Stop Jumping To Conclusions Quotes

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I think you can tell by now that I'm not the type of man to beat around the bush. I'll tell you exactly what I want from you." Maxon took a step closer. My breath caught in my throat. I'd just walked into the very situation I feared. No guards, no cameras, no one to stop him from doing whatever he wanted. Knee-jerk reaction. Literally. I kneed His Majesty in the thigh. Hard. Maxon let out a yell and reached down, clutching himself as I backed away from him. "What was that for?" "If you lay a single finger on me, I'll do worse!" I promised. "What?" "I said, if you-" "No, no, you crazy girl, I heard you the first time." Maxon grimaced. "But just what in the world do you mean by it?" I felt the heat run through my body. I'd jumped to the worst possible conclusion and set myself up to fight something that obviously wasn't coming. The guards ran up, alerted by our little squabble. Maxon waved them away from an awkward, half-bent position. We were quiet for a while, and once Maxon was over the worst of his pain, he faced me. "What did you think I wanted?" he asked. I ducked my head and blushed. "America, what did you think I wanted?" He sounded upset. More than upset. Offended. He had obviously guessed what I'd assumed, and he didn't like that one bit. "In public? You thought...for heaven's sake. I'm a gentleman!" He started to walk away but turned back. "Why did you even offer to help if you think so little of me?" I couldn't even look him in the eye. I didn't know how to explain I had been prepped to expect a dog, that the darkness and privacy made me feel strange, that I'd only ever been alone with one other boy and that was how we behaved.
Kiera Cass (The Selection (The Selection, #1))
This is how to start telling the difference between thoughts that are informed by your intuition and thoughts that are informed by fear: Intuitive thoughts are calm. Intruding thoughts are hectic and fear-inducing. Intuitive thoughts are rational; they make a degree of sense. Intruding thoughts are irrational and often stem from aggrandizing a situation or jumping to the worst conclusion possible. Intuitive thoughts help you in the present. They give you information that you need to make a better-informed decision. Intruding thoughts are often random and have nothing to do with what’s going on in the moment. Intuitive thoughts are “quiet”; intruding thoughts are “loud,” which makes one harder to hear than the other. Intuitive thoughts usually come to you once, maybe twice, and they induce a feeling of understanding. Intruding thoughts tend to be persistent and induce a feeling of panic. Intuitive thoughts often sound loving, while invasive thoughts sound scared. Intuitive thoughts usually come out of nowhere; invasive thoughts are usually triggered by external stimuli. Intuitive thoughts don’t need to be grappled with—you have them and then you let them go. Invasive thoughts begin a whole spiral of ideas and fears, making it feel impossible to stop thinking about them. Even when an intuitive thought doesn’t tell you something you like, it never makes you feel panicked. Even if you experience sadness or disappointment, you don’t feel overwhelmingly anxious. Panic is the emotion you experience when you don’t know what to do with a feeling. It is what happens when you have an invasive thought. Intuitive thoughts open your mind to other possibilities; invasive thoughts close your heart and make you feel stuck or condemned. Intuitive thoughts come from the perspective of your best self; invasive thoughts come from the perspective of your most fearful, small self. Intuitive thoughts solve problems; invasive thoughts create them. Intuitive thoughts help you help others; invasive thoughts tend to create a “me vs. them” mentality. Intuitive thoughts help you understand what you’re thinking and feeling; invasive thoughts assume what other people are thinking and feeling. Intuitive thoughts are rational; invasive thoughts are irrational. Intuitive thoughts come from a deeper place within you and give you a resounding feeling deep in your gut; invasive thoughts keep you stuck in your head and give you a panicked feeling. Intuitive thoughts show you how to respond; invasive thoughts demand that you react.
Brianna Wiest (The Mountain Is You: Transforming Self-Sabotage Into Self-Mastery)
This time, something different happens, though. It’s the daydreaming that does it. I’m doing the usual thing—imagining in tiny detail the entire course of the relationship, from first kiss, to bed, to moving in together, to getting married (in the past I have even organized the track listing of the party tapes), to how pretty she’ll look when she’s pregnant, to names of children—until suddenly I realize that there’s nothing left to actually, like, happen. I’ve done it all, lived through the whole relationship in my head. I’ve watched the film on fast-forward; I know the whole plot, the ending, all the good bit. Now I’ve got to rewind and watch it all over again in real time, and where’s the fun in that? And fucking … when’s it all going to fucking stop? I’m going to jump from rock to rock for the rest of my life until there aren’t any rocks left? I’m going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills. More than that, even, during British Summer Time. I’ve been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have shit for brains.
