped spawn the reality TV revolution. Every week tens of millions of viewers watched as a group of ordinary people stranded in some isolated place struggled to meet various challenges and endure harsh conditions. Ah, one might think, here we will see people working cooperatively, like our ancient ancestors, working cooperatively in order to “win”! But the “reality” was very different. The conditions of the game were arranged so that, yes, they had to work cooperatively, but the alliances by nature were only temporary and conditional, as the contestants plotted and schemed against one another to win the game and walk off with the Grand Prize: a million dollars! The objective was to banish contestants one by one from the deserted island through a group vote, eliminating every other contestant until only a lone individual remained—the “sole survivor.” The end game was the ultimate American fantasy in our Age of Individualism: to be left completely alone, sitting on a mountain of cash! 　　While Survivor was an overt example of our individualistic orientation, it certainly was not unique in its glorification of rugged individualists on American television. Even commercial breaks provide equally compelling examples, with advertisers such as Burger King, proclaiming, HAVE IT YOUR WAY! The message? America, the land where not only every man and every woman is an individual but also where every hamburger is an individual! 　　Human beings do not live in a vacuum; we live in a society. Thus it is important to look at the values promoted and celebrated in a given society and measure what effect this conditioning has on our sense of independence or of interdependence

I saw him with her last week, at a coffeehouse near my apartment. They were holding hands. She’s captivated him.” “The Lakota Captive.” Leta made a line in the air with her hand. “I can see it now, the wily, brave Lakota warrior with the brazen white woman pioneer. She carries him off into the sunset over her shoulder…” Cecily whacked her with a strand of grass she’d pulled. “You write history your way, I’ll write it my way,” Leta said wickedly. “Native Americans are stoic and unemotional,” Cecily reminded her. “All the books say so.” “We never read many books in the old days, so we didn’t know that,” came the dry explanation. She shook her head. “What a sad stereotype so many make of us-a bloodthirsty ignorant people who never smile because they’re too busy torturing people over hot fires.” “Wrong tribe,” Cecily corrected. She frowned thoughtfully. “That was the northeastern native people.” “Who’s the Native American here, you or me?” Cecily shrugged. “I’m German-American.” She brightened. “But I had a grandmother who dated a Cherokee man once. Does that count?” Leta hugged her warmly. “You’re my adopted daughter. You’re Lakota, even if you haven’t got my blood.

You don’t read a poem to find the meaning of life. The opposite. I mean, you’d be foolish to. Now, some American poets present the reader with a slice of life, saying, I went to the store today, and I saw a man, and he looked at me, and I looked at him, and we both knew we were … thieves. And aren’t we all thieves? You know, this is extracting from everyday experience a statement about life, or a moral.

Morrow's rush of disgust, temporary as it might prove, had nothing to do with the truths-turned-insults flung out. No. What riled Morrow ran far deeper - was the sheer perversity of Chess's own nature, that unbreakable wilfulness he'd always revered in himself, as sign and source of his own freedom. His stark refusal ever to be bound, to obey aught but his own whim and want. Because while he could walk free and hold a gun Chess Pargeter answered to no man - no man, no law, no damn body, motherfucker. No ideal, no cause, no force but sheer chaos, bound and determined to move unimpeded and burn for the sake of burning. To never submit himself to ghost or hex or priest or even God, 'less he damn well wanted to. No man except Ash Rook, that was - for a time. And after this last betrayal, from now on... not even him. 'Course not, Morrow's anger spoke back, unimpressed by Chess's well-tuned inner litany. That's 'cause you're nothing but a brat who never grew up - a skillet-hopping little hot-pants who knows everything 'bout killing and nothing at all 'bout living. Who spits on friendship, duty and honour not 'cause he's above them, so much as 'cause he don't know what they even mean - same way you don't really grasp how anything's real, 'cept if you want it, or it hurts you. And that's why you ended up givin' everything you had to a man who skinned you alive, then left you stranded down in Hell - 'cause he was what you wanted, and Christ forbid Chess Pargeter ever admit what he wanted was a goddamn bad idea. You made it easy for him, Chess, you damn fool. 'Cause you couldn't believe you deserved anything better. And me? I'd never do that to you, or anyone. Never.

