Stolen Girl Quotes

We've searched our database for all the quotes and captions related to Stolen Girl. Here they are! All 200 of them:

Once upon a time, there was a human girl stolen away by faeries, and because of that, she swore to destroy them.
Holly Black (The Wicked King (The Folk of the Air, #2))
Have you ever confused a dream with life? Or stolen something when you have the cash? Have you ever been blue? Or thought your train moving while sitting still? Maybe I was just crazy. Maybe it was the 60's. Or maybe I was just a girl... interrupted.
Susanna Kaysen (Girl, Interrupted)
The girl who'd taken on a Pirate Lord and his entire island, the girl who'd stolen Asterion horses and raced along the beach in the Red Desert, the girl who'd sat on her own rooftop, watching the sun rise over Avery, the girl who'd felt alive with possibility...that girl was gone.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
She could feel the press of Kaz’s fingers against her skin, feel the bird’s wing brush of his mouth against her neck, see his dilated eyes. Two of the deadliest people the Barrel had to offer and they could barely touch each other without both of them keeling over. But they’d tried. He’d tried. Maybe they could try again. A foolish wish, the sentimental hope of a girl who hadn’t had the firsts of her life stolen, who hadn’t ever felt Tante Heleen’s lash, who wasn’t covered in wounds and wanted by the law. Kaz would have laughed at her optimism.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
You love the accidental. A smile from a pretty girl in an interesting situation, a stolen glance, that is what you are hunting for, that is a motif for your aimless fantasy. You who always pride yourself on being an observateur must, in return, put up with becoming an object of observation. Ah, you are a strange fellow, one moment a child, the next an old man; one moment you are thinking most earnestly about the most important scholarly problems, how you will devote your life to them, and the next you are a lovesick fool. But you are a long way from marriage.
Søren Kierkegaard (Either/Or: A Fragment of Life)
That's what I've been for years. An unsister. An undaughter. An unperson. A girl with a hole for a life. How appropriate to have my tongue cut out, when silence has been my refuge and my cage.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Another girl might have frozen, but I am cold all the way through.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Perhaps it is Oak who is the fool, who caught a wolf and thought that by putting it in a gown and speaking to it as though it were a girl, it would become one.
Holly Black (The Stolen Heir (The Stolen Heir Duology #1))
The wish of death had been palpably hanging over this otherwise idyllic paradise for a good many years. All business and politics is personal in the Philippines. If it wasn't for the cheap beer and lovely girls one of us would spend an hour in this dump. They [Jehovah's Witnesses] get some kind of frequent flyer points for each person who signs on. I'm not lazy. I'm just motivationally challenged. I'm not fat. I just have lots of stored energy. You don't get it do you? What people think of you matters more than the reality. Marilyn. Despite standing firm at the final hurdle Marilyn was always ready to run the race. After answering the question the woman bent down behind the stand out of sight of all, and crossed herself. It is amazing what you can learn in prison. Merely through casual conversation Rick had acquired the fundamentals of embezzlement, fraud and armed hold up. He wondered at the price of honesty in a grey world whose half tones changed faster than the weather. The banality of truth somehow always surprises the news media before they tart it up. You've ridden jeepneys in peak hour. Where else can you feel up a fourteen-year-old schoolgirl without even trying? [Ralph Winton on the Philippines finer points] Life has no bottom. No matter how bad things are or how far one has sunk things can always get worse. You could call the Oval Office an information rain shadow. In the Philippines, a whole layer of criminals exists who consider that it is their right to rob you unhindered. If you thwart their wicked desires, to their way of thinking you have stolen from them and are evil. There's honest and dishonest corruption in this country. Don't enjoy it too much for it's what we love that usually kills us. The good guys don't always win wars but the winners always make sure that they go down in history as the good guys. The Philippines is like a woman. You love her and hate her at the same time. I never believed in all my born days that ideas of truth and justice were only pretty words to brighten a much darker and more ubiquitous reality. The girl was experiencing the first flushes of love while Rick was at least feeling the methadone equivalent. Although selfishness and greed are more ephemeral than the real values of life their effects on the world often outlive their origins. Miriam's a meteor job. Somewhere out there in space there must be a meteor with her name on it. Tsismis or rumours grow in this land like tropical weeds. Surprises are so common here that nothing is surprising. A crooked leader who can lead is better than a crooked one who can't. Although I always followed the politics of Hitler I emulate the drinking habits of Churchill. It [Australia] is the country that does the least with the most. Rereading the brief lines that told the story in the manner of Fox News reporting the death of a leftist Rick's dark imagination took hold. Didn't your mother ever tell you never to trust a man who doesn't drink? She must have been around twenty years old, was tall for a Filipina and possessed long black hair framing her smooth olive face. This specter of loveliness walked with the assurance of the knowingly beautiful. Her crisp and starched white uniform dazzled in the late-afternoon light and highlighted the natural tan of her skin. Everything about her was in perfect order. In short, she was dressed up like a pox doctor’s clerk. Suddenly, she stopped, turned her head to one side and spat comprehensively into the street. The tiny putrescent puddle contrasted strongly with the studied aplomb of its all-too-recent owner, suggesting all manner of disease and decay.
John Richard Spencer
Sometimes people did this, closed their eyes for a few seconds and imagined it gave them insights into what it was like to be her. Only, at the end, they could still open their eyes and see.
April Henry (Girl, Stolen (Girl, Stolen #1))
You are perfect, Avery. Just like you are, flaws and everything.
Shana Norris (The Boyfriend Thief (Stolen Kiss, #1))
I tried to warn you, But girls never listen. Got your innocence insured? ’Cause it’s ’bout to be stolen Right out from under your nose. Prepare to curl your toes. I’ve got a one-track mind. You’ve got a nice behind. Chorus: I had a good thing goin’ All numb in my shell, Then you took me by surprise And now I’m scared as hell. I don’t wanna feel for you, I don’t wanna feel. If feeling means hurting, Then I don’t wanna be real. You crank up my lust, girl, You tame down my rage. You let your inner vixen Roam out of her cage. The moment our lips met I saw it in your eyes, But you were seeing me, too, I now realize. Chorus What do I want from you? I want everything. And I’m not gonna share— This ain’t a casual fling. You can be my bad girl, I’ll even be your good boy. How’d the tables get turned? F*** it, I’ll be your love toy.
Wendy Higgins (Sweet Peril (Sweet, #2))
Hmmm,' the King said, making a face. 'I'm not sure this is what we bargained for, boy. We expected the girl to be attractive.' If I hadn't been so terrified, I would have been insulted.
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
Fuck You Poem #45 Fuck you in slang and conventional English. Fuck you in lost and neglected lingoes. Fuck you hungry and sated; faded, pock marked, and defaced. Fuck you with orange rind, fennel and anchovy paste. Fuck you with rosemary and thyme, and fried green olives on the side. Fuck you humidly and icily. Fuck you farsightedly and blindly. Fuck you nude and draped in stolen finery. Fuck you while cells divide wildly and birds trill. Thank you for barring me from his bedside while he was ill. Fuck you puce and chartreuse. Fuck you postmodern and prehistoric. Fuck you under the influence of opiun, codeine, laudanum, and paregoric. Fuck every real and imagined country you fancied yourself princess of. Fuck you on feast days and fast days, below and above. Fuck you sleepless and shaking for nineteen nights running. Fuck you ugly and fuck you stunning. Fuck you shipwrecked on the barren island of your bed. Fuck you marching in lockstep in the ranks of the dead. Fuck you at low and high tide. And fuck you astride anyone who has the bad luck to fuck you, in dank hallways, bathrooms, or kitchens. Fuck you in gasps and whispered benedictions. And fuck these curses, however heartfelt and true, that bind me, till I forgive you, to you.
Amy Gerstler (Ghost Girl)
This time I read the title of the painting: Girl Interrupted at Her Music. Interrupted at her music: as my life had been, interrupted in the music of being seventeen, as her life had been, snatched and fixed on canvas: one moment made to stand still and to stand for all the other moments, whatever they would be or might have been. What life can recover from that?
Susanna Kaysen (Girl, Interrupted)
Who's stupid now, Jimbo?!
April Henry (Girl, Stolen (Girl, Stolen #1))
I have never in my life typed a heart symbol. Those are for milquetoast girls. Karou will probably think my phone’s been stolen – or possibly my body, by a lovelorn alien. I send the text anyway. This is what comes back: …who is this??
Laini Taylor (Night of Cake & Puppets (Daughter of Smoke & Bone, #1.5))
And suddenly, the once-nameless boy knew he didn't want a stolen name, tarnished with use. What he wanted desperately was a name good enough to give to this girl.
Alwyn Hamilton (Traitor to the Throne (Rebel of the Sands, #2))
My love is unique. No one can rival her, for she is the most beautiful girl alive. Just by passing, she has stolen my heart.
Tyne O'Connell (True Love, the Sphinx, and Other Unsolvable Riddles: A Comedy in Four Voices)
Once upon a time, a girl who believed in fairytales stole the heart of a prince who had sworn to never love.
Stephanie Garber (A Curse for True Love (Once Upon a Broken Heart, #3))
So let me get this straight,” Oak says. “You understand the part where I might have had to kill a lot of people, but you think I chose the wrong girl to kiss?
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
Here be the Dragons
April Henry (Girl, Stolen (Girl, Stolen #1))
Maybe for girls made of snow, love was worth the melt. But she was made of stolen bones and sleek fur, grave dirt and strange blood - her heart wasn’t even hers to give. Her soul was all she had, and no love was worth losing it.
Roshani Chokshi (The Silvered Serpents (The Gilded Wolves, #2))
Please let me go, I won't tell...
April Henry (Girl, Stolen (Girl, Stolen #1))
We black Southerners, through life, love, and labor, are the generators and architects of American music, narrative, language, capital, and morality. That belongs to us. Take away all those stolen West African girls and boys forced to find an oral culture to express, resist, and signify in the South, and we have no rich American idiom.
Kiese Laymon (How to Slowly Kill Yourself and Others in America)
The moment I chose to help you, I realized something.” Gahee finally lifted her gaze up to mine, and it was like seeing the faintest flicker of light in the darkness of night. “Doing what is right, it is so utterly terrifying. And yet so freeing.
June Hur (The Forest of Stolen Girls)
She smiles, lightning quick, then squeezes my hand harder, holding on like she’s afraid someone will come and pull us apart. “You’ll face it all with me?” The world narrows, the sounds of the oncoming search party fading, the lights blurring around us until it’s just her and me, our breath condensing and mingling in the cold air. She’s stolen my voice, this girl in my arms, and for a moment I can’t answer. I have to gather my wits, try to remember how to breathe. “Always.” Her smile is like the sun coming out. “Then you ought to kiss me while you can, Major Merendsen. It may be a while before your next opportunity.
Amie Kaufman (These Broken Stars (Starbound, #1))
She put her hand on her chest. “I have magic yet. If you will set the clock working again, then I must be still. I have read quite as many stories as you, September. More, no doubt. And I know a secret you do not: I am not the villain. I am no dark lord. I am the princess in this tale. I am the maiden, with her kingdom stolen away. And how may a princess remain safe and protected through centuries, no matter who may assail her? She sleeps. For a hundred years, for a thousand. Until her enemies have all perished and the sun rises over her perfect, innocent face once more.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
Your life isn’t meant to be used up to fulfill another person’s dream. That’s what Mother told me. And I’m sure if Father had known your true feelings he would have said the same.
June Hur (The Forest of Stolen Girls)
What’s your favorite word?” Startled, I looked up at him, unsure I’d heard him right. “My favorite word?” He nodded, slipping his glasses up his nose with a quick, practiced scrunch of his face that made him look angry and then surprised within a single second. “You have seven boxes of books up here. A wild guess tells me you like words.” I suppose I had never thought about having a favorite word, but now that he asked, I kind of liked the idea. I let my eyes lose focus as I thought. “Ranunculus,” I said after a moment. “What?” “Ranunculus. It’s a kind of flower. It’s such a weird word but the flowers are so pretty, I like how unexpected that is.” They were my Mom’s favorite, I didn’t say. “That’s a pretty girly answer.” “Well, I am a girl.” He kept his eyes on his feet but I knew I wasn’t imagining the gleam of interest I’d seen when I said ranunculus. I bet he had expected me to say unicorn or daisy or vampire. “What about you? What’s your favorite word? I bet it’s tungsten. Or, like, amphibian.” He quirked a smile, answering, “Regurgitate.” Scrunching my nose, I stared at him. “That is a gross word.” This made him smile even wider. “I like the hard consonant sounds in it. It kinda sounds like exactly what it means.” “An onomatopoeia?” I half expected trumpets to blast revelatory music from an invisible speaker in the wall from the way Elliot stared at me, lips parted and glasses slowly sliding down his nose. “Yeah,” he said. “I’m not a complete idiot, you know. You don’t have to look so surprised that I know some big words.” “I never thought you were an idiot,” he said quietly, looking toward the box and pulling out another book to hand to me. For a long time after we returned to our slow, inefficient method of unpacking the books, I could feel him looking up and watching me, tiny flashes of stolen glances. I pretended I didn’t notice.
Christina Lauren (Love and Other Words)
When a man has his wages stolen from him, year after year, and the laws sanction and enforce the theft, how can he be expected to have more regard to honesty than the man who robs him?
Harriet Ann Jacobs (Incidents in the Life of a Slave Girl)
I’m saying this because it’s said breaths are stolen during a passionate kiss. That’s not true, Gavin, because I literally can’t breathe before your lips even touch mine. I try, but I’m unable to. I can’t think when you look at me. You strip my mind bare. You always have, and it’s beautiful and consuming. It’s magical and everything a girl is supposed to feel. It’s said you’re truly in love with someone if your skin tingles from their touch. Mine tingles when I hear your voice; I don’t need you to touch me. I can feel you when you’re not near me. I feel you in my dreams. I felt you when you were a thousand miles away.
Gail McHugh (Pulse (Collide, #2))
But there are two types of people,” Inspector Yu added, his voice quiet. “Those that retreat and huddle together like frightened birds, overwhelmed by the darkness of this kingdom, and those that grasp their freedom to struggle on the behalf of others, their eyes fixed on a great light that will always shine for those who seek it.
June Hur (The Forest of Stolen Girls)
in until ten, not even on Mardi Gras nights. No one except the girl in the black silk dress, the thin little girl with the short, soft dark hair that fell in a curtain across her eyes. Christian always wanted to brush it away from her face, to feel it trickle through his fingers like rain. Tonight, as usual, she slipped in at nine-thirty and looked around for the friends who were never there. The wind blew the French Quarter in behind her, the night air rippling warm down Chartres Street as it slipped away toward the river, smelling of spice and fried oysters and whiskey and the dust of ancient bones stolen and violated.