Nick Hornby (High Fidelity)
4. Micromanagement/Worrying/Obsessing/Looping/Over-Futurizing. I will not repetitively examine details over and over. I will not jump to negative conclusions. I will not endlessly second-guess myself. I cannot change the past. I forgive all my past mistakes. I cannot make the future perfectly safe. I will stop hunting for what could go wrong. I will not try to control the uncontrollable. I will not micromanage myself or others.
Pete Walker (Complex PTSD: From Surviving to Thriving)
Do you ever think what might've happened if they weren't so damn impatient? If Romeo had stopped for a second and gotten a doctor, or waited for Juliet to wake up? Not jumped to conclusions and gone and poisoned himself thinking she was dead when she was just sleeping? I've seen that movie so many times, and every damn time, it's like screaming at the girl in the horror movie. Don't go in the basement. The killer's down there. With Romeo and Juliet, I yell, 'Don't jump to conclusions.' But do those fools ever listen to me? I always imagine what might've happened if they'd waited. Juliet would've woken up. They'd already be married. They might've moved away, far away from the Montagues and the Capulets, gotten themselves a cute castle of their own. Decorated it up nice. Maybe it would've been like The Winter's Tale. By thinking Hermione was dead, Leontes had time to stop acting like a fool and then later he was so happy to find out she was alive. Maybe the Montagues and the Capulets would find out later that their beloved kids weren't dead, and wasn't it stupid to feud, and everyone would be happy. Maybe it would've turned the whole tragedy into a comedy.
Gayle Forman (Just One Day (Just One Day, #1))
I suppose… I shouldn’t have jumped to conclusions. But knowing what I do of your past… I assumed…” Her lame attempt at an apology seemed to erode the remnants of Sebastian’s self-control. “Well, your assumption was wrong! If you haven’t yet noticed, I’m busier than the devil in a high wind, every minute of the day. I don’t have the damned time for a tumble. And if I did—” He stopped abruptly. All semblance of the elegant viscount Evie had once watched from afar in Lord Westcliff’s drawing room had vanished. He was rumpled and bruised and furious. And he wasn’t breathing at all well. “If I did—” He broke off again, a flush crossing the crests of his cheeks and the bridge of his nose. Evie saw the exact moment when his self-restraint snapped. Alarm jolted through her, and she lurched toward the closed door. Before she had even made a step, she found herself seized and pinned against the wall by his body and hands. The smell of sweat-dampened linen and healthy, aroused male filled her nostrils. Once he had caught her, Sebastian pressed his parted lips against the thin skin of her temple. His breath snagged. Another moment of stillness. Evie felt the electrifying touch of his tongue at the very tip of her eyebrow. He breathed against the tiny wet spot, a waft of hellfire that sent chills through her entire body. Slowly he brought his mouth to her ear, and traced the intricate inner edges. His whisper seemed to come from the darkest recesses of her own mind. “If I did, Evie… then by now I would have shredded your clothes with my hands and teeth until you were naked. By now I would have pushed you down to the carpet, and put my hands beneath your breasts and lifted them up to my mouth. I would be kissing them… licking them… until the tips were like hard little berries, and then I would bite them so gently…” Evie felt herself drift into a slow half swoon as he continued in a ragged murmur. “… I would kiss my way down to your thighs… inch by inch… and when I reached those sweet red curls, I would lick through them, deeper and deeper, until I found the little pearl of your clitoris… and I would rest my tongue on it until I felt it throb. I would circle it, and stroke it… I’d lick until you started to beg. And then I would suck you. But not hard. I wouldn’t be that kind. I would do it so lightly, so tenderly, that you would start screaming with the need to come… I would put my tongue inside you… taste you… eat you. I wouldn’t stop until your entire body was wet and shaking. And when I had tortured you enough, I would open your legs and come inside you, and take you… take you…” Sebastian stopped, anchoring her against the wall while they both remained frozen, aroused, panting. At length, he spoke in a nearly inaudible voice. “You’re wet, aren’t you?” Had it been physically possible to blush any harder, Evie would have. Her skin burned with violated modesty as she understood what he was asking. She tipped her chin in the tiniest of nods. “I want you more than I’ve ever wanted anything on this earth.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
used to drink every night. Every night I drank a bottle of tequila and went to bed and slept like a baby. I was never sick a day; I looked good, I felt good, I slept well. No more. Now I have one cold after the other, headaches, arthritis; and I can’t sleep a wink. All because the doctor said I had to stop drinking tequila. But don’t jump to conclusions. I’m not a drunk. You can take all the wine and whiskey in the world and dump it down the Grand Canyon. It’s only that I like tequila.
