Stopped Texting First Quotes

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I’ve stopped being sorry for all my soft. I won’t apologise because I miss you, or because I said it, or because I text you first, or again. I think everyone spends too much time trying to close themselves off. I don’t want to be cool or indifferent, I want to be honest. If I love you at 5AM, I’d damn well rather that you know I felt it. If I love you two hours later, I’ll tell you then too. Listen, I won’t wait double the time it takes for you to text me back because I don’t want to. I don’t care enough to be patient with you. I’m happy, you made me feel that way, don’t you want to know? So that’s how it’s going to be. I’m going to leave myself as open as a church door. And I’m going to wake you up before the crack of dawn to tell you that I’m fucking joyful, no pretending, not from me, not ever. Would you like some coffee, would you please kiss me? Here, these are my hands, this is my mouth, it is all yours.
Azra T.
Here goes. See, my boyfriend and I decided to stay together for the summer, you know, even though he had to go visit some family in nowhereville. At least, that’s what he told me. Anyway, everything was fine at first, because you know, we talked every night, and then boom, he just stopped calling. So I called and texted him like the good girlfriend I am, and it wasn’t stalkerish, I swear, because I stopped after, like, the thirtieth time. A week goes by before he finally hits me back, and he was totally drunk and all, hey, baby, I miss you and what are you wearing, like no time had passed, and I was all, you so do not deserve to know.
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
How To Tell If Somebody Loves You: Somebody loves you if they pick an eyelash off of your face or wet a napkin and apply it to your dirty skin. You didn’t ask for these things, but this person went ahead and did it anyway. They don’t want to see you looking like a fool with eyelashes and crumbs on your face. They notice these things. They really look at you and are the first to notice if something is amiss with your beautiful visage! Somebody loves you if they assume the role of caretaker when you’re sick. Unsure if someone really gives a shit about you? Fake a case of food poisoning and text them being like, “Oh, my God, so sick. Need water.” Depending on their response, you’ll know whether or not they REALLY love you. “That’s terrible. Feel better!” earns you a stay in friendship jail; “Do you need anything? I can come over and bring you get well remedies!” gets you a cozy friendship suite. It’s easy to care about someone when they don’t need you. It’s easy to love them when they’re healthy and don’t ask you for anything beyond change for the parking meter. Being sick is different. Being sick means asking someone to hold your hair back when you vomit. Either love me with vomit in my hair or don’t love me at all. Somebody loves you if they call you out on your bullshit. They’re not passive, they don’t just let you get away with murder. They know you well enough and care about you enough to ask you to chill out, to bust your balls, to tell you to stop. They aren’t passive observers in your life, they are in the trenches. They have an opinion about your decisions and the things you say and do. They want to be a part of it; they want to be a part of you. Somebody loves you if they don’t mind the quiet. They don’t mind running errands with you or cleaning your apartment while blasting some annoying music. There’s no pressure, no need to fill the silences. You know how with some of your friends there needs to be some sort of activity for you to hang out? You don’t feel comfortable just shooting the shit and watching bad reality TV with them. You need something that will keep the both of you busy to ensure there won’t be a void. That’s not love. That’s “Hey, babe! I like you okay. Do you wanna grab lunch? I think we have enough to talk about to fill two hours!" It’s a damn dream when you find someone you can do nothing with. Whether you’re skydiving together or sitting at home and doing different things, it’s always comfortable. That is fucking love. Somebody loves you if they want you to be happy, even if that involves something that doesn’t benefit them. They realize the things you need to do in order to be content and come to terms with the fact that it might not include them. Never underestimate the gift of understanding. When there are so many people who are selfish and equate relationships as something that only must make them happy, having someone around who can take their needs out of any given situation if they need to. Somebody loves you if they can order you food without having to be told what you want. Somebody loves you if they rub your back at any given moment. Somebody loves you if they give you oral sex without expecting anything back. Somebody loves you if they don’t care about your job or how much money you make. It’s a relationship where no one is selling something to the other. No one is the prostitute. Somebody loves you if they’ll watch a movie starring Kate Hudson because you really really want to see it. Somebody loves you if they’re able to create their own separate world with you, away from the internet and your job and family and friends. Just you and them. Somebody will always love you. If you don’t think this is true, then you’re not paying close enough attention.
Ryan O'Connell
You've felt it before. You'll feel it again. Heartbreak is one of the trade-offs of getting to spend a precious few decades in this world. Never let the futile fear of it stop you from sending that text, saying it first, trying again, or letting it go.
Mari Andrew (Am I There Yet? The Loop-de-Loop, Zigzagging Journey to Adulthood)
The frontiers of a book are never clear-cut: beyond the title, the first lines, and the last full-stop, beyond its internal configuration and its autonomous form, it is caught up in a system of references to other books, other texts, other sentences: it is a node within a network.
Michel Foucault (The Archaeology of Knowledge and The Discourse on Language)
As I brush my teeth, I scroll through my phone to see if Sabrina texted when my phone was on silent last night. She didn’t. Damn. I was hoping my speech—and that amazing fucking kiss—might’ve changed her mind about going out with me, but I guess it didn’t. I do, however, find the most mind-boggling conversation in the group chat I have with my roommates. All the messages are from last night, and they’re bizarre as fuck. Garrett: The hells, D?! Dean: It’s not what you think!! Logan: It’s hard to mistake ur romantic bath with that giant pink thing! In ur ass! Dean: It wasn’t in my ass! Garrett: I’m not even going to ask where it was Dean: I had a girl over! Garrett: Suuuuuuuuure Logan: Suuuuuuuuure Dean: I hate you guys Garrett: <3 Logan: <3 I rinse my mouth out, spit, and drop the toothbrush into the little cup on the sink. Then I quickly type out a text. Me: Wait… what did I miss? Since we have practice in twenty minutes, the guys are already awake and clearly on their phones. Two photos pop up simultaneously. Garrett and Logan have both sent me pics of pink dildos. I’m even more confused now. Dean messages immediately with, Why do you guys have dildo pics handy? Logan: ALINIMB Dean: ?? Me: ?? Garrett: At Least It’s Not In My Butt. I snort to myself, because I’m starting to piece it together. Logan: Nice, G! U got that on the first try! Garrett: We spend too much time 2gether. Me: PLEASE tell me u caught D playing w/ dildos. Logan: Sure did. Dean is quick to object again. I HAD A GIRL OVER! The guys and I rag on him for a couple more minutes, but I have to stop when Fitzy stumbles into the bathroom and shoves me aside. He’s got crazy bedhead and he’s buck-naked. “Gotta piss,” he mumbles. “Mornin’, sunshine,” I say cheerfully. “Want me to make you some coffee?” “God. Yes. Please.” Chuckling, I duck out of the bathroom and walk the four or so steps into his kitchenette. When he finally emerges, I shove a cup of coffee in his hand, sip my own, and say, “Dean shoved a dildo up his ass last night.” Fitzy nods. “Makes sense.” I snicker mid-sip. Coffee spills over the rim of my cup. “It really does, huh?
Elle Kennedy (The Goal (Off-Campus, #4))
I never stopped feeling like being the first to send a text would be intruding upon the real main characters of the story.
Hank Green (A Beautifully Foolish Endeavor (The Carls, #2))
We have time for everything: to sleep, to run from one place to another, to regret having mistaken and to mistake again, to judge the others and to forgive ourselves we have time for reading and writing, for making corrections to our texts, to regret ever having written we have time to make plans and time not to respect them, we have time for ambitions and sicknesses, time to blame the destiny and the details, we have time to watch the clouds, advertisements or some ordinary accident, we have time to chase our wonders away and to postpone the answers, we have time to break a dream to pieces and then to reinvent it, we have time to make friends, to lose friends, we have time to receive lessons and forget them afterwards, we have time to receive gifts and not to understand them. We have time for them all. There is no time for just a bit of tenderness. When we are aware about to do this we die. I’ve learned that you cannot make someone love you; All you can do is to be a loved person. the rest … depends on the others. I’ve learned that as much as I care others might not care. I’ve learned that it takes years to earn trust and just a few seconds to lose it. I’ve learned that it does not matter WHAT you have in your life but WHO you have. I’ve learned that your charm is useful for about 15 minutes Afterwards, you should better know something. I’ve learned that no matter how you cut it, everything has two sides! I’ve learned that you should separate from your loved ones with warm words It might be the last time you see them! I’ve learned that you can still continue for a long time after saying you cannot continue anymore I’ve learned that heroes are those who do what they have to do, when they have to do it, regardless the consequences I’ve learned that there are people who love But do not know how to show it ! I’ve learned that when I am upset I have the RIGHT to be upset But not the right to be bad! I’ve learned that real friendship continues to exist despite the distance And this is true also for REAL LOVE !!! I’ve learned that if someone does not love you like you want them to It does not mean that they do not love you with all their heart. I’ve learned that no matter how good of a friend someone is for you that person will hurt you every now and then and that you have to forgive him. I’ve learned that it is not enough to be forgiven by others Sometimes you have to learn to forgive yourself. I’ve learned that no matter how much you suffer, The world will not stop for your pain. I’ve learned that the past and the circumstances might have an influence on your personality But that YOU are responsible for what you become !!! I’ve learned that if two people have an argument it does not mean that they do not love each other I’ve learned that sometimes you have to put on the first place the person, not the facts I’ve learned that two people can look at the same thing and can see something totally different I’ve learned that regardless the consequences those WHO ARE HONEST with themselves go further in life. I’ve learned that life can be changed in a few hours by people who do not even know you. I’ve learned that even when you think there is nothing more you can give when a friend calls you, you will find the strength to help him. I’ve learned that writing just like talking can ease the pains of the soul ! I’ve learned that those whom you love the most are taken away from you too soon … I’ve learned that it is too difficult to realise where to draw the line between being friendly, not hurting people and supporting your oppinions. I’ve learned to love to be loved.
