Stop Messaging First Quotes

I look at the blanked-out faces of the other passengers--hoisting their briefcases, their backpacks, shuffling to disembark--and I think of what Hobie said: beauty alters the grain of reality. And I keep thinking too of the more conventional wisdom: namely, that the pursuit of pure beauty is a trap, a fast track to bitterness and sorrow, that beauty has to be wedded to something more meaningful. Only what is that thing? Why am I made the way I am? Why do I care about all the wrong things, and nothing at all for the right ones? Or, to tip it another way: how can I see so clearly that everything I love or care about is illusion, and yet--for me, anyway--all that's worth living for lies in that charm? A great sorrow, and one that I am only beginning to understand: we don't get to choose our own hearts. We can't make ourselves want what's good for us or what's good for other people. We don't get to choose the people we are. Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?

Voicemail #1: “Hi, Isabel Culpeper. I am lying in my bed, looking at the ceiling. I am mostly naked. I am thinking of … your mother. Call me.” Voicemail #2: The first minute and thirty seconds of “I’ve Gotta Get a Message to You” by the Bee Gees. Voicemail #3: “I’m bored. I need to be entertained. Sam is moping. I may kill him with his own guitar. It would give me something to do and also make him say something. Two birds with one stone! I find all these old expressions unnecessarily violent. Like, ring around the rosy. That’s about the plague, did you know? Of course you did. The plague is, like, your older cousin. Hey, does Sam talk to you? He says jack shit to me. God, I’m bored. Call me.” Voicemail #4: “Hotel California” by the Eagles, in its entirety, with every instance of the word California replaced with Minnesota. Voicemail #5: “Hi, this is Cole St. Clair. Want to know two true things? One, you’re never picking up this phone. Two, I’m never going to stop leaving long messages. It’s like therapy. Gotta talk to someone. Hey, you know what I figured out today? Victor’s dead. I figured it out yesterday, too. Every day I figure it out again. I don’t know what I’m doing here. I feel like there’s no one I can —” Voicemail #6: “So, yeah, I’m sorry. That last message went a little pear-shaped. You like that expression? Sam said it the other day. Hey, try this theory on for size: I think he’s a dead British housewife reincarnated into a Beatle’s body. You know, I used to know this band that put on fake British accents for their shows. Boy, did they suck, aside from being assholes. I can’t remember their name now. I’m either getting senile or I’ve done enough to my brain that stuff’s falling out. Not so fair of me to make this one-sided, is it? I’m always talking about myself in these things. So, how are you, Isabel Rosemary Culpeper? Smile lately? Hot Toddies. That was the name of the band. The Hot Toddies.” Voicemail #20: “I wish you’d answer.

There is a time in the life of every boy when he for the first time takes the backward view of life. Perhaps that is the moment when he crosses the line into manhood. The boy is walking through the street of his town. He is thinking of the future and of the figure he will cut in the world. Ambitions and regrets awake within him. Suddenly something happens; he stops under a tree and waits as for a voice calling his name. Ghosts of old things creep into his consciousness; the voices outside of himself whisper a message concerning the limitations of life. From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is torn open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy. With a little gasp he sees himself as merely a leaf blown by the wind through the streets of his village. He knows that in spite of all the stout talk of his fellows he must live and die in uncertainty, a thing blown by the winds, a thing destined like corn to wilt in the sun.

Because--isn't it drilled into us constantly, from childhood on, an unquestioned platitude in the culture--? From William Blake to Lady Gaga, from Rousseau to Rumi to Tosca to Mister Rogers, it's a curiously uniform message, accepted from high to low: when in doubt, what to do? How do we know what's right for us? Every shrink, every career counselor, every Disney princess knows the answer: "Be yourself." "Follow your heart." Only here's what I really, really want someone to explain to me. What if one happens to be possessed of a heart that can't be trusted--? What if the heart, for its own unfathomable reasons, leads one willfully and in a cloud of unspeakable radiance away from health, domesticity, civic responsibility and strong social connections and all the blandly-held common virtues and instead straight toward a beautiful flare of ruin, self-immolation, disaster?...If your deepest self is singing and coaxing you straight toward the bonfire, is it better to turn away? Stop your ears with wax? Ignore all the perverse glory your heart is screaming at you? Set yourself on the course that will lead you dutifully towards the norm, reasonable hours and regular medical check-ups, stable relationships and steady career advancement the New York Times and brunch on Sunday, all with the promise of being somehow a better person? Or...is it better to throw yourself head first and laughing into the holy rage calling your name?

Perfectionism is a particularly evil lure for women, who, I believe, hold themselves to an even higher standard of performance than do men. There are many reasons why women’s voices and visions are not more widely represented today in creative fields. Some of that exclusion is due to regular old misogyny, but it’s also true that—all too often—women are the ones holding themselves back from participating in the first place. Holding back their ideas, holding back their contributions, holding back their leadership and their talents. Too many women still seem to believe that they are not allowed to put themselves forward at all, until both they and their work are perfect and beyond criticism. Meanwhile, putting forth work that is far from perfect rarely stops men from participating in the global cultural conversation. Just sayin’. And I don’t say this as a criticism of men, by the way. I like that feature in men—their absurd overconfidence, the way they will casually decide, “Well, I’m 41 percent qualified for this task, so give me the job!” Yes, sometimes the results are ridiculous and disastrous, but sometimes, strangely enough, it works—a man who seems not ready for the task, not good enough for the task, somehow grows immediately into his potential through the wild leap of faith itself. I only wish more women would risk these same kinds of wild leaps. But I’ve watched too many women do the opposite. I’ve watched far too many brilliant and gifted female creators say, “I am 99.8 percent qualified for this task, but until I master that last smidgen of ability, I will hold myself back, just to be on the safe side.” Now, I cannot imagine where women ever got the idea that they must be perfect in order to be loved or successful. (Ha ha ha! Just kidding! I can totally imagine: We got it from every single message society has ever sent us! Thanks, all of human history!) But we women must break this habit in ourselves—and we are the only ones who can break it. We must understand that the drive for perfectionism is a corrosive waste of time, because nothing is ever beyond criticism. No matter how many hours you spend attempting to render something flawless, somebody will always be able to find fault with it. (There are people out there who still consider Beethoven’s symphonies a little bit too, you know, loud.) At some point, you really just have to finish your work and release it as is—if only so that you can go on to make other things with a glad and determined heart. Which is the entire point. Or should be.

Here is another truth about wintering: you’ll find wisdom in your winter, and once it’s over, it’s your responsibility to pass it on. And in return, it’s our responsibility to listen to those who have wintered before us. It’s an exchange of gifts in which nobody loses out. This may involve the breaking of a lifelong habit, one passed down carefully through generations: that of looking at other people’s misfortunes and feeling certain that they brought them upon themselves in a way that you never would. This isn’t just an unkind attitude. It does us harm, because it keeps us from learning that disasters do indeed happen and how we can adapt when they do. It stops us from reaching out to those who are suffering. And when our own disaster comes, it forces us into a humiliated retreat, as we try to hunt down mistakes that we never made in the first place or wrongheaded attitudes that we never held. Either that, or we become certain that there must be someone out there we can blame. Watching winter and really listening to its messages, we learn that effect is often disproportionate to cause; that tiny mistakes can lead to huge disasters; that life is often bloody unfair, but it carries on happening with or without our consent. We learn to look more kindly on other people’s crises, because they are so often portents of our own future.

Mr Moony presents his compliments to Professor Snape, and begs him to keep his abnormally large nose out of other people's business.' Snape froze. Harry stared, dumbstruck, at this message. But the map didn't stop there. More writing was appearing beneath the first. 'Mr Prongs agrees with Mr Moony, and would like to add that Professor Snape is an ugly git.' It would have been funny if the situation hadn't been so serious. And there was more... 'Mr Padfoot would like to register his astonishment that an idiot like that ever became a Professor.' Harry closed his eyes in horror. When he'd reopened them, the map had had its last word. 'Mr Wormtail bids Professor Snape good day, and advises him to wash his hair, the slimeball.

Citizens of Luna, I ask that you stop what you’re doing to listen to this message. My name is Selene Blackburn. I am the daughter of the late Queen Channary, niece to Princess Levana, and the rightful heir to Luna’s throne. You were told that I died thirteen years ago in a nursery fire, but the truth is that my aunt, Levana, did try to kill me, but I was rescued and taken to Earth. There, I have been raised and protected in preparation for the time when I would return to Luna and reclaim my birthright. In my absence, Levana has enslaved you. She takes your sons and turns them into monsters. She takes your shell infants and slaughters them. She lets you go hungry, while the people in Artemisia gorge themselves on rich foods and delicacies. But Levana’s rule is coming to an end. I have returned and I am here to take back what’s mine. Soon, Levana is going to marry Emperor Kaito of Earth and be crowned the empress of the Eastern Commonwealth, an honor that could not be given to anyone less deserving. I refuse to allow Levana to extend her tyranny. I will not stand aside while my aunt enslaves and abuses my people here on Luna, and wages a war across Earth. Which is why, before an Earthen crown can be placed on Levana’s head, I will bring an army to the gates of Artemisia. I ask that you, citizens of Luna, be that army. You have the power to fight against Levana and the people that oppress you. Beginning now, tonight, I urge you to join me in rebelling against this regime. No longer will we obey her curfews or forgo our rights to meet and talk and be heard. No longer will we give up our children to become her disposable guards and soldiers. No longer will we slave away growing food and raising wildlife, only to see it shipped off to Artemisia while our children starve around us. No longer will we build weapons for Levana’s war. Instead, we will take them for ourselves, for our war. Become my army. Stand up and reclaim your homes from the guards who abuse and terrorize you. Send a message to Levana that you will no longer be controlled by fear and manipulation. And upon the commencement of the royal coronation, I ask that all able-bodied citizens join me in a march against Artemisia and the queen’s palace. Together we will guarantee a better future for Luna. A future without oppression. A future in which any Lunar, no matter the sector they live in or the family they were born to, can achieve their ambitions and live without fear of unjust persecution or a lifetime of slavery. I understand that I am asking you to risk your lives. Levana’s thaumaturges are powerful, her guards are skilled, her soldiers are brutal. But if we join together, we can be invincible. They can’t control us all. With the people united into one army, we will surround the capital city and overthrow the imposter who sits on my throne. Help me. Fight for me. And I will be the first ruler in the history of Luna who will also fight for you.

I did it." Who leaves a message like that? Who is so paranoid that they have to be so cryptic? If this wasn't day one of my Summer of Nothing, I might be in a hurry to figure this out. but first: breakfast.

As I brush my teeth, I scroll through my phone to see if Sabrina texted when my phone was on silent last night. She didn’t. Damn. I was hoping my speech—and that amazing fucking kiss—might’ve changed her mind about going out with me, but I guess it didn’t. I do, however, find the most mind-boggling conversation in the group chat I have with my roommates. All the messages are from last night, and they’re bizarre as fuck. Garrett: The hells, D?! Dean: It’s not what you think!! Logan: It’s hard to mistake ur romantic bath with that giant pink thing! In ur ass! Dean: It wasn’t in my ass! Garrett: I’m not even going to ask where it was Dean: I had a girl over! Garrett: Suuuuuuuuure Logan: Suuuuuuuuure Dean: I hate you guys Garrett: <3 Logan: <3 I rinse my mouth out, spit, and drop the toothbrush into the little cup on the sink. Then I quickly type out a text. Me: Wait… what did I miss? Since we have practice in twenty minutes, the guys are already awake and clearly on their phones. Two photos pop up simultaneously. Garrett and Logan have both sent me pics of pink dildos. I’m even more confused now. Dean messages immediately with, Why do you guys have dildo pics handy? Logan: ALINIMB Dean: ?? Me: ?? Garrett: At Least It’s Not In My Butt. I snort to myself, because I’m starting to piece it together. Logan: Nice, G! U got that on the first try! Garrett: We spend too much time 2gether. Me: PLEASE tell me u caught D playing w/ dildos. Logan: Sure did. Dean is quick to object again. I HAD A GIRL OVER! The guys and I rag on him for a couple more minutes, but I have to stop when Fitzy stumbles into the bathroom and shoves me aside. He’s got crazy bedhead and he’s buck-naked. “Gotta piss,” he mumbles. “Mornin’, sunshine,” I say cheerfully. “Want me to make you some coffee?” “God. Yes. Please.” Chuckling, I duck out of the bathroom and walk the four or so steps into his kitchenette. When he finally emerges, I shove a cup of coffee in his hand, sip my own, and say, “Dean shoved a dildo up his ass last night.” Fitzy nods. “Makes sense.” I snicker mid-sip. Coffee spills over the rim of my cup. “It really does, huh?

I would have dismissed [the email] as spam, except for the first word: urgent. People stopped flinging that word around like confetti after the Rising. Somehow, the potential for missing the message that zombies just ate your mom made offering to give people a bigger dick seem less important.

I ripped the pages out of the book. I reversed the order, so the last one was first, and the first was last. When I flipped through them, it looked like the man was floating up through the sky. And if I'd had more pictures, he would've flown through a window, back into the building, and the smoke would've poured into the hole that the plane was about to come out of. Dad would've left his messages backward, until the machine was empty, and the plane would've flown backward away from him, all the way to Boston. He would've taken the elevator to the street and pressed the button for the top floor. He would've walked backward to the subway, and the subway would've gone backward through the tunnel, back to our stop. Dad would've gone backward through the turnstile, then swiped his Metrocard backward, then walked home backward as he read the New York Times from right to left. He would've spit coffee into his mug, unbrushed his teeth, and put hair on his face with a razor. He would've gotten back into bed, the alarm would've rung backward, he would've dreamt backward. Then he would've gotten up again at the end of the night before the worst day. He would've walked backward to my room, whistling 'I Am the Walrus' backward. He would've gotten into bed with me. We would've looked at the stars on my ceiling, which would've pulled back their light from our eyes. I'd have said 'Nothing' backward. He'd have said 'Yeah, buddy?' backward. I'd have said 'Dad?' backward, which would have sounded the same as 'Dad' forward. He would have told me the story of the Sixth Borough, from the voice in the can at the end to the beginning, from 'I love you' to 'Once upon a time.' We would have been safe.

This is your captain speaking, so stop whatever you’re doing and pay attention. First of all I see from our instruments that we have a couple of hitchhikers aboard. Hello, wherever you are. I just want to make it totally clear that you are not at all welcome. I worked hard to get where I am today, and I didn’t become captain of a Vogon constructor ship simply so I could turn it into a taxi service for a load of degenerate freeloaders. I have sent out a search party, and as soon as they find you I will put you off the ship. If you’re very lucky I might read you some of my poetry first. “Secondly, we are about to jump into hyperspace for the journey to Barnard’s Star. On arrival we will stay in dock for a seventy-two-hour refit, and no one’s to leave the ship during that time. I repeat, all planet leave is canceled. I’ve just had an unhappy love affair, so I don’t see why anybody else should have a good time. Message ends.

For the liquor of Miss Amelia has a special quality of its own. It is clean and sharp on the tongue, but once down a man it glows inside him for a long time afterward. And that is not all. It is known that if a message is written with lemon juice on a clean sheet of paper there will be no sign of it. But if the paper is held for a moment to the fire then the letters turn brown and the meaning becomes clear. Imagine that the whisky is the fire and that the message is that which is known only in the soul of a man – then the worth of Miss Amelia's liquor can be understood. Things that have gone unnoticed, thoughts that have been harbored far back in the dark mind, are suddenly recognized and comprehended. A spinner who has thought only of the loom, the dinner pail, the bed, and then the loom again – this spinner might drink some on a Sunday and come across a marsh lily. And in his palm he might hold this flower, examining the golden dainty cup, and in him suddenly might come a sweetness keen as pain. A weaver might look up suddenly and see for the first time the cold, weird radiance of midnight January sky, and a deep fright at his own smallness stop his heart. Such things as these, then, happen when a man has drunk Miss Amelia's liquor. He may suffer, or he may be spent with joy – but the experience has shown the truth; he has warmed his soul and seen the message hidden there.

I had stopped believing in the perfect leader who could say 'Let there be justice' and by the force of his word change the whole earth into heaven. Instead I determined to grab hold of the truth I'd always known—that the Leader had already come, had chosen instead to say, 'My kingdom is not of this world,' and had been despised and rejected because His message was bigger than the first-century political pundits had predicted.

Anyhow, I had found something out about an unknown privation, and I realized how a general love or craving, before it is explicit or before it sees its object, manifests itself as boredom or some other kind of suffering. And what did I think of myself in relation to the great occasions, the more sizable being of these books? Why, I saw them, first of all. So suppose I wasn't created to read a great declaration, or to boss a palatinate, or send off a message to Avignon, and so on, I could see, so there nevertheless was a share for me in all that had happened. How much of a share? Why, I knew there were things that would never, because they could never, come of my reading. But this knowledge was not so different from the remote but ever-present death that sits in the corner of the loving bedroom; though it doesn't budge from the corner, you wouldn't stop your loving. Then neither would I stop my reading. I sat and read. I had no eye, ear, or interest for anything else--that is, for usual, second-order, oatmeal, mere-phenomenal, snarled-shoelace-carfare-laundry-ticket plainness, unspecified dismalness, unknown captivities; the life of despair-harness or the life of organization-habits which is meant to supplant accidents with calm abiding. Well, now, who can really expect the daily facts to go, toil or prisons to go, oatmeal and laundry tickets and the rest, and insist that all moments be raised to the greatest importance, demand that everyone breathe the pointy, star-furnished air at its highest difficulty, abolish all brick, vaultlike rooms, all dreariness, and live like prophets or gods? Why, everybody knows this triumphant life can only be periodic. So there's a schism about it, some saying only this triumphant life is real and others that only the daily facts are. For me there was no debate, and I made speed into the former.