Truman Capote (Music For Chameleons (Vintage International))
I thought it very likely I might have this sort of untestable power myself. It was kind of logical--no good at sport, alrightish at my studies, there must have been some field in which I excelled. Magic had to be it. It's difficult for adults to picture just what a grip these fantasies can take on a child. There's occasionally a reminder as a kid throws himself off a roof pretending to be Batman, but mostly the interior life of children goes unnoticed. When I say I thought I could be a wizard, that's exactly true. I really did believe I had latent magical powers, and, with enough concentration and fiddling my fingers into strange patterns, I might suddenly find how to unlock the magic inside me. I wouldn't call this a delusion, more a very strong suspicion. I'd weighed all the evidence, and that was the likely conclusion--so much so that I had to stop myself trying to turn Matt Bradon into a fly when he was jumping up and down on the desk in French saying, "Miss, what are mammary glands?" to the big-breasted Miss Mundsley. I feared that, if I succeeded, I might not be able to turn him back. It was important, I knew, to use my powers wisely. There's nothing that you'd have to call a psychoanalyst in for here. At the bottom line my growing interest in fantasy was just an expression of a very common feeling--"there's got to be something better than this," an easy one to have in the drab Midlands of the 1970s. I couldn't see it, though. My world was very small, and I couldn't imagine making things better incrementally, only a total escape.
Mark Barrowcliffe (The Elfish Gene: Dungeons, Dragons And Growing Up Strange)
There is almost nothing in biology that is not connected with feedback. This fundamental idea is widely ignored but it is pervasive. If you reduce your intake of cholesterol, your body will respond by synthesizing cholesterol. If you stop eating carbohydrate, your body will respond by synthesizing glucose and making other fuels available. This grand idea puts severe limitations on what you can do (as in the case of cholesterol) but can point to some opportunities (as in the case of carbohydrate reduction) but generally, it suggests caution in jumping to conclusions.
Richard David Feinman (The World Turned Upside Down: The Second Low-Carbohydrate Revolution)
...[W]hen's it all going to f***ing stop? I’m going to jump from rock to rock for the rest of my life until there aren’t any rocks left? I’m going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills. More than that, even… I’ve been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have s*** for brains. I know what's wrong with Laura. What's wrong with Laura is that I'll never see her for the first or second or third time again. I'll never spend two or three days in a sweat trying to remember what she looks like, never again will I get to a pub half an hour early to meet her staring at the same article in a magazine and looking at my watch every thirty seconds, never again will thinking about her set something off in me like "Let's Get it On" sets something off in me. And sure, I love her and like her and have good conversations, nice sex and intense rows with her, and she looks after me and worries about me and arranges the Groucho for me, but what does all that count for, when someone with bare arms, a nice smile, and a pair of Doc Martens comes into the shop and says she wants to interview me? Nothing, that's what, but maybe it should count for a bit more.
Nick Hornby (High Fidelity)
Twenty-Five Ways to Be a Good Listener        1. Be patient.        2. Don’t complete his sentences.        3. Let him finish, even if he seems to be rambling.        4. Don’t interrupt.        5. Face your husband and make eye contact.        6. Lean forward, if you are seated, to show you are interested.        7. Stop what you are doing.        8. Ask good questions and avoid the word “why.”        9. Ask his opinion about something that happened to you.      10. Ask him for his advice on a decision you have to make.      11. Don’t jump to conclusions.      12. Don’t give unsolicited advice.      13. Don’t change the subject until he is finished with a subject.      14. Make verbal responses such as, “I see,” “Really,” “Uh-huh,” to show you’re paying attention.      15. Turn off the TV.      16. Put down the dishcloth, book, hairbrush, etc.      17. Encourage him to tell you more. “What else did he say?” “What did she do next?”      18. When he is telling of a struggle, rephrase and repeat what you heard. “What I hear you saying is that you felt your boss was being unfair when he asked you to take on three more clients with no extra compensation.”      19. Let the telephone ring if he is in the middle of telling you something.      20. Don’t glance at your watch or cross your arms.      21. Don’t ask him to hurry.      22. If a child interrupts, tell him or her to wait until daddy is finished talking.      23. Don’t tell him how he should have handled the situation differently.      24. Don’t act bored.      25. Thank him for sharing with you.