Octavian Paler
I think I read in at least two ways. First, by following, breathlessly, the events and the characters without stopping to notice the details, the quickening pace of reading sometimes hurtling the story beyond the last page <...>. Secondly, by careful exploration, scrutinizing the text to understand its ravelled meaning, finding plesasure merely in the sound of the words or in the clues which the words did not wish to reveal, or in what I suspected was hidden deep in the story itself, something too terrible or too marvellous to be looked at.
Alberto Manguel (A History of Reading)
Once a junkie, always a junkie. You can stop using junk, but you are never off after the first habit.
William S. Burroughs (Junky: The Definitive Text of "Junk")
Furthermore, Professor Uzzi-Tuzii had begun his oral translation as if he were not quite sure he could make the words hang together, going back over every sentence to iron out the syntactical creases, manipulating the phrases until they were not completely rumpled, smoothing them, clipping them, stopping at every word to illustrate its idiomatic uses and its commutations, accompanying himself with inclusive gestures as if inviting you to be content with approximate equivalents, breaking off to state grammatical rules, etymological derivations, quoting the classics. but just when you are convinced that for the professor philology and erudition mean more than what the story is telling, you realize the opposite is true: that academic envelope serves only to protect everything the story says and does not say, an inner afflatus always on the verge of being dispersed at contact with the air, the echo of a vanished knowledge revealed in the penumbra and in tacit allusions. Torn between the necessity to interject glosses on multiple meanings of the text and the awareness that all interpretation is a use of violence and caprice against a text, the professor, when faced by the most complicated passages, could find no better way of aiding comprehension than to read them in the original, The pronunciation of that unknown language, deduced from theoretical rules, not transmitted by the hearing of voices with their individual accents, not marked by the traces of use that shapes and transforms, acquired the absoluteness of sounds that expect no reply, like the song of the last bird of an extinct species or the strident roar of a just-invented jet plane that shatters the sky on its first test flight. Then, little by little, something started moving and flowing between the sentences of this distraught recitation,. The prose of the novel had got the better of the uncertainties of the voice; it had become fluent, transparent, continuous; Uzzi-Tuzii swam in it like a fish, accompanying himself with gestures (he held his hands open like flippers), with the movement of his lips (which allowed the words to emerge like little air bubbles), with his gaze (his eyes scoured the page like a fish's eyes scouring the seabed, but also like the eyes of an aquarium visitor as he follows a fish's movement's in an illuminated tank).
Italo Calvino (If on a Winter’s Night a Traveler)
What's the story behind the song? Jane texts back a minute later. She addresses and signs it the ways she usually does. august is so used to it that her eyes have started skipping right over the introduction and sign off. I don't remember much. I listened to it in an apartment I had when I was 20. I used to think it was one of the most romantic songs I ever heard. Really? The lyrics are kind of depressing. No, you gotta listen to the bridge. It's all about loving someone so much you can't stand the idea of losing them, even if it hurts, that all the hard stuff is worth it if you can get through together. August pulls it up, lets it spin past the first two verses, into the line: You will remember, when this is blown over . . . Okay, she types, thinking of Wes and how determined he is not to let Isaiah hand him his heart, of Myla holding Niko's hand as he talks to things she can't see, of her mom and a whole life spent searching, of herself, of Jane, of hours on the train - all the things they put themselves through for love. Okay, I get it.
Casey McQuiston (One Last Stop)
Not today! No, never again would she sit by the window, her back turned so she would not see him walk down the flagstone path with Dr Danzer, the limp volume of her favourite Bach spread open to the first page of the text, the black notes swarming before her eyes, her fingers arching in elaborate dumb-show as they practised the first trill, her mind on the beats, the leaning upon the upper note, the precise apperception of the stopping point - not a moment to soon, not a moment too late - and in her ears once more the sound, the slow dignity, of Anna Magdalena's sarabande, a delicate ornament for her melancholy.
John Franklin Bardin (Devil Take the Blue-tail Fly)
He called me. In the beginning, every day. Multiple times. Although I would not answer. And he texted. At first often, and then every few days or so. It went on for months. These little messages that would paralyze me. And to which I resisted responding. Because I had made a choice. I miss you. I’m thinking of you. I still love you. And then one day, they stopped. Long, long before I had stopped loving him.
Robinne Lee (The Idea of You)
Zach: Are you close with your brother? He’s partially to blame for the wrong number thing, isn’t he? * * * Me: Kind of. Yeah, we’re close. My mom worked at the hospital so it was usually just us two fending for ourselves. * * * Me: Okay, so I shouldn’t say fending for ourselves. That makes me sound like a dick and unappreciative of all my mom did. We just spent many nights just the two of us because my mom was a hardworking single lady and she wasn’t searching for a man to put a ring on it because she. Is. Fierce. * * * Zach: I bet your mom is the shit. * * * Me: She really is. You should meet her sometime. * * * Me: Oh, awkward…I’m talking about meeting the family and we’re not even officially a couple. * * * Zach: We’re not? * * * Me: We are? My phone lights up with a call from Zach. “Are you saying we aren’t dating?” he says before I can say anything. “We are…” “Are you saying you’re wanting to see other people?” “No…” “So then we’re a couple.” I’m quiet, unsure what to say. I’m so scared to label this, which is stupid, I know. “Delia?” “Yes, Zach?” “Do you not want to be?” I take a deep breath and push out the answer I know is right, even though my head is saying otherwise. “No. I want to be a couple.” “Are you sure?” “Yes. I’m just…scared. I know I shouldn’t put that all on you, but you’re kind of the reason I’m scared. I like you, Zach—a lot—but what if this doesn’t work out? What if we jump in too soon?” He sighs. “Remember when we were talking about our exes? About the lack of fireworks?” “Yeah.” “I swear to god, someone is going to swoop in and take my man card for this shit, but I felt them with you. When we first kissed, I knew right then you were worth jumping in with both feet and taking a risk.” I don’t let myself overthink his words, wanting to keep my head level and clear. “What if I’m not worth the risk?” “We’ll never know if we don’t take it.” “Say you’re a couple already, Dalilah!” Robbie’s voice comes loud through the speaker. “He paused the movie during an epic scene!” “How many times have I told you that her name is Delia. Deal-ya. Get it?” “You talk about me with Robbie?” I ask. “Sometimes.” “Say yes! He looks like someone kicked his goat!” “Shut the fuck up, Robbie!” I laugh. “If I say yes, will he stop shouting?” “YES!” Robbie shouts again. “I’ll take the risk, Zach, but you better be worth it.” “You’ve seen my Harry Potter underwear—you know I’m worth it.” Then he whispers, “Wink.
Teagan Hunter (Let's Get Textual (Texting, #1))
I remember the very day, sometime during the first two weeks of my five-year amorous sojourn in Brutland, when I was made privy to one of the most arcane of their utterings. The time was ripe for that major epiphany, my initiation into the sacred knowledge—or should I say gnosis?—of that all-important, quintessentially Brutish slang term, the word that endless hours of scholastic education by renowned mentors, plus years of scrupulous scrutiny into scrofulous texts, had disappointingly failed to impart to me, leaving me with that deep sense of emptiness begotten by hemimathy; the time was finally ripe for me to be transported by the velvety feel of the unvoiced palato-alveolar fricative, the élan of the unpronounceable and masochistically hedonistic front open-rounded vowel, and, last but not least, the (admittedly short) ejaculatory quality of the voiced velar stop: all three of them combined together to form that miraculous lexical item, the word shag.
Spiros Doikas (No Sex Please, We're Brutish!: The exploits of a Greek student in Britain)
I also worried about her morale. During Linda’s first season working for Amazon, she had seen up close the vast volume of crap Americans were buying and felt disgusted. That experience had planted a seed of disenchantment. After she left the warehouse, it continued to grow. When she had downsized from a large RV to a minuscule trailer, Linda had also been reading about minimalism and the tiny house movement. She had done a lot of thinking about consumer culture and about how much garbage people cram into their short lives. I wondered where all those thoughts would lead. Linda was still grappling with them. Weeks later, after starting work in Kentucky, she would post the following message on Facebook and also text it directly to me: Someone asked why do you want a homestead? To be independent, get out of the rat race, support local businesses, buy only American made. Stop buying stuff I don’t need to impress people I don’t like. Right now I am working in a big warehouse, for a major online supplier. The stuff is crap all made somewhere else in the world where they don’t have child labor laws, where the workers labor fourteen- to sixteen-hour days without meals or bathroom breaks. There is one million square feet in this warehouse packed with stuff that won’t last a month. It is all going to a landfill. This company has hundreds of warehouses. Our economy is built on the backs of slaves we keep in other countries, like China, India, Mexico, any third world country with a cheap labor force where we don’t have to see them but where we can enjoy the fruits of their labor. This American Corp. is probably the biggest slave owner in the world. After sending that, she continued: Radical I know, but this is what goes through my head when I’m at work. There is nothing in that warehouse of substance. It enslaved the buyers who use their credit to purchase that shit. Keeps them in jobs they hate to pay their debts. It’s really depressing to be there. Linda added that she was coping
Jessica Bruder (Nomadland: Surviving America in the Twenty-First Century)
Alex is taking notes in a policy lecture when he gets the first text. This bloke looks like you. There's a picture attached, an image of a laptop screen paused on Chief Chirpa from Return of the Jedi: tiny, commanding, adorable, pissed off. This is Henry, by the way. He rolls his eyes, but adds the new contact to his phone: HRH Prince Dickhead. Poop emoji. He's honestly not planning to respond, but a week later he sees a headline on the cover of People - PRINCE HENRY FLIES SOUTH FOR WINTER - complete with a photo of Henry artistically posed on an Australian beach in a pair of sensible yet miniscule navy swim trunks, and he can't stop himself. you have a lot of moles, he texts, along with a snap of the spread. is that a result of the inbreeding? Henry's retort comes two days later by way of a screenshot of a Daily Mail tweet that reads, Is Alex Claremont-Diaz going to be a father? The attached message says, But we were ever so careful, dear, which surprises a big enough laugh out of Alex that Zahra ejects him from her weekly debriefing with him and June.
