“
She grinned, shaking her head. “It’s a good thing I’m not superstitious. We’ve been stranded in the rain twice in one day. That’s gotta be a sign.” Her smile faded. “Probably not a good one.”
“Bullshit. Easy for a man to stick by you in fair weather. It’s the man who stays when the storm is howlin’ that’s worth yer trust.
”
”
Lisa Kessler (Pirate's Pleasure (Sentinels of Savannah, #3))
“
Everyone has always said I look like Bailey, but I don't.
I have grey eyes to her green,
an oval face to her heart-shaped one,
I'm shorter, scrawnier, paler, flatter, plainer, tamer.
All we shared is a madhouse of curls
that I imprison in a ponytail
while she let hers rave
like madness
around her head.
I don't sing in my sleep
or eat the petals off flowers
or run into the rain instead of out of it.
I'm the unplugged-in one,
the side-kick sister,
tucked into a corner of her shadow.
Boys followed her everywhere;
they filled the booths at the restaurant where she waitressed,
herded around her at the river.
One day, I saw a boy come up behind her
and pull a strand of her long hair
I understood this-
I felt the same way.
In photographs of us together,
she is always looking at the camera,
and I am always looking at her.
”
”
Jandy Nelson (The Sky Is Everywhere)
“
...the strands that connect us are frail, so don't hang great weights on slender wires...
”
”
John Geddes (A Familiar Rain)
“
Just as teardrops, when they are large and round and compassionate, can leave a long strand washed clean of discord, the summer rain as it washes away the motionless dust can bring to a person's soul something like endless breathing.
”
”
Muriel Barbery (The Elegance of the Hedgehog)
“
Do you know what a summer rain is?
To start with, pure beauty striking the summer sky, awe-filled respect absconding with your heart, a feeling of insignificance at the very heart of the sublime, so fragile and swollen with the majesty of things, trapped, ravished, amazed by the bounty of the world.
And then, you pace up and down a corridor and suddenly enter a room full of light. Another dimension, a certainty just given birth. The body is no longer a prison, your spirit roams the clouds, you possess the power of water, happy days are in store, in this new birth.
Just as teardrops, when they are large and round and compassionate, can leave a long strand washed clean of discord, the summer rain as it washes away the motionless dust can bring to a person's soul something like endless breathing.
”
”
Muriel Barbery (The Elegance of the Hedgehog)
“
...strands of your hair and tendrils of the wind spin into nothingness the memories of that day...
”
”
John Geddes (A Familiar Rain)
“
...I pluck every day from my sweater or chair, red hairs...strands of significance, traces of you in my life ...
”
”
John Geddes (A Familiar Rain)
“
Ain't it just like the night to play tricks when you're tryin' to be so quiet?
We sit here stranded, though we're all doin' our best to deny it
And Louise holds a handful of rain, temptin' you to defy it
Lights flicker from the opposite loft
In this room the heat pipes just cough
The country music station plays soft
But there's nothing, really nothing to turn off
Just Louise and her lover so entwined
And these visions of Johanna that conquer my mind
”
”
Bob Dylan (Bob Dylan - Greatest Hits Volume 2: Song Tab Edition)
“
...with every new manoeuvre, the light was growing dimmer--fading by numbers as well as strength--and the sound could no longer be heard, but only the pulse of it--seen going out in the darkness--losing its edges--caving in at its centre--webbing, now, as if a spider was spinning against the rain--until the last few strands of brightness fell--and were extinguished--silenced and removed from life and from all that lives forever.
And the bell tolled--but the ark, as ever, was adamant. Its shape had taken on a voice. And the voice said: no.
”
”
Timothy Findley (Not Wanted on the Voyage)
“
Running in the rain steals my breath. Ruins it. Smashes it. Nearly eradicates it. When I arrive home, my soaked clothes are stuck to my skin. My shoes are slouching. My toes are cold and stiff. Erratic strands of my hair stick to my temples and forehead, dripping all over me. I stand in our small garden, catching my breath, and press a shaky palm to my chest. My heart’s palpitations grow uneven and out of beat as if protesting. I close my eyes and tip my head back, letting the rain beat down on me. Soak me. Rinse me. The droplets pound on my closed lids almost like a soothing caress. I’ve always loved the rain. The rain camouflaged everything. No one saw the tears. No one noticed the shame or the humiliation. It was just me, the clouds, and the pouring water. But that’s the thing about the rain, isn’t it? It’s only a camouflage, a temporary solution. It can only rinse the outside. It can’t seep under my skin and wash away my shaky insides. Wiping away my memories isn’t an option either. It’s been barely an hour since Aiden had his hands on me – all over me. I can still feel it. His breath. His nearness. His psychotic eyes.
”
”
Rina Kent (Deviant King (Royal Elite, #1))
“
My Name
Once when the lawn was a golden green
and the marbled moonlit trees rose like fresh memorials
in the scented air, and the whole countryside pulsed
with the chirr and murmur of insects, I lay in the grass,
feeling the great distances open above me, and wondered
what I would become and where I would find myself,
and though I barely existed, I felt for an instant
that the vast star-clustered sky was mine, and I heard
my name as if for the first time, heard it the way
one hears the wind or the rain, but faint and far off
as though it belonged not to me but to the silence
from which it had come and to which it would go.
”
”
Mark Strand (Man and Camel)
“
Mathematicians still don’t understand
the ball our hands made, or how
your electrocuted grandparents made it possible
for you to light my cigarettes with your eyes.
It isn’t as simple as me climbing into the window
to leave six ounces of orange juice
and a doughnut by the bed, or me becoming
the sand you dug your toes in,
on the beach, when you wished
to hide them from the sun and the fixed eyes
of strangers, and your breath broke in waves
over my earlobe, splashing through my head, spilling out
over the opposite lobe, and my first poems
under your door in the unshaven light of dawn:
Your eyes remind me of a brick wall
about to be hammered by a drunk
driver. I’m that driver. All night
I’ve swallowed you in the bar.
Once I kissed the scar, stretching its sealed
eyelid along your inner arm, dried
raining strands of hair, full of pheromones, discovered
all your idiosyncratic passageways, so I’d know
where to run when the cops came.
Your body is the country I’ll never return to.
The man in charge of what crosses my mind
will lose fingernails, for not turning you
away at the border. But at this moment
when sweat tingles from me, and
blame is as meaningless as shooting up a cow with milk,
I realise my kisses filled the halls of your body
with smoke, and the lies came
like a season. Most drunks don’t die in accidents
they orchestrate, and I swallowed
a hand grenade that never stops exploding.
”
”
Jeffrey McDaniel
“
God is unkind to gardeners and reapers.
