Stools With Quotes

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So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent...and right when your song ended, I knew - just like your mother - I was a goner.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
When suffering knocks at your door and you say there is no seat for him, he tells you not to worry because he has brought his own stool.
Chinua Achebe
It was ironic, really - you want to die because you can't be bothered to go on living - but then you're expected to get all energetic and move furniture and stand on chairs and hoist ropes and do complicated knots and attach things to other things and kick stools from under you and mess around with hot baths and razor blades and extension cords and electrical appliances and weedkiller. Suicide was a complicated, demanding business, often involving visits to hardware shops. And if you've managed to drag yourself from the bed and go down the road to the garden center or the drug store, by then the worst is over. At that point you might as well just go to work.
Marian Keyes (Lucy Sullivan Is Getting Married)
Fear can be a first-rate stool pigeon, a precious safeguard or a wise counselor. If it overwhelms us, we would do well not to shrink back and sulk, but crystallize our potentials, think forward and objectify our goals. ("One could still feel the smell of fear" )
Erik Pevernagie
Noah's eyes held my face. I swallowed hard. The juxtaposition of him sitting in a room full of people while staring at no one but me was overwhelming. Something shifted inside of me at the intimacy of us, eyes locked amid the scraping of twenty graphite pencils on paper. I shaded his face out of nothingness. I smudged the slope of his neck and darkened his delinquent mouth, while the lights accented the right angle of his jaw against the cloudy sky outside. I did not hear the bell. I did not hear the other students rise and leave the room. I did not even notice that Noah no longer sat at the stool.
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
There was a sad fellow over on a bar stool talking to the bartender, who was polishing a glass and listening with that plastic smile people wear when they are trying not to scream.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
When Suffering knocks at your door and you say there is no seat left for him, he tells you not to worry because he has brought his own stool.
Chinua Achebe
We were five. You had a plaid dress and your hair...it was in two braids instead of one. My father pointed you out while we were waiting to line up. He said, 'See that little girl? I wanted to marry her mother, but she ran off with a coal miner.' And I said, 'A coal miner? Why did she want a coal miner if she could've had you?' And he said, 'Because when he sings...even the birds stop to listen.' So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She put you up on a stool and had you sing it for us. And I swear, ever bird outside the windows fell silent. And right when your song ended, I knew -just like your mother- I was a goner.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
I will meet you in the dirtiest city you can dream of. We will drink cocktails so sweet they pucker our cheeks, as we perch on cracked leather bar stools. I will buy you plates of calcium and protein and we will run through the streets in excellent danger.
Michelle Tea
Sunset found her squatting in the grass, groaning. Every stool was looser than the one before, and smelled fouler. By the time the moon came up, she was shitting brown water. The more she drank the more she shat, but the more she shat, the thirstier she grew.
George R.R. Martin
Sometimes we feel we straddle two cultures; at other times, that we fall between two stools.
Salman Rushdie (Imaginary Homelands: Essays and Criticism 1981-1991)
Hope is a leg of a 3-legged stool with Faith and Charity.
Dieter F. Uchtdorf
Peeta,” I say lightly. “You said at the interview you’d had a crush on me forever. When did forever start?” “Oh, let’s see. I guess the first day of school. We were five. You had on a red plaid dress and your hair... it was in two braids instead of one. My father pointed you out when we were waiting to line up,” Peeta says. “Your father? Why?” I ask. “He said, ‘See that little girl? I wanted to marry her mother, but she ran off with a coal miner,’” Peeta says. “What? You’re making that up!” I exclaim. “No, true story,” Peeta says. “And I said, ‘A coal miner? Why did she want a coal miner if she could’ve had you?’ And he said, ‘Because when he sings... even the birds stop to listen.’” “That’s true. They do. I mean, they did,” I say. I’m stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it’s a waste of time. It might be because it reminds me too much of my father. “So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent,” Peeta says. “Oh, please,” I say, laughing. “No, it happened. And right when your song ended, I knew—just like your mother—I was a goner,” Peeta says. “Then for the next eleven years, I tried to work up the nerve to talk to you.” “Without success,” I add. “Without success. So, in a way, my name being drawn in the reaping was a real piece of luck,” says Peeta. For a moment, I’m almost foolishly happy and then confusion sweeps over me. Because we’re supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta’s story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don’t remember the song. And that red plaid dress... there was one, a hand-me-down to Prim that got washed to rags after my father’s death. It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true... could it all be true? “You have a... remarkable memory,” I say haltingly. “I remember everything about you,” says Peeta, tucking a loose strand of hair behind my ear. “You’re the one who wasn’t paying attention.” “I am now,” I say. “Well, I don’t have much competition here,” he says. I want to draw away, to close those shutters again, but I know I can’t. It’s as if I can hear Haymitch whispering in my ear, “Say it! Say it!” I swallow hard and get the words out. “You don’t have much competition anywhere.” And this time, it’s me who leans in.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
Hmm,” said a small voice in his ear. “Difficult. Very difficult. Plenty of courage, I see. Not a bad mind either. There’s talent, oh my goodness, yes — and a nice thirst to prove yourself, now that’s interesting. . . . So where shall I put you?” Harry gripped the edges of the stool and thought, Not Slytherin, not Slytherin. “Not Slytherin, eh?” said the small voice. “Are you sure? You could be great, you know, it’s all here in your head, and Slytherin will help you on the way to greatness, no doubt about that — no? Well, if you’re sure — better be GRYFFINDOR!
J.K. Rowling (Harry Potter and the Sorcerer's Stone (Harry Potter, #1))
I sat on my stool and popped a lukewarm fry into my mouth, suddenly feeling very self-conscious, like the entire bar had just witnessed an intimate moment I’d never intended to share.
Lisa Kessler (Sedona Surrender (Sedona Pack #4))
The 3-legged stool of understanding is held up by history, languages, and mathematics. Equipped with those three you can learn anything you want to learn. But if you lack any one of them you are just another ignorant peasant with dung on your boots.
Robert A. Heinlein (Expanded Universe)
She still remembered sitting for hours as a little girl and pretending to be a hassock. A foot stool. Because if she could just stay very small, and very quiet, her mother would forget she was there, and then she wouldn't scream about people and places and things that had gone wrong.
Eloisa James (An Affair Before Christmas (Desperate Duchesses, #2))
When I come back, the club is packed. There's hardly any standing room. Anna snagged a wooden bar stool, one of the few seats here. St. Clair stands close to her, facing her, and he smoothes the platinum stripe in her hair. She pulls him even closer by the top of his jeans, one finger tucked inside. It's an intimate gesture. I'm embarrassed to watch, but I can't look away. He kisses her slowly and deeply. They don't care that anyone could watch. Or maybe they've forgotten they aren't alone. When they break apart, Anna says something that makes him fall into silly, boyish laughter. For some reason, that's the moment that makes me turn away. Something about their love is painful.
Stephanie Perkins (Lola and the Boy Next Door (Anna and the French Kiss, #2))
If the king could make a throne seem like a stool fit for a printer's apprentice, the queen could make a rumpled bedspread into a throne.
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
Sitting on my stool I thought of a bumper sticker: "If Mean People Suck, Why Isn't My Dick In Your Mouth?
Paul Neilan (Apathy and Other Small Victories)
He didn't say anything more, just waited for me to tell him what I'd been thinking. It was pure speculation, and I was opening myself up to ridicule by saying anything at all. I sat on the stool and realized that I had my loyalties, too.