In 90% of cases, you can start with one of the two most effective ways to open a speech: ask a question or start with a story. Our brain doesn’t remember what we hear. It remembers only what we “see” or imagine while we listen. You can remember stories. Everything else is quickly forgotten. Smell is the most powerful sense out of 4 to immerse audience members into a scene. Every sentence either helps to drive your point home, or it detracts from clarity. There is no middle point. If you don’t have a foundational phrase in your speech, it means that your message is not clear enough to you, and if it’s not clear to you, there is no way it will be clear to your audience. Share your failures first. Show your audience members that you are not any better, smarter or more talented than they are. You are not an actor, you are a speaker. The main skill of an actor is to play a role; to be someone else. Your main skill as a speaker is to be yourself. People will forgive you for anything except for being boring. Speaking without passion is boring. If you are not excited about what you are talking about, how can you expect your audience to be excited? Never hide behind a lectern or a table. Your audience needs to see 100% of your body. Speak slowly and people will consider you to be a thoughtful and clever person. Leaders don’t talk much, but each word holds a lot of meaning and value. You always speak to only one person. Have a conversation directly with one person, look him or her in the eye. After you have logically completed one idea, which usually is 10-20 seconds, scan the audience and then stop your eyes on another person. Repeat this process again. Cover the entire room with eye contact. When you scan the audience and pick people for eye contact, pick positive people more often. When you pause, your audience thinks about your message and reflects. Pausing builds an audiences’ confidence. If you don’t pause, your audience doesn’t have time to digest what you've told them and hence, they will not remember a word of what you've said. Pause before and after you make an important point and stand still. During this pause, people think about your words and your message sinks in. After you make an important point and stand still. During this pause, people think about your words and your message sinks in. Speakers use filler words when they don’t know what to say, but they feel uncomfortable with silence. Have you ever seen a speaker who went on stage with a piece of paper and notes? Have you ever been one of these speakers? When people see you with paper in your hands, they instantly think, “This speaker is not sincere. He has a script and will talk according to the script.” The best speeches are not written, they are rewritten. Bad speakers create a 10 minutes speech and deliver it in 7 minutes. Great speakers create a 5 minute speech and deliver it in 7 minutes. Explain your ideas in a simple manner, so that the average 12-year-old child can understand the concept. Good speakers and experts can always explain the most complex ideas with very simple words. Stories evoke emotions. Factual information conveys logic. Emotions are far more important in a speech than logic. If you're considering whether to use statistics or a story, use a story. PowerPoint is for pictures not for words. Use as few words on the slide as possible. Never learn your speech word for word. Just rehearse it enough times to internalize the flow. If you watch a video of your speech, you can triple the pace of your development as a speaker. Make videos a habit. Meaningless words and clichés neither convey value nor information. Avoid them. Never apologize on stage. If people need to put in a lot of effort to understand you they simply won’t listen. On the other hand if you use very simple language you will connect with the audience and your speech will be remembered.

A couple months after school started that year, I just plain stopped going to see the Maje. I remember coming home one day and checking the answering machine in my bedroom. The first message was from the Maje. He was waiting for me to come over. He sounded feeble and desperate: "Steve, where are you? I need you? Are you coming? Please . . ." I deleted it. The next message was also from the Maje and said pretty much the same thing. Delete. There must have been a dozen messages on that machine from the Maje, all begging me, pleading with me, to come help him. I deleted every single one of them. To this day, I have no idea what happened to the Maje, no idea if he ever got that cataract surgery. That's how our relationship ended. It still makes me feel horrible to think about now: I just deleted the Maje.

No, I wasn’t going to think about that. I didn’t think about it through the long hours of flight. I didn’t think about it as the sun came up – finally – on the horizon, bathing me in gold and hope. I didn’t think of it when Hubric signaled a weary stop and we landed exhaustedly next to a pond in a rolling field of grass. Stop thinking about it. Seriously. You’re driving me crazy. But honestly, how did you stop thinking about something like that? I’d been so close to having something I’d wanted all my life. I’d been so close to getting what I didn’t even believe was possible.

God Will, I wish you'd stop telling me what to do. What if I like watching television? What if I don't want to do much else other than read a book?" My voice had become shrill. "What if I'm tired when I get home? What if I don't need to fill my days with activity?" "Bur one day you might wish you had", he said quietly. "Do you know what I would do if I were you?" I put down my peeler. "I suspect you're going to tell me." "Yes. And I'm completely unembarrassed about telling you. I'd be doing night school. I'd be training as a seamstress or a fashion designer or whatever it is that taps into what you really love." He gestured at my minidress, a Sixties-inspired Pucci-type dress, made with the fabric that had once been a pair of Grandad's curtains. The first time Dad had seen it he had pointed at me and yelled, "Hey, Lou, pull yourself together!" It had taken him a full five minutes to stop laughing. "I'd be finding out what I could do that didn't cost much - keep-fit classes, swimming, volunteering, whatever. I'd be teaching myself music or going for long walks with somebody else's dog, or -" "Okay, okay, I get the message," I said, irritably. "But I'm not you, Will." "Luckily for you.

This is going to seem bitter but I don’t mean it that way, V., I’m just stating a fact here: you’ll only ever call me if I call you first. Have you noticed that? If I call and leave a message you’ll call me back, but you will never call me first. And I think that’s kind of a horrible thing, V., when you’re supposed to be someone’s friend. I always come to you. You always say you’re my friend but you’ll never come to me and I think I have to stop listening to your words, V., and take stock instead in your actions. My friend C. thinks my expectations of friendship are too high but I don’t think he’s right.

No, let’s be fair,” I said. “Being a villain’s an option.” “You did not say that,” Fox-mask said, incredulous, “It’s not an option at all.” The girl in blue looked at Mrs. Yamada, “Ex-villain’s corrupting the kids, and you’re not stopping her?” Mrs. Yamada was frowning at me. “I’m going somewhere with this, honest,” I said. “If you’re sure,” she said. “I can stop you at any time.” “You can.” I looked at the gathered kids. A few of the less successful butterfly catchers had drifted away and approached. “I always hated the speeches when I was in school, the preaching in auditoriums, the one-note message. Stuff like saying drugs are bad. It’s wrong. Drugs are fantastic.” “Um,” Fox-mask said. Mrs. Yamada was glaring at me, but she hadn’t interrupted. “People wouldn’t do them if they weren’t. They make you feel good, make your day brighter, give you energy-” “Weaver,” Mrs. Yamada cut in. “-until they don’t,” I said. “People hear the message that drugs are bad, that they’ll ruin your life if you do them once. And then you find out that isn’t exactly true because your friends did it and turned out okay, or you wind up trying something and you’re fine. So you try them, try them again. It isn’t a mind-shattering moment of horrible when you try that first drug. Or so I hear. It’s subtle, it creeps up on you, and you never really get a good, convincing reason to stop before it ruins your life beyond comprehension. I never went down that road, but I knew a fair number of people who did. People who worked for me, when I was a supervillain.

He said it in languages he knew he need not include, Serbo-Croation and Cantonese, just because there was comfort in speaking and no one tried to stop him. 'Stand up,' is not a message that needed translation in the first place. People are sheep about certain things. When some begin to stand, the rest will follow.

This is going to seem bitter but I don't mean it that way, V., I'm just stating a fact here: you'll only ever call me if I call you first. Have you noticed that? If I call and leave a message you'll call me back, but you will never call me first. And I think that's kind of a horrible thing, V., when you're supposed to be someone's friend. I always come to you. You always say you're my friend but you'll never come to me and I think I have to stop listening to your words, V., and take stock instead of your actions. My friend C. thinks my expectations of friendship are too high but I don't think he's right. Take care, V. I'll miss you.

I sat down and read out loud a statement on the box, a message from the Celestial realm. If I had my child to raise all over again, I'd finger paint more, and point the finger less. I'd do less correcting, and more connecting. I'd take my eyes off my watch, and watch with my eyes. I would care to know less, and know to care more. I'd take more hikes and fly more kites. I'd stop playing serious, and seriously play. I would run through more fields and gaze at more stars. I'd do more hugging, and less tugging. I would be firm less often, and affirm much more. I'd build self-esteem first, and the house later. I'd teach less about the love of power, And more about the power of love. -Diane Loomans, Full Esteem Ahead

He called me. In the beginning, every day. Multiple times. Although I would not answer. And he texted. At first often, and then every few days or so. It went on for months. These little messages that would paralyze me. And to which I resisted responding. Because I had made a choice. I miss you. I’m thinking of you. I still love you. And then one day, they stopped. Long, long before I had stopped loving him.

Something I’ve been thinking about, which will sound harsh and I’m sorry: you said you’d always be my friend but you’re not, actually, are you? I’ve only realized that recently. You don’t have any interest in my life. This is going to seem bitter but I don’t mean it that way, V., I’m just stating a fact here: you’ll only ever call me if I call you first. Have you noticed that? If I call and leave a message you’ll call me back, but you will never call me first. And I think that’s kind of a horrible thing, V., when you’re supposed to be someone’s friend. I always come to you. You always say you’re my friend but you’ll never come to me and I think I have to stop listening to your words, V., and take stock instead in your actions. My friend C. thinks my expectations of friendship are too high but I don’t think he’s right.

As we are aware, the effect of the vagus nerve is to slow the level of inflammation and keep it in check. If we are sending repeated messages of inflammation over a long time, we are essentially training the vagus nerve to stop having its positive anti-inflammatory effect. This is why it is most common for people to begin experiencing and receiving diagnoses of these autoimmune conditions in their 30s and 40s. After 30+ years of inflammatory signals, the vagus nerve has been trained to stop functioning as an anti-inflammatory intervention. Between the ages of 35 and 40, the vagus tone has decreased significantly and the anti-inflammatory signals stop being sent out. These conditions often arise following the stress of pregnancy, having children, and lacking sleep during the first years of a child’s life—all of which are stressors that decrease vagus nerve function.

On a dangerous seacoast where shipwrecks often occur, there was once a crude little life-saving station. The building was just a hut, and there was only one boat. But the few devoted members kept a constant watch over the sea, and with no thought for themselves went out day and night tirelessly searching for the lost. Some of those who were saved, and various others in the surrounding area, wanted to become associated with the station and give their time and money and effort for the support of its work. New boats were bought and new crews trained. The little life-saving station grew. Some of the members of the life-saving were unhappy that the building was so crude and poorly equipped. They felt that a more comfortable place should be provided as the first refuge of those saved from the sea. They replaced the emergency cots with beds and put better furniture in the enlarged building. Now the life-saving station became a popular gathering place for its members, and they decorated it as sort of a club. Fewer members were now interested in going to sea on life-saving missions, so they hired lifeboat crews to do this work. The life-saving motif still prevailed in this club`s decoration, and there was a liturgical lifeboat in the room where the club initiations were held. About this time a large ship was wrecked off the coast, and the hired crews brought in boatloads of cold, wet and half-drowned people. They were dirty and sick and some had black skin and some had yellow skin. The beautiful new club was in chaos. So the property committee immediately had a shower house built outside the club where victims of shipwrecks could be cleaned up before coming inside. At the next meeting, there was a split in the club membership. Most of the members wanted to stop the club`s life-saving activities as being unpleasant and a hindrance to the normal social life of the club. Some members insisted upon life-saving as their primary purpose and pointed out that they were still called a life-saving station. But they were finally voted down and told that if they wanted to save lives of all the various kinds of people who were shipwrecked in those waters, they could begin their own life-saving station down the coast. So they did just that. As the years went by, the new station experienced the same changes that had occurred in the old. It evolved into a club, and yet another `spin-off` life saving station was founded. History continued to repeat itself, and if you visit the sea coast today, you will find a number of exclusive clubs along the shore. Shipwrecks are frequent in those waters, but most of the people drown.

But we know that whatever it was, Washington did not stop helping to carry out Operation Annihilation. The US economic elite heard a very different message. Indonesia was open for business. In 1967, the first year of Suharto’s fully consolidated rule, General Electric, American Express, Caterpillar, and Goodyear Tire all came to explore the new opportunities available to them in Indonesia. Star-Kist foods arrived to see about fishing in Indonesian waters, and of course, defense contractors Raytheon and Lockheed popped over, too.

The T is the oldest subway system in the United States, and I figure if it has lasted this long, it must have been built right in the first place. The train I took from the airport gradually filled with students. They all seemed to be wearing T-shirts with messages on them. Signaling each other like fireflies. NERD PRIDE, said one, and on the back: A WELL-ROUNDED PERSON HAS NO POINT. Another one: THERE ARE ONLY 10 KINDS OF PEOPLE IN THE WORLD. THOSE WHO UNDERSTAND THE BI-NARY SYSTEM AND THOSE WHO DON’T. Both got off at the MIT stop.

Pain never stops sounding the alarm; she never falls asleep on the job. At the moment we shut down our hearts, or begin entertaining harmful beliefs as ultimate truth, or interpret our experiences in a way that hinders our evolution, Pain starts poking us…just a little at first but if we ignore her, she'll start clanging cymbals in our ears until we acknowledge her presence. Pain is a message, a signal, an alert. Pain is Truth's formless, eternal Sentinel. Pain is indeed the Great Teacher, and she works in concert with Truth to purify consciousness and allow transmutation.

Messner sighed and handed him the phone. “One minute.” “I swear it,” Simon said. He was already dialing the number. The phone rang five times and then the answering machine picked up the line. It was his own voice, saying first in Spanish and then again in French that they were out, saying they would return the call. Why hadn’t Edith recorded the message? What had he been thinking of? He put his hand over his eyes and began to cry. The sound of his own voice was almost unbearable to him. When it stopped there was a long, dull tone. “Je t’adore,” he said. “Je t’aime, Je t’adore.

A hurricane delayed our meeting. First date force majeure. Online late one night we rescheduled – "Right now! As-is!" Sleep pants and t-shirts were good enough for Waffle House. Over coffee and pie we said the same sorts things we had sent as instant messages. To a person not a screen name. After she gave me the tour. Her cat's old collar on the rear-view mirror. A place where graffiti was allowed. The Slab by the river. Places where the young could be young. She stopped for cigarettes. The cashier had dirt on her face and ate an onion like an apple. We pretended not to notice. It only seemed polite.

Violet didn’t realize that she’d pressed herself so tightly against the door until it opened from the inside and she stumbled backward. She fell awkwardly, trying to catch herself as her feet slipped and first she banged her elbow, and then her shoulder-hard-against the doorjamb. She heard her can of pepper spray hit the concrete step at her feet as she flailed to find something to grab hold of. Her back crashed into something solid. Or rather, someone. And from behind, she felt strong, unseen arms catch her before she hit the ground. But she was too stunned to react right away. “You think I can let you go now?” A low voice chuckled in her ear. Violet was mortified as she glanced clumsily over her shoulder to see who had just saved her from falling. “Rafe!” she gasped, when she realized she was face-to-face with his deep blue eyes. She jumped up, feeling unexpectedly light-headed as she shrugged out of his grip. Without thinking, and with his name still burning on her lips, she added, “Umm, thanks, I guess.” And then, considering that he had just stopped her from landing flat on her butt, she gave it another try. “No…yeah, thanks, I mean.” Flustered, she bent down, trying to avoid his eyes as she grabbed the paper spray that had slipped from her fingers. She cursed herself for being so clumsy and wondered why she cared that he had been the one to catch her. Or why she cared that he was here at all. She stood up to face him, feeling more composed again, and quickly hid the evidence of her paranoia-the tiny canister-in her purse. She hoped he hadn’t noticed it. He watched her silently, and she saw the hint of a smile tugging at his lips. Violet waited for him to say something or to move aside to let her in. His gaze stripped away her defenses, making her feel even more exposed than when she had been standing alone in the empty street. She shifted restlessly and finally sighed impatiently. “I have an appointment,” she announced, lifting her eyebrows. “With Sara.” Her words had the desired effect, and Rafe shrugged, still studying her as he stepped out of her way. But he held the door so she could enter. She brushed past him, stepping into the hallway, as she tried to ignore the fact that she was suddenly sweltering inside her own coat. She told herself it was just the furnace, though, and had nothing to do with her humiliation over falling. Or with the presence of the brooding dark-haired boy. When they reached the end of the long hallway, Rafe pulled out a thick plastic card from his back pocket. As he held it in front of the black pad mounted on the wall beside a door, a small red light flickered to green and the door clicked. He pushed it open and led the way through. Security, Violet thought. Whatever it is they do here, they need security. Violet glanced up and saw a small camera mounted in the corner above the door. If she were Chelsea, she would have flashed the peace sign-or worse-a message for whoever was watching on the other end. But she was Violet, so instead she hurried after Rafe before the door closed and she was locked out.