Sharon Jaynes (Becoming the Woman of His Dreams)
Can I tell you a funny story?” Gina asked. She didn’t wait for him to say yes or no. “It’s about, well . . . You know the whole age-issue thing?” “The age-issue thing,” Max repeated. “Are you sure this is a funny story?” “Does it still bother you?” she asked. “Being a little bit older than me? And it’s more funny weird than funny ha-ha.” “Twenty years isn’t exactly ‘a little bit,’” he said. “Tell that to a paleontologist,” she countered. Okay, he’d give her that one. “Just tell me the story.” “Once upon a time, when Jones first came to Kenya,” Gina said, “I didn’t know who he was. Molly didn’t tell me, and he came to our tent for tea, and . . . Maybe this isn’t even a funny weird story. Maybe it’s more of an ‘I’m an asshole’ story, because I immediately jumped to the conclusion that he was there because he was all hot for me. It never occurred to me—it never even crossed my narrow little mind—that he might’ve been crushing on Molly. And she’s only maybe ten years older than he is. I remember sitting there after I figured it out, and thinking, shoot. People do make assumptions based on age. Max wasn’t just being crazy.” She smiled at him. “Or at least not crazier than usual. I guess . . . I just wanted to apologize for mocking you all those times.” “It’s okay,” Max said. “I just keep reminding myself that love doesn’t always stop to do the math.” He looked at her. “I’m trying to talk myself into that. How’d I sound? Convincing?” “That was pretty good.” They sat in silence for a moment, then Gina spoke again. “Maybe I could get a T-shirt that says, ‘I’m not his daughter, I’m his wife.’” Max nodded as he laughed. “Yet still you mock me.
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
Alex has been trying to communicate with me in our dreams. She covered our childhood home in letters asking me to kill her! She thinks the only way we can save the Otherworld is by taking her life!" "That's terrible!" Red said. "Just because someone is dangerous doesn't mean they have to be killed to be stopped. Think about the Evil Queen - oh wait, I suppose that mirror thing was worse than death. . . . Well, think about the Enchantress - oh yeah, never mind. . . . But General Marquis -oops, he really died. . . . Well, the Masked Man didn't - oh, that's right, he did. . . . Sorry, I thought there were plenty of examples. You know, maybe Alex had a point -" "We're not killing my sister," Conner said. "I refuse to believe there isn't a way to break the curse she's under! Alex's emotions are being affected right now and she's jumping to conclusions. We'll find a way to help her." "Yes, we will," Goldilocks said confidently. "I know exactly what's going through Alex's mind right now. It wasn't long ago that I was in her shoes. She's feeling scared, embarrassed, and guilty, and she thinks there's no coming back from the place she's at. But luckily for her, she's got us to set her straight." "Oh, it's Goldilocks!" Red declared with a snap of her fingers. "She's the example I was looking for! Goldie was a lonely, miserable, and ill-tempered thief when we first met. But thanks to my friendship, she's turned her life around and become a social, happy, and balanced woman." Goldilocks sighed. "What can I say? I owe it all to you, Red." "You're quite welcome," Red said. "What I did for Goldilocks is exactly what we need to do for Alex. If she insists on being killed, then we'll just have to love her to death." Conner and his friends nodded politely and gazed outside the cage, hoping Red wouldn't come up with any more nonsensical anecdotes.