Slanted rain coils and falls from up high
And the wide raincoats catch water,
That once had reflected the sky.
In underwater realm are fields and meadows
And the free currents sing a lot,
Plums rupture on bloated branches
And grass strands, lying down, rot.
And through the dense and watery net
I see your darling face,
A quiet park, a round porch
And a Chinese arbour-place.
”
”
Anna Akhmatova
“
I take a deep breath, relishing in the fresh air and open space around me. Something wet splatters on my cheek, and I turn my face toward the cloudy sky that is now beginning to drizzle down on me. I spread out my arms and tilt my head up, loving the feel of rain pelting my skin. The the drizzle turns into a downpour. Rain is falling rapidly while I'm smiling stupidly. My head feels clearer than it has in days as cool water coats my skin, my dress, my hair. I spin in place, the skirts of my gown swishing around my ankles, feeling like an idiot and absolutely loving it. I slip the shoes from my aching feet and pad through puddles like I did as a little girl, reminding me of a time when I was younger... Laughter bubbles out of me. Hysterical. I am completely hysterical. Rain is sticking strands of hair to my face and dripping down the tip of my nose while I smile through it all, momentarily forgetting about my troubles and simply taking a moment to exist. "I don't know that I ever lived before lying eyes on the likes of you." I spin, blinking through the steady stream of rain before my eyes find the gray ones blending in with the sheet of water falling down on us. His hair is dripping wet, all wavy and tousled. His white button-down shirt is sticky and see-through, showing off an inked chest and tanned torso beneath. And the sight of him has me smiling. "oh, but I only have eyes for one little lady, and I can't seem to take them off of her." His chest is rising and falling just as rapidly as the rain while my heart is thundering just as loudly as the storm.
”
”
Lauren Roberts, Powerless
“
Romance was different in her world. In our world. She believed it lived all around us. In the trees, the blue sky hiding behind rain clouds, snow flakes clinging to windshields, squirrels hiding their food, blades of grass catching drops from a misty morning, and in every person to walk the earth. Ella loved to sit on city benches and make up stories about passing strangers. Since meeting her my entire world changed. I always turned life into strands of color on an empty canvas. People blurred by like flashes of light. Just blurs. Then Ella walked into my life and everything slowed down. The blurs of color became people with stories. People with hearts. People. Like me.
”
”
Marilyn Grey (Down from the Clouds (Unspoken #2))
“
To distract himself from the pain, he focused his blurring vision on the droplets of moisture collecting like diamonds in her abundant curls. Instead of making her hair heavy and straight, the rain seemed to coil the ringlets tighter and anoint the silvery strands with a darker gloss of spun gold.
”
”
Kerrigan Byrne (The Highwayman (Victorian Rebels, #1))
“
On Growing Old
Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the spindrift flying,
Is soon too lame to march, too cold for loving.
I take the book and gather to the fire,
Turning old yellow leaves; minute by minute
The clock ticks to my heart. A withered wire,
Moves a thin ghost of music in the spinet.
I cannot sail your seas, I cannot wander
Your cornland, nor your hill-land, nor your valleys
Ever again, nor share the battle yonder
Where the young knight the broken squadron rallies.
Only stay quiet while my mind remembers
The beauty of fire from the beauty of embers.
Beauty, have pity! for the strong have power,
The rich their wealth, the beautiful their grace,
Summer of man its sunlight and its flower.
Spring-time of man, all April in a face.
Only, as in the jostling in the Strand,
Where the mob thrusts, or loiters, or is loud,
The beggar with the saucer in his hand
Asks only a penny from the passing crowd,
So, from this glittering world with all its fashion,
Its fire, and play of men, its stir, its march,
Let me have wisdom, Beauty, wisdom and passion,
Bread to the soul, rain when the summers parch.
Give me but these, and though the darkness close
Even the night will blossom as the rose.
”
”
John Masefield (Enslaved and Other Poems)
“
Thought I saw you on the beach this morning...Thought I saw you standing on the white strand, your back to the wind. The rain had stopped and there was a brisk clarity in the air. You watched me over your left shoulder, head tucked in coyly. Seabirds flying low in the sky, and the grey-green waves at your foot. A whole panorama thrown up behind you.
I was on the coast road coming back from the shops. I stopped walking once I caught sight of you. You were wearing a reefer jacket with the collar turned up against the weather. It might have been navy, but it looked black in the distance. As did your trousers. As did your shoes. All of you was black except your face and hair. You wore no hat...Never once saw you in Winter clothes, yet there you were as clear as day for a whole moment. Only your eyes were visible above the upturned collar. Your hair was in your eyes. You watched me through those pale strands. And I watched you. Intently.
The man from down the road drove by in his faded red car. He was going the other way, so he didn't offer a lift. He just waved. I waved back. And then I turned to you again, and we looked at each other a little longer. Very calm. Heart barely shifted. Too far away to see your features. No matter. There was salt on your face. Sea salt. It was in your hair. It was on your mouth. It was all over you, as though you gazed at me through ice. And it was all over me. It tingled on my skin.
After a time I moved off, and you broke into two. You realigned yourself into driftwood and stone. I came inside and lit a fire. Sat in front of it and watched it burn. The window fogged up as my clothes and hair dried out. That was hours ago. The fire is nearly gone. But I can still taste the salt on my lips. It is a dry and stinging substance and it is everywhere now. It has touched everything that is left. Coated every surface with its sparkling silt.
I will always be thirsty.
”
”
Claire Kilroy (All Summer)
“
I don't understand, Jenna, why you couldn't give him a ride home?" Mom struck the archetypal Mom pose-hands on hips, perplexed look on face, head tilted at that I cannot believe you came from my womb angle. "He walked home in the pouring rain. With a cold, I might add."
"I didn't know he had a cold. I was at the JCC with Steph," I said, knowing that was not going to fly. Cameron padded into the kitchen on bare feet, rubbing his hair dry with a towel.
"It's fine," he said. "I didn't have to walk that far."
Mom shook her head. "It's not fine. While you're living with us, you're part of the family, and we don't leave each other stranded in the rain.
”
”
Sara Zarr (Sweethearts)
“
The graves grow deeper.
The dead are more dead each night.
Under the elms and the rain of leaves,
The graves grow deeper.
The dark folds of the wind
Cover the ground. The night is cold.
The leaves are swept against the stones.
The dead are more dead each night.
A starless dark embraces them.
Their faces dim.
We cannot remember them
Clearly enough. We never will.
”
”
Mark Strand
“
A bedraggled woman stood on his doorstep in the pouring rain, and his first impulse was to slam the door in her face.