America was sleeping when I crept into the hospital wing that night. She was cleaner, but her face still seemed worried, even at rest. "Hey, Mer," I whispered, rounding her bed. She didn't stir. I didn't dare sit, not even with the excuse of checking on the girl I rescued. I stood in the freshly pressed uniform I would only wear for the few minutes it took to deliver this message. I reached out to touch her, but then pulled back. I looked into her sleeping face and spoke. "I - I came to tell you I'm sorry. About today, I mean," I sucked in a deep breath. "I should have run for you. I should have protected you. I didn't, and you could have died." Her lips pursed and unpursed as she dreamed. "Honestly, I'm sorry for a lot more than that," I admitted. "I'm sorry I got mad in the tree house. I'm sorry I ever said to send in that stupid form. It's just that I have this idea..." I swallowed. " I have this idea that maybe you were the only one I could made everything right for. " I couldn't save my dad. I couldn't protect Jemmy. I can barely keep my family afloat, and I just thought that maybe I could give you a shot at a life that would be better than the one that I would have been able to give you. And I convinced myself that was the right way to love you." I watched her, wishing I had the nerve to confess this while she could argue back with me and tell me how wrong I'd been. " I don't know if I can undo it, Mer. I don't know if we'll ever be the same as we used to be. But I won't stop trying. You're it for me," I said with a shrug. "You're the only thing I've ever wanted to fight for." There was so much more to say, but I heard the door to the hospital wing open. Even in the dark, Maxon's suit was impossible to miss. I started walking away, head down, trying to look like I was just on a round. He didn't acknowledge me, barely even noticed me as he moved to America's bed. I watched him pull up a chair and settle in beside her. I couldn't help but be jealous. From the first day in her brother's apartment - from the very moment I knew how I felt about America - I'd been forced to love her from afar. But Maxon could sit beside her, touch her hand, and the gap between their castes didn't matter. I paused by the door, watching. While the Selection had frayed the line between America and me, Maxon himself was a sharp edge, capable of cutting the string entirely if he got too close. But I couldn't get a clear idea of just how near America was letting him. All I could do was wait and give America the time she seem to need. Really, we all needed it. Time was the only thing that would settle this.

The man seemed not to have heard him. ‘At this life-giving time of the year, Professor Scrooge,’ said the pastor, clicking his pen, ‘it is more than usually desirable that we should make some slight contribution to babes and adults, who lie languishing in hospitals and care facilities, standing on street corners and under bridges, or living alone at home during this time. Many are in need of blood transfusions or food or pregnancy care every day in our large community; many others – especially the elderly – are in want of comfort and cheer.’ ‘Are there no abortion clinics?’ asked Scrooge. ‘Plenty of clinics,’ said the pastor, clicking the pen tip in again. ‘And Euthanasia facilities?’ demanded Scrooge. ‘Are they still in operation?’ ‘They are. Still,’ returned the gentleman, ‘I wish I could say they were not.’ ‘Welfare and Food Stamps are in full swing, then?’ said Scrooge. ‘Both very busy.’ ‘Oh! I was afraid, from what you said at first, that something had occurred to stop them in their useful course,’ said Scrooge. ‘I’m very glad to hear it.’ ‘Under the impression that they scarcely furnish Christian cheer of mind or body to the multitude,’ returned the gentleman, ‘a few churches are endeavoring to raise a fund to provide those in need with medical care and food as well as the comfort of a human presence and the message of eternal life through Jesus. We choose this time to sow into others’ lives because it is a time, of all others, when we rejoice in the life God gave to us through His Son. What shall I put down – in time, money, or blood – for you?’ ‘Nothing!’ Scrooge replied. ‘You wish to give anonymously, then?’ ‘I wish to be left alone,’ said Scrooge.

Strangely, we have come to a moment in human history when the message of the Sermon on the Mount could indeed save us, but it can no longer be heard above the din of dueling doctrines. Consider this: there is not a single word in that sermon about what to believe, only words about what to do. It is a behavioral manifesto, not a propositional one. Yet three centuries later, when the Nicene Creed became the official oath of Christendom, there was not a single word in it about what to do, only words about what to believe! Thus the most important question we can ask in the church today concerns the object of faith itself. The earliest metaphors of the gospel speak of discipleship as transformation through an alternative community and the reversal of conventional wisdom. In much of the church today, our metaphors speak of individual salvation and the specific promises that accompany it. The first followers of Jesus trusted him enough to become instruments of radical change. Today, worshipers of Christ agree to believe things about him in order to receive benefits promised by the institution, not by Jesus. This difference, between following and worshiping, is not insignificant. Worshiping is an inherently passive activity, since it involves the adoration of that to which the worshiper cannot aspire. It takes the form of praise, which can be both sentimental and self-satisfying, without any call to changed behavior or self-sacrifice. In fact, Christianity as a belief system requires nothing but acquiescence. Christianity as a way of life, as a path to follow, requires a second birth, the conquest of ego, and new eyes with which to see the world. It is no wonder that we have preferred to be saved.

Beyta, they weren’t following Hazrat Isa. They stopped following him a long time before. They turned Jesus into a god, and so they dishonored Hazrat Isa and blasphemed Allah! That is why Allah sent Muhammad and Islam as the final message for all of mankind. It embodies all the messages that Allah sent through the prophets: Adam, Noah, Abraham, Ishmael, Isaac, Moses, David, Elijah . . . all of them brought messages from Allah to their people, and although the people accepted their messages at first, later generations corrupted them all. Light gets dimmer the farther it gets from its source! That is why we cannot trust the Bible today; it is corrupted. Only the Quran is perfect. Only Islam is incorruptible. Allah will guard it until the message spreads and the world becomes Muslim. That is when the day of judgment will come. That is the day Islam will be victorious.

Professor Severus Snape, master of this school, commands you to yield the information you conceal!" Snape said, hitting the map with his wand. As though an invisible hand were writing upon it, words appeared on the surface of the map. "Mr. Moony presents his compliments to Professor Snape, and begs him to keep his abnormally large nose out of other people's business." Snape froze. Harry stared, dumbstruck, at the message. But the map didn't stop there. More writing was appearing beneath the first. "Mr. Prongs agrees with Mr. Moony, and would like to add that Professor Snape is an ugly git." It would have been very funny if the situation hadn't been so serious. And there was more... "Mr. Padfoot would like to register his astonishment that an idiot like that ever became a professor." Harry closed his eyes in horror. When he'd opened them, the map had had its last word. "Mr. Wormtail bids Professor Snape good day, and advises him to wash his hair, the slimeball." (286 & 287)

I also worried about her morale. During Linda’s first season working for Amazon, she had seen up close the vast volume of crap Americans were buying and felt disgusted. That experience had planted a seed of disenchantment. After she left the warehouse, it continued to grow. When she had downsized from a large RV to a minuscule trailer, Linda had also been reading about minimalism and the tiny house movement. She had done a lot of thinking about consumer culture and about how much garbage people cram into their short lives. I wondered where all those thoughts would lead. Linda was still grappling with them. Weeks later, after starting work in Kentucky, she would post the following message on Facebook and also text it directly to me: Someone asked why do you want a homestead? To be independent, get out of the rat race, support local businesses, buy only American made. Stop buying stuff I don’t need to impress people I don’t like. Right now I am working in a big warehouse, for a major online supplier. The stuff is crap all made somewhere else in the world where they don’t have child labor laws, where the workers labor fourteen- to sixteen-hour days without meals or bathroom breaks. There is one million square feet in this warehouse packed with stuff that won’t last a month. It is all going to a landfill. This company has hundreds of warehouses. Our economy is built on the backs of slaves we keep in other countries, like China, India, Mexico, any third world country with a cheap labor force where we don’t have to see them but where we can enjoy the fruits of their labor. This American Corp. is probably the biggest slave owner in the world. After sending that, she continued: Radical I know, but this is what goes through my head when I’m at work. There is nothing in that warehouse of substance. It enslaved the buyers who use their credit to purchase that shit. Keeps them in jobs they hate to pay their debts. It’s really depressing to be there. Linda added that she was coping

In that moment, I finally understood for the first time why -- throughout this journey -- I kept thinking about that day when I got terribly sick in rural Vietnam. When I yelled for drugs to stop my worst symptoms -- the extreme room-spinning nausea -- the doctor told me: "You need your nausea. It is a message, and we must listen to the message. It will tell us what is wrong with you." If i had ignored or silenced that symptom, my kidneys would have failed, and I would have died. You need your nausea. You need your pain. It is a message, and you must listen to the message. All these depressed and anxious people, all over the world -- they are giving us a message. They are telling us something has gone wrong with the way we live. We need to stop trying to muffle or silence or pathologize that pain. Instead, we need to listen to it, and honor it. It is only when we listen to our pain that we can follow it back to its source -- and only there, where we can see its true causes, can we begin to overcome it.

Moses, for example, was not, according to some interpretations of his story, the brash, talkative type who would organize road trips and hold forth in a classroom at Harvard Business School. On the contrary, by today’s standards he was dreadfully timid. He spoke with a stutter and considered himself inarticulate. The book of Numbers describes him as “very meek, above all the men which were upon the face of the earth.” When God first appeared to him in the form of a burning bush, Moses was employed as a shepherd by his father-in-law; he wasn’t even ambitious enough to own his own sheep. And when God revealed to Moses his role as liberator of the Jews, did Moses leap at the opportunity? Send someone else to do it, he said. “Who am I, that I should go to Pharaoh?” he pleaded. “I have never been eloquent. I am slow of speech and tongue.” It was only when God paired him up with his extroverted brother Aaron that Moses agreed to take on the assignment. Moses would be the speechwriter, the behind-the-scenes guy, the Cyrano de Bergerac; Aaron would be the public face of the operation. “It will be as if he were your mouth,” said God, “and as if you were God to him.” Complemented by Aaron, Moses led the Jews from Egypt, provided for them in the desert for the next forty years, and brought the Ten Commandments down from Mount Sinai. And he did all this using strengths that are classically associated with introversion: climbing a mountain in search of wisdom and writing down carefully, on two stone tablets, everything he learned there. We tend to write Moses’ true personality out of the Exodus story. (Cecil B. DeMille’s classic, The Ten Commandments, portrays him as a swashbuckling figure who does all the talking, with no help from Aaron.) We don’t ask why God chose as his prophet a stutterer with a public speaking phobia. But we should. The book of Exodus is short on explication, but its stories suggest that introversion plays yin to the yang of extroversion; that the medium is not always the message; and that people followed Moses because his words were thoughtful, not because he spoke them well.

The thing with Melissa is that I fully and completely and 100 percent understand and comprehend what she is saying -- to its fullest meaning -- within the first fifteen seconds. And unfailingly by the end of the third sentence. I'm not saying I'm that smart. I'm saying I get her that well. We Two Are One. But her purpose is not to merely convey to me the story or the information until I have comprehended. Her purpose is to take a long luxurious bath in my ear and to disgorge the entire unedited contents of her brain -- with sidebars, cul-de-sacs, dead ends, and repetitions -- so that she can examine those contents. She is processing. She long ago abandoned those one-line phone messages and three-sentence notes when we were roommates. When she senses, somehow, that she is running out of time or your patience, she'll say, 'okay, a long story short' -- and then continue on her winding circuitous, often amusing way for another several detailed chapters. And I understand every single word of it, every stop for gas, every detour. I think what she thinks.

Alex is taking notes in a policy lecture when he gets the first text. This bloke looks like you. There's a picture attached, an image of a laptop screen paused on Chief Chirpa from Return of the Jedi: tiny, commanding, adorable, pissed off. This is Henry, by the way. He rolls his eyes, but adds the new contact to his phone: HRH Prince Dickhead. Poop emoji. He's honestly not planning to respond, but a week later he sees a headline on the cover of People - PRINCE HENRY FLIES SOUTH FOR WINTER - complete with a photo of Henry artistically posed on an Australian beach in a pair of sensible yet miniscule navy swim trunks, and he can't stop himself. you have a lot of moles, he texts, along with a snap of the spread. is that a result of the inbreeding? Henry's retort comes two days later by way of a screenshot of a Daily Mail tweet that reads, Is Alex Claremont-Diaz going to be a father? The attached message says, But we were ever so careful, dear, which surprises a big enough laugh out of Alex that Zahra ejects him from her weekly debriefing with him and June.

Maybe I've put too much high hopes and expectations on you, or started holding you to an unreachable standard." "That isn't fair," he says, his own breath coming quicker. He's starting to look less confused and more straight-up angry. Join the club, bud. "I probably should have told you before Geoffrey and Aiden, but I was excited, and you've been ignoring all my attempts to talk since UltiCon. And I really didn't think you would take the news this way. I thought it was a good thing and truthfully? I think you're overreacting." The little porcupine quills that I imagine live just beneath my skin, primed to shoot up and protect me at a moment's notice, are at the ready now. Except they feel more like Wolverine claws in this case, and Norberto Beneventi's about to feel their wrath. "Overreacting, huh? Love to hear that. Sorry I'm not over the moon, shooting rainbows out my eyeballs because I'm so delighted for you. Sorry I'm not a selfless little woman whose only goal in life is to see her man shine, that I have real feelings and ambitions for myself." "Reese, for the love of---" he shouts, throwing his hands up in the air and walking in a tight circle before returning to stand in front of me. He adjusts his cap with a long-suffering sigh. "You know what? I think you've been waiting for this. I think you figured out that there was more to say after our last conversation, and you know this is not that big of a deal, but you've been scared for so long, and angry, and the world's been unfair to you. And I bet whether you realize it or not, you've been waiting for the first excuse to get rid of me for good. You're used to being alone and it's easier than letting another person in, so all you needed was the smallest hint that something may not be perfect and boom---no more Benny. Am I right?" I scoff, moving to pass him for real this time and not stopping when his hand brushes my shoulder. "You just know me so well, don't you? Please, tell me more about how I'm feeling, why I do the things I do. But you'll have to send it in another message, because I don't have to stay here and listen to it." I hoist my bag farther onto my shoulder and stomp away from him, my own fury nearly blocking out his parting words. "Go on, then. Maybe you can move back across the country. See if running from your problems works the second time around.

Here is another example of how such self-fulfilling prophecies operate. I recall an incident when I was lecturing to a college audience on the psychology of romantic love. Afterward, a group of students crowded around with questions. Among them was a young woman who began by complimenting me on my talk and then went on to say, quite bitterly, how much she wished “men” would understand the principles I had been discussing. As she went on talking, I became aware of an impulse to withdraw from her, to turn away. At the same time, I was intrigued by my reaction because I was in a very good mood that evening and feeling very benevolently disposed toward the whole world. She was delivering a monologue to the effect that men did not appreciate intelligence in women, and I stopped her by saying, “Listen, I’d like to share something with you. Right now I’m feeling an impulse to break off talking with you. I am feeling an impulse to avoid you. And I think I know how it’s happening. I would like to tell you about it, if you’re interested.” Taken aback, she nodded, and I went on, “As you began to talk, I received three messages from you. First, I received the impression that you liked me and wanted

The essence of Roosevelt’s leadership, I soon became convinced, lay in his enterprising use of the “bully pulpit,” a phrase he himself coined to describe the national platform the presidency provides to shape public sentiment and mobilize action. Early in Roosevelt’s tenure, Lyman Abbott, editor of The Outlook, joined a small group of friends in the president’s library to offer advice and criticism on a draft of his upcoming message to Congress. “He had just finished a paragraph of a distinctly ethical character,” Abbott recalled, “when he suddenly stopped, swung round in his swivel chair, and said, ‘I suppose my critics will call that preaching, but I have got such a bully pulpit.’ ” From this bully pulpit, Roosevelt would focus the charge of a national movement to apply an ethical framework, through government action, to the untrammeled growth of modern America. Roosevelt understood from the outset that this task hinged upon the need to develop powerfully reciprocal relationships with members of the national press. He called them by their first names, invited them to meals, took questions during his midday shave, welcomed their company at day’s end while he signed correspondence, and designated, for the first time, a special room for them in the West Wing. He brought them aboard his private railroad car during his regular swings around the country. At every village station, he reached the hearts of the gathered crowds with homespun language, aphorisms, and direct moral appeals. Accompanying reporters then extended the reach of Roosevelt’s words in national publications. Such extraordinary rapport with the press did not stem from calculation alone. Long before and after he was president, Roosevelt was an author and historian. From an early age, he read as he breathed. He knew and revered writers, and his relationship with journalists was authentically collegial. In a sense, he was one of them. While exploring Roosevelt’s relationship with the press, I was especially drawn to the remarkably rich connections he developed with a team of journalists—including Ida Tarbell, Ray Stannard Baker, Lincoln Steffens, and William Allen White—all working at McClure’s magazine, the most influential contemporary progressive publication. The restless enthusiasm and manic energy of their publisher and editor, S. S. McClure, infused the magazine with “a spark of genius,” even as he suffered from periodic nervous breakdowns. “The story is the thing,” Sam McClure responded when asked to account for the methodology behind his publication. He wanted his writers to begin their research without preconceived notions, to carry their readers through their own process of discovery. As they educated themselves about the social and economic inequities rampant in the wake of teeming industrialization, so they educated the entire country. Together, these investigative journalists, who would later appropriate Roosevelt’s derogatory term “muckraker” as “a badge of honor,” produced a series of exposés that uncovered the invisible web of corruption linking politics to business. McClure’s formula—giving his writers the time and resources they needed to produce extended, intensively researched articles—was soon adopted by rival magazines, creating what many considered a golden age of journalism. Collectively, this generation of gifted writers ushered in a new mode of investigative reporting that provided the necessary conditions to make a genuine bully pulpit of the American presidency. “It is hardly an exaggeration to say that the progressive mind was characteristically a journalistic mind,” the historian Richard Hofstadter observed, “and that its characteristic contribution was that of the socially responsible reporter-reformer.