Chris Colfer (Worlds Collide (The Land of Stories, #6))
Whatever happened between you and Keefe yesterday—and I know something happened, so there’s no point trying to deny it—are you going to talk to him about it? And I mean really talk to him and tell him how you feel?” Sophie twisted free. “I don’t—” “Yes, you do,” Edaline insisted. “You don’t even know what I was going to say!” Edaline smiled. “Pretty sure I can guess. And I understand the instinct to hide these kinds of feelings—sometimes even from ourselves. But… I know they’re there. And not just for you.” She pointed to Sophie’s new stuffed elf as evidence—and Sophie could’ve sworn its little smile turned a bit smug. “I’m definitely not trying to tell you what to do or who to choose or put any pressure on you in any way,” Edaline assured her. “I also know that what I’m asking you to do isn’t easy. Having an open conversation about feelings with someone can be really scary. Especially when they’re also your friend. It’s natural to be afraid of getting hurt—or of ruining all the good things you already have. And I can’t guarantee that won’t happen. But”—she reached for Sophie’s arms again—“it’s still super important to have that conversation. Because it’s way too easy to jump to the wrong conclusion. So just… talk to him, okay? I’m not saying right this moment. But don’t let it go too long, either. And I know you’re going to tell me you have all these huge things going on and you need to focus on them, but… this is important. I can tell Keefe is important to you. So just… do what you always do when you’re getting ready to face some epic showdown with the Neverseen.” “You’re comparing this to a battle?” Sophie had to ask. “Why not? Sometimes relationships feel like that. So put your shields up if you need to. But don’t let that stop you from charging headfirst into the unknown. Be bold. Be brave. Be honest. And be you. You’re Sophie Foster. I know you can do this!
Shannon Messenger (Stellarlune (Keeper of the Lost Cities, #9))
Stop judging by mere appearances, but instead judge correctly.” —John 7:24 (NIV) Driving home from work, I glanced into my rearview mirror to see a beautiful pink sky. It looked like another great sunset. I turned onto my street and noticed three young teenage boys hanging out two doors down from where I live. Too bad they won’t notice this great sunset, I thought. I pulled into my driveway and walked inside. My husband, Johnny, called out from the backyard, “Beautiful sunset tonight! Come on out!” The sky had turned a bright crimson red with streaks of leftover pink etched through it. I glanced to where the boys were still talking. “Those boys have no clue that there is a magnificent sunset happening right before their eyes! Too bad,” I said, shaking my head. At that moment, I heard one of them call out, “Hey, guys, check it out! The sky’s all red! It looks awesome!” “Wow!” the others exclaimed in unison. “Cool!” “Oh my,” I said, dismayed, “I sure jumped to a mighty quick conclusion.” Later that evening, I read an inspirational quote that comes daily to my in-box: “When you’re forming your opinions, do it carefully—go slow; hasty judgments oft are followed by regretting—that I know. —Anon.” After work the next day, I saw the boys again. I pulled the car over and rolled down the window. “Hey, guys,” I called out, “great sunset last night, huh?” “Yes, ma’am!” they all replied. One of the boys held up his cell phone. “I got a really good picture of it on my phone. Want to see?” “Sure,” I said with a big smile. “I’d love to.” Forgive me, Lord, for I truly want to see the best in everyone—right from the start. —Melody Bonnette Swang Digging Deeper: Prv 12:18, 31:26
Guideposts (Daily Guideposts 2014)
You shouldn’t give up on people when they vanish. You shouldn’t go, ‘ what a terrible pity but, oh well, that’s that.’ In actual fact the disappearance of someone is exactly everyone’s cue to get out and search, and keep searching and not stop until there’s dirt under their fingernails and wretchedness in their souls from the number of rocks they have pushed aside to see whether I’m under one of them. If you want to know my opinion, coming to terms with someone’s disappearance is a bit of an offence. It’s an insult to someone’s memory. I learned a lot though. As the days passed, I learned that staying lost made it’s made its own sort of sense. I learned that there’s not much of a difference between pretending to be dead and really dead. As far as I cans see, both seem to amount to the same thing. I learned that if someone you know disappears you shouldn’t automatically jump to conclusions. You should ask questions, and look, and search until you know for sure. Don’t write them off until you’ve exhausted every avenue. Keep hope in your heart,
Sarah Moore Fitzgerald (The Apple Tart of Hope)
