“
I guess by now I should know enough about loss to realize that you never really stop missing someone-you just learn to live around the huge gaping hole of their absence.
”
”
Alyson Noel (Evermore (The Immortals, #1))
“
Peeta, you said at the interview you’d had a crush on me forever. When did forever start?
Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair...it was in two braids instead of one. My father pointed you out when we were waiting to line up."
Your father? Why?"
He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner.'"
What? You’re making that up!"
No, true story. And I said, 'A coal miner? Why did she want a coal miner if she could’ve had you?' And he said, 'Because when he sings...even the birds stop to listen.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
Name the different kinds of people,’ said Miss Lupescu. ‘Now.’
Bod thought for a moment. ‘The living,’ he said. ‘Er. The dead.’ He stopped. Then, ‘... Cats?’ he offered, uncertainly.
”
”
Neil Gaiman (The Graveyard Book)
“
It's much easier to not know things sometimes. Things change and friends leave. And life doesn't stop for anybody. I wanted to laugh. Or maybe get mad. Or maybe shrug at how strange everybody was, especially me. I think the idea is that every person has to live for his or her own life and than make the choice to share it with other people. You can't just sit their and put everybody's lives ahead of yours and think that counts as love. You just can't. You have to do things. I'm going to do what I want to do. I'm going to be who I really am. And I'm going to figure out what that is. And we could all sit around and wonder and feel bad about each other and blame a lot of people for what they did or didn't do or what they didn't know. I don't know. I guess there could always be someone to blame. It's just different. Maybe it's good to put things in perspective, but sometimes, I think that the only perspective is to really be there. Because it's okay to feel things. I was really there. And that was enough to make me feel infinite. I feel infinite.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
In this trunk," she says with a serious face, "is God's gift to women."
"Chocolate?"
"No."
"Midol?"
"What? No."
"Tampons?"
"Stop guessing," she says.
”
”
Victoria Scott (The Collector (Dante Walker, #1))
“
The screen went black before I was out of the airlock. Turns out the “L” in “LCD” stands for “Liquid.” I guess it either froze or boiled off. Maybe I’ll post a consumer review. “Brought product to surface of Mars. It stopped working. 0/10.
”
”
Andy Weir (The Martian)
“
I guess you can be yourself, whatever that means-the best and worst of you. And they love you anyway. You can fight, but even when you're mad at them, you know they're not going to stop being your friend.
”
”
Jennifer Niven (All the Bright Places)
“
I’m an egotist, but I’m not selfish. There’s a difference. I’m a neurotic, I guess. I can’t stop thinking about myself. It isn’t that I think myself so important... I simply can’t think about anything else, that’s all. If I could fall in love with a woman that might help some. But I can’t find a woman who interests me.
”
”
Henry Miller (Tropic of Cancer (Tropic, #1))
“
Unless you stop him. Perhaps next we meet."
"You'll be just as annoying?" I guessed.
He fixed my with those warm brown eyes. "Or perhaps you could bring me up to speed on those modern courtship rituals."
I sat there stunned until he gave me a glimpse of a smile-just enough to let me know he was teasing. Then he disappeared.
"Oh, very funny!" I yelled.
”
”
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
“
It's funny, when you're a child you think time will never go by, but when you hit about twenty, time passes like you're on the fast train to Memphis. I guess life just slips up on everybody. It sure did on me.
”
”
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
“
At some point, I should probably tell her that my love language is whichever one she wants it to be so she can stop guessing. I’ll make sure that girl feels loved however she needs.
”
”
Liz Tomforde (The Right Move (Windy City, #2))
“
This isn’t about the Ravens. This is about you. This is about everything it took you to get to this point, everything it cost you, and everyone who laughed when you dared to dream of something big and bright. You’re here tonight because you refused to give up and refused to give in. You’re here where they all said you’d never be, and no one can say you haven’t earned the right to play this game.
“All eyes are on you. It’s time to show them what you’re made of. There’s no room for doubt, no room for second guesses, no room for error. This is your night. This is your game. This is your moment. Seize it with everything you’ve got. Pull out all the stops and lay it all on the line. Fight because you don’t know how to die quietly. Win because you don’t know how to lose. This king’s ruled long enough—it’s time to tear his castle down.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
Guess what?' Fitz said.
'I don't know,' Jude said. 'What? Narnie smiled?' He glanced at her for the first time.
'When you guys see a Narnie smile, it's like a revelation,' Webb said, gathering her towards him.
Jude stopped in front of her and, with both hands cupping her face, tried to make a smile. Narnie flinched.
'Leave her alone,' Tate said.
'I need a revelation,' Jude said. 'And you're the only one that can give me one, Narns.
”
”
Melina Marchetta (On the Jellicoe Road)
“
I guess I've been waiting so long I'm looking for perfection. That makes it tough."
"Waiting for perfect love?"
"No, even I know better than that. I'm looking for selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you're doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don't want it anymore and throw it out the window. That's what I'm looking for.
”
”
Haruki Murakami (Norwegian Wood)
“
Got you. You're mine now. For the rest of the day, week, month, year, life. Have you guessed who I am? Sometimes I think you have. Sometimes when you're standing in a crowd I feel those sultry, dark eyes of yours stop on me. Are you too afraid to come up to me and let me know how you feel? I want to moan and writhe with you and I want to go up to you and kiss your mouth and pull you to me and say "I love you I love you I love you" while stripping. I want you so bad it stings. I want to kill the ugly girls that you're always with. Do you really like those boring, naive, coy, calculating girls or is it just for sex? The seeds of love have taken hold, and if we won't burn together, I'll burn alone.
”
”
Bret Easton Ellis (The Rules of Attraction)
“
He started to say something, maybe an apology and maybe not, and then he stopped, he leaned over and pulled me toward him - like by gravitational force. He kissed me, hard, and his skin was stubbly and rough against my cheek. My first thought was, I guess he didn't have time to shave this morning, and then - I was kissing him back, my fingers winding through his soft yellow hair and my eyes closed. He kissed like he was drowning and I was air. It was passionate, and desperate, and like nothing I had ever experienced before.
This was what people meant when they said the earth stopped turning. It felt like a world outside of that car, that moment, didn't exist. It was just us.
”
”
Jenny Han (It's Not Summer Without You (Summer, #2))
“
The guys were totally skuzzy, grinning horribly, showing holes where teeth should be.
“Boys, God doesn’t like you,” Fang intoned behind them.
Whaaat? I thought, dumbfounded.
“Wha!” they said, whirling.
At that moment, Fang snapped out his huge wings and shone the penlight under his chin so it raked his cheekbones and eyes. My mouth dropped open. He looked like the angel of death.
His dark wings filled the hallway almost to the ceiling, and he moved them up and down. “God doesn’t like bad people,” he said, using a really weird, deep voice.
“What the heck?” one of the squatters murmured shallowly, his mouth slack, his eyes bugging out of his head.
I whipped my own wings open. Fun, anyway.
“This was a test,” I said, using my best spooky voice. “And guess what? You both failed.”
The bums stopped dead, looks of horror and amazement on their faces.
Then Fang growled, “Rowr!” He stepped forward, sweeping his wings up and down: the avenging demon. I almost cracked up.
“Rowr!” I said myself, shaking my wings out.
“Ahhhhh!” the guys yelled, backpedaling fast. Unfortunately, they were standing at the top of the staircase. They fell awkwardly, trying to grab each other, and rolled down two flights like lumpy bags of potatoes, shrieking the whole way.
Fang and I slapped each other a quick high five—and we were out of there, jack.
”
”
James Patterson (School's Out—Forever (Maximum Ride, #2))
“
That fucking better not be you in the goddamn elevator, Adam. Maintenance just called and said some asshole stopped the elevator and guess what? They started out on my floor. Are you fucking the client in the goddamn elevator five minutes after I told you not to fuck the fucking client?
”
”
Lexi Blake (The Men with the Golden Cuffs (Masters and Mercenaries, #2))
“
If you think about a young child trying to learn to walk, that child will fall down and hurt itself hundreds of times. But at no point does that child ever stop and think, “Oh, I guess walking just isn’t for me. I’m not good at it.” Avoiding
”
”
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
“
I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty five days a year, I was still in elementary school at the time - fifth or sixth grade - but I made up my mind once and for all.”
“Wow,” I said. “Did the search pay off?”
“That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.”
“Waiting for the perfect love?”
“No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.”
“I’m not sure that has anything to do with love,” I said with some amazement.
“It does,” she said. “You just don’t know it. There are time in a girl’s life when things like that are incredibly important.”
“Things like throwing strawberry shortcake out the window?”
“Exactly. And when I do it, I want the man to apologize to me. “Now I see, Midori. What a fool I have been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate Mousse? Cheesecake?”
“So then what?”
“So then I’d give him all the love he deserves for what he’s done.”
“Sounds crazy to me.”
“Well, to me, that’s what love is…
”
”
Haruki Murakami (Norwegian Wood)
“
All eyes are on you. It's time to show them what you're made of. There's no room for doubt, no room for second guesses, no room for error. This is your night. This is your game. This is your moment. Seize it with everything you've got. Pull out all the stops and lay it all on the line. Fight because you don't know how to die quietly. Win because you don't know how to lose. This king's ruled long enough—it's time to tear his castle down.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
Did you know we were leaving for Idris?" "Catarina told me she'd been summoned to make a portal. I guessed," Magnus said wryly. "I was a little surprised you hadn't called or texted to tell me you were going away."
"You never answer my calls or texts," said Alec.
"That hasn't stopped you before."
"Everyone gives up eventually," Alec said. "Besides, Jace broke my phone."
Magnus huffed a laughter. "Oh, Alexander."
"What?" alec asked, honestly puzzled.
"you're just--You're so--I really want to kiss you," Magnus said abruptly, and then shook his head. "See this is why I haven't been willing to see you.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
I guess I could be pretty pissed off about what happened to me, but it’s hard to stay mad when there’s so much beauty in the world. Sometimes I feel like I’m seeing it all at once, and it’s too much; my heart fills up like a balloon that’s about to burst. And then I remember to relax, and stop trying to hold onto it. And then it flows through me like rain, and I can’t feel anything but gratitude—for every single moment of my stupid, little life. You have no idea what I’m talking about, I’m sure; but don’t worry….you will someday.