Casey McQuiston (Red, White & Royal Blue)
Twenty years? No kidding: twenty years? It’s hard to believe. Twenty years ago, I was—well, I was much younger. My parents were still alive. Two of my grandchildren had not yet been born, and another one, now in college, was an infant. Twenty years ago I didn’t own a cell phone. I didn’t know what quinoa was and I doubt if I had ever tasted kale. There had recently been a war. Now we refer to that one as the First Gulf War, but back then, mercifully, we didn’t know there would be another. Maybe a lot of us weren’t even thinking about the future then. But I was. And I’m a writer. I wrote The Giver on a big machine that had recently taken the place of my much-loved typewriter, and after I printed the pages, very noisily, I had to tear them apart, one by one, at the perforated edges. (When I referred to it as my computer, someone more knowledgeable pointed out that my machine was not a computer. It was a dedicated word processor. “Oh, okay then,” I said, as if I understood the difference.) As I carefully separated those two hundred or so pages, I glanced again at the words on them. I could see that I had written a complete book. It had all the elements of the seventeen or so books I had written before, the same things students of writing list on school quizzes: characters, plot, setting, tension, climax. (Though I didn’t reply as he had hoped to a student who emailed me some years later with the request “Please list all the similes and metaphors in The Giver,” I’m sure it contained those as well.) I had typed THE END after the intentionally ambiguous final paragraphs. But I was aware that this book was different from the many I had already written. My editor, when I gave him the manuscript, realized the same thing. If I had drawn a cartoon of him reading those pages, it would have had a text balloon over his head. The text would have said, simply: Gulp. But that was twenty years ago. If I had written The Giver this year, there would have been no gulp. Maybe a yawn, at most. Ho-hum. In so many recent dystopian novels (and there are exactly that: so many), societies battle and characters die hideously and whole civilizations crumble. None of that in The Giver. It was introspective. Quiet. Short on action. “Introspective, quiet, and short on action” translates to “tough to film.” Katniss Everdeen gets to kill off countless adolescent competitors in various ways during The Hunger Games; that’s exciting movie fare. It sells popcorn. Jonas, riding a bike and musing about his future? Not so much. Although the film rights to The Giver were snapped up early on, it moved forward in spurts and stops for years, as screenplay after screenplay—none of them by me—was
Lois Lowry (The Giver (Giver Quartet Book 1))
Once the vehicle started moving, she realized she had no idea where she was going. Wasn’t that always the case? Her phone chimed. Nick. Where did you go? Quinn deleted it. Then she started a new text. Playing sentry again tonight? The response text took less than three seconds. Why? Need rescuing, baby girl? Quinn smiled. Now that you mention it, yeah. I do. Her phone vibrated almost immediately. What’s up? I’m on a bus, bound for nowhere. Sweetheart, it’s a TRAIN bound for nowhere. Her heart gave a little squee at the endearment. It meant nothing and everything all at once. She smiled over her phone while she texted back. Well, I’m on a bus with no destination in mind. Want me to come get you? Quinn stopped and stared at the phone. Was this dangerous? It didn’t feel dangerous. Tyler had had ample opportunity to hurt her last night and he hadn’t. When Becca had first told her about finding Chris in the middle of a fight with Tyler and Seth in the parking lot, Quinn’s first question had been, “Why?” She’d never gotten a good answer. She slid her thumbs across the face of her phone. Are more taquitos in my future? Play your cards right and there might be a soda, too. His texts were teasing, so she wasn’t sure if his offer to come get her was genuine. She didn’t want to get off the bus until she knew for sure. Then her phone lit up with a new message. Don’t make me ride the bus all night. Where should I pick you up? “Excuse me,” she called to the driver. “What’s the next stop?” “Annapolis Mall. West side.” Next stop is Annapolis Mall. West side. Well look at that. You just got upgraded to a soft pretzel. See you in 10.
Brigid Kemmerer (Secret (Elemental, #4))
The first thing I want to say about Boyfriend is that he’s an extraordinarily decent human being. He’s kind and generous, funny and smart, and when he’s not making you laugh, he’ll drive to the drugstore at two a.m. to get you that antibiotic you just can’t wait until morning for. If he happens to be at Costco, he’ll text to ask if you need anything, and when you reply that you just need some laundry detergent, he’ll bring home your favorite meatballs and twenty jugs of maple syrup for the waffles he makes you from scratch. He’ll carry those twenty jugs from the garage to your kitchen, pack nineteen of them neatly into the tall cabinet you can’t reach, and place one on the counter, accessible for the morning. He’ll also leave love notes on your desk, hold your hand and open doors, and never complain about being dragged to family events because he genuinely enjoys hanging out with your relatives, even the nosy or elderly ones. For no reason at all, he’ll send you Amazon packages full of books (books being the equivalent of flowers to you), and at night you’ll both curl up and read passages from them aloud to each other, pausing only to make out. While you’re binge-watching Netflix, he’ll rub that spot on your back where you have mild scoliosis, and when he stops, and you nudge him, he’ll continue rubbing for exactly sixty more delicious seconds before he tries to weasel out without your noticing (you’ll pretend not to notice). He’ll let you finish his sandwiches and sentences and sunscreen and listen so attentively to the details of your day that, like your personal biographer, he’ll remember more about your life than you will. If this portrait sounds skewed, it is.
Lori Gottlieb (Maybe You Should Talk to Someone: A Therapist, Her Therapist, and Our Lives Revealed)
Teddy actually cries, he misses her so bad, and eventually he convinces her that she”—here Sadie makes quote marks with her fingers—“‘owes’ him the chance to explain.” “And she agrees to meet?” I ask, mostly because I worry I’ve been silent too long. “Yes.” “This,” I say. “This is the part I never get.” Sadie leans forward and tilts her head to the side. “That’s because while you’re trying, Win, you’re still too male to get it. Women have been conditioned to please. We are responsible not just for ourselves but everyone in our orbit. We think it is our job to comfort the man. We think we can make things better by sacrificing a bit of ourselves. But you’re also right to ask. It’s the first thing I tell my clients: If you’re ready to end it, end it. Make a clean break and don’t look back. You don’t owe him anything.” “Did Sharyn go back to him?” I ask. “For a little while. Don’t shake your head like that, Win. Just listen, okay? That’s what these psychos do. They manipulate and gaslight. They make you feel guilty, like it’s your fault. They sucker you back in.” I still don’t get it, but that’s not important, is it? “Anyway, it didn’t last. Sharyn saw the light fast. She ended it again. She stopped replying to his calls and texts. And that’s when Teddy upped his assholery to the fully psychotic. Unbeknownst to her, he bugged her apartment. He put keyloggers on her computers. Teddy has a tracker on her phone. Then he starts texting her anonymous threats. He stole all her contacts, so he floods mailboxes with malicious lies about her—to her friends, her family. He writes emails and pretends he’s Sharyn and he trashes her professors and friends. On one occasion, he contacts Sharyn’s best friend’s fiancé—as Sharyn—and
Harlan Coben (Win (Windsor Horne Lockwood III, #1))
He had a rough idea where he was going, since Rylann had previously mentioned that she lived in Roscoe Village. At the stoplight at Belmont Avenue, he pulled out his cell phone and scrolled through his contacts. The beauty of text messaging, he realized, was in its simplicity. He didn’t have to try to explain things, nor did he have to attempt to parse through all the banter in an attempt to figure out what she might be thinking. Instead, he could keep things short and sweet. I’D LIKE TO SEE YOU. He hit send. To kill time while he waited for her response, he drove in the direction of his sister’s wine shop, figuring he could always drop in and harass Jordan about something. This time, however, she beat him to the punch. “So who’s the brunette bombshell?” Jordan asked as soon as he walked into the shop and took a seat at the main bar. Damn. He’d forgotten about the stupid Scene and Heard column. Kyle helped himself to a cracker and some Brie cheese sitting on the bar. “I’m going to say…Angelina Jolie. Actually, no—Megan Fox.” “Megan Fox is, like, twenty-five.” “And this is a problem why, exactly?” Jordan slapped his hand as he reached for more crackers. “Those are for customers.” She put her hand on her hip. “You know, after reading the Scene and Heard column, I’d kind of hoped it was Rylann they were talking about. And that maybe, just maybe, my ne’er-do-well twin had decided to stop playing around and finally pursue a woman of quality.” He stole another cracker. “Now, that would be something.” She shook her head. “Why do I bother? You know, one day you’re going to wake up and…” Kyle’s cell phone buzzed, and he tuned out the rest of Jordan’s lecture—he could probably repeat the whole thing word for word by now—as he checked the incoming message. It was from Rylann, her response as short and sweet as his original text. 3418 CORNELIA, #3. He had her address. With a smile, he looked up and interrupted his sister. “That’s great, Jordo. Hey, by any chance do you have any bottles of that India Ink cabernet lying around?” She stopped midrant and stared at him. “I’m sure I do. Why, what made you think of that?” Then her face broke into a wide grin. “Wait a second…that was the wine Rylann talked about when she was here. She said it was one of her favorites.” “Did she? Funny coincidence.” Jordan put her hand over her heart. “Oh my God, you’re trying to impress her. That is so cute.” “Don’t be ridiculous,” Kyle scoffed. “I just thought, since I’ve heard such good things about the wine, that I would give it a shot.” Jordan gave him a look, cutting through all the bullshit. “Kyle. She’s going to love it.” Okay, whatever. Maybe he was trying to impress Rylann a little. “You don’t think it’s too much? Like I’m trying too hard?” Jordan put her hand over her heart again. “Oh. It’s like watching Bambi take his first steps.” “Jordo…” he growled warningly. With a smile, she put her hand on his shoulder and squeezed affectionately. “It’s perfect. Trust me.