Patricia Briggs (Moon Called (Mercy Thompson, #1))
Look at this!" he shouted "look at it! what has that one-woman force of chaos done to these spells?" Sophie and Michael whirled round and looked at Howl. His hair was wet, but, apart from that, neither of them could see that it looked any different. "If you mean me-" Sophie began. "I do mean you! Look!" Howl shrieked. He sat down with a thump on the three-legged stool and jabbed at his wet head with his fingers. "Look. Survey. Inspect. My hair is ruined! I look like a pan of bacon and eggs!" Michael and Sophie bent nervously over Howl's head. it seemed the usual flaxen color right down to the roots. The only difference might have been a slight, very slight, trace of red. Sophie found that agreeable. It reminded her a little of the color her own hair should have been. "I think it's nice," she said. "Nice!" screamed Howl. "You would! You did it on purpose. You couldn't rest until you made me miserable too. Look at it! It's ginger! I shall have to hide until it's grown out!" He spread his arms out passionately. "Dispair!" he yelled. "Anguish! Horror!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Parties who want milk should not seat themselves on a stool in the middle of the field in hope that the cow will back up to them.
Elbert Hubbard
The first time someone I loved left me behind...I didn't know how my family would balance. We had been such a sturdy little end table, four solid legs. I was sure we would now be off-kilter, always unstable. Until one day I looked more closely, and realized that we had simply become a stool.
Jodi Picoult (Lone Wolf)
Now, this pair," he waved the shoes he held, "are new. They haven't been walked a mile, and for new shoes like these I charge a talent, maybe a talent and two." He pointed at my feet. "Those shoes, on the other hand, are used, and I don't sell used shoes." He turned his back on me and started to tidy his workbench rather aimlessly, humming to himself... I knew that he was trying to do me a favor, and a week ago I would have jumped at the opportunity for free shoes. But for some reason I didn't feel right about it. I quietly gathered up my things and left a pair of copper jots on his stool before I left. Why? Because pride is a strange thing, and because generosity deserves generosity in return. But mostly because it felt like the right thing to do, and that is reason enough.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
I hear you’re single now.” Aaron gave a white-toothed smile and tossed his hair. “Where did you hear that?” Scarlet cocked her head, hoping to find the leak. He pulled his stool over and sat down. “A little bird told me.” Why did people use that saying? Little birds didn’t talk. They chirped. And, unless Aaron spoke bird, he certainly wasn’t deciphering any bird chirpings.
Chelsea Fine (Awry (The Archers of Avalon, #2))
My stomach hurts, but if it's guilt or impacted stool, I can't tell. Either way, I'm so full of shit.
Chuck Palahniuk (Choke)
Mr. Fresh sat down on the stool behind the counter and stared into the eyes of the cardboard cutout of Cher, hoping to find answers there. But the bitch was holding out.
Christopher Moore (A Dirty Job (Grim Reaper, #1))
I took the stool next to him, raising an eyebrow at the coffee and cruller on the counter. "Thought you weren't into internal pollution," I said. Lately Ranger'd been on a health food thing. "Props," Ranger told me. "Didn't want to look out of place." I didn't want to burst his fantasy bubble, but the only time Ranger wouldn't look out of place would be standing in a lineup between Rambo and Batman.
Janet Evanovich (Three to Get Deadly (Stephanie Plum, #3))
Holy shit,” I blurt out. “You shaved the beard.” I glare at Garrett. “Why didn’t you tell me? I would’ve thrown us a party.” Dean snickers. “You mean thrown him a party.” “No, he means us,” Garrett replies for me. “We’re the ones who had to stare at that ghastly thing for half a year.” I smack Tuck’s ass as he breezes past my stool. “Welcome back, Babyface.” “Fuck off,” he grumbles.
Elle Kennedy (The Mistake (Off-Campus, #2))
At one O'Clock, Miss Celia comes in the kitchen and says she's ready for her first cooking lesson. She settles on a stool. She's wearing a tight red sweater and a red skirt and enough makeup to scare a hooker.
Kathryn Stockett (The Help)
Are you okay?" she whispers, giggling. Me? Oh sure. You might have to carry me out of here, though." What happened?" I created a distraction." I gathered that." Step stool, encyclopedias, floor." I see. Well, I can't thank you enough." Sure you can. Help me flunk enough tests, so I drop out of the 'torian range." Can't you just tell Abernethy that you have a reputation as a dumbshit to keep up, and you don't want the attention?" Flunking is more fun.
Lisa McMann (Fade (Wake, #2))
Of course, I couldn’t explain this vector calculus concept and so, slightly embarrassed in front of Rahul and the other Bengali students, I told Sanjit just that; he had cornered me, and honesty emerged as my only option. Simultaneous to my humiliating disclosure of the truth, Sanjit gradually inched toward where I was sitting. After hearing my reply, he slowly returned to his teacher stool and whiteboard, his back turned away from the class, the suspense building and his words impending, before turning around and breaking into speech, “Don’t trust your interior monologue. If you are asked something and you know it, then express or demonstrate it. Don’t just nod or say yes because then you are lying to yourself. Any ass can say yes, but not all asses can express it.” I modified my first impression: Sanjit was full of explicit aphorisms. Humbled, those words encouragingly rang between my ears for quite some time.
Colin Phelan (The Local School)
Suddenly, as one, all the Greys stop talking and gape at Christian. What? Christian is singing softly to himself at the piano. Silence descends on us all as we strain to hear his soft, lyrical voice. I've heard him sing before, haven't they? He stops, suddenly conscious of the deathly hush that's fallen over the room. Kate glances questioningly at me and I shrug. Christian turns on the stool and frowns, embarrassed to realize he's become the center of attention. 'Go on,' Grace urges softly. 'I've never heard you sing, Christian. Ever.
E.L. James
I realized that the childish impression I had always had of my father, as Just Lawgiver, was entirely wrong. We were utterly dependent on this man, who was not only deluded and ignorant, but incompetent in every way. What was more, I knew that my mother was incapable of standing up to him. It was like walking into the cockpit of an airplane and finding the pilot and co-pilot passed out drunk in their seats. And standing outside the Lyceum, I was struck with a black, incredulous horror, which in fact was not at all unlike the horror I had felt at twelve, sitting on a bar stool in our sunny little kitchen in Plano. Who is in control here? I thought, dismayed. Who is flying this plane?
Donna Tartt (The Secret History)
My mind argued with itself about whether to adhere to proper etiquette or whether to fling aside all modesty and throw my arms around him. My feet chose the latter before my mind had a chance to settle it. I flew off the stool and landed in his embrace. Freezing rain drenched his coat and shirt. His arms wrapped around me tighter, and there was nothing so right as being pressed against Nathaniel Strider.