I hate your kind." "Because someone like me made you?" He laughs again. "I'm surprised you aren't more pleased to meet me. You're as close as anyone ever comes to meeting God. Come now, don't you have any questions for God?" Emiko scowls at him, nods at the cheshires. "If you were my God, you would have made New People first." The old gaijin laughs. "That would have been exciting." "We would have beaten you. Just like the cheshires." "You may yet." He shrugs. "You do not fear cibiscosis or blister rust." "No." Emiko shakes her head. "We cannot breed. We depend on you for that." She moves her hand. Telltale stutter-stop motion. "I am marked. Always, we are marked. As obvious as a ten-hands or a megodont." He waves a hand dismissively. "The windup movement is not a required trait. There is no reason it couldn't be removed. Sterility. . ." He shrugs. "Limitations can be stripped away. The safeties are there because of lessons learned, but they are not required; some of them even make it more difficult to create you. Nothing about you is inevitable." He smiles. "Someday, perhaps, all people will be New People and you will look back on us as we now look back at the poor Neanderthals." Emiko falls silent. The fire crackles. Finally she says, "You know how to do this? Can make me breed true, like the cheshires?" The old man exchanges a glance with his ladyboy. "Can you do it?" Emiko presses. He sighs. "I cannot change the mechanics of what you already are. Your ovaries are non-existent. You cannot be made fertile any more than the pores of your skin supplemented." Emiko slumps. The man laughs. "Don't look so glum! I was never much enamored with a woman's eggs as a source of genetic material anyway." He smiles. "A strand of your hair would do. You cannot be changed, but your children—in genetic terms, if not physical ones—they can be made fertile, a part of the natural world." Emiko feels her heart pounding. "You can do this, truly?" "Oh yes. I can do that for you." The man's eyes are far away, considering. A smile flickers across his lips. "I can do that for you, and much, much more.

On Growing Old Be with me, Beauty, for the fire is dying; My dog and I are old, too old for roving. Man, whose young passion sets the spindrift flying, Is soon too lame to march, too cold for loving. I take the book and gather to the fire, Turning old yellow leaves; minute by minute The clock ticks to my heart. A withered wire, Moves a thin ghost of music in the spinet. I cannot sail your seas, I cannot wander Your cornland, nor your hill-land, nor your valleys Ever again, nor share the battle yonder Where the young knight the broken squadron rallies. Only stay quiet while my mind remembers The beauty of fire from the beauty of embers. Beauty, have pity! for the strong have power, The rich their wealth, the beautiful their grace, Summer of man its sunlight and its flower. Spring-time of man, all April in a face. Only, as in the jostling in the Strand, Where the mob thrusts, or loiters, or is loud, The beggar with the saucer in his hand Asks only a penny from the passing crowd, So, from this glittering world with all its fashion, Its fire, and play of men, its stir, its march, Let me have wisdom, Beauty, wisdom and passion, Bread to the soul, rain when the summers parch. Give me but these, and though the darkness close Even the night will blossom as the rose.

What emerges from these separate strands of (modern) history is an image of man himself that bears a new, stark, more nearly naked, and more questionable aspect. The contraction of man's horizons amounts to a denudation, a stripping down, of this being who has now to confront himself at the center of all his horizons. The labor of modern culture, whenever it has been authentic, has been a labor of denudation. A return to the sources; "to the things themselves," as Husserl puts it; toward a new truthfulness, the casting away of ready-made presuppositions and empty forms - these are some of the slogans under which this phase in history has presented itself. Naturally enough, much of this stripping down must appear as the work of destruction, as revolutionary or even "negative": a being who has become thoroughly questionable to himself must also find questionable his relation to the total past which in a sense he represents.

It ascended by levels: Da's cameo recessed against the glow of the tuner's parade,the drawer of utensils withdrawn past its fulcrum, the disembodied face of my brother miming and distorting my desperate attempt by expression alone to make Mum look up from me and see him, I no longer feeling my features' movements so much as seeing them on that writhing white face against the pantry's black, the throttle-popped eyes and cheeks ballooning against the gag's restraint, Mum squatting chairside to even my ears, my face before us bother farther and farther from my own control as I saw in his twin face what all lolly-smeared hand-held brats must see in the fun-house mirror- the gross and pitiless sameness, the distortion in which there is, tiny, at the center, something cruelly true about the we who leer and woggle at stick necks and and concave skulls, goggling eyes that swell to the edges- as the mimicry ascended reflected levels to become finally the burlesque of a wet hysteria that plastered cut strands to a wet white brow, the strangled man's sobs blocked by cloth, storm's thrum and electric hiss and Da's mutter against the lalation of shears meant for lambs, an unseen fit that sent my eyes upward again and again into their own shocked white, knowing past sight that my twin's face would show the same, to mock it- until the last refuge was slackness, giving up the ghost completely for a blank sack gagged mask's mindless stare-un seen and seeing- into a mirror I could not know or feel myself without. No not ever again.