Julie James (About That Night (FBI/US Attorney, #3))
A folded triangle of paper landed in the center of his notebook. Normally he’d unfold it discreetly, but Beamis was so clueless that the note could have hit him in the head and he wouldn’t notice. Loopy script in purple pen. The paper smelled like her. What’s your #? Wow. Hunter clicked his pen and wrote below her words. I have a theory about girls who ask for your number before asking for your name. Then he folded it up and flicked it back. It took every ounce of self-control to not watch her unfold it. The paper landed back on his desk in record time. I have a theory about boys who prefer writing to texting. He put his pen against the paper. I have a theory about girls with theories. Then he waited, not looking, fighting the small smile that wanted to play on his lips. The paper didn’t reappear. After a minute, he sighed and went back to his French essay. When the folded triangle smacked him in the temple, he jumped a mile. His chair scraped the floor, and Beamis paused in his lecture, turning from the board. “Is there a problem?” “No.” Hunter coughed, covering the note with his hand. “Sorry.” When the coast was clear, he unfolded the triangle. It was a new piece of paper. My name is Kate. Kate. Hunter almost said the name out loud. What was wrong with him? It fit her perfectly, though. Short and blunt and somehow indescribably hot. Another piece of paper landed on his notebook, a small strip rolled up tiny. This time, there was only a phone number. Hunter felt like someone had punched him in the stomach and he couldn’t remember how to breathe. Then he pulled out his cell phone and typed under the desk. Come here often? Her response appeared almost immediately. First timer. Beamis was facing the classroom now, so Hunter kept his gaze up until it was safe. When he looked back, Kate had written again. I bet I could strip na**d and this guy wouldn’t even notice. Hunter’s pulse jumped. But this was easier, looking at the phone instead of into her eyes. I would notice. There was a long pause, during which he wondered if he’d said the wrong thing. Then a new text appeared. I have a theory about boys who picture you na**d before sharing their name. He smiled. My name is Hunter. Where you from? This time, her response appeared immediately. Just transferred from St. Mary’s in Annapolis. Now he was imagining her in a little plaid skirt and knee-high socks. Another text appeared. Stop imagining me in the outfit. He grinned. How did you know? You’re a boy. I’m still waiting to hear your theory on piercings. Right. IMO, you have to be crazy hot to pull off either piercings or tattoos. Otherwise you’re just enhancing the ugly. Hunter stared at the phone, wondering if she was hitting on him—or insulting him. Before he could figure it out, another message appeared. What does the tattoo on your arm say? He slid his fingers across the keys. It says “ask me about this tattoo.” Liar. Mission accomplished, I’d say. He heard a small sound from her direction and peeked over. She was still staring at her phone, but she had a smile on her face, like she was trying to stifle a giggle. Mission accomplished, he’d say.
Brigid Kemmerer (Spirit (Elemental, #3))
[A] friend from work met a firefighter in a bar a few months ago. They talked a lot that night/exchanged numbers and were texting back and forth for the next week while setting up a first date. He told her he didn’t have a facebook and when she mentioned that to some other people, they told her she should be concerned that he might be lying and actually have a girlfriend or be married. So she google searched his name + LA fire department and found that there was a news story on him (with a video!) about how he AND HIS MOTHER beat up an elderly woman who was feeding stray cats on their street. She immediately stopped talking to him.
Aziz Ansari (Modern Romance: An Investigation)
As the next page loaded with another set of 25 emails, his eyes were drawn to the bottom of the screen, where for the first time previously-read messages stood out beneath the bold-type unread ones.  There was something powerfully sentimental, almost tangible, about the realization that his dad had sat before a computer somewhere ten years earlier and had clicked on these same messages.  The most recent one, received just hours before his parents’ death, was from his mom with the subject line, “re: Li’l Ryan’s Bday”. With a lump developing in his throat, he clicked on the message.  His mom had written: “That’s something dads should talk to their sons about ;)”  Hmm.  Didn’t make sense without context. Below the end of the message he found the option to “show quoted text,”  which he clicked on to reveal the entire exchange in reverse chronological order.  She had been responding to his dad’s message: “I’m sure he’ll get it.  I like the idea, but you better be prepared to have a discussion about the birds and bees.  You know how his mind works.  He’ll want to know how that baby got in there.” Ryan’s palms grew sweaty as he began to infer what was coming next.  Not entirely sure he wanted to continue, but certain he couldn’t stop, he scrolled to the end. The thread had started with his mother’s message, “I’m already showing big-time.  Sweaters only get so baggy, and it’s going to be warming up soon.  I think tonight would be the perfect time to tell Ryan.  I wrapped up a T-shirt for him in one of his presents that says ‘Big Brother’ on it.  A birthday surprise!  You think he’ll get it?” Having trouble taking in a deep breath, he rose to a stand and slowly backed away from his computer.  It wasn’t his nature to ask fate “Why?” or to dwell on whether or not something was “fair.”  But this was utterly overwhelming – a knife wound on top of an old scar that had never sufficiently healed. ~~~ Corbett Hermanson peered around the edge of Bradford’s half-open door and knocked gently on the frame.  Bradford was sitting at his desk, leafing through a thick binder.  He had to have heard the knock, Corbett thought, peeking in, but his attention to the material in the binder remained unbroken. Now regretting his timid first knock, Corbett anxiously debated whether he should knock again, which could be perceived as rude, or try something else to get Bradford’s attention.  Ultimately he decided to clear his throat loudly, while standing more prominently in the doorway. Still, Bradford kept his nose buried in the files in front of him. Finally, Corbett knocked more confidently on the door itself. “What!” Bradford demanded.  “If you’ve got something to say, just say it!” “Sorry, sir.  Wasn’t sure you heard me,” Corbett said, with a nervous chuckle. “Do you think I’m deaf and blind?” Bradford sneered.  “Just get on with it already.” “Well sir, I’m sure you recall our conversation a few days back about the potential unauthorized user in our system?  It turns out...” “Close the door!” Bradford whispered emphatically, waving his arms wildly for Corbett to stop talking and come all the way into his office. “Sorry, sir,” Corbett said, his cheeks glowing an orange-red hue to match his hair.  After self-consciously closing the door behind him, he picked up where he’d left off.  “It turns out, he’s quite good at keeping himself hidden.  I was right about his not being in Indiana, but behind that location, his IP address bounces
Dan Koontz (The I.P.O.)
From paragraphs to sentences. The texts went dry. From sleepovers to silence. The void only grew. We spent every waking moment together. Laughing. Crying. Sharing secrets. Your mother said I was her second child. I felt at home when I walked into your home. Until it shifted. We no longer laughed. We no longer cried. We no longer shared secrets. You no longer knew me. I stopped being the first to reach out. I figured that was what you wanted. Less of me. When I stopped reaching out, I got less of you. Less and less, until there was none. A friendship ended with distance. Our friendship ended with distance.
Julia Reesor (Sea Glass Secrets)
Kim Dokja x Hansooyoung PART 1 [I shall kill you, Yoo Joonghyuk.] ~ Kim Dokja pg 4110 46. ⸢(Looks like you still don't know how it works. The heroine loses her consciousness, her hand falling away. And the male hero awakens! You see, in all the movies I've seen so far…) pg 4112 47. These idiots, I even died so that you two could talk to each other, but this…' She figured that she really needed to give these two men a harsh earful when she arrived there. But, when she pushed past the bushes and stepped forward, the ensuing spectacle freaked her out in a rather grand manner. Kwa-aaang!! Bang!!! Yoo Joonghyuk was mercilessly slamming his sword down on Kim Dokja, currently sprawled out on the ground. "Hey!! You crazy son of a bitch!!" pg 4125 48. There were plenty of things she wanted to ask, but she chose not to. Instead, she poked Kim Dokja's cheek and spoke up. "Still, this guy looks like he got completely fooled, doesn't he." "Looks that way." "How did it go?" "He went crazy and attacked me." Han Sooyoung smirked and lightly pinched Kim Dokja's cheek as if she was proud of him. pg 4127 49. the events of her dying at Yoo Joonghyuk's sword, me fighting against him, and then, passing out from his attack, and finally, sharing a conversation with Yoo Sangah inside the Library… Han Sooyoung approached the bed before I noticed it and pinched my cheek. "In any case, Kim Dokja. You can be really adorable sometimes." pg 4144 50. The moment Han Sooyoung's fist bumped into mine, she was completely enveloped in bright light. As I watched her figure disappear, I became aware once more that she had become my companion for real. pg 4165 51. ⸢And…⸥ My heart began powerfully pounding away. ⸢The woman that I used to love.⸥ pg 4189 52. Her emotionless eyes; the beauty spot just below one of them; and her lips that always mocked me for fun, now arching up in a smooth line. "Proceed with the execution pg 4191 53. "But, should you be doing something like that? She's originally your bride, isn't she?" "Correction. She was supposed to be one. The throne was usurped on the first day of the wedding, however." Oh, I see. So, it's that sort of development? I felt just a bit relieved now. Han Sooyoung and Yoo Joonghyuk as a couple? hadn't allowed any dating at the workplace yet, so hell no. pg 4202 54. ⸢By the time you're reading this book, I…⸥ I steeled my heart and read the next line of the text. ⸢…I'd still be living a pretty good life, I guess. Hahah, were you scared?⸥ This idiot… pg 4212 55. The following words were eerily similar to a certain body of text that I was familiar with. ⸢The you reading this story will definitely make it out of here alive.⸥ Han Sooyoung's afterwords came to an end there. For the longest time, I couldn't tear my eyes away from the full-stop at the end of the sentencepg4216 56. "Looks like the company's internal rules need to be changed somewhat…" pg 4234 57. She spoke in a fed-up tone of voice. And then, issued an order to me. "Marry me, Ricardo Von Kaizenix." pg 4244 58. "I didn't want to extend her 50 years by even one minute if I could help it." I was being serious here. The moment I arrived in this world and realized that Han Sooyoung had to spend 50 years here, I just couldn't escape from this one overwhelming emotion. Someone was sacrificed again because of me. Han Sooyoung who had to endure the time frame of 50 years – could she still maintain a normal, functioning mind? Was she able to maintain the ego of the Han Sooyoung that I know of?pg4254 59. Her palm smacked me in the back of the head again. God damn it, this punk… "The third method, 'Romance'." "And its contents are?" "Marry Yuri di Aristel." "And just what did you choose?" "The third method?" "And are we currently married?" "Nope." "And why the hell not?!" pg 4256
singNsong (OMNISCIENT READER'S VIEWPOINT (light novel vol2))
First, you and I must humbly acknowledge that we do not have all of the answers. And that is okay. I do not believe that God expects us to. God wants us to stop trusting ourselves and instead trust that the biblical text, as translated into contemporary English, can speak for itself.