Tess Oliver (Camille (Camille, #1))
Shepley walked out of his bedroom pulling a T-shirt over his head. His eyebrows pushed together. “Did they just leave?” “Yeah,” I said absently, rinsing my cereal bowl and dumping Abby’s leftover oatmeal in the sink. She’d barely touched it. “Well, what the hell? Mare didn’t even say goodbye.” “You knew she was going to class. Quit being a cry baby.” Shepley pointed to his chest. “I’m the cry baby? Do you remember last night?” “Shut up.” “That’s what I thought.” He sat on the couch and slipped on his sneakers. “Did you ask Abby about her birthday?” “She didn’t say much, except that she’s not into birthdays.” “So what are we doing?” “Throwing her a party.” Shepley nodded, waiting for me to explain. “I thought we’d surprise her. Invite some of our friends over and have America take her out for a while.” Shepley put on his white ball cap, pulling it down so low over his brows I couldn’t see his eyes. “She can manage that. Anything else?” “How do you feel about a puppy?” Shepley laughed once. “It’s not my birthday, bro.” I walked around the breakfast bar and leaned my hip against the stool. “I know, but she lives in the dorms. She can’t have a puppy.” “Keep it here? Seriously? What are we going to do with a dog?” “I found a Cairn Terrier online. It’s perfect.” “A what?” “Pidge is from Kansas. It’s the same kind of dog Dorothy had in the Wizard of Oz.” Shepley’s face was blank. “The Wizard of Oz.” “What? I liked the scarecrow when I was a little kid, shut the fuck up.” “It’s going to crap every where, Travis. It’ll bark and whine and … I don’t know.” “So does America … minus the crapping.” Shepley wasn’t amused. “I’ll take it out and clean up after it. I’ll keep it in my room. You won’t even know it’s here.” “You can’t keep it from barking.” “Think about it. You gotta admit it’ll win her over.” Shepley smiled. “Is that what this is all about? You’re trying to win over Abby?” My brows pulled together. “Quit it.” His smile widened. “You can get the damn dog…” I grinned with victory. “…if you admit you have feelings for Abby.” I frowned in defeat. “C’mon, man!” “Admit it,” Shepley said, crossing his arms. What a tool. He was actually going to make me say it. I looked to the floor, and everywhere else except Shepley’s smug ass smile. I fought it for a while, but the puppy was fucking brilliant. Abby would flip out (in a good way for once), and I could keep it at the apartment. She’d want to be there every day. “I like her,” I said through my teeth. Shepley held his hand to his ear. “What? I couldn’t quite hear you.” “You’re an asshole! Did you hear that?” Shepley crossed his arms. “Say it.” “I like her, okay?” “Not good enough.” “I have feelings for her. I care about her. A lot. I can’t stand it when she’s not around. Happy?” “For now,” he said, grabbing his backpack off the floor.
Jamie McGuire (Walking Disaster (Beautiful, #2))
Good Evening , Sir John. I hope that you will accept a little gift from me.' I should be honored, Your Majesty.' I want to give you a little carved stool from my privy chambers. A pretty little piece from France. I hope you will like it.' I should be grateful.' It is for your daughter. For Jane. To sit on. She seems not to have a seat of her own but she must borrow mine.
Philippa Gregory (The Other Boleyn Girl (The Plantagenet and Tudor Novels, #9))
—Everybody talks about being a writer, angel. If every novel conceived on a bar stool made it into print, there would not be one tree left standing on God’s green Earth.
Irvine Welsh (The Sex Lives of Siamese Twins: A Novel)
Well your mom was right, in a way. What do you mean? He DID fall, right? So he wasn’t safe on the stool. Thanks, Annette. Thanks a lot. That’s exactly what I needed to hear right now. You’re a very inspiring person, you know that?
Jordan Sonnenblick (Drums, Girls & Dangerous Pie (Drums, Girls & Dangerous Pie #1))
Most of us who turn to any subject with love remember some morning or evening hour when we got on a high stool to reach down an untried volume, or sat with parted lips listening to a new talker, or for very lack of books began to listen to the voices within, as the first traceable beginning of our love.
George Eliot (Middlemarch)
Vee is my un-twin. She's green-eyed, milky blond, and a few pounds over curvy. I'm a smoky-eyed brunette with volumes of curly hair that holds its own against even the best flatiron. And I'm all legs, like a bar stool. But there is an invisible thread the ties us together; both of us swear that tie began long before birth. Both of us swear it will continue to hold for the rest of our lives.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
One becomes a critic when one cannot be an artist, just as a man becomes a stool pigeon when he cannot be a soldier.
Gustave Flaubert (The Letters of Gustave Flaubert, 1857-1880)
I was in Cancun, Mexico, sitting in a disappearing-edge swimming pool, on a bar stool that was actually under the water, watching palm trees sway in a sultry breeze against the unmistakable aqua splendor of the Caribbean Sea; drinking coconut, lime, and tequila from a scooped-out pineapple, with salt spray of breaking surf and sun kissing my skin. Translation: I'd died and gone to heaven.
Karen Marie Moning
She stared at him dully and said: “I don’t like crooks, and even if I did, I wouldn’t like crooks that are stool-pigeons, and if I liked crooks that are stool-pigeons, I still wouldn’t like you.” She turned to the outer door.
Dashiell Hammett (The Thin Man)
It is complete loose stool water. It is arse-gravy of the worst kind. - About "The Da Vinci Code
Stephen Fry
A mandarin fell in love with a courtesan. 'I shall be yours,' she told him, 'when you have spent a hundred nights waiting for me, sitting on a stool, in my garden, beneath my window.' But on the ninety-ninth night, the mandarin stood up, put his stool under his arm, and went away.
Roland Barthes (A Lover's Discourse: Fragments)
Zak pulled me over to my one bar stool. Twenty minutes ago, I’d owned two bar stools, but the other one was in pieces. Poor stool. So much life to live, snatched away too soon by an angry sea serpent.
Annette Marie (Two Witches and a Whiskey (The Guild Codex: Spellbound, #3))
Behind the counter, I slouched on my stool in the sun and sucked up the summer as If I could hold every drop of it inside of me. As the hours crept by, the afternoon sunlight bleached all the books on the shelves to pale, gilded versions of themselfs and warmed the paper and ink indside the covers so that the smell of unread words hung in the air.
Maggie Stiefvater (Shiver (The Wolves of Mercy Falls, #1))
Julia would do anything to make the time pass. She killed time, murdered it, massacred it and hid the bodies. She threw her days in bunches onto the bonfire with both hands and watched them go up in fragrant smoke. It wasn’t easy. Sometimes it felt like the hours had ground to a halt. They fought her as they passed, one after the other, like stubborn stools.
Lev Grossman (The Magician King (The Magicians, #2))
There was nowhere to sit except the bunk, which was covered with rotting food, and a wooden stool, upon which sat a large fur-covered lump—an old cheese, perhaps, or a dead cat.
Dave Barry (Peter and the Starcatchers (Peter and the Starcatchers, #1))
It’s very, very simple. You sit, either in a chair or on a prayer stool or mat, and allow your heart to open toward that invisible but always present Origin of all that exists.
Cynthia Bourgeault (Centering Prayer and Inner Awakening)
take a strict view of their excrements, and, from the colour, the odour, the taste, the consistence, the crudeness or maturity of digestion, form a judgment of their thoughts and designs; because men are never so serious, thoughtful, and intent, as when they are at stool...
Jonathan Swift (Gulliver’s Travels)
The old man slowly raised himself from the piano stool, fixed those cheerful blue eyes piercingly and at the same time with unimaginable friendliness upon him, and said: "Making music together is the best way for two people to become friends. There is none easier. That is a fine thing. I hope you and I shall remain friends. Perhaps you too will learn how to make fugues, Joseph.
Hermann Hesse (The Glass Bead Game)
Words are capable of flying. They dart through windows, over fences, between bar stools and across courtyards. They travel rapidly from mouth to ear, from ear to mouth. And as they go, they pick up speed and weight and substance and gravity. Until they land with a scud, take seed and grow as fast as the unruliest of beanstalks.
Jess Kidd (Himself)
She sang, as requested. There was much about love in the ballad: faithful love that refused to abandon its object; love that disaster could not shake; love that, in calamity, waxed fonder, in poverty clung closer. The words were set to a fine old air -- in themselves they were simple and sweet: perhaps, when read, they wanted force; when well sung, they wanted nothing. Shirley sang them well: she breathed into the feeling, softness, she poured round the passion, force: her voice was fine that evening; its expression dramatic: she impressed all, and charmed one. On leaving the instrument, she went to the fire, and sat down on a seat -- semi-stool, semi-cushion: the ladies were round her -- none of them spoke. The Misses Sympson and the Misses Nunnely looked upon her, as quiet poultry might look on an egret, an ibis, or any other strange fowl. What made her sing so? They never sang so. Was it proper to sing with such expression, with such originality -- so unlike a school girl? Decidedly not: it was strange, it was unusual. What was strange must be wrong; what was unusual must be improper. Shirley was judged.