The simplest type of computational loop occurs when the system, at some stage, arrives back in exactly the same state as it had been in on a previous occasion. With no additional input it would then simply repeat the same computation endlessly. It would not be hard to devise a system that, in principle (though perhaps very inefficiently), would guarantee to get out of loops of this kind whenever they occur (by, say, keeping a list of all the states that it had been in previously, and checking at each stage to see whether that state has occurred before). However, there are many more sophisticated types of 'looping' that are possible. basically, the loop problem is the one that the whole discussion of Chapter 2 (particularly 2.1-2.6) was all about; for a computation that loops is simply one that does not stop. An assertion that some computation actually loops is precisely what we mean by a Pi-1 sentence (cf. 2.10, response to Q10). Now, as part of the discussion of 2.5, we saw that there is no entirely algorithmic way of deciding whether a computation will fail to stop-i.e. whether it will loop. Moreover, we conclude from the discussion above that the procedures that are available to human mathematicians for ascertaining that certain computations do loop-i.e. for ascertaining the truth of Pi1-sentences-lie outside algorithmic action. Thus we conclude that indeed some kind of 'non-computational intelligence' is needed if we wish to incorporate all humanly possible ways of ascertaining for certain that some computation is indeed looping. It might have been thought that loops could be avoided by having some mechanism that gauges how long a computation has been going on for, and it 'jumps out' if it judges that the computation has indeed been at it for too long and it has no chance of stopping. But this will not do, if we assume that the mechanism whereby it makes such decisions is something computational, for then there must be the cases where the mechanism will fail, either by erroneously coming to the conclusion that some computation is looping when indeed it is not, or else by not coming to any conclusion at all (so that the entire mechanism itself is looping). One way of understanding this comes from the fact that the entire system is something computational, so it will be subject to the loop problem itself, and one cannot be sure that the system as a whole, if it does not come to erroneous conclusions, will not itself loop.
Roger Penrose (Shadows of the Mind: A Search for the Missing Science of Consciousness)
Instead of assuming and jumping into conclusions, stop for a moment and think. "Is this really true or am I making it up?". Don't believe your racing thoughts.
Maria Erving
Thank goodness you’re not dead, my dear,” Abigail began, stopping a few feet away from Lucetta. “I was certain you were going to drown when you went into the moat the first time, given that you were wearing such a heavy coat. But wasn’t it just so fortunate that my grandson was there to jump in and rescue you?” The reason behind the lack of urgency in Abigail getting to Lucetta immediately became clear. Shooting a glance to the man she’d assumed was the gardener—although the quality of his shirt should have been an indication he was nothing of the sort—Lucetta turned back to Abigail. “This is your grandson?” Abigail sent her a less than subtle wink. “Too right he is.” To Lucetta’s absolute relief, the grandson in question stepped forward before Abigail had an opportunity to begin waxing on about what a dish her grandson had turned out to be, a subject that would have embarrassed Lucetta no small amount, and probably the grandson as well. “Grandmother, this is certainly an unexpected surprise,” the man who was apparently Bram Haverstein said. Abigail beamed a smile Bram’s way and held out her hands, her beaming increasing when Bram immediately strode to her side, picked up both of her hands, and kissed them. “I’m sure you are surprised to see me, dear, just as I’m sure you meant to say delightful surprise, not unexpected, but enough about that. Even though you and Lucetta are dripping wet, we mustn’t ignore the expected pleasantries, so do allow me to formally introduce the two of you. Bram, this is my darling friend, Miss Lucetta Plum, and Lucetta, dear, this is my grandson, the one I’ve been telling you so much about, Mr. Bram Haverstein.” Trepidation was immediate when Bram flashed a big smile her way. Rising to her feet, Lucetta inclined her head. “It’s a pleasure to meet you, Mr. Haverstein.” “The pleasure is mine, Miss Plum,” Bram responded as he moved right up beside her and took her hand firmly in his, the heat from his skin sending a jolt of what she could only assume was alarm straight up her arm. “Do know that I’m a great, great admirer of your work.” Her sense of alarm promptly increased. Gentlemen who had no qualms admitting they were great, great admirers of her work were known to be rather . . . zealous. The very last circumstance Lucetta needed, or wanted for that matter, was to add another great admirer to her unwanted collection of them. Disappointment stole through her as Mr. Haverstein lifted her hand to his lips and placed a lingering kiss on her knuckles, that disappointment increasing when he lowered her hand and began speaking. “I must admit that I do think your role in The Lady of the Tower is your best to date. Why, I’ve come to the conclusion that Mr. Grimstone, the playwright, obviously had you in mind to play the part of Serena Seamore from the moment he began penning the story.” Abigail, apparently realizing that her grandson was not making a favorable impression—which certainly wouldn’t aid her matchmaking attempt—squared her shoulders, looking quite determined. “How lovely to discover you’re already familiar with my dear Lucetta and her work,” Abigail said. “But as both of you are dripping wet and certain to catch a cold if we linger, I’m going to suggest we repair to the castle and leave further talk of, uh, theater behind us.” She
Jen Turano (Playing the Part (A Class of Their Own, #3))
don’t want to walk around with my imagination to depend on. I have a very evil imagination. It’s one of my wicked womanly powers. Much worse than magic.” “Is that right?” he asked with a laugh as he turned and crossed over to her. “Oh yes. Lots of exercise involved. I can jump to conclusions in a single bound. I’m more powerful than a murder motive. I’m faster than the town gossip. I am deadly and I must be stopped.