Poppy Z. Brite (Lost Souls)
She came to me, and I wanted to be her healer and protector … I needed a night taking care of the little girl who had stolen a piece of my heart.
J.L. Berg (When You're Ready (Ready, #1))
At thirteen I learned from Roza's stolen book that girls don't have to be sweet little creatures, that they could in fact be angry and dark and sexual.
Julia Bartz (The Writing Retreat)
Those that call themselves 'nobody' are always people of significance. Or a person hiding a secret.
June Hur (The Forest of Stolen Girls)
She should be more frightened herself, she knew. She was only ten, a skinny girl on a stolen horse with a dark forest ahead of her and men behind who would gladly cut off her feet. Yet somehow she felt calmer than ever had in Harrenhal. The rain had washed the guard's blood off her fingers, she wore a sword across her back, wolves were prowling through the dark like lean grey shadows, and Arya Stark was unafraid. Fear cuts deeper than swords, she whispered under her breath, the words that Syrio Forel had taught her, and Jaqen's words too, valar morghulis.
George R.R. Martin (A Storm of Swords: Steel and Snow (A Song of Ice and Fire, #3.1))
I believe I met a girl in the rain, who had lost her mother's earrings. And I killed her. Now I stand here in a time I know nothing about. I watched the death of kings far greater than any man living now. And I am still here.
Rebecca Maizel (Stolen Nights (Vampire Queen, #2))
The beauty with modest smile, whose secrecy of silent love had just been stolen, beamed at this wonderful offer and she replenished herself with his love as a carefree child cossetted with luxurious warmth after a cold shower.
Ashmita Acharya (The Beginning: The Tears of My Heart)
I know what you're thinking. Maybe a fifteen-year-old girl had stolen my phone and was texting those things to you. I'd love to say it's true, but I'd be lying. Please don't think I'm crazy. I mean I am. Over you. Shit. I just really want to see you. Bad. Wait. Do I sound like Nicholas Sparks?
Jay McLean (More Than Him (More Than, #3))
When I looked at her, she appeared to be a different person from the one I'd known... She had rewritten everything, our history together, our friendship. Now I was the girl who'd stolen Andres; the girl who'd lied to her about who I was. Therefore, she owned me nothing.
Alice Hoffman (Incantation)
Now I realized why I’d so struggled to understand this man. It was because I’d imagined evil as being made of horns, spikes, and sharp teeth, not glowing with the appearance of goodness and respectability.
June Hur (The Forest of Stolen Girls)
On previous trips the pirates have stolen valuables, killed people, raped and abducted girls...the women work frantically to ugly themselves up by smearing black charcoal paste on their faces and bodies. With ashen faces, some of the younger, prettier girls reach into the bags we have vomited into and scoop out handfuls of it to smear on their hair and clothes.
Loung Ung (First They Killed My Father: A Daughter of Cambodia Remembers)
Slowly but surely, I let the happiness back into my life. There were times when I psyched myself out and let happiness play peek-a-boo as I let despair, pain, hurt, stress and depression back into my life. When I had to start from ground zero, I didn’t think I was going to make it. I was a fallen warrior who didn’t have any armor for protection. All of my weapons of bravery, peace, sanity, and joy were stolen from me. I was abandoned without any protection from the world
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
From the east a spring breeze is touching us, passing by, And so in the goblet in the green wine tiny ripples are formed. The blossoms stolen by the whirl are falling to the earth. My fair girl will be drunken soon with her blushed cheeks. Beside the blue pavilion the peach tree - Do you know, how long it will bloom? It’s a trembling shine, a dream: it cheats us and steals away. Rise and dance! The sun is fading! Who never was full of demanding live and crazy in his young days will vainly - when the hair is white - sigh and wail.
Li Bai
I am,” I said slowly, “a girl with music in her soul. I am a sister, a daughter, a friend, who fiercely protects those dear to her. I am a girl who loves strawberries, chocolate torte, songs in a minor key, moments stolen from chores, and childish games. I am short-tempered yet disciplined. I am self-indulgent, selfish, yet selfless. I am compassion and hatred and contradiction. I am … me.
S. Jae-Jones (Wintersong (Wintersong #1))
What mostly happens in the Iliad is that Achilles has a hissy fit because Agamemnon has stolen a slave girl of his, sulks in his tent for eight books and spends the ninth telling Agamemnon he’s had enough and he’s going home.
Caroline Taggart (A Classical Education: The Stuff You Wish You'd Been Taught in School)
Personally, she didn’t believe in heaven or hell. An earthly life was hell enough, and heaven appeared in the ephemera of every day, like dust motes sparkling in a quiet sunrise, or a warm handshake on a frigid day. Stolen gifts.
Lydia Kang (The Impossible Girl)
father can be both your protector and your worst enemy.
June Hur (The Forest of Stolen Girls)
It wasn’t as scary as I thought, death. It was just leaving one place to go to another.
June Hur (The Forest of Stolen Girls)
Sometimes what fathers think is for our good, is not something we desire at all.
June Hur (The Forest of Stolen Girls)
There are some things that should not be stolen.
Heidi Heilig (The Ship Beyond Time (The Girl From Everywhere, #2))
Poor baby--you're money's all gone. Stolen by a girl. Money gotten by illegal means. Let's not pretend you were feeding orphans, asshole." ~Meg
Sydney Croft (Taming the Fire (ACRO, #4))
Stolen from someone. Like they stole everything. Occupied. I was occupied. I disappeared.
Jojo Moyes (The Girl You Left Behind)
Every Reason to Lie
April Henry (Girl, Stolen (Girl, Stolen, #1))
I never heard a passion so confused, So strange, outrageous, and so variable, As the dog Jew did utter in the streets: 'My daughter! O my ducats! O my daughter! Fled with a Christian! O my Christian ducats! Justice! the law! my ducats, and my daughter! A sealed bag, two sealed bags of ducats, Of double ducats, stolen from me by my daughter! And jewels, two stones, two rich and precious stones, Stolen by my daughter! Justice! find the girl; She hath the stones upon her, and the ducats.
William Shakespeare (The Merchant of Venice)
Griffin spoke around a mouthful of food. “What’s it like being blind?” “Do you think about what it’s like to have hair every second?” Cheyenne blew air out of her nose. “It’s just who I am now. I try not to think about it all the time.” Which was true. But it didn’t work. She never really forgot that she was blind. And even if she did for a minute, she could count on there being a reminder. Usually painful. She sighed. “At first, it feels like someone has thrown a blanket over your head. Some days you just want to scream, ‘I’m inside here! Doesn’t anybody out there see that? Doesn’t anybody remember me? I’m still the same person!’ ” Cheyenne fell silent. She knew the last sentence wasn’t true, even if she wanted it to be. She wasn’t the same person.
April Henry (Girl, Stolen (Girl, Stolen, #1))
When you're traumatized, your sense of self, your individuality, is beaten up. Your skin color, your background, your pain, your hope, your gender, your faith, it's all defiled. Those essential pieces of yourself are stolen. You, as a person, are emptied and flattened, and that violence, that theft, keeps you from embodying a life that feels like your own. To continue to exist, as a whole person, you need to re-create, for yourself, an identity untouched by everything that's been used against you. You need to imagine and build a self out of elements that are not tainted. You need to remake yourself on your own terms.
Clemantine Wamariya (The Girl Who Smiled Beads: A Story of War and What Comes After)
It should have dawned on me that many aspects of the religion were based on revoking the rights of women. If a girl speaks her mind, get her married. Once she’s married, get her pregnant. Once she has children, she’s in for
Elissa Wall (Stolen Innocence: My Story of Growing Up in a Polygamous Sect, Becoming a Teenage Bride, and Breaking Free of Warren Jeffs)
While I was thankful to Orpheus for protecting us from the lure of their song, I wished there was a way I could have seen them more closely. I felt drawn toward them by something other than their magic. It was their rage, I thought, the anger for their stolen girl that made them punish every man they saw.
Jennifer Saint (Atalanta)
I still think that being forced to leave your home out of fear is one of the worst injustices a human being can face. Everything you love is stolen, and you risk your life to live in a place that means nothing to you and where, because you come from a country now known for war and terrorism, you are not really wanted. So you spend the rest of your years longing for what you left behind while praying not to be deported. Hezni’s story made me think that the path of the Iraqi refugee always leads backward, to prison or to where you came from.
Nadia Murad (The Last Girl: My Story of Captivity, and My Fight Against the Islamic State)
I still think that being forced to leave your home out of fear is one of the worst injustices a human being can face. Everything you love is stolen, and you risk your life to live in a place that means nothing to you and where, because you come from a country now known for war and terrorism, you are not really wanted.
Nadia Murad (The Last Girl: My Story of Captivity, and My Fight Against the Islamic State)
What is that sixteen compared to the number of girls taken by the Joseon government? Every three years they capture girls to send as tribute to the Ming court. Hundreds of them. Girls disappear every day. They are sacrificed for a greater good.
June Hur (The Forest of Stolen Girls)
There was a town, and there was a girl, and there was a theft. I was living in the town, and I was hired to investigate the theft, and I thought the girl had nothing to do with it. I was almost thirteen and I was wrong. I was wrong about all of it. I should have asked the question ‘Why would somebody say something was stolen when it was never theirs in the first place?’ Instead, I asked the wrong question—four wrong questions, more or less.
Lemony Snicket (Who Could That Be at This Hour? (All the Wrong Questions, #1))
am Father’s daughter too,” Maewol said, a little less forcibly. “And I am your sister, unless you’ve forgotten
June Hur (The Forest of Stolen Girls)
He knew that when he'd let Cheyenne lead him away, he'd lost his chance to find out the name of the girl who, without a single word spoken to him, had stolen his heart.
M. Leighton
I’m not sure this is what we bargained for, boy. We expected the girl to be attractive.” If I hadn’t been so terrified, I would have been insulted.
Danielle L. Jensen (Stolen Songbird (The Malediction Trilogy, #1))
The race is on to find Cheyenne Wilder and to rescue her alive.
April Henry (Girl, Stolen (Girl, Stolen, #1))
There’s something about driving a pretty girl somewhere potentially dangerous in a stolen car that just makes you feel good.
Richard Kadrey (Devil Said Bang (Sandman Slim, #4))
An earthly life was hell enough, and heaven appeared in the ephemera of every day, like dust motes sparkling in a quiet sunrise, or a warm handshake on a frigid day. Stolen gifts.
Lydia Kang (The Impossible Girl)
This is what it is to be caught, to be powerless and frozen, to be turned into nothing. This is when your own body, your own voice, becomes your enemy, when it won’t even listen to you because it’s his now, because he’s stolen it, because he controls it with your own fear.
Amy Reed (The Nowhere Girls)
Yet my father remained hopeful and believed there would be a day when there was an end to the destruction. What really depressed him was the looting of the destroyed schools - the furniture, the books, the computers, were all stolen by local people. He cried when he heard this.
Malala Yousafzai (I Am Malala: The Story of the Girl Who Stood Up for Education and Was Shot by the Taliban)
Isn't that sweet?' Hyacinthe says, the first words I've heard him speak. 'Riding your sister's horse into battle. Have you anything of your own, prince? Or just girls' castoffs and scraps?
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Some days after, the girl encountered her again, in a dream, as she was years ago: a very slender young woman in a long white skirt, her amber hair to her waist, her eyes coal black with ardor.
Gina Berriault (Stolen Pleasures: Selected Stories of Gina Berriault)
The thought comes to be unbidden, that I am looking at what I was made from. Snow and sticks. Sticks and snow. Not a real girl. A paper doll of a child, to play with, then rip up and throw away.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
I am..." Who was I? Daughter, sister, wife, queen, composer,; these were the titles I had been given and claimed, but they were not the whole of me. They were not me, entire. I closed my eyes. "I am," I said slowly, "a girl with music in her soul. I am a sister, daughter, a friend, who fiercely protects those dear to her. I am a girl who loves strawberries, chocolate torte, songs in a minor key, moments stolen from chores, and childish games. I am short-tempered yet disciplined. I am self-indulgent, selfish, yet selfless. I am compassion and hatred and contradiction. I am... me.
S. Jae-Jones (Wintersong (Wintersong, #1))
I decided that one day I would have to break journey there, spend a day in the town, make inquiries, and find the girl who had stolen my heart with nothing but a look from her dark, impatient eyes.
Ruskin Bond (The Night Train at Deoli and Other Stories)
The level of violence finally forced the local paper to do what the local police would not: Talk to the victims. Shaina Perry remembers the punch to her face, blood streaming from a cut over her eye, her backpack with her asthma inhaler, debit card, and cell phone stolen, and then the laughter. They just said “Oh, white girl bleeds a lot,” said Perry, 22, who was attacked at Kilbourn Reservoir Park over the Fourth of July weekend.2
Colin Flaherty ('White Girl Bleed A Lot': The Return of Racial Violence to America and How the Media Ignore It)
My first thought is to alert the merchant, but when he makes a comment about the length of a young girl’s skirt and how her legs are simply too inviting to resist, I stop in my tracks. He deserves to have his things stolen.
Kalynn Bayron (Cinderella Is Dead)
I want the girl,” he said. “Keep the amulet. Just give me the girl.” Her mind opened all its cabinets and turned out all its drawers and none of them held anything about lost girls or stolen girls or any sort of girl whatsoever.
Joanna Bourne (Beauty Like the Night (Spymasters, #6))
I’ve gone back to the Frick since then to look at her and at the two other Vermeers. Vermeers, after all, are hard to come by, and the one in Boston has been stolen. The other two are self-contained paintings. The people in them are looking at each other — the lady and her maid, the soldier and his sweetheart. Seeing them is peeking at them through a hole in a wall. And the wall is made of light — that entirely credible yet unreal Vermeer light. Light like this does not exist, but we wish it did. We wish the sun could make us young and beautiful, we wish our clothes could glisten and ripple against our skins, most of all, we wish that everyone we knew could be brightened simply by our looking at them, as are the maid with the letter and the soldier with the hat. The girl at her music sits in another sort of light, the fitful, overcast light of life, by which we see ourselves and others only imperfectly, and seldom.
Susanna Kaysen (Girl, Interrupted)
So Bereaver still wanders, not knowing that Ant is lost to her. The girl will carry his secret, and when she is no longer a girl, she will give it to another girl, and this sorrow stone will be stolen away in uniform pockets and hidden under the pillows of marriage beds, secreted in diaries, guarded closely by the type of girls who, above all else, obey.