Charlotte Brontë (Shirley)
Hey! All you peoples draggin along here. Stop and come stick your ass on a Night of Joy stool," he started again. "Night of Joy got genuine color peoples workin below the minimal wage. Whoa! Guarantee plantation atmosphere, got cotton growin right on the stage right in front your eyeball, got a civil right worker gettin his ass beat up between show. Hey!
John Kennedy Toole (A Confederacy of Dunces)
I’ve heard men complain of doing woman’s work, and women complain of doing man’s work,” she added, fastening her bony thumb and forefinger on Gurgi’s ear and marching him to a stool beside Taran, “but I’ve never heard the work complain of who did it, so long as it got done!
Lloyd Alexander (The Chronicles of Prydain (The Chronicles of Prydain, #1-5))
I got down off the stool and stood waiting. She might or might not blow me down. I didn't particularly care. Once in a while in this much too sex-conscious country a man and a woman can meet and talk without dragging bedrooms into it. This could be it, or she could just think I was on the make. If so, the hell with her.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
Consider the capacity of the human body for pleasure. Sometimes, it is pleasant to eat, to drink, to see, to touch, to smell, to hear, to make love. The mouth. The eyes. The fingertips, The nose. The ears. The genitals. Our voluptific faculties (if you will forgive me the coinage) are not exclusively concentrated here. The whole body is susceptible to pleasure, but in places there are wells from which it may be drawn up in greater quantity. But not inexhaustibly. How long is it possible to know pleasure? Rich Romans ate to satiety, and then purged their overburdened bellies and ate again. But they could not eat for ever. A rose is sweet, but the nose becomes habituated to its scent. And what of the most intense pleasures, the personality-annihilating ecstasies of sex? I am no longer a young man; even if I chose to discard my celibacy I would surely have lost my stamina, re-erecting in half-hours where once it was minutes. And yet if youth were restored to me fully, and I engaged again in what was once my greatest delight – to be fellated at stool by nymphet with mouth still blood-heavy from the necessary precautions – what then? What if my supply of anodontic premenstruals were never-ending, what then? Surely, in time, I should sicken of it. “Even if I were a woman, and could string orgasm on orgasm like beads on a necklace, in time I should sicken of it. Do you think Messalina, in that competition of hers with a courtesan, knew pleasure as much on the first occasion as the last? Impossible. “Yet consider. “Consider pain. “Give me a cubic centimeter of your flesh and I could give you pain that would swallow you as the ocean swallows a grain of salt. And you would always be ripe for it, from before the time of your birth to the moment of your death, we are always in season for the embrace of pain. To experience pain requires no intelligence, no maturity, no wisdom, no slow working of the hormones in the moist midnight of our innards. We are always ripe for it. All life is ripe for it. Always.
Jesus I. Aldapuerta (The Eyes: Emetic Fables from the Andalusian De Sade)
Orma moved a pile of books off a stool for me but seated himself directly on another stack. This habit of his never ceased to amuse me. Dragons no longer hoarded gold; Comonot's reforms had outlawed it. For Orma and his generation, knowledge was treasure. As dragons through the ages had done, he gathered it and then he sat on it.
Rachel Hartman (Seraphina (Seraphina, #1))
[Kenny] leaned back against the counter and studied the other man. “So Dex, how’s come you’re still alive to tell the tale?” Dexter wiped up a small coffee spill, the sat on the stool next to Torie. “All I’m prepared to say is that your sister and I slept together, and, since I compromised her, I intend to marry her.” Torie dropped her forehead and banged it three times against the countertop. “You are such a geek.” “Doesn’t sound like she’s too enthusiastic about it,” Kenny said.
Susan Elizabeth Phillips (Lady Be Good (Wynette, Texas, #2))
When you are sitting on a three-legged stool and you've kicked out all three legs, but you're still sitting upright, must you assume that you're so good, you levitate? Or must you assume that you were sitting on the ground all along?
Lydia Netzer (Shine Shine Shine)
Furnishing was not a priority in the Citadel. Shelves, stools, tables... There was a rumor among the novices that priests towards the top of the hierarchy had golden furniture, but there was no sign of it here. The room was as severe as anything in the novices' quarters although it had, perhaps, a more opulent severity; it wasn't the forced bareness of poverty, but the starkness of intent.
Terry Pratchett (Small Gods (Discworld, #13))
Has no one done my son a service and assassinated you yet?" "No assassins yet," Wit said, amused. "I guess I've already got too much ass sass of my own."..."Oh really, Wit" she said. "I thought that kind of humour was beneath you." "So are you technically," Wit said, smiling, from atop his high-legged stool.
Brandon Sanderson (The Way of Kings (The Stormlight Archive, #1))
Surviving is some kind of sin, like floating up off the dunking stool like a witch. You have to be permanently écorchée, heart-on-sleeve, offering up organs and body parts like a medieval female saint.
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
Hunter scored a total beauty in the third,” Hollis says from his stool. “I almost came in my pants.” “Don’t be crude in front of the baby,” I say immediately. “Bro, you brought a baby to a bar. Go throw glass stones in your own house.” When everyone snickers, Hollis is visibly confused. “What?” “That’s not the phrase,” Hannah says helpfully. “Sure it is.” “It’s really not.” Hollis waves a hand. “You know nothing, Jon Snow.
Elle Kennedy (The Goal (Off-Campus, #4))
She finishes the chorus and shuts her eyes again. Her long legs bounce against the rail of the stool to keep rhythm and I fall victim to her siren's song. She has bewitched me. And I want her. She's the one.
Georgia Cates (Beauty from Pain (Beauty, #1))
I almost fell off my stool. Not because I didn't think he loved Shaw, or that he would make an awesome husband, but because he was my impulsive, wild, unhinged little brother. Rule was not a guy that I ever thought would settle into the role of responsible homeowner and faithful husband. I just stared at him until he got mad and snapped.
Jay Crownover (Rome (Marked Men, #3))
The voice called his name again and it came through a lot of throat. Steven twisted quickly on his stool. Just a white wall and, down near the floor, the ventilation grille. Then movement behind the grille and Steven was on his knees, peering through it, pressing his face against the mesh. In there, in the shadows beyond the spill of light from the hall, the outline of an anvil-shaped head swayed gently. Two eyes blinked limpidly, insolent in their slowness. A dark mass moved forward into the light. “That Cripps man is going to fuck you up, dude.” It was a cow. Most of the body was below floor level but Steven could tell it was a full grown animal. A sienna Guernsey. He looked closely at the flawless sandy curves of forehead and cheek, at the chocolate darkening of the mouth and nostrils, at the badger rings around the eyes. For an absurd second he thought that if he looked hard enough at it the thing might phase back into his head and disappear. But it was real and it stayed. “What … ?” “Yeah, I’m a cow, man. Touch me.” Steven stuck his fingers through the grille. The cow was a cow, warm and solid.
Matthew Stokoe (Cows)
Jack stares at me blankly. ‘A what?’ he asks. I choke back the laugh. ‘A boy. You know? A Y-chromosome holder? You don’t seem to notice them as much as you do the X-carriers.’ ‘What are you talking about?’ Jack asks, ‘A boy? She’s just a kid.’ I hesitate, wondering how Jack is only just doing the maths on this one now. ‘She’s seventeen. She’s not a kid anymore.’ Jack looks like he’s about to go all Incredible Hulk and burst out of his clothes before rampaging through the bar. He jumps off the stool. ‘If any boy ever lays a finger on my sister, I’m going to kill him,’ he says. Again I stare at him in silence, thinking of all the girls Jack has laid fingers and much more of his anatomy on besides. Poor Lila. If she ever wants to have a shot at a normal life, as in one that doesn’t require a vow of celibacy, she needs to stay in London.