”
”
Alan Ball (American Beauty: The Shooting Script)
“
I’m not laughing.” I was actually crying. “And please don’t laugh at me now, but I think the reason it’s so hard for me to get over this guy is because I seriously believed David was my soul mate. ”He probably was. Your problem is you don’t understand what that word means. People think a soul mate is your perfect fit, and that’s what everyone wants. But a true soul mate is a mirror, the person who shows you everything that’s holding you back, the person who brings you to your own attention so you can change your life. A true soul mate is probably the most important person you’ll ever meet, because they tear down your walls and smack you awake. But to live with a soul mate forever? Nah. Too painful. Soul mates, they come into your life just to reveal another layer of yourself to you, and then they leave. And thank God for it. Your problem is, you just can’t let this one go. It’s over, Groceries. David’s purpose was to shake you up, drive you out of your marriage that you needed to leave, tear apart your ego a little bit, show you your obstacles and addictions, break your heart open so new light could get in, make you so desperate and out of control that you had to transform your life, then introduce you to your spiritual master and beat it. That was his job, and he did great, but now it’s over. Problem is, you can’t accept that his relationship had a real short shelf life. You’re like a dog at the dump, baby – you’re just lickin’ at the empty tin can, trying to get more nutrition out of it. And if you’re not careful, that can’s gonna get stuck on your snout forever and make your life miserable. So drop it.“But I love him.”
“So love him.” “But I miss him.” “So miss him. Send him some love and light every time you think about him, then drop it. You’re just afraid to let go of the last bits of David because then you’ll be really alone, and Liz Gilbert is scared to death of what will happen if she’s really alone. But here’s what you gotta understand, Groceries. If you clear out all that space in your mind that you’re using right now to obsess about this guy, you’ll have a vacuum there, an open spot – a doorway. And guess what the universe will do with the doorway? It will rush in – God will rush in – and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
I'd come here planning to leave as soon as I could. It was a pit stop, not a destination. I had my whole life mapped out."
"So what happened?"
"I guess that map didn't turn out to be mine after all,
”
”
Sarah Dessen (Along for the Ride)
“
Faithful: When will you learn to leave well enough alone?
Alanna sighed. "When I want to stop learning, I guess.
”
”
Tamora Pierce (Lioness Rampant (Song of the Lioness, #4))
“
You can try, she guesses. You can tear yourself apart and rebuild from stratch, bring yourself to every corner of the map, sew a new self from the scraps of a thousand other people and places. You can try to escape to fill a different shape. But at the end of the day, there's a place at the foot of the bed where your shoes hit the floor, and it's the same. It's always the same.
”
”
Casey McQuiston (One Last Stop)
“
You have fallen into the homoerotic queer girl friendship. It’s all cute at first, and then you catch feelings, and it’s impossible to tell if the joke flirting is actual flirting and if the platonic cuddling is romantic cuddling, and next thing you know, three years have gone by, and you’re obsessed with her, and you haven’t done anything about it because you’re too terrified to fuck up the friendship by guessing it wrong, so instead you send each other horny plausible deniability love letters until you’re both dead.
”
”
Casey McQuiston (One Last Stop)
“
Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?”
“Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says.
“Your father? Why?” I ask.
“He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says.
“What? You’re making that up!” I exclaim.
“No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’”
“That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father.
“So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says.
“Oh, please,” I say, laughing.
“No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.”
“Without success,” I add.
“Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death.
It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true?
“You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.”
“I am now,” I say.
“Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!”
I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.
”
”
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
“
I guess I am the Queen of Flesh and Fire.”
Casteel nodded as he stalked toward me, his eyes a heated amber. “I know you’re the Queen of my heart.”
Blinking, I lowered my hands as he stopped in front of me. “Did you seriously just say that?”
One dimple appeared as he clasped the back of my head and lowered his head to mine. “I sure as fuck did.”
“That was so…cheesy,” I said.
“I know.” Casteel kissed me.
”
”
Jennifer L. Armentrout (The Crown of Gilded Bones (Blood and Ash, #3))
“
Bliss, I don’t normally do things like that. But I was second-guessing everything about coming here, and you were everything I needed. I don’t know how many times I’ve stopped myself from coming over here and knocking on your door. And yes, seeing you with Cade was definitely motivation, but more than that... I just like you, Bliss. As a teacher. As a person. As a guy.
”
”
Cora Carmack (Losing It (Losing It, #1))
“
Hesitation is the kiss of death. You might hesitate for a just nanosecond, but that’s all it takes. That one small hesitation triggers a mental system that’s designed to stop you. And it happens in less than—you guessed it—five seconds.
”
”
Mel Robbins (The 5 Second Rule: Transform Your Life, Work, and Confidence with Everyday Courage)
“
Just tell me how to be different in a way that makes sense. To make this all go away. And disappear. I know that's wrong, because it's my responsibilty, and I know things have to get worse before they get better. I walk around the school hallways and look at the people. I look at the teachers and wonder why their here. If they like their jobs. Or us. I wonder how smart they were when they were fifteen. Not in a mean way. In a curious way. It's like looking at all the students and wondering who's had their heart broken that day. And how they cope with having three quizes and a book report. On top of that. Or wondering who did the heart breaking. And wondering why. Especially since I know that if they went to another school, the person who had their heart broken would have had their heart broken by somebody else, so why does it have to be personal? It's much easier to not know things sometimes. Things change and friends leave. And life doesn't stop for anybody. I wanted to laugh. Or maybe get mad. Or maybe shrug at how strange everybody was, especiall me. I think the idea is that every person has to live for his or her own life and than make the choice to share it with other people. You can't just sit their and put everybody's lives ahead of yours and think that counts as love. You just can't. You have to do things. I'm going to do what I want to do. I'm going to be who I really am. And I'm going to figure out what that is. And we could all sit around and wonder and feel bad about each other and blame a lot of people for what they did or didn't do or what they didn't know. I don't know. I guess there could always be someone to blame. It's just different. Maybe it's good to put things in perspective, but sometimes, I think that the only perspective is to really be there. Because it's okay to feel things. I was really there. And that was enough to make me feel infinite. I feel infinite.
”
”
Stephen Chbosky
“
I almost miss the sound of your voice but know that the rain
outside my window will suffice for tonight.
I’m not drunk yet, but we haven’t spoken in months now
and I wanted to tell you that someone threw a bouquet of roses
in the trash bin on the corner of my street, and I wanted to cry
because, because —
well,
you know exactly why.
And, I guess I’m calling because only you understand
how that would break my heart.
I’m running out of things to say. My gas is running on empty.
I’ve stopped stealing pages out of poetry books, but last week I pocketed a thesaurus
and looked for synonyms for you but could only find rain and more rain
and a thunderstorm that sounded like glass, like crystal, like an orchestra.
I wanted to tell you that I’m not afraid of being moved anymore;
Not afraid of this heart packing up its things and flying transcontinental
with only a wool coat and a pocket with a folded-up address inside.
I’ve saved up enough money to disappear.
I know you never thought the day would come.
Do you remember when we said goodbye and promised that
it was only for then? It’s been years since I last saw you, years
since we last have spoken.
Sometimes, it gets quiet enough that I can hear the cicadas rubbing their thighs
against each other’s.
I’ve forgotten almost everything about you already, except that
your skin was soft, like the belly of a peach, and
how you would laugh,
making fun of me for the way I pronounced almonds
like I was falling in love
with language.
”
”
Shinji Moon
“
This place is packed," Vee complained. "Where am I supposed to park?" She steered down an alley and slowed to a stop behind a bookstore. "This looks good. Lots of parking back here."
"The sign says employee parking only."
"How are they going to know that we aren't employees? The Neon blends right in. All these cars speak low class."
"The sign says violators will be towed."
"They just say that to scare people like you and me away. It's an empty threat. Nothing to worry about."
.......
Vee came to a halt. "What is THAT?"
We were standing in the parking lot behind the bookstore, a few feet from the Neon, and we were staring at a large piece of metal attached to the left rear tire.
"I think it's a car boot," I said.
"I can see that. What's it doing on my car?"
"I guess when they say all violators will be towed, they mean it.
”
”
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
“
Pounce had it easier than any of us. No one noticed a black cat in the street. He stopped here and there to sniff aught of interest. Wherever our Rat stopped, Pounce was there, close enough to see up the Rat's nose. I was so proud. Now there was a proper god, making himself useful!
Since my thought might be deemed blasphemy, I said silent prayers to the Goddess and to Mithros. I begged forgiveness and asked them not to misunderstand. Since I wasn't blasted where I stood, I guess they forgave me, or they hadn't heard my blasphemy.
”
”
Tamora Pierce (Terrier (Beka Cooper, #1))
“
Each crewman had their own laptop. So I have six at my disposal. Rather, I had six. I now have five. I thought a laptop would be fine outside. It’s just electronics, right? It’ll keep warm enough to operate in the short term, and it doesn’t need air for anything. It died instantly. The screen went black before I was out of the airlock. Turns out the “L” in “LCD” stands for “Liquid.” I guess it either froze or boiled off. Maybe I’ll post a consumer review. “Brought product to surface of Mars. It stopped working. 0/10.
”
”
Andy Weir (The Martian)
“
Ron and Hermione were still smirking and Harry felt his temper rise; he wasn’t even sure why he was feeling so angry.
“Don’t sit there grinning like you know better than I do, I was there, wasn’t I?” he said heatedly. “I know what went on, all right? And I didn’t get through any of that because I was brilliant at Defense Against the Dark Arts, I got through it all because — because help came at the right time, or because I guessed right — but I just blundered through it all, I didn’t have a clue what I was doing — STOP LAUGHING!
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
He blocked me. " What'd you do, Chloe?"
I sidestepped. He sidesteped.
"You like him, don't you?" he said.
"Yes, I like him. Just not..."
"Not what?"
"Talk to Simon. He's the one who thinks..."
"Thinks what?"
Step. Block.
"Thinks what?"
"That there's someone else," I blurted before I could stop myself. I took a deep, shuddering breath. "He thinks there's someone else."
"Who?"
I was going to say I don't know. Some guy from school, I guess. But Derek's expression already knew the answer. The look on his face...It'd been humiliating before, having Simon accuse me of liking Derek, but that was nothing compared to how I felt when I saw Derek's look. Not just surprise, but shock. Shock and horror.