But she had clearly come as far as she could; her pale face was twisted in pain, and she shivered convulsively beneath a denim jacket that was as soaking wet as the rest of her. Long black strands of hair hung down in twisted ribbons like seaweed in the vanishing daylight, reminding him of a sea creature he'd once dated briefly in his more adventurous youth.
”
”
Deborah Blake (Dangerously Charming (Broken Riders, #1))
“
But that day it was raining, and since they couldn't very well sit on the rooftop in the rain to watch the flotilla parade, they stayed in the little room that led to the roof. It had just one tiny window through which the gray light of day filtered in. They sat on the floor, and Lorenzo's senses were aroused by the sound of the rain falling outside, the musky smell of his own body, and the fragrant scent of Caterina's hair. A single blonde strand wound down her slim neck.
They kissed, taking off their rain-washed summer clothes so that their bodies pressed, naked, against one another. Long, delicate lovemaking. Caresses, kisses, shivers, and sighs of delight.
Lorenzo would have gladly spend the rest of his life preserved in that single moment, as if in amber, abandoning reality to live in the memory of that one single day.
”
”
Riccardo Bruni (The Lion and the Rose)
“
Wings of Butterfly - Fallen into Your Lap
A lip doesn't tremble, just to chant the prayer. A pair of eyes can't look to try to express the feeling. Even for an instant, but is there still a heartbeat come to your ears, how come my love?
The wind rushed between the silence of the tables and benches. Whispering between rolls of maps and stack of books. Jumping up and down between the heads that are scattered contemplating the clear song, melodious sound of your voice.
Ouch, how much more I want to trace my longing to miss this to your lap. Trembling strokes of the eyelids and lips that are perfect smiles. Echoed passion in the chest, hide the sound of thunder and also heavy rain. Where do I fret to meet the song Asmaradahana in the glazed of your eyelids. Dream was entangled by a strand of busy hair strands of purple, red, yellow, white and blue orchid strings in silent vases. Where are my tired wings has fallen before drooping surrender in your palm.
”
”
Titon Rahmawan
“
I take a deep breath, relishing in the fresh air and open space around me. Something wet splatters on my cheek, and I turn my face toward the cloudy sky that is now beginning to drizzle down on me. I spread out my arms and tilt my head up, loving the feel of rain pelting my skin. The the drizzle turns into a downpour. Rain is falling rapidly while I'm smiling stupidly. My head feels clearer than it has in days as cool water coats my skin, my dress, my hair. I spin in place, the skirts of my gown swishing around my ankles, feeling like an idiot and absolutely loving it. I slip the shoes from my aching feet and pad through puddles like I did as a little girl, reminding me of a time when I was younger... Laughter bubbles out of me. Hysterical. I am completely hysterical. Rain is sticking strands of hair to my face and dripping down the tip of my nose while I smile through it all, momentarily forgetting about my troubles and simply taking a moment to exist. "I don't know that I ever lived before lying eyes on the likes of you." I spin, blinking through the steady stream of rain before my eyes find the gray ones blending in with the sheet of water falling down on us. His hair is dripping wet, all wavy and tousled. His white button-down shirt is sticky and see-through, showing off an inked chest and tanned torso beneath. And the sight of him has me smiling. "oh, but I only have eyes for one little lady, and I can't seem to take them off of her." Hos chest is rising and falling just as rapidly as the rain while my heart is thundering just as loudly as the storm.
”
”
Lauren Roberts, Powerless
“
When Bill was a fluffy white blob, the lassie rose and started to dry her thick hair, darkened to milky coffee with rain. Lyle struggled not to notice how the brisk movement of her arms jiggled her generous bosom against her thin blouse. He had a liking for small, curvy women. Or at least he did now. After draping his wet, crumpled towel over another chair, Lyle straightened and stared at his adorably disheveled companion. “Shouldn’t we introduce ourselves?” She lowered the towel from her hair and regarded him with unreadable eyes. To his complete amazement, she dropped into a curtsy. “My name is Flora, sir. I’m a housemaid here.” With difficulty, he stifled a scoffing laugh. His intelligence mustn’t have impressed her. That lie wouldn’t convince the county’s greatest blockhead. Not least because she spoke with a clipped upper-class accent and her hands, while undoubtedly competent, were as smooth and unblemished as any lady’s. “Flora…” he said in a thoughtful voice, studying the wee besom and trying to make sense of this latest twist in their interactions. “Yes, sir,” she said, dropping her gaze with unconvincing humility. What the devil was she playing at, Sir John Warren’s beautiful only child? She’d kept him guessing from the first, which promised interesting times to come. Last week in his London club, her father had offered this girl to Lyle as his bride. Intrigued and faintly annoyed that she judged him daft enough to swallow this twaddle, Lyle decided to allow her enough rope to hang herself. Plastering an ingenuous smile on his face, he stepped closer. “I’m delighted to meet you, Miss Flora. My name is Smith. Ebenezer Smith.
”
”
Anna Campbell (Stranded with the Scottish Earl)
“
Death Vision
I think it’s a multiplication of sight,
Like after a low hovering autumn rain
When the invisible web of funnel weaves
And sheetweb weavers all at once are seen
Where they always were, spread and looping
The grasses, every strand, waft and leaf-
Crest elucidated with water-light and frost,
completing the fullest aspect of field.
Or maybe the grace of death is split-second
Transformation of knowledge, an intricate,
Turning realization, as when a single
Sperm-embracing deep ovum transforms,
In an instant, from stasis to replicating,
Star-shifting shimmer, rolls, reaches,
Alters its plane of intentions, becomes
A hoofing, thumping host of purpose.
I can imagine not merely
The falling away of blank walls
And blinds in that moment, not merely
A shutter flung open for the first time
Above a valley of interlocking forests
And constellations but a sweeping,
Penetrating circumference of vision
Encompassing both knotweed bud
And its seed simultaneously, seeing
Blood bone and its ash as one,
The repeated light and fall and flight
Of hawk-owl and tundra vole
As a union of origin and finality.
A mathematics of flesh and space might
Take hold if we ask for it in that last
Moment, might appear as if it had always
Existed within the eyes, translucent,
Jewel-like in stained glass patterns
Of globes and measures, equations,
Made evident by a revelation of galaxies
In the knees, spine, fingers, all
The ceasings, all the deaths within deaths
That compose the body becoming at once
Their own symbolic perception and praise
Of river salt, blooms and breaths, strings,
Strains, sun-seas of gravels and gills;
This one expression breaking, this same
Expression healing.
”
”
Pattiann Rogers (Quickening Fields (Penguin Poets))
“
Zane awakened them both early. By the time Chase stirred, he had both their tents down and was on his third cup of coffee. Phoebe had promised she could act completely normal, but looking at her from across the fire, he wasn’t so sure. There was no way anyone could see her dreamy expression and not know something was different.