At 10:50 A.M., the radio flared into life. It was Mick’s voice. He sounded weak and distant. “Bear. This is Mick. Do you copy?” The message then crackled with intermittent static. All I could make out was something about oxygen. I knew it was bad news. “Mick, say that again. What about your oxygen, over?” There was a short pause. “I’ve run out. I haven’t got any.” The words hung in the quiet of the tent at camp two. Through eyes squeezed shut, all I could think was that my best friend would soon be dying some six thousand feet above me--and I was powerless to help. “Keep talking to me, Mick. Don’t stop,” I said firmly. “Who is with you?” I knew if Mick stopped talking and didn’t find help, he would never survive. First he would lose the strength to stand, and with it the ability to stave off the cold. Immobile, hypothermic, and oxygen-starved, he would soon lose consciousness. Death would inevitably follow. “Alan’s here.” He paused. “He’s got no oxygen either. It’s…it’s not good, Bear.” I knew that we had to contact Neil, and fast. Their survival depended on there being someone else above them. Mick came back on the net: “Bear, I reckon Alan only has ten minutes to live. I don’t know what to do.” I tried to get him back on the radio but no reply came.

Grabbing my hair and pulling it to the point my skull throbs, I rock back and forth while insanity threatens to destroy my mind completely. Father finally did what Lachlan started. Destroyed my spirit. The angel is gone. The monster has come and killed her. Lachlan Sipping his whiskey, Shon gazes with a bored expression at the one-way mirror as Arson lights the match, grazing the skin of his victim with it as the man convulses in fear. “Show off,” he mutters, and on instinct, I slap the back of his head. He rubs it, spilling the drink. “The fuck? We are wasting time, Lachlan. Tell him to speed up. You know if you let him, he can play for hours.” All in good time, we don’t need just a name. He is saving him for a different kind of information that we write down as Sociopath types furiously on his computer, searching for the location and everything else using FBI databases. “Bingo!” Sociopath mutters, picking up the laptop and showing the screen to me. “It’s seven hours away from New York, in a deserted location in the woods. The land belongs to some guy who is presumed dead and the man accrued the right to build shelters for abused women. They actually live there as a place of new hope or something.” Indeed, the center is advertised as such and has a bunch of stupid reviews about it. Even the approval of a social worker, but then it doesn’t surprise me. Pastor knows how to be convincing. “Kids,” I mutter, fisting my hands. “Most of them probably have kids. He continues to do his fucked-up shit.” And all these years, he has been under my radar. I throw the chair and it bounces off the wall, but no one says anything as they feel the same. “Shon, order a plane. Jaxon—” “Yeah, my brothers will be there with us. But listen, the FBI—” he starts, and I nod. He takes a beat and quickly sends a message to someone on his phone while I bark into the microphone. “Arson, enough with the bullshit. Kill him already.” He is of no use to us anyway. Arson looks at the wall and shrugs. Then pours gas on his victim and lights up the match simultaneously, stepping aside as the man screams and thrashes on the chair, and the smell of burning flesh can be sensed even here. Arson jogs to a hose, splashing water over him. The room is designed security wise for this kind of torture, since fire is one of the first things I taught. After all, I’d learned the hard way how to fight with it. “On the plane, we can adjust the plan. Let’s get moving.” They spring into action as I go to my room to get a specific folder to give to Levi before I go, when Sociopath’s hand stops me, bumping my shoulder. “Is this a suicide mission for you?” he asks, and I smile, although it lacks any humor. My friend knows everything. Instead of answering his question, I grip his shoulder tight, and confide, “Valencia is entrusted to you.” We both know that if I want to destroy Pastor, I have to die with him. This revenge has been twenty-three years in the making, and I never envisioned a different future. This path always leads to death one way or another, and the only reason I valued my life was because I had to kill him. Valencia will be forever free from the evils that destroyed her life. I’ll make sure of it. Once upon a time, there was an angel. Who made the monster’s heart bleed.

What does it take to make you stop?” Elizabeth flinched from the hatred in the voice she loved and drew a shaking breath, praying she could finish without starting to cry. “I’ve hurt you terribly, my love, and I’ll hurt you again during the next fifty years. And you are going to hurt me, Ian-never, I hope, as much as you are hurting me now. But if that’s the way it has to be, then I’ll endure it, because the only alternative is to live without you, and that is no life at all. The difference is that I know it, and you don’t-not yet.” “Are you finished now?” “Not quite,” she said, straightening at the sound of footsteps in the hall. “There’s one more thing,” she informed him, lifting her quivering chin. “I am not a Labrador retriever! You cannot put me out of your life, because I won’t stay.” When she left, Ian stared at the empty room that had been alive with her presence but moments before, wondering what in hell she meant by her last comment. He glanced toward the door as Larimore walked in, then he nodded curtly toward the chairs in front of his desk, silently ordering the solicitor to sit down. “I gathered from your message,” Larimore said quietly, opening his legal case, “that you now wish to proceed with the divorce?” Ian hesitated a moment while Elizabeth’s heartbroken words whirled through his mind, juxtaposed with the lies and omissions that had begun on the night they met and continued right up to their last night together. He recalled the torment of the first weeks after she’d left him and compared it to the cold, blessed numbness that had now taken its place. He looked at the solicitor, who was waiting for his answer. And he nodded.

Once the vehicle started moving, she realized she had no idea where she was going. Wasn’t that always the case? Her phone chimed. Nick. Where did you go? Quinn deleted it. Then she started a new text. Playing sentry again tonight? The response text took less than three seconds. Why? Need rescuing, baby girl? Quinn smiled. Now that you mention it, yeah. I do. Her phone vibrated almost immediately. What’s up? I’m on a bus, bound for nowhere. Sweetheart, it’s a TRAIN bound for nowhere. Her heart gave a little squee at the endearment. It meant nothing and everything all at once. She smiled over her phone while she texted back. Well, I’m on a bus with no destination in mind. Want me to come get you? Quinn stopped and stared at the phone. Was this dangerous? It didn’t feel dangerous. Tyler had had ample opportunity to hurt her last night and he hadn’t. When Becca had first told her about finding Chris in the middle of a fight with Tyler and Seth in the parking lot, Quinn’s first question had been, “Why?” She’d never gotten a good answer. She slid her thumbs across the face of her phone. Are more taquitos in my future? Play your cards right and there might be a soda, too. His texts were teasing, so she wasn’t sure if his offer to come get her was genuine. She didn’t want to get off the bus until she knew for sure. Then her phone lit up with a new message. Don’t make me ride the bus all night. Where should I pick you up? “Excuse me,” she called to the driver. “What’s the next stop?” “Annapolis Mall. West side.” Next stop is Annapolis Mall. West side. Well look at that. You just got upgraded to a soft pretzel. See you in 10.

There is a time in the life of every boy when he for the first time takes the backward view of life. Perhaps that is the moment when he crosses the line into manhood. The boy is walking through the street of his town. He is thinking of the future and of the figure he will cut in the world. Ambitions and regrets awake within him. Suddenly something happens; he stops under a tree and waits as for a voice calling his name. Ghosts of old things creep into his consciousness; the voices outside of himself whisper a message concerning the limitations of life. From being quite sure of himself and his future he becomes not at all sure. If he be an imaginative boy a door is torn open and for the first time he looks out upon the world, seeing, as though they marched in procession before him, the countless figures of men who before his time have come out of nothingness into the world, lived their lives and again disappeared into nothingness. The sadness of sophistication has come to the boy. With a little gasp he sees himself as merely a leaf blown by the wind through the streets of his village. He knows that in spite of all the stout talk of his fellows he must live and die in uncertainty, a thing blown by the winds, a thing destined like corn to wilt in the sun. He shivers and looks eagerly about. The eighteen years he has lived seem but a moment, a breathing space in the long march of humanity. Already he hears death calling. With all his heart he wants to come close to some other human, touch someone with his hands, be touched by the hand of another. If he prefers that the other be a woman, that is because he believes that a woman will be gentle, that she will understand. He wants, most of all, understanding.

timelines register the pain of her loss for the first time. “I’m sorry, honey.” He remembers the day she died, eight weeks ago. She had become almost childlike by that point, her mind gone. He had to feed her, dress her, bathe her. But this was better than the time right before, when she had enough cognitive function left to be aware of her complete confusion. In her lucid moments, she described the feeling as being lost in a dreamlike forest—no identity, no sense of when or where she was. Or alternatively, being absolutely certain she was fifteen years old and still living with her parents in Boulder, and trying to square her foreign surroundings with her sense of place and time and self. She often wondered if this was what her mother felt in her final year. “This timeline—before my mind started to fracture—was the best of them all. Of my very long life. Do you remember that trip we took—I think it was during our first life together—to see the emperor penguins migrate? Remember how we fell in love with this continent? The way it makes you feel like you’re the only people in the world? Kind of appropriate, no?” She looks off camera, says, “What? Don’t be jealous. You’ll be watching this one day. You’ll carry the knowledge of every moment we spent together, all one hundred and forty-four years.” She looks back at the camera. “I need to tell you, Barry, that I couldn’t have made it this long without you. I couldn’t have kept trying to stop the inevitable. But we’re stopping today. As you know by now, I’ve lost the ability to map memory. Like Slade, I used the chair too many times. So I won’t be going back. And even if you returned to a point on the timeline where my consciousness was young and untraveled, there’s no guarantee you could convince me to build the chair. And to what end? We’ve tried everything. Physics, pharmacology, neurology. We even struck out with Slade. It’s time to admit we failed and let the world get on with destroying itself, which it seems so keen on doing.” Barry sees himself step into the frame and take a seat beside Helena. He puts his arm around her. She snuggles into him, her head on his chest. Such a surreal sensation to now remember that day when she decided to record a message for the Barry who would one day merge into his consciousness. “We have four years until doomsday.” “Four years, five months, eight days,” Barry-on-the-screen says. “But who’s counting?” “We’re going to spend that time together. You have those memories now. I hope they’re beautiful.” They are. Before her mind broke completely, they had two good years, which they lived free from the burden of trying to stop the world from remembering. They lived those years simply and quietly. Walks on the icecap to see the Aurora Australis. Games, movies, and cooking down here on the main level. The occasional trip to New Zealand’s South Island or Patagonia. Just being together. A thousand small moments, but enough to have made life worth living. Helena was right. They were the best years of his lives too. “It’s odd,” she says. “You’re watching this right now, presumably four years from this moment, although I’m sure you’ll watch it before then to see my face and hear my voice after I’m gone.” It’s true. He did. “But my moment feels just as real to me as yours does to you. Are they both real? Is it only our consciousness that makes it so? I can imagine you sitting there in four years, even though you’re right beside me in this moment, in my moment, and I feel like I can reach through the camera and touch you. I wish I could. I’ve experienced over two hundred years, and at the end of it all, I think Slade was right. It’s just a product of our evolution the way we experience reality and time from moment to moment. How we differentiate between past, present, and future. But we’re intelligent enough to be aware of the illusion, even as we live by it, and so,

Take the famous slogan on the atheist bus in London … “There’s probably no God. Now stop worrying and enjoy your life.” … The word that offends against realism here is “enjoy.” I’m sorry—enjoy your life? Enjoy your life? I’m not making some kind of neo-puritan objection to enjoyment. Enjoyment is lovely. Enjoyment is great. The more enjoyment the better. But enjoyment is one emotion … Only sometimes, when you’re being lucky, will you stand in a relationship to what’s happening to you where you’ll gaze at it with warm, approving satisfaction. The rest of the time, you’ll be busy feeling hope, boredom, curiosity, anxiety, irritation, fear, joy, bewilderment, hate, tenderness, despair, relief, exhaustion … This really is a bizarre category error. But not necessarily an innocent one … The implication of the bus slogan is that enjoyment would be your natural state if you weren’t being “worried” by us believer … Take away the malignant threat of God-talk, and you would revert to continuous pleasure, under cloudless skies. What’s so wrong with this, apart from it being total bollocks? … Suppose, as the atheist bus goes by, that you are the fifty-something woman with the Tesco bags, trudging home to find out whether your dementing lover has smeared the walls of the flat with her own shit again. Yesterday when she did it, you hit her, and she mewled till her face was a mess of tears and mucus which you also had to clean up. The only thing that would ease the weight on your heart would be to tell the funniest, sharpest-tongued person you know about it: but that person no longer inhabits the creature who will meet you when you unlock the door. Respite care would help, but nothing will restore your sweetheart, your true love, your darling, your joy. Or suppose you’re that boy in the wheelchair, the one with the spasming corkscrew limbs and the funny-looking head. You’ve never been able to talk, but one of your hands has been enough under your control to tap out messages. Now the electrical storm in your nervous system is spreading there too, and your fingers tap more errors than readable words. Soon your narrow channel to the world will close altogether, and you’ll be left all alone in the hulk of your body. Research into the genetics of your disease may abolish it altogether in later generations, but it won’t rescue you. Or suppose you’re that skanky-looking woman in the doorway, the one with the rat’s nest of dreadlocks. Two days ago you skedaddled from rehab. The first couple of hits were great: your tolerance had gone right down, over two weeks of abstinence and square meals, and the rush of bliss was the way it used to be when you began. But now you’re back in the grind, and the news is trickling through you that you’ve fucked up big time. Always before you’ve had this story you tell yourself about getting clean, but now you see it isn’t true, now you know you haven’t the strength. Social services will be keeping your little boy. And in about half an hour you’ll be giving someone a blowjob for a fiver behind the bus station. Better drugs policy might help, but it won’t ease the need, and the shame over the need, and the need to wipe away the shame. So when the atheist bus comes by, and tells you that there’s probably no God so you should stop worrying and enjoy your life, the slogan is not just bitterly inappropriate in mood. What it means, if it’s true, is that anyone who isn’t enjoying themselves is entirely on their own. The three of you are, for instance; you’re all three locked in your unshareable situations, banged up for good in cells no other human being can enter. What the atheist bus says is: there’s no help coming … But let’s be clear about the emotional logic of the bus’s message. It amounts to a denial of hope or consolation, on any but the most chirpy, squeaky, bubble-gummy reading of the human situation. St Augustine called this kind of thing “cruel optimism” fifteen hundred years ago, and it’s still cruel.

Can you just imagine the two of them next year at the Phi Delta Carnation Ball?” Laura Grace asks, clapping her hands together. Daddy looks confused. “The two of who?” “Why, Ryder and Jemma, of course.” Mama pats him on the hand. “You remember the Carnation Ball--it’s the first Phi Delta party of the year. They have to go together, right, Laura Grace?” She nods. “We’ve been waiting all our lives for this.” Mama finally glances my way and sees my scowl. “Aw, honey. We’re just teasing, that’s all.” This sort of teasing has been going on my entire life--second verse, same as the first. It’s gotten real old, real fast. “May I be excused?” I ask, pushing back from the table. “You go on and finish your dinner,” Laura Grace says, entirely unperturbed. “We’ll stop teasing. I promise.” “It’s okay. I’m done. It was delicious, thanks. I just need to get some air, that’s all. I’m getting a bit of a headache.” Laura Grace nods. “It’s this heat--way too hot for September.” She waves a hand in my direction. “Go on, then. Ryder, why don’t you go get Jemma some aspirin or something.” I glance over at Ryder, and our eyes meet. I shake my head, hoping he gets the message. “No, it’s fine. I’m…uh…I’ve got some in my purse.” “Go with her, son,” Mr. Marsden prods. “Be a gentleman, and get her a bottle of water to take outside with her.” Ugh. I give up. My escape plot is now ruined. Wordlessly, Ryder rises from the table and stalks out of the dining room. I follow behind, my sandals slapping noisily against the hardwood floor. “Do you want water or not?” he asks me as soon as the door swings shut behind us. “Sure. Fine. Whatever.” He turns to face me. “It is pretty hot out there.” “I near about melted on the drive over.” His lips twitch with the hint of a smile. “Your dad refused to turn on the AC, huh?” I nod as I follow him out into the cavernous marble-tiled foyer. “You know his theory--‘no point when you’re just going down the road.’ Must’ve been a thousand degrees in the car.” He tips his head toward the front door. “You wait out on the porch--I’ll bring you a bottle of water.” “Thanks.” I watch him go, wondering if we’re going to pretend like last night’s fight didn’t happen. I hope that’s the case, because I really don’t feel like rehashing it.

think at times our situation could be compared to that of Simba in The Lion King. Simba is turned around by a lion in his life—his uncle Scar. Though he was the prince, he ends up running away. He is supposed to fight his evil uncle Scar and take his rightful place as the king, but he backs off from the confrontation. It is not long before he forgets that he was ever a king, a prince or even a lion. His friends offer little help because they are not lions. His identity is lost. The one person who is able to help him is Rafiki. Rafiki’s message to Simba is simple. He explains that Simba does not know who he is anymore, but that his father is alive in him. At first Simba does not believe this is possible. Then his dad appears to him in a vision and tells Simba, “You are MY son, and the one true king.” What an affirmation. As a result, Simba knows what he must do. He knows he must go home and fight the giant before him. He was meant to be the king. Before this though, his father tells him something that has never left me. He tells Simba, “You are more than what you have become.” In the same way, we are more than what we have become. Many of God’s people have forgotten who they are. We have forgotten that we are children of the Living God, and sons and daughters of The King. We fail to see our inheritance, which was provided through the cross. We have settled for a life that was never meant for us. The lions, Goliaths, and foreign armies have been our stopping point. And the lies of the enemy have defined us. There is a greater measure of Christ to be attained as we awaken to the voice of the Father. It is only the voice of the Father that will restore our identity. It will not be found anywhere else. Even Jesus is affirmed by His Father at His baptism: “This is my son, whom I love; with him I am well pleased” (Matthew 3:17). Our identity, like Simba’s, must be found in the Father. We are indeed more than what we have become. As we learn from David’s life and the lives of others, let us submit ourselves to the Father. Let us allow Him to re-envision us, so that we hear who we really are. Let us allow God to bring us into a place of worship and trust. In submission to Him, let us become a stone in His hands—a priesthood equipped to do His Will and to establish His kingdom. There is victory in that place!