"Me?" he said. "Simon said he thinks you and I are-"
"No, not that. He knows we aren't-"
"Good. So what does he think?"
"That I like you." Again, the words flew out before I could stop them.
”
”
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
“
I let out the breath I hadn’t realized I was holding. “Guess what?”
“What?”
Meeting his amber-colored eyes, I admitted what probably wasn’t a secret, but what I felt like I needed to put into words. “I like you, Seth.”
He stopped his hand over mine, staying there, as he gave me a lopsided smile. “Guess what?”
“What?” I whispered.
Seth shifted so that his lips brushed mine as he spoke. “I like you too, Josie.
”
”
Jennifer L. Armentrout (The Return (Titan, #1))
“
Liam cleared his throat again and turned to fully face me. “So, it’s the summer and you’re in Salem, suffering through another boring, hot July, and working part-time at an ice cream parlor. Naturally, you’re completely oblivious to the fact that all of the boys from your high school who visit daily are more interested in you than the thirty-one flavors. You’re focused on school and all your dozens of clubs, because you want to go to a good college and save the world. And just when you think you’re going to die if you have to take another practice SAT, your dad asks if you want to go visit your grandmother in Virginia Beach.”
“Yeah?” I leaned my forehead against his chest. “What about you?”
“Me?” Liam said, tucking a strand of hair behind my ear. “I’m in Wilmington, suffering through another boring, hot summer, working one last time in Harry’s repair shop before going off to some fancy university—where, I might add, my roommate will be a stuck-up-know-it-all-with-a-heart-of-gold named Charles Carrington Meriwether IV—but he’s not part of this story, not yet.” His fingers curled around my hip, and I could feel him trembling, even as his voice was steady. “To celebrate, Mom decides to take us up to Virginia Beach for a week. We’re only there for a day when I start catching glimpses of this girl with dark hair walking around town, her nose stuck in a book, earbuds in and blasting music. But no matter how hard I try, I never get to talk to her.
“Then, as our friend Fate would have it, on our very last day at the beach I spot her. You. I’m in the middle of playing a volleyball game with Harry, but it feels like everyone else disappears. You’re walking toward me, big sunglasses on, wearing this light green dress, and I somehow know that it matches your eyes. And then, because, let’s face it, I’m basically an Olympic god when it comes to sports, I manage to volley the ball right into your face.”
“Ouch,” I said with a light laugh. “Sounds painful.”
“Well, you can probably guess how I’d react to that situation. I offer to carry you to the lifeguard station, but you look like you want to murder me at just the suggestion. Eventually, thanks to my sparkling charm and wit—and because I’m so pathetic you take pity on me—you let me buy you ice cream. And then you start telling me how you work in an ice cream shop in Salem, and how frustrated you feel that you still have two years before college. And somehow, somehow, I get your e-mail or screen name or maybe, if I’m really lucky, your phone number. Then we talk. I go to college and you go back to Salem, but we talk all the time, about everything, and sometimes we do that stupid thing where we run out of things to say and just stop talking and listen to one another breathing until one of us falls asleep—”
“—and Chubs makes fun of you for it,” I added.
“Oh, ruthlessly,” he agreed. “And your dad hates me because he thinks I’m corrupting his beautiful, sweet daughter, but still lets me visit from time to time. That’s when you tell me about tutoring a girl named Suzume, who lives a few cities away—”
“—but who’s the coolest little girl on the planet,” I manage to squeeze out.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Look at us. You look like death, my friend, and I’m sure I do, too. We’ll never stop blaming ourselves. I guess that’s the price of love?
”
”
Diana Peterfreund (For Darkness Shows the Stars (For Darkness Shows the Stars, #1))
“
If something's going to happen for you, it will, you can't make it happen. And it never does happen until you're past the point where you care whether it happens or not.
I guess it's for your own good that it always happens that way, because after you stop wanting things is where having them won't make you go crazy.
”
”
Andy Warhol (The Philosophy of Andy Warhol (From A to B and Back Again))
“
I turn to head outside when the boys make their way back into the house. Kel stops in the doorway and puts his hands on his hips, then looks up at me.
“Are you my sister’s boyfriend?”
I’m thrown off by his directness. I pull my jacket on and shake my head. “Um, no. Just her friend.”
“She told my mom you were taking her on a date. I thought only boyfriends took girls on dates.”
“Well,” I pause. “Sometimes boys take girls on dates to see if they want them to be their girlfriend.”
I notice Caulder standing beside me, taking in the conversation as if he’s just as curious. I wasn’t prepared to have to explain the rules of dating right now.
“So it’s like a test?” Caulder asks. “To see if you want Layken to be your girlfriend?”
I shrug and nod. “Yeah, I guess you could say that.”
Kel laughs. “You aren’t gonna like her. She burps a lot. And she’s bossy. And she never lets me drink coffee, so she probably won’t let you have any, either. And she has really bad taste in music and sings way too loud and leaves her bras all over the house. It’s gross.”
I laugh. “Thanks for the warning. You think it’s too late to back out now?”
Kel shakes his head, missing my sarcasm completely. “No, she’s already dressed so you have to take her now.”
I sigh, pretending to be annoyed. “Well, it’s just a few hours. Hopefully she won’t burp a lot and boss me around and steal my coffee and sing to her really bad music and leave her bra in my car.”
Or hopefully she will.
”
”
Colleen Hoover (This Girl (Slammed, #3))
“
There are a lot of questions I keep asking myself about why I do comedy. I guess I laugh to keep from crying. And I guess if you ever get me crying, I might not stop. This is the way I look at tragedy or else I'll cry.
”
”
Bob Newhart
“
She also didn’t fail to note the hand Lorcan kept on Elide’s back. The glow on the lady’s face. Aelin could guess well enough what that glow was from. Even Lorcan’s dark eyes were bright. It didn’t stop Aelin from catching Lorcan’s stare. And giving him a warning look that conveyed everything she didn’t bother to say: if he broke the Lady of Perranth’s heart, she’d flambé him. And would invite Manon Blackbeak to roast some dinner over his burning corpse.
”
”
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
“
It feels like shit to be alone. To be in a place full of people and feel like they don't want you there. To feel like you're at a party you weren't invited to. No one even knows your name. No one wants to. No one cares. Are they laughing at you? Talking about you? Are they sneering at you like their perfect world would be so much better if you weren't there, messing up their view?
Are they just wishing you'd get the hint already and leave?
I feel like that a lot. I know it's pathetic to want a place among other people, and I know you'll say it's better to stand in a crowd and be wrong, but... I still feel that need all the time. Do you ever feel it? I wonder if the cheerleader feels it. When the music stops and everyone goes home? When the day is gone and she doesn't have anyone to entertain herself with? When she removes her makeup, taking off her brave face for the day, do the demons she keeps buried start playing with her when there's no one else to play with?
I guess not. Narcissists don't have insecurities, right?
Must be nice.
”
”
Penelope Douglas (Punk 57)
“
They watched as the Shaw brothers played tug of war with a crocodile over what Travis would guess was a nine-point buck. The buck was still kicking, too, but that didn’t stop the brothers or the croc.
“I’m sensing the crazy gene, hoss,” Donnie mumbled.
“Ya think?
”
”
Shelly Laurenston (The Mane Attraction (Pride, #3))
“
I will never, ever regret stopping you from walking out of my life a second time, Kyle," she said in an emotional voice. "And I can prove it."
She reached for the buttons on her trench coat and undid them, one at a time. Then she opened the coat and let it drop to the floor.
And even if she didn't say a single word more, Kyle knew he would never again doubt the way Rylann felt about him.
She was wearing his flannel shirt.
"You kept it," he said softly. "All this time."
She nodded. "For nine years, I've held on to this darn shirt, literally dragging it across the country and back."
Kyle touched her cheek, gently brushing away a tear with his thumb. "Why?"
She paused hesitantly, and then with a tender smile, finally put it all on the line, too. "I guess I always hoped you'd come back for it someday.
”
”
Julie James (About That Night (FBI/US Attorney, #3))
“
Even though I didn't notice it while it was happening, I got reminded in ninth grade of a few things I guess I should have known all along.
1. A first kiss after five months means more than a first kiss after five minutes.
2. Always remember what it was like to be six.
3. Never, ever stop believing in magic, no matter how old you get. Because if you keep looking long enough and don't give up, sooner or later you're going to find Mary Poppins. And if you're reall lucky, maybe even a purple balloon.
”
”
Steve Kluger (My Most Excellent Year)
“
What are you waiting for?" shanna asked. "He's dying! Do it!"
Conner looked at Angus. "Ye do it. It was yer idea."
"Nay? Ye were the first to suggest it. Ye do it."
"I'm no' touching him." Conner said.
He nudged Phineas "Ye do it."
"I don't even know how!" Phineas poked at Robby. "You do it."
"Why me?" Robby turned to Angus. "Ye're the expert. Ye do it."
Angus grimaced. "I'm no' doing it. I hate the bugger."
"Stop it!" Shanna screamed "You- Forget it! I'll do it myself."
"Shanna you don't know how," Roman said.
"Gods blood. I guess I have to do it."
"You guess?" Shanna cried "Are you going to let him die?"
"He threatens to kill me every time he sees me.
”
”
Kerrelyn Sparks (Vampire Mine (Love at Stake, #10))
“
Catch my eye,tell me what you see
Wonder if they could guess it about me
Here i'm standing in a double life
One with love,one with strife
Try to act normal,and play it cool
So afraid of breaking a rule
But now i'm falling to hard to stop
Can't help but take the next drop
”
”
Alexandra Monir (Timeless (Timeless, #1))
“
Who takes the Pandorica takes the Universe. But bad news everyone. 'Cause guess who! Hah! Listen, you lot, you're all whizzing about. It's really very distracting. Could you all just stay still a minute because I. AM. TALKING! Now, the question of the hour is, who's got the Pandorica? Answer: I do. Next question: Who's coming to take it from me? Come on! Look at me! No plan, no back-up, no weapons worth a damn, oh, and something else. I don't have anything to lose. So if you're sitting up there in your silly little spaceship with all your silly little guns and you've got any plans on taking the Pandorica tonight, just remember who's standing in your way! Remember! Every black day I ever stopped you! And then! And then! Do the smart thing! Let somebody else try first.