Sarah Alderson (Losing Lila (Lila, #2))
Children," Johanna drawled out. "They're such a joy. When you get married and have a family of your own, you'll understand what I'm saying. You are going to get married someday, aren't you, Keith?" "Aye, m'lady," he answered. "Next summer as a matter of fact. Bridgid MacCoy has agreed to become my wife." "Oh." She couldn't quite hide her disappointment. She turned her gaze down the table and settled on Michael as a possibility. He caught her staring at him. He smiled. She nodded. "Children," she began again. "They're wonderful, aren't they, Michael?" "If you say so, m'lady." "Oh, I do say," she replied. "When you get married, you'll understand. You do plan to marry someday, don't you, Michael?" "Eventually," he answered with a shrug. "Have you anyone in mind?" "Are you matchmaking, m'lady?" Keith asked. "Why would you think that?" "I'll marry Helen when I'm ready," Michael interjected. "I've told her I will, and she agreed to wait." Johanna frowned. The possibilities were becoming a bit limited. She turned to Niall. "Children…" she began. "She is matchmaking," Keith announced. It was as though he'd just shouted the alarm that they were under siege. The soldiers literally jumped from their stools. They bowed to Johanna and left the room in the space of a single minute. She didn't even have enough time to order them back into their seats.
Julie Garwood (Saving Grace)
You’re thinking, maybe it would be easier to let it slip let it go say ”I give up” one last time and give him a sad smile. You’re thinking it shouldn’t be this hard, shouldn’t be this dark, thinking love could flow easily with no holding back and you’ve seen others find their match and build something great together, of each other, like two halves fitting perfectly and now they achieve great things one by one, always together, and it seems grand. But you love him. Love him like a black stone in your chest you couldn’t live without because it fits in there. Makes you who you are and the thought of him gone—no more—makes your chest tighten up and maybe this is your fairytale. Maybe this is your castle. You could get it all on a shiny piece of glass with wooden stools and a neverending blooming garden but that’s not yours. This is yours. The cracks and the faults, the ugly words in the winter walking home alone and angry but falling asleep thinking you love him. This is your fairy tale. The quiet in the hallway, wishing for him to turn around, tell you to stay, tell you to please don’t go I need you like you need me and maybe it’s not a Jane Austen novel but this is your novel and your castle and you can run from it your whole life but this is here in front of you. Maybe nurture it? Sweet girl, maybe close the world off and look at him for an hour or two. This is your fairy. It ain’t perfect and it ain’t honey sweet with roses on the bed. It’s real and raw and ugly at times. But this is your love. Don’t throw it away searching for someone else’s love. Don’t be greedy. Instead, shelter it. Protect it. Capture every second of easy, pull through every storm of hardship. And when you can, look at him, lying next to you, trusting you not to harm him. Trusting you not to go. Be someone’s someone for someone. Be that someone for him. That’s your fairy tale. This is your castle. Now move in. Build a home. Build a house. Build a safety around things you love. It’s yours if you make it so. Welcome home, sweet girl, it will be all be fine.
Charlotte Eriksson
EVERYONE JOINS A BAND IN THIS LIFE. You are born into your first one. Your mother plays the lead. She shares the stage with your father and siblings. Or perhaps your father is absent, an empty stool under a spotlight. But he is still a founding member, and if he surfaces one day, you will have to make room for him. As life goes on, you will join other bands, some through friendship, some through romance, some through neighborhoods, school, an army. Maybe you will all dress the same, or laugh at your own private vocabulary. Maybe you will flop on couches backstage, or share a boardroom table, or crowd around a galley inside a ship. But in each band you join, you will play a distinct part, and it will affect you as much as you affect it. And, as is usually the fate with bands, most of them will break up—through distance, differences, divorce, or death.
Mitch Albom (The Magic Strings of Frankie Presto)
standing on a stool on his wondrously functional pre-Libya legs, the bullet that would sever his spinal cord still twenty-five years away but already approaching: a woman giving birth to a child who will someday pull the trigger on a gun, a designer sketching the weapon or its precursor, a dictator making a decision that will spark in the fullness of time into the conflagration that Frank will go overseas to cover for Reuters, the pieces of a pattern drifting closer together.
Emily St. John Mandel (Station Eleven)
I have a hatred of the taming of animals, especially large ones that are so contented in the wild. I abominate circus acts that involve big befooled beasts--cowed tigers or helplessly roaring lions pawing the air and teetering on small stools. I deplore zoos and anything to do with animal confinement or restraint.
Paul Theroux (The Last Train to Zona Verde: My Ultimate African Safari)
(I pull the second to last item out of my bag. Her purple hair clip. She told me once how much it meant to her, and why she always keeps it.) This purple hair clip? It really is magic…just like your dad told you it was. It’s magic because, no matter how many times it lets you down…you keep having hope in it. You keep trusting it. No matter how many times it fails you, You never fail it. Just like you never fail me. I love that about you, because of you. (I set it back down and pull out a strip of paper and unfold it.) Your mother. (I sigh) Your mother was an amazing woman, Lake. I'm blessed that I got to know her, And that she was a part of my life, too. I came to love her as my own mom…just as she came to love Caulder and I as her own. I didn’t love her because of you, Lake. I loved her because of her. So, thank you for sharing her with us. She had more advice about Life and love and happiness and heartache than anyone I've ever known. But the best advice she ever gave me? The best advice she ever gave us? (I read the quote in my hands) "Sometimes two people have to fall apart, to realize how much they need to fall back together." (She’s definitely crying now. I place the slip back inside the satchel and take a step closer to the edge of the stage as I hold her gaze.) The last item I have wouldn’t fit, because you’re actually sitting in it. That booth. You’re sitting in the exact same spot you sat in when you watched your first performance on this stage. The way you watched this stage with passion in your eyes…I'll never forget that moment. It's the moment I knew it was too late. I was too far gone by then. I was in love with you. I was in love with you because of you. (I back up and sit down on the stool behind me, still holding her stare.) I could go on all night, Lake. I could go on and on and on about all the reasons I'm in love with you. And you know what? Some of them are the things that life has thrown our way. I do love you because you're the only other person I know that understands my situation. I do love you because both of us know what it's like to lose your mom and your dad. I do love you because you're raising your little brother, just like I am. I love you because of what you went through with your mother. I love you because of what we went through with your mother. I love the way you love Kel. I love the way you love Caulder. And I love the way I love Kel. So I'm not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them. And no, I don’t need days, or weeks, or months to think about why I love you. It’s an easy answer for me. I love you because of you. Because of every single thing about you.
Colleen Hoover (Point of Retreat (Slammed, #2))
Thank you," Becky whispered... "I wouldn't have survived that stool. It would have been 'Humpty Dumpty had a great fall.'" With rings on your fingers and bells on your toes even, " he said. "Curious that meeting you is more nursery rhyme than fairy tale. If I see a farmer's wife with a butcher's knife, I'm running and not looking back." "And I'll have no nonsense from my dish and spoon.