Discipline As your baby becomes more mobile and inquisitive, she’ll naturally become more assertive, as well. This is wonderful for her self-esteem and should be encouraged as much as possible. When she wants to do something that’s dangerous or disrupts the rest of the family, however, you’ll need to take charge. For the first six months or so, the best way to deal with such conflicts is to distract her with an alternative toy or activity Standard discipline won’t work until her memory span increases around the end of her seventh month. Only then can you use a variety of techniques to discourage undesired behavior. When you finally begin to discipline your child, it should never be harsh. Remember that discipline means to teach or instruct, not necessarily to punish. Often the most successful approach is simply to reward desired behavior and withhold rewards when she does not behave as desired. For example, if she cries for no apparent reason, make sure there’s nothing wrong physically; then when she stops, reward her with extra attention, kind words, and hugs. If she starts up again, wait a little longer before turning your attention to her, and use a firm tone of voice as you talk to her. This time, don’t reward her with extra attention or hugs. The main goal of discipline is to teach limits to the child, so try to help her understand exactly what she’s doing wrong when she breaks a rule. If you notice her doing something that’s not allowed, such as pulling your hair, let her know that it’s wrong by calmly saying “no,” stopping her, and redirecting her attention to an acceptable activity. If your child is touching or trying to put something in her mouth that she shouldn’t, gently pull her hand away as you tell her this particular object is off-limits. But since you do want to encourage her to touch other things, avoid saying “Don’t touch.” More pointed phrases, such as “Don’t eat the flowers” or “No eating leaves” will convey the message without confusing her. Because it’s still relatively easy to modify her behavior at this age, this is a good time to establish your authority and a sense of consistency Be careful not to overreact, however. She’s still not old enough to misbehave intentionally and won’t understand if you punish her or raise your voice. She may be confused and even become startled when told that she shouldn’t be doing or touching something. Instead, remain calm, firm, consistent, and loving in your approach. If she learns now that you have the final word, it may make life much more comfortable for both of you later on, when she naturally becomes more headstrong.

He ran long at the White House, and arrived late to his next meeting with Hillary Clinton, Jake Sullivan and Frank Ruggiero—their first major strategy session on Taliban talks after the secret meeting with A-Rod. She was waiting in her outer office, a spacious room paneled in white and gilt wood, with tasseled blue and pink curtains and an array of colorfully upholstered chairs and couches. In my time reporting to her later, I only ever saw Clinton take the couch, with guests of honor in the large chair kitty-corner to her. She’d left it open for him that day. “He came rushing in. . . . ” Clinton later said. “And, you know, he was saying ‘oh I’m so sorry, I’m so sorry.’ ” He sat down heavily and shrugged off his coat, rattling off a litany of his latest meetings, including his stop-in at the White House. “That was typical Richard. It was, like, ‘I’m doing a million things and I’m trying to keep all the balls in the air,’ ” she remembered. As he was talking, a “scarlet red” flush went up his face, according to Clinton. He pressed his hands over his eyes, his chest heaving. “Richard, what’s the matter?” Clinton asked. “Something horrible is happening,” he said. A few minutes later, Holbrooke was in an ambulance, strapped to a gurney, headed to nearby George Washington University Hospital, where Clinton had told her own internist to prepare the emergency room. In his typically brash style, he’d demanded that the ambulance take him to the more distant Sibley Memorial Hospital. Clinton overruled him. One of our deputies on the SRAP team, Dan Feldman, rode with him and held his hand. Feldman didn’t have his BlackBerry, so he scrawled notes on a State Department expense form for a dinner at Meiwah Restaurant as Holbrooke dictated messages and a doctor assessed him. The notes are a nonlinear stream of Holbrooke’s indomitable personality, slashed through with medical realities. “Call Eric in Axelrod’s office,” the first read. Nearby: “aortic dissection—type A . . . operation risk @ > 50 percent”—that would be chance of death. A series of messages for people in his life, again interrupted by his deteriorating condition: “S”—Secretary Clinton—“why always together for medical crises?” (The year before, he’d been with Clinton when she fell to the concrete floor of the State Department garage, fracturing her elbow.) “Kids—how much love them + stepkids” . . . “best staff ever” . . . “don’t let him die here” . . . “vascular surgery” . . . “no flow, no feeling legs” . . . “clot” . . . and then, again: “don’t let him die here want to die at home w/ his fam.” The seriousness of the situation fully dawning on him, Holbrooke turned to job succession: “Tell Frank”—Ruggiero—“he’s acting.” And finally: “I love so many people . . . I have a lot left to do . . . my career in public service is over.” Holbrooke cracked wise until they put him under for surgery. “Get me anything you need,” he demanded. “A pig’s heart. Dan’s heart.

He had a rough idea where he was going, since Rylann had previously mentioned that she lived in Roscoe Village. At the stoplight at Belmont Avenue, he pulled out his cell phone and scrolled through his contacts. The beauty of text messaging, he realized, was in its simplicity. He didn’t have to try to explain things, nor did he have to attempt to parse through all the banter in an attempt to figure out what she might be thinking. Instead, he could keep things short and sweet. I’D LIKE TO SEE YOU. He hit send. To kill time while he waited for her response, he drove in the direction of his sister’s wine shop, figuring he could always drop in and harass Jordan about something. This time, however, she beat him to the punch. “So who’s the brunette bombshell?” Jordan asked as soon as he walked into the shop and took a seat at the main bar. Damn. He’d forgotten about the stupid Scene and Heard column. Kyle helped himself to a cracker and some Brie cheese sitting on the bar. “I’m going to say…Angelina Jolie. Actually, no—Megan Fox.” “Megan Fox is, like, twenty-five.” “And this is a problem why, exactly?” Jordan slapped his hand as he reached for more crackers. “Those are for customers.” She put her hand on her hip. “You know, after reading the Scene and Heard column, I’d kind of hoped it was Rylann they were talking about. And that maybe, just maybe, my ne’er-do-well twin had decided to stop playing around and finally pursue a woman of quality.” He stole another cracker. “Now, that would be something.” She shook her head. “Why do I bother? You know, one day you’re going to wake up and…” Kyle’s cell phone buzzed, and he tuned out the rest of Jordan’s lecture—he could probably repeat the whole thing word for word by now—as he checked the incoming message. It was from Rylann, her response as short and sweet as his original text. 3418 CORNELIA, #3. He had her address. With a smile, he looked up and interrupted his sister. “That’s great, Jordo. Hey, by any chance do you have any bottles of that India Ink cabernet lying around?” She stopped midrant and stared at him. “I’m sure I do. Why, what made you think of that?” Then her face broke into a wide grin. “Wait a second…that was the wine Rylann talked about when she was here. She said it was one of her favorites.” “Did she? Funny coincidence.” Jordan put her hand over her heart. “Oh my God, you’re trying to impress her. That is so cute.” “Don’t be ridiculous,” Kyle scoffed. “I just thought, since I’ve heard such good things about the wine, that I would give it a shot.” Jordan gave him a look, cutting through all the bullshit. “Kyle. She’s going to love it.” Okay, whatever. Maybe he was trying to impress Rylann a little. “You don’t think it’s too much? Like I’m trying too hard?” Jordan put her hand over her heart again. “Oh. It’s like watching Bambi take his first steps.” “Jordo…” he growled warningly. With a smile, she put her hand on his shoulder and squeezed affectionately. “It’s perfect. Trust me.

Waking up begins with saying am and now. That which has awoken then lies for a while staring up at the ceiling and down into itself until it has recognized I, and therefore deduced I am, I am now. Here comes next, and is at least negatively reassuring; because here, this morning, is where it has expected to find itself: what’s called at home. But now isn't simply now. Now is also a cold reminder: one whole day later than yesterday, one year later than last year. Every now is labeled with its date, rendering all past nows obsolete, until--later or sooner-- perhaps--no, not perhaps--quite certainly: it will come. Fear tweaks the vagus nerve. A sickish shrinking from what waits, somewhere out there, dead ahead. But meanwhile the cortex, that grim disciplinarian, has taken its place at the central controls and has been testing them, one after another: the legs stretch, the lower back is arched, the fingers clench and relax. And now, over the entire intercommunication system, is issued the first general order of the day: UP. Obediently the body levers itself out of bed--wincing from twinges in the arthritic thumbs and the left knee, mildly nauseated by the pylorus in a state of spasm--and shambles naked into the bathroom, where its bladder is emptied and it is weighed: still a bit over 150 pounds, in spite of all that toiling at the gym! Then to the mirror. What it sees there isn’t much a face as the expression of a predicament. Here’s what it has done to itself, here’s the mess it has somehow managed to get itself into the during its fifty-eight years; expressed in terms of a dull, harassed stare, a coarsened nose, a mouth dragged down by the corners into a grimace as if at the sourness of its own toxins, cheeks sagging from their anchors of muscle, a throat hanging limp in tiny wrinkled folds. The harassed look is that of a desperately tired swimmer or runner; yet there is no question of stopping. The creature we are watching will struggle on and on until it drops. Not because it is heroic. It can imagine no alternative. Staring and staring into the mirror, it sees many faces within its face—the face of the child, the boy, the young man, the not-so-young man—all present still, preserved like fossils on superimposed layers, and, like fossils, dead. Their message to this live dying creature is: Look at us—we have died—what is there to be afraid of? It answers them: But that happened so gradually, so easily. I’m afraid of being rushed. It stares and stares. Its lips part. It struggles to breathe through its mouth. Until the cortex orders it impatiently to wash, to shave, to brush its hair. Its nakedness has to be covered. It must be dressed up in the clothes because it is going outside, into the world of the other people; and these others must be able to identify it. Its behavior must be acceptable to them. Obediently, it washes, shaves, brushes its hair, for it accepts its responsibilities to the others. It is even glad that it has its place among them. It knows what is expected of it. It knows its name. It is called George.

A folded triangle of paper landed in the center of his notebook. Normally he’d unfold it discreetly, but Beamis was so clueless that the note could have hit him in the head and he wouldn’t notice. Loopy script in purple pen. The paper smelled like her. What’s your #? Wow. Hunter clicked his pen and wrote below her words. I have a theory about girls who ask for your number before asking for your name. Then he folded it up and flicked it back. It took every ounce of self-control to not watch her unfold it. The paper landed back on his desk in record time. I have a theory about boys who prefer writing to texting. He put his pen against the paper. I have a theory about girls with theories. Then he waited, not looking, fighting the small smile that wanted to play on his lips. The paper didn’t reappear. After a minute, he sighed and went back to his French essay. When the folded triangle smacked him in the temple, he jumped a mile. His chair scraped the floor, and Beamis paused in his lecture, turning from the board. “Is there a problem?” “No.” Hunter coughed, covering the note with his hand. “Sorry.” When the coast was clear, he unfolded the triangle. It was a new piece of paper. My name is Kate. Kate. Hunter almost said the name out loud. What was wrong with him? It fit her perfectly, though. Short and blunt and somehow indescribably hot. Another piece of paper landed on his notebook, a small strip rolled up tiny. This time, there was only a phone number. Hunter felt like someone had punched him in the stomach and he couldn’t remember how to breathe. Then he pulled out his cell phone and typed under the desk. Come here often? Her response appeared almost immediately. First timer. Beamis was facing the classroom now, so Hunter kept his gaze up until it was safe. When he looked back, Kate had written again. I bet I could strip na**d and this guy wouldn’t even notice. Hunter’s pulse jumped. But this was easier, looking at the phone instead of into her eyes. I would notice. There was a long pause, during which he wondered if he’d said the wrong thing. Then a new text appeared. I have a theory about boys who picture you na**d before sharing their name. He smiled. My name is Hunter. Where you from? This time, her response appeared immediately. Just transferred from St. Mary’s in Annapolis. Now he was imagining her in a little plaid skirt and knee-high socks. Another text appeared. Stop imagining me in the outfit. He grinned. How did you know? You’re a boy. I’m still waiting to hear your theory on piercings. Right. IMO, you have to be crazy hot to pull off either piercings or tattoos. Otherwise you’re just enhancing the ugly. Hunter stared at the phone, wondering if she was hitting on him—or insulting him. Before he could figure it out, another message appeared. What does the tattoo on your arm say? He slid his fingers across the keys. It says “ask me about this tattoo.” Liar. Mission accomplished, I’d say. He heard a small sound from her direction and peeked over. She was still staring at her phone, but she had a smile on her face, like she was trying to stifle a giggle. Mission accomplished, he’d say.

How Google Works (Schmidt, Eric) - Your Highlight on Location 3124-3150 | Added on Sunday, April 5, 2015 10:35:40 AM In late 1999, John Doerr gave a presentation at Google that changed the company, because it created a simple tool that let the founders institutionalize their “think big” ethos. John sat on our board, and his firm, Kleiner Perkins, had recently invested in the company. The topic was a form of management by objectives called OKRs (to which we referred in the previous chapter), which John had learned from former Intel CEO Andy Grove.173 There are several characteristics that set OKRs apart from their typical underpromise-and-overdeliver corporate-objective brethren. First, a good OKR marries the big-picture objective with a highly measurable key result. It’s easy to set some amorphous strategic goal (make usability better … improve team morale … get in better shape) as an objective and then, at quarter end, declare victory. But when the strategic goal is measured against a concrete goal (increase usage of features by X percent … raise employee satisfaction scores by Y percent … run a half marathon in under two hours), then things get interesting. For example, one of our platform team’s recent OKRs was to have “new WW systems serving significant traffic for XX large services with latency < YY microseconds @ ZZ% on Jupiter.”174 (Jupiter is a code name, not the location of Google’s newest data center.) There is no ambiguity with this OKR; it is very easy to measure whether or not it is accomplished. Other OKRs will call for rolling out a product across a specific number of countries, or set objectives for usage (e.g., one of the Google+ team’s recent OKRs was about the daily number of messages users would post in hangouts) or performance (e.g., median watch latency on YouTube videos). Second—and here is where thinking big comes in—a good OKR should be a stretch to achieve, and hitting 100 percent on all OKRs should be practically unattainable. If your OKRs are all green, you aren’t setting them high enough. The best OKRs are aggressive, but realistic. Under this strange arithmetic, a score of 70 percent on a well-constructed OKR is often better than 100 percent on a lesser one. Third, most everyone does them. Remember, you need everyone thinking in your venture, regardless of their position. Fourth, they are scored, but this scoring isn’t used for anything and isn’t even tracked. This lets people judge their performance honestly. Fifth, OKRs are not comprehensive; they are reserved for areas that need special focus and objectives that won’t be reached without some extra oomph. Business-as-usual stuff doesn’t need OKRs. As your venture grows, the most important OKRs shift from individuals to teams. In a small company, an individual can achieve incredible things on her own, but as the company grows it becomes harder to accomplish stretch goals without teammates. This doesn’t mean that individuals should stop doing OKRs, but rather that team OKRs become the more important means to maintain focus on the big tasks. And there’s one final benefit of an OKR-driven culture: It helps keep people from chasing competitors. Competitors are everywhere in the Internet Century, and chasing them (as we noted earlier) is the fastest path to mediocrity. If employees are focused on a well-conceived set of OKRs, then this isn’t a problem. They know where they need to go and don’t have time to worry about the competition. ==========