Lesley Nneka Arimah (What It Means When a Man Falls from the Sky)
In that one stolen second, I considered the Glebe girl. She entered my mind like a burglar, them vanished again, taking nothing. It was like the humiliation of the past had been dragged instantly from my back and left somewhere on the ground.
Markus Zusak (Getting the Girl (Wolfe Brothers, #3))
The majority enjoy a young girl as they enjoy a glass of champagne, at one effervescent moment-oh, yes, that is really beautiful, and with many a young girl that is undoubtedly the most one can attain, but here there is more. If an individual is too fragile to stand clarity and transparency, well, then one enjoys what is unclear, but apparently she can stand it. The more devotedness one can bring to erotic love, the more interesting. This momentary enjoyment is a rape, even if not outwardly but nevertheless mentally, and in a rape there is only imagined enjoyment; it is like a stolen kiss, something nondescript. No, if one can bring it to a point where a girl has but one task for her freedom, to give herself, so that she feels her whole happiness in this, so that she practically begs for this devotedness and yet is free-only then is there enjoyment, but this always takes a discerning touch
Søren Kierkegaard
Had he liked her all along? Was she the girl he saw every day and was I the girl who fed him and showered him with kisses once a week? It occurred to me that maybe all the time he omitted in our stolen conversations wasn’t simply long, boring hours of inventory. I was too angry to cry.
Kiera Cass (The Selection (The Selection, #1))
These students of mine, like the rest of their generation, were different from mine in one fundamental aspect. My generation complained of a loss, the void in our lives that was created when our past was stolen from us, making us exile in our own country. Yet we had a past to compare with the present; we had memories and images of what had been taken away. But my girls spoke constantly of stolen kisses, films they had never seen and the wind they had never felt on their skin. This generation had no past. Their memory was of a half-articulated desire, something they had never had. It was this lack, their sense of longing for the ordinary, taken-for-granted aspects of life, that gave their words a certain luminous quality akin to poetry.
Azar Nafisi (Reading Lolita in Tehran: A Memoir in Books)
Why don't victims report? Because most of the time, the only thing reporting accomplishes is heightening the trauma to almost unbearable levels. It invites an audience to view your sexual assault. It's choosing to have no voice in the process after having it stolen from you. That's why victims don't report.
Rachael Denhollander (What Is a Girl Worth?: My Story of Breaking the Silence and Exposing the Truth about Larry Nassar and USA Gymnastics)
Calm down please, sir, if you will,’ said the bobby, still retaining a firm hold upon the horse’s reins. ‘ “Stolen” is such an ugly word. It is not technically stealing if you are a British archaeologist and you acquire items of historical significance in the savage realms and liberate them to civilisation.
Robert Rankin (The Japanese Devil Fish Girl and Other Unnatural Attractions (Japanese Devil Fish Girl #1))
Girls disappear every day. Jeju women, especially, disappear all the time once they are older. They think they are free to act without restrictions and so venture out into the world. They disappear to live with their sweethearts, to hide their pregnancies, to sell themselves, to become gisaengs. The reasons are endless.
June Hur (The Forest of Stolen Girls)
Our faces are so close to one another right now, and all I can do is selfishly think how easy it would be for me to lean forward and kiss him like I’ve dreamed about for the last couple of weeks. One kiss, and then I’d let him go. One kiss, to replace the one stolen from me. This would be my first kiss, not what happened with Poseidon. Because a kiss should be born from love, and want, and need. A kiss should be beautiful, something a girl can hold onto for the rest of her life, to pull out in her memory whenever she wants butterflies to come back. A kiss shouldn’t be roughly ripped away from her and turned into a thing of nightmares.
Heather Lyons (The Deep End of the Sea)
I was too selfish to have a child before I was ready for one, and there's no shame in admitting that. Women should be selfish about our choices, for as long as we have the privilege of being selfish. Selfishness in women isn't the great crime that people like to pretend it is. We are as entitled as men to prioritise ourselves and our desires, and we are as capable as men of knowing what's best for us. Why is everyone so pathologically terrified of selfish women? The word is thrown around like an insult, as if the worst thing a woman could possibly do (aside from being fat, having sex with whomever she pleases and whenever, swearing, having an abortion, drinking alcohol, standing up for herself and being a working mother) is to decide that her life matters. But women are allowed to be selfish. It shouldn't be considered a 'privilege' to be able to control our own bodies nor should it be treated like a favour done to us by the state. It's a right that, by and large, has been stolen from us and used to keep us in thrall to a paternalistic body that pretends to know what's best for us but is really only interested in maintaining the order that has proved best for them.
Clementine Ford (Fight Like a Girl)
She hardly cared. They wanted her. They knew her through and through; they knew her fragility and her plurality. And they still wanted her. They had stolen her in order to rescue her. After all her drifting, their straight line. After all her guilt and concealment, their acceptance. After all her words, their action, their abstemiousness, their clear-eyed zeal, their authenticity, their true allegiance, to fill the emptiness that had yawned and screamed inside her like a bored demon ever since she could remember.
John le Carré (The Little Drummer Girl)
If we refuse to look at the blood spilled by others, we will soon be looking at our own blood.
Wolfgang Bauer (Stolen Girls: Survivors of Boko Haram Tell Their Story)
I’ve never seen Dante with a girl. Aida told me he was in love once, a long time ago. But the girl broke his heart.
Sophie Lark (Stolen Heir (Brutal Birthright, #2))
And you … You came all this way to find your father … If you were my daughter, I would be proud of you. And if your father were here, he would be proud too.
June Hur (The Forest of Stolen Girls)
But when I think of him as a criminal … I can’t help but remember that he skipped his meals so that I could have a full belly.
June Hur (The Forest of Stolen Girls)
My ears burned. This was the fate for all women. Yet the way Maewol spat it out made it sound like something outrageous.
June Hur (The Forest of Stolen Girls)
Keep your eyes on anything you don't want stolen.
Chelsea Ichaso (Dead Girls Can't Tell Secrets)
Twenty-eight now, she has given birth to a girl she wraps in a piece of the sky stolen from a clear day.
Ocean Vuong (On Earth We're Briefly Gorgeous)
You should probably stop staring at her like you never saw a naked girl with wings before.
Holly Black (The Prisoner’s Throne (The Stolen Heir Duology, #2))
Four years ago, I let my guard down for one man. I allowed the curious girl within me to forget the most important message our dad taught us: not all monsters hunt in the dark.
Ker Dukey (Pretty Stolen Dolls (Pretty Little Dolls, #1))
If you have a bad feeling about someone, don’t worry about offending them. Just run. Being polite is how you get your purse stolen or your “purse stolen.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
Remember how we put stickers with your name on your pocessions that could be stolen.We didn't put a sticker on your innocence so don't lose it!
Candace Allan (Text Me, Love Mom: Two Girls, Two Boys, One Empty Nest)
carrying on with the world’s most supportive people: unknown drunk girls at the club.
Aurelia Knight (Mind to Bend (Stolen Obsessions, #1))
I used to wish that Madoc never went looking for those girls, and now all I wish is that we could be together again as we once were.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Let’s go home.
June Hur (The Forest of Stolen Girls)
If you have a bad feeling about someone, don't worry about offending them. Just run. Being polite is how you get your purse stolen or your 'purse stolen'.
Lena Dunham (Not That Kind of Girl: A Young Woman Tells You What She's "Learned")
She could probably kill Jaydra, and the other woman would manage to come back from the dead to critique her technique.
April Henry (Count All Her Bones (Girl, Stolen, #2))
I wasn’t some long lost Heir, come to steal his throne. I was just a girl trying to reclaim something that had been stolen from me and figure out my place in this screwed up world.
Caroline Peckham (The Awakening (Zodiac Academy, #1))
Have you ever considered, people, how much time has been stolen from the lives of girls and women due to agonizing over their appearance?' A few faces smile, uneasy. Even louder: 'How many minutes, hours, months, even actual years, of their lives do girls and women waste in agonizing? And how many billions of dollars of corporate profit are made as a result?
Leni Zumas (Red Clocks)
Fat” is just the current catchall word for all the things that we as a culture are afraid of: women’s rights, people refusing to acquiesce to cultural pressures of conformity, fear of mortality. [People who hate fat people] see body love as a move toward people taking charge of their lives and choosing what they want to do, no matter what the culture says. This is really scary to a lot of people. The anger they express is actually toward themselves. A person who hates seeing a happy, liberated person wishes they had the strength to do that, but they are too entrenched or “bought in” to the way things are right now to see it as a beautiful thing. So they see it and they hate it . . . People have invested a lot of time and a lot of resources into this game that says “thin wins.” So when people see exceptions to that rule, they feel personally invalidated, personally stolen from, personally affronted.
Jes Baker (Things No One Will Tell Fat Girls: A Handbook for Unapologetic Living)
Girl, have you any thought what your eyes mean? You must have stolen them from some dead queen. O little empty laughing soul that sings And dances, tell me--What do your eyes mean?
Omar Khayyám (Rubáiyát of Omar Khayyám)
Marya supposed this was why no one asked after stolen fairy tale girls. What embarrassments they turn out to be. They grow tempers; they join the army; they need glasses. Who wants them?
Catherynne M. Valente (Deathless)
Do you think he will protect you now? You’re useless. The heir to Elfhame has no reason to spend any further time with an untutored savage of a girl. But think, you wouldn’t even have to remember him. You wouldn’t even have to remember yourself.” “I’m not half as practical as you suppose,” Oak says. “I like many useless things. I’ve been called useless myself from time to time.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Blomkvist had heard this line before. He had even spoken to an old lady who claimed that it was actually she who had written the Harry Potter books and that J. K. Rowling had stolen everything by telepathy.
David Lagercrantz (The Girl in the Spider's Web (Millennium, #4))
There is no good reason that a girl is shamed for sexting while a boy is not, that a woman’s number must be lower than a man’s, that a survivor of sexual assault has her credibility stolen from her along with her bodily integrity. For women to be truly safe, we must eradicate the use of the term “slut.” Only then will female sexuality become transformed from a site of pitfalls to one of positivity and possibility.
Leora Tanenbaum (I Am Not a Slut: Slut-Shaming in the Age of the Internet)
Now it’s all been ripped away, and what am I without it? A weak and frightened girl who is so deeply, deeply lonely that I would even sit down to dinner with my own kidnapper again, just to have someone to talk to.
Sophie Lark (Stolen Heir (Brutal Birthright, #2))
Now here she was, blind, kidnapped, tied up, and going who knows where with a criminal. Her cell phone was gone. And she was very sick. No! Cheyenne mouthed the word to herself. She had to stay on track. Think. She was blind. That was a fact. That was her greatest weakness. But could she somehow use it to her advantage? And there were a few advantages to being blind—not many, certainly not enough. But a few. For one thing, she knew how to use all her other senses in a way that most sighted people never did. They smelled and heard and touched all the same things she did, but they had let that part of their brain go numb with disuse, so the sensations didn’t register. And Cheyenne had learned the hard way to always, always pay attention to what was around her, to pick up as many clues as she could. So how could she use her senses to her advantage? She
April Henry (Girl, Stolen (Girl, Stolen, #1))
Most Americans believe human trafficking is a problem only in poor and underdeveloped countries, too far away to be our concern. However, statistics report over 50,000 slaves in the United States, with another 17,500 being trafficked every year. There has never been a country or time in history when it did not occur. If this book stimulates conversation that makes a difference for any of these children, I am satisfied with its results.
Pat Spencer (Story of a Stolen Girl)
She passed a hand over her eyes. A year and more now, that she had needed glasses. 'Look', those glasses said from her desk. 'Look how much you are not like the others. You grow older and your eyes wear out. In case you could ever mistake yourself for belonging'. Marya supposed this was why no one asked after stolen fairy tale girls. What embarassment they turn out to be. They grow tempers; they join the army; they need glasses. Who wants them?
Catherynne M. Valente (Deathless)
Now that Sam was dead, there wasn’t anything left outside of the dungeons worth fighting for, anyway. Not when Adarlan’s Assassin was crumbling apart, and her world with her. The girl who’d taken on a Pirate Lord and his entire island, the girl who’d stolen Asterion horses and raced along the beach in the Red Desert, the girl who’d sat on her own rooftop, watching the sun rise over the Avery, the girl who’d felt alive with possibility … that girl was gone.
Sarah J. Maas (The Assassin's Blade (Throne of Glass, #0.1-0.5))
After playing Halo 2 for 3 hours, I went out and mowed down a Red Cross blood bank, raped anything with a pulse, and trashed the local mall. Then I toasted the gods of destruction with a goblet of blood stolen from a Girl Guide's body.
Douglas Coupland (JPod)
Before Philippe Toussaint, despite the foster families and my bitten nails, I saw the sunlight on the facades, rarely the shadows. With him, I came to understand what disillusion means. That it wasn’t enough to derive pleasure from a man to love him. The gorgeous guy’s picture on glossy paper had become dog-eared. His laziness, his lack of courage when facing his parents, his latent violence, and the smell of other girls on his fingertips, had stolen something from me.
Valérie Perrin (Fresh Water for Flowers)
all the relatives, for no one could comprehend my frustration at having spent two years scratching the earth to make my fortune with no other goal than that of one day leading this girl to the altar, and death had stolen her away from me.
Isabel Allende (The House of the Spirits)
We learned something of her capabilities.' 'And you want me to tell you that was worth you being poisoned?' the knight demands. 'I'm always being poisoned. Alas, that it wasn't blusher mushroom,' the prince said nonsensically. Tiernan nods his chin at me. 'That girl thinks you're a fool for even being here.' I scowl, because that's not what I meant. 'Ah, Lady Wren,' Oak says, a lazy smile on his mouth. Marigold hair brushing his forehead, half-hiding his horns. 'You wound me.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
My epic,” said Emily, diligently devouring plum cake, “is about a very beautiful high-born girl who was stolen away from her real parents when she was a baby and brought up in a woodcutter’s hut.” “One av the seven original plots in the world,” murmured Father Cassidy. “What?” “Nothing. Just a bad habit av thinking aloud. Go on.” “She had a lover of high degree but his family did not want him to marry her because she was only a woodcutter’s daughter—” “Another of the seven plots — excuse me.” “ — so they sent him away to the Holy Land on a crusade and word came back that he was killed and then Editha — her name was Editha — went into a convent—” Emily paused for a bite of plum cake and Father Cassidy took up the strain. “And now her lover comes back very much alive, though covered with Paynim scars, and the secret av her birth is discovered through the dying confession av the old nurse and the birthmark on her arm.” “How did you know?” gasped Emily in amazement. “Oh, I guessed it — I’m a good guesser.