Shannon Hale (The Actor and the Housewife)
Before the Law stands a doorkeeper on guard. To this doorkeeper there comes a man from the country who begs for admittance to the Law. But the doorkeeper says that he cannot admit the man at the moment. The man, on reflection, asks if he will be allowed, then, to enter later. 'It is possible,' answers the doorkeeper, 'but not at this moment.' Since the door leading into the Law stands open as usual and the doorkeeper steps to one side, the man bends down to peer through the entrance. When the doorkeeper sees that, he laughs and says: 'If you are so strongly tempted, try to get in without my permission. But note that I am powerful. And I am only the lowest doorkeeper. From hall to hall keepers stand at every door, one more powerful than the other. Even the third of these has an aspect that even I cannot bear to look at.' These are difficulties which the man from the country has not expected to meet, the Law, he thinks, should be accessible to every man and at all times, but when he looks more closely at the doorkeeper in his furred robe, with his huge pointed nose and long, thin, Tartar beard, he decides that he had better wait until he gets permission to enter. The doorkeeper gives him a stool and lets him sit down at the side of the door. There he sits waiting for days and years. He makes many attempts to be allowed in and wearies the doorkeeper with his importunity. The doorkeeper often engages him in brief conversation, asking him about his home and about other matters, but the questions are put quite impersonally, as great men put questions, and always conclude with the statement that the man cannot be allowed to enter yet. The man, who has equipped himself with many things for his journey, parts with all he has, however valuable, in the hope of bribing the doorkeeper. The doorkeeper accepts it all, saying, however, as he takes each gift: 'I take this only to keep you from feeling that you have left something undone.' During all these long years the man watches the doorkeeper almost incessantly. He forgets about the other doorkeepers, and this one seems to him the only barrier between himself and the Law. In the first years he curses his evil fate aloud; later, as he grows old, he only mutters to himself. He grows childish, and since in his prolonged watch he has learned to know even the fleas in the doorkeeper's fur collar, he begs the very fleas to help him and to persuade the doorkeeper to change his mind. Finally his eyes grow dim and he does not know whether the world is really darkening around him or whether his eyes are only deceiving him. But in the darkness he can now perceive a radiance that streams immortally from the door of the Law. Now his life is drawing to a close. Before he dies, all that he has experienced during the whole time of his sojourn condenses in his mind into one question, which he has never yet put to the doorkeeper. He beckons the doorkeeper, since he can no longer raise his stiffening body. The doorkeeper has to bend far down to hear him, for the difference in size between them has increased very much to the man's disadvantage. 'What do you want to know now?' asks the doorkeeper, 'you are insatiable.' 'Everyone strives to attain the Law,' answers the man, 'how does it come about, then, that in all these years no one has come seeking admittance but me?' The doorkeeper perceives that the man is at the end of his strength and that his hearing is failing, so he bellows in his ear: 'No one but you could gain admittance through this door, since this door was intended only for you. I am now going to shut it.
Franz Kafka (The Trial)
As we walked home, I knew from far away the trees would've looked nice, the grass would've looked green, and we would've looked like just a couple of boys walking home, armed with Midwest love and Bible Belt morals. But up close, the trees were scorched, the grass was dead, and the boys were on the verge of tears with the belts of those morals tightening around their necks, threatening to hang them if they dared step off the stool of masculinity.
Tiffany McDaniel (The Summer that Melted Everything)
The whiskey was a good start. I got the idea from Dylan Thomas. He's this poet who drank twenty-one straight whiskeys at the White Horse Tavern in New York and then died on the spot from alcohol poisoning. I've always wanted to hear the bartender's side of the story. What was it like watching this guy drink himself out of here? How did it feel handing him number twenty-one and watching his face crumple up before the fall of the stool? And did he already have number twenty-two poured, waiting for this big fat tip, and then have to drink it himself after whoever came took the body away?
Michael Thomas Ford (Suicide Notes)
Not being able to swipe into the subway when people are backing up behind you. Waiting for him at the bar. Leaving your purse open on a stool with a mess of bills visible. Mispronouncing the names while presenting French wines. Your clogs slipping on the waxed floors. The way your arms shoot out and you tense your face when you almost fall. Taking your job seriously. Watching the sex scene from Dirty Dancing on repeat and eating a box of gingersnaps for dinner on your day off. Forgetting your stripes, your work pants, your socks. Mentally mapping the bar for corners where you might catch him alone. Getting drunker faster than everyone else. Not knowing what foie gras is. Not knowing what you think about abortion. Not knowing what a feminist is. Not knowing who the mayor is. Throwing up between your feet on the subway stairs. On a Tuesday. Going back for thirds at family meal. Excruciating diarrhea in the employee bathroom. Hurting yourself when you hit your head on the low pipe. Refusing to leave the bar though it's over, completely over. Bleeding in every form. Beer stains on your shirt, grease stains on your jeans, stains in every form. Saying you know where something is when you have absolutely no idea where it is. At some point, I leveled out. Everything stopped being embarrassing.
Stephanie Danler (Sweetbitter)
[I] threw open the door to find Rob sit­ting on the low stool in front of my book­case, sur­round­ed by card­board box­es. He was seal­ing the last one up with tape and string. There were eight box­es - eight box­es of my books bound up and ready for the base­ment! "He looked up and said, 'Hel­lo, dar­ling. Don't mind the mess, the care­tak­er said he'd help me car­ry these down to the base­ment.' He nod­ded to­wards my book­shelves and said, 'Don't they look won­der­ful?' "Well, there were no words! I was too ap­palled to speak. Sid­ney, ev­ery sin­gle shelf - where my books had stood - was filled with ath­let­ic tro­phies: sil­ver cups, gold cups, blue rosettes, red rib­bons. There were awards for ev­ery game that could pos­si­bly be played with a wood­en ob­ject: crick­et bats, squash rac­quets, ten­nis rac­quets, oars, golf clubs, ping-​pong bats, bows and ar­rows, snook­er cues, lacrosse sticks, hock­ey sticks and po­lo mal­lets. There were stat­ues for ev­ery­thing a man could jump over, ei­ther by him­self or on a horse. Next came the framed cer­tificates - for shoot­ing the most birds on such and such a date, for First Place in run­ning races, for Last Man Stand­ing in some filthy tug of war against Scot­land. "All I could do was scream, 'How dare you! What have you DONE?! Put my books back!' "Well, that's how it start­ed. Even­tu­al­ly, I said some­thing to the ef­fect that I could nev­er mar­ry a man whose idea of bliss was to strike out at lit­tle balls and lit­tle birds. Rob coun­tered with re­marks about damned blue­stock­ings and shrews. And it all de­gen­er­at­ed from there - the on­ly thought we prob­ably had in com­mon was, What the hell have we talked about for the last four months? What, in­deed? He huffed and puffed and snort­ed and left. And I un­packed my books.
Annie Barrows (The Guernsey Literary and Potato Peel Pie Society)
I was wrong. I knew I was wrong, and yet I persisted. If that is possible of any explanation it is this: From the day I left my father my lines had been cast, or I cast them myself, among crooked people. I had not spent one hour in the company of an honest person. I had lived in an atmosphere of larceny, theft, crime. I thought in terms of theft. Houses were built to be burglarized, citizens were to be robbed, police to be avoided and hated, stool pigeons to be chastised, and thieves to be cultivated and protected. That was my code; the code of my companions. That was the atmosphere I breathed. 'If you live with wolves, you will learn to howl.