I landed a bit too fast and stumbled in my unlaced sneakers before slamming face first into Darius’s chest as he lurched forward to catch me. “Sorry,” I laughed as I looked up at him with a grin and he fell still as he helped me steady myself. “What?” I asked, trying to blink the sleep out of my eyes. “You’ve never smiled at me like that before,” he said in a rough voice, reaching out to brush some tangled strands of black hair out of my face. “Shut up, I smile at you all the time,” I replied as heat touched my cheeks and I tried to run my fingers through my knotty hair. Really should have taken a minute to brush it dumbass. Let’s hope he assumes it’s from flying. “Not like that you don’t,” Darius countered, a smile tugging at the corner of his mouth too as his gaze ran over me. “You look…cute.” “I don’t know what you mean. And I don’t do cute.” Darius snorted at me. “You look like you got dressed in the dark…” “Gee thanks, any more observations, Sherlock?” I asked, rolling my eyes at him but I was still grinning so there wasn’t much bite with my snark. “Well… You’re not wearing any makeup.” “I…woke up late, so-” “I like it,” he said, his smile growing as he looked me over. “You look all sleepy and innocent. I could almost imagine you just woke up in my bed.” I was definitely goddamn blushing now and thanks to my lack of bronzer he was clearly well aware of it. The sky was darkening overhead already as we lingered, but I fought the stars for just another moment. “If I’d spent the night in your bed, there wouldn’t have been anything innocent about it,” I taunted to get him back onto safer, less mortifying topics of conversation. Like sex. “As much as I ache for the feeling of your body against mine – and I really fucking do – I think if I was allowed a single cheat against this curse that keeps us apart, I’d just want to be able hold you in my arms,” he replied. “Just to wake up with you there, knowing you were safe.” My heart pounded at his words, but a crash of thunder from the heavens stopped me from replying. I offered him a frustrated smile and turned away from him as I began my run. Darius followed behind me, far enough back to allow the clouds to scatter again and I tried not to dwell on the disappointment that lingered in me as I upped my pace. Did I just shoot over here at the speed of light without brushing my hair or putting any makeup on rather than risk missing out on our run? I shook my head at myself as I tried to figure out what was going on here. I’d been purposefully ignoring this question up until now, but I seriously needed to consider what I was doing. Running with him every morning, messaging him every night. Exchanging little looks whenever we ended up in the same place and thinking about him way too often. This felt a hell of a lot like the start of something instead of the end of it, but that wasn’t possible. Even if he wanted it. Even if I wanted it. We couldn’t have it. The damn stars wouldn’t allow it. My mind twisted around and around as we ran on and I cursed the stars out with everything I had. But why was I doing that? Hadn’t I made my mind up about this? Hadn’t I already made the only decision I could? Darius might have been showing me more of himself now, he might have stopped hurting me and be trying to change but had he done enough to make up for all the pain he’d caused me? When I really thought about it, I still wasn’t sure. But I was sure that he made me smile when he messaged me, that I looked for him whenever I arrived in a room, that he seemed to be trying to do everything he could to set things right. And that I fantasised about him more than I had about any man in all my life. Even Tom Hardy. Even. Tom. Hardy. Fuck it. We ran around Aqua Lake, circling the shore and heading on into The Wailing Wood. Darius kept pace behind me in silence like always, but I decided to drop back. (Tory)

There was this new minister who went to the cemetery sorry, cemetery and he got his PhD and his DD and he’s got assign to his first church. I’ll never forget this. When he got there the church was a little lively but he was dead and he told the people now that am your new pastor we gonna do things a little different around here. He said, no more shouting, we’re going to do things in order. And theres going to be a quietness. He said I want you to follow my lead. He said I’ve graduated from the seminary and I’ve been educated and we’re going to do things in order and we’re going to take away this noise. It took him about 6 months to get things all tone down, he thought. He never even bothered to write his sermons out because some of the people were still shouting. But after 6 months he had everything under control and everything was dead. Dead quite. I mean quite. And finally he worked on his message all week long, had it all type written out on 15 pages, double space. Had everything perfect and now he is going to demonstrate his educational powers. Ready to wax eloquent and have them know they have an educated preacher/minister. He got into his message that he was reading. And he got to page 5, there was an ooooooooooooold fashion deacon in the back and let out one of them big old weeeeeeeeeeellllllllllllll gloryyyyyyyyyyyyyyy !!!!!. that was like an atom bomb that struck. And he became frustrated and all 15 pages of notes fell on the ground and he lost his place. He was never been so humiliated in all of his life. He could not finish his sermon. The only thing he could do is stop and pray and put the benediction on. He became so aggravated at the brother at the back. He said I did not know what I said to make him shout but he said am going to visit him in the morning and am going to found out what I said. And whatever I said am going to cut it out of my mind and I’ll never say it again so he won’t shout. Monday morning he headed out and he went to this brother who was a farmer. He didn’t even bother to go to the house. He wanted to handle this man to man. The brother offered a cup of coffee but the pastor refused it. He said I came out here to talk man to man sir. Do you remember when I first came to the church I said we were going to do things differently. He said yes sir I do remember. You remember I said nobody was going to make some noice. He said yes sir I remember that. He said yesterday you embarrassed me. I only got half way through my sermon. He said I want you to be honest with me brother. What was it that I said that made you shout because whatever it is am not going to say it no more. The brother breathed and said let get one thing straight pastor, you’ve been here six months. aint nothing you ever said made me shout. Nothing at all. But when I get to thinking how deep I was in sin and Jesus brought me out and cleaned me and wrote my name the book of life. How so good He’s been to me. When I was thinking of what He done for me, I couldn’t help but shoouuuuuuuuuuuuuuut to His gloryyyyyyyyyyyyyyyyyyyy. I don’t just shout in church, here with my mules thinking of Jesus, I feel another shouuuuuuuuuuuuut coming up.

the “clock” is little more than a pair of genes that, eventually and by means of various intermediaries, turn themselves off. Our architect isn’t simply mailing out a blueprint; she is sending out bottled messages addressed to her future self. Eventually, when enough bottles accumulate in the sea, the message will reach her, and the message says, “Take a nap.” When the architect falls asleep and the clock genes are at rest, protein production ceases. The existing proteins degrade in the cytoplasm and stop pressing into the nucleus and shutting off the genes, freeing them to again issue orders. If that process sounds circular, that seems to be what natural selection was favoring. What’s remarkable isn’t what is produced (which is nothing physical, all told) but the period of production: the cycle from the moment the clock genes are first activated, then switched off, then switched on again takes, on average, twenty-four hours. Something is produced after all: not a molecule but an interval.

I struggled out of bed, and turned on my laptop. There were twenty messages from Sholto. None were particularly friendly, though few of his missives ever were. The first read, ‘I see you’re in hospital. When you get out, download these files. Keep them safe. It could be important.’ I’m not sure why I followed his instructions, but I did. Day after day, I copied the files to my laptop, deleting all the documents, films, and music to make room. When the broadband stopped working, I used the government phone. By the time that stopped working, just after the evacuation began, I’d filled the laptop and the external hard drive on which I’d been storing our plans for the election campaign. I did look at some of the files before the power went out. I listened to the air-traffic control audio-feed from when Air Force Two went down. There were calls

The Protest Polka is danced not just by lovers, but by parents and children and brothers and sisters, indeed by anyone with close emotional ties to another. Sometimes it is easier for us to see ourselves performing it with our siblings or our kids than with our spouse. Is it that the vulnerability is less obvious? I ask myself why my adolescent son, sighing and dismissing my comments about his being late, sends me over the edge into critical blaming, even when we have a loving bond between us. The answer is easy. Suddenly I hear a message that vibrates with attachment meanings. He rolls his eyes at me. His tone is contemptuous. I hear that my concerns or comments do not matter to him. I am irrelevant. So I turn up the music and I criticize him. He retreats and dismisses me again. We are off. The polka music plays on. But suddenly I recognize the music. So I step to the side and invite him to look at the dance. “Wait a minute. What is happening here? We are getting caught up in a silly fight and we are both getting hurt.” This is the first step in stopping the polka: recognize the music.

Keep working and growing If you want to stay passionate, you have to stay productive. You have to have a reason to get out of bed in the morning. When you’re not producing, you’re not growing. You may retire from your job, but don’t ever retire from life. Stay busy. Keep using your mind. Keep helping others. Find some way to stay productive. Volunteer at the hospital. Babysit your relatives’ children. Mentor a young person. When you quit being productive, you start slowly dying. God promises if you keep Him in first place, He will give you a long, satisfied life. How long is a long life? Until you are satisfied. If you quit producing at fifty and you’re satisfied, then the promise is fulfilled. I don’t know about you, but I’ve got too much in me to die right now. I’m not satisfied. I have dreams that have yet to be realized. I have messages that I’ve yet to give. I have children to enjoy, a wife to raise…I mean a wife to enjoy. I have grandchildren yet to be born. When I get to be about ninety, and I’m still strong, still healthy, still full of joy, and still good-looking, then I’ll say, “Okay God I’m satisfied. I’m ready for my change of address. Let’s go.” Some people are too easily satisfied. They quit living at fifty. We don’t bury them until they are eighty. Even though they’ve been alive, they haven’t been really living. Maybe they went through disappointments. They had some failures, or somebody did them wrong and they lost their joy. They just settled and stopped enjoying life. But God has another victory in your future. You wouldn’t be breathing if God didn’t have something great in front of you. You need to get back your passion. God is not finished with you. God will complete what he started in your life. The scripture says God will bring us to a flourishing finish--not a fizzling finish. You need to do your part and shake off the self-pity, shake off what didn’t work out. You may have a reason to feel sorry for yourself, but you don’t have right. God said He will take what was meant for your harm and not only bring you out, but also bring you out better off than you were before.

They were supposed to be discussing Yeats that afternoon and Gray didn’t appreciate having Charlene’s minion stop her on the way to class with a message that her sister planned on plunging to her death before the day was out. That would teach Blake Foster—or so Charlene thought. The jerk had dumped her sister after first period and, worse, had been seen sucking face with Stacey Morehouse at lunch. Gray started shivering

I tracked down a vegan baker and had this cake special ordered for tonight. It’s a vanilla cake made with almond milk and maple syrup, glazed with cocoa icing. The damn thing smells delicious, yet my mouth is as dry as the Sahara Desert. That’s probably because of the message. Or, I should say, question iced on top of the cake. Walking up to the kitchen, I see her shaking her booty as she sings to the loud music blasting through the apartment. In her hand, she has a knife and is cutting up a banana. On the stove, I can see a small pot of melted dark chocolate and what looks like toasted and chopped walnuts on a plate. “Hey, babe! You’re home too early.” She gives me a fake pout. “I wanted to surprise you.” Setting my chin on her shoulder, I place my hands on her hips and watch as she starts cutting up another banana. “Surprise me with what, Pixie?” “Something sweet for us to eat while we watch the movie tonight.” Kissing the side of her neck, I murmur into her skin, “I’ve got your sweet covered.” She looks at the box with curious eyes. “Oh? And what do you have there, Trevor Blake?” Lifting the lid, I push the now visible cake with its question closer to her, and she gasps. Her hands start to tremble, and I watch the hand holding the knife with a wary eye. Perhaps I should have asked her to put that down first. I watch her face as her eyes tear up at the question in red icing. Will You Marry Me? The ring is the dot at the bottom of the question mark, shiny and blinking at her. Standing here, I wait for an answer. And I wait more. Thing is, it’s too quiet. There are silent tears running down her face, but she’s not said a single word. Fuck. What if she isn’t ready for this? I open my mouth to try to fix this, but suddenly my little sprite is squealing loudly, jumping up and down. I should be fucking thrilled that she’s happy, but all I can see is that knife bouncing up and down with her little body. She’s talking so fast I can barely understand what she’s saying. “Oh-my-gosh-Trevor-are-you-serious-right-now!” “Babe, happy as hell that you’re excited, but can you do me a favor really quick?” Paisley stops jumping up and down and nods her head repeatedly like a bobble head doll. I have to stop myself from laughing at her. She smiles brightly at me. “If you wanna know my answer, it’s yes!” “Well, that, too. But, Pixie, can you please put down the knife? Would really fucking hate it if one of us got accidentally stabbed on the night that I’m asking you to become my wife.

DECEMBER 3, 1992 No LOL Matter On December 3, 1992, Neil Papworth sent the world’s first text message, making it a very bad day for the English language indeed. Since that day, teenagers have stopped actually speaking to one another, proper spelling has become obsolete, and driving while texting has now far surpassed driving while drinking as the most lethal activity on the road. 4COL.

39. Money Is Like A River: It Has To Flow We live in a society where success is often (and falsely) determined by how much money we earn. Our culture values money way too highly, and here’s why. The Rich List that gets published each year sends out the message that having more money than the next person is something to aspire to. This had led to a culture where - once we have grabbed hold of whatever money we can - we hold on to it as tightly as possible…or else! This same culture says that if you give it away then you will simply end up poorer. But the little-known secret of money is that it really works in reverse: it is only when a person starts to give away what he has that he begins to gain riches far beyond mere coins. Let me tell you, accumulating and clinging tightly on to money will never make you happy. In fact, if that is your focus and your reaction to money, it will eat you up and make your life a neurotic misery. I have seen it too often. Money is like a mirror: it reveals what sort of person we really are. That is where the real value of money lies - to distinguish the character of its owner. Money is also like a river, and rivers need to flow or they die. When you dam up a stream, the water soon becomes stagnant. Likewise with money: stop moving it along or giving it away and helping others, and the money starts to go stagnant. It first goes murky, then it dies. Money has to be shared lightly, given generously, and used to enrich not just your life, but those of all around you. Only then does money have power. Finally, money is like a butterfly: hold on to it too tightly and you kill it. Light hands, and a generous, free spirit, will make the butterfly soar, spreading joy and light wherever it lands. It’s not how much money you have that matters, it’s what you do with it. That’s how to become really rich.

And then, as if delivered by a bolt of lightning, I recalled an incident that occurred between us at least 45 years ago. I was an asthmatic child, and on so many evenings could not run to the door (as instructed to do by our mother) to say hello to my father and give him a hug and a kiss when he came home late each evening from the hotel kitchens. I would instead remain upstairs, bedridden, gasping for every breath, waiting expectantly for Father to come upstairs and just say hello to me and maybe, just maybe, for the first time, say “Hello, Jeanot, I love you.” But those words never came. And then, as I listened to your music, the memory came back of an evening, more than 45 years ago, when I was again sick, and Father came upstairs. But this evening was different. He sat next to me on my bed and, as I was sitting upright and struggling for the next breath, he began gently stroking my hair for a period of time that I wished would have lasted an eternity. Today, as you played us the Chopin, tears came to my eyes. It struck me that while Father could not say these words, “I love you,” they were expressed even more poignantly in the gentle stroking of a little boy’s hair by his father’s powerful hands. I recall that as he sat with me my asthma attack subsided. I had completely forgotten that incident. I must have buried it in my own desire to perhaps keep my father at a distance, to continuously prove either that I was unlovable, or that he was just a cold s.o.b. who only knew work, work, and more work. But not so. My father showed me love in so many ways. We keep looking so hard in life for the “specific message,” and yet we are blinded to the fact that the message is all around us, and within us all the time. We just have to stop demanding that it be on OUR terms or conditions, and instead open ourselves to the possibility that what we seek may be in front of us all the time. Thank you, John Imhof

C. was reminded of another little significant-seeming episode: Once he’d had to spend a night in jail in A.—the main town of the district he came from—and realized right away that he’d never get a single minute’s sleep in the hole they’d locked him up in. His cell was probably used as a drunk tank; traces of the catastrophes attendant to the drying-out process were visible all around… In the GDR, thought C., succumbing to alcohol still made for indelible images, so it was not entirely unreasonable for writers and artists to spend their time drinking. The cell whose door slammed behind him consisted of several cubic yards of bad smells, and contained a cot, a broken-down chair, and a cracked toilet that wouldn’t stop running and stood in a puddle of sludge. On the wall behind the cot, a broad swath of vomit trailed down, already dried; the dim light of a 25 watt bulb showed the walls covered from top to bottom with unidentifiable filth—possibly human excrement—spatters of blood, and countless inscriptions: scratched messages and addresses. It was enough reading material to last him all night. One of the first slogans he read stated straight out: Long live capitalism.

The man had hired a fine-arts painter to create a painting of his building (was he selling a building?), and at first glance it looked like the website for an Italian restaurant. The first question I had when I went to the website was, “Do you serve free breadsticks?” There were a thousand links ranging from contact information to FAQs to a timeline of the company’s history. There were even links to the nonprofits the business supported. It was as though he was answering a hundred questions his customers had never asked. I asked the class to raise their hands if they thought his business would grow if we wiped the website clean and simply featured an image of a guy in a white lab coat painting something next to text that read, “We Paint All Kinds of S#*%,” accompanied by a button in the middle of the page that said, “Get a Quote.” The entire class raised their hands. Of course his business would grow. Why? Because he’d finally stopped forcing clients to burn calories thinking about his life and business and offered the one thing that would solve his customers’ problem: a painter. What we think we are saying to our customers and what our customers actually hear are two different things. And customers make buying decisions not based on what we say but on what they hear.

Just think about the incredible transformation that took place in Steve’s life and career after Pixar. In 1983, Apple launched their computer Lisa, the last project Jobs worked on before he was let go. Jobs released Lisa with a nine-page ad in the New York Times spelling out the computer’s technical features. It was nine pages of geek talk nobody outside NASA was interested in. The computer bombed. When Jobs returned to the company after running Pixar, Apple became customer-centric, compelling, and clear in their communication. The first campaign he released went from nine pages in the New York Times to just two words on billboards all over America: Think Different. When Apple began filtering their communication to make it simple and relevant, they actually stopped featuring computers in most of their advertising. Instead, they understood their customers were all living, breathing heroes, and they tapped into their stories. They did this by (1) identifying what their customers wanted (to be seen and heard), (2) defining their customers’ challenge (that people didn’t recognize their hidden genius), and (3) offering their customers a tool they could use to express themselves (computers and smartphones). Each of these realizations are pillars in ancient storytelling and critical for connecting with customers. I’ll teach you about these three pillars and more in the coming chapters, but for now just realize the time Apple spent clarifying the role they play in their customers’ story is one of the primary factors responsible for their growth. Notice, though, the story of Apple isn’t about Apple; it’s about you. You’re the hero in the story, and they play a role more like Q in the James Bond movies. They are the guy you go see when you need a tool to help you win the day.