Mark Miller (Experiential Storytelling: [Re] Discovering Narrative to Communicate God's Message)
The day before I'm supposed to be meeting Caroline for a drink, I develop all the text-book symptons of a crush: nervous stomach, long periods spent daydreaming, an inability to remember what she looks like. I can bring back the dress and the boots, and I can see a fringe, but her face is a blank, and I fill it in with some anonymous rent-a-cracker details - pouty red lips, even though it wax her well-scrubbed english clever-girl look that attracted me to her in the first place; almond-shaped eyes, even though she was wearing sunglasses most of the time; pale, perfect skin, even though I know there'll be an initial twinge of disappointment - this is what all that internal fuss is about? - and then I'll find something to get excited about again: the fact that she's turned up at all, a sexy voice, intelligence, wit, something. And between the second and the third meeting a whole new set of myths will be born. This time, something different happens, though. It's the daydreaming that does it. I'm doing the usual thing - imagining in tiny detail the entire course of the relationship, from first kiss, to bed, to moving in together, to getting married (in the past I have even organized the track listing of the party tapes), to how pretty she'll look when she's pregnant, to names of children - until suddenly I realize that there's nothing left to actually, like, happen. I've done it all, lived through the whole relationship in my head. I've watched the film on fast-forward; I know the whole plot, the ending, all the good bits. Now I've got to rewind and watch it all over again in real time, and where's the fun in that? And fucking... when it's all going to fucking stop? I'm going to jump from rock to rock for the rest of my life until there aren't any rocks left? I'm going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills... I've been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have shit for brains.
Nick Hornby (High Fidelity)
On the first day of the war, a friend of mine texted me: ‘What is happening in Gaza?’ I replied: ‘The proper question is not what is happening, but what has been happening, all this time—for more than 75 years.’ We live in a war film, and the director, who is also the producer and the star, does not want it to end. The Hollywood studio behind the film keeps feeding the script with new scenes, keeps adding millions of dollars to the budget. Early screen tests have proven it’s going to be a blockbuster, but only if they keep filming. And never stop.
Atef Abu Saif (Don't Look Left: A Diary of Genocide)
You can teach virtually anyone anything with such an approach. First, figure out what you want. Then, watch the people around you like a hawk. Finally, whenever you see anything a bit more like what you want, swoop in (hawk, remember) and deliver a reward. Your daughter has been very reserved since she became a teenager. You wish she would talk more. That’s the target: more communicative daughter. One morning, over breakfast, she shares an anecdote about school. That’s an excellent time to pay attention. That’s the reward. Stop texting and listen. Unless you don’t want her to tell you anything ever again.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
That’s what you want?” I say. “A competition?” “It seems the most fair way to resolve our conflict,” Du Pont says, dreamily. “Tomorrow morning, at 7:00 am, I’m going to release the beautiful Simone into the wild. I’m going to hunt her like a deer. And I’m going to put a bullet in her heart. I’ve told you the time, and I’ll text you the place. You’ll have your chance to try to stop me. We’ll see whose bullet finds its mark first.
Sophie Lark (Bloody Heart (Brutal Birthright, #4))
A few years ago, my phone turned into a device for strangers and robots to butt in between me and whatever I’m doing. Any given caller was very likely a financial-verbal intruder. The simple buzzing of a phone began to frighten me. I decided to shun phone calls systematically, with an exception being of course made for Sushila—and even Sushila knows that, unless it’s urgent, a text is optimal. This decision was overdue. The general history of the telephone call, it can safely be said, is a grim one. Who can begin to measure or even grasp the volume of the calamities reported or produced by this sound-transmission system? It was with very good reason, I now understand, that my father invariably commanded me to ignore the ringing beige gadget stationed in the living-room bookcase. Together he and I would wait, all activity put on hold, for the shrill to stop, an interlude of suspense that could last a minute or more, because in those landline days there was nothing to stop a caller from sticking at it indefinitely, and often the house would be filled with that eerie, seemingly infinite electronic cry, and often this cry would be followed by a second, appellate cry undertaken in the hope, perhaps, that the first call had been misdialed or that my father had just stepped through the door or climbed out of the bathtub. Dad refused to get an answering machine. As a concession to me—I was a high school freshman; it was newly important for me and my friends to be in constant discussion—he permitted me to pick up the phone, but only on the condition that, should the caller ask for him, I would declare him to be “not presently available.” This was the formulation he insisted on.
Joseph O'Neill (Godwin: A Novel)
Double-clicking on his inbox, Jason noted that one of the three messages was from Suzy, aka ButterfliesInMyTummy, and his mood lifted. It was the fourth or fifth message they’d exchanged, and they were just starting to move beyond the tedious small-talk stage. He skimmed through the message, growing increasingly impatient. Suzy favoured those little face icons. The whole page was littered with them – smiley faces, sad faces, surprised faces, embarrassed faces. Why couldn’t she just use words like everyone else? She also put five or six exclamation marks after a sentence, or added extra vowels to words, so everything was sooooooooo much fun or soooooooooo boring. It wound Jason up when people couldn’t write properly. He wasn’t asking for brain of Britain, but he liked a woman to be able to write a sentence that started with a capital letter and ended with a full stop and at least made an attempt at the Queen’s English. At least it wasn’t in text speak. He refused to answer the messages that spelled thanks ‘tnx’. Britain didn’t go through two World Wars so that the English language could be mutilated beyond recognition.
Tammy Cohen (First One Missing)
DECEMBER 3, 1992 No LOL Matter On December 3, 1992, Neil Papworth sent the world’s first text message, making it a very bad day for the English language indeed. Since that day, teenagers have stopped actually speaking to one another, proper spelling has become obsolete, and driving while texting has now far surpassed driving while drinking as the most lethal activity on the road. 4COL.
Michael Farquhar (Bad Days in History: A Gleefully Grim Chronicle of Misfortune, Mayhem, and Misery for Every Day of the Year)
carried the Makarov outside to watch the fireworks. Thirty yards beyond the spot where Brendan Magill lay dead was a rock wall running on a north-south axis. Gabriel took cover behind it after a 7.62x39mm round shredded the air a few inches from his right ear. Keller hit the ground next to him as rounds exploded against the stones of the wall, sending sparks and fragments flying. The source of the fire was silenced, so Gabriel had only a vague idea of the direction from which it was coming. He poked his head above the wall to search for a muzzle flash, but another burst of rounds drove him downward. Keller was now crawling northward along the base of the wall. Gabriel followed after him, but stopped when Keller suddenly opened up with the dead man’s AK-47. A distant scream indicated that Keller’s rounds had found their mark, but in an instant they were taking fire from several directions. Gabriel flattened himself on the ground at Keller’s side, the Glock in one hand, the dead man’s phone in the other. After a few seconds he realized it was pulsing with an incoming text. The text was apparently from Eamon Quinn. It read KILL THE GIRL . . . 79 CROSSMAGLEN, SOUTH ARMAGH A MID THE HEAP OF BROKEN and dismembered farm implements in Jimmy Fagan’s shed, Katerina had found a scythe, rusted and caked in mud, a museum piece, perhaps the last scythe in the whole of Ireland, north or south. She held it tightly in her hands and listened to the sound of men pounding up the track at a sprint. Two men, she thought, perhaps three. She positioned herself against the shed’s sliding door. Madeline was at the opposite end of the space, hooded, hands bound, her back to the bales of hay. She was the first and only thing the men would see upon entry. The latch gave way, the door slid open, a gun intruded. Katerina recognized its silhouette: an AK-47 with a suppressor attached to the barrel. She knew it well. It was the first weapon she had ever fired at the camp. The great AK-47! Liberator of the oppressed! The gun was pointed upward at a forty-five-degree angle. Katerina had no choice but to wait until the barrel sank toward Madeline. Then she raised the scythe and swung it with every ounce of strength she had left in her body. Two hundred yards away, crouched behind a stone wall at the western edge of Jimmy Fagan’s property, Gabriel showed the text message to Christopher Keller. Keller immediately poked his head above the wall and saw muzzle flashes in the doorway of the shed. Four flashes, four shots, more than enough to obliterate two lives. A burst of AK-47 fire drove him downward again. Eyes wild, he grabbed Gabriel savagely by the front of his coat and shouted, “Stay here!” Keller hauled himself over the wall and vanished from sight. Gabriel lay there for a few seconds as the rounds rained down on his position. Then suddenly he was on his feet and running across the darkened pasture. Running toward a car in a snowy square in Vienna. Running toward death. The blow that Katerina delivered to the neck of the man holding the AK-47 resulted in a partial decapitation. Even so, he had managed to squeeze off a shot before she wrenched the gun from his grasp—a shot that struck the hay bales a few inches from Madeline’s head. Katerina shoved the dying man aside and quickly fired two shots into the chest of the second man. The fourth shot she fired into the partially decapitated creature twitching at her feet. In the lexicon of the SVR, it was a control shot. It was also a shot of
Daniel Silva (The English Spy (Gabriel Allon, #15))