Jack Black (You Can't Win)
Inside, Howl was still sitting on the stool. He sat in an attitude of utter despair. And he was covered all over in thick green slime. There were horrendous, dramatic, violent quantities of green slime – oodles of it. It covered Howl completely. It draped his head and shoulders in sticky dollops, heaping on his knees and hands, trickling in glops down his legs and dripping off the stool in sticky strands. It was in oozing ponds and crawling pools over most of the floor. Long fingers of it had crept into the hearth. It smelled vile. “Save me!” Calcifer cried in a hoarse whisper. He was down to two desperately flickering small flames. “This stuff is going to put me out!” Sophie held up her skirt and marched as near Howl as she could get – which was not very near. “Stop it!” she said. “Stop it at once! You are behaving just like a baby!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
The clockwork octopus came out. It extended a tentacle with a clicking of metal joints. Around it was looped the chain of his watch. He hesitated, but took it. The chain skittered over the metal tentacle with a high, thin pitch like incoming sea. It was quite a coincidence for a mechanical sea creature and he was speculating whether it could possibly have been done on purpose when Katsu stole his other sock and flopped on to the floor with an unbiological bang, whereupon it octopused out of the open door and slid down the banister. He exclaimed at it, was ignored, and then went after it just in time to see it disappear into the parlour. It was climbing up the leg of the piano stool when he caught up. The watchmaker confiscated the sock and threw it over his shoulder to Thaniel, who caught it with the tips of his fingers. The octopus settled in his lap. ‘Thank you for finding him,’ he said. Against the piano keys, his hands were too warmly coloured for the watery morning. ‘I was looking for him earlier. He plays hide and seek.
Natasha Pulley (The Watchmaker of Filigree Street (The Watchmaker of Filigree Street, #1))
The third leg of critical pedagogy's three-legged stool involves something called "affective learning." How students feel in class shapes so much of how they receive content as well as their ability to develop critical thinking. Emotions matter for students and teachers alike. Social inequalities become important here via all the classroom practices that create privilege and penalty in the classroom, with all the feelings of empowerment and hurt that go with them. When we set up our classes such that some people dominate classroom discussions and others never say anything, we are actually teaching inequality and the emotions that it engenders. Social hierarchy is quite crucial to how students feel about learning, regardless of content and critical thinking.
Patricia Hill Collins (On Intellectual Activism)
After the brightness of the morning, the interior of the pavilion seemed cool and dim. Stannis seated himself on a plain wooden camp stool and waved Davos to another. “One day I may make you a lord, smuggler. If only to irk Celtigar and Florent. You will not thank me, though. It will mean you must suffer through these councils, and feign interest in the braying of mules.” “Why do you have them, if they serve no purpose?” “The mules love the sound of their own braying, why else? And I need them to haul my cart.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
My first morning back, and I’m in such a terrific mood that I start the day off right by blasting Nappy Roots in the kitchen while I scarf down some cereal. The loud strains of “Good Day” draw the others from their bedrooms, and Garrett is the first to appear, clad in boxers and rubbing his eyes. “Morning, Sunshine,” he mumbles. “Please tell me you made some coffee.” I point to the counter. “Go nuts.” He pours himself a cup and plops down on one of the stools. “Did cartoon chipmunks dress you this morning?” he grumbles. “You’re scarily chipper.” “And you’re scarily grumpy. Smile, dude. It’s our favorite day of the year, remember?
Elle Kennedy (The Mistake (Off-Campus, #2))
When you are old, at evening candle-lit beside the fire bending to your wool, read out my verse and murmur, "Ronsard writ this praise for me when I was beautiful." And not a maid but, at the sound of it, though nodding at the stitch on broidered stool, will start awake, and bless love's benefit whose long fidelities bring Time to school. I shall be thin and ghost beneath the earth by myrtle shade in quiet after pain, but you, a crone, will crouch beside the hearth mourning my love and all your proud disdain. And since what comes to-morrow who can say? Live, pluck the roses of the world to-day.
Pierre de Ronsard (Sonnets pour Hélène)
Is it why you feel everything and love harder and fight more ferociously than anyone else? Is it why you are the love of your sister’s life? Why you’ll be a writer of much more, one day, than a small supermarket column? How you can be my fiercest bloody critic, and someone with so much compassion she’ll buy glasses she doesn’t need because the man fell off his stool. Martha, when you are in a room, nobody wants to talk to anybody else. Why is that, if not for the life you have lived, as someone who has been refined by fire? And you have been loved for all your adult life by one man. That is a gift not many people get, and his stubborn, persistent love isn’t in spite of you and your pain. It is because of who you are, which is, in part, a product of your pain. You do not have to believe me about that but I know—I do know, Martha—that your pain has made you brave enough to carry on. If you want to, you can put all of this right. Start with your sister.
Meg Mason (Sorrow and Bliss)
And what, you think you can fix me?” she asks, turning in her stool to face me, shifting her body closer, so close I can smell the liquor on her warm breath as she whispers, “Think you can make me whole again? Save me from the world? Save me from myself? Fill me up, maybe fuck the feeling back into me, like the big, strong, man you are? Make me a real woman, instead of a broken little girl?” There’s a sickening sweetness to her voice that sends a chill down my spine. If I never heard a thinly veiled ‘fuck you’ before, that was certainly one for the books. I move closer to her, uncomfortably so, cocking my head slightly as I lean in, watching as her body tenses. She thinks I’m about to kiss her, my mouth just inches from hers, before I stop, my voice gritty as I say, “On the contrary, Scarlet, I don’t think you need to be fixed at all.” “No?” “No,” I say. “I think you’re perfect the way you are.
J.M. Darhower (Menace (Scarlet Scars, #1))
Magnus had left behind a sleeping child and his worn-out love, and he opened the door on a scene of absolute chaos. For a moment it seemed as if there were a thousand people in his rooms, and then Magnus realized the real situation was far worse. Every single one of the Lightwood family was there, each one causing enough noise for ten. Robert Lightwood was there, saying something in his booming voice. Maryse Lightwood was holding a bottle and appeared to be waving it around, giving a speech. Isabelle Lightwood was standing on top of a stool for no reason in the world Magnus could see. Jace Herondale was, even more mysteriously, lying flat out on the stone floor, and apparently he'd brought Clary, who looked at Magnus as if she were puzzled by here presence here as well. Alec was standing in the middle of the room, in the middle of the human storm that was his family, holding the baby protectively to his chest. Magnus could not believe it was possible for his heart to sink further, but it somehow struck him as the greatest disaster in the world that the baby was awake.
Cassandra Clare (Born to Endless Night (Tales from the Shadowhunter Academy, #9))
What a silly routine, Natalie thought, not realizing, sitting there alone on the stool in the center of the ring of girls, how she was jeopardizing her own future in college, her own future for four years and perhaps for the rest of her life; how even worse than the actual being a bad sport was the state of mind which led her into defiance of this norm, this ring of placid, masked girls, with their calm futures ahead and their regular pasts proven beyond a doubt; how one person stepping however aside from their meaningless, echoing standards, set perhaps by a violent movement before their recollection, and handed down to them by other placid creatures, might lose a seat among them by questions, by rebellion, by anything except a cheerful smile and a resolution to hurt other people.
Shirley Jackson (Hangsaman)
She closed her eyes and began to weave a song. She abandoned the familiar melodies she’d played so many times before and went in search of something new, no longer wanting a song fed on pain or guilt. She needed one that could replace those wounds with strength, with resolve, with confidence. She needed a song that could not only assuage, but heal and build anew. The notes stumbled around the room, tripping over beds and empty stools and hollow men sleeping. They warbled and fell, haphazard, chaotic, settling without flight. Fin’s forehead creased and she persisted. She let her fingers wander, reached out with her mind. She chased the fleeting song she’d glimpsed once before. In Madeira she’d felt a hint of it: something wild, untameable, a thing sprung whole and flawless from the instant of creation.