That was your forest. Where you hunted.” He came closer to the painting, gazing at the bleak, empty cold, the white and gray and brown and black. “This was your life,” he clarified. I was too mortified, too stunned, to reply. He walked to the next painting I’d left against the wall. Darkness and dense brown, flickers of ruby red and orange squeezing out between them. “Your cottage at night.” I tried to move, to tell him to stop looking at those ones and look at the others I’d laid out, but I couldn’t—couldn’t even breathe properly as he moved to the next painting. A tanned, sturdy male hand fisted in the hay, the pale pieces of it entwined among strands of brown coated with gold—my hair. My gut twisted. “The man you used to see—in your village.” He cocked his head again as he studied the picture, and a low growl slipped out. “While you made love.” He stepped back, looking at the row of pictures. “This is the only one with any brightness." Was that … jealousy? “It was the only escape I had.” Truth. I wouldn’t apologize for Isaac. Not when Tamlin had just been in the Great Rite. I didn’t hold that against him—but if he was going to be jealous of Isaac— Tamlin must have realized it, too, for he loosed a long, controlled breath before moving to the next painting. Tall shadows of men, bright red dripping off their fists, off their wooden clubs, hovering and filling the edges of the painting as they towered over the curled figure on the floor, the blood leaking from him, the leg at a wrong angle. Tamlin swore. “You were there when they wrecked your father’s leg.” “Someone had to beg them to stop.” Tamlin threw a too-knowing glance in my direction and turned to look at the rest of the paintings. There they were, all the wounds I’d slowly been leeching these few months. I blinked. A few months. Did my family believe that I would be forever away with this so-called dying aunt? At last, Tamlin looked at the painting of the glen and the starlight. He nodded in appreciation. But he pointed to the painting of the snow-veiled woods. “That one. I want that one.

Paper Bag" I was staring at the sky, just looking for a star To pray on, or wish on, or something like that I was having a sweet fix of a daydream of a boy Whose reality I knew, was a hopeless to be had But then the dove of hope began its downward slope And I believed for a moment that my chances Were approaching to be grabbed But as it came down near, so did a weary tear I thought it was a bird, but it was just a paper bag Hunger hurts, and I want him so bad, oh it kills 'Cause I know I'm a mess he don't wanna clean up I got to fold 'cause these hands are too shaky to hold Hunger hurts, but starving works, when it costs too much to love And I went crazy again today, looking for a strand to climb Looking for a little hope Baby said he couldn't stay, wouldn't put his lips to mine, And a fail to kiss is a fail to cope I said, 'Honey, I don't feel so good, don't feel justified Come on put a little love here in my void,' he said 'It's all in your head,' and I said, 'So's everything' But he didn't get it I thought he was a man But he was just a little boy Hunger hurts, and I want him so bad, oh it kills 'Cause I know I'm a mess he don't wanna clean up I got to fold 'cause these hands are too shaky to hold Hunger hurts, but starving works, when it costs too much to love Hunger hurts, but I want him so bad, oh it kills 'Cause I know I'm a mess he don't wanna clean up I got to fold 'cause these hands are too shaky to hold Hunger hurts, but starving works, when it costs too much to love Hunger hurts, but I want him so bad, oh it kills Because I know that I'm a mess that he don't wanna clean up I got to fold because these hands are just too shaky to hold Hunger hurts, but starving, it works, when it costs too much to love

Brightly and merrily swaying, like an April shower, came the young lady. Perhaps if she had been sad and conscience stricken, like certain dames of old who left the site of their illicit love as woe-begone as the passing moment that never returns; if the lady had approached in full cognizance of her frailty, ready to forego a man's respectful handkisses of greeting, and trembling in shame at the tryst exposed in broad daylight, like Risoulette, sixty-six times, whenever having misbehaved, she hastened back home teary-eyed to her Captain; or if a lifelong memory's untearable veil had floated over her fine features, like the otherworldly wimple of a nun . . . Then Pistoli would have stood aside, closed his eyes, swallowed the bitter pill, and come next winter, might have scrawled on the wall something about women's unpredictability. Then he would have glimpsed ghostly, skeletal pelvic bones reflected in his wine goblet, and strands of female hair, once wrapped around the executioner's wrist, hanging from his rafters; and would have heard wails and cackles emanating from the cellar's musty wine casks, but eventually Pistoli would have forgiven this fading memory, simply because women are related to the sea and the moon, and that is why at times they know not what they do.

then “man-computer symbiosis,” as Licklider called it, will remain triumphant. Artificial intelligence need not be the holy grail of computing. The goal instead could be to find ways to optimize the collaboration between human and machine capabilities—to forge a partnership in which we let the machines do what they do best, and they let us do what we do best. SOME LESSONS FROM THE JOURNEY Like all historical narratives, the story of the innovations that created the digital age has many strands. So what lessons, in addition to the power of human-machine symbiosis just discussed, might be drawn from the tale? First and foremost is that creativity is a collaborative process. Innovation comes from teams more often than from the lightbulb moments of lone geniuses.

