Stole His Last Name Quotes

My True Love Hath My Heart and I Have His None ever was in love with me but grief. She wooed me from the day that I was born; She stole my playthings first, the jealous thief, And left me there forlorn. The birds that in my garden would have sung, She scared away with her unending moan; She slew my lovers too when I was young, And left me there alone. Grief, I have cursed thee often—now at last To hate thy name I am no longer free; Caught in thy bony arms and prisoned fast, I love no love but thee.

Are you certain it was Woody who stole the knife?” “Fifteen minutes ago I found him sneaking about the Tigers’ clubhouse,” said Bugs. “He picked up Excalibur—it’s a purple knife and my name is cut into it. He saw me and ran—we bumped as he got out the door. He shoved Excalibur into the pocket of his green pants as he got outside and kept running.” “You didn’t chase him?” “Naw, Woody broke his arm last week, and I don’t fight one-armed kids,” said Bugs. He rolled his eyes toward heaven. “Anyhow, his mother will be my math teacher next year.” “You want me to get the knife back without anyone knowing Woody stole it, is that the idea?” asked Encyclopedia.

Bruce Wayne Carmody had been unhappy for so long that it had stopped being a state he paid attention to. Sometimes Wayne felt that the world had been sliding apart beneath his feet for years. He was still waiting for it to pull him down, to bury him at last. His mother had been crazy for a while, had believed that the phone was ringing when it wasn’t, had conversations with dead children who weren’t there. Sometimes he felt she had talked more with dead children than she ever had with him. She had burned down their house. She spent a month in a psychiatric hospital, skipped out on a court appearance, and dropped out of Wayne’s life for almost two years. She spent a while on book tour, visiting bookstores in the morning and local bars at night. She hung out in L.A. for six months, working on a cartoon version of Search Engine that never got off the ground and a cocaine habit that did. She spent a while drawing covered bridges for a gallery show that no one went to. Wayne’s father got sick of Vic’s drinking, Vic’s wandering, and Vic’s crazy, and he took up with the lady who had done most of his tattoos, a girl named Carol who had big hair and dressed like it was still the eighties. Only Carol had another boyfriend, and they stole Lou’s identity and ran off to California, where they racked up a ten-thousand-dollar debt in Lou’s name. Lou was still dealing with creditors. Bruce Wayne Carmody wanted to love and enjoy his parents, and occasionally he did. But they made it hard. Which was why the papers in his back pocket felt like nitroglycerin, a bomb that hadn’t exploded yet.

I shoot up out of my chair. “It’s Bree. Hide the board!” Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!” His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!” “LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat. Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”. Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me. “Erase it!” Price whispers frantically. “No, we didn’t write it down anywhere else! We’ll lose all the ideas.” I can hear Bree’s footsteps getting closer. “Nathan? Are you home?” “Uh—yeah! In the kitchen.” Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet. “Just flip it over!” I tell anyone who’s not running in a circle chasing his tail. As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit. Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?” Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply. We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine. “What’s with the whiteboard?” she asks, taking a step toward it. I hop off the table and get in her path. “Huh? Oh, it’s…nothing.” She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.” “Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.” She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment? My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me. Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.” Her eyes narrow.