Jacquelyn Frank (Hunter)
Jeremy, wait!” she called, bending over to catch her breath. When Jeremy saw her, he picked up his pace and hurried toward the crosswalk. Madison threw her head back and moaned, “I can’t keep up! Please stop.” At the intersection, he had to stop to wait for the traffic light, and she stumbled off the curb and stood in front of him, clutching her side. “Please listen for one minute,” she gasped. “I know that the Homecoming disaster wasn’t your fault. I know you didn’t put up those awful photos. And I am so ashamed for jumping to conclusions about you, and not ever giving you a chance to explain.” Jeremy opened his mouth to speak, and she help up her palm. “Just a minute. I’m not finished.” She bent over once more and took a couple of deep breaths. “I know you’ll never accept my apology because you think I’m heartless and self-centered. But just to prove to you that I’m sincere, I’m withdrawing from the race and throwing all my support behind you.” Madison waited for Jeremy to respond. As she looked into his eyes, he continued to say nothing. She felt her throat tighten painfully. Tears pooled in her eyes. Madison turned to leave before she embarrassed herself any further. But as she stepped into the crosswalk, Jeremy caught her by the arm. “Now hold it a minute, will you?” he said, gently pulling her back onto the curb. “You just dropped an awful lot of information in my lap. The least you can do is give me a moment to process it.” Madison put a hand over her mouth, trying to hold herself together. Then she looked up into his pale blue eyes. They were no longer ice cold but filled with compassion. “I guess I’ll begin by accepting your apology,” Jeremy said slowly. “And offer my own apology in return.” Madison laughed. “You apologize to me? Whatever for?” “Excuse me,” a man interrupted from behind them. He and a woman were walking with their tenspeeds. “This is a crosswalk. If you want to talk, there are plenty of places to do it over there.” He pointed back to the park, by the lake. They shared an embarrassed laugh.
Jahnna N. Malcolm (Perfect Strangers (Love Letters, #1))
Successfully solving hard problems requires knowing what problem you’re solving. You should put great care into defining the problem in an accurate and precise way, as a direct and measurable observation of the problem. It must be clear how solving it translates directly to your goals. And it must absolutely not be an assumption or jump-to-conclusion.
Nat Greene (Stop Guessing: The 9 Behaviors of Great Problem Solvers)
Morisu, on the other hand, could feel passionate about things in a different way from Kawaminami, yet it was rare to see that side of him in his everyday life. He was the type who kept his thoughts to himself, thinking everything over until he was satisfied before taking any action. To Kawaminami, his friend Morisu was a wise advisor, who would stop him from making rash assumptions or jumping to wrong conclusions.
Yukito Ayatsuji (The Decagon House Murders (House Murders, #1))
Dear Entrepreneur, Stop jumping to conclusions and making decisions based on others' viewpoints
Bernard D'sa (Like the Raindrops)
Perhaps you are confused at why I, your humble storyteller, would make such a fuss about this. Tress stopped, wondered if she'd jumped to a conclusion, and decided to reconsider? Nothing special, right? Wrong. So very, soul-crushingly wrong. Worldbringers like myself spend decades combing through folk tales, legends, myths, histories, and drunken bar songs looking for the most unique stories. We hunt for bravery, cleverness, heroism. And we find no shortage of such virtues. Legends are silly with them. But the person who is willing to reconsider their assumptions? The hero who can sit down and reevaluate their life? Well, now that is a gemstone that truly glitters, friend.