You were just in South Dakota a couple of weeks ago,” he pointed out. “Why didn’t you get it then?” “It wasn’t available then.” She brushed back a tiny strand of loose hair. “Don’t cross-examine me, okay? It’s been a long day.” He ran a hand around the back of his neck, under his braid of hair, and stared at her own hair in the tight bun at her nape as she replaced the errant strand. “I thought you took it down at night.” “At bedtime,” she corrected. His eyes narrowed. “Lucky Colby,” he said deliberately. She wasn’t going to give him any rope to hang her with. She just smiled. He glared at her. “He won’t change,” he said flatly. “I don’t care,” she said. “I appreciate all you’ve done for me, Tate, but my private life is my own business, not yours.” “That’s a hell of a way to talk to me.” “That works both ways,” she replied, eyes narrowing. “What gives you the right to ask questions about the men I date?” Her words made him mad. His lips compressed until they made a straight line. He looked like his father when he was angry. He finished his coffee in a tense silence and got to his feet. He glanced at his watch. “I’ve got to go. I just wanted to see how you were.” “You just wanted to see if Colby was here,” she corrected and smiled mirthlessly when he blinked. “You know I don’t approve of Colby,” he told her. “Like I care?” she said. He took a step toward her. His black eyes glittered with conflicting emotions. She aroused him more lately than any woman he’d ever known. Just looking at her sent him over the edge. On some level she recognized the tension in him, the need that he was denying. He was upset about Matt Holden pulling him out of the security work, not because of the money, but rather because it seemed nothing more than spite. Actually Holden was saving them both from a political upheaval because he could have been accused of nepotism. But deeper than that was a frustration because he wanted a woman he couldn’t have. Cecily knew that at some level. He was trying to start a fight. She couldn’t let him. “Colby is a sweet man,” she said gently. “He’s good company and he doesn’t drink around me, ever.” “He’s an alcoholic,” he said quietly, trying to control the anger. “I told you before, he’s in therapy,” she said. “He’s trying, Tate.” “So you expect me not to worry about you? After what my own father put me and my mother through?

Oscar pushed a strand of her loose raven hair behind her ear, and Camille knew she hadn’t completely failed. The man she loved, and who loved her, was alive when, under all normal circumstance, he shouldn’t be. How could that be seen as failure? “You know, and I know.” Oscar paused to take a breath. “William would never have approved of us being together.” He held his eyes level with hers, as if trying to detect any flicker of doubt or apprehension in her. “We won’t be tying bait bags for a living, will we?” she asked, willing to give up her wealth, her good name, but never her dignity. Oscar laughed. “No bait bags.” “Well, of that my father would at least approve. And even if he didn’t,” she said with a sly grin, “I do.” She rose to the tips of her toes and kissed him. “Oy, lovebirds!” Ira shouted from the ground. He and Samuel had reached the base and now looked into the sunlight, shielding their eyes with the planes of their hands. “Should I build a campfire and start sending smoke signals? Here we are, beasties! Come have lunch!” Oscar’s familiar sarcasm slipped back into place. “No smoke signals needed, Ira, the shouting will do just fine.” He released his arms from around her waist, and Camille reluctantly let him go, too. He descended the first boulder. “I’ll go first, in case you slip.” Oscar’s eyes came level with Camille’s ratty wool stockings. He looked up at her, his dimples as irresistible as the first time she’d seen them. “Well, at least it’s an improvement from bare feet,” he said. Camille wiggled her toes, laughing. She started down the mound of boulders toward the world that lay ahead, her footing sure and steady.

Auch wenn ich sie bereits im Bikini gesehen – also richtig angestarrt – hatte, war es beim Surfunterricht wieder etwas vollkommen anderes, da ich nun näher herantreten musste. Natürlich nur, um ihre Beine richtig zu positionieren oder ihre Haltung auszubessern, während ich beim Trockentraining am Strand erklärte: »Du musst in der Mitte immer fest bleiben, sonst hast du am Brett auf der Welle keine Chance. Körperspannung ist das A und O beim Surfen. Und natürlich Talent«, witzelte ich großspurig und Sarah verdrehte die hübschen, grünen Augen. »Klar, du hast aber auch überall Talente, stimmt‘s?« »Stimmt genau!« »Kann man Selbstbewusstsein eigentlich irgendwo in einer Dose kaufen? Du scheinst das ja mit Löffeln zu futtern wie andere Nutella«, gab sie schlagfertig zurück. Unbekümmert zuckte ich die Schultern. »Klar, haben sie jetzt drüben bei Wal-Mart. Aber nur für Kunden über 1,60. Tut mir leid, knapp verpasst.«

I didn’t know my dad in person and I never got to say goodbye to him at his funeral and I thought it would be nice to say a few words now that I sort of feel I know him a bit better.’ She gave a nervous smile, and pushed a strand of hair from her face. ‘So. Will … Dad. When I first found out you were my real father, I’ll be honest, I was a bit freaked out. I’d hoped my real dad was going to be this wise, handsome man, who would want to teach me stuff and protect me and take me on trips to show me amazing places that he loved. And what I actually got was an angry man in a wheelchair who just, you know, killed himself. But because of Lou, and your family, over the last few months I’ve come to understand you a bit better. ‘I’ll always be sad and maybe even a bit angry that I never got to meet you, but now I want to say thank you too. “. You gave me a lot, without knowing it. I think I’m like you in good ways – and probably a few not-so-good ways. You gave me blue eyes and my hair colour and the fact that I think Marmite is revolting and the ability to do black ski runs and … Well, apparently you also gave me a certain amount of moodiness – that’s other people’s opinion, by the way. Not mine.’ ‘But mostly you gave me a family I didn’t know I had. And that’s cool. Because, to be honest, it wasn’t going that well before they all turned up.’ Her smile wavered. ‘ So, um, Will … Dad, I’m not going to go on and on because speeches are boring and also that baby is going to start wailing any minute, which will totally harsh the mood. But I just wanted to say thank you, from your daughter, and that I … love you and I’ll always miss you, and I hope if you’re looking down, and you can see me, you’re glad. That I exist. Because me being here sort of means you’re still here, doesn’t it?’ Lily’s voice cracked and her eyes filled with tears. Her gaze slid towards Camilla, who gave a small nod.