At the moment Ormsley looked on the verge of tears as his damp, faded blue eyes roved almost lovingly over Ian’s face. “Good afternoon, my lord,” he intoned formally, but the ecstatic expression on his face gaze Ian the impression the servant was restraining himself from wrapping his arms around him. “And-and may I say-“ The elderly man stopped, his voice hoarse with emotion, and cleared his throat. “And may I say how very-how very very good it is to have you here at-“ His voice choked, he flushed, and Ian’s ire at his grandfather was momentarily forgotten. “Good afternoon, Ormsley,” Ian said, grinning at the look of sublime pleasure that crossed Ormsley’s lined face when Ian knew his name. Sensing the butler was about to bow again, Ian put out his hand instead, forcing the loyal retainer to shake hands with him. “I trust,” Ian joked gently, “that you’ve conquered your habit of overindulging in French brandy?” The faded old eyes brightened like diamonds at this added proof that Ian’s father had spoken of him to Ian. “Welcome home. Welcome home at last, my lord,” Ormsley said hoarsely, returning Ian’s handshake. “I’m only staying a few hours,” Ian told him calmly, and the butler’s hand went a little limp with disappointment. He recovered himself, however, and escorted Ian down a wide, oak-paneled hall. A small army of footmen and housemaids seemed to be lurking about, ostensibly dusting mirrors, paneling, and floors. As Ian passed, several of them stole long, lingering looks at him, then turned to exchange swift gratified smiles. His mind on the looming meeting with his grandfather, Ian was oblivious to the searching scrutiny and startled glances he was receiving, but he was dimly aware that a few of the servants were hastily dabbing at their eyes and noses with handkerchiefs.

The wooden ship objected with loud creaks as the heavy wind strained its sails to the limits, pushing it forwards through the waves. A rather petite vessel, it was the smallest she’d sailed. It was old and worn, too. Nora looked up at the yellowed sails fondly. It was a miracle that they’d lasted this long, cooperating with the buffeting winds without rest for many seasons now. And Nora and the ship had been through some strong gales together. Excellent craftsmanship, Nora thought and, as she often did, pondered the ship’s origins: who’d made it and what waters it’d sailed before she stole it. She’d been certain that the ship wouldn’t last long on the high seas, and that she’d soon have to find a replacement, but she’d been pleasantly surprised. Her ship might not cover vast distances in as short a time as the bigger, heavier sailing ships she was used to, but Nora could turn Naureen around or change direction in a matter of minutes. She could swiftly put distance between her and the ships she plundered. Sometimes, it seemed as if the ship responded to her thoughts, as if there was a weird invisible bond between the two of them. ‘Naureen. Us sailor gals must stick together,’ she said aloud, as if the ship could hear her. Nora always talked to her ship. Clearly a sign she’d been on the sea for too long, she mused. Naureen. Nora didn’t know who’d named the ship or what the name meant, but she thought it strangely fitting. It graced the bow of the ship, painted in beautiful calligraphy. Nora saw it whenever she was aboard another vessel, rummaging for furs or bones of extinct animals she could sell, or food. The sight of her ship always made her heart flutter with happiness. There was a time when Nora would steal the ships she plundered, if she liked them and was in the mood for a change. But not after she stole Naureen. Well, not stole, she corrected herself. When she’d come across the tiny ship, she’d found the salt-rimed corpse of the hollow-cheeked owner sprawled face down on the deck. He’d probably starved to death. His body had not been the first one Nora’d found drifting at sea, nor the last.