Pierre wakes up for good. As he's lying there yawning, he vaguely remembers a couple of false starts inspired by a ringing phone. He looks to his left. It's eleven. Next thing, he's stumbling down the hall toward his phone machine. 'Wait. Coffee,' he whispers in a shredded voice, veering back into the kitchen. He does what he has to, then plays back the messages, sips. Beep. 'It's Paul at Man Age. Appointment, twelve-thirty P.M., hour, Gramercy Park Hotel, room three-forty-four, name Terrence. Later.' Beep. 'Paul again. Appointment, two P.M., Washington Annex Hotel, room six-twenty, a play-it-by-ear, name Dennis, I think the same Dennis from last night. Check with us mid-afternoon. You're a popular dude. Later.' Beep. 'P., it's Marv, you there? . . . No? . . . Call me at work. Love ya.' On his way to the shower Pierre makes a stop at the stereo, plays side one of Here Comes the Warm Jets, an old Eno album. It's still on his turntable. It has this cool, deconstructive, self-conscious pop sound typical of the '70s Art Rock Pierre loves. He doesn't know why it's fantastic exactly. If he were articulate, and not just nosy, he'd write an essay about it. Instead he stomps around in the shower yelling the twisted lyrics. ' "By this time / I'd got to looking for a kind of / substitute . . ." ' It's weird to get lost in something so calculatedly chaotic. It's retro, pre-punk, bourgeois, meaningless, etc. ' ". . . I can't tell you quite how / except that it rhymes with / dissolute." ' Pierre covers his ears, beams, snorts wildly. Tying his sneakers, he flips the scuffed-up LP, plays his two favorite songs on the second side, which happen to sit third and fourth, and are aurally welded together by some distorted synthesizer-esque percussion, maybe ten, fifteen seconds in length. Pierre flops back in his chair, soaks the interlude up. It screeches, whines, bleeps like an orgasming robot.

Darius hesitated right beside us and reached out to run his fingers along the side of my face. “You were right you know,” he breathed as if the others weren’t surrounding us and as I looked into his eyes, it almost felt like they weren’t. “I’m not good enough for you.” ... “I don’t wanna sleep here,” I muttered as Darius’s scent enveloped me and a whole host of regrets came whispering in my ears. But I was so exhausted from using my gifts that I just couldn’t stop my eyes from fluttering shut. Caleb laughed softly. “I’ll lock the door and push the key back under it so you can escape in the morning.” “Asshole,” I murmured. “Always,” he agreed, flicking the lights off and the door clicked shut before the sound of the key turning in the lock followed. I was too tired to argue further but before I gave in to sleep, I snagged my Atlas from the nightstand and forwarded the photograph I’d taken of Xavier and Catalina flying together in their Order forms to Darius. He deserved to see evidence of his mother’slove after all of these years and the knowledge that they’d all been denied that bond for so long made my heart ache for them. A moment later, a message came through from him and I smiled to myself as I read it. Darius: Thank you, Roxy. This means more to me than words can convey. My cheeks flushed at his reply and I bit my lip as exhaustion pulled at me. I sighed to myself as I nestled down in his bed, trying not to linger in the memories of sleeping here with his arms wrapped around me, feeling like nothing and no one in the world could ever hurt me so long as I just stayed right there. Maybe I should have listened to those instincts. Because his bed didn’t feel the same without him in it. And for the first time that I would admit to myself, I had to wonder if I’d made a terrible mistake when I said no. (Tory POV)

The nature of being at the correct distance from the opponent and of understanding the principle of reaction time does not give the attacker the luxury of completing more than one strike before being counterattacked by a skilled defender. Once you have created the distraction with your first strike, you need to continue and attack appropriately. Therefore, when you train, students need to gain a complete understanding of what they are drilling and the training drill should be designed accordingly. Be aware that the human mind is constantly trying to create imaginary connections between motion possibilities without always seeing the whole picture. Shortening the range from a kick to a hand strike cuts down on time between the first and subsequent attacks. Such an attempt does not recognize that a good defense against a kick eliminates the option for a continuous hand attack since that was already taken into account. Executing multiple attacks on the defense however would break the opponent’s train of thought and give the initiator another second to hit again. If you have reached the target through the first strike, with no obstacles, you are buying time for a more devastating attack. You must recognize that with less devastating strikes, you buy less time, and in a real fight it is measured in splits of a second. It should only take a few seconds to finish the opponent. Krav Maga principles dictate a perfect relationship in which a counterattack requires the same speed as the block, but sometimes the distance can be too close to accelerate the hand to a maximum speed—and then you are just buying another second and must follow up with a more devastating attack. If you deliver attacks of medium strength, your opponent might get the message and stop attacking you. However, while it is a good practice to change an attacker’s mind and habits, you may not want to risk your own life protecting your attacker from extensive harm. Finally, when executing a counterattack, please be as precise as possible, so you do not need to rework. I personally would not spend more than two seconds on one opponent, since it would occupy and distract me from other dangerous changes that might occur in the environment. If you break glass in a store, you would want to get out of there as quickly as possible instead of waiting around in the same spot. I’d like to remind the reader that the above paragraphs elaborate the dangers and safety in both training and in reality. By understanding safe training, you need to understand the dangers of reality. To master the process, you need to train in simulated scenarios that are as close as possible to a realistic fight for survival. Keep in mind that when you identify a threat, you should set your boundaries, and decide that if the opponent gets too close to you, you should attack him by kicking or punching according to the distance between you two. If however the attacker attacks you by surprise, not giving you enough time to think, your body instinctively defends itself. This means that if you are at the point where you notice an attack coming at you, your primary instinct is to defend as opposed to attack.

Think on Paper The power of this technique lies in its simplicity. Here’s how it works: You start with a list of everything you have to do for the coming day. Think on paper. You then place an A, B, C, D, or E next to each item on your list before you begin the first task. An “A” item is defined as something that is very important, something that you must do. This is a task that will have serious positive or negative consequences if you do it or fail to do it, like visiting a key customer or finishing a report that your boss needs for an upcoming board meeting. These items are the frogs of your life. If you have more than one A task, you prioritize these tasks by writing “A-1,” “A-2,” “A-3,” and so on in front of each item. Your A-1 task is your biggest, ugliest frog of all. ”Shoulds” versus “Musts” A “B” item is defined as a task that you should do. But it has only mild consequences. These are the tadpoles of your work life. This means that someone may be unhappy or inconvenienced if you don’t do one of these tasks, but it is nowhere as important as an A task. Returning an unimportant telephone message or reviewing your e-mail would be a B task. The rule is that you should never do a B task when an A task is left undone. You should never be distracted by a tadpole when a big frog is sitting there waiting to be eaten. A “C” task is defined as something that would be nice to do but for which there are no consequences at all, whether you do it or not. C tasks include phoning a friend, having coffee or lunch with a coworker, and completing some personal business during work hours. These sorts of activities have no effect at all on your work life. A “D” task is defined as something you can delegate to someone else. The rule is that you should delegate everything that someone else can do so you can free up more time for the A tasks that only you can do. An “E” task is defined as something that you can eliminate altogether, and it won’t make any real difference. This may be a task that was important at one time but is no longer relevant to you or anyone else. Often it is something you continue to do out of habit or because you enjoy it. But every minute that you spend on an E task is time taken away from an A task or activity that can make a real difference in your life. After you have applied the ABCDE Method to your list, you will be completely organized and ready to get more important things done faster.

First, you and I must humbly acknowledge that we do not have all of the answers. And that is okay. I do not believe that God expects us to. God wants us to stop trusting ourselves and instead trust that the biblical text, as translated into contemporary English, can speak for itself.

They will try to cage us. Attempt to limit, constrain, make us compliant, take control. No, they may never stop coming for us & our bodies. Remember: we were made for changing times & battle lines. Born of the wombs of paradigm shifters & revolutionaries. We have evolved & changed & demanded what is ours since the beginning of time. We will not stop now. No matter how much the ground shifts beneath your feet, you must remember: You are no lone wolf. You were born for the hunt. Strong men will cower before you. If they come for you—as they have & will—draw yourself into the fullness of your feral power, look them in the eye & remember: The howl of you can never be contained. A message to those who would try: Know this. To tame a wild thing is never an act of love. It is an act of containment, of force. A call against nature and instinct and the primal force of the shadows. Consider this your warning: I am calling things forth now. I am claiming space & defining territory. I am declaring my own agency & ownership of my body. I am rooting in ritual & rising in power. If you come to me now—if you want to love me, or gain access to my holy body, to make art by my side, enter my circle, or gain my trust—you must first listen, & listen well. The rules of engagement are mine alone, to make and break and change at will. Do not try to quiet my voice. Do not attempt to soften my edges or tame my prowl. I am inhabiting my wild. I am encompassing the dance. I am no longer burning down. That time is over. I am the white-hot ignition. I am starting the fire. I am rising like flame. Want to come with me? Then step closer to the heat. Meet me in the sliver of space between passion and truth where all is red-hot, & even the shadows are dancing. Meet me there, in the heart of the wild. Come with your naked skin & your own hallowed heat. Leave behind your attempts to control a damn thing. If you intend to love a wolf, you'd best come ready to hear her howl.

Of course, all those violent scenarios she’s been warned about happen with much less frequency than the daily slights. Things so small she never considered them violent until she stopped to consider what they steal. The interrupting while she’s speaking, the assumptions about her intelligence, the shrinking options to make choices about her body, the underrepresentation in every decision-making sphere, the free-for-all on guns that has given her a constant case of low-grade anxiety, and the consistent commoditization of the female body, to name the first things that come to mind. It all amounts to a flashing sign with the message that women are not so much unique individuals as vessels for other people’s fixations and desires.

Principles are the first thing dictators attack. Various “Putins” around the world are undermining principles in their societies through propaganda and repression so that people cannot stand up for what they believe in. And then, when the dictatorship gains strength and resources, it tries to export its lack of principles, creating gray zones devoid of values. Europe has had to face this many times. Now we are experiencing another defining moment. Russia is trying to convince nations that it is easy to compromise principles—that they can ignore international law and turn a blind eye to injustice if it will supposedly bring stability. This is Moscow's main message - Putin invites everyone to forget about their principles, to show no resolve, to give up Ukrainian land and people, and then, he says, Russian bombing will stop. But throughout history, every time such agreements have been made, the threat has returned even stronger. Today, we have a chance to win in Eastern Europe so that we don't have to fight on the northern or other eastern fronts—in the Baltic states and Poland, or in the south—in the Balkans, where it is easy to ignite a conflict, or in African countries, whose problems are much closer to European societies than it may seem. We have to stand up for international law and the values on which our societies are built. We must be decisive. People matter. The law matters. State borders and the right of every nation to determine its own future matters. And while we know that Putin is threatening leaders and countries who can help us force Russia to peace, we must not give in. I thank you for every package of defense assistance to Ukraine. Every weapon you have provided helps to defend normal life—the kind of life you live here in Iceland or in any of your other countries, a life that no longer exists in Russia, where basic human rights have been taken away. We are now in the third year of a full-scale war, and our soldiers on the front lines need fresh strength. That is why we are working to equip our brigades. This is an urgent need. We are already cooperating with others—France has helped to equip one brigade, and we have an agreement on another. We invite you to join us in creating brigades, Scandinavian brigades, and demonstrate your continued commitment to the defense of Europe. I am grateful to Denmark and other partners who invest in arms production in Ukraine. Artillery, shells, drones—everything that allows Ukraine to defend itself despite any logistical delays on the part of partners or changing political moods in world capitals. We see that Putin is increasing weapons production, and rogue regimes like Pyongyang are helping him with this. Next year, Putin intends to catch up with the EU in munitions production. We can only prevent this now (...). - Translated from Ukrainian

First colonized by Sir Humphrey Gilbert, half-brother of Sir Walter Raleigh, in 1583, St John’s has ever since been an important outpost of the Americas. Home port of the vast Grand Banks cod fishing fleet, it was here, on Signal Hill, that Marconi received the first transatlantic wireless message in 1901, and from here Alcock and Brown took off to make the first non-stop transatlantic flight in 1919.

First, educate the traffick-aged victim on how to stay safe - especially in regards to social media. I don’t think they have nay idea that once they hit that send button just how far that message or picture can go and how it can be used. I think we should help parents understand their responsibility and what they can do to keep their kids safe. In addition to that, I think to educate the schools and school counselors, school nurses, teachers to be aware of the signs of the student who suddenly either begins to withdraw or become hyper-sexualized. Something is going on there.   Also, I think society as a whole needs to look at prostitution differently. There is no girl who wants to become a prostitute. It’s just not like that. And, we really didn’t play with hooker Barbies when we were kids and say “that’s what I want to be when I grow up.” No, we wanted to be nurses or stewardesses or something else. Don’t drive by prostitutes and look down at them and call them names and be hateful to them - but love them, pray for them.   Everybody can help in some way whether it’s through prayer, financial support, or volunteering. Everyone can help in some way.   Selling people for sex is a profitable business right now. I would love for the purchasers to stop buying. I think that’s wrong. If there’s no buying of the product, people will quit trying to sell the product, so it would end the market. I’d like that!

1.1M    ./scripts 58M     ./cloud9 74M     . You can also use tee to write the output to several files at the same time, as shown in this example: root@beaglebone:/opt# du ‐d1 ‐h | tee /tmp/1.txt /tmp/2.txt /tmp/3.txt Filter Commands (from sort to xargs) There are filtering commands, each of which provides a useful function: sort: This command has several options, including (‐r) sorts in reverse; (‐f) ignores case; (‐d) uses dictionary sorting, ignoring punctuation; (‐n) numeric sort; (‐b) ignores blank space; (‐i) ignores control characters; (‐u) displays duplicate lines only once; and (‐m) merges multiple inputs into a single output. wc (word count): This can be used to calculate the number of words, lines, or characters in a stream. For example: root@beaglebone:/tmp# wc < animals.txt  4  4 18 This has returned that there are 4 lines, 4 words, and 18 characters. You can select the values independently by using (‐l) for line count; (‐w) for word count; (‐m) for character count; and (‐c) for the byte count (which would also be 18 in this case). head: Displays the first lines of the input. This is useful if you have a very long file or stream of information and you want to examine only the first few lines. By default it will display the first 10 lines. You can specify the number of lines using the ‐n option. For example, to get the first five lines of output of the dmesg command (display message or driver message), which displays the message buffer of the kernel, you can use the following: root@beaglebone:/tmp# dmesg | head ‐n5   [    0.000000] Booting Linux on physical CPU 0x0   [    0.000000] Initializing cgroup subsys cpuset   [    0.000000] Initializing cgroup subsys cpu   [    0.000000] Initializing cgroup subsys cpuacct   [    0.000000] Linux version 3.13.4-bone5(root@imx6q-sabrelite-1gb-0) tail: This is just like head except that it displays the last lines of a file or stream. Using it in combination with dmesg provides useful output, as shown here: root@beaglebone:/tmp# dmesg | tail ‐n2   [   36.123251] libphy: 4a101000.mdio:00 - Link is Up - 100/Full   [   36.123421] IPv6:ADDRCONF(NETDEV_CHANGE): eth0:link becomes ready grep: A very powerful filter command that can parse lines using text and regular expressions. You can use this command to filter output with options, including (‐i) ignore case; (‐m 5) stop after five matches; (‐q) silent, will exit with return status 0 if any matches are found; (‐e) specify a pattern; (‐c) print a count of matches; (‐o) print only the matching text; and (‐l) list the filename of the file containing the match. For example, the following examines the dmesg output for the first three occurrences of the string “usb,” using ‐i to ignore case: root@beaglebone:/tmp# dmesg |grep ‐i ‐m3 usb   [    1.948582] usbcore: registered new interface driver usbfs   [    1.948637] usbcore: registered new interface driver hub   [    1.948795] usbcore: registered new device driver usb You can combine pipes together. For example, you get the exact same output by using head and displaying only the first three lines of the grep output: root@beaglebone:/tmp# dmesg |grep ‐i usb |head ‐n3   [    1.948582] usbcore: registered new interface driver usbfs   [    1.948637] usbcore: registered new interface driver hub   [    1.948795] usbcore: registered new device driver usb xargs: This is a very powerful filter command that enables you to construct an argument list that you use to call another command or tool. In the following example, a text file args.txt that contains three strings is used to create three new files. The output of cat is piped to xargs, where it passes the three strings as arguments to the touch command, creating three new files a.txt, b.txt,

If you unnecessarily blame yourself for an event, Spirit’s first priority is to name one or more specific grounds for why you shouldn’t carry this burden. They have me do this until I sense that your soul is calm enough to start healing. So Spirit might show me that a soul chose a death that would be quickest for you to heal from, ask me to insist that the soul’s destiny was set, tell me the person died a certain way to help you learn a lesson or help others—or any mix of these positive and encouraging efforts. These facts help clients in their own ways, but if you pull back from the individual stories, Spirit’s overarching lesson is that you can’t stop looking for reasons to heal. Also, these messages reinforce that some things are out of your hands once you’re in this world, because your soul chose your journey and knew your destiny all along. Everything is part of a purpose, path, and lessons. So the next time you’re tempted to take on blame, ask Spirit to help you figure out what you’re being taught. At the very least, it will refocus your thoughts and stop the loop of regret.