You've a perfect right to call me as impractical as a dormouse, and to feel I'm out of touch with life. But this is the point where we simply can't see eye to eye. We've nothing whatever in common. Don't you see. . . it's not an accident that's drawn me from Blake to Whitehead, it's a certain line of thought which is fundamental to my whole approach. You see, there's something about them both. . . They trusted the universe. You say I don't know what the modern world's like, but that's obviously untrue. Anyone who's spent a week in London knows just what it's like. . . if you mean neurosis and boredom and the rest of it. And I do read a modern novel occasionally, in spite of what you say. I've read Joyce and Sartre and Beckett and the rest, and every atom in me rejects what they say. They strike me as liars and fools. I don't think they're dishonest so much as hopelessly tired and defeated." Lewis had lit his pipe. He did it as if Reade were speaking to someone else. Now he said, smiling faintly, "I don't think we're discussing modern literature." Reade had an impulse to call the debater's trick, but he repressed it. Instead he said quietly, "We're discussing modern life, and you brought up the subject. And I'm trying to explain why I don't think that murders and wars prove your point. I'm writing about Whitehead because his fundamental intuition of the universe is the same as my own. I believe like Whitehead that the universe is a single organism that somehow takes account of us. I don't believe that modern man is a stranded fragment of life in an empty universe. I've an instinct that tells me that there's a purpose, and that I can understand that purpose more deeply by trusting my instinct. I can't believe the world is meaningless. I don't expect life to explode in my face at any moment. When I walk back to my cottage, I don't feel like a meaningless fragment of life walking over a lot of dead hills. I feel a part of the landscape, as if it's somehow aware of me, and friendly.

I have had so many Dwellings, Nat, that I know these Streets as well as a strowling Beggar: I was born in this Nest of Death and Contagion and now, as they say, I have learned to feather it. When first I was with Sir Chris. I found lodgings in Phenix Street off Hogg Lane, close by St Giles and Tottenham Fields, and then in later times I was lodged at the corner of Queen Street and Thames Street, next to the Blew Posts in Cheapside. (It is still there, said Nat stirring up from his Seat, I have passed it!) In the time before the Fire, Nat, most of the buildings in London were made of timber and plaister, and stones were so cheap that a man might have a cart-load of them for six-pence or seven-pence; but now, like the Aegyptians, we are all for Stone. (And Nat broke in, I am for Stone!) The common sort of People gawp at the prodigious Rate of Building and exclaim to each other London is now another City or that House was not there Yesterday or the Situacion of the Streets is quite Changd (I contemn them when they say such things! Nat adds). But this Capital City of the World of Affliction is still the Capitol of Darknesse, or the Dungeon of Man's Desires: still in the Centre are no proper Streets nor Houses but a Wilderness of dirty rotten Sheds, allways tumbling or takeing Fire, with winding crooked passages, lakes of Mire and rills of stinking Mud, as befits the smokey grove of Moloch. (I have heard of that Gentleman, says Nat all a quiver). It is true that in what we call the Out-parts there are numberless ranges of new Buildings: in my old Black-Eagle Street, Nat, tenements have been rais'd and where my Mother and Father stared without understanding at their Destroyer (Death! he cryed) new-built Chambers swarm with life. But what a Chaos and Confusion is there: meer fields of Grass give way to crooked Passages and quiet Lanes to smoking Factors, and these new Houses, commonly built by the London workmen, are often burning and frequently tumbling down (I saw one, says he, I saw one tumbling!). Thus London grows more Monstrous, Straggling and out of all Shape: in this Hive of Noise and Ignorance, Nat, we are tyed to the World as to a sensible Carcasse and as we cross the stinking Body we call out What News? or What's a clock? And thus do I pass my Days a stranger to mankind. I'll not be a Stander-by, but you will not see me pass among them in the World. (You will disquiet your self, Master, says Nat coming towards me). And what a World is it, of Tricking and Bartering, Buying and Selling, Borrowing and Lending, Paying and Receiving; when I walk among the Piss and Sir-reverence of the Streets I hear, Money makes the old Wife trot, Money makes the Mare to go (and Nat adds, What Words won't do, Gold will). What is their God but shineing Dirt and to sing its Devotions come the Westminster-Hall-whores, the Charing-cross whores, the Whitehall whores, the Channel-row whores, the Strand whores, the Fleet Street whores, the Temple-bar whores; and they are followed in the same Catch by the Riband weavers, the Silver-lace makers, the Upholsterers, the Cabinet-makers, Watermen, Carmen, Porters, Plaisterers, Lightemen, Footmen, Shopkeepers, Journey-men... and my Voice grew faint through the Curtain of my Pain.