”
”
Steven Moffat
“
You’re joining us for dinner, I hope?” asked his mom. She was small and brunette and vaguely mousy.
“I guess?” I said. “I have to be home by ten. Also I don’t, um, eat meat?”
“No problem. We’ll vegetarianize some,” she said.
“Animals are just too cute?” Gus asked.
“I want to minimize the number of deaths I am responsible for,” I said.
Gus opened his mouth to respond but then stopped himself.
”
”
John Green (The Fault in Our Stars)
“
No, Layla. I won't stop." He moved closer, cradling my head to his chest before continuing. "I know you're leaving and I would never try to keep you from going, and I guess I have my own path to follow as well. But don't ever ask me to stop loving you, because I can't. Don't ever think I'll be able to forget you, because I won't.
”
”
T. Torrest (Remember When (Remember Trilogy, #1))
“
Tikkun olam.”
Exactly. Basically, it says that the world has been broken into pieces. All this chaos, all this discord. And our job - everyone’s job - is to try to put the pieces back together. To make things whole again.”
And you believe that?”
I guess I do. I mean, I don’t know how the world broke. And I don’t know if there’s a God who can help us fix it. But the fact that the world is broken - I absolutely believe that. Just look around us. Every minute - every single second - there are a million things you could be thinking about. A million things you could be worrying about. Our world - don’t you feel we’re becoming more and more fragmented? I used to think that when I got older, the world would make so much more sense. But you know what? The older I get, the more confusing it is to me. The more complicated it is. Harder. You’d think we’d be getting better at it. But there’s just more and more chaos. The pieces - they’re everywhere. And nobody knows what to do about it. I find myself grasping, Nick. You know that feeling? That feeling when you just want the right thing to fall into the right place, not only because it’s right, but because it will mean that such a thing is still possible? I want to believe in that.”
Do you really think it’s getting worse? I mean, aren’t we better off than we were twenty years ago? Or a hundred?”
We’re better off. But I don’t know if the world’s better off. I don’t know if the two are the same thing.”
You’re right.”
Excuse me?”
I said, ‘You’re right.’”
But nobody ever says, ‘You’re right.’ Just like that.”
Really?”
Really.”
…Then it hits me.
Maybe we’re the pieces,”
What?”
Maybe that’s it. With what you were talking about before. The world being broken. Maybe it isn’t that we’re supposed to find the pieces and put them back together. Maybe we’re the pieces. Maybe, what we’re supposed to do is come together. That’s how we stop the breaking.”
Tikkun olam.
”
”
David Levithan (Nick & Norah's Infinite Playlist)
“
I tend to think too much, Bast. My greatest successes came from decisions I made when I stopped thinking and simply did what felt right. Even if there was no good explanation for what I did." He smiled wistfully. "Even if there were very good reasons for me not to do what I did."
Bast ran a hand along the side of his face. "So you're trying to avoid second-guessing yourself?"
Kote hesitated. "You could say that," he admitted.
"I could say that, Reshi," Bast said smugly. "You, on the other hand, would complicate things needlessly.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
Freddie dropped down beside them, distressed. "Let go of her, Blue; that looks really bad."
"Feel free to stop him," Mira said, "instead of frowning at me like a sad puppy."
"Hey!" Freddie said, looking like a sadder puppy.
"I'm not going to molest you," Blue said.
"You're molesting my wrist," Mira said. "I don't want you touching me."
"I didn't want you to knee me in the lungs, so I guess we're even.
”
”
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
“
In all your life, only a few moments matter. Mostly you never get a good look at them except in hindsight, long after they've zipped past you: the moment when you decided whether to talk to that girl, slow down on that blind bend, stop and find that condom. I was lucky, I guess you could call it. I got to see one of mine face-to-face, and recognize it for what it was.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
Go out with me tomorow night," Perry went on. "Let me prove to you that I'm the guy you want."
"I...I guess I coul go out tomorrow night," Miranda sounded shocked and a little swept off her feet.
Then, from the corner of her eyes. Kylie saw something move at the office window. When she looked back, she spotted Burnett and Holiday standing there high-fiving each other. No doubt Burnett was listening to the coversation and sharing the details with Holiday.
Perry nodded, stepped closer, and then pressed a quick kiss on Miranda's cheek. It had to be the most romantic thing Kylie had ever seen.
..."What?" Miranda asked. "You're happy my date [with Todd] wasn't exciting?"
"No," Kylie said. "Let's just say we're more excited about tomorrow night's date."
A bright smile lit up Miranda's face. "Me too. Can you believ Perry did that? I mean, he was so..."
"Romantic," Kylie said.
"Hot," Della added.
"Sweet," Miranda whispered. "I couldn't stop thinkibng about him all night."
And that was the best news Kylie had gotten all day.
”
”
C.C. Hunter (Taken at Dusk (Shadow Falls, #3))
“
So you’re now an official member of Enclave Three. You weirdo.”
I snorted. “I’m a weirdo? You’re a werewolf.”
“I suggest you say that with respect, Parker.”
“Or what?”
“Or I’ll have to bite you.” His lips widened into a grin of heart-stopping proportions. I guessed it
would have been pretty effective on him in werewolf form, too.
”
”
Chloe Neill
“
Why did we divorce? I guess you could say we had trouble synchronizing. You know that carnival ride where two cages swing in opposite directions, going higher and higher until they go over the top? That was us. We passed each other all the time, but we never actually stopped in the same place until it was time to get off the ride.
”
”
Diane Hammond (Hannah's Dream)
“
Send him some love and light every time you think about him, and then drop it. You're just afraid to let go of the last bits of David because then you'll really be alone. But here's what you gotta understand, Groceries. If you clear out all that space in your mind that you're using right now to obsess about this guy, you'll have a vacuum there, an open spot - a doorway. And guess what the universe will do with that doorway? It will rush in - God will rush in - and fill you with more love than you ever dreamed. So stop using David to block that door. Let it go.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
Your Royal Bloody Pain in My Back,
We're bloody waiting here to talk to you, and we're getting angry perturbed. (That means angry.) Thom says that you're a queen now, but I figure that changes nothing, sense you acted like a queen all the time anyway. Don't forget that I carried halled your pretty little backside out of a hole in Tear, but you acted like a queen then, so I guess I don't know why I'm surprised now that you act like one when you really are a queen.
So I'm thinking I should treat you like a bloody Queen and send you a bloody letter and all, speaking with high talk and getting your attention. I even used my ring as a signet, like it was paper proper. So here my formal salutation. So BLOODY STOP TURNING ME AWAY so we can talk. I need your bellfounders. It's bloody important.
--Mat
p.s. Salutation means greeting.
p.p.s. Don't mind the scratched out words and bad spellings. I was going to rewrite this letter, but Thom is laffing so hard at me that I want to be done.
p.p.s. Don't mind me calling your backside pretty. I hardly ever spent any time looking at it, as I've an awareness that you'd pull my eyes out if you saw me. Besides, I'm married now, so that all doesn't matter.
”
”
Robert Jordan
“
I felt that what I had been standing on had collapsed and that I had nothing left under my feet. What I had lived on no longer existed, and there was nothing left.
My life came to a standstill. I could breathe, eat, drink, and sleep, and I could not help doing these things; but there was no life, for there were no wishes the fulfillment of which I could consider reasonable. If I desired anything, I knew in advance that whether I satisfied my desire or not, nothing would come of it. Had a fairy come and offered to fulfil my desires I should not have know what to ask. If in moments of intoxication I felt something which, though not a wish, was a habit left by former wishes, in sober moments I knew this to be a delusion and that there was really nothing to wish for. I could not even wish to know the truth, for I guessed of what it consisted. The truth was that life is meaningless. I had as it were lived, lived, and walked, walked, till I had come to a precipice and saw clearly that there was nothing ahead of me but destruction. It was impossible to stop, impossible to go back, and impossible to close my eyes or avoid seeing that there was nothing ahead but suffering and real death--complete annihilation.
”
”
Leo Tolstoy (A Confession)
“
Fate rules. You follow the steps and you plan and you work. Then fate slips in laughing and makes fools of us. Sometimes we can trick it or out guess it but most often its already written. For some its written in blood. That doesn't mean we stop, but it does mean we can't comfort ourselves with blame. It's easier to take the blame than to admit there was nothing you could do to stop whatever happened.
”
”
J.D. Robb
“
I want Sam to stop liking Craig.
Now I guess maybe you think that’s because I am jealous of him. I’m not. Honest. It’s just that Craig doesn’t really listen to her when she talks. I don’t mean that he’s a bad guy because he’s not. It’s just that he always looks distracted.
It’s like he would take a photograph of Sam, and the photograph would be beautiful. And he would think the reason the photograph was beautiful was because of how he took it. If I took it, I would know that the only reason it’s beautiful is because of Sam.
I just think it’s bad when a boy looks at a girl and thinks that the way he sees the girl is better than the girl actually is. And I think it’s bad when the most honest way a boy can look at a girl is through a camera. It’s very hard for me to see Sam feel better about herself just because an older boy sees her that way.
”
”
Stephen Chbosky (The Perks of Being a Wallflower)
“
Let me guess. You think we’re going to live happily ever after, like some stupid fairy tale?”
“Why not?” His stare dared me to laugh or, worse, to argue.
“Because the whole thing is ridiculous,” I said. I despised the bitterness in my own voice. I sounded so damaged. Good. If he thought I was his soul mate for some mysterious reason he wouldn’t let on, let him see the worst of me.
“It’s not ridiculous to me. Perhaps that’s the difference between predators and prey, love. I’ll never stop hunting. But I expect that one day, you’ll stop running.”
“Because I want to die?”
“Because you want to live.
”
”
Delilah S. Dawson (Wicked as They Come (Blud, #1))
“
dykes were put here to tip the scales! we have a very important job and i wouldn't trade it for the world. give me a choice between breeding, accelerated aging, living with an orangutan, and maid duty for life...or, autonomy, black boots, multiple orgasms, cats instead of kids, people who say what they mean, and nothing stopping me from doing whatever i wanna do...and guess which one i pick?