Well, for a century, our takeover of your kingdom has been inevitable. You should have acclimated yourselves to the idea by now.” “You’re right. This is our fault, really. We’ve never been superb at preparation here in Hytanica.” Saadi shrugged, and I thought for one stunned moment that he had taken my statements to be sincere. Then his expression changed, and he looked at me with what appeared to be sympathy, perhaps even regret. “I do understand it, Shaselle. Being second tier, overrun, overlooked. Not having influence.” It disturbed me that he not only remembered my relation to Cannan and Steldor, but also my name. Yet I did not flee. “You have to take what you’re handed and make what you can of it,” he finished. “That’s the sorry truth.” “I plan to make them pay,” I snarled, hating his words and how similar they were to the message Queen Alera had been trying to send for weeks. “Them? What about me?” “Stop it!” I stamped my foot, not even sure what was upsetting me. “You killed my father!” “And you want revenge. Naturally. Just like the butcher in there. But the problem is, Shaselle, revenge isn’t a very satisfying goal. It eats away at you, destroys you from the inside out. You end up bitter and empty just like that butcher. And that’s not a pretty sight.” “What is wrong with you? You think you know everything about me! You don’t. Stay out of my way and out of my business.” I spun on my heel and began to stride away, but he called me back. “Don’t you want this?” I turned to see that he was still holding my canvas bag filled with fruit. I breathed in and out heavily, my stomach complaining, my pride aching just as much. “So far, it’s been you who’s getting in my way.” He chuckled. “If you don’t like it, let that uncle of yours catch up with you.” I warily returned to him to reclaim my bag, but he held it away from me for a moment longer. “There is the matter of the damages for the door,” he said, and my heart sank, for lack of money was what had gotten me into this mess in the first place. But before I could speak, he added, “I’ll cover the cost for now. But you’ll owe me.” Annoyed that I would be in his debt, I snatched my bag from his hand, then sprinted in the other direction, his laughter nipping at my heels.

carried the Makarov outside to watch the fireworks. Thirty yards beyond the spot where Brendan Magill lay dead was a rock wall running on a north-south axis. Gabriel took cover behind it after a 7.62x39mm round shredded the air a few inches from his right ear. Keller hit the ground next to him as rounds exploded against the stones of the wall, sending sparks and fragments flying. The source of the fire was silenced, so Gabriel had only a vague idea of the direction from which it was coming. He poked his head above the wall to search for a muzzle flash, but another burst of rounds drove him downward. Keller was now crawling northward along the base of the wall. Gabriel followed after him, but stopped when Keller suddenly opened up with the dead man’s AK-47. A distant scream indicated that Keller’s rounds had found their mark, but in an instant they were taking fire from several directions. Gabriel flattened himself on the ground at Keller’s side, the Glock in one hand, the dead man’s phone in the other. After a few seconds he realized it was pulsing with an incoming text. The text was apparently from Eamon Quinn. It read KILL THE GIRL . . . 79 CROSSMAGLEN, SOUTH ARMAGH A MID THE HEAP OF BROKEN and dismembered farm implements in Jimmy Fagan’s shed, Katerina had found a scythe, rusted and caked in mud, a museum piece, perhaps the last scythe in the whole of Ireland, north or south. She held it tightly in her hands and listened to the sound of men pounding up the track at a sprint. Two men, she thought, perhaps three. She positioned herself against the shed’s sliding door. Madeline was at the opposite end of the space, hooded, hands bound, her back to the bales of hay. She was the first and only thing the men would see upon entry. The latch gave way, the door slid open, a gun intruded. Katerina recognized its silhouette: an AK-47 with a suppressor attached to the barrel. She knew it well. It was the first weapon she had ever fired at the camp. The great AK-47! Liberator of the oppressed! The gun was pointed upward at a forty-five-degree angle. Katerina had no choice but to wait until the barrel sank toward Madeline. Then she raised the scythe and swung it with every ounce of strength she had left in her body. Two hundred yards away, crouched behind a stone wall at the western edge of Jimmy Fagan’s property, Gabriel showed the text message to Christopher Keller. Keller immediately poked his head above the wall and saw muzzle flashes in the doorway of the shed. Four flashes, four shots, more than enough to obliterate two lives. A burst of AK-47 fire drove him downward again. Eyes wild, he grabbed Gabriel savagely by the front of his coat and shouted, “Stay here!” Keller hauled himself over the wall and vanished from sight. Gabriel lay there for a few seconds as the rounds rained down on his position. Then suddenly he was on his feet and running across the darkened pasture. Running toward a car in a snowy square in Vienna. Running toward death. The blow that Katerina delivered to the neck of the man holding the AK-47 resulted in a partial decapitation. Even so, he had managed to squeeze off a shot before she wrenched the gun from his grasp—a shot that struck the hay bales a few inches from Madeline’s head. Katerina shoved the dying man aside and quickly fired two shots into the chest of the second man. The fourth shot she fired into the partially decapitated creature twitching at her feet. In the lexicon of the SVR, it was a control shot. It was also a shot of

Once it’s out, the truth cannot be stopped. It has to be shared or it destroys the very carrier of it. That’s when I, the writer, the carrier of these messages, began this journey to write my first book.

Women are the one's holding themselves back from participating in the first place - holding back their ideas, holding back their contributions, holding back their leadership and their talents. Too many women still believe that they're not allowed to put themselves forward at all until both they are their work are perfect and beyond criticism. Meanwhile putting forth work that is far from perfect rarely stops men from participating in the global cultural conversation... I like that feature in men - their absurd over-confidence, the way that they will casually decide "well I'm 41% qualified for this task, so give *me* the job..." sometimes, strangely enough, it works. A man who seems not ready for the task, not good enough for the task, somehow grows immediately into his potential through the wild leap of faith itself. I only wish women would also risk these same kinds of wild leaps, but I've watched too many women do the opposite. I've watched far too many brilliant and gifted female creators say "I am 99.8% qualified for this task, but until I master that last smidgen of ability, I will hold myself back, just to be on the safe side. Now, I cannot imagine where women ever got the idea that they must be perfect in order to be loved or successful. Hahaha! Just kidding! I can totally imagine. We've got it from every single message society has ever sent us. Thanks, all of human history!

Women are the one's holding themselves back from participating in the first place - holding back their ideas, holding back their contributions, holding back their leadership and their talents. Too many women still believe that they're not allowed to put themselves forward at all until both they and their work are perfect and beyond criticism. Meanwhile putting forth work that is far from perfect rarely stops men from participating in the global cultural conversation... I like that feature in men - their absurd over-confidence, the way that they will casually decide "well I'm 41% qualified for this task, so give *me* the job..." sometimes, strangely enough, it works. A man who seems not ready for the task, not good enough for the task, somehow grows immediately into his potential through the wild leap of faith itself. I only wish women would also risk these same kinds of wild leaps, but I've watched too many women do the opposite. I've watched far too many brilliant and gifted female creators say "I am 99.8% qualified for this task, but until I master that last smidgen of ability, I will hold myself back, just to be on the safe side. Now, I cannot imagine where women ever got the idea that they must be perfect in order to be loved or successful. Hahaha! Just kidding! I can totally imagine. We've got it from every single message society has ever sent us! Thanks, all of human history!

Because of the constant media surveillance, I could not venture out to see the countless tributes that mourners laid down in front of the zoo. But all the items were collected and stored safely, and we now display a lovely memorial selection. The public response to Steve’s death would have overwhelmed him most of all--the kind thoughts, prayers, sympathy, and tears. I wasn’t facing this grief on my own. So many people from around the world were trying to come to terms with it as well. The process seemed particularly difficult for children who had not had the opportunity to experience the circle of life as Bindi had. I felt it was important to get a message out to them. When your hero dies, everything he stood for does not end. Everything he stood for must continue. There was never a doubt in my mind that I’d keep working toward stopping the destruction of our environment and wildlife that was spiraling out of control. There were so many triumphs that Steve had already worked so hard for. I sat down with Wes. “First, we’re going to work on everything Steve wanted to achieve,” I said. “Then we’ll move on to everything that we were collectively working toward. And finally, I want to continue with my own goals, in terms of our conservation work.” We strategized about the expansion of the zoo. I didn’t want to just maintain the zoo as it was, I wanted to follow Steve’s plans for the future. I felt that I was still having this wonderful, cheeky, competitive relationship with Steve. Wes and I took the stacks of plans, blueprints, and manila folders from Steve’s desk. I assembled them and laid them out on a conference table. “This was Steve’s plan for Australia Zoo over the next ten years,” I said. “I want to do it in five.” We would secure more land. I remember the first two acres we ever bought to enlarge the zoo, how Steve and I sat with our arms around each other, looking at the property next door and dreaming. Now we were negotiating for an additional five hundred acres of forestry land. This tract would join the existing zoo property with the five hundred acres of our conservation property, bringing our total to fifteen hundred acres at Australia Zoo. This winter we christened Steve’s Whale One, a whale-watching excursion boat that will realize another of his long-held dreams. He always wanted to expand the experience of the zoo to include whales. Steve’s Whale One is a way for people to see firsthand some of the most amazing creatures on earth. The humpbacks in Australian waters approach whale-watching boats with curiosity and openness. It is a delightful experience, and one that I am confident will work to help inspire people and end the inhumane practice of whaling.

Meri, this is Jake, please don’t hang up. I know you don’t want to talk to me. That’s fine, just listen, ’kay?” His voice, all deep and . . . Jake-like, stopped her. She pressed the phone closer to her ear. “I know I only have a minute before this thing cuts me off. Remember when I came to Summer Place that first time? I’d heard about Eva and heard they’d granted custody of the kids to you. I came home to fight you for them, I admit that.” Meridith pressed a fist to her stomach. “I know I should have told you who I was right then, but when you thought I was there for the work, I started thinking how perfect this was, how I could get to see the kids and maybe—okay, I was trying to find reasons why you weren’t the best guardian, but I didn’t know you then. Was just trying to do what was best for the kids and—I was wrong. Meridith? I’m sorry you were caught in the crossfire. I’m sorry I hurt you . . .” There was a long pause. Then a click. The recording followed. “If you’d like to save the message . . .” Meridith returned the phone to the cradle, staring at the extension as if Jake would materialize from it. Part of her wished he would. Part of her wanted to pick up the phone and replay his message—the treacherous, self-sabotaging part that let her feelings and whims whip her around like a leaf in the wind. He’d

Nick grabs the disgusting clump of soggy napkins off the table and says, “You’ve got to do it, man. She’s totally in love with you.” Devyn shakes his head. His eyes are hard. “I can’t.” It takes me a second to respond. “You better not like Cassidy, Devyn, because I swear I will kill you.” “Cassidy?” His voice is numb. “Dude. Everyone’s talking about it,” Nick says. “I don’t like Cassidy,” he says. “Then stop flirting with her.” I stand up. “Flirt?” Devyn looks at Nick, probably for help. “Yeah. Flirt. You’re always with her. She’s giving you rides to school. You’re always talking about her and messaging her,” I protest. “I don’t have the vaguest idea how to flirt. I’m a nerd. We have no social skills.” I can’t believe him. “Well, you are flirting up a freaking storm, Devyn.” “Zara, take it down a notch,” Nick says. “You sound jealous.” “Do not tell me to take it down a notch,” I say, and we glare at each other. “You can be so patronizing sometimes.” He looks away first. “I’m just trying to figure Cassidy out.” Devyn wipes at his hair, ignoring us. “Why? Why is she so fascinating? She’s always itching,” I ask. “And you have Issie. She is right here and she loves you. You know she loves you. I’m going to check on Issie,” I announce. I point at Devyn. “You better stop being an idiot and kiss her soon, or at least tell her you love her or I swear, Devyn, I will be the one who breaks your back and shoots you with an arrow next time.

There were dozens of theories about what it was, that dome. Every scientist in the world, it seemed, had made a pilgrimage to the site. Tests had been conducted, measurements taken. They had tried drilling through it. Under it. Had flown over it. Had dug beneath it. Had approached it by submarine. Nothing worked. Every species of doomsayer from Luddite to End Times nut had had his say. It was a judgment. On America’s technological obsession, on America’s moral failure. This. That. Something else. Then the twins had popped out. Just like that. First Emma. Then, a few minutes later, Anna. Alive and well at the exact moment of their fifteenth birthday. They told tales of life inside the bowl. What they called the FAYZ. Connie Temple’s heart had swelled with pride for what she had learned of her son, Sam. And crashed into despair with tales of her other son, her unacknowledged child, Caine. Then, nothing. No other kids arrived for a while. Black despair settled over the families as they realized that it would be only these two. Months passed. Many lost faith. How could kids survive alone? But then, the Prophetess had reached into their dreams. One night Connie Temple had a lurid, incredible dream. She’d never had such a detailed dream. It was terrifying. The power of it took her breath away. There was a girl in that dream. This girl spoke to her in the dream. It’s a dream, the girl said. Yes, just a dream, Connie had answered. Not just a dream. Never say “just” a dream, the girl had corrected. A dream is a window to another reality. Who are you? Connie had asked. My name is Orsay. I know your son. Connie had been about to say, Which one? But some instinct stopped her. The girl did not look dangerous. She looked hungry. Do you have a message for Sam? the girl asked. Yes, Connie said. Tell him to let them go. Let them go. Let them go off into the red sunset.

Our world seems to be addicted to the easy way of things. Unfortunately, what seems easy at first almost always ends up causing pain, suffering, and loss. Why do I get fat and sick when I eat tasty junk food? Why must I perform painful exercise to stay healthy and in shape? How come I have to sacrifice so much of my time and money studying in order to get a good paying job? These are the types of questions that no school teaches us. The answer is simple; it doesn’t matter why. That’s just the way it is. If you want to breathe air, then you can’t lay on the bottom of a pond. If you desire wealth, you can’t sit in front of your television screen and expect it to find you. If you want to learn how to play a musical instrument, you must pick it up and spend thousands of hours practicing with it. Entitlement is a problem both inside and outside of the Game… all of our lives would be better if we stopped expecting the world to hand us it’s treasures simply because we asked for them…” Promotional message from “We Can Be Better” featuring Brandon Strayne

Bronson finally wandered off. Trevor handed me a Sprite and sat on the ottoman next to my chair. “Are you having a good time?” he asked, gulping down his own drink.  I couldn’t tell what he was drinking since the glass was opaque, but I hoped he was keeping his word that his partying days were behind him. I sipped at my soda. “It's okay. I don't really know anybody though.” “It's getting close to midnight. Do you want to get out of here?” Relieved he had made the suggestion, I smiled. “Yes, please.”  He took my hand as we walked out to his car. “Where should we go?” I asked as I put on my seatbelt. “I know just the place.” He grinned as he started the engine. We drove for a while and when we stopped we were overlooking the valley. Even though it was cold outside, the view was spectacular.  Trevor left the car running so we could stay warm. Even so, I cuddled up to him. He gazed at me, the black of his pupils enlarged in his blue eyes. “It's midnight, Lily.” His voice was husky as he reached out and cradled my face in his hands. I closed my eyes, ready to accept his kiss. He pressed his lips against mine, gently at first, then more urgently. “I don't think I can wait four more weeks,” he groaned. “We're practically married now. Do we really need to wait?” I pulled back. “But we’re not actually married.” He stared at me in the dim moonlight. “You’re one stubborn girl.” Wanting to change the subject, I groped around in my mind for something else to talk about. The messages I'd received popped into my head and they wouldn't leave. “Trevor, I got a weird e-mail the other day.” “Oh, yeah?” He said without much enthusiasm.  “Yes. They were about you.” That got his attention. He sat up straighter. “Who sent them?” “I don't know,” I said. “Okay. What did they say?” “Basically, they told me not to marry you.”  “What?” He shifted in his seat to face me more squarely.  “That's right. This time I sent an e-mail back, though,” I smiled, proud I had taken some sort of action. “And did you get a response?” “Not yet.” His hand shot out and grabbed me by the arm. “Tell me if you do. Will you promise me?” Startled by his response, I said, “Okay, if that's what you want.” He let go of my arm and I rubbed it where he had squeezed.  “It's getting late. I'd better get you home.” Trevor put the car in gear and we drove toward my apartment. His sudden change in attitude concerned me. What did he know that he wasn’t telling me? The spring semester started a few days later. I was excited to begin my new classes and went eagerly to my first one. It was a required Humanities course. I was surprised to find Justin sitting in the classroom. There was an empty seat beside him and I pulled it out and sat down. “What are you doing in this class?” I said. “Oh, hey, Lily. How's it going?” His smile was warm and friendly. “Great. How about you? I hear you and Pamela are getting serious.”  “Yeah, but not as serious as you, I hear.”  I noticed he seemed very pleased to hear about my own engagement and was surprised. I guess he's over me, I thought. That's good, I suppose. “Yes. Three and a