She tucked a strand of hair behind her ear. “What? You keep looking at me. I know my makeup can’t be smudged. I’m not wearing any.”
It didn’t matter; she was still beautiful.
“You look different,” he told her. “Satisfied?”
Color flared on her cheeks. “You’re only saying that because you know the truth.”
“Uh-huh.”
He doubted that, but maybe she was right. Or maybe the weather would be enough of a distraction to keep everyone from figuring out the truth.
“How long is it going to rain?” she asked as she fingered a pole holding up the canvas sheet they put up to protect the fire and the seating area around it. “It sure got cold and damp in a hurry.”
Zane shrugged. “No way to tell. The storm is supposed to hang around for a few days, but maybe it will blow over.”
He hoped it would. Traveling in the rain wouldn’t be fun for anyone. And he couldn’t simply turn them around, head to the ranch and be there in time for lunch. They were at the farthest point from his house. It was a full two-day ride back.
Phoebe finished her coffee. “I’m going to check and see if my things are dry,” she said as she stood.
He nodded, then watched her go.
Cookie had started a second campfire on the far side of camp. Phoebe’s clothes and sleeping bag were getting a dose of smoky warm air in an attempt to get them dry before they headed out. Zane knew the old man wouldn’t tease Phoebe. Instead he would save his comments for Zane.
”
”
Susan Mallery (Kiss Me (Fool's Gold, #17))
“
On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky.
Her skin was blue, her blood was red.
She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair.
Later, they would say these had been hummingbird hearts and not blossoms at all.
They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away.
That was true. Only that.
They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky.
Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead.
She was also blue.
Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky.
”
”
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
“
Violent Storm"
Those who have chosen to pass the night
Entertaining friends
And intimate ideas in the bright,
Commodious rooms of dreams
Will not feel the slightest tremor
Or be wakened by what seems
Only a quirk in the dry run
Of conventional weather. For them,
The long night sweeping over these trees
And houses will have been no more than one
In a series whose end
Only the nervous or morbid consider.
But for us, the wide-awake, who tend
To believe the worst is always waiting
Around the next corner or hiding in the dry,
Unsteady branch of a sick tree, debating
Whether or not to fell the passerby,
It has a sinister air.
How we wish we were sunning ourselves
In a world of familiar views
And fixed conditions, confined
By what we know, and able to refuse
Entry to the unaccounted for. For now,
Deeper and darker than ever, the night unveils
Its dubious plans, and the rain
Beats down in gales
Against the roof. We sit behind
Closed windows, bolted doors,
Unsure and ill at ease
While the loose, untidy wind,
Making an almost human sound, pours
Through the open chambers of the trees.
We cannot take ourselves or what belongs
To us for granted. No longer the exclusive,
Last resorts in which we could unwind,
Lounging in easy chairs,
Recalling the various wrongs
We had been done or spared, our rooms
Seem suddenly mixed up in our affairs.
We do not feel protected
By the walls, nor can we hide
Before the duplicating presence
Of their mirrors, pretending we are the ones who stare
From the other side, collected
In the glassy air.
A cold we never knew invades our bones.
We shake as though the storm were going to hurl us down
Against the flat stones
Of our lives. All other nights
Seem pale compared to this, and the brilliant rise
Of morning after morning seems unthinkable.
Already now the lights
That shared our wakefulness are dimming
And the dark brushes against our eyes.
”
”
Mark Strand (Reasons for Moving)
“
On the second Sabbat of Twelfthmoon, in the city of Weep, a girl fell from the sky.
Her skin was blue, her blood was red.
She broke over an iron gate, crimping it on impact, and there she hung, impossibly arched, graceful as a temple dancer swooning on a lover’s arm. One slick finial anchored her in place. Its point, protruding from her sternum, glittered like a brooch. She fluttered briefly as her ghost shook loose, and torch ginger buds rained out of her long hair.
Later, they would say these had been hummingbird hearts and not blossoms at all.
They would say she hadn’t shed blood but wept it. That she was lewd, tonguing her teeth at them, upside down and dying, that she vomited a serpent that turned to smoke when it hit the ground. They would say a flock of moths came, frantic, and tried to lift her away.
That was true. Only that.
They hadn’t a prayer, though. The moths were no bigger than the startled mouths of children, and even dozens together could only pluck at the strands of her darkening hair until their wings sagged, sodden with her blood. They were purled away with the blossoms as a grit-choked gust came blasting down the street. The earth heaved underfoot. The sky spun on its axis. A queer brilliance lanced through billowing smoke, and the people of Weep had to squint against it. Blowing grit and hot light and the stink of saltpeter. There had been an explosion. They might have died, all and easily, but only this girl had, shaken from some pocket of the sky.
Her feet were bare, her mouth stained damson. Her pockets were all full of plums. She was young and lovely and surprised and dead.
She was also blue.
Blue as opals, pale blue. Blue as cornflowers, or dragonfly wings, or a spring—not summer—sky.
Someone screamed. The scream drew others. The others screamed, too, not because a girl was dead, but because the girl was blue, and this meant something in the city of Weep. Even after the sky stopped reeling, and the earth settled, and the last fume spluttered from the blast site and dispersed, the screams went on, feeding themselves from voice to voice, a virus of the air.
The blue girl’s ghost gathered itself and perched, bereft, upon the spearpoint-tip of the projecting finial, just an inch above her own still chest. Gasping in shock, she tilted back her invisible head and gazed, mournfully, up.
The screams went on and on.
And across the city, atop a monolithic wedge of seamless, mirror-smooth metal, a statue stirred, as though awakened by the tumult, and slowly lifted its great horned head.