”
”
Diane DiMassa (The Complete Hothead Paisan: Homicidal Lesbian Terrorist)
“
Okay, I thought. Here you are. You are here. And you move forward because
that's the way it works; that's the only place u can go. You keep going
until it stops hurting, or until you find new things to hurt you worse, I
guess. And that is the human condition, all of us lurching along in our own private miseries, because that's the way it is. Because, I guess, God didn't give us any choice. You grow up, I remembered Abigail telling me. You learn.
”
”
Jennifer Weiner (Good in Bed (Cannie Shapiro, #1))
“
There is no 'this'. This is nothing."
"And I am nothing," Neil prompted. When Andrew gestured confirmation, Neil said, "And as you've always said, you want nothing."
Andrew stared stone-faced back at him. Neil would have assumed it a silent rejection of Neil's veiled accusation if Andrew's hand hadn't frozen midair between them. Neil took the bottle from Andrew's other hand and set it off to one side where they couldn't knock it over.
"That's a first," Neil said. "Do I get a prize for shutting you up?"
"A quick death," Andrew said. "I've already decided where to hide your body."
"Six feet under?" Neil guessed.
"Stop talking," Andrew said, and kissed him.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
You're really going to do it, aren't you? You're really going to go back to war?" Gregor said. He could feel something boiling up inside of him. "So, we'll just forget about what happened. The jungle, the Firelands, the Bane." His voice was rising and he could feel the rager side of him taking over. "Forget about everybody who's dead! Tick and Twitchtip and Hamnet and Thalia and Ares! And your parents, Luxa! And your pups, Ripred! Let's just forget about everybody who gave their lives so that you could have this moment where you could — could make things right again! So you could stop the killing! We were fighting for the same thing, remember? You two owe each other your lives! You owe me your lives! And now you stand there and ask me to choose between you? To help you kill each other?" Gregor yanked Sandwich's sword from his belt and swung it so violently that even Luxa and Ripred stepped back. "Well, guess what? The warrior's not fighting for either of you!
”
”
Suzanne Collins (Gregor and the Code of Claw (Underland Chronicles, #5))
“
To protect the world as we know it, there were three races of hunters created to police and destroy the Daimons. We are called the Pyramid of Protection. Dark-Hunters pursue those who feed on humans, blood, and souls. Dream-Hunters go after the energy- and dreamsuckers, and Were-Hunters stalk the slayers. (Talon)
I guess what I don't understand is why you don't have one group that does it all. (Amanda)
Because we can't. If one person or group was strong enough to walk all four realms of existence, they would be able to enslave the world. Nothing and no one could stop them. And the gods would be greatly pissed. (Kyrian)
”
”
Sherrilyn Kenyon (Night Pleasures (Dark-Hunter #1))
“
No, but . . . what will she eat?”
“I guess I’ll have to find another source of blood. Hmm, who could it be? Let’s see . . .” I drum my fingers against the edge of the table to create suspense. It sure works on Ana, who’s looking at me gape-mouthed. “Who smells good around—”
Lowe’s hand closes around mine. Our wedding bands clink together as he lifts it from the table and sets it in my lap, his grip lingering for a second. I feel hot. I shiver. Lowe clicks his tongue. “Stop playing with your food, wife,” he murmurs,
”
”
Ali Hazelwood (Bride (Bride, #1))
“
All of us have two minds, a private one, which is usually strange, I guess, and symbolic, and a public one, a social one. Most of us stream back and forth between those two minds, drifting around in our private self and then coming forward into the public self whenever we need to. But sometimes you get a little slow making the transition, you drag out the private part of your life and people know you’re doing it. They almost always catch on, knowing that someone is standing before them thinking about things that can’t be shared, like the one monkey that knows where a freshwater pond is. And sometimes the public mind is such a total bummer and the private self is alive with beauty and danger and secrets and things that don’t make any sense but that repeat and repeat and demand to be listened to, and you find it harder and harder to come forward. The pathway between those two states of mind suddenly seems very steep, a hell of a lot of work and not really worth it. Then I think it becomes a matter of what side of the great divide you get caught on. Some people get stuck on the public, approved side and they’re all right, for what it’s worth. And some people get stuck on the completely strange and private side of the divide, and that’s what we call crazy and its not really completely wrong to call it that but it doesn’t say it as it truly is. It’s more like a lack of mobility, a transportation problem, getting stuck, being the us we are in private but not stopping…
”
”
Scott Spencer
“
Clay, did you ever love me?"
I'm studying a billboard and say that I didn't hear what she said.
"I asked if you ever loved me?"
On the terrace the sun bursts into my eyes and for one blinding moment I see myself clearly. I remember the first time we made love, in the house in Palm Springs, her body tan and wet, lying against cool, white sheets.
"Don't do this, Blair," I tell her.
"Just tell me."
I don't say anything.
"Is it such a hard question to answer?"
I look at her straight on.
"Yes or no?"
"Why?"
"Damnit, Clay," she sighs.
"Yeah, sure, I guess."
"Don't lie to me."
"What in the fuck do you want to hear?"
"Just tell me," she says, her voice rising.
"No," I almost shout. "I never did." I almost start to laugh.
She draws in a breath and says, "Thank you. That's all I wanted to know." She sips her wine.
"Did you ever love me?" I ask her back, though by now I can't even care.
She pauses. "I thought about it and yeah, I did once. I mean I really did. Everything was all right for a while. You were kind." She looks down and then goes on. "But it was like you weren't there. Oh shit, this isn't going to make any sense." She stops.
I look at her, waiting for her to go on, looking up at the billboard. Disappear Here.
"I don't know if any other person I've been with has been really there, either ... but at least they tried."
I finger the menu; put the cigarette out.
"You never did. Other people made an effort and you just ... It was just beyond you." She takes another sip of her wine. "You were never there. I felt sorry for you for a little while, but then I found it hard to. You're a beautiful boy, Clay, but that's about it."
I watch the cars pass by on Sunset.
"It's hard to feel sorry for someone who doesn't care."
"Yeah?" I ask.
"What do you care about? What makes you happy?"
"Nothing. Nothing makes me happy. I like nothing," I tell her.
"Did you ever care about me, Clay?"
I don't say anything, look back at the menu.
"Did you ever care about me?" she asks again.
"I don't want to care. If I care about things, it'll just be worse, it'll just be another thing to worry about. It's less painful if I don't care."
"I cared about you for a little while."
I don't say anything.
She takes off her sunglasses and finally says, "I'll see you later, Clay." She gets up.
"Where are you going?" I suddenly don't want to leave Blair here. I almost want to take her back with me.
"Have to meet someone for lunch."
"But what about us?"
"What about us?" She stands there for a moment, waiting. I keep staring at the billboard until it begins to blur and when my vision becomes clearer I watch as Blair's car glides out of the parking lot and becomes lost in the haze of traffic on Sunset. The waiter comes over and asks, "Is everything okay, sir?"
I look up and put my sunglasses on and try to smile. "Yeah.
”
”
Bret Easton Ellis (Less Than Zero)
“
I felt my hand curl into a fist. Felt my elbow draw back. Felt my arm dart forward, my knuckles crack into Cole's jaw. I couldn't stop myself. His head whipped to the side, and blood leaked from a cut in his lip. Behind me, gasps of shock abounded.
"I'm recovered," I said. "Believe me now?"
Those violet eyes slitted when they found me. "Assault and battery is illegal."
"So have me arrested."
He closed what little distance there was between us. Suddenly I could feel his warmth of his breath caressing my skin. "How about I put you over my lap and spank you instead?"
"How about I knee your balls into your throat?"
"If you're going to play with that particular area, I'd rather you use your hands."
"My hands aren't going near that area ever again."
A pause. Then, "I bet I could change your mind," he whispered huskily.
"I bet I could bash yours." I drew back another fist, but he was ready and caught me midswing. His pupils dilated, a sign of arousal. Another sign: he began to pant. He was acting like I'd tried to unbuckle his jeans rather than smack fire out of him.
"Hit me again," he said, still using the same whispered tone, "and I'll take it as an invitation."
I was just as bad. I trembled with longing I couldn't control and struggled to catch my breath. "An invitation to do what?"
His grip loosened, his fingers rubbing my skin. A caress, not a warning. "I guess we'll find out together.
”
”
Gena Showalter (Through the Zombie Glass (White Rabbit Chronicles, #2))
“
<…>Tate fell silent.
Ty didn't.
"Since the day I was released, you knocked yourself out. You had my back, you took care of Lexie when we had our thing then you did what you could to help me sort that. It's important to me that you know I'm grateful. I've been tryin' to figure out how I can show how much but, keep thinkin' on it, nothin' comes to mind and I know why. I get it. You're a man who has everything so there is nothing I can hand you that you want or need. And I get that because I am now that same man. So the only thing I can give you are words and, my guess is, that'll be enough. If it isn't, you name it and it's yours."
"Friends do what I did for friends," Tate returned.
"No they don't, Tate. You did what you did for me because you're you. That's what I'm talkin' about."
Tate ws silent a moment then he said, "Well then, you guessed right. Words are enough."
Ty nodded.
Tate tipped his head to the side and asked jokingly, "We done with the near-midnight in the middle of fuckin' nowhere heart-to-heart?"
Ty didn't feel like joking and answered, "No."
"Then what -?"
"Love you, man," Ty interrupted quietly.
"Learned the hard way not to delay in expressing that sentiment so I'm not gonna delay. You call me brother and I got one who's blood who don't mean shit to me and today, all this shit done, rejoicing and reflecting, it hit me that I got two who aren't blood but who do mean something. And you're one of those two."
"Ty-" Tate murmured.
"I will never forget, until I die, what you did for me and my wife and until that day I will never stop bein' grateful."
"Fuck man," Tate whispered.
"Now, do those words work so you get what you did mean to me?"
Silence then, "Yeah, they work."
"Good, then now we're done with our near-midnight, middle of fuckin' nowhere heart-to-heart," Ty declared, turned, opened the door to the Viper and started folding in.
He stopped with his ass nearly to the seat and looked up over the door when Tate called his name.