1.1M    ./scripts 58M     ./cloud9 74M     . You can also use tee to write the output to several files at the same time, as shown in this example: root@beaglebone:/opt# du ‐d1 ‐h | tee /tmp/1.txt /tmp/2.txt /tmp/3.txt Filter Commands (from sort to xargs) There are filtering commands, each of which provides a useful function: sort: This command has several options, including (‐r) sorts in reverse; (‐f) ignores case; (‐d) uses dictionary sorting, ignoring punctuation; (‐n) numeric sort; (‐b) ignores blank space; (‐i) ignores control characters; (‐u) displays duplicate lines only once; and (‐m) merges multiple inputs into a single output. wc (word count): This can be used to calculate the number of words, lines, or characters in a stream. For example: root@beaglebone:/tmp# wc < animals.txt  4  4 18 This has returned that there are 4 lines, 4 words, and 18 characters. You can select the values independently by using (‐l) for line count; (‐w) for word count; (‐m) for character count; and (‐c) for the byte count (which would also be 18 in this case). head: Displays the first lines of the input. This is useful if you have a very long file or stream of information and you want to examine only the first few lines. By default it will display the first 10 lines. You can specify the number of lines using the ‐n option. For example, to get the first five lines of output of the dmesg command (display message or driver message), which displays the message buffer of the kernel, you can use the following: root@beaglebone:/tmp# dmesg | head ‐n5   [    0.000000] Booting Linux on physical CPU 0x0   [    0.000000] Initializing cgroup subsys cpuset   [    0.000000] Initializing cgroup subsys cpu   [    0.000000] Initializing cgroup subsys cpuacct   [    0.000000] Linux version 3.13.4-bone5(root@imx6q-sabrelite-1gb-0) tail: This is just like head except that it displays the last lines of a file or stream. Using it in combination with dmesg provides useful output, as shown here: root@beaglebone:/tmp# dmesg | tail ‐n2   [   36.123251] libphy: 4a101000.mdio:00 - Link is Up - 100/Full   [   36.123421] IPv6:ADDRCONF(NETDEV_CHANGE): eth0:link becomes ready grep: A very powerful filter command that can parse lines using text and regular expressions. You can use this command to filter output with options, including (‐i) ignore case; (‐m 5) stop after five matches; (‐q) silent, will exit with return status 0 if any matches are found; (‐e) specify a pattern; (‐c) print a count of matches; (‐o) print only the matching text; and (‐l) list the filename of the file containing the match. For example, the following examines the dmesg output for the first three occurrences of the string “usb,” using ‐i to ignore case: root@beaglebone:/tmp# dmesg |grep ‐i ‐m3 usb   [    1.948582] usbcore: registered new interface driver usbfs   [    1.948637] usbcore: registered new interface driver hub   [    1.948795] usbcore: registered new device driver usb You can combine pipes together. For example, you get the exact same output by using head and displaying only the first three lines of the grep output: root@beaglebone:/tmp# dmesg |grep ‐i usb |head ‐n3   [    1.948582] usbcore: registered new interface driver usbfs   [    1.948637] usbcore: registered new interface driver hub   [    1.948795] usbcore: registered new device driver usb xargs: This is a very powerful filter command that enables you to construct an argument list that you use to call another command or tool. In the following example, a text file args.txt that contains three strings is used to create three new files. The output of cat is piped to xargs, where it passes the three strings as arguments to the touch command, creating three new files a.txt, b.txt,
Derek Molloy (Exploring BeagleBone: Tools and Techniques for Building with Embedded Linux)
First of all, I have to say that I am a theorist of mythology: I am not a moralist, or a religious thinker. I can answer questions on these themes, but they are not my main concern. However, there is a sort of outline of a theory of modernity at the end of I See Satan that is purely apocalyptic.2 For me, any understanding of the contemporary world is mediated by the reading of Matthew 24. The most important part is the sentence ‘where the corpse lies, the vultures shall gather’ (Matthew 24.28) because it seems to be a decomposition of the mimetic mechanism. The mechanism is visible, but it doesn’t work. In John’s Gospel there are apocalyptic elements as well: since Jesus triggers disagreement among the Jews, the rejection of him becomes more and more violent (John 8.31–59). The apocalyptic feelings of the early Christians were not pure fantasy. These texts should be discussed: they are just as relevant today as they were at the time of their writing, and I find it disconcerting that many churches have stopped preaching on them. This started around the time the nuclear bomb was invented and used, when they decided to do away with the fear which was spreading in the world. We have these fundamental texts about our collective, yet we refuse to discuss them. Jefferson, following Darwin, couldn’t conceive of the extinction of a national species. Marx, being an Aristotelian, believed in the eternity of the world. The experience of our own times, however – with their ruthless and unbounded use of violence – gives you the feeling that there is no time left, which was what the first Christians inevitably felt: ‘the time is short’, Paul writes to the Corinthians (1 Corinthians 7.29). The apocalyptic feeling is the consciousness that the scapegoat business has run its course, that therefore nothing more can happen. What else could happen after the Christian revelation? And at the same time, what might happen to our world if the precarious order of false transcendence imposed by the scapegoat mechanism ceases to function? Any great Christian experience is apocalyptic because what one realizes is that after the decomposition of the sacrificial order there is nothing standing between ourselves and our possible destruction. How this will materialize, I don’t really know.
Continuum (Evolution and Conversion: Dialogues on the Origins of Culture)
Pigeon observed me silently as I took my pile to the stackable washer and dryer located next to my bathroom. I decided to do a rinse cycle and then wash them. I then grabbed my phone to figure out where I’d gone wrong. Turned out only dishwasher soap should go in the dishwasher. Which was different from dishwashing liquid. And there were also handy directions on how to clean soap out of a dishwasher when you used the wrong kind. Feeling reassured that I wasn’t the only one who’d ever done this, I pulled all the dishes out of the dishwasher. When I got to the bottom rack, I noticed that the heavy pan I’d placed in there looked . . . rusted. I finally gave in and called Shay. I explained what had happened, and after she stopped laughing she told me to send her a picture of the pan in question. “You put his cast-iron pan in the dishwasher?” she shrieked when my text arrived. “Is that bad?” “So bad! I mean, there’s things you can do to try and fix it once you’ve rusted it up like that, but if you don’t want him to know . . .” “I definitely don’t want him to know.” I’d been at his place for twenty-four hours and I was already destroying his property. This did not bode well. “Then I think you’re better off buying him a new one. When you do, watch a video on how to take care of it. They’re not like regular pans.” “Why would someone buy something you couldn’t put in a dishwasher?” I asked. “Because it cooks certain foods so much better. It’s one of those things where if I have to explain it to you, you’re not going to get it. But time to replace that sucker. And make sure you season it.” She hung up before I could ask her what seasoning it meant. Time to do more research. I looked his pan up on Amazon. I gasped when I saw how much it cost. “Why would anyone spend this much on a pan that, I repeat, you cannot put in a dishwasher?” Pigeon cocked her head at me. I’d put a self-ban on online shopping mainly because American Express had invited me to stop using their card. But desperate times and all that . . . I put the pan in my shopping cart and then entered my new address and my debit card information. The new pan was going to arrive in two days, which was plenty of time before Tyler was due back. Pigeon had continued to study me, keeping her distance. Was it an improvement that she was choosing to hang around me? “We just had our first adventure together,” I told her.
Sariah Wilson (Roommaid)
The first stop in the oft-repeated looking up of a word is the massive Egyptian-German dictionary, Wörterbuch der ägyptischen Sprache, a project begun in 1897, its five volumes of entries eventually published between 1926 and 1931. The archive of note slips that were used to compile this dictionary—still a standard reference for hieroglyphic texts—has now been digitized. By inputting the page number and word entry from the published Wörterbuch, we can scroll through scans of paper slips containing handwritten copies of snippets of ancient Egyptian texts containing a particular word.
John Coleman Darnell (Egypt's Golden Couple: When Akhenaten and Nefertiti Were Gods on Earth)
I was going to bring you breakfast in bed.” “I don’t like crumbs in my bed,” she said. “Or people who don’t pay rent here.” “You want rent?” He smiled as he finished the toast. “How much?” She went to the kitchen, grabbed his big arm, and tried to pull him out. He leaned back and wouldn’t budge. “Get out of here,” she said. “You’re banging into everything with your crutches.” “I’m not going,” he said. “Go sit on the couch. I’ll make you some eggs.” “Nope,” he said. “I might be a jerk, and I might make mistakes, but I don’t make the same one twice.” She was still pulling on his arm when he let go of the counter. He fell against her, wrapping his arms around her. “Oops,” he said. “Clumsy me.” “What are you doing?” Her voice was muffled from having his shoulder against her mouth. She felt the rumble of his voice in his chest as he spoke. “You’re not pulling me or pushing me out of your life again. I shouldn’t have left you that night.” “I want you to go.” “If you really want me to go, I will, but I don’t think you do. Look at yourself. You’re hugging me.” “If I let you go, you’ll fall down and break everything in my kitchen. Again.” She squeezed her eyes shut and tensed her body, rejecting his hug while still being in it. “When did I break everything in your kitchen?” She didn’t answer. “You mean I broke your heart when I left,” he said. “You did.” “What about you? You didn’t come to my grand opening. You sent me those boring funeral flowers and a generic card. You might as well have stuck an ice pick in my chest.” “That was different.” “You broke my heart,” he said. “I barely made it through the night. I’ve been barely making it through a lot of nights.” Tina relaxed into the hug. There was a lump in her throat. She managed to choke out, “I don’t understand what happened with us.” He reached up and stroked her upper back. “We had our first fight,” he said. “That’s what happened. And I didn’t know how to apologize. My bookkeeper quit helping me with my text messages, and I couldn’t go see my favorite florist for advice.” She pulled away and poked him in the stomach with two fingers. “Don’t make jokes, Luca. Don’t make me laugh.” “I shouldn’t have left you here that night,” he said, gazing down into her eyes. “But I was stubborn, and I thought I was right and you were wrong. Or maybe I was scared.” “Why would you be scared?” “My wrist hurts.” He kept looking into her eyes. “I know I only broke my foot last night, but when I fell, I reached out to break my fall. I’ve been thinking about this all morning, and the same thing must have happened with us.” “Are you saying I hurt your wrist?” “I think I realized I was falling, and I freaked out. I tried to stop my fall, but I only made it worse.” He leaned down and gently kissed her. “I tried to stop my fall, but then I broke both of us.” She pulled away, slipped out of his arms, and took three steps back, until she was against the back of the sofa, with nowhere to go. Luca said, “Don’t you dare run. I’ve got crutches, and I’m not afraid to use them.” “Where would I go?” He grinned. “I knew there was a reason I loved this house.