L.M. Montgomery (The Complete Emily Starr Trilogy: Emily of New Moon / Emily Climbs . Emily's Quest)
You’re a good girl. You’re so good, you’ve let the desire to be it overtake you. It’s defined who you are. …. You’ve always believed being this way was going to somehow save your life, but it’s stolen it instead. Let me ask, what did being good ever do for you?
LaTanya McQueen (When the Reckoning Comes)
Right now she must be moving as fast as she could through the woods, knowing that the only thing she had on her side was a little bit of time. Griffin felt a grudging respect. He stepped up on the toilet seat and grabbed the casement. He was just swinging his leg out when the faintest of sounds made him look toward the tub. Now that he was two feet off the ground, he could just see over the blue shower curtain with its faded green and yellow seahorses. And what he saw was Cheyenne, crouched in the tub. Hiding behind the shower curtain.
April Henry (Girl, Stolen (Girl, Stolen, #1))
In a couple of days after our arrival, it already became clear that our things were lost forever and would never be found. They put in the paperwork that Emirates Airlines had lost it, although we knew for sure it was all stolen by those girls in the airport of our first departure.
Sahara Sanders (MALDIVES... THE PARADISE (ALL AROUND THE WORLD: A Series of Travel Guides))
They say time heals all wounds. But does it close the gaps too? Maybe it can. Maybe in a year it turns an eight-year time gap into dust. Maybe it turns a girl who didn't know what she wanted into someone who became certain. Maybe it turns twenty-one stolen kisses into endless given ones.
Lauren Blakely (21 Stolen Kisses)
Oak puts his hands on my shoulders, pushing my back to the wall. 'Pretend with me,' he whispers. And then he presses his mouth to mine. A soldier kissing one of the serving girls. A bored ex-falcon attempting to amuse himself. Oak hiding our faces, giving us a reason to be overlooked. I understand the game. This is no declaration of desire. And yet, I am rooted in place by the shocking heat of his mouth, the softness of his lips, the way one of his hands goes to the ice wall to brace himself and the other to my waist, and then to the hilt of my knife as they draw closer. He doesn't want me. This doesn't mean he wants me. I repeat that over and over as I let him part my lips with his tongue. I run my hands up his back under his shirt, letting my nails trail over his skin. I have been trained in all the arts of a courtier. Dancing and duelling, kissing and deceiving. Still, I am gratified when he shudders, when the hand he was bracing with lifts to thread through my hair, to cup my head. My mouth slides over his jaw to his throat, then against his shoulder, where I press the points of my teeth. His body stiffens, his fingers gripping me harder, pulling me closer to him. When I bite down, he gasps.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
But to steal her love from me! Can it be that you really don’t understand? Do you think we mortals will find you gods easier to bear if you’re beautiful? I tell you that if that’s true we’ll find you a thousand times worse. For then (I know what beauty does) you’ll lure and entice. You’ll leave us nothing; nothing that’s worth our keeping or your taking. Those we love best—whoever’s most worth loving—those are the very ones you’ll pick out. Oh, I can see it happening, age after age, and growing worse and worse the more you reveal your beauty: the son turning his back on the mother and the bride on her groom, stolen away by this everlasting calling, calling, calling of the gods. Taken where we can’t follow. It would be far better for us if you were foul and ravening. We’d rather you drank their blood than stole their hearts. We’d rather they were ours and dead than yours and made immortal. But to steal her love from me, to make her see things I couldn’t see . . . oh, you’ll say (you’ve been whispering it to me these forty years) that I’d signs enough her palace was real, could have known the truth if I’d wanted. But how could I want to know it? Tell me that. The girl was mine. What right had you to steal her away into your dreadful heights?
C.S. Lewis (Till We Have Faces: A Myth Retold)
. I still think that being forced to leave your home out of fear is one of the worst injustices a human being can face. Everything you love is stolen, and you risk your life to live in a place that means nothing to you and where, because you come from a country now known for war and terrorism, you are not really wanted.
Nadia Murad (The Last Girl: My Story of Captivity, and My Fight Against the Islamic State)
My beautiful, broken girl," he murmurs against my mouth as he slides in and out of me in a torturous manner. "All of your pieces are mine to hold. Each shard is mine to willingly slice myself on. You´re worth the pain. In fact, I want to embrace that pain if it means, even for one second, I can take some of that pain from you.
Ker Dukey (Pretty Stolen Dolls (Pretty Little Dolls, #1))
Dr. Mary Atwater's story was so inspiring. Growing up, Dr. Atwater had a dream to one day be a teacher. But as a black person in the American South during the 1950s, she didn't have many great educational opportunities. It didn't help that she was also a girl, and a girl who loved science, since many believed that science was a subject only for men. Well, like me, she didn't listen to what others said. And also like me, Dr. Atwater had a father, Mr. John C. Monroe, who believed in her dreams and saved money to send her and her siblings to college. She eventually got a PhD in science education with a concentration in chemistry. She was an associate director at New Mexico State University and then taught physical science and chemistry at Fayetteville State University. She later joined the University of Georgia, where she still works as a science education researcher. Along the way, she began writing science books, never knowing that, many years down the road, one of those books would end up in Wimbe, Malawi, and change my life forever. I'd informed Dr. Atwater that the copy of Using Energy I'd borrowed so many times had been stolen (probably by another student hoping to get the same magic), so that day in Washington, she presented me with my own copy, along with the teacher's edition and a special notebook to record my experiments. "Your story confirms my belief in human beings and their abilities to make the world a better place by using science," she told me. "I'm happy that I lived long enough to see that something I wrote could change someone's life. I'm glad I found you." And for sure, I'm also happy to have found Dr. Atwater.
William Kamkwamba (The Boy Who Harnessed the Wind: Creating Currents of Electricity and Hope)
People write tragedies in which fatal blondes betray their paramours to ruin, which Cressidas, Cleopatras, Delilahs, and sometimes even naughty daughters like Jessica bring their lovers or their parents to distress: but these are not the heart of tragedy. They are fripperies to the soul of man. What does it matter if Antony did fall upon his sword? It only killed him. It is the mother's not the lover's lust that rots the mind. It is that which condemns the tragic character to his walking death. It is Jocasta, not Juliet, who dwells in the inner chamber. It is Gertrude, not the silly Ophelia, who sends Hamlet to his madness. The heart of tragedy does not lie in stealing or taking away. Any featherpated girl can steal a heart. It lies in giving, in putting on, in adding, in smothering without pillows. Desdemona robbed of life or honour is nothing to a Mordred, robbed of himself--his soul stolen, overlaid, wizened, while the mother-character lives in triumph, superfluously and with stifling love endowed on him, seemingly innocent of ill-intention. Mordred was the only son of Orkney who never married. He, while his brothers fled to England, was the one who stayed alone with her for twenty years--her living larder. Now that she was dead, he had become her grave. She existed in him like the vampire. When he moved, when he blew his nose, he did it with her movement. When he acted he became as unreal as she had been, pretending to be a virgin for the unicorn. He dabbled in the same cruel magic. He had even begun to keep lap dogs like her--although he had always hated hers with the same bitter jealousy as that with which he had hated her lovers.
T.H. White (The Once & Future King)
You are an honourable man. You will not smile or be vexed at these impatient lines. Remember they are written by a poor girl; that she is alone; that she has no one to direct her, no one to advise her, and that she herself could never control her heart. But forgive me that a doubt has stolen — if only for one instant — into my heart
Fyodor Dostoevsky (White Nights)
If you're lucky, life teaches you to survive. The California sky is blue, you wake up, you make coffee, you fry eggs, and you don't look back. You don't think about the freckled maid who served smoked meats and pickled asparagus when you were a girl. You don't think about yesterday or what's been lost. Even when you hear the dead whispering, you go on.
Laurie Lico Albanese (Stolen Beauty)
I shall get nothing from these fools,' he muttered; 'and I am very much afraid of being here between a drunkard and a coward. Here's an envious fellow making himself boozy on wine when he ought to be nursing his wrath, and here is a fool who sees the woman he loves stolen from under his nose and takes on like a big baby. Yet this Catalan has eyes that glisten like those of the vengeful Spaniards, Sicilians, and Calabrians, and the other has fists big enough to crush an ox at one blow. Unquestionably, Edmond's star is in the ascendant, and he will marry the splendid girl--he will captain, too, and laugh at us all, unless'--a sinister smile passed over Danglars' lips--'unless I take a hand in the affair,' he added.
Alexandre Dumas (The Count of Monte Cristo (Great Illustrated Classics))
Do you think he will protect you now? You're useless. The heir to Elfhame has no reason to spend any further time with an untutored savage of a girl. But think, you wouldn't remember him. You wouldn't even have to remember yourself.' 'I'm not half as practical as you suppose,' Oak says. 'I like many useless things. I've been called useless myself from time to time.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
I’m saying this because it’s said breaths are stolen during a passionate kiss. That’s not true, Gavin, because I literally can’t breathe before your lips even touch mine. I try, but I’m unable to. I can’t think when you look at me. You strip my mind bare. You always have, and it’s beautiful and consuming. It’s magical and everything a girl is supposed to feel. It’s said you’re truly in love with someone if your skin tingles from their touch. Mine tingles when I hear your voice; I don’t need you to touch me. I can feel you when you’re not near me. I feel you in my dreams. I felt you when you were a thousand miles away. “You scared me the moment I saw you, and I think it’s because I knew, I just knew, I was going to fall in love you. I didn’t know our worlds were already intertwined, but my heart somehow knew it belonged to you from the start. I didn’t believe a pain so deep existed while we were apart, but I also didn’t believe a love like ours existed. You’ve shown me it does. You’ve shown me good when there was bad. You’ve given me pleasure above all of my pain. You’ve given me life when I thought I was dead.
Gail McHugh (Pulse (Collide, #2))
Your mother gives birth to you only once and only once do you die,' the witcher said calmly. 'An appropriate philosophy for a louse, don't you agree? And your longevity? I pity you, Filavandrel.' The elf raised his eyebrows. 'Why?' 'You're pathetic, with your little stolen sacks of seeds on pack horses, with your handful of grain, that tiny crumb thanks to which you plan to survive. And with that mission of yours which is supposed to turn your thoughts from imminent annihilation. Because you know this is the end. Nothing will sprout or yield crops on the plateaux, nothing will save you now. But you live long, and you will live very long in arrogant isolation, fewer and fewer of you, growing weaker and weaker, more and more bitter. And you know what'll happen then, Filavandrel. You know that desperate young men with the eyes of hundred-year-old men and withered, barren and sick girls like Toruviel will lead those who can still hold a sword and bow in their hands, down into the valleys. You'll come down into the blossoming valleys to meet death, wanting to die honourably, in battle, and not in sick beds of misery, where anaemia, tuberculosis and scurvy will send you. Then, long-living Aen Seidhe, you'll remember me. You'll remember that I pitied you. And you'll understand that I was right.' 'Time will tell who was right,' said the elf quietly. 'And herein lies the advantage of longevity. I've got a chance of finding out, if only because of that stolen handful of grain. You won't have a chance like that. You'll die shortly.
Andrzej Sapkowski (The Last Wish (The Witcher, #0.5))
I am Sir Buddy the Magnificent, of the estimable line of talking equine companions.” If anything, the girl’s mouth gaped open even more. “Talking equine companion?” “He means that we have an agreement.” Basil wasn’t sure if he should try to pry the girl’s clinging grip off him or let her be. “He provides transportation and companionship—” “And wise advice. Don’t forget the wise advice,” Buddy added.
Tara Grayce (Stolen Midsummer Bride (Stolen Brides of the Fae, #3))
These last weeks, since Christmas, have been odd ones. I have begun to doubt that I knew you as well as I thought. I have even wondered if you wished to keep some part of yourself hidden from me in order to preserve your privacy and your autonomy. I will understand if you refuse to give me an answer tonight, and although I freely admit I will be hurt by such a refusal, you must not allow my feelings to influence your answer." I looked up into his face. "The question I have for you, then is this: How are the fairies in your garden?" By the yellow streetlights, I saw the trepidation that had been building up in face give way to a flash of relief, then to the familiar signs of outrage: the bulging eyes, the purpling skin, the thin lips. He cleared his throat. "I am not a man much given to violence," he began, calmly enough, "but I declare that if that man Doyle came before me today, I should be hard-pressed to avoid trouncing him." The image was a pleasing one, two gentlemen on the far side of middle age, one built like a bulldog and the other like a bulldong, engaging in fisticuffs. "It is difficult enough to surmount Watson's apparently endless blather in order to have my voice heard as a scientist, but now, when people hear my name, all they will think of is that disgusting dreamy-eyed little girl and her preposterous paper cutouts. I knew the man was limited, but I did not even suspect that he was insane!" "Oh, well, Holmes," I drawled into his climbing voice. "Look on the bright side. You've complained for years how tedious it is to have everyone with a stray puppy or a stolen pencil box push through your hedges and tread on the flowers; now the British Public will assume that Sherlock Homes is as much a fairy tale as those photographs and will stop plaguing you. I'd say the man's done you a great service." I smiled brightly. For a long minute, it was uncertain whether he was going to strike me dead for my impertinence or drop dead himself of apoplexy, but then, as I had hoped, he threw back his head and laughed long and hard.
Laurie R. King (A Monstrous Regiment of Women (Mary Russell and Sherlock Holmes, #2))
Radha Krishna Krishna, Svayam Bhagavan, Avatar of Vishnu, play your flute for me beneath this parasol of stars, diadems bejeweling your eternal crown, and I will dance for you a joyous dance. Svayam Bhagavan, Avatar of Vishnu, visit your consort, Radha, mantled in the black of night, the cow-herd girl who has stolen your heart, and now the gopi has become the guru and awaits her lover with open arms. Svayam Bhagavan, Avatar of Vishnu, stay the night, and learn the love of Radha,shakti, her wifely love, the svakaya-rasa, her spiritual love, the parakiya-rasa, for immortality is a curse without both of these. Svayam Bhagavan, Avatar of Vishnu, return to heaven now for the cock has crowed and yet you linger, lazy in Radha’s bed. Even endless love must seek and end to repeat the joy of new beginnings. Return, Krishna, I beseech you, for my feet are weary of the dance and I have fields to plow and rice to plant.
Beryl Dov
She looked to Pippa. "Have I made it difficult for you?" Pippa hedged. "Not at all. Castleton sent news to Father just last week that he was planning to court me in earnest, and it's not as though I'm the most ordinary of debutantes." It was an understatement. Pippa was something of a bluestocking, very focused on the sciences and fascinated by the insides of living things, from plants to people. She'd once stolen a goose from the kitchens and dissected it in her bedchamber.