”
”
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
“
If a season like the Great Rebellion ever came to him again, he feared, it could never be in that same personal, random array of picaresque acts he was to recall and celebrate in later years at best furious and nostalgic; but rather with a logic that chilled the comfortable perversity of the heart, that substituted capability for character, deliberate scheme for political epiphany (so incomparably African); and for Sarah, the sjambok, the dances of death between Warmbad and Keetmanshoop, the taut haunches of his Firelily, the black corpse impaled on a thorn tree in a river swollen with sudden rain, for these the dearest canvases in his soul's gallery, it was to substitute the bleak, abstracted and for him rather meaningless hanging on which he now turned his back, but which was to backdrop his retreat until he reached the Other Wall, the engineering design for a world he knew with numb leeriness nothing could now keep from becoming reality, a world whose full despair he, at the vantage of eighteen years later, couldn't even find adequate parables for, but a design whose first fumbling sketches he thought must have been done the year after Jacob Marengo died, on that terrible coast, where the beach between Luderitzbucht and the cemetery was actually littered each morning with a score of identical female corpses, an agglomeration no more substantial-looking than seaweed against the unhealthy yellow sand; where the soul's passage was more a mass migration across that choppy fetch of Atlantic the wind never left alone, from an island of low cloud, like an anchored prison ship, to simple integration with the unimaginable mass of their continent; where the single line of track still edged toward a Keetmanshoop that could in no conceivable iconology be any part of the Kingdom of Death; where, finally, humanity was reduced, out of a necessity which in his loonier moments he could almost believe was only Deutsch-Sudwestafrika's (actually he knew better), out of a confrontation the young of one's contemporaries, God help them, had yet to make, humanity was reduced to a nervous, disquieted, forever inadequate but indissoluble Popular Front against deceptively unpolitical and apparently minor enemies, enemies that would be with him to the grave: a sun with no shape, a beach alien as the moon's antarctic, restless concubines in barbed wire, salt mists, alkaline earth, the Benguela Current that would never cease bringing sand to raise the harbor floor, the inertia of rock, the frailty of flesh, the structural unreliability of thorns; the unheard whimper of a dying woman; the frightening but necessary cry of the strand wolf in the fog.
”
”
Thomas Pynchon (V.)
“
Should I be scared?”
“I think you should get ready for quite an inquiry, but they’re necessary questions that must be answered if I want to ask you out on a second date.”
“What if I don’t want to go on a second date?”
“Hmm.” He taps his chin with his fork, ready to dig in the minute the plate arrives at our table. “That’s a good point. All right. If the question arose, would you go on a second date with me?”
“Well, now I feel pressured to say yes just so I can hear the inquiry.”
“You’re going to have to deal with the pressure, sweet cheeks.”
“Fine. Hypothetically, if you were to ask me out on a second date, I would hypothetically, possibly say yes.”
“Great.” He bops his own nose with his fork and then sets it down on the table. “Here goes.” He looks serious; both his hands rest palm down on the table and his shoulders stiffen. Looking me dead in the eyes, he asks, “Bobbies and Rebels are in the World Series, what shirt do you wear?”
“Bobbies obviously.”
He blinks. Sits back. “What?”
“Bobbies for life.”
“But I’m on the Rebels.”
“Yes, but are we dating, are we married? Are we just fooling around? There’s going to have to be a huge commitment on my part in order to put a Rebels shirt on. Sorry.”
“We’re dating.”
“Eh.” I wave my hand.
“Fine. We’re living together.”
“Hmm, I don’t know.” I twist a strand of hair in my finger.
“Christ, we’re married.”
“Ugh.” I wince. “I’m sorry, I just don’t think it will ever happen.”
“Not even if we’re married, for fuck’s sake?” he asks, dumbfounded. It’s endearing, especially since he’s pushing his hand through his hair in distress, tousling it.
“Do we have kids?” I ask.
“Six.”
“Six?” Now it’s time for my eyes to pop out of their sockets. “Do you really think I want to birth six children?”
“Hell, no.” He shakes his head. “We adopted six kids from all around the world. We’re going to have the most diverse and loving family you’ll ever see.”
Adopting six kids, now that’s incredibly sweet. Or mad? No, it’s sweet. In fact, it’s extremely rare to meet a man who not only knows he wants to adopt kids, but is willing to look outside of the US, knowing how much he could offer that child. Good God, this man is a unicorn.
“We have the means for it, after all,” he says, continuing. “You’re taking over the city of Chicago, and I’ll be raining home runs on every opposing team. We would be the power couple, the new king and queen of the city. Excuse me, Oprah and Steadman, a new, hip couple is in town. People would wear our faces on their shirts like the royals in England. We’re the next Kate and William, the next Meghan and Harry. People will scream our name and then faint, only for us to give them mouth-to-mouth because even though we’re super famous, we are also humanitarians.”
“Wow.” I sit back in my chair. “That’s quite the picture you paint.” I know what my mom will say about him already. Don’t lose him, Dorothy. He’s gold. Gorgeous and selfless.
“So . . . with all that said, our six children at your side, would you wear a Rebels shirt?”
I take some time to think about it, mulling over the idea of switching to black and red as my team colors. Could I do it?
With the way Jason is smiling at me, hope in his eyes, how could I ever deny him that joy—and I say that as if we’ve been married for ten years.
“I would wear halfsies. Half Bobbies, half Rebels, and that’s the best I can do.”
He lifts his finger to the sky. “I’ll take it.
”
”
Meghan Quinn (The Lineup)
“
He started down the highway, walking along the edge of stopped traffic. He felt the weightlessness of mercy. He was a striding Christ. Sounds filtered through to him: people yelling and pleading; footsteps splashing through the rain; a distant, stranded siren. From somewhere behind him a man’s sob, weird and ululating, rose above the wreckage and disappeared into the sky, a flaming rag.