The cold pre-dawn sky was softly grey through the cave opening above, when Griff finally arose and began to retrieve his clothes. Astelle said, ‘A man like you – I could take full time.’ He smiled regretfully. ‘That is impossible, my darling girl. Even though you are irresistibly sweet to me, you are not suitable to join the Faen race, and I am not prepared to live among Morts.’ ‘Suppose I should have a child?’ she asked. ‘You have put enough seed in me to make a dozen babies.’ ‘You will not,’ he said with conviction. ‘A Faen child can be conceived only in love, and we don't have that, do we?’ Griff was quite sure that she thought nothing of him, even though she had left his emotions in turmoil. Damned bitch! She had stolen from him. ‘I would not know if we did. I don't understand how love should feel.’ ‘If you loved, you would know it,’ he told her. And you would not steal from your love, he thought fiercely. He was buckling his sword belt over the black tunic. She did not notice the shaking of his hands; she simply thought what a fine manly figure he made, and she realised how much she wanted him to stay. ‘If I did have a child – could I let you know somehow?’ Astelle clutched at the only strand of hope she could find. He strove to reassure her. ‘We do have mindlink, which means you only have to mindwhisper my name, if you ever need me – I will come.’ But he did not think this very likely. ‘Please don't go, Griff.’ She was almost tearful. ‘I have to go – before the sun rises.’ He then kissed her with unexpected tenderness, which made her feel even worse. ‘Use those jewels wisely.’ He smiled and winked at her, then looked into her eyes for a few more moments, seriously – almost wistfully. Then he just vanished before her very eyes. He had forgotten his black forest cloak. It lay on the floor at the end of the bed. Astelle picked it up and held it close to her body. She watched the red streaks of dawn spread across the cold grey sky, framed in the rocky aperture above her. If you loved, you would know it, he had said. She had never felt more lonely or deserted in her life. Unexplained tears slid slowly down her cheeks. And that was how Griff broke the Faen Colonial Rule.

By the old Moulmein Pagoda, lookin' lazy at the sea, There's a Burma girl a-settin', and I know she thinks o' me; For the wind is in the palm-trees, and the temple-bells they say: "Come you back, you British soldier; come you back to Mandalay!" Come you back to Mandalay, Where the old Flotilla lay: Can't you 'ear their paddles chunkin' from Rangoon to Mandalay ? On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! 'Er petticoat was yaller an' 'er little cap was green, An' 'er name was Supi-yaw-lat - jes' the same as Theebaw's Queen, An' I seed her first a-smokin' of a whackin' white cheroot, An' a-wastin' Christian kisses on an 'eathen idol's foot: Bloomin' idol made o' mud Wot they called the Great Gawd Budd Plucky lot she cared for idols when I kissed 'er where she stud! On the road to Mandalay... When the mist was on the rice-fields an' the sun was droppin' slow, She'd git 'er little banjo an' she'd sing "Kulla-lo-lo! With 'er arm upon my shoulder an' 'er cheek agin my cheek We useter watch the steamers an' the hathis pilin' teak. Elephints a-pilin' teak In the sludgy, squdgy creek, Where the silence 'ung that 'eavy you was 'arf afraid to speak! On the road to Mandalay... But that's all shove be'ind me - long ago an' fur away An' there ain't no 'busses runnin' from the Bank to Mandalay; An' I'm learnin' 'ere in London what the ten-year soldier tells: "If you've 'eard the East a-callin', you won't never 'eed naught else." No! you won't 'eed nothin' else But them spicy garlic smells, An' the sunshine an' the palm-trees an' the tinkly temple-bells; On the road to Mandalay... I am sick o' wastin' leather on these gritty pavin'-stones, An' the blasted English drizzle wakes the fever in my bones; Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand, An' they talks a lot o' lovin', but wot do they understand? Beefy face an' grubby 'and - Law! wot do they understand? I've a neater, sweeter maiden in a cleaner, greener land! On the road to Mandalay... Ship me somewheres east of Suez, where the best is like the worst, Where there aren't no Ten Commandments an' a man can raise a thirst; For the temple-bells are callin', an' it's there that I would be By the old Moulmein Pagoda, looking lazy at the sea; On the road to Mandalay, Where the old Flotilla lay, With our sick beneath the awnings when we went to Mandalay! O the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay !