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
The discovery that detonated Cleveland is one of Britain’s great contributions to awareness of child abuse. In 1986 and 1987 the Leeds paediatricians Dr Jane Wynne and Dr Christopher Hobbs reported in the Lancet that they were seeing more children who were being buggered than battered. About 300 cases were corroborated. The children were young – two-thirds were pre-school children – and anal abuse was more common than vaginal penetration. They also noted that ‘boys and girls seem to be at similar risk’. Almost half of the children who suffered anal abuse also showed a sign written up in the forensic textbooks as ‘anal dilation’, an anus opening when it was supposed to stay shut; opening and expecting entry. What the paediatricians were observing was not an acute sign, the effect of a single intrusion – a spasm or seizure – but a sign that was telling a story about everyday life; the anatomy of adaption. Anal dilation seemed to describe the architecture of abuse: it allowed the body to receive an incoming object, regularly.
Beatrix Campbell (Stolen Voices: The People and Politics Behind the Campaign to Discredit Childhood Testimony)
Four hours later Liv wakes in a box room with an Arsenal duet cover and a head that thumps so hard she has to reach up a hand to check she isn't being assaulted. She blinks, stares blearily at the little Japanese cartoon creatures on the wall opposite and lets her mind slowly bring together the pieces of information from the previous night. Stolen bag...she closes her eyes. Oh, no. Strange bed...she has no keys. Oh, God she has no keys. And no money. She attempts to move, and pain slices through her head so that she almost yelps. And then she remembers the man. Pete? Paul? She sees herself walking through deserted streets in the early hours. And then she sees herself lurching forward to kiss him, his own polite retreat. "You are delicious..." "Oh, no," she says softly, then puts her hands over her eyes. "Oh, I didn't..." She sits up and moves to the side of the bed, noticing a small yellow plastic car near his right foot. Then, when she hears the sound of a door opening, the shower starting up next door, Liv grabs her shoes and her jacket and lets herself out of the flat into the cacophonous daylight.
Jojo Moyes (The Girl You Left Behind)
I am..." Who was I? Daughter, sister, wife, queen, composer; these were the titles I had been given and claimed, but they were not the whole of me. They were not me, entire. I closed my eyes. "I am," I said slowly, "a girl with music in her soul. I am a sister, daughter, a friend, who fiercely protects those dear to her. I am a girl who loves strawberries, chocolate torte, songs in a minor key, moments stolen from chores, and childish games. I am short-tempered yet disciplined. I am self-indulgent, selfish, yet selfless. I am compassion and hatred and contradiction. I am... me.
S. Jae-Jones (Wintersong (Wintersong, #1))
The boy who wears his comic books like armor often sits alone. He is more comfortable with Iron Man and his own thoughts than he will ever be with a woman. Because of his nervous ticks, no matter how long they are together, she will never feel commonplace to him. She will always know she is special. The boy who wears his comic books like armor tries to tell her that he loves her every day. She does not understand. When he says, You remind me of Psylocke, he is not saying he actually thinks she is a scantily clad assassin. He is just saying, Damn girl, you must be psychic. How else could you always know the right thing to make me smile? You have to be a ninja. How else could you have stolen my heart so easily? He is saying, Dammmmmmmmnnnnnn girl, you absolutely have to be Psylocke! She is the only character I have ever read about who is as graceful and daring as you are. She does not understand. The boy who wears his comic books like armor is not a good lover. The way he barely touches her makes her feel unattractive. Like he is only doing this because she wants him to. This could not be further from the truth. He is simply treating her like the only thing that has ever been this important to him before: comic books. He removes her clothes like he would the slipcover from a brand new issue, as careful not to wrinkle her clothing as he is not to damage the plastic. One day, she will leave him because feeling special isn’t as important as feeling loved. He does love her. She can’t understand. He will spend the rest of his life wishing he were Peter Parker, knowing that if he had a mask to remove, then, just like Mary Jane, she would be with him forever. But he doesn’t have a mask to remove, just an awkward smile. He hopes that one day that’s enough.
Jared Singer (Forgive Yourself These Tiny Acts of Self-Destruction)
It was the first time the chief of police, a kindly family man whose name was Hook, had ever been required to visit a girls' camp; his daughters had not gone in much for that sort of thing, and Mrs. Hook distrusted night air; it was also the first time that Chief Hook had ever been required to determine facts. He had been allowed to continue in office this long because his family was popular in town and the young men at the local bar liked him, and because his record for twenty years, of drunks locked up and petty thieves apprehended upon confession, had been immaculate. In a small town such as the one lying close to the Phillips Education Camp for Girls Twelve to Sixteen, crime is apt to take its form from the characters of the inhabitants, and a stolen dog or broken nose is about the maximum to be achieved ordinarily in the sensational line. No one doubted Chief Hook's complete inability to cope with the disappearance of a girl from the camp. 'You say she was going somewhere?' he asked Betsy, having put out his cigar in deference to the camp nurse, and visibly afraid that his questions would sound foolish to Old Jane; since Chief Hook was accustomed to speaking around his cigar, his voice without it was malformed, almost quavering. ("The Missing Girl")
Shirley Jackson (Just an Ordinary Day: The Uncollected Stories)
My heart is dark and evil for a girl with a heart as light like you, You are too bright, you glow like moon, Woods are not a place for girls like you, You’ve stolen what was left of my heart, I have been cursed and in the shadows my whole life, But now my heart belong to you, It forever will do, I keep howling your name, marching towards the stars, the full moon cannot tear us apart, I’ve crossed the border between the seen and unseen but out here it is more like a graveyard. Century after century we will find each other, like magnets, conquering all, falling in love again and again, Even lost in the darkness, my heart will find you.
prapti RD
Looking at him, she realized he could have his pick of women, at least in Saint Cloud. This only made her laugh harder, a shrill cackle mixed with sobbing. Did he not even know what real love, good love, felt like? Had no one told him that the embarrassingly animal act was the doorway, not the destination, that the fun part, the magic, the whole point was letting your guard down completely with another person? That it was the connection and vulnerability that elevated what was essentially an extended sneeze to something worth fighting wars over? He’d stolen a Maserati to get at its keychain. He was an Olympic-level idiot. The King of Dumbasses
Jess Lourey (The Quarry Girls)
Fifteen years ago, my ten-year-old niece came home in tears and, after coaxing, told me that she was being bullied at school. Was she being beaten up by nasty older kids? Having her dinner money stolen? Her head pushed down the girls' toilet? Eventually she revealed that some of her friends had gone to the cinema without her. I was relieved and started to reassure her: this wasn't bullying, we all fall out with friends and it is part of growing up, she would find better friends etc. However, she indignantly corrected me and quoted her school's anti-bullying policy on 'exclusion from friendship groups' and 'exclusion at playtime or from social events and networks'.
Claire Fox (‘I Find That Offensive!’)
I open my eyes and for the first time stare openly at my own reflection. My heart rate picks up as I do, like I am breaking the rules and will be scolded for it. It will be difficult to break the habits of thinking Abnegation instilled in me, like tugging a single thread from a complex work of embroidery. But I will find new habits, new thoughts, new rules. I will become something else. …Looking at myself now isn’t like seeing myself for the first time; it’s like seeing someone else for the first time. Beatrice was a girl I saw in stolen moments at the mirror, who kept quiet at the dinner table. This is someone whose eyes claim mine and don’t release me; this is Tris.
Veronica Roth (Divergent (Divergent, #1))
This day, Jo looked out and saw the girl's little legs start to move: a bend at the knee, an outward kick, repeat. Beulah was running. Maybe this is where ti started, Jo thought. Maybe Beulah was seeing something more clearly on the nights she had these dreams, a little black child fighting in her sleep against an opponent she couldn't name come morning because in the light that opponent just looked like the world around her. Intangible evil. Unspeakable unfairness. Beulah ran in her sleep, ran like she's stolen something, when really she had done nothing other than expect the peace, the clarity, that came with dreaming. Yes, Jo thought, this was where it started, but when, where, did it end?
Yaa Gyasi (Homegoing)
Your phone’s vibrating,” Scottie says. She takes my cell phone out of her pocket, the phone she has stolen from me to text her friend. She doesn’t even care that she has disobeyed. She doesn’t care that she said “finger-fucked” in front of me. It’s as though I’m not a father. I don’t recognize the number, so I don’t answer. I like to let people leave messages, and then I’ll call back after I rehearse what to say. “You never answer your phone,” Scottie says. “What if someone needs help?” “Then they can leave a message and I’ll call right back.” Alex takes the phone out of my hands. “Hello?” she says. “What the—? Do I not exist, girls? Do you realize I’m in charge here?” Scottie whispers, “Who is it?” “Oh, no,” Alex says. “This is the right number. This is his assistant…Sharon.” Scottie opens her mouth, delighted. I’ve always been impressed by Alex’s effortless ability to lie. “That sounds nice,” Alex says, then punches me lightly on the arm. “Where? Great. And for how long? Okay. Well, thanks. Maybe we’ll peek in on Sunday. Thanks so much. Okay.” She closes the phone. “Well?” “That was a Realtor, Dad, from Brian’s office. She says she’d be happy to show you the house you called about. Well done, Dad. Very clever.” “Good one, King,” Sid says. “What about Brian?” I ask. I feel strange talking about this with Joanie in the room. I position myself so that I face away from her.
Kaui Hart Hemmings (The Descendants)
Charlie kicked the dresser. It hurt her bare feet more than she hurt the chipboard. She kicked it again. Not only was there something so deeply wrong with her that the guy she’d been sure was a good person turned out to be a murderer who faked his own death and also the grandson of a person she hated, but even that guy left her. She was a poisoned well of a girl. Charlie kicked the dresser a third time for good measure. And yet she wouldn’t unknow any of it. She would have still stolen the receipt. Called the bookstore. Whispered mangled French. Gone through his stuff. That was her problem. Charlie Hall, never satisfied unless every last carcass was turned over and every last maggot revealed.
Holly Black (Book of Night (Book of Night, #1))
Once upon a time, a greedy prince fell in love with a wicked girl. The prince had far more than he needed, but it was never enough. When he grew ill, he visited the Kingdom of the Great Ocean, where the Underworld meets the living world, to bargain with Moritas, the goddess of Death, for more life. When she refused, he stole her immortal gold and fled to the surface. In revenge, Moritas sent her daughter Caldora, the angel of Fury, to retrieve him. Caldora materialized out of the sea foam on a warm, stormy night, clad in nothing but silver silk, an achingly beautiful phantom in the mist. The prince ran to the shore to greet her. She smiled at him and touched his cheek. “What will you give me in return for my affection?” she asked. “Are you willing to part with your kingdom, your army, and your jewels?” The prince, blinded by her beauty and eager to boast, nodded. “Anything you want,” he replied. “I am the greatest man in the world. Even the gods are no match for me.” So he gave her his kingdom, his army, and his jewels. She accepted his offerings with a smile, only to reveal her true angel form—skeletal, finned, monstrous. Then she burned his kingdom to the ground and pulled him below the sea into the Underworld, where her mother, Moritas, was patiently waiting. The prince tried once again to bargain with the goddess, but it was too late. In exchange for the gold he’d stolen, Moritas devoured his soul.
Marie Lu (The Rose Society (The Young Elites, #2))
Few things in the ordinary peacetime life of a civilised country are more nearly fiendish than the rancour with which a whole unbelieving family will turn on the one member of it who has become a Christian, or a whole lowbrow family on the one who shows signs of becoming an intellectual. This is not, as I once thought, simply the innate and, as it were, disinterested hatred of darkness for light. A church-going family in which one has gone atheist will not always behave any better. It is the reaction to a desertion, even to robbery. Someone or something has stolen ‘our’ boy (or girl). He who was one of Us has become one of Them. What right had anybody to do it? He is ours. But once change has thus begun, who knows where it will end?
C.S. Lewis (The Four Loves)
My mind wanders as I work, leaving me to wonder whether Adena is having any luck selling her clothes on the other end of the long street. I steal, she sews. And that’s been our lives for the past five years. I was barely thirteen and utterly alone in the world when Adena quite literally ran into me. Well, she phased right through me. I’ll never forget the look on the Imperial’s face as he sprinted after her, screaming about stolen pastries. And without a second thought, I didn’t hesitate before sticking my foot out into his path. As soon as I got a glimpse of the guard’s face meeting the pavement, I was chasing after the gangly, curly-haired girl who ran right through me. An uneasy alliance was born that day, one that was supposed to stay that way.
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
The wise old hag told them to gather up snow and form it into the shape of a daughter. 'They did this. The girl they made was delicate in form, with eyes of snow, and lips of frozen rose petals, and the sharply pointed ears of their people. When they finished sculpting her, they smiled at each other, captivated by her beauty.' ... 'When my breath blew across the girl, the spark of life lit within her, and they could see her eyelashes twitch, her tresses shiver. The child began to move. Her little limbs were slender and nearly as pale a blue as the reflection of the sky on the snow she'd been made from. Her hair, a deeper blue, like the flowers that grew nearby. Her eyes, that of the lichen that clung to rocks. Her lips, the red of that fresh-spilled blood.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
Lady Kestrel?” said an anxious voice. Kestrel opened her eyes to see a girl dressed in a Herrani serving uniform. “Yes?” “Will you please follow me? There is a problem with your escort.” Kestrel stood. “What’s wrong?” “He has stolen something.” Kestrel rushed from the room, wishing the girl would move more quickly down the villa’s halls. There must be some mistake. Arin was intelligent, far too canny to do something so dangerous. He must know what happened to Herrani thieves. The girl led Kestrel into the library. Several men were gathered there: two senators, who held Arin by his arms, and Irex, whose expression when he saw Kestrel was gloating, as if he had just drawn a high tile in Bite and Sting. “Lady Kestrel,” he said, “what exactly did you bring into my house?” Kestrel looked at Arin, who refused to return her gaze. “He wouldn’t steal.” She heard something desperate in her voice. Irex must have, too. He smiled. “We saw him,” said one of the senators. “He was slipping that inside his shirt.” He nodded at a book that had fallen to the floor. No. The accusation couldn’t be true. No slave would risk a flogging for theft, not for a book. Kestrel steadied herself. “May I?” she asked Irex, nodding at the fallen book. He swept a hand to indicate permission. Kestrel stooped to retrieve the book, and Arin’s eyes flashed to hers. Her heart failed. His face was twisted with misery. She considered the closed, leather-bound book in her hands. She recognized the title: it was a volume of Herrani poetry, a common one. There was a copy in her library as well. Kestrel held the book, not understanding, not seeing anything worth the risk of theft--at least not here, from Irex’s library, when her own could easily serve Arin’s purposes. A suspicion whispered in her mind. She recalled Arin’s odd question in the carriage. Where are we going? His tone had been incredulous. Yet he had known their destination. Now Kestrel wondered if he had recognized something in the passing landscape that she hadn’t, and if his question had been less a question than the automatic words of someone sickened by a sudden understanding. She opened the book. “Don’t,” said Arin. “Please.” But she had already seen the inscription. For Arin, it read, from Amma and Etta, with love. This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
You won’t be the reason our family falls apart because I wouldn’t allow a woman who loves my son as much as you do to walk out of his life.” Stepping closer, Lillian placed a tentative hand on Emily’s shoulder, her eyes spilling over with tears. “I wouldn’t allow you to walk out of our lives. What you were about to give up, though it would’ve hurt my son, was selfless. I once knew a girl who loved a man so much it scared her, too.” Lillian paused, her gaze falling on Chad. The corner of her mouth turned up in a small, sad smile as he made his way toward her. Bringing her eyes back to Emily’s, Lillian shook her head. “It would’ve killed me if I had to give up those stolen breaths before he kissed me. Whether or not the baby you’re carrying is my grandchild, I’d be honored to call you my daughter.
