Stony Set It Off Quotes

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It seemed such an extraordinary notion—that I could set off from home and walk 1,800 miles through woods to Georgia, or turn the other way and clamber over the rough and stony White Mountains to the fabled prow of Mount Katahdin, floating in forest 450 miles to the north in a wilderness few have seen. A little voice in my head said: “Sounds neat! Let’s do it!
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
There was something wonderful about the atmosphere at Stony Cross Park. One could easily imagine it as some magical place set in some far-off land. The surrounding forest was so deep and thick as to be primeval in appearance, while the twelve-acre garden behind the manor seemed too perfect to be real. There were groves, glades, ponds, and fountains. It was a garden of many moods, alternating tranquility with colorful tumult. A disciplined garden, every blade of grass precisely clipped, the corners of the box hedges trimmed to knife blade crispness. Hatless, gloveless, and infused with a sudden sense of optimism, Annabelle breathed deeply of the country air. She skirted the edge of the terraced gardens at the back of the manor and followed a graveled path set between raised beds of poppies and geraniums. The atmosphere soon became thick with the perfume of flowers, as the path paralleled a drystone wall covered with tumbles of pink and cream roses. Wandering more slowly, Annabelle crossed through an orchard of ancient pear trees, sculpted by decades into fantastic shapes. Farther off, a canopy of silver birch led to woodland beds that appeared to melt seamlessly into the forest beyond.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
Miss Lucinda Throckmorton-Jones, former paid companion to several of the ton’s most successful debutantes of prior seasons, came to Havenhurst to fill the position of Elizabeth’s duenna. A woman of fifty with wiry gray hair she scraped back into a bun and the posture of a ramrod, she had a permanently pinched face, as if she smelled something disagreeable but was too well-bred to remark upon it. In addition to the duenna’s daunting physical appearance, Elizabeth observed shortly after their first meeting that Miss Throckmorton-Jones possessed an astonishing ability to sit serenely for hours without twitching so much as a finger. Elizabeth refused to be put off by her stony demeanor and set about finding a way to thaw her. Teasingly, she called her “Lucy,” and when the casually affectionate nickname won a thunderous frown from the lady, Elizabeth tried to find a different means. She discovered it very soon: A few days after Lucinda came to live at Havenhurst the duenna discovered her curled up in a chair in Havenhurt’s huge library, engrossed in a book. “You enjoy reading?” Lucinda had said gruffly-and with surprise-as she noted the gold embossed title on the volume. “Yes,” Elizabeth had assured her, smiling. “Do you?” “Have you read Christopher Marlowe?” “Yes, but I prefer Shakespeare.” Thereafter it became their policy each night after supper to debate the merits of the individual books they’d read. Before long Elizabeth realized that she’d won the duenna’s reluctant respect. It was impossible to be certain she’d won Lucinda’s affection, for the only emotion the lady ever displayed was anger, and that only once, at a miscreant tradesman in the village. Even so, it was a display Elizabeth never forgot. Wielding her ever-present umbrella, Lucinda had advanced on the hapless man, backing him clear around his own shop, while from her lips in a icy voice poured the most amazing torrent of eloquent, biting fury Elizabeth had ever heard. “My temper,” Lucinda had primly informed her-by way of apology, Elizabeth supposed-“is my only shortcoming.” Privately, Elizabeth thought Lucy must bottle up all her emotions inside herself as she sat perfectly still on sofas and chairs, for years at a time, until it finally exploded like one of those mountains she’d read about that poured forth molten rock when the pressure finally reached a peak.
Judith McNaught (Almost Heaven (Sequels, #3))
I want to make love with you right here, Lorens.” Various thoughts flashed through his mind: they were on a public footpath, someone might come by, some other person crazy enough to visit this place in the middle of winter. But anyone crazy enough to do so would also be able to understand that certain forces, once set in motion, cannot be interrupted. He slipped his hands under her sweater and stroked her breasts. Brida surrendered herself entirely. The forces of the world were penetrating her five senses and these were becoming transformed into an overwhelming energy. They lay down on the ground among the rock, the precipice, and the sea, between the life of the seagulls flying up above and the death of the stones beneath. And they began, fearlessly, to make love, because God protects the innocent. They no longer felt the cold. Their blood was flowing so fast in their veins that she tore off some of her clothes and so did he. There was no more pain; knees and back were pressed into the stony ground, but that became part of their pleasure, completing it. Brida knew that she was close to orgasm, but it was still a very remote feeling, because she was entirely connected to the world: her body and Lorens’s body mingled with the sea and the stones, with life and death. She remained in that state for as long as possible, while some part of her was vaguely conscious that she was doing things she had never done before. What she was feeling, though, was the bringing together once more of herself and the meaning of life; it was a return to the garden of Eden; it was the moment when Eve was reabsorbed into Adam’s body and the two halves became Creation.
