Stones For The Rampart Quotes

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To a gargoyle on the ramparts of Notre Dame as Esmeralda rides off with Gringoire Quasimodo says. "Why was I not made of stone like thee?
Victor Hugo (The Hunchback of Notre-Dame)
Why was I not made of stone like thee? --Quasimodo[to a gargoyle on the ramparts of Notre Dame as Esmeralda rides off with Gringoire].
Victor Hugo
Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls. They sprawled over the sloping arch, each one half way over its neighbour until, held back by the castle ramparts, the innermost of these hovels laid hold on the great walls, clamping themselves thereto like limpets to a rock. These dwellings, by ancient law, were granted this chill intimacy with the stronghold that loomed above them. Over their irregular roofs would fall throughout the seasons, the shadows of time-eaten buttresses, of broken and lofty turrets, and, most enormous of all, the shadow of the Tower of Flints. This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.
Mervyn Peake (Titus Groan (Gormenghast, #1))
Egypt is a fertile valley of rich river soil, low-lying, warm, monotonous, a slow-flowing river, and beyond the limitless desert. Greece is a country of sparse fertility and keen, cold winters, all hills and mountains sharp cut in stone, where strong men must work hard to get their bread. And while Egypt submitted and suffered and turned her face toward death, Greece resisted and rejoiced and turned full-face to life. For somewhere among those steep stone mountains, in little sheltered valleys where the great hills were ramparts to defend, and men could have security for peace and happy living, something quite new came into the world: the joy of life found expression. Perhaps it was born there, among the shepherds pasturing their flocks where the wild flowers made a glory on the hillside; among the sailors on a sapphire sea washing enchanted islands purple in a luminous air.
Edith Hamilton (The Greek Way)
The two creatures were sexless. But he of Malacandra was masculine (not male); she of Perelandra was feminine (not female). Malacandra seemed to him to have the look of one standing armed, at the ramparts of his own remote archaic world, in ceaseless vigilance, his eyes ever roaming the earth-ward horizon whence his danger came long ago. "A sailor's look," Ransom once said to me; "you know... eyes that are impregnated with distance." But the eyes of Perelandra opened, as it were, inward, as if they were the curtained gateway to a world of waves and murmurings and wandering airs, of life that rocked in winds and splashed on mossy stones and descended as the dew and arose sunward in thin-spun delicacy of mist. On Mars the very forests are of stone; in Venus the lands swim. For now he thought of them no more as Malacandra and Perelandra. He called them by their Tellurian names. With deep wonder he thought to himself, "My eyes have seen Mars and Venus. I have seen Ares and Aphrodite.
C.S. Lewis (Perelandra (The Space Trilogy, #2))
Every city has its gates, which need not be of stone. Nor need soldiers be upon them or watchers before them. At first, when cities were jewels in a dark and mysterious world, they tended to be round and they had protective walls. To enter, one had to pass through gates, the reward for which was shelter from the overwhelming forests and seas, the merciless and taxing expanse of greens, whites, and blues - wild and free - that stopped at the city walls. In time, the ramparts became higher and the gates more massive, until they simply disappeared and were replaced by barriers, subtler than stone, that girded every city like a crown and held in its spirit. Some claim that the barriers do not exist, and disparage them. Although they themselves can penetrate the new walls with no effort, their spirits (which, also, they claim do not exist) cannot, and are left like orphans around the periphery. To enter a city intact it is necessary to pass through one of the new gates. They are far more difficult to find than their solid predecessors, for they are tests, mechanisms, devices, and implementations of justice.
Mark Helprin (Winter's Tale)
But for now, I would be the happiest of men if I could just swallow the overflow of saliva that endlessly floods my mouth. Even before first light, I am already practicing sliding my tongue toward the rear of my palate in order to provoke a swallowing reaction. What is more, I have dedicated to my larynx the little packets of incense hanging on the wall, amulets brought back from Japan by pious globe-trotting friends. Just one of the stones in the thanksgiving monument erected by my circle of friends during their wanderings. In every corner of the world, the most diverse deities have been solicited in my name. I try to organize all this spiritual energy. If they tell me that candles have been burned for my sake in a Breton chapel, or that a mantra has been chanted in a Nepalese temple, I at once give each of the spirits invoked a precise task. A woman I know enlisted a Cameroon holy man to procure me the goodwill of Africa's gods: I have assigned him my right eye. For my hearing problems I rely on the relationship between my devout mother-in-law and the monks of a Bordeaux brotherhood. They regularly dedicate their prayers to me, and I occasionally steal into their abbey to hear their chants fly heavenward. So far the results have been unremarkable. But when seven brothers of the same order had their throats cut by Islamic fanatics, my ears hurt for several days. Yet all these lofty protections are merely clay ramparts, walls of sand, Maginot lines, compared to the small prayer my daughter, Céleste, sends up to her Lord every evening before she closes her eyes. Since we fall asleep at roughly the same hour, I set out for the kingdom of slumber with this wonderful talisman, which shields me from all harm.