Angie Pepper
First text: Blade: Your boyfriend is here. Second: Axel is giving him shit. Third: He has a suitcase with him. Fourth: I’d stop fucking the bunny and get back. “Fuck.” I look over at her as she frowns.
Cassandra Robbins (Atone (The Disciples #2))
In closing, be open, be clear, be communicative, be engaged, don’t be afraid to be bold and text, call, or ask a man out first . . . but please, by all means . . . stop chasing him if he keeps running. Something better is coming! You are worth being wooed and pursued. It’s time to resign from any relationship that makes you feel like you have to hustle for anyone’s time, love, and attention. The only man you should be chasing is the ice cream man on a hot summer day.
Mandy Hale (Don't Believe the Swipe: Finding Love without Losing Yourself)
Using the delicate cloth like a handkerchief to protect the brittle pages, she opened the first book she had unearthed: On Dragons. "Oh, how wonderful!" she murmured to herself, gazing at the wildly colored illustrations of giant reptiles, winged and breathing fire. The Chaucerian English was going to take some work to decipher. She would have to see what reference texts she could find in the collection to help her work out the captions, but for now, the pictures fascinated her. The next page showed a silver-armored knight astride a galloping white steed. Armed with a lance, he was shown charging at the hideous, horned dragon that loomed over him, its black, batlike wings outstretched. The knight in the picture had a winged ally of his own, however. In the sky above him hovered none other than St. Michael the Archangel again, her old friend from the duke's family chapel. Come to think of it, she mused, wasn't that white Maltese cross on the little knight's pennant another detail she had noticed in the chapel? She turned the page and stopped at the next colorful picture of a dragon holding its egg in its claws. Some sort of curious symbol was depicted inside the rounded contours of the egg. Kate furrowed her brow and leaned closer, studying the symbol on the dragon's egg. A tingle of faint recognition ran down her spine. I've seen this before. The symbol showed an eight-spoked wagon wheel, with a flaming torch in the center. Beneath the wheel was the Latin motto, Non serviam. Easy enough to translate: "I will not serve.
Gaelen Foley (My Dangerous Duke (Inferno Club, #2))
They Are Always Busy At the end of the day, it is all about priorities, and as their spouse, you should be their first, no exceptions! If they have started treating you like a second option or taking you for granted, it is a sign they have lost interest in you. They Don’t Talk Much If communication has become non-existent between the two of you, it means they couldn’t care less about your feelings, emotions, or thoughts. If they cared, they would have always figured out something to talk about. They Keep Blaming You Constantly blaming you or torturing you with name-calling is a sign that they are deliberating trying to distance you from themselves. A classic sign of disinterest! They Keep Pointing Out Your Flaws If they were always praising you for little things a while ago and have now become downright nasty and determined at pointing out your flaws to you, it means they no longer find you or your personality interesting. They Have Changed You But sadly, for the worst. You no longer smile like you used to, feel agitated most of the time, are confused, and lost in your thoughts. They Don’t Include You in Anything They make decisions without you, are not bothered about sharing their plans, will disregard any of the plans you make and so on. They are trying to subtly tell you that they no longer want to have anything to do with you. They Don’t Apologize Anymore They would always leave a text about being late and try to make it up to you when they returned home but no such thing happens now. They Have Excuses for Everything Apart from empty apologies, they also make excuses for everything. They won’t come with you to the party or at a family gathering, they won’t complete their part of the chores, and they will say they are tired when you try to initiate sex… another one of their excuses! They No Longer Care About Your Welfare They are less empathetic or rarely show any concern over your mood, your state of mind or your physical exhaustion. They Forget Things Be it birthdays, a plan made a week ago, or an invitation to a wedding you have stopped bragging about all week. They tend to forget or overlook the things that matter the most to you which also shows that their ability to listen attentively has also decreased. They Treat Others Better They will have the humblest of smiles for their friends and even show interest in what a stranger has to say to them, say a man at the grocery store, but act groggy and frustrated with you all the time. They Have or Are Cheating On You Cheating is a sure-tell sign that confirms their disinterest. They have fallen in love with someone else or are having an affair, which is why you no longer appeal to them as a prospective candidate for a partner.
Rachael Chapman (Healthy Relationships: Overcome Anxiety, Couple Conflicts, Insecurity and Depression without therapy. Stop Jealousy and Negative Thinking. Learn how to have a Happy Relationship with anyone.)
I don't even care about what other would think about me at all. I am not searching for girlfriend in order to explain, I am a science lover and I see everything in terms of science i have explanations for anything through science. I know traditional and so called highly respectful spiritualism with Vedas and all religious texts, But If i choose that path many of you will not exist at all. That is the fact and I don't want to end the universe with so many beautiful stories to hear, although this world is filled with bad people there are N number of good people also there, so If I choose completely traditional spiritual path many will die, this world population will become half. For example If i enter Nalanda again think about the consequences but I love Nalanda always. I will definitely enter science but where? I will think about it after 20th march. My reputation starts only if I meet a right girl then If she is correct always and even sit and talk with me at least, then I will stop watching porn. But you know what so far only few girls were able to sit and talk with me directly all other girls I have seen so far, are just they look at me and terrify and fly away. So first sit and talk with me if you can. Be ready to answer my questions, if you want me to be your friend. You can not even handle 5 minutes. That is why I am saying this it is better that I am being single and go to science.
Ganapathy K
Meaning is chased through the text from sign to sign, always vanishing as we seem to reach it; and if we stop at a particular place, saying now we have it, now the meaning lies before us, then this is our decision, which may have a political justification, but which is in no way dictated by the text. Thus the ambiguous noun ‘différence’ must be taken here in both its senses – as difference and deferral: and this too is recorded in that mysterious misspelling. The effect of such cryptic ideas is to introduce not a critical reading of a text, but a series of spells, by which meaning is first imprisoned, and then extinguished. The goal is to deconstruct what the author has constructed, to read the ‘text’ against itself, by showing that the endeavour to mean one thing generates the opposite reading. The ‘text’ subverts itself before our eyes, meaning anything and therefore nothing. Whether the result is a ‘free play of meanings’, whether we can say, with some of Derrida’s disciples, that every interpretation is a misinterpretation, are matters that are hotly and comically disputed in the camp of deconstruction. But for our purpose, these disputes can be set aside. What matters is the source of the ‘will to believe’ that leads people to adhere so frantically to these doctrines that cannot survive translation from the peculiar language which announces them. Deconstruction is neither a method nor an argument. It should be understood on the model of magic incantation. Incantations are not arguments, and avoid completed thoughts and finished sentences. They depend on crucial terms, which derive their effect from repetition, and from their appearance in long lists of cryptic syllables. Their purpose is not to describe what is there, but to summon what is not there: to charm the god into the idol, so as to reveal himself in the here and now. Incantations can do their work only if key words and phrases acquire a mystical penumbra. The meaning of these symbols stretches deep in another dimension, and can never be coaxed into a plain statement. Incantations resist the definition of their terms. Their purpose is not to reveal the mystery but to preserve it – to enfold it (as Derrida might say) within the sacred symbol, within the ‘sign’. The sacred word is not defined, but inserted into a mystical ballet. The aim is not to acquire a meaning, but to ensure that the question of meaning is gradually forgotten and the word itself, in all its mesmerising nothingness, occupies the foreground of our attention.
Roger Scruton (Modern Culture)
The man had hired a fine-arts painter to create a painting of his building (was he selling a building?), and at first glance it looked like the website for an Italian restaurant. The first question I had when I went to the website was, “Do you serve free breadsticks?” There were a thousand links ranging from contact information to FAQs to a timeline of the company’s history. There were even links to the nonprofits the business supported. It was as though he was answering a hundred questions his customers had never asked. I asked the class to raise their hands if they thought his business would grow if we wiped the website clean and simply featured an image of a guy in a white lab coat painting something next to text that read, “We Paint All Kinds of S#*%,” accompanied by a button in the middle of the page that said, “Get a Quote.” The entire class raised their hands. Of course his business would grow. Why? Because he’d finally stopped forcing clients to burn calories thinking about his life and business and offered the one thing that would solve his customers’ problem: a painter. What we think we are saying to our customers and what our customers actually hear are two different things. And customers make buying decisions not based on what we say but on what they hear.
Donald Miller (Building a StoryBrand: Clarify Your Message So Customers Will Listen)
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The jagged V of a heartbeat launched the room back into action, and I breathed again. I was backed out into the hallway by the throng of people working on him. They started a central line. They started X-rays. Neurology was called. And then a curtain yanked closed and it was done. There was nothing else we could do for him. That was it. It was out of our hands. I stood there panting, in shock, the adrenaline crashing into me now that I’d stopped moving. I looked down at myself, my hands trembling. I was covered in his blood. Coveredin my best friend’s blood. Luke spoke from behind me. “She was drunk.” My hands balled into fists, and Shawn started to wheeze. Sloan. I needed Kristen to get Sloan. I walked outside, praying to God that Kristen answered my call, that she hadn’t decided to ice me out again in the short time since I’d seen her. If she didn’t answer and I had to text her, I wouldn’t be able to do it. My hands shook so violently now that it was all I could do to unlock my phone and pull up her number. It had been twenty minutes since I’d seen her. Twenty minutes that felt like a lifetime. I pressed the phone to my ear, my hand shaking. I wouldn’t be able to stay with him. My station had mandated staffing. I couldn’t leave until someone relieved me. I had to go back. “Hey.” Her voice gave me the first full breath I’d taken in almost half an hour. Just knowing she was on the other end of the line grounded me. Everything that had happened between us felt years away and unimportant.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
Jack, R U alrite? That was the first text I got from Tom, my best friend. I peeked out from under the comforter to read it, then wrapped the blanket around my head again without replying. I wasn’t in the mood to deal with him right now. I wasn’t in the mood to deal with anyone. I just wanted to lie in the dark and pretend I didn’t exist. The cell phone buzzed again. I sighed. I made a little hole, just large enough for my eye, and stared angrily at the phone. I wanted it to realize what it was doing was wrong. That I wanted to be left alone. The phone stared back at me, a small notification light flashing on the top of the device. I picked it up and looked again. R U there? I heard U askd Jasmine 2 the dance! R U crazy??? D: )-:< I wished I was crazy. That would have made everything so much simpler. When I retreated back into my cave this time, I tried putting my pillow on my head too, hoping that it would stop the sound of the phone from cutting into my solitude. I closed my eyes as tightly as I could and tried to wish everything back to normal. That works sometimes in the movies, right? BUZZ BUZZ. “Agh!” I jumped slightly as the phone somehow buzzed even louder this time (how did it do that?) and the pillow flew off my head. Sunlight shone in through the window, blinding me. I squinted and waited for my room to blur into focus. The white walls, my posters of awesome superheroes, my laptop, my guitar… I grumbled as I leaned over and looked at my phone screen again. Wat abt HOLLY? UR GRLFRND? Ppl are sayn she is very upset! I threw the phone down on my bed. It bounced twice and ended up balancing on the edge of the mattress. I didn’t blame Holly. I was also very upset. A few weeks ago, my life had been pretty much perfect. I had the hottest girl in school as my girlfriend, I was a star player on the football team, I had a band that was definitely going to be famous someday soon, and it was all going my way. Now it was all gone, swirling towards disaster. Actually, disaster was a while back. Now things were definitely swirling towards complete chaos. My life was destroyed and I was hiding in my bed. That doesn’t happen in the movies. My phone buzzed again.