”
”
Nathan Ballingrud (North American Lake Monsters)
“
Charlotte waited for him to press his advantage, but he closed his eyes and rested his head back. Never had she seen a man look so contented. She stole the opportunity to study him without having to fend off that bright, interested gaze. When he’d turned up out of the pouring rain, she’d thought him handsome. No woman with eyes in her head would disagree. These hours in his company had only confirmed his physical appeal. Perhaps because she now knew the taste of that expressive mouth and how readily his lips could curve into a smile. Her fingers clenched into her skirts, much as they’d clenched into the cool silk of his black hair, hair with an endearing propensity to fall over his high forehead. Her fascinated inspection traced the hard, spare lines of his cheekbones and jaw. Even in a newspaper sketch, his striking good looks had been apparent. Now she saw so much more. Intelligence. Kindness. Humor. The thick black lashes shadowing his cheeks lifted, and he turned his head toward her. When she met that dark blue gaze, the world stopped, and an odd, echoing silence surrounded her. “Seen enough?” he asked softly. She flushed. Heavens, she’d blushed more since meeting Ewan Macrae than she had in the last year. It was an effort to speak. It was even more of an effort to keep her voice steady. “Best to know your enemy.” Every time he smiled, her pulses leaped in the most extraordinary way. This time was no different. “Daft lass, I’m not your enemy.” “Opponent,
”
”
Anna Campbell (Stranded with the Scottish Earl)
“
After a week of moping around London like a sick dog, I decided that the only cure for my humiliating disease was to see you in the flesh and prove that nothing uncanny had taken place when I saw that miniature.” “And what happened?” she asked, praying for him to say he hadn’t been disappointed. He’d spoken lightly of falling in love, but he was yet to say the words that every inch of her soul longed to hear. He gave her that smile that always made her silly. “You know precisely what happened. Miss Flora opened the door, and my fate was sealed.” “Oh,” she said, too stirred up to summon anything more meaningful. “Straightaway I saw the qualities I’d observed in the picture, the qualities your father had described. They were all there in the lassie who tried to leave me out in the rain.” “So you thought you’d found the perfect wife.” He burst out laughing and caught her hand. “My darling Charlotte, you’re bonny, but nobody in their right mind would call you a perfect wife.” “Is that so?” she asked in a dangerous voice. “I’ll have you know that—” Her scolding ended in a gasp as he lunged forward and tumbled her back against the rumpled bedding. “Now, before you fly up into the boughs, let me finish. You’re an impatient wee lass, my love.” She regarded him with sulky displeasure, even as happiness flowed through her veins, turning the cold night to bright summer. The sheet separated their bodies, but she could feel that, like her, he was becoming interested in more than conversation. However fascinating. “It had better be good.” “It is.” He kissed her with a thoroughness that stole her breath. When he raised his head, they were both panting. “I don’t want perfection, Charlotte. I want a wife who will stand up to me, and make me crazy with wanting her, and set me laughing with joy, and turn every day into an adventure. I doubt we’ll lead a quiet life, but by God, it will be interesting and worthwhile, and purposeful and passionate.” “And
”
”
Anna Campbell (Stranded with the Scottish Earl)
“
She’s yours?” “Aye.” He’d ridden down from London in easy stages to avoid having to trust to hired hacks. “She’s a beauty.” She stroked Saraband’s silky nose. The horse extended her neck for more attention. “Far too fine to stay out in the rain.” His lips twitched. He’d offer Cinderella half his fortune if she’d describe him in similar terms.
”
”
Anna Campbell (Stranded with the Scottish Earl)
“
Definitely an odd lassie. But bonny. Aye, dashed bonny.” “I’m glad you think so,” a familiar voice said from behind him. Startled, he turned. Devil take this weather. The rain on the tiled roof concealed the fact that Cinderella hadn’t taken his suggestion and returned to the house. She was carrying a bin of oats which she poured into a manger in the corner. “I mightn’t be talking about you,” he said gently. She cast him another of those unimpressed glances as he set aside the brush and shouldered his valise.
”
”
Anna Campbell (Stranded with the Scottish Earl)
“
She retreated into the table, before remembering that she didn’t want him to know he made her nervous. Still, she gulped before she spoke. It was just that he was so tall, and he watched her with such attention. And that wet shirt stuck so lovingly to every line of his impressive torso. When she read her father’s letter, she’d pictured Lord Lyle as a weedy creampuff. The sort of milksop who let other people arrange his life. The man standing near enough for her to catch the delicious scents of rain and male was more roast beef dinner than fussy French patisserie. “Miss
”
”
Anna Campbell (Stranded with the Scottish Earl)
“
Just as teardrops, when they are large and round and compassionate, can leave a long strand washed clean of discord, the summer rain as it washes away the motionless dust can bring to a person’s soul something like endless breathing. That is the way a summer rain can take hold in you—like a new heart, beating in time with another’s.
”
”
Muriel Barbery (The Elegance of the Hedgehog)
“
Please, Mem, it is too hot. Can you make some now?”
Anna smiled. She smoothed strands of sweat-dampened hair from the child’s brow and said, “Oh, Fa-Ying! Just because your father can make it rain doesn’t mean I can make it snow.”
“At last I discover her limitations.”
Anna whirled to find herself eye-to-eye with the King on his royal elephant. She bowed respectfully and adopted a more formal tone. “I have many, Your Majesty.
”
”
Elizabeth Hand (Anna and the King)
“
At one point, I make a low, guttural, animal sound, a sound so clearly biological in its design to elicit attention and sympathy from my fellow animals, and yet my fellow animals—my father, my brother—do nothing but talk over me. They talk over me because we are safe, in a small, rented house in Alabama, not stranded in a dark and dangerous rain forest, not on a raft in the middle of the sea. So the sound is a nonsense sound, a misplaced sound, a lion’s roar in the tundra. When I listen to the tape now, it seems to me that this itself was the disaster I foresaw, a common enough disaster for most infants these days: that I was a baby, born cute, loud, needy, wild, but the conditions of the wilderness have changed.
”
”
Yaa Gyasi (Transcendent Kingdom)
“
The old man only made him certain of something he had feared all along, something in the old stories. It took only one person to tear away the delicate strands of the web, spilling the rays of sun into the sand, and the fragile world would be injured. Once there had been a man who cursed the rain clouds, a man of monstrous dreams. Tayo screamed, and curled his body against the pain.
”
”
Leslie Marmon Silko (Ceremony)
“
History had turned violent again and Mr MacGhiolla with a special gleam in his eyes had departed for the North. He left my father books with trapped strands of red hair and a faint sulphuric whiff of nationalism trapped within the pages.
”
”
Niall Williams (History of the Rain)
“
Several years ago a violent storm struck Pawleys Island and the Carolina coast. Two men riding in a car during the storm wondered what they should do.
One mad said, “We sure need the Gray Man to tell us whether or not we should leave.”
The other man responded quickly, “Well, there he is up ahead! Why don’t you ask him?”
And it was! They saw the figure of a man, dressed all in gray, his shoulders hunched up against the driving wind and rain, while he strode purposefully along the island road. They stopped the car near the man.
“Sir, are you the Gray Man?” one of them asked out the window.
“No!” the man exploded. His head bent against the rain.
The men in the car were disappointed. One said, “I’m sorry, sir. You’re dressed all in gray and out in this storm. No offense, sir.” They started to drive on.
“Look,” the man in the storm said, “I had a heart attack, and my doctor told me I had to exercise. So I’m going to exercise if it kills me!” And he plodded on.
The man was wearing a dull gray, knitted warm-up suit, with the hood pulled over his head.
Today we depend on the Weather Bureau for warnings, watches, and evacuation notices in the face of a threatening hurricane or coastal storm. Certainly you should heed these warnings. But if you happen to see the Gray Man—take his advice and leave quickly!
”
”
Blanche W. Floyd (Ghostly Tales and Legends Along the Grand Strand of South Carolina)
“
Her hair was a tangled mess of blood, rain, and dirt—impossible to tell the color, dark brown maybe, bordering on black. A strand lay across her face, dividing it into two halves. Franza kneeled next to the girl and carefully brushed the strand of hair to one side, putting the halves back together.
”
”
Gabi Kreslehner (Rain Girl (Franza Oberwieser, #1))
“
The patter of rain had transformed into an undulating wave of crimson dots, while the vocal ribbon of colors coiled upward in helical formation like the strands of DNA.
