Stone Retaining Wall Quotes

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Dale noticed a good amount of café patrons venomously staring at him as he returned to his table after the verbal altercation. He could care less about other people’s judgments, and most of these people weren’t even people. They were sub-people with sub-par ideologies, and he was willing to bet half of them didn’t even think that spectacle at the counter was reality, being that they were currently frying, stoned, blazed, tripping, or in some other way mentally incapacitated. Cocaine was the only drug Dale honored because it allowed him to retain his focus, didn’t cloud the mind with distortions, was expensive, and went hand in hand with any successful Wall Street executive.
Jasun Ether (The Beasts of Success)
In Antartica, The Wright and half a dozen other valleys in the Central Transantarctic Mountains are collectively referred to as the dry valleys. It has not rained here in two million years. No animal abides, no plant grows. A persistent, sometimes ferocious wind has stripped the country to stone and gravel, to streamers of sand. The huge valleys stand stark as empty fjords. You look in vain for any conventional sign of human history- the vestige of a protective wall, a bit of charcoal, a discarded arrowhead. Nothing. There is no history, until you bore into the layers of rock or until the balls of your fingertips run the rim of a partially exposed fossil. At the height of the austral summer, in December, you smell nothing but the sunbeaten stone. In a silence dense as water, your eye picks up no movement but the sloughing of sand, seeking its angle of repose. On the flight in from New Zealand it had occurred to me, from what I had read and heard, that Antarctica retained Earth’s primitive link, however tenuous, with space, with the void that stretched out to Jupiter and Uranus. At the seabird rookeries of the Canadian Arctic or on the grasslands of the Serengeti, you can feel the vitality of the original creation; in the dry valleys you sense sharply what came before. The Archeozoic is like fresh spoor here.
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
Many things combine to show that Midaq Alley is one of the gems of times gone by and that it once shone forth like a flashing star in the history of Cairo. Which Cairo do I mean? That of the Fatimads, the Mamlukes, or the Sultans? Only God and the archaeologists know the answer to that, but in any case, the alley is certainly an ancient relic and a precious one. How could it be otherwise with its stone-paved surface leading directly to the historic Sanadiqiya Street. And then there is its cafe known as "Kirsha's". Its walls decorated with multicolored arabesques, now crumbling, give off strong odors from the medicines of olden times, smells which have now become the spices and folk-cures of today and tomorrow ... Although Midaq Alley lives in almost complete isolation from all surrounding activity, it clamors with a distinctive and personal life of its own. Fundamentally and basically, its roots connect with life as a whole and yet, at the same time, it retains a number of the secrets of a world now past.
Naguib Mahfouz
Instead I turned my attention back to the copper of peach jam, releasing its autumnal scent. Peach is perhaps the most perfect fruit for making jam: sweet, yet firm; the golden flesh turning to a darker burnt-orange with cooking. My method allows the pieces of fruit to stay intact during the process, while retaining all the flavor. Today, we will leave the sugar and peach mixture to steep under a sheet of muslin; tomorrow, we will cook it, then ladle it into clean glass jars to put away for the winter. There's something very comforting about the ritual of jam-making. It speaks of cellars filled with preserves; of neat rows of jars on pantry shelves. It speaks of winter mornings and bowls of chocolat au lait, with thick slices of good fresh bread and last year's peach jam, like a promise of sunshine at the darkest point of the year. It speaks of four stone walls, a roof, and of seasons that turn in the same place, in the same way, year after year, with sweet familiarity. It is the taste of home.
Joanne Harris (Peaches for Father Francis (Chocolat, #3))
Jack’s fingers closed around her shoulders. Jane could feel his labored breaths, the ragged movement of his chest. “You show up looking like that—wearing his dress, his jewels, his perfumes. What in the hell am I supposed to think?” He released her, stepping back. “My congratulations, Countess. You’ll make a beautiful ornament at the court of Louis the Eighteenth.” Jane had always prided herself on her ability to retain her poise, even in the most grueling of circumstances. But she was frustrated, humiliated, hurt, and just plain furious. Jane poked Jack in the chest with her index finger. It felt good, so she did it again. “Would you like to know just how many times I’ve told Nicolas no? By last count, approximately thirty-seven. Not that it’s any of your concern. You see, he, like you, seems to believe that I don’t know what is best for me.” Jack grabbed her hand before she could poke him again. “He can give you everything I can’t. He can give you riches, titles, a place in the world.” Jane jerked her hand away. “I have my place in the world! I made it myself, with my own hard work.” And error, a great deal of error. She braced her hands against Jack’s shoulders, holding herself away to look at his face. “Have I ever—ever—given you any indication that I desire titles or riches?” “Not in so many words, no . . .” Jack’s fingers itched to close around her waist and draw her close. Everything that had seemed so clear ten minutes ago was murky and blurry. He knew he had a point, but he was no longer entirely sure what that point was. He retreated a step, his back hitting the whitewashed stone of the wall. Jane stalked forward, cornering him. Jack could feel the rough stone biting into his back as Jane glared at him, her chest right beneath his nose. “I don’t want to be placed on a pedestal. I don’t want to be the ornament of anyone’s court. And I certainly don’t want a lute beneath my window!” She had told him that, hadn’t she? Jack was beginning to feel rather less sure of himself. The Gardener, that proposal, felt very far away, and Jane was very near.
Lauren Willig (The Lure of the Moonflower (Pink Carnation, #12))
was a small lavatory. The door to the lavatory was missing and Myers screwed his face up at the sight of the mess inside. The place didn’t need cleaning. It needed burning. There were a few random, oil-stained chairs dotted about and a collection of torn car magazines. It was the poorest attempt at a customer waiting area Myers had ever seen. Along the back wall, however, was a large workbench and two tall tool chests. They were red with silver handles and covered in stickers. On the wall above the bench, which was covered in spare parts, drinks cans, and oily rags, were several calendars which fell into the category of cliché garage topless pictures. To the right of the workbench was a fire escape door with a long, silver push-handle and Myers thought that even hovels like the garage needed to have some form of emergency exit. He wondered what he’d find out there, then shuddered at the thought. He stepped into the space and felt a strange guilty pang of combined intrusion and fear. There were no cars in the garage, but the air retained a thick, oily smell borne of years of spilt oil and vapour seeping into the pores of every surface in there. He pulled his jacket in tight around him. It seemed as if every surface was coated in a thick layer of grease. But there was something else in that smell. Something that had combined with the oil to form a sickly aroma. He knew the smell, but it had been tainted by the oil and he couldn’t put his finger on it. There was something not quite right about the place. It was the first time he actually wished Fox had been there with him. Another pair of eyes would be useful, and despite her annoying traits, she was actually turning out to be a smart thinker. It was she who had seen the slight variation in the forms. It was she who had known the format of the numbers reflected a container number. And it was she who had theorised that Donald Cartwright could be in trouble. The fact that Donald Cartwright was not in the garage did not mean he wasn’t in trouble. In fact, it only gave weight to the theory. Something had happened in the garage. And Myers was sure the two were connected. Donald Cartwright’s shipment had been delivered to the garage, the only delivery for years that hadn’t been delivered to his father’s warehouse. The form was different and the adviser, Sergio, hadn’t countersigned it. The
J.D. Weston (The Silent Man (The Harvey Stone Series, #1))