Katrina Kahler (Catastrophe (Body Swap #1))
Emma read aloud from the diaries, and Julian took notes. Every once in a while they would stop, take pictures with their phones of their notes and questions, and text them to the Institute. Sometimes they got questions back and scrambled to answer them; sometimes they got nothing. Once they got a picture of Ty, who had found an entire row of first-edition Sherlock Holmes books in the library and was beaming. Once they got a picture of Mark's foot. Neither of them knew what to make of that.
Cassandra Clare (Lord of Shadows (The Dark Artifices, #2))
Maybe you thought you were simply coming to the end of a book. What if I told you this was actually an intervention and all the people you know have been calling and asking me to break some news to you: You can no longer continue to be the person you’ve been? What are you going to let go of? Who is it you don’t get? Who don’t you understand? Who have you been playing it safe with, while politely keeping your distance? Who has been mean or rude or flat wrong or creeps you out? Don’t tell them all your opinions; give them all your love. I know it’s hard for you. It’s hard for me too. But I’m learning I have to follow Jesus’ example and follow His lead if I’m going to follow in His steps. Even when we feel like we can’t muster the strength and humility to love our enemies, the truth is we can. If you do this, I can promise two things will happen. First, it will be messy. Sometimes ugly messy. You’ll also be misunderstood— you might not even understand yourself anymore. The second thing is just as true: you’ll grow. And people who are growing fall forward and bump into Jesus all over again. Obeying Jesus when it comes to loving difficult people is hard. I’m still working on it. I’m sure it will take the rest of my life. The heavy lifting is worth it, though. Difficulties and setbacks will give us the chance to go back or lean forward once again. I’m convinced heaven is watching us, knowing full well all that will be left standing in the end is our love. I bet our spouses, kids, and friends are watching too. If you want to become love, stop just agreeing with Jesus. Go call someone right now. Lift them up in ways they can’t lift themselves. Send them a text message and say you’re sorry. I know they don’t deserve it. You didn’t either. Don’t put a toe in the water with your love; grab your knees and do a cannonball. Move from the bleachers to the field and you won’t ever be the same. Don’t just love the people who are easy to love; go love the difficult ones. If you do this, Jesus said you’d move forward on your journey toward being more like Him. Equally important, as you practice loving everybody, always, what will happen along the way is you’ll no longer be who you used to be. God will turn you into love.
Bob Goff (Everybody, Always: Becoming Love in a World Full of Setbacks and Difficult People)
For the First Few Weeks of a New Group 1. What section of the newspaper do you read first—funnies, sports, world news, local news, editorial, business? Why? 2. What vacation or big trip (either as a child or as an adult) did you enjoy the most? 3. When you are lost, which of the following are you most likely to do? a. stop and ask for directions b. check a map c. drive around until you find the place you’re looking for d. not admit to anyone that you’re lost 4. When you undress at night, do you tend to put your clothes on a hanger, fold them over a chair, stuff them into a hamper, or leave them on the floor? Be honest! For Established Groups After a few weeks, history-giving questions can come right out of the sermon or biblical text. While tied to the message, they still need to be safe and nonthreatening. Some examples: 1. (for a message on the miracle of Lazarus): What is the most amazing thing you’ve ever seen? 2. (for a message on the Prodigal Son): Which of the following characters in the story do you most identify with—and why? a. the father b. the rebel son c. the “good” brother d. the friends at the party e. another character: __________ 3. (for a message on Matthew 7:1–5): Which phrase(s) best describe(s) the attitudes in the home you grew up in—and why? a. high expectations b. live and let live c. harsh d. tolerant e. merciful
Larry Osborne (Sticky Church (Leadership Network Innovation Series Book 6))
If you say hello at a coffee shop and they aren’t very friendly, Let Them. If their calendar is so busy they can’t find time to go for a walk, Let Them. If they cancel plans this weekend because they’ve had a long week at work, Let Them. If they fall in love, or have a baby, and you are no longer a priority, Let Them. If they move away, and start a different chapter, Let Them. If they stop returning your calls, Let Them. If they are prioritizing other friendships or work, Let Them. If the timing, proximity, or energy is off, Let Them. People are going to come and go in your life. And the more flexible you are, the more they do. It’s such a beautiful thing to Let Them. Focus on Let Me, because that is what’s in your control. Let Me be understanding. Let Me make an effort. Let Me check in without an expectation, but just because I care. Let Me make the plans. Let Me trust when the energy feels off. Let Me call or text if someone crosses my mind. Let Me act with the belief that some of my most favorite friends I haven’t met yet. Let Me go first.
Mel Robbins (The Let Them Theory: A Life-Changing Tool That Millions of People Can't Stop Talking About)
The text said first wardstone, which means if they carved the one here, there’s a good chance they carved the one in Aretia. I’m on the right track.” “Good point.” He jerks open the door to the tunnels, and I walk inside. “I know what I need to look for, but I’m not sure where it would even exist.” “Which is?” He asks as we move toward the stairs. My pulse is thrumming with excitement to finally see the forge, get a look at the luminary that the revolution needs so badly, too. “I need a firsthand account from one of the six. My father talked about seeing one once, so I know they exist. Question is if they’ve been translated and redacted into uselessness.” We turn into the staircase and both stop abruptly.
Rebecca Yarros (Iron Flame (The Empyrean, #2))
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First, a troop of women travel through the night and stop at houses for restoration. Second, they are led by a domina who bears several names often connected to her duties (Abundia, Satia) or to the date on which she appears: Percht undoubtedly personifies the transfigured night (giberahta nacht), Epiphany. The most detailed texts all agree on the date this ritual occurs: between Christmas and Epiphany—that is, within the twelve-day Christmas cycle, when it is said that spirits have free rein to leave the otherworld and wander about the earth, performing various tasks.
Claude Lecouteux (Phantom Armies of the Night: The Wild Hunt and the Ghostly Processions of the Undead)
Even today I enjoy reading a book much more second time around. A first read can be filled with apprehension. What if I don’t like the way the story goes? What if something awful happens to a favourite character? What if I get bored halfway through after I’ve invested something of myself in the story? A second read is a joy. I know exactly what is going to happen, so can immerse myself in the words and the subtleties in a way that would have been too stressful the first time. A good book can stop my head whirling. It can take me to another world, one where the fear can somehow magically be kept at bay. Books are my greatest pleasure. When the world is too loud, chaotic or confusing for my brain to process, I will go to bed with a book I read when I was a small girl and am still able, at times, to lose myself in the printed text
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His tears had wrecked the text, but he knew the spoiled words from memory. Little Leo, We’re going to live on two sides of things now, I in the dark and you, my love, I hope, in the forever light. There are a thousand things I’d like to tell you, but two are far more important than the rest. First, don’t shy away from taking the stage, however bright the lights. The people of Gearheart will channel all their hopes for the future into you. They are tired of the ever-turning wheel of power. They are tired of the Devan Union’s apathy, tired of Anaximander’s promises that never materialised. And, I should imagine, they are already especially tired of Hisarya. They will embrace you as a kind dean, and you will be a kind dean. And, I believe, truly I do, that you will be the one to stop bivnik. Also: Never buy cheap socks. Dance when you can. You’ll know when you’re in love. If you have to check, you’re not. Well then, that’s the secret to ruling well. You’ll work the rest out as you go. To the second matter. If I had dominion over all the atoms of all the worlds, I wouldn’t go back and change the course of one, not by the slightest deviation, because you might not have been my son. And better all history’s indignities stay unchanged and you remain my son than the other way around. There will be years ahead now when you’ll think you’re lost and nothing can possibly recover you. You’ll want for your mother and you’ll know you can never talk to her again. You might rule ten thousand worlds by then, but I bet you’d trade it all for one more hug with me. And I’d give anything, anything in the galaxy, to live a little longer and watch you turn into the man you’re about to. But that is not how things have gone. Each life contains a few days of unimaginable fear and despair. You will think nothing can pull you out and back onto solid land. You’ll be wrong though. You can, all by yourself. You have everything you need, right there in your clever head and bottomless heart. And even though we’ll go separate ways now, and I’m afraid my hugs are off-limits, I will be right there at your side. For as long as you remember me, I’ll attend your dark nights when your heart is broken and cheer from the cheap seats as your make your great ascendances. Then later, when your great-grandchildren have settled on distant worlds to raise their own little ones, and when those little ones have grown old, when the stars have all winked out, when the whole galaxy has gone cold and everything has been snuffed to dust, there will still be two facts left behind in dead eternity: that I was your mother, and I loved you more than you can ever possibly understand. I’m with you always and always, Mama
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