A.S. Peterson (Fiddler's Green (Fin's Revolution, #2))
When I felt I was dying, these past few days, things were no longer anthropomorphic. The telephone, which looks like a sort of upturned black snake, was merely a telephone. Every thing was just a thing. The couch, which looked like a big square face drawn by Rubens, with buttons on the cover like wicked little eyes, was just a couch, rather shabby but nothing more. At such a time things don’t matter to you; you don’t bathe everything in your presence, like an amoeba. Things become innocent because you draw away from them; experience becomes virginal, as it was for the first man when he saw the valleys and the plains. You feel you are set in a tidy world: that is a door and it behaves like a door, that is white and behaves like white. What heaven: the symbolism of meanings loses all meaning. You see objects which are comforting because they are quite free. But suddenly you are flung into a new form of suffering because, when you come to miss the meaning of, say, a stool, reality suddenly becomes terrifying. Everything becomes monstrous, unattainable.
Federico Fellini (Fellini On Fellini)
You big ugly. You too empty. You desert with your nothing nothing nothing. You scorched suntanned. Old too quickly. Acres of suburbs watching the telly. You bore me. Freckle silly children. You nothing much. With your big sea. Beach beach beach. I’ve seen enough already. You dumb dirty city with bar stools. You’re ugly. You silly shopping town. You copy. You too far everywhere. You laugh at me. When I came this woman gave me a box of biscuits. You try to be friendly but you’re not very friendly. You never ask me to your house. You insult me. You don’t know how to be with me. Road road tree tree. I came from crowded and many. I came from rich. You have nothing to offer. You’re poor and spread thin. You big. So what. I’m small. It’s what’s in. You silent on Sunday. Nobody on your streets. You dead at night. You go to sleep too early. You don’t excite me. You scare me with your hopeless. Asleep when you walk. Too hot to think. You big awful. You don’t match me. You burnt out. You too big sky. You make me a dot in the nowhere. You laugh with your big healthy. You want everyone to be the same. You’re dumb. You do like anybody else. You engaged Doreen. You big cow. You average average. Cold day at school playing around at lunchtime. Running around for nothing. You never accept me. For your own. You always ask me where I’m from. You always ask me. You tell me I look strange. Different. You don’t adopt me. You laugh at the way I speak. You think you’re better than me. You don’t like me. You don’t have any interest in another country. Idiot centre of your own self. You think the rest of the world walks around without shoes or electric light. You don’t go anywhere. You stay at home. You like one another. You go crazy on Saturday night. You get drunk. You don’t like me and you don’t like women. You put your arm around men in bars. You’re rough. I can’t speak to you. You burly burly. You’re just silly to me. You big man. Poor with all your money. You ugly furniture. You ugly house. You relaxed in your summer stupor. All year. Never fully awake. Dull at school. Wait for other people to tell you what to do. Follow the leader. Can’t imagine. Workhorse. Thick legs. You go to work in the morning. You shiver on a tram.
Ania Walwicz
There was I, then, mounted aloft; I, who had said I could not bear the shame of standing on my natural feet in the middle of the room, was now exposed to general view on a pedestal of infamy. What my sensations were no language can describe; but just as they all rose, stifling my breath and constricting my throat, a girl came up and passed me: in passing, she lifted her eyes. What a strange light inspired them! What an extraordinary sensation that ray sent through me! How the new feeling bore me up! It was as if a martyr, a hero, had passed a slave or victim, and imparted strength in the transit. I mastered the rising hysteria, lifted up my head, and took a firm stand on the stool. Helen Burns asked some slight question about her work of Miss Smith, was chidden for the triviality of the inquiry, returned to her place, and smiled at me as she again went by. What a smile! I remember it now, and I know that it was the effluence of fine intellect, of true courage; it lit up her marked lineaments, her thin face, her sunken grey eye, like a reflection from the aspect of an angel. Yet at that moment Helen Burns wore on her arm “the untidy badge;” scarcely an hour ago I had heard her condemned by Miss Scatcherd to a dinner of bread and water on the morrow because she had blotted an exercise in copying it out. Such is the imperfect nature of man! such spots are there on the disc of the clearest planet; and eyes like Miss Scatcherd’s can only see those minute defects, and are blind to the full brightness of the orb.
Charlotte Brontë (Jane Eyre)
His day is done. Is done. The news came on the wings of a wind, reluctant to carry its burden. Nelson Mandela’s day is done. The news, expected and still unwelcome, reached us in the United States, and suddenly our world became somber. Our skies were leadened. His day is done. We see you, South African people standing speechless at the slamming of that final door through which no traveller returns. Our spirits reach out to you Bantu, Zulu, Xhosa, Boer. We think of you and your son of Africa, your father, your one more wonder of the world. We send our souls to you as you reflect upon your David armed with a mere stone, facing down the mighty Goliath. Your man of strength, Gideon, emerging triumphant. Although born into the brutal embrace of Apartheid, scarred by the savage atmosphere of racism, unjustly imprisoned in the bloody maws of South African dungeons. Would the man survive? Could the man survive? His answer strengthened men and women around the world. In the Alamo, in San Antonio, Texas, on the Golden Gate Bridge in San Francisco, in Chicago’s Loop, in New Orleans Mardi Gras, in New York City’s Times Square, we watched as the hope of Africa sprang through the prison’s doors. His stupendous heart intact, his gargantuan will hale and hearty. He had not been crippled by brutes, nor was his passion for the rights of human beings diminished by twenty-seven years of imprisonment. Even here in America, we felt the cool, refreshing breeze of freedom. When Nelson Mandela took the seat of Presidency in his country where formerly he was not even allowed to vote we were enlarged by tears of pride, as we saw Nelson Mandela’s former prison guards invited, courteously, by him to watch from the front rows his inauguration. We saw him accept the world’s award in Norway with the grace and gratitude of the Solon in Ancient Roman Courts, and the confidence of African Chiefs from ancient royal stools. No sun outlasts its sunset, but it will rise again and bring the dawn. Yes, Mandela’s day is done, yet we, his inheritors, will open the gates wider for reconciliation, and we will respond generously to the cries of Blacks and Whites, Asians, Hispanics, the poor who live piteously on the floor of our planet. He has offered us understanding. We will not withhold forgiveness even from those who do not ask. Nelson Mandela’s day is done, we confess it in tearful voices, yet we lift our own to say thank you. Thank you our Gideon, thank you our David, our great courageous man. We will not forget you, we will not dishonor you, we will remember and be glad that you lived among us, that you taught us, and that you loved us all.
Maya Angelou (His Day Is Done: A Nelson Mandela Tribute)
At high school I was never comfortable for a minute. I did not know about Lonnie. Before an exam, she got icy hands and palpitations, but I was close to despair at all times. When I was asked a question in class, any simple little question at all, my voice was apt to come out squeaky, or else hoarse and trembling. When I had to go to the blackboard I was sure—even at a time of the month when this could not be true—that I had blood on my skirt. My hands became slippery with sweat when they were required to work the blackboard compass. I could not hit the ball in volleyball; being called upon to perform an action in front of others made all my reflexes come undone. I hated Business Practice because you had to rule pages for an account book, using a straight pen, and when the teacher looked over my shoulder all the delicate lines wobbled and ran together. I hated Science; we perched on stools under harsh lights behind tables of unfamiliar, fragile equipment, and were taught by the principal of the school, a man with a cold, self-relishing voice—he read the Scriptures every morning—and a great talent for inflicting humiliation. I hated English because the boys played bingo at the back of the room while the teacher, a stout, gentle girl, slightly cross-eyed, read Wordsworth at the front. She threatened them, she begged them, her face red and her voice as unreliable as mine. They offered burlesqued apologies and when she started to read again they took up rapt postures, made swooning faces, crossed their eyes, flung their hands over their hearts. Sometimes she would burst into tears, there was no help for it, she had to run out into the hall. Then the boys made loud mooing noises; our hungry laughter—oh, mine too—pursued her. There was a carnival atmosphere of brutality in the room at such times, scaring weak and suspect people like me.
Alice Munro (Dance of the Happy Shades)