Jean-Dominique Bauby (The Diving Bell and the Butterfly: A Memoir of Life in Death)
Why would I want to be the lover of a broken oven that fails in the cold, a flimsy door that the wind blows through, a palace that falls on its staunchest defenders, a mouse that gnaws through its thin reed shelter, tar that blackens the workman’s hands, a waterskin that is full of holes and leaks all over its bearer, a piece of limestone that crumbles and undermines a solid stone wall, a battering ram that knocks down the rampart of an allied city, a shoe that mangles its owner’s foot?
Anonymous (Gilgamesh)
So what? We’re supposed to whip Titus? Kill him? That would be Law.” “Would it? Or would it just be vengeance?” “You’re the poet. You figure it out.” I kick a stone off the ramparts.
Pierce Brown (Red Rising (Red Rising Saga, #1))
When human life lay foul for all to see Upon the earth, crushed by the burden of religion, Religion which from heaven’s firmament Displayed its face, its ghastly countenance, Lowering above mankind, the first who dared Raise mortal eyes against it, first to take His stand against it, was a man of Greece. He was not cowed by fables of the gods Or thunderbolts or heaven’s threatening roar, But they the more spurred on his ardent soul Yearning to be the first to break apart The bolts of nature’s gates and throw them open. Therefore his lively intellect prevailed And forth he marched, advancing onwards far Beyond the flaming ramparts of the world, And voyaged in mind throughout infinity, Whence he victorious back in triumph brings Report of what can be and what cannot And in what manner each thing has a power That’s limited, and deep-set boundary stone. Wherefore religion in its turn is cast Beneath the feet of men and trampled down, And us his victory has made peers of heaven.
Lucretius
The attack was designed as a show of overwhelming strength for which the audience was not the already conquered people of Bukhara, but the still distant army and people of Samarkand, the next city on his march. The Mongol invaders rolled up their newly constructed siege engines—catapults, trebuchets, and mangonels that hurled not only stones and fire, as besieging armies had done for centuries, but also pots of burning liquids, exploding devices, and incendiary materials. They maneuvered immense crossbows mounted on wheels, and great teams of men pushed in portable towers with retractable ladders from which they could shoot down at the defenders of the walls. At the same time that they attacked through the air, miners went to work digging into the earth to undermine the walls by sapping. During this awesome display of technological prowess in the air, on the land, and beneath the earth, Genghis Khan heightened the psychological tension by forcing prisoners, in some cases the captured comrades of the men still in the citadel, to rush forward until their bodies filled the moat and made live ramparts over which other prisoners pushed the engines of war.
Jack Weatherford (Genghis Khan and the Making of the Modern World)
The notion occurs to her that the ground beneath Saint-Malo has been knitted together all along by the root structure of an immense tree, located at the center of the city, in a square no one ever walked her to, and the massive tree has been uprooted by the hand of God and the granite is coming with it, heaps and clumps and clods of stones pulling away as the trunk comes up, followed by the fat tendrils of roots—the root structure like another tree turned upside down and shoved into the soil, isn’t that how Dr. Geffard might have described it?—the ramparts crumbling, streets leaking away, block-long mansions falling like toys.
Anthony Doerr (All the Light We Cannot See)
The Burial of Sir John Moore after Corunna" Not a drum was heard, not a funeral note, As his corse to the rampart we hurried; Not a soldier discharged his farewell shot O’er the grave where our hero we buried. We buried him darkly at dead of night, The sods with our bayonets turning; By the struggling moonbeam’s misty light And the lantern dimly burning. No useless coffin enclosed his breast, Nor in sheet nor in shroud we wound him, But he lay like a warrior taking his rest With his martial cloak around him. Few and short were the prayers we said, And we spoke not a word of sorrow; But we steadfastly gazed on the face that was dead, And we bitterly thought of the morrow. We thought, as we hollowed his narrow bed And smoothed down his lonely pillow, That the foe and the stranger would tread o’er his head, And we far away on the billow! Lightly they’ll talk of the spirit that’s gone And o’er his cold ashes upbraid him, But little he’ll reck, if they let him sleep on In the grave where a Briton has laid him. But half of our heavy task was done When the clock struck the hour for retiring; And we heard the distant and random gun That the foe was sullenly firing. Slowly and sadly we laid him down, From the field of his fame fresh and gory; We carved not a line, and we raised not a stone, But left him alone with his glory.
Charles Wolfe (The Burial of Sir John Moore and Other Poems)
Kill most of the livestock and prepare the meat. It is getting cold now, so we have to start. We must be on the top before it snows. The men have been working on the trails. The ladders have been put up. Be strong and prepare to defend yourselves.” One day in December, as it started to snow, some three hundred men, women, and children, perhaps tipped off by a sentry that the bilagaana army was on its way, ascended to the top and pulled up their ladders and bridges. Hoping the evil might pass beneath them, they planned to dwell in silence for months—and, if necessary, make a last-ditch defense, like the doomed Jewish rebels who defied the Romans from the stone ramparts of Masada.