"I don't have a blood brother," Tate said. "But you should know there's a reason I call you that."<…>
”
”
Kristen Ashley (Lady Luck (Colorado Mountain, #3))
“
...a flood of reality. I get an odd feeling that this is a crucial moment in my life and I'm startled by the suddenness of what I guess passes for an epiphany. There is nothing of value I can offer her. For the first time I see her as uninhibited; she seems stronger, less controllable, wanting to take me into a new and unfamiliar land - the dreaded uncertainty of a totally different world. I sense she wants to rearrange my life in a significant way - her eyes tell me this and though I see truth in them, I also know that one day, sometime very soon, she too will be locked in the rhythm of my insanity. All I have to do is keep silent about this and not bring it up - yet she weakens me, it's almost as if she's making the decision about who I am, and in my own stubborn, willful way I can admit to feeling a pang, something tightening inside, and before I can stop it I find myself almost dazzled and moved that I might have the capacity to accept, though not return, her love. I wonder if even now, right here in Nowheres, she can see the darkening clouds behind my eyes lifting. And though the coldness I have always felt leaves me, the numbness doesn't and probably never will.
”
”
Bret Easton Ellis (American Psycho)
“
Don’t change, Ryen wrote in a letter once. There’s no one like you, and i can’t love you if you stop being you. I guess I shouldn’t say that, but I’m a little drunk right now-just came back from a party when I saw your letter-but what the hell? I don’t care. You knew I love you, right? You’re my best friend.
So don’t ever change. This is a big ass world, and when we leave our small towns, we’re going to find our tribe. If we don’t stay true to ourselves, how will they recognize us? (Both of us, because you know we’re on the same tribe, right?)
And even if it’s just the two of us, it will be the best.
”
”
Penelope Douglas (Punk 57)
“
We walked home in silence,which I guess was pretty normal, since he was a dog after all.When we arrived at the house, he wasn't impressed at all.In fact, he showed me just how unimpressed he was by growling at the walls for at least three straight hours.
“Enough already. The wall is not gonna bark back, Mister Fancy Pants!”
He growled at me.Maybe he didn’t like his name? “Don't pee on my carpet,no sniffing, no barking, and no chewing while I'm gone. Stay away from the coffee—touch it and you're gone.” He blinked at me and then snapped his head back at the walls and went back to circling them like a sentry—well,a growling, whining sentry. My cell phone rang, startling me, and I answered it.I winced as the dog continued to go off at the walls as if they would
attack him. “Stop barking!”
“What?” Ryder asked.
“I'm not talking to you. I'm talking to Mister Fancy Pants.” I should seriously change his name. It was too long.
“Who the fuck is Mister Fancy Pants?”
I snickered as he said my dog's name. Coming out of his mouth,
it really sounded bad.
”
”
Amelia Hutchins (Taunting Destiny (The Fae Chronicles, #2))
“
You are not a victim. You are a willing participant that has created your own anxiety through your negative mind, insecurities and actions. If you want to secure your future then the only way is through love, forgiveness and the willingness to admit you have participated in the uncomfortableness you are experiencing now. Stop telling yourself you are justified in hate, indifference, silence or bias. You are not. You can't build a positive life through battling others. The world is full of victims. No one wants to hear that story. People want to know how you did what the majority wouldn't do-you forgave and built up your enemies. It is seems totally rare and unheard of these days to swallow your pain and take the high road, but guess what? Those are the leaders that people admire and want to know. Those are the 1% who change the world and people's lives. So why do you want to be like the world when you can be beyond it?
”
”
Shannon L. Alder
“
He knew I was gay for ages," he said, his voice soft. "We both did. Since we were, like, ten or eleven, maybe. As soon as we understood what gay was, we knew that's what I was. We... We used to kiss sometimes, when we were kids. When we were alone. Just little childish kisses, little pecks on the lips because we thought it was fun. We were always... really affectionate with each other. We'd cuddle and... we were kind to each other, rather than nasty like most children. I think we were so caught up in each other that we just... missed all the heteronormative propaganda that's thrust at you when you're that age. We didn't really realize it was weird until - yeah, until we were ten or eleven. But that didn't really stop us. I guess... I guess I always felt like it was more romantic than Aled did. Aled always just treated it like it was something that friends did rather than boyfriends. Aled... he's always been weird. He doesn't care what people think. He doesn't even, like, register the social norms... he's just caught up in his own little world.
”
”
Alice Oseman (Radio Silence)
“
Tris!” Four calls out. Will and I exchange a look, half surprise and half apprehension. Four pulls away from the railing and walks
up to me. Ahead of us, Al and Christina stop running, and Christina slides to the ground. I don’t blame them for staring. There are four of us, and Four is only talking to me.
“You look different.” His words, normally crisp, are now sluggish.
“So do you,” I say. And he does—he looks more relaxed, younger. “What are you doing?”
“Flirting with death,” he replies with a laugh. “Drinking near the chasm. Probably not a good idea.”
“No, it isn’t.” I’m not sure I like Four this way. There’s something unsettling about it.
“Didn’t know you had a tattoo,” he says, looking at my collarbone.
He sips the bottle. His breath smells thick and sharp. Like the factionless man’s breath.
“Right. The crows,” he says. He glances over his shoulder at his friends, who are carrying on without him, unlike mine. He adds,
“I’d ask you to hang out with us, but you’re not supposed to see me this way.”
I am tempted to ask him why he wants me to hang out with him, but I suspect the answer has something to do with the bottle in
his hand.
“What way?” I ask. “Drunk?”
“Yeah...well, no.” His voice softens. “Real, I guess.”
“I’ll pretend I didn’t.”
“Nice of you.” He puts his lips next to my ear and says, “You look good, Tris.”
His words surprise me, and my heart leaps. I wish it didn’t, because judging by the way his eyes slide over mine, he has no idea
what he’s saying. I laugh. “Do me a favor and stay away from the chasm, okay?”
“Of course.” He winks at me.
”
”
Veronica Roth (Divergent (Divergent, #1))
“
I think you can tell by now that I'm not the type of man to beat around the bush. I'll tell you exactly what I want from you."
Maxon took a step closer.
My breath caught in my throat. I'd just walked into the very situation I feared. No guards, no cameras, no one to stop him from doing whatever he wanted.
Knee-jerk reaction. Literally. I kneed His Majesty in the thigh. Hard.
Maxon let out a yell and reached down, clutching himself as I backed away from him. "What was that for?"
"If you lay a single finger on me, I'll do worse!" I promised.
"What?"
"I said, if you-"
"No, no, you crazy girl, I heard you the first time." Maxon grimaced. "But just what in the world do you mean by it?"
I felt the heat run through my body. I'd jumped to the worst possible conclusion and set myself up to fight something that obviously wasn't coming.
The guards ran up, alerted by our little squabble. Maxon waved them away from an awkward, half-bent position.
We were quiet for a while, and once Maxon was over the worst of his pain, he faced me.
"What did you think I wanted?" he asked.
I ducked my head and blushed.
"America, what did you think I wanted?" He sounded upset. More than upset. Offended. He had obviously guessed what I'd assumed, and he didn't like that one bit. "In public? You thought...for heaven's sake. I'm a gentleman!"
He started to walk away but turned back.
"Why did you even offer to help if you think so little of me?"
I couldn't even look him in the eye. I didn't know how to explain I had been prepped to expect a dog, that the darkness and privacy made me feel strange, that I'd only ever been alone with one other boy and that was how we behaved.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
On May 26th, 2003,
Aaron Ralston was hiking,
a boulder fell on his right hand,
he waited four days,
he then amputated
his own arm with a pocketknife.
On New Year’s Eve,
a woman was bungee jumping,
the cord broke,
she fell into a river
and had to swim back to land
in crocodile-infested waters
with a broken collarbone.
Claire Champlin was smashed in the face
by a five-pound watermelon
being propelled by a slingshot.
Mathew Brobst was hit by a javelin.
David Striegl was actually
punched in the mouth by a kangaroo.
The most amazing part of these stories
is when asked about the experience
they all smiled, shrugged and said
“I guess things could’ve been worse.”
So go ahead,
tell me you’re having a bad day.
Tell me about the traffic.
Tell me about your boss.
Tell me about the job you’ve been trying to quit for the past four years.
Tell me the morning is just a townhouse burning to the ground and the snooze button is a fire extinguisher.
Tell me the alarm clock
stole the keys to your smile,
drove it into 7 am
and the crash totaled your happiness.
Tell me.
Tell me how blessed are we to have tragedy
so small it can fit on the tips of our tongues.
When Evan lost his legs he was speechless.
When my cousin was assaulted
she didn’t speak for 48 hours.
When my uncle was murdered,
we had to send out a search party
to find my father’s voice.
Most people have no idea
that tragedy and silence
often have the exact same address.
When your day is a museum of disappointments,
hanging from events that were outside of your control,
when you feel like your guardian angel put in his two weeks notice two months ago
and just decided not to tell you,
when it seems like God
is just a babysitter that’s always on the phone,
when you get punched in the esophagus by a fistful of life.
Remember,
every year
two million people die of dehydration.
So it doesn’t matter if
the glass is half full or half empty.
There’s water in the cup.
Drink it and stop complaining.
Muscle is created by lifting things
that are designed to weigh us down.
When your shoulders are heavy
stand up straight and call it exercise.
Life is a gym membership
with a really complicated cancellation policy.
Remember,
you will survive,
things could be worse,
and we are never given
anything we can’t handle.
When the whole world crumbles,
you have to build a new one
out of all the pieces that are still here.
Remember,
you are still here.
The human heart beats
approximately 4,000 times per hour
and each pulse,
each throb,
each palpitation is a trophy,
engraved with the words
“You are still alive.”
You are still alive.
So act like it.
”
”
Rudy Francisco (Helium (Button Poetry))
“
And what does it amount to?" said Satan, with his evil chuckle. "Nothing at all. You gain nothing; you always come out where you went in. For a million years the race has gone on monotonously propagating itself and monotonously reperforming this dull nonsense--to what end? No wisdom can guess! Who gets a profit out of it? Nobody but a parcel of usurping little monarchs and nobilities who despise you; would feel defiled if you touched them; would shut the door in your face if you proposed to call; whom you slave for, fight for, die for, and are not ashamed of it, but proud; whose existence is a perpetual insult to you and you are afraid to resent it; who are mendicants supported by your alms, yet assume toward you the airs of benefactor toward beggar; who address you in the language of master to slave, and are answered in in the language of slave to master; who are worshiped by you with your mouth, while in your heart--if you have one--you despise yourselves for it. The first man was hypocrite and a coward, qualities which have not yet failed in his line; it is the foundation upon which all civilizations have been built. Drink to their perpetuation! Drink to their augmentation! Drink to--" Then he saw by our faces how much we were hurt, and he cut his sentence short and stopped chuckling...