”
”
Asif Ismael (Over The Tightrope)
“
When Charlotte shivered, he took off his oilskin and draped it around them like a blanket. “Is that better?” “Yes, thank you.” She nestled closer without invitation. “This is a dickens of a way to court a lassie.” He dropped an arm around her shoulders. To his surprise, she laid her head on his shoulder. The pungent scents of wet sheep and dirty straw tinged the air, but even through all that, he caught a faint and alluring hint of Charlotte. Flowers. Rain. Female. He closed his eyes, happy, despite the weather and his aches and pains.
”
”
Anna Campbell (Stranded with the Scottish Earl)
“
ANYWHERE COULD BE SOMEWHERE I might have come from the high country, or maybe the low country, I don’t recall which. I might have come from the city, but what city in what country is beyond me. I might have come from the outskirts of a city from which others have come or maybe a city from which only I have come. Who’s to know? Who’s to decide if it rained or the sun was out? Who’s to remember? They say things are happening at the border, but nobody knows which border. They talk of a hotel there, where it doesn’t matter if you forgot your suitcase, another will be waiting, big enough, and just for you.
”
”
Mark Strand (Collected Poems of Mark Strand)
“
SENSUALITY
Her hands push upward gathering the material from my shirt until it reaches over my head. Brushing her hair with my hand I stare deep into the lambent ecru of her eyes as hints of russet and jade glimmer across them both. She gives into me reaching for me while moving her lips down my torso. Carefully removing each layer that is slowly loosened we now find each other completely unguarded as our arms do wrap tightly around one another. Her arms and hands glide and slide naturally in such a graceful performance that her movement does seduce every part of me. Here and now we have become bare as we embrace this method of nearness that unfolds one another’s secrets. Holding her inside of my gentle embrace I marvel every elegant strand from her karakul-like ringlets that fall down beside her face and shoulders. The splendor of her darling features give charm to that undulating delirium that she induces. The edges of my fingertips find their way down the muscles of her back in the way that a drop of rain finds itself traveling across the wet colocasia leaf. Looking into her eyes they do manifest to me again that she is the one whom I’ve been searching for all this time. She is the one I have waited for to whom I do give the great pleasure of showing me how. I’ve wanted every part of me to belong to her and no one else, knowing here and now that all of me will truly become her very own.
”
”
Luccini Shurod
“
!” “Wow,” Miles said in mock sincerity. “That really does sound like a good part!” Daisy kicked him playfully in the shin. “C’mon,” Logan said, taking Miles by the arm. “Let’s let her read in peace. We only have a few minutes.” Miles made a big show of rubbing his shin as they left. Logan led the way to the far corner of the field, where the milkweed, clover, and marigolds grew. He tiptoed to the white clover bush and knelt in front of it. “He’s still there,” Logan whispered, pointing to the underside of a leaf. The caterpillar’s chrysalis hung by the thinnest of threads, like a silver strand of spun sugar. Logan had rigged up a temporary shelter for it out of some twigs and gauze. That way, if it rained or a big wind kicked up, it should be protected. He tested the twigs to make sure they were still sturdy, then took out his pencil and notebook, flipping quickly to the chart on the last page. He wanted to make sure Miles didn’t see his drawings. Not because they were bad—he freely admitted they were—but because most of them
”
”
Wendy Mass (The Candymakers (The Candymakers, #1))
“
A dry lightning storm is a storm where the rain never reaches the ground. It evaporates in midair, trailing down from swollen cumulus clouds in long, graceful strands called virga. The electrical charges from a dry storm do not trail off before they hit the ground, however; they rip into the mountains like artillery. On July 26, 1989, lightning was hitting the upper ridges of the Boise National Forest at the rate of a hundred strikes an hour. Automatic lightning detectors at the Boise Interagency Fire Center were registering, all over the western states, rates up around two thousand an hour. By nightfall 120 fires had caught and held north of Boise, little one-acre blazes that eventually converged into a single unstoppable, unapproachable front known as the Lowman fire.
”
”
Sebastian Junger (Fire)
“
a banker named Jean Liu when she found herself stranded with three unhappy children on a street corner in Beijing, midst a heavy rain, unable to flag down a taxi. Liu had been raised on tech—her father founded Lenovo, which purchased IBM’s personal computer business and is now the world’s largest PC maker—and she had done postgraduate work in computer science at Harvard.
”
”
Daniel Yergin (The New Map: Energy, Climate, and the Clash of Nations)
“
This Heft upon Your Leaving I peel to the center for the shape of an answer to give you, for the way an answer cures in wet resin or can hook through the days toward the pendulous blink of your eye. I answer as air answering a clapper against edges of bronze before belting out an anthem of a thousand grazes, until I hear paper stones fall at your softening window. Years ago, it seemed we were loose strands swept from our ways, two vestigial selves to hide behind. Only the smell darkened when we washed our hands in a brew of cardamom and clove, and your arms blushed over me in earnest. I tell to your thick listening as the mouth to a sudden ear, to your shimmering heat as it condenses around me. Now what century fell down at your door? What cold bowl of oats did you repurpose into blessings? From the kettle tongue, take my answer as a sun-hatched shadow slipping to meet your palm inside the vapor of our moment. Take this entire autumn of waiting. Be held by the sense of an answer the way an animal can sense where the rain will fall.
”
”
Mai Der Vang (Afterland)
“
The Dark Night (XVIII)
- 1863-1946
Our love is woven
Of a thousand strands—
The cool fragrance of the first lilac
At morning,
The first dew on the grass,
The smell of wild mint in the wood,
The pungent and earthy smell of ground ivy crushed under our feet;
Songs of birds, songs of great poets;
The leaping of the red squirrel in the tree,
The running of the river,
The commotion of stars and clouds in the high winds at night;
And dark stillness.
It is adorned with all the flowers
That stand in our garden;
It holds the night and the day.
Our love is made
Of the South Wind and the West Wind,
And the soft falling of rain;
Of white April evenings;
It is made of trees,
And of the many-coloured fields on the hills;
Of horizons,
Dark sea-blue of the west, thin sky-blue of the east,
With a yellow road between.
The flames of sunset and sunrise
Mingle in the fire of our love.
”
”
May Sinclair
“
Deep in the silent inner room
Every fiber of my soft heart
Turns to a thousand strands of sorrow.
I loved the Spring,
But the Spring is gone
As rain hastens the falling petals.
I lean on the balustrade,
Moving from one end to the other.
My emotions are still disordered.
Where is he?
Withered grass stretches to the horizon
And hides from sight
Any road by which he might return.