Gail McHugh (Pulse (Collide, #2))
The Ottomans had taken much of the Christian Orthodox Balkans although they only ruled a small territory in Asia – and this shaped the nascent state. Recruiting his infantry from among these Christian Slavs, Murad annually bought or kidnapped a quota of Christian boys, aged eight to twelve, a practice known as the devshirme, to serve as courtiers and soldiers in his Jeni Ceri – new army – the Janissary corps; the cavalry was still drawn from Turkish levies under Anatolian beys. Those enslaved would number uncountable millions. His harem was simultaneously drawn from girls stolen from Slavic villages or Greek islands, often sold via Mongol khans and Italian slave traders. While Ottomans were Turks from Turkmenistan, Murad’s system meant that the Ottomans were often the sons of Slavic concubines, and viziers were often Slavs too.
Simon Sebag Montefiore (The World: A Family History of Humanity)
A new girl came to work in the room, and the cat was still in it. The cat hid from the new girl in Jess’ old room behind a crack in the wall and yowled for Jess to come and throw this strange girl out of the cat’s bed. This new girl clapped her hands over her ears, and then pulled powder out from her bag of make-up. She doused a piece of old food in the powder and threw it into the wall for the cat to eat. Later that night, Rachel had to pull the dead cat from a crack in the wall with a long broom handle. Rachel threw the dead cat over the wall, where the rain would come to wash the body into the sewers. With Jess crying somewhere about her lost cat—selling hot corn among the thugs and night bruisers, paying for anything stolen—Rachel figured that the powder had done exactly what it had been made to do. The powder had killed a working girl’s baby.
J.M. McDermott (When We Were Executioners (Dogsland, #2))
Alas, great is my sorrow. Your name is Ah Chen, and when you were born I was not truly pleased. I am a farmer, and a farmer needs strong sons to help with his work, but before a year had passed you had stolen my heart. You grew more teeth, and you grew daily in wisdom, and you said 'Mommy' and 'Daddy' and your pronunciation was perfect. When you were three you would knock at the door and then you would run back and ask, 'Who is it?' When you were four your uncle came to visit and you played the host. Lifting your cup, you said, 'Ching!' and we roared with laughter and you blushed and covered your face with your hands, but I know that you thought yourself very clever. Now they tell me that I must try to forget you, but it is hard to forget you. "You carried a toy basket. You sat at a low stool to eat porridge. You repeated the Great Learning and bowed to Buddha. You played at guessing games, and romped around the house. You were very brave, and when you fell and cut your knee you did not cry because you did not think it was right. When you picked up fruit or rice, you always looked at people's faces to see if it was all right before putting it in your mouth, and you were careful not to tear your clothes. "Ah Chen, do you remember how worried we were when the flood broke our dikes and the sickness killed our pigs? Then the Duke of Ch'in raised our taxes and I was sent to plead with him, and I made him believe that we could not pay out taxes. Peasants who cannot pay taxes are useless to dukes, so he sent his soldiers to destroy our village, and thus it was the foolishness of your father that led to your death. Now you have gone to Hell to be judged, and I know that you must be very frightened, but you must try not to cry or make loud noises because it is not like being at home with your own people. "Ah Chen, do you remember Auntie Yang, the midwife? She was also killed, and she was very fond of you. She had no little girls of her own, so it is alright for you to try and find her, and to offer her your hand and ask her to take care of you. When you come before the Yama Kings, you should clasp your hands together and plead to them: 'I am young and I am innocent. I was born in a poor family, and I was content with scanty meals. I was never wilfully careless of my shoes and my clothing, and I never wasted a grain of rice. If evil spirits bully me, may thou protect me.' You should put it just that way, and I am sure that the Yama Kings will protect you. "Ah Chen, I have soup for you and I will burn paper money for you to use, and the priest is writing down this prayer that I will send to you. If you hear my prayer, will you come to see me in your dreams? If fate so wills that you must yet lead an earthly life, I pray that you will come again to your mother's womb. Meanwhile I will cry, 'Ah Chen, your father is here!' I can but weep for you, and call your name.
Barry Hughart (Bridge of Birds (The Chronicles of Master Li and Number Ten Ox, #1))
Cheat wore a Valorian jacket Kestrel was sure she had seen on the governor the night before. He sat at the right hand of the empty head of the dining table, but stood when Kestrel and Arin entered. He approached. His eyes dragged over her. “Arin, your slave looks positively wild.” Lack of sleep made her thoughts broken and shiny, like pieces of mirrors on strings. Cheat’s words spun in her head. Arin tensed beside her. “No offense,” Cheat told him. “It was a compliment to your taste.” “What do you want, Cheat?” Arin said. The man stroked a thumb over his lower lip. “Wine.” He looked straight at Kestrel. “Get some.” The order itself wasn’t important. It was how Cheat had meant it: as the first of many, and how, in the end, they translated into one word: obey. The only thing that kept Kestrel’s face clean of her thoughts was the knowledge that Cheat would take pleasure in any resistance. Yet she couldn’t make herself move. “I’ll get the wine,” Arin said. “No,” Kestrel said. She didn’t want to be left alone with Cheat. “I’ll go.” For an uncertain moment, Arin stood awkwardly. Then he walked to the door and motioned a Herrani girl into the room. “Please escort Kestrel to the wine cellar, then bring her back here.” “Choose a good vintage,” Cheat said to Kestrel. “You’ll know the best.” As she left the room, his eyes followed her, glittering. She returned with a clearly labeled bottle of Valorian wine dated to the year of the Herran War. She placed it on the table in front of the two seated men. Arin’s jaw set, and he shook his head slightly. Cheat lost his grin. “This was the best,” Kestrel said. “Pour.” Cheat shoved his glass toward her. She uncorked the bottle and poured--and kept pouring, even as the red wine flowed over the glass’s rim, across the table, and onto Cheat’s lap. He jumped to his feet, swatting wine from his fine stolen clothes. “Damn you!” “You said I should pour. You didn’t say I should stop.” Kestrel wasn’t sure what would have happened next if Arin hadn’t intervened. “Cheat,” he said, “I’m going to have to ask you to stop playing games with what is mine.
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
My vision and lungs were clearing, yet my head and my heart still suffered, ’cause I knew I was running out of time to reach my girl. Urgency clawed at me, till I thought I’d go mad. Did she remember that it’d always be Evie and Jack? That even death—or Death—couldn’t keep us apart? Would she remember how perfect it’d been between us? With her, I’d known true peace for the first time in my life. Hadn’t she? As coo-yôn and I covered miles, I’d craved that cellphone—with its pictures of Evie—and her taped recording. When I’d been separated from her before, I’d used her voice like a drug. Now I was a junkie needing a fix, but my pack had been stolen early on. Gone forever. Matthew had sourced another one for me—up was down—but it was empty. Fitting. ’Cause I was starting over with nothing. From behind the wheel, coo-yôn said, “You need her.” “Tell me something I doan know.” He frowned, taking me literally. “You don’t know the future. I see far. I see an unbroken line that stretches through eternity—and back on itself.” “Uh-huh.” Just hold on, peekôn, I’m coming.
Kresley Cole (Arcana Rising (The Arcana Chronicles, #4))
The cold pre-dawn sky was softly grey through the cave opening above, when Griff finally arose and began to retrieve his clothes. Astelle said, ‘A man like you – I could take full time.’ He smiled regretfully. ‘That is impossible, my darling girl. Even though you are irresistibly sweet to me, you are not suitable to join the Faen race, and I am not prepared to live among Morts.’ ‘Suppose I should have a child?’ she asked. ‘You have put enough seed in me to make a dozen babies.’ ‘You will not,’ he said with conviction. ‘A Faen child can be conceived only in love, and we don't have that, do we?’ Griff was quite sure that she thought nothing of him, even though she had left his emotions in turmoil. Damned bitch! She had stolen from him. ‘I would not know if we did. I don't understand how love should feel.’ ‘If you loved, you would know it,’ he told her. And you would not steal from your love, he thought fiercely. He was buckling his sword belt over the black tunic. She did not notice the shaking of his hands; she simply thought what a fine manly figure he made, and she realised how much she wanted him to stay. ‘If I did have a child – could I let you know somehow?’ Astelle clutched at the only strand of hope she could find. He strove to reassure her. ‘We do have mindlink, which means you only have to mindwhisper my name, if you ever need me – I will come.’ But he did not think this very likely. ‘Please don't go, Griff.’ She was almost tearful. ‘I have to go – before the sun rises.’ He then kissed her with unexpected tenderness, which made her feel even worse. ‘Use those jewels wisely.’ He smiled and winked at her, then looked into her eyes for a few more moments, seriously – almost wistfully. Then he just vanished before her very eyes. He had forgotten his black forest cloak. It lay on the floor at the end of the bed. Astelle picked it up and held it close to her body. She watched the red streaks of dawn spread across the cold grey sky, framed in the rocky aperture above her. If you loved, you would know it, he had said. She had never felt more lonely or deserted in her life. Unexplained tears slid slowly down her cheeks. And that was how Griff broke the Faen Colonial Rule.
Bernie Morris (The Fury of the Fae)
Behind her, Annabelle heard Daisy say to Lillian accusingly, “I thought you said that no one ever comes to this meadow!” “That’s what I was told,” Lillian replied, her voice muffled as she stepped into the circle of her gown and bent to jerk it upward. The earl, who had been mute until that point, spoke with his gaze trained studiously on the distant scenery. “Your information was correct, Miss Bowman,” he said in a controlled manner. “This field is usually unfrequented.” “Well, then, why are you here?” Lillian demanded accusingly, as if she, and not Westcliff, was the owner of the estate. The question caused the earl’s head to whip around. He gave the American girl an incredulous glance before he dragged his gaze away once more. “Our presence here is purely coincidental,” he said coldly. “I wished to have a look at the northwest section of my estate today.” He gave the word my a subtle but distinct emphasis. “While Mr. Hunt and I were traveling along the lane, we heard your screaming. We thought it best to investigate, and came with the intention of rendering aid, if necessary. Little did I realize that you would be using this field for…for…” “Rounders-in-knickers,” Lillian supplied helpfully, sliding her arms into her sleeves. The earl seemed incapable of repeating the ridiculous phrase. He turned his horse away and spoke curtly over his shoulder. “I plan to develop a case of amnesia within the next five minutes. Before I do so, I would suggest that you refrain from any future activities involving nudity outdoors, as the next passersby who discover you may not prove to be as indifferent as Mr. Hunt and I.” Despite Annabelle’s mortification, she had to repress a skeptical snort at the earl’s claim of indifference on Hunt’s behalf, not to mention his own. Hunt had certainly managed to get quite an eyeful of her. And though Westcliff’s scrutiny had been far more subtle, it had not escaped her that he had stolen a quick but thorough glance at Lillian before he had veered his horse away. However, in light of her current state of undress, it was hardly the time to deflate Westcliff’s holier-than-thou demeanor. “Thank you, my lord,” Annabelle said with a calmness that pleased her immensely. “And now, having dispensed such excellent advice, I would ask that you allow us some privacy to restore ourselves.” “With pleasure,” Westcliff growled.
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
The gate downstairs has a dead bolt,” said Frost. “There’s no way you could pick the lock.” “Then how could anyone …” She went dead silent. Turned toward the doorway. Footsteps were thumping up the stairs. In an instant her weapon was drawn and clutched in both hands. Pushing aside Mr. Kwan, she quickly slipped out of the bedroom. As she eased her way across the living room, she felt her heart banging, heard Frost’s footsteps creaking on her right. Smelled incense and mold and sweat, a dozen details assaulting her at once. But it was the stairwell door she focused on, a black portal to something that was now climbing toward them. Something that suddenly took on the shape of a man. “Freeze!” Frost commanded. “Boston PD!” “Whoa, Frost.” Johnny Tam gave a startled laugh. “It’s just me.” Behind her, Jane heard Mr. Kwan give a squawk of fear. “Who is he? Who is he?” “What the hell, Tam,” said Frost, huffing out a breath as he holstered his weapon. “I could have blown your head off.” “You did tell me to meet you here, didn’t you? I would’ve gotten here sooner, but I got stuck in traffic coming back from Springfield.” “You talk to the owner of that Honda?” “Yeah. Said it was stolen right out of his driveway. And that wasn’t his GPS in the car.” He swept his flashlight around the room. “So what’s going on in here?” “Mr. Kwan’s giving us a tour of the building.” “It’s been boarded up for years.