”
”
Mark Twain (The Mysterious Stranger and Other Stories)
“
I want you to close your eyes and think about why you're here tonight. Don't tell me 'revenge' because you've already gotten it just by being here tonight. This isn't about Riko anymore. This isn't about the Ravens. This is about everything it took you to get to this point, everything it cost you, and everyone who laughed when you dared to dream of something big and bright. You're here tonight because you refused to give up and refused to give in. You're here where they all said you'd never be, and no one can say you haven't earned the right to play this game. All eyes are on you. It's time to show them what you're made of. There's no room for doubt, no room for second guesses, no room for error. This is your night. This is your game. This is your moment. Seize it with everything you've got. Pull out all the stops and lay it all on the line. Fight because you don't know how to die quietly. Win because you don't know how to lose. This king's ruled long enough—it's time to tear his castle down.
”
”
Nora Sakavic (The King's Men (All for the Game, #3))
“
With a regrettable sigh he shook his head.
"I'm sorry, but this isn't going to work out."
"What the hell are you doing, Trevor?" Hank
demanded anxiously. No doubt the man
wouldn't be getting laid tonight, but Trevor
couldn't help it. He had his standards and
this woman failed them.
"Maybe we could go grab a cup of coffee
somewhere and get to know-"
He held up his hand, stopping her before she
made an even bigger fool out of herself.
"Please stop."
"But, I was only-"
"Don't beg."
"I wasn't. I was just-"
"Begging?" Trevor guessed, sighing. "I know,
but you're going to have to accept that this
would never work out."
She frowned up at him. "I wasn't begging. I
was just going to suggest that we should-"
"Look," he said, reaching for the door, "this
s just getting sad. I'm just going to go before
things get out of hand.
”
”
R.L. Mathewson (Perfection (Neighbor from Hell, #2))
“
But it’s tempting to be Cool Girl. For someone like me, who likes to win, it’s tempting to want to be the girl every guy wants. When I met Nick, I knew immediately that was what he wanted, and for him, I guess I was willing to try. I will accept my portion of blame. The thing is, I was crazy about him at first. I found him perversely exotic, a good ole Missouri boy. He was so damn nice to be around. He teased things out in me that I didn’t know existed: a lightness, a humor, an ease. It was as if he hollowed me out and filled me with feathers. He helped me be Cool Girl – I couldn’t have been Cool Girl with anyone else. I wouldn’t have wanted to. I can’t say I didn’t enjoy some of it: I ate a MoonPie, I walked barefoot, I stopped worrying. I watched dumb movies and ate chemically laced foods. I didn’t think past the first step of anything, that was the key. I drank a Coke and didn’t worry about how to recycle the can or about the acid puddling in my belly, acid so powerful it could strip clean a penny. We went to a dumb movie and I didn’t worry about the offensive sexism or the lack of minorities in meaningful roles. I didn’t even worry whether the movie made sense. I didn’t worry about anything that came next. Nothing had consequence, I was living in the moment, and I could feel myself getting shallower and dumber. But also happy.
”
”
Gillian Flynn (Gone Girl)
“
As I brush my teeth, I scroll through my phone to see if Sabrina texted when my phone was on silent last night.
She didn’t. Damn. I was hoping my speech—and that amazing fucking kiss—might’ve changed her mind about going out with me, but I guess it didn’t.
I do, however, find the most mind-boggling conversation in the group chat I have with my roommates. All the messages are from last night, and they’re bizarre as fuck.
Garrett: The hells, D?!
Dean: It’s not what you think!!
Logan: It’s hard to mistake ur romantic bath with that giant pink thing! In ur ass!
Dean: It wasn’t in my ass!
Garrett: I’m not even going to ask where it was
Dean: I had a girl over!
Garrett: Suuuuuuuuure
Logan: Suuuuuuuuure
Dean: I hate you guys
Garrett: <3
Logan: <3
I rinse my mouth out, spit, and drop the toothbrush into the little cup on the sink. Then I quickly type out a text.
Me: Wait… what did I miss?
Since we have practice in twenty minutes, the guys are already awake and clearly on their phones. Two photos pop up simultaneously. Garrett and Logan have both sent me pics of pink dildos. I’m even more confused now.
Dean messages immediately with, Why do you guys have dildo pics handy?
Logan: ALINIMB
Dean: ??
Me: ??
Garrett: At Least It’s Not In My Butt.
I snort to myself, because I’m starting to piece it together.
Logan: Nice, G! U got that on the first try!
Garrett: We spend too much time 2gether.
Me: PLEASE tell me u caught D playing w/ dildos.
Logan: Sure did.
Dean is quick to object again.
I HAD A GIRL OVER!
The guys and I rag on him for a couple more minutes, but I have to stop when Fitzy stumbles into the bathroom and shoves me aside. He’s got crazy bedhead and he’s buck-naked.
“Gotta piss,” he mumbles.
“Mornin’, sunshine,” I say cheerfully. “Want me to make you some coffee?”
“God. Yes. Please.”
Chuckling, I duck out of the bathroom and walk the four or so steps into his kitchenette. When he finally emerges, I shove a cup of coffee in his hand, sip my own, and say, “Dean shoved a dildo up his ass last night.”
Fitzy nods. “Makes sense.”
I snicker mid-sip. Coffee spills over the rim of my cup. “It really does, huh?
”
”
Elle Kennedy (The Goal (Off-Campus, #4))
“
I am no theologian, and do not have the answers to these questions, and one of the reasons I enjoy the animals on the farm so much is that they don't think about their pain, or question it, they accept it and endure it, true stoics. I have never heard a donkey or cow whine (although I guess dogs do).
I told my friend this: pain, like joy, is a gift. It challenges us, tests, defines us, causes us to grow, empathize, and also, to appreciate its absence. If nothing else, it sharpens the experience of joy. The minute something happens to me that causes pain, I start wondering how I can respond to it, what I can learn from it, what it has taught me or shown me about myself. This doesn't make it hurt any less, but it puts it, for me, on a more manageable level. I don't know if there is a God, or if he causes me or anybody else to hurt, or if he could stop pain. I try to accept it and live beyond it. I think the animals have taught me that.
The Problem of Pain is that it exists, and is ubiquitous. The Challenge of Pain is how we respond to it.
”
”
Jon Katz
“
I grew up back and forth between the British Isles: England, Ireland, Scotland, Wales. I spent short periods of time in France, Italy, and South Africa. This is my first time in the States. I was disappointed by Atlanta at first — I'd wanted to live in New York-but it's grown on me.”
Everything about Kaidan was exciting and exotic. This was my first time traveling away from home, and he'd already seen so much. I ate my apple, glad it was crisp and not soft.
“Which was your favorite place?” I asked.
“I've never been terribly attached to any place. I guess it would have to be...here.”
I stopped midchew and examined his face. He wouldn't look at me. He was clenching his jaw, tense. Was he serious or was he teasing me? I swallowed my bite.
“The Texas panhandle?” I asked.
“No.” He seemed to choose each word with deliberate care. “I mean here in this car. With you.”
Covered in goose bumps, I looked away from him and stared straight ahead at the road, letting my hand with the apple fall to my lap.
He cleared his throat and tried to explain. “I've not talked like this with anyone, not since I started working, not even to the only four people in the world who I call friends. You have Patti, and even that boyfriend of yours. So this has been a relief of sort. Kind of...nice.” He cleared his throat again.
Oh, my gosh. Did we just have a moment? I proceeded with caution, hoping not to ruin it.
“It's been nice for me, too,” I said. “I've never told Jay anything. He has no idea. You're the only one I've talked to about it all, except Patti, but it's not the same. She learned the basics from the nun at the convent where I was born.”
“You were born in a convent,” he stated.
“Yes.”
“Naturally.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was.
But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information.
"You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old."
I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty.
The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever.
Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
”
”
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
“
So I made up my mind I was going to find someone who would love me unconditionally three hundred and sixty five days a year, I was still in elementary school at the time - fifth or sixth grade - but I made up my mind once and for all.”
-“Wow,” I said. “Did the search pay off?”
“That’s the hard part,” said Midori. She watched the rising smoke for a while, thinking. “I guess I’ve been waiting so long I’m looking for perfection. That makes it tough.”
-“Waiting for the perfect love?”
“No, even I know better than that. I’m looking for selfishness. Perfect selfishness. Like, say I tell you I want to eat strawberry shortcake. And you stop everything you’re doing and run out and buy it for me. And you come back out of breath and get down on your knees and hold this strawberry shortcake out to me. And I say I don’t want it anymore and throw it out the window. That’s what I’m looking for.”
-“I’m not sure that has anything to do with love,” I said with some amazement.
“It does,” she said. “You just don’t know it. There are time in a girl’s life when things like that are incredibly important.”
-“Things like throwing strawberry shortcake out the window?”
“Exactly. And when I do it, I want the man to apologize to me. “Now I see, Midori. What a fool I have been! I should have known that you would lose your desire for strawberry shortcake. I have all the intelligence and sensitivity of a piece of donkey shit. To make it up to you, I’ll go out and buy you something else. What would you like? Chocolate Mousse? Cheesecake?”
-“So then what?”
“So then I’d give him all the love he deserves for what he’s done.”
-“Sounds crazy to me.”
“Well, to me, that’s what love is…
”
”
Haruki Murakami (Norwegian Wood)
“
When Magnus looked at Imasu, he saw Imasu had dropped his head into his hands.
"Er," Magnus said. "Are you quite all right?"
"I was simply overcome," Imasu said in a faint voice.
Magnus preened slightly. "Ah. Well."
"By how awful that was," Imasu said.
Magnus blinked. "Pardon?"