Brandon Sanderson (Tress of the Emerald Sea (The Cosmere, #28))
All-or-nothing thinking is when you see things as only black or white and either-or. For example, if you make a mistake while giving a speech, you think you are a total failure; or if a friend acts distant on the telephone, you believe he or she doesn’t like you anymore. Labeling is an extension of all-or-nothing thinking. When you make a mistake, instead of accepting that you made an error, you label yourself an idiot. If your girlfriend or boyfriend breaks up with you, instead of realizing that he or she doesn’t love you, you call yourself unlovable. Overgeneralizing is basing conclusions on isolated events, then applying them across diverse situations. If you spill a soda, you think, “I’m always a klutz.” If you can’t think of something to say when introduced to someone new, you think, “I never make a good impression.” The tip-off to this type of thinking is use of the word “always” or “never.” Mental filtering is when you remember and dwell on only the negative elements of an event. For instance, after a party, you remember the awkward pauses in conversations, feeling uncomfortable, and forgetting people’s names, while you forget all moments when you had good conversations, introduced yourself to someone new, and when someone paid you a compliment. Discounting the positive is somewhat related to mental filtering. It is when you do something well, such as give a good speech, but make excuses like “It doesn’t count” or “Anyone could have done it” and feel the accomplishment wasn’t good enough. Jumping to conclusions is making negative interpretations about events when there is no evidence to support them. There are generally two forms of jumping to conclusions. In “mind reading,” you believe that someone is reacting negatively to you without checking it out. For instance, if two people stop their conversation when you walk up to them, you assume that they were gossiping about you. In “fortune telling,” you anticipate that things will turn out badly. If you fear taking tests, for example, you always feel that you will fail, even before you start the test. Magnification is exaggerating the importance of problems. For instance, if you don’t do well on a test, you believe you are going to fail the entire semester. Emotional reasoning is when you mistake your emotions for reality. For example, you feel lonely; therefore, you think no one likes you. ”Should” and “shouldn’t” statements are ways of thinking that make you feel that you are never good enough. Even though you do well on a job interview, you think, “I should have said this,” or “I shouldn’t have said that.” Other words that indicate this type of thinking are “ought to” and “have to.” Personalizing the blame is holding yourself responsible for things beyond your control. For instance, you are on your way to study with a group of classmates and you get stuck in traffic. Instead of realizing and accepting that the traffic problem is out of your control, you think you are irresponsible because you are going to be late.
Heather Moehn (Social Anxiety (Coping With Series))
Maybe we should both stop getting our exercise by jumping to conclusions and reaching for answers
Karen White
The day before I'm supposed to be meeting Caroline for a drink, I develop all the text-book symptons of a crush: nervous stomach, long periods spent daydreaming, an inability to remember what she looks like. I can bring back the dress and the boots, and I can see a fringe, but her face is a blank, and I fill it in with some anonymous rent-a-cracker details - pouty red lips, even though it wax her well-scrubbed english clever-girl look that attracted me to her in the first place; almond-shaped eyes, even though she was wearing sunglasses most of the time; pale, perfect skin, even though I know there'll be an initial twinge of disappointment - this is what all that internal fuss is about? - and then I'll find something to get excited about again: the fact that she's turned up at all, a sexy voice, intelligence, wit, something. And between the second and the third meeting a whole new set of myths will be born. This time, something different happens, though. It's the daydreaming that does it. I'm doing the usual thing - imagining in tiny detail the entire course of the relationship, from first kiss, to bed, to moving in together, to getting married (in the past I have even organized the track listing of the party tapes), to how pretty she'll look when she's pregnant, to names of children - until suddenly I realize that there's nothing left to actually, like, happen. I've done it all, lived through the whole relationship in my head. I've watched the film on fast-forward; I know the whole plot, the ending, all the good bits. Now I've got to rewind and watch it all over again in real time, and where's the fun in that? And fucking... when it's all going to fucking stop? I'm going to jump from rock to rock for the rest of my life until there aren't any rocks left? I'm going to run each time I get itchy feet? Because I get them about once a quarter, along with the utilities bills... I've been thinking with my guts since I was fourteen years old, and frankly speaking, between you and me, I have come to the conclusion that my guts have shit for brains.
Nick Hornby (High Fidelity)