Two sailors hauled on ropes, hoisting the jolly boat up to the ship’s side, revealing two apocryphal figures standing in the center of the small craft. At first glance, Sophia only saw clearly the shorter of the two, a gruesome creature with long tangled hair and a painted face, wearing a tight-fitting burlap skirt and a makeshift corset fashioned from fishnet and mollusk shells. The Sea Queen, Sophia reckoned, a smile warming her cheeks as the crew erupted into raucous cheers. A bearded Sea Queen, no less, who bore a striking resemblance to the Aphrodite’s own grizzled steward. Stubb. Sophia craned her neck to spy Stubb’s consort, as the foremast blocked her view of Triton’s visage. She caught only a glimpse of a white toga draped over a bronzed, bare shoulder. She took a jostling step to the side, nearly tripping on a coil of rope. “Foolish mortals! Kneel before your king!” The assembled sailors knelt on cue, giving Sophia a direct view of the Sea King. And even if the blue paint smeared across his forehead or the strands of seaweed dangling from his belt might have disguised him, there was no mistaking that persuasive baritone. Mr. Grayson. There he stood, tall and proud, some twenty feet away from her. Bare-chested, save for a swath of white linen draped from hip to shoulder. Wet locks of hair slicked back from his tanned face, sunlight embossing every contour of his sculpted arms and chest. A pagan god come swaggering down to earth. He caught her eye, and his smile widened to a wolfish grin. Sophia could not for the life of her look away. He hadn’t looked at her like this since…since that night. He’d scarcely looked in her direction at all, and certainly never wearing a smile. The boldness of his gaze made her feel thoroughly unnerved, and virtually undressed. Until the very act of maintaining eye contact became an intimate, verging on indecent, experience. If she kept looking at him, she felt certain he knees would give out. If she looked away, she gave him the victory. There was only one suitable alternative, given the circumstances. With a cheeky wink to acknowledge the joke, Sophia dropped her eyes and curtsied to the King. Mr. Grayson laughed his approval. Her curtsy, the crew’s gesture of fealty-he accepted their obeisance as his due. And why should he not? There was a rightness about it somehow, an unspoken understanding. Here at last was their true leader: the man they would obey without question, the man to whom they’d pledge loyalty, even kneel. This was his ship. “Where’s the owner of this craft?” he called. “Oh, right. Someone told me he’s no fun anymore.” As the men laughed, the Sea King swung over the rail, hoisting what looked to be a mop handle with vague aspirations to become a trident. “Bring forth the virgin voyager!

The traditional Roman wedding was a splendid affair designed to dramatize the bride’s transfer from the protection of her father’s household gods to those of her husband. Originally, this literally meant that she passed from the authority of her father to her husband, but at the end of the Republic women achieved a greater degree of independence, and the bride remained formally in the care of a guardian from her blood family. In the event of financial and other disagreements, this meant that her interests were more easily protected. Divorce was easy, frequent and often consensual, although husbands were obliged to repay their wives’ dowries. The bride was dressed at home in a white tunic, gathered by a special belt which her husband would later have to untie. Over this she wore a flame-colored veil. Her hair was carefully dressed with pads of artificial hair into six tufts and held together by ribbons. The groom went to her father’s house and, taking her right hand in his, confirmed his vow of fidelity. An animal (usually a ewe or a pig) was sacrificed in the atrium or a nearby shrine and an Augur was appointed to examine the entrails and declare the auspices favorable. The couple exchanged vows after this and the marriage was complete. A wedding banquet, attended by the two families, concluded with a ritual attempt to drag the bride from her mother’s arms in a pretended abduction. A procession was then formed which led the bride to her husband’s house, holding the symbols of housewifely duty, a spindle and distaff. She took the hand of a child whose parents were living, while another child, waving a hawthorn torch, walked in front to clear the way. All those in the procession laughed and made obscene jokes at the happy couple’s expense. When the bride arrived at her new home, she smeared the front door with oil and lard and decorated it with strands of wool. Her husband, who had already arrived, was waiting inside and asked for her praenomen or first name. Because Roman women did not have one and were called only by their family name, she replied in a set phrase: “Wherever you are Caius, I will be Caia.” She was then lifted over the threshold. The husband undid the girdle of his wife’s tunic, at which point the guests discreetly withdrew. On the following morning she dressed in the traditional costume of married women and made a sacrifice to her new household gods. By the late Republic this complicated ritual had lost its appeal for sophisticated Romans and could be replaced by a much simpler ceremony, much as today many people marry in a registry office. The man asked the woman if she wished to become the mistress of a household (materfamilias), to which she answered yes. In turn, she asked him if he wished to become paterfamilias, and on his saying he did the couple became husband and wife.