"I can't live a lie any longer!" Imasu burst out. "I have tried to be encouraging. Dignitaries of the town have been sent to me, asking me to plead with you to stop. My own sainted mother begged me, with tears in her eyes - "
"It isn't as bad as all that - "
"Yes, it is!" It was like a dam of musical critique had broken. Imasu turned on him with eyes that flashed instead of shining. "It is worse than you can possibly imagine! When you play, all of my mother's flowers lose the will to live and expire on the instant. The quinoa has no flavor now. The llamas are migrating because of your music, and llamas are not a migratory animal. The children now believe there is a sickly monster, half horse and half large mournful chicken, that lives in the lake and calls out to the world to grant it the sweet release of death. The townspeople believe that you and I are performing arcane magic rituals - "
"Well, that one was rather a good guess," Magnus remarked.
" - using the skull of an elephant, an improbably large mushroom, and one of your very peculiar hats!"
"Or not," said Magnus. "Furthermore, my hats are extraordinary."
"I will not argue with that." Imasu scrubbed a hand through his thick black hair, which curled and clung to his fingers like inky vines. "Look, I know that I was wrong. I saw a handsome man, thought that it would not hurt to talk a little about music and strike up a common interest, but I don't deserve this. You are going to get stoned in the town square, and if I have to listen to you play again, I will drown myself in the lake."
"Oh," said Magnus, and he began to grin. "I wouldn't. I hear there is a dreadful monster living in that lake."
Imasu seemed to still be brooding about Magnus's charango playing, a subject that Magnus had lost all interest in. "I believe the world will end with a noise like the noise you make!"
"Interesting," said Magnus, and he threw his charango out the window.
"Magnus!"
"I believe that music and I have gone as far as we can go together," Magnus said. "A true artiste knows when to surrender."
"I can't believe you did that!"
Magnus waved a hand airily. "I know, it is heartbreaking, but sometimes one must shut one's ears to the pleas of the muse."
"I just meant that those are expensive and I heard a crunch.
”
”
Cassandra Clare (The Bane Chronicles)
“
Hitherto, the Palestinians had been relatively immune to this Allahu Akhbar style. I thought this was a hugely retrograde development. I said as much to Edward. To reprint Nazi propaganda and to make a theocratic claim to Spanish soil was to be a protofascist and a supporter of 'Caliphate' imperialism: it had nothing at all to do with the mistreatment of the Palestinians. Once again, he did not exactly disagree. But he was anxious to emphasize that the Israelis had often encouraged Hamas as a foil against Fatah and the PLO. This I had known since seeing the burning out of leftist Palestinians by Muslim mobs in Gaza as early as 1981. Yet once again, it seemed Edward could only condemn Islamism if it could somehow be blamed on either Israel or the United States or the West, and not as a thing in itself. He sometimes employed the same sort of knight's move when discussing other Arabist movements, excoriating Saddam Hussein's Ba'ath Party, for example, mainly because it had once enjoyed the support of the CIA. But when Saddam was really being attacked, as in the case of his use of chemical weapons on noncombatants at Halabja, Edward gave second-hand currency to the falsified story that it had 'really' been the Iranians who had done it. If that didn't work, well, hadn't the United States sold Saddam the weaponry in the first place? Finally, and always—and this question wasn't automatically discredited by being a change of subject—what about Israel's unwanted and ugly rule over more and more millions of non-Jews?
I evolved a test for this mentality, which I applied to more people than Edward. What would, or did, the relevant person say when the United States intervened to stop the massacres and dispossessions in Bosnia-Herzegovina and Kosovo? Here were two majority-Muslim territories and populations being vilely mistreated by Orthodox and Catholic Christians. There was no oil in the region. The state interests of Israel were not involved (indeed, Ariel Sharon publicly opposed the return of the Kosovar refugees to their homes on the grounds that it set an alarming—I want to say 'unsettling'—precedent). The usual national-security 'hawks,' like Henry Kissinger, were also strongly opposed to the mission. One evening at Edward's apartment, with the other guest being the mercurial, courageous Azmi Bishara, then one of the more distinguished Arab members of the Israeli parliament, I was finally able to leave the arguing to someone else. Bishara [...] was quite shocked that Edward would not lend public support to Clinton for finally doing the right thing in the Balkans. Why was he being so stubborn? I had begun by then—belatedly you may say—to guess. Rather like our then-friend Noam Chomsky, Edward in the final instance believed that if the United States was doing something, then that thing could not by definition be a moral or ethical action.
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
America, is there lipstick on my teeth?" Zoe asked. I turned to my left and found her smiling maniacally, exposing all her pearly whites.
"No, you're good," I answered, seeing out of the corner of my eye that Marlee was nodding in confirmation.
"Thanks. How is he so calm?" Zoe asked, pointing over at Maxon, who was talking to a member of the crew. She then bent down and put her head between her legs and started doing controlled breathing.
Marlee and I looked at each other, eyes wide with amusement, and tried not to laugh. It was hard if we looked at Zoe, so we surveyed the room and chatted about what others were wearing. There were several girls in seductive reds and lively greens, but no one else in blue. Olivia had gone so far as to wear orange. I'd admit that I didn't know that much about fashion, but Marlee and I both agreed that someone should have intervened on her behalf. The color made her skin look kind of green.
Two minutes before the cameras turned on, we realized it wasn't the dress making her look green. Olivia vomited into the closest trash can very loudly and collapsed on the floor. Silvia swooped in, and a fuss was made to wipe the sweat off her and get her into a seat. She was placed in the back row with a small receptacle at her feet, just in case.
Bariel was in the seat in front of her. I couldn't hear what she muttered to the poor girl from where I was, but it looked like Bariel was prepared to injure Olivia should she have another episode near her.
I guessed that Maxon had seen or heard some of the commotion, and I looked over to see if he was having any sort of reaction to it all. But he wasn't looking toward the disturbance; he was looking at me. Quickly-so quickly it would look like nothing but scratching an itch to anyone else-Maxon reached up and tugged on his ear. I repeated the action back, and we both turned away.
I was excited to know that tonight, after dinner, Maxon would be stopping by my room.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
Who else knows about this besides us?”
“Just Patti...”
“Okay. That should be okay. Is that it?”
“And Kaidan,” I added. My eyes darted everywhere but his face. I was in for it.
“Who?” There was an edge to his voice.
His eyes searched mine. I didn't want to tell him a single thing about Kaidan. I knew how it would sound. I took my hands from his, pulling the braid over my shoulder to mess with it.
“He's my friend. He's the one who drove me here to see you.”
“You told some human kid?”
I coughed, buying time. “He's Neph, too.”
Jonathan LaGray went rigid and his ruddy cheeks paled. I squirmed as his eyes bored into mine.
“Which one's his father?” he asked through clenched teeth.
“Richard Rowe. I guess you'd know him as Pharzuph.”
Oh, boy. He wasn't pale anymore.
“You came across the country—”
“Shhh!” I warned him as people looked over. He lowered his voice to a shouted whisper.
“-with the son of the Duke of Lust? Son of a—”
He pounded a fist down on the table and a guard stepped toward us. I waved and nodded at the man, trying to reassure him it was fine, and my father pulled his balled hands down into his lap. After a moment the guard walked back to the wall and looked away.
“Don't worry!” I whispered. “I told you; we're just friends.”
He closed his eyes and massaged his forehead with his fingers to calm his temper.
“You tell him that his father is never to know about you or whatever Sister Ruth tells you. Understand?”
“He would never tell his father anything. But, um...” I swallowed. “Unfortunately, Pharzuph already knows about me.”
His eyes flashed red again and it nearly stopped my heart. I pressed my back into the seat, causing it to wobble.
“Aren't you worried people will see your eyes when you do that?” I asked, sure that my own eyes were gigantic at that moment.
“Humans can't see it. And don't try to change the subject. I know Pharzuph,” he growled. “He's a real bastard on earth and in hell. He'd do anything to gain favour.”
“Kaidan thinks he'll forget about me if I lie low.”
“Maybe momentarily, while he's busy or distracted with his work, but you'll cross his mind again someday.
”
”
Wendy Higgins (Sweet Evil (Sweet, #1))
“
You go out into your world, and try and find the things that will be useful to you. Your weapons. Your tools. Your charms. You find a record, or a poem, or a picture of a girl that you pin to the wall and go, "Her. I'll try and be her. I'll try and be her - but here." You observe the way others walk, and talk, and you steal little bits of them - you collage yourself out of whatever you can get your hands on. You are like the robot Johnny 5 in Short Circuit, crying, "More input! More input for Johnny 5! as you rifle through books and watch films and sit in front of the television, trying to guess which of these things that you are watching - Alexis Carrington Colby walking down a marble staircase; Anne of Green Gables holding her shoddy suitcase; Cathy wailing on the moors; Courtney Love wailing in her petticoat; Dorothy Parker gunning people down; Grace Jones singing "Slave to the Rhythm" - you will need when you get out there. What will be useful. What will be, eventually, you?
And you will be quite on your own when you do all this. There is no academy where you can learn to be yourself; there is no line manager slowly urging you toward the correct answer. You are midwife to yourself, and will give birth to yourself, over and over, in dark rooms, alone.
And some versions of you will end in dismal failure - many prototypes won't even get out the front door, as you suddenly realize that no, you can't style-out an all-in-one gold bodysuit and a massive attitude problem in Wolverhampton. Others will achieve temporary success - hitting new land-speed records, and amazing all around you, and then suddenly, unexpectedly exploding, like the Bluebird on Coniston Water.
But one day you'll find a version of you that will get you kissed, or befriended, or inspired, and you will make your notes accordingly, staying up all night to hone and improvise upon a tiny snatch of melody that worked.
Until - slowly, slowly - you make a viable version of you, one you can hum every day. You'll find the tiny, right piece of grit you can pearl around, until nature kicks in, and your shell will just quietly fill with magic, even while you're busy doing other things. What your nature began, nature will take over, and start completing, until you stop having to think about who you'll be entirely - as you're too busy doing, now. And ten years will pass without you even noticing.
And later, over a glass of wine - because you drink wine now, because you are grown - you will marvel over what you did. Marvel that, at the time, you kept so many secrets. Tried to keep the secret of yourself. Tried to metamorphose in the dark. The loud, drunken, fucking, eyeliner-smeared, laughing, cutting, panicking, unbearably present secret of yourself. When really you were about as secret as the moon. And as luminous, under all those clothes.
”
”
Caitlin Moran (How to Build a Girl (How to Build a Girl, #1))