Hampton Sides (Blood and Thunder: The Epic Story of Kit Carson and the Conquest of the American West)
He who saw the Deep, the country's foundation, [who] knew ... , was wise in all matters! [Gilgamesh, who] saw the Deep, the country's foundation, [who] knew ... , was wise in all matters! [He] ... everywhere ... and [learnt] of everything the sum of wisdom. He saw what was secret, discovered what was hidden, he brought back a tale of before the Deluge. He came a far road, was weary, found peace, and set all his labours on a tablet of stone. He built the rampart of Uruk-the-Sheepfold, of holy Eanna, the sacred storehouse. See its wall like a strand of wool, view its parapet that none could copy! Take the stairway of a bygone era, draw near to Eanna, seat of Ishtar the goddess, that no later king could ever copy!
the Babylonian Gilgamesh Epic
The weather was fine, and, not to create suspicion, I took a turn at landscape, — this was after our quarrel was made up, you understand. After walking along the ramparts for some time, I was coming tranquilly home with my hands in my pockets, when I saw the street crowded with people. Such a crowd! like that for an execution. It fell upon me; I was seized, garroted, gagged, and guarded by the police. Ah! you don’t know — and I hope you never may know — what it is to be taken for a murderer by a maddened populace which stones you and howls after you from end to end of the principal street of a town, shouting for your death! Ah! those eyes were so many flames, all mouths were a single curse, while from the volume of that burning hatred rose the fearful cry: ‘To death! to death! down with the murderer!’” “So those Dalmatians spoke our language, did they?” said the count. “I observe you relate the scene as if it happened yesterday.
Honoré de Balzac (Works of Honore de Balzac)
Have you not noticed how magnificently peace winneth its reprisals at the hand of war? Look through this country. Methinks if the angel of peace should go with us, as we journey through it, and stop at the various ancient towns where there are dismantled castles, and high mounds from which every vestige of a building has long been swept, the angel would look us in the face, and say, “I have done all this: war scattered my peaceful subjects, burned down my cottages, ravaged my temples, and laid my mansions with the dust. But I have attacked war in his own strongholds and I have routed him. Walk through his halls. Can you hear now the tramp of the warrior? Where now the sound of the clarion and the drum?” The sheep is feeding from the cannon’s mouth, and the bird builds his nest where once the warrior did hang his helmet. As rare curiosities we dig up the swords and spears of our forefathers, and little do we reck that in this we are doing tribute to peace. For peace is the conqueror. It hath been a long duel, and much blood hath been shed, but peace hath been the victor. War, after all, has but spasmodic triumphs; and again it sinks — it dies, but peace ever reigneth. If she be driven from one part of the earth, yet she dwelleth in another; and while war, with busy hand, is piling up here a wall, and there a rampart, and there a tower, peace with her gentle finger, is covering over the castle with the mees and the ivy, and eating the stone from the top, and letting it lie level with the earth. . . . I think this is a fine thought for the lover of peace; and who among us is not? Who among us ought not to be? Is not the gospel all peace?
Charles Haddon Spurgeon
Now, old and gray-bearded, I still admire the Romans. How could I not? We could not build an arena, nor make ramparts like those that surrounded Ceaster. Our roads were muddy tracks, theirs were stone-edged and spear-straight. They built temples of marble, we made churches of timber. Our floors were beaten earth and rushes, theirs were marvels of intricate tilework. They had laced the land with wonders, and we, who had taken the land, could only watch the wonders decay, or patch them with wattle and thatch. True, they were a cruel people, but so are we. Life is cruel.
Bernard Cornwell (War of the Wolf (The Saxon Stories, #11))
Chinese history as the “Ramparts of Gog and Magog,” built to keep out giants! This may also indicate why China has been set as the epicenter of where the elite are staging the
Jeremy Stone (Surviving the New World Order (Surviving The New World Order Trilogy Book 1))
1 Whoever dwells in the shelter of the Most High will rest in the shadow of the Almighty.[a] 2 I will say of the Lord, “He is my refuge and my fortress, my God, in whom I trust.” 3 Surely he will save you from the fowler’s snare and from the deadly pestilence. 4 He will cover you with his feathers, and under his wings you will find refuge; his faithfulness will be your shield and rampart. 5 You will not fear the terror of night, nor the arrow that flies by day, 6 nor the pestilence that stalks in the darkness, nor the plague that destroys at midday. 7 A thousand may fall at your side, ten thousand at your right hand, but it will not come near you. 8 You will only observe with your eyes and see the punishment of the wicked. 9 If you say, “The Lord is my refuge,” and you make the Most High your dwelling, 10 no harm will overtake you, no disaster will come near your tent. 11 For he will command his angels concerning you to guard you in all your ways; 12 they will lift you up in their hands, so that you will not strike your foot against a stone. 13 You will tread on the lion and the cobra; you will trample the great lion and the serpent.
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