Tess Gerritsen (The Silent Girl (Rizzoli & Isles, #9))
In the fall of 1990 Iraq invaded Kuwait, and in the run-up to the Gulf War, Americans were sickened by a story that emerged. On October 10, 1990, a fifteen-year-old refugee from Kuwait appeared before a congressional Human Rights Caucus.23 The girl—she would give only her first name, Nayirah—had volunteered in a hospital in Kuwait City. She tearfully testified that Iraqi soldiers had stolen incubators to ship home as plunder, leaving over three hundred premature infants to die. Our collective breath was taken away—“These people leave babies to die on the cold floor; they are hardly human.” The testimony was seen on the news by approximately 45 million Americans, was cited by seven senators when justifying their support of war (a resolution that passed by five votes), and was cited more than ten times by George H. W. Bush in arguing for U.S. military involvement. And we went to war with a 92 percent approval rating of the president’s decision. In the words of Representative John Porter (R-Illinois), who chaired the committee, after Nayirah’s testimony, “we have never heard, in all this time, in all circumstances, a record of inhumanity, and brutality, and sadism, as the ones that [Nayirah had] given us today.” Much later it emerged that the incubator story was a pseudospeciating lie. The refugee was no refugee. She was Nayirah al-Sabah, the fifteen-year-old daughter of the Kuwaiti ambassador to the United States. The incubator story was fabricated by the public relations firm Hill + Knowlton, hired by the Kuwaiti government with the help of Porter and cochair Representative Tom Lantos (D-California). Research by the firm indicated that people would be particularly responsive to stories about atrocities against babies (ya think?), so the incubator tale was concocted, the witness coached. The story was disavowed by human rights groups (Amnesty International, Human Rights Watch) and the media, and the testimony was withdrawn from the Congressional Record—long after the war.
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
Wil shook his head. “He really had you hooked.” “What do you mean?” “You should have seen your energy field. It was flowing almost totally into his.” “I don’t understand.” “Think back to Sarah’s argument with the scientist at Viciente.… If you had witnessed one of them winning, convincing the other that he was correct, then you would have seen the loser’s energy flowing into the winner’s, leaving the loser feeling drained and weak and somewhat confused—the way the girl in the Peruvian family appeared and the way,” he smiled, “that you look now.” “You saw that happening to me?” I asked. “Yes,” he replied. “And it was extremely difficult for you to stop his control of you and to pull yourself away. I thought for a minute you weren’t going to do it.” “Jesus,” I said. “That guy must really be evil.” “Not really,” he said. “He’s probably only half aware of what he’s doing. He thinks he’s right to control the situation, and no doubt he learned a long time ago that he could control successfully by following a certain strategy. He first pretends to be your friend, then he finds something wrong with what you’re doing, in your case that you were in danger. In effect, he subtly undermines your confidence in your own path until you begin to identify with him. As soon as that happens, he has you.” Wil looked directly at me. “This is only one of many strategies people use to con others out of their energy. You’ll learn about the remaining ways later, in the Sixth Insight.” I wasn’t listening; my thoughts were on Marjorie. I didn’t like leaving her there. “Do you think we should try to get Marjorie?” I asked. “Not now,” he said. “I don’t think she’s in any danger. We can drive out tomorrow, as we leave, and try to talk to her.” We were silent for a few minutes, then Wil asked: “Do you understand what I said about Jensen not realizing what he was doing? He’s no different from most people. He just does what makes him feel the strongest.” “No, I don’t think I understand.” Wil looked thoughtful. “All this is still unconscious in most people. All we know is that we feel weak and when we control others we feel better. What we don’t realize is that this sense of feeling better costs the other person. It is their energy that we have stolen. Most people go through their lives in a constant hunt for someone else’s energy.” He looked at me with a twinkle in his eye. “Although occasionally it works differently. We meet someone who at least for a little while will voluntarily send us their energy.
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
After all,” she said, her eyes meeting his, “it’s not as though you lack sufficient charm to woo ladies. And you’re certainly handsome enough, in your own way.” She bent her head again. “Oh, stop looking s smug. I’m not flattering you, I’m merely stating facts. Privateering was not your only profitable course of action. You might have married, if you’d wished to.” “Ah, but there’s the snag, you see. I didn’t wish to.” She picked up a brush and tapped it against her palette. “No, you didn’t. You wished to be at sea. You wished to go adventuring, to seize sixty ships in the name of the Crown and pursue countless women on four continents. That’s why you sold your land, Mr. Grayson. Because it’s what you wanted to do. The profit was incidental.” Gray tugged at the cuff of his coat sleeve. It unnerved him, how easily she stared down these truths he’d avoided looking in the eye for years. So now he was worse than a thief. He was a selfish, lying thief. And still she sat with him, flirted with him, called him “charming” and “handsome enough.” How much darkness did the girl need to uncover before she finally turned away? “And what about you, Miss Turner?” He leaned forward in his chair. “Why are you here, bound for the West Indies to work as a governess? You, too, might have married. You come from quality; so much is clear. And even if you’d no dowry, sweetheart…” He waited for her to look up. “Yours is the kind of beauty that brings men to their knees.” She gave a dismissive wave of her paintbrush. Still, her cheeks darkened, and she dabbed her brow with the back of her wrist. “Now, don’t act missish. I’m not flattering you, I’m merely stating facts.” He leaned back in his chair. “So why haven’t you married?” “I explained to you yesterday why marriage was no longer an option for me. I was compromised.” Gray folded his hands on his chest. “Ah, yes. The French painting master. What was his name? Germaine?” “Gervais.” She sighed dramatically. “Ah, but the pleasure he showed me was worth any cost. I’d never felt so alive as I did in his arms. Every moment we shared was a minute stolen from paradise.” Gray huffed and kicked the table leg. The girl was trying to make him jealous. And damn, if it wasn’t working. Why should some oily schoolgirl’s tutor enjoy the pleasures Gray was denied? He hadn’t aided the war effort just so England’s most beautiful miss could lift her skirts for a bloody Frenchman. She began mixing pigment with oil on her palette. “Once, he pulled me into the larder, and we had a feverish tryst among the bins of potatoes and turnips. He held me up against the shelves and we-“ “May I read my book now?” Lord, he couldn’t take much more of this. She smiled and reached for another brush. “If you wish.” Gray opened his book and stared at it, unable to muster the concentration to read. Every so often, he turned a page. Vivid, erotic images filled his mind, but all the blood drained to his groin.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Merry Christmas.” he says quietly, pulling something from his back pocket. I frown in confusion then smile in delight when I see what it is. It’s a shiny, sharp trowel with a holly green handle. It’s stolen from the gardens for sure. It is the single greatest gift I’ve ever received. “It’s so pretty.” I whisper happily, turning it over to test its edge. “I promised you something shiny.” “And you delivered.” I press my finger against the tip then pull it back quickly. “It’s sharp.” “Why else have it, right? Keep it with you when you can. If something goes down while I’m gone I want to know you have it.” I nod my head as I slip it into my back pocket. The handle sticks up but the point is hidden. When I look up at Vin my heart skips. His eyes are sharp, intense. “Come with me.” he commands quietly. “No.” I reply immediately. I was waiting for this. From the moment he woke me up, the second I saw his eyes, I knew. And just as quickly as I recognized it, I knew what my answer would be. He shakes his head in disbelief. “You know I’m not coming back here. Not for you, not for anyone.” “Maybe not, but if I go with you then you definitely won’t.” “It’s not going to work, Joss.” he tells me seriously. “The Hive won’t bite. They don’t want to rock the boat with the Colonies and the pot isn’t sweet enough to convince them to try. They’ll pass and everyone here is going to either stay here forever or die in a revolt.” “Nats included.” I remind him coolly. “She’s a big girl. She knows how it really is. She can yell at me all she wants, but she knows just as well as I do that no one will come here to help.” “Especially if you don’t ask.” “What the hell do you want from me?” he whispers fiercely. “You want me to go out there and rally the troops, bring them back here riding on a tall white horse and save the day? I’m no hero. I never have been. It’s how I’ve stayed alive.” “It’s also a great way to stay alone. And if you do this, if you go and pretend we don’t exist, then I’ll pretend I never knew you. Nats will too, I’m sure. You’ll be nothing to no one and won’t that make life easier for you? So go on and go, you coward, and don’t ever look back because there’s nothing to look back on. You were never even here far as I’m concerned.” I turn to leave him standing there in the cold beside the words I wrote to Ryan, words that have gone unnoticed and feel like nothing in the night. I’m spun around roughly and pinned against Vin’s chest. His breath is coming even and hard, sharp inhales and exhales that burst against my face leaving my skin freezing in their absence. “Don’t turn your back on me.” he growls. I can see the enforcer in him now. The hard ass who lived on the outside by the skin of his teeth and grit under his knuckles. It’s something I understand, something I can respect. Something I can relate to. I lean closer, no longer being pulled but rather pushing against him until our faces almost touch. “No, don’t you turn your back on me. On us.” I whisper harshly, pushing at him aggressively. He lets me go and I stumble back from him. “I’m no hero.” he repeats. “How do you know until you’ve tried?” * * * “You’ll come back for us, Vin.” I whisper in his ear. “I know you will.” I know no such thing, but I want it to be true and I can tell he does too so I tell him that it is. I lie to us both and I hope it makes it real. Vin nods his head beside mine and buries his face in my shoulder. I do the same. We stand huddled together against the cold and the uncertainty of everything tomorrow will bring.
Tracey Ward
I am speaking of the evenings when the sun sets early, of the fathers under the streetlamps in the back streets returning home carrying plastic bags. Of the old Bosphorus ferries moored to deserted stations in the middle of winter, where sleepy sailors scrub the decks, pail in hand and one eye on the black-and-white television in the distance; of the old booksellers who lurch from one ϧnancial crisis to the next and then wait shivering all day for a customer to appear; of the barbers who complain that men don’t shave as much after an economic crisis; of the children who play ball between the cars on cobblestoned streets; of the covered women who stand at remote bus stops clutching plastic shopping bags and speak to no one as they wait for the bus that never arrives; of the empty boathouses of the old Bosphorus villas; of the teahouses packed to the rafters with unemployed men; of the patient pimps striding up and down the city’s greatest square on summer evenings in search of one last drunken tourist; of the broken seesaws in empty parks; of ship horns booming through the fog; of the wooden buildings whose every board creaked even when they were pashas’ mansions, all the more now that they have become municipal headquarters; of the women peeking through their curtains as they wait for husbands who never manage to come home in the evening; of the old men selling thin religious treatises, prayer beads, and pilgrimage oils in the courtyards of mosques; of the tens of thousands of identical apartment house entrances, their facades discolored by dirt, rust, soot, and dust; of the crowds rushing to catch ferries on winter evenings; of the city walls, ruins since the end of the Byzantine Empire; of the markets that empty in the evenings; of the dervish lodges, the tekkes, that have crumbled; of the seagulls perched on rusty barges caked with moss and mussels, unϩinching under the pelting rain; of the tiny ribbons of smoke rising from the single chimney of a hundred-yearold mansion on the coldest day of the year; of the crowds of men ϧshing from the sides of the Galata Bridge; of the cold reading rooms of libraries; of the street photographers; of the smell of exhaled breath in the movie theaters, once glittering aϱairs with gilded ceilings, now porn cinemas frequented by shamefaced men; of the avenues where you never see a woman alone after sunset; of the crowds gathering around the doors of the state-controlled brothels on one of those hot blustery days when the wind is coming from the south; of the young girls who queue at the doors of establishments selling cut-rate meat; of the holy messages spelled out in lights between the minarets of mosques on holidays that are missing letters where the bulbs have burned out; of the walls covered with frayed and blackened posters; of the tired old dolmuşes, ϧfties Chevrolets that would be museum pieces in any western city but serve here as shared taxis, huϫng and puϫng up the city’s narrow alleys and dirty thoroughfares; of the buses packed with passengers; of the mosques whose lead plates and rain gutters are forever being stolen; of the city cemeteries, which seem like gateways to a second world, and of their cypress trees; of the dim lights that you see of an evening on the boats crossing from Kadıköy to Karaköy; of the little children in the streets who try to sell the same packet of tissues to every passerby; of the clock towers no one ever notices; of the history books in which children read about the victories of the Ottoman Empire and of the beatings these same children receive at home; of the days when everyone has to stay home so the electoral roll can be compiled or the census can be taken; of the days when a sudden curfew is announced to facilitate the search for terrorists and everyone sits at home fearfully awaiting “the oϫcials”; CONTINUED IN SECOND PART OF THE QUOTE
Orhan Pamuk (Istanbul: Memories and the City)
What kind of fucking torture is it to wait years to fuck, to wait until you’ve found someone who won’t rip you to shreds, to finally find that girl, and then not be able to have her?
Mary Catherine Gebhard (Stolen Soulmate (Crowne Point #2))
Greg had boasted to a girl in his homeroom about his fencing skills, she’d misunderstood and tried to have him arrested for selling stolen property.)
Stuart Gibbs (The Last Musketeer (The Last Musketeer, #1))
Hey!” Duncan gasped, reaching over and carefully removing the candy bar that she’d somehow stolen from his pocket from her tiny grasp. “She stole that for me!” Darrin snapped, carefully holding the baby girl in one arm so that he could reach over and snatch the candy bar away from him while Duncan stood there, telling himself that it was perfectly normal for an infant who was barely five minutes old to already be stealing food. But, even for a Bradford that was actually kind of frightening.
R.L. Mathewson (Fire & Brimstone (Neighbor from Hell, #8))
I made a sound, a sort of disbelieving tsk, and Jane spared me a pitying look. "The empire had arrived by then, with its borderlines and deeds and railroads and Maxim guns. I was not the only motherless, feral child running through the bush."    I was silent. I thought of Mr. Locke's lectures on Progress and Prosperity. There were never any orphan girls or stolen farms or Maxim guns in them.