Still dark. The Alpine hush is miles deep. The skylight over Holly’s bed is covered with snow, but now that the blizzard’s stopped I’m guessing the stars are out. I’d like to buy her a telescope. Could I send her one? From where? My body’s aching and floaty but my mind’s flicking through the last night and day, like a record collector flicking through a file of LPs. On the clock radio, a ghostly presenter named Antoine Tanguay is working through Nocturne Hour from three till four A.M. Like all the best DJs, Antoine Tanguay says almost nothing. I kiss Holly’s hair, but to my surprise she’s awake: “When did the wind die down?” “An hour ago. Like someone unplugged it.” “You’ve been awake a whole hour?” “My arm’s dead, but I didn’t want to disturb you.” “Idiot.” She lifts her body to tell me to slide out. I loop a long strand of her hair around my thumb and rub it on my lip. “I spoke out of turn last night. About your brother. Sorry.” “You’re forgiven.” She twangs my boxer shorts’ elastic. “Obviously. Maybe I needed to hear it.” I kiss her wound-up hair bundle, then uncoil it. “You wouldn’t have any ciggies left, perchance?” In the velvet dark, I see her smile: A blade of happiness slips between my ribs. “What?” “Use a word like ‘perchance’ in Gravesend, you’d get crucified on the Ebbsfleet roundabout for being a suspected Conservative voter. No cigarettes left, I’m ’fraid. I went out to buy some yesterday, but found a semiattractive stalker, who’d cleverly made himself homeless forty minutes before a whiteout, so I had to come back without any.” I trace her cheekbones. “Semiattractive? Cheeky moo.” She yawns an octave. “Hope we can dig a way out tomorrow.” “I hope we can’t. I like being snowed in with you.” “Yeah well, some of us have these job things. Günter’s expecting a full house. Flirty-flirty tourists want to party-party-party.” I bury my head in the crook of her bare shoulder. “No.” Her hand explores my shoulder blade. “No what?” “No, you can’t go to Le Croc tomorrow. Sorry. First, because now I’m your man, I forbid it.” Her sss-sss is a sort of laugh. “Second?” “Second, if you went, I’d have to gun down every male between twelve and ninety who dared speak to you, plus any lesbians too. That’s seventy-five percent of Le Croc’s clientele. Tomorrow’s headlines would all be BLOODBATH IN THE ALPS AND LAMB THE SLAUGHTERER, and the a vegetarian-pacifist type, I know you wouldn’t want any role in a massacre so you’d better shack up”—I kiss her nose, forehead, and temple—“with me all day.” She presses her ear to my ribs. “Have you heard your heart? It’s like Keith Moon in there. Seriously. Have I got off with a mutant?” The blanket’s slipped off her shoulder: I pull it back. We say nothing for a while. Antoine whispers in his radio studio, wherever it is, and plays John Cage’s In a Landscape. It unscrolls, meanderingly. “If time had a pause button,” I tell Holly Sykes, “I’d press it. Right”—I press a spot between her eyebrows and up a bit—“there. Now.” “But if you did that, the whole universe’d be frozen, even you, so you couldn’t press play to start time again. We’d be stuck forever.” I kiss her on the mouth and blood’s rushing everywhere. She murmurs, “You only value something if you know it’ll end.

Sam dragged her over to a small plot. Unlike the historic ones, this seemed like an ordinary grave. The headstone read Paul Danvers 1950-1997. “And this guy,” Sam said through clenched teeth. “Got so drunk one night, he accidentally set his house on fire, killing himself and his seventeen-year-old son.” Margot pulled back. This date had turned as sour as the feeling in her gut. “Murdered his own son.” Sam’s voice was tight and full of emotion. “He was going to college in the fall. Got a full ride and everything.” “That’s awful,” said Margot. “Where’s the son buried?” “So glad you asked.” Sam smiled so mournfully that Margot regretted asking at all. He pointed to the headstone next to Paul’s. In the darkness, it was nearly impossible to make out the young man’s name. Margot knelt on the soft grass and leaned forward, using the light from her cellphone to see the engraving. She gasped and nearly dropped the phone. “Sam Danvers,” she said, barely getting out the words. “That’s not funny.” Margot’s hands shook. “Is your name really Sam?” He no longer smiled, just nodded. “It is.” Sam came in close and said her name in such a soft whisper, Margot ached to touch him. He reached up to her face and tucked a strand of wavy hair behind her ear. “If things were different at all…” She put her hands on his. His skin felt dry and cold while hers felt clammy. “What does that mean? If what was different?” Sam leaned in, his face encased in shadows, and kissed Margot. She gasped before being taken in by the kiss. His breath tasted oddly of licorice and she was suddenly aware of the scent of fresh-cut grass. His lips were soft, but his kiss was urgent. He gripped the belt loops of Margot’s jean shorts and pulled her in tight against his chest. Her head swam and her heart pounded. She pulled away from him and attempted to catch her breath. She looked at him, her eyes bright with fury. “That wasn’t an answer.” He ran his hands through his hair. A typical guy stall tactic, thought Margot. But Sam wasn’t stalling. He was struggling. “Margot, I’m Sam Danvers,” he said. Margot shook her head — “No. No. No.” — and marched away from him.