Paulo Coelho (Brida)
At least tell me the truth about Blakeborough,” he said hoarsely. “Do you love him?” “Why does it matter?” His eyes ate her up. “If you do, I’ll keep my distance. I’ll stay out of your life from now on.” “You’ve been doing that easily enough for the past twelve years,” she snapped. “I don’t see why my feelings for Edwin should change anything.” “Easily? It was never easy, I assure you.” His expression was stony. “And you’re avoiding the question. Are you in love with Blakeborough?” How she wished she could lie about it. Dom would take himself off, and she wouldn’t be tempted by him anymore. Unfortunately, he could always tell when she was lying. “And if I say I’m not?” “Then I won’t rest until you’re mine again.” The determination in his voice shocked her. Unsettled her. Thrilled her. No! “I don’t want that.” His fingers dug into her arm. “Because you love Blakeborough?” “Because love is a lie designed to make a woman desire what is only a figure of smoke in the wind. Love is too dangerous.” He released a heavy breath. “So you don’t love him.” His persistence sparked her temper, and she pushed free of him. “Oh, for pity’s sake, if you must know, I don’t.” She faced him down. “Not that it matters one whit. I don’t need love to have a good marriage, an amiable marriage. I don’t even want love.” It hurt too much when her heart was trampled upon. Dom had done that once before. How could she be sure he wouldn’t do it again? Eyes gleaming in the firelight, he said in a low voice, “You used to want love.” “I was practically a child. I didn’t know any better. But I do now.” “Do you? I wonder.” He circled her like a wolf assessing its prey’s weaknesses. “Very well, let’s forget about love for the moment. What about passion?” “What about it?” she asked unsteadily as he slipped behind her. Nervous, she edged nearer the impressively massive pianoforte that sat in the center of the room. “What part does passion play in your plan for a safe and loveless marriage?” She pivoted to face him, startled to find that he’d stepped to within a breath of her. “None at all.” He chuckled. “Does Blakeborough know that?” “Not that it’s any of your concern, but Edwin and I have an arrangement. He’ll give me children; I’ll help him make sure Yvette finds a good husband. We both agree that passion is…unimportant to our plans.” “Really?” He raised an eyebrow. “It certainly aids in the production of those children you’re hoping for. To quote a certain lady, ‘You can set a plan in motion, but as soon as it involves people, it will rarely commence exactly as you wish.’ You may not want passion to be important, sweeting, but it always is.” “Not to us,” she said, though with him standing so close her legs felt like rubber and her blood raced wildly through her veins. “Not to me.” With his gaze darkening, he lifted his hand to run his thumb over the pounding pulse at her throat. “Yes, I can tell how unimportant it is to you.” “That doesn’t mean…anything.” “Doesn’t it?” He backed her against the pianoforte. “So the way you trembled in my arms this morning means nothing.” It meant far too much. It meant her body was susceptible to him, even when her mind had the good sense to resist. And curse him to the devil, he knew it. He slipped his hand about her waist to pull her against him. “It means nothing that every time we’re together, we ignite.” “People do not…ignite,” she said shakily, though her entire body was on fire. “What an absurd idea.” She held her breath and waited for his attempt to kiss her, determined to refuse it this time. But he didn’t kiss her. Instead he fondled her breast through her gown, catching her so by surprise that she gasped, then moaned as the feel of his hand caressing her made liquid heat swirl in her belly. Devil take the man.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
Jon sat on the edge of the bed and rubbed his face. “I honestly don’t know how much I want to hear,” he said quietly. He looked up at the captain standing in the centre of the room, his arms crossed. “Nothing I hear from you today will endear you to me, will it?” Baltsaros shook his head slowly but then lifted a shoulder in a slow shrug. “It’s the last of it, Jon. The very last of it, I promise,” said the older man. “No more secrets between us.” Jon laughed and pinched the bridge of his nose. “Do you even hear yourself? How many times have you said what you were telling me was the last secret?” he asked. “Does it occur to you that maybe you’ve burned me out? That I no longer care whether what you spout is truth or lie?” Baltsaros’s lips pressed together. “If that were true, you wouldn’t have begged off the end of your meal and forced us to take to our room early, Jon.” After taking a deep breath, Jon wiped his palms on the knees of his pants and sat up. “I’m sorry. You just confessed to trying to kill me. How else was I supposed to react?” he asked, annoyed. Baltsaros stared hard at him, and Jon’s eyes widened as the silence dragged on. Though the captain’s face was set in stony lines, it was glaringly obvious to Jon that Baltsaros was conflicted about what he wanted to tell him. That alone made his heart beat a little faster.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
The court cases and acts of legislation that enshrined Jim Crow as the law of the land did not unfold in a vacuum. The larger context for them was the ideology of white supremacy, the set of beliefs and attitudes about the nature of black people that arose to justify their unprecedented economic exploitation in the transatlantic slave trade. Following the Civil War, this ideology evolved in order to maintain the country’s racial hierarchy in the face of emancipation and black citizenship. Anything but unmoored or isolated, white power was reinforced in this new era by the nation’s cultural, economic, educational, legal, and violently extralegal systems, including lynching. Among its root and branches were the paired mythology of white women’s rape and black men’s brutality, the convict-lease system, disenfranchisement, and the choking off of access to capital and property ownership. In many ways, this ideology still roams freely in our country today.
Henry Louis Gates Jr. (Stony the Road: Reconstruction, White Supremacy, and the Rise of Jim Crow)