—Li Ch'ing-Chao, from “Remorse,” Songs of Love, Moon, Wind: Poems from the Chinese (New Directions , 2009)
”
”
Kenneth Rexroth (Songs of Love, Moon, & Wind: Poems from the Chinese)
“
The woman walked into the bar for the first time in the winter rain.
She didn’t have an umbrella on her; her little sleeveless dress ended at her ankles, fully drenched. Her wet dress clung to her body, showing the outlines of her curves. In one hand, she was carrying the skirt of her dress. Suddenly, she let it go, and one long, bare arm moved upward as she tried to fix her damp hair which had darkened in intensity due to the rain. It fell past her shoulders, the strands sticking to her face. She attempted to comb through the tangles with her fingertips.
The men watched her movements hungrily, their eager faces drawn to her and at the sight of someone new. Their eyes trailed from her face, to her wet body, then back to the movements of her hands entwined in her hair. Under her other arm, she carried a book and a trench coat. It appeared strange she wasn't wearing the coat when it was pouring outside and freezing in the middle of November.
Men were left mesmerized by her, and she turned heads as she walked by. Something radiated from within her, drawing the men around her in. The women who were with some of these men noticed their gaze on the unfamiliar woman. Now they stared at her with jealousy and anger.
Who is she? they wondered.
”
”
Beena Khan (The Name of Red (Red, #1))
“
Be with me, Beauty, for the fire is dying;
My dog and I are old, too old for roving.
Man, whose young passion sets the spindrift flying,
Is soon too lame to march, too cold for loving.
I take the book and gather to the fire,
Turning old yellow leaves; minute by minute
The clock ticks to my heart. A withered wire,
Moves a thin ghost of music in the spinet.
I cannot sail your seas, I cannot wander
Your cornland, nor your hill-land, nor your valleys
Ever again, nor share the battle yonder
Where the young knight the broken squadron rallies.
Only stay quiet while my mind remembers
The beauty of fire from the beauty of embers.
Beauty, have pity! for the strong have power,
The rich their wealth, the beautiful their grace,
Summer of man its sunlight and its flower.
Spring-time of man, all April in a face.
Only, as in the jostling in the Strand,
Where the mob thrusts, or loiters, or is loud,
The beggar with the saucer in his hand
Asks only a penny from the passing crowd,
So, from this glittering world with all its fashion,
Its fire, and play of men, its stir, its march,
Let me have wisdom, Beauty, wisdom and passion,
Bread to the soul, rain when the summers parch.
Give me but these, and though the darkness close
Even the night will blossom as the rose.
-John Masefield, "On growing old
”
”
John Masefield
“
He passed the rutabaga and duck terrine toward me with the tips of his fingers. "Isn't this a little odd?"
I wanted to like it, I did. I pushed the ingredients around with my knife and fork, trying to understand it and formulate an opinion.
Then Felix swooped in. "Oh, miss. Pardon me, I was helping another table. That's supposed to be served with something else." He looked at Michael Saltz sheepishly, and Michael Saltz turned his toupeed head away. "We added this dish today, and I'm still getting used to serving it. The proper preparation includes just a bit of truffle."
He took out a fist-size beige knot from underneath a white napkin. The shavings rained down in ruffled, translucent strands. Felix backed away as I poked my fork through the tangle of truffles, into the terrine.
I had read about truffles- their taste, their hormonal, almost sexual aromas, their exorbitant cost- but I had never even seen a truffle in person before, and had a hard time understanding why people paid thousands of dollars an ounce for something so humble-looking.
But at Tellicherry, I understood. I melted in my chair.
"Mmm..." I couldn't stop saying it. "Mmmm."
Michael Saltz, excited too, picked up a large pinch of truffle shavings and held them to his nose. "These are very good. The finest."
"Oh God," I said, in a state of delirium. "This makes the dish so much better. Why aren't truffles on everything?" I had forgotten about the funky terrine. Now it was just a vehicle for the magical urgings of the truffle.
A few minutes later, Felix came out again. "Here's your next dish, potato pearls with black, green, and crimson caviar in a cauliflower cream nage."
The caviar shined like little jewels among the equal-sized potatoes. They bobbed around in the soup, glistening as if illuminated from within. I took a spoonful and in surged a soft, sweet ribbon of cauliflower essence. I popped the caviar eggs one by one. Pop, went one, a silken fishiness. Pop, went another, a sharp, tangy brine. Pop, went a seductive one, dark and mysterious and deep.
”
”
Jessica Tom (Food Whore)
“
That night the moon drifted over the pond,
turning the water to milk, and under
the boughs of the trees, the blue trees,
a young woman walked, and for an instant
the future came to her:
rain falling on her husband's grave, rain falling
on the lawns of her children, her own mouth
filling with cold air, strangers moving into her house,
a man in her room writing a poem, the moon drifting into it,
a woman strolling under its trees, thinking of death,
thinking of him thinking of her, and the wind rising
and taking the moon and leaving the paper dark.
”
”
Mark Strand
“
Sestina"
For a week now our bodies have whispered
together, telling each other secrets
you and I would keep. Their language,
harder and more tender than this, wakes
us suddenly in the half dawn, tangled
dragons on their map. They have a plan.
We are stranded travelers who plan
to ditch our bags and walk. The hill wind whispers
danger and rain. We are going different ways. That tangled
thornbush is where the road forks. The secrets
we told on the station bench to keep awake
were lies. I suspect from your choice of language
that you are not speaking your native language.
You will not know about the city plan
tattooed behind my knee. But the skin wakes
up in humming networks, audibly whispers
over the dead wind. Everybody’s secrets
jam the wires. Syllables get tangled
with bus tickets and matchbooks. You tangled
my hair in your fingers and language
split like a black fig. I suck the secrets
off your skin. This isn’t in the plan,
the subcutaneous transmitter whispers.
Be circumspect. What sort of person wakes
up twice in a wrecked car? And we wake
in wary seconds of each other, tangled
damply together. Your cock whispers
inside my thigh that there is language
without memory. Your fingers plan
wet symphonies in my garrulous secret
places. There is nothing secret
in people crying at weddings and singing at wakes;
and when you pack a duffel bag and plan
on the gratuitous, you will still tangle
purpose and habit, more baggage, more language.
It is not accidental what they whisper.
Our bodies whispered under the sheet. Their secret
language will not elude us when we wake
into the tangled light without a plan.
”
”
Marilyn Hacker (Selected Poems 1965-1990)
“
Raine loved his hair. It seemed cream white on a cloudy day but came alive in the sun. As if moonbeams and crushed jewels interwove the strands.
”
”
Misu Loy (Hunted (When Nightmares Reign #1))