Alix E. Harrow (The Ten Thousand Doors of January)
Xavier and Catalina sat in the VIP box, waving down at us enthusiastically and I waved back before giving Darius my full attention. The entire right side of his face was covered in mud, not to mention the rest of him and his torn jersey fell open to reveal the firm cut of his abs and that perfect V which dipped beneath his waistband. “You’re killing it out there,” I told him truthfully, flashing a sweet smile which instantly had him narrowing his eyes in suspicion. We hadn’t exactly talked much since the whole three way thing and I was really curious about how he was feeling about that. But I was even more curious as to how he was going to react when he realised I’d been playing with the sack of treasure I stole from him oh so long ago. There were plenty of times when I’d thought about the little stash we’d hidden out in the woods and wondered why he hadn’t asked for it back and there was only one reason that made any sense – he assumed I didn’t have it anymore. I didn’t know if he thought I’d sold it or destroyed it, but I was about to remind him that I still had it and see how nice he was when his temper flared. I was pretty sure there was a guide book or two out there about not poking a Dragon, but I guessed I was just too stupid to care. “Thanks. Are you looking for me to make some cheesy statement like I’m thinking of you every time I tackle someone?” he teased and I laughed, tossing my hair. He frowned at me and I had to admit that might have been overkill, but whatever. “Nice to know I’m on your mind every time you have someone pinned beneath you in the mud,” I purred. From the corner of my eye, I noticed Mildred rising to her feet in the stands with a face like an angry Koala which had been hit by a car. I didn’t have long before she came over here to stake her claim on her Dragon, but I didn’t need much time. “I think I’ve made my desire to pin you beneath me pretty clear,” Darius replied in a low voice which had my toes curling, but I wasn’t here to flirt, I was here to poke a Dragon. “Good luck for the second half,” I said in a sweet voice, reaching out touch his bicep, making sure that the gold rings pressed against his skin. Darius looked down the moment he felt his magic stir in response to the gold and his eyes widened in surprise which was quickly followed by a flash of fury as he recognised the jewellery from his stash which I’d stolen. I whirled away from him with a dark laugh before he could do any more than suck in an angry breath and I jogged out to join my squad just as they started up a chant. V – E – G – A! She’ll wipe the floor with you today! Veeeeega! Veeeeega! I fell into the moves of the chant, clapping my hands as some of the others rustled pom-poms and Darcy offered me an appreciative smile from the side of the pitch. We had little chants like that for all of the team members, but we often forgot to call out for the Heirs. The music suddenly dropped and 7 Rings by Ariana Grande burst from speakers around the stadium as we moved into a full routine filled with dance moves and tricks. The song choice turned out to be perfect for taunting a gold obsessed Dragon as well as performing a badass routine to and I couldn’t help but smirk like a psychopath throughout. Darius stood glaring at me from the side of the pitch even when Seth tried to drag him into the locker rooms and my heart thundered at the pure fury in his eyes. Remind me again why I thought poking the Dragon was a good idea because he looks ready to shit a brick! I turned my eyes from him, grinning out at the crowd as I moved between my girls, running forward as I performed a set of hand springs which ended in me throwing a huge blast of multicoloured petals up into the air so that they fell over the crowd. (Tory)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
It’s Fae on Fae, man, what are you thinking?” he asked with a frown and I could only glower as I looked back to the fight, forcing myself to remain still. It might have made me ache to hold back but he was right, I couldn’t get involved in a fight between two Fae. And if it had been anyone else, I never would have considered it. But Roxy always made me want to break the rules. “You jumped up, crown touting, cock sucking, whore!” Mildred slammed her fist into Roxy’s face again, not even bothering to use magic as she screamed insults in her face which included way too many references to me being her beloved. “What’s the matter, Mildred?” Roxy snarled. “Is it just that you can’t suck cock properly with that mis-matched jaw of yours or is it that you know Darius is only marrying you because his father is forcing him to?” “When I take my beloved to the bedroom he will be screaming so loudly that he won’t even remember the name Vega!” Mildred howled as she punched Roxy again. “Yeah, screaming in horror,” Roxy spat and I almost fucking laughed aside from the fact that she was about to get her face smashed in by that beast of a girl. “We’ll see if he’s so tempted by you when I’m done pulverising that pretty face of yours and I cut your perky tits off for good measure!” Mildred howled. “Not the tits!” Tyler Corbin gasped from the other side of the crowd as he filmed the whole thing. My heart pounded. Roxy might have been tough, but Mildred was four times the size of her. She needed to fight back with magic if she was going to stand a chance, but as she swung her head forward and cracked the bridge of Mildred’s nose with a savage headbutt, I got the feeling she wasn’t going to use it. Roxy swung a fist into Mildred’s throat to follow it before driving her knee up between her legs as hard as she could. “Ooo right in the vag!” Tyler called and a laugh caught in my throat. “Yes, Tor!” Darcy screamed as she pushed her way to the front of the crowd. “Show her how we fight where we come from!” As Mildred reared back, Roxy lunged forward, rolling them over so that she was on top before swinging her fists down into Mildred’s ugly face with a brutality that made my heart race. She was wild and vicious, blood pissing down her face from her own injuries as she used my stolen rings to batter Mildred again and again. I wouldn’t be surprised if she didn’t end up with Dragons imprinted all over her face from her own injuries as she used my stolen rings to batter Mildred again and again. I wouldn’t be surprised if she didn’t end up with Dragons imprinted all over her face from the shape of the jewellery. Mildred gave as good as she got, punching Roxy in the sides, the chest, even trying to bite her fist as she punched her. “Holy shit,” Seth breathed as he nuzzled against my arm. “This would be so hot if it wasn’t, you know, Mildred. But if I imagine her being literally any other girl then I’d be so turned on right now.” I swallowed a lump in my throat as I refused to agree out loud, but he was right. There was something about Roxy as she fought like that, her lip curled back with determination and absolutely no mercy in her. They might have been fighting like mortals having a bar brawl, but with a crown on her head and blood painting her flesh, I didn’t think she’d ever looked more like the Savage King’s daughter before. She really was a Fae Princess. And I liked it. Mildred cursed and screamed, throwing fists like sledgehammers so hard that I was pretty sure I heard ribs cracking, but Roxy wasn’t going to give in. She swung her arm back one final time and with a scream of rage, she hit Mildred so hard in her pug face that she blacked out. A laugh tumbled from my lips before I could stop it and Roxy looked up at me with a wild determination in her eyes as she grinned like a damn warrior. (Darius POV)
Caroline Peckham (Cursed Fates (Zodiac Academy, #5))
Get off of me," I growled but he didn't, leaving Max and Caleb to go get rid of the assholes closing in on my girl. ... I shook my head and glanced away, catching a glimpse of Roxy and Caleb through the crowd but it was so brief that I couldn't get a read on how it was going. On the one hand I wanted him to convince her to join us again, but on the other I didn’t want her coming over here for his benefit. "What do you think he's saying to convince them to come over here?" Seth asked. "He's probably just saying 'come on, I'll buy you a drink then you can be my drink.'" "Roxy isn't into him biting her," I grunted. "Yet," Seth said, rolling his eyes at me. "Think about it, he's grabbing her all the time, his mouth on her neck, pinning her up against things. It's only a matter of time before he's slipping more than his teeth into her-" A growl escaped me and I shoved to my feet, done with waiting around for Caleb and Max to bring the girls to us. There was a good chance that there could be a Nymph hanging around here which meant I was supposed to be sticking close to the twins and that was exactly what I intended to do. In fact, I'd probably have to shove Caleb out of my way so that I could get closer and make sure he didn't accidentally put them in danger of having their magic stolen by a dark creature determined to destroy us all. He might even fall against a table and break his pretty nose. Doing so was basically me saving the whole of Solaria from the wrath of the creature in question though, so it was my duty to do it. But as I looked across the top of the crowd to where they'd all been standing just a few moments ago, I only found Max and Caleb there, no sign of the twins at all. I mouthed 'where are they?' to Max and he rolled his eyes before pointing to the dance floor. Roxy and her sister were in the centre of the floor, arms in the air and bodies moving to the beat of the music as countless Fae closed in on them from all sides, some of them seeming to have realised who they were while a few guys just seemed interested in them for reasons of their own. Or reasons of their dicks. No. No fucking way. I shoved away from the table and strode across the room, sensing Seth on my heels as he joined me in my Vega hunt. I made it to the dance floor and people backed away, giving us space as we strode through the crowd towards them. I fell still as we found them there, my intentions to drag them back over to our table whether they liked it or not falling away as my gaze found the movements of Roxy's body and fixed on them instead. Her eyes were closed, head tipped back and body moving to the seductive beat in a way that had me drawing closer automatically. I should have just been grabbing her and towing her away, but instead of doing that, my fingers brushed over her waist instead, the rough skin of my hands meeting the softness of her flesh beneath the hem of her shirt. She turned her head to look around at me, her eyes fluttering open and surprise filled her gaze for a moment, but I just held her eye and tugged her closer. Her blood red lips parted and I fully expected her to tell me to fuck off, but instead the barest hint of a smile tugged at the corner of her mouth and she inclined her head just a little as if to say okay. (Darius POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
Although she was gifted, her magic was too weak to stand against the lake beast. She asked a local cunning woman what she could do. “Find your True Name, girl,” the cunning woman told her, “and all power will be yours. The Lady of the Lake knows all things. Give an offering and declare your truest desire. If you want it with every part of yourself, she will grant you a Name.
Clare Sager (Stolen Threadwitch Bride (Bound by a Fae Bargain, #1))
I can’t let my heart get stolen by a guy who’s hot for another girl, or be the kind of person who steals another girl’s guy.
A.G. Howard (Splintered (Splintered, #1))
My father used to say that no matter how deep the lies, truth will always surface. For truth is unyielding; it will strive for the light year after year after year.
June Hur (The Forest of Stolen Girls)
You can choose to keep silent, he said, but if you do, would you be pleased with that decision in the years to come?
June Hur (The Forest of Stolen Girls)
And so lies could easily become the truth.
June Hur (The Forest of Stolen Girls)
The Timberwolf massacre had taken out more than just my father’s dirty, low-life followers. It'd also cleaned up anyone he'd been colluding with in the sale of young girls stolen from their families and traded to equally depraved men—and women—who used them in ways no human should be treated.
Tate James (7th Circle (Hades, #1))
Time is something Frankie struggles to tell these days. Time can be borrowed, wasted, or stolen. Time can bend or break, it can hurt or heal. Time can rewrite history. But time is too precious to be taken. People get taken from our lives and sometimes they never come back. Frankie has taken her time for far too long.
Alice Feeney (Good Bad Girl)
Lydia had stolen from them. She had lied. She had cheated. She had exploited their emotions. She had banked on their fear of losing another child and basically extorted them for drug money. But that was the thing. Lydia had been a junkie.
Karin Slaughter (Pretty Girls)
*JESUS IN LONDON 'INASMUCH AS YE DID IT NOT—' If JESUS came to London, Came to London to-day, He would not go to the West End, He would come down our way; He'd talk with the children dancing To the organ out in the street, And say He was their big Brother And give them something to eat. He wouldn't go to the mansions Where the charitable live, He'd come to the tenement houses Where we ain't got nothing to give. He'd come so kind and so homely, And feed us with love and bread, And then He'd tell us how to behave, And then we'd mind what He said. In the warm, bright, West End churches They sing and preach and pray, They call us “Beloved brethren,” But they do not act that way; And when He come to the church door He'd call out loud and free, “You stop that preaching and praying And show what you've done for Me.” Then they'd say, “Oh, Lord, we have given To the poor both blankets and tracts, And we've tried to make them sober And we've tried to teach them facts. But they will sneak round to the drink shop And pawn the blankets for beer, And we find them very ungrateful— But still we persevere.” Then He would say, “I told you The time I was here before, That you were all of you brothers, All you that I suffered for. I won't go into your churches, I'll stop in the sun outside. You bring out the men, your brothers, The men for whom I died!” Out of our lousy lodgings, From arches and doorways about, They'd have to do as He told them, They'd have to call us out. Millions and millions and millions, Thick and crawling like flies, We should creep out to the sunshine And not be afraid of His eyes. He'd see what God's image looks like When men have dealt with the same— Wrinkled with work that is never done, Swollen and dirty with shame. He'd see on the children's foreheads The branded gutter-sign That marks the girls to be harlots, That dooms the boys to be swine. Then He'd say, “What's the good of churches When these have nowhere to sleep? And how can I hear you praying When they are cursing so deep? I gave My blood and My body That they might have bread and wine, And you have taken your share and theirs Of these good gifts of Mine!” Then some of the rich would be sorry, And all would be very scared; And they'd say, “But we never knew, Lord!” And He'd say, “You never cared!” And some would be sick and shameful Because they'd know that they knew, And the best would say, “We were wrong, Lord. Now tell us what to do!” I think He'd be sitting, likely, For someone 'ud bring Him a chair, With a common kid cuddled up on His knee And the common sun on His hair. And they'd be standing before Him, And He'd say, “You know that you knew. Why haven't you worked for your brothers The same as I worked for you? “For since you're all of you brothers, It's clear as God's blessed sun That each must work for the others, Not thousands work for one. And the ones that have lived bone-idle, If they want Me to hear them pray, Let them go and work for their livings— The only honest way! “I've got nothing new to tell you; You know what I always said. But you've built their bones into churches And stolen their wine and bread. You with My name on your foreheads, Liar, and traitor, and knave, You have lived by the death of your brothers, These whom I died to save.” I wish He would come and say it; Perhaps they'd believe it then, And work like men for their livings And let us work like men. Brothers? They don't believe it, The lie on their lips is red. They'll never believe till He comes again Or till we rise from the dead
E. Nesbit (Jesus In London By E. Nesbit: With Seven Pictures By Spencer Pryse)
Saying- she probably did do that. She had her hand under the table most of the time. ‘Then Maddie threw the one rose she got from a boy, named Antony Whiteout in the trash can in the hall. Can you believe it? Right in front of him, me… and everyone!’ I was thinking to give it to me, or at least take it home with you, that boy spent money on that. The boy was broken-hearted, just by the look on his face. Maddie looks up and says: ‘Silly boy… I’m gay… I only like girls! Maybe when you cut that thing off, then we can talk.’ (And she points at it.) He ran like a five-year-old girl, that just got their candy stolen! That meant Maddie, I said. Maddie- ‘Will the dork should freaking know!’ ‘Okay… okay.’ I mumbled… I am not one for dumpster diving, but I fished the crud cover, rose out, and read the note attached: ‘I love you!’ Maddie, you get a boy to say that and throw it away? Crap! This day just keeps getting better!
Marcel Ray Duriez (Nevaeh Falling too You)
Did the girls know, the guide asked, that the Mona Lisa was a real woman, one who had lived and breathed and smiled at Leonardo da Vinci himself? That Lisa Gherardini, wife of a Florentine cloth merchant named Francesco del Giocondo, would become an icon, an embodiment of ideal beauty, a symbol of the Italian Renaissance itself? That the man who painted her would become one of the most famous names in history? That the painter captured not just a woman sitting, hands quietly folded, but an entire era in one portrait?
Laura Morelli (The Stolen Lady: A Novel of World War II and the Mona Lisa)
The outfit was sensible, sturdy, and comfortable. Not seductive or revealing or anything she would have expected from the Fae Realm or this house, based on the stories of fae males seducing innocent human girls who wandered into the forest.
Tara Grayce (Stolen Midsummer Bride (Stolen Brides of the Fae, #3))
And she had likely buried these families in debt without a single note of remorse. Why should she feel guilty for ruining the lives of those who had cast out her daughter, Seohyun-Eunsuk?
June Hur (The Forest of Stolen Girls)
was 1426, the year of the crown princess selection—the period when young ladies like myself would be dreaming of entering the palace. Yet here I was, cast away at sea, headed toward a penal island of political convicts.
June Hur (The Forest of Stolen Girls)
And everyone who’d heard of him would have also heard that Detective Min had only a daughter (he did, in fact, have two daughters, but not many knew of my estranged sister). And young ladies like myself did not belong so far from home.
June Hur (The Forest of Stolen Girls)