Alyosha heard Shukhov’s whispered prayer, and, turning to him: “There you are, Ivan Denisovich, your soul is begging to pray. Why don’t you give it it’s freedom?” Shukhov stole a look at him. Alyosha’s eyes glowed like two candles. “Well, Alyosha,” he said with a sigh, “it’s this way. Prayers are like those appeals of ours. Either they don’t get through or they’re returned with ‘rejected’ scrawled across ’em.” Outside the staff quarters were four sealed boxes–they were cleared by a security officer once a month. Many were the appeals that were dropped into them. The writers waited, counting the weeks: there’ll be a reply in two months, in one month. . . . But the reply doesn’t come. Or if it does it’s only “rejected.” “But, Ivan Denisovich, it’s because you pray too rarely, and badly at that. Without really trying. That’s why your prayers stay unanswered. One must never stop praying. If you have real faith you tell a mountain to move and it will move. . . .” Shukhov grinned and rolled another cigarette. He took a light from the Estonian. “Don’t talk nonsense, Alyosha. I’ve never seen a mountain move. Well, to tell the truth, I’ve never seen a mountain at all. But you, now, you prayed in the Caucasus with all that Baptist society of yours–did you make a single mountain move?” They were an unlucky group too. What harm did they do anyone by praying to God? Every damn one of them had been given twenty-five years. Nowadays they cut all cloth to the same measure–twenty-five years. “Oh, we didn’t pray for that, Ivan Denisovich,” Alyosha said earnestly. Bible in hand, he drew nearer to Shukhov till they lay face to face. “Of all earthly and mortal things Our Lord commanded us to pray only for our daily bread. ‘Give us this day our daily bread.'” “Our ration, you mean?” asked Shukhov. But Alyosha didn’t give up. Arguing more with his eyes than his tongue, he plucked at Shukhov’s sleeve, stroked his arm, and said: “Ivan Denisovich, you shouldn’t pray to get parcels or for extra stew, not for that. Things that man puts a high price on are vile in the eyes of Our Lord. We must pray about things of the spirit–that the Lord Jesus should remove the scum of anger from out hearts. . . .” Page 156: “Alyosha,” he said, withdrawing his arm and blowing smoke into his face. “I’m not against God, understand that. I do believe in God. But I don’t believe in paradise or in hell. Why do you take us for fools and stuff us with your paradise and hell stories? That’s what I don’t like.” He lay back, dropping his cigarette ash with care between the bunk frame and the window, so as to singe nothing of the captain’s below. He sank into his own thoughts. He didn’t hear Alyosha’s mumbling. “Well,” he said conclusively, “however much you pray it doesn’t shorten your stretch. You’ll sit it out from beginning to end anyhow.” “Oh, you mustn’t pray for that either,” said Alyosha, horrified. “Why do you want freedom? In freedom your last grain of faith will be choked with weeds. You should rejoice that you’re in prison. Here you have time to think about your soul. As the Apostle Paul wrote: ‘Why all these tears? Why are you trying to weaken my resolution? For my part I am ready not merely to be bound but even to die for the name of the Lord Jesus.

But his most lasting influence grew out of his singular knack for making reading fun for children in such international favorites as The Cat in the Hat, Green Eggs and Ham, Hop on Pop, and How the Grinch Stole Christmas. All were made more appealing by his repetitive use of simple language and his outrageous illustrations. Incidentally, although we have become accustomed to pronouncing his name rhyming with “Juice,” his stated preference was more Germanic: “Seuss—rhymes with voice.

I’ve just been to see Audrey,” Beatrix said breathlessly, entering the private upstairs parlor and closing the door. “Poor Mr. Phelan isn’t well, and--well, I’ll tell you about that in a minute, but--here’s a letter from Captain Phelan!” Prudence smiled and took the letter. “Thank you, Bea. Now, about the officers I met last night…there was a dark-haired lieutenant who asked me to dance, and he--” “Aren’t you going to open it?” Beatrix asked, watching in dismay as Prudence laid the letter on a side table. Prudence gave her a quizzical smile. “My, you’re impatient today. You want me to open it this very moment?” ”Yes.” Beatrix promptly sat in a chair upholstered with flower-printed fabric. “But I want to tell you about the lieutenant.” “I don’t give a monkey about the lieutenant, I want to hear about Captain Phelan.” Prudence gave a low chuckle. “I haven’t seen you this excited since you stole that fox that Lord Campdon imported from France last year.” “I didn’t steal him, I rescued him. Importing a fox for a hunt…I call that very unsporting.” Beatrix gestured to the letter. “Open it!” Prudence broke the seal, skimmed the letter, and shook her head in amused disbelief. “Now he’s writing about mules.” She rolled her eyes and gave Beatrix the letter. Miss Prudence Mercer Stony Cross Hampshire, England 7 November 1854 Dear Prudence, Regardless of the reports that describe the British soldier as unflinching, I assure you that when riflemen are under fire, we most certainly duck, bob, and run for cover. Per your advice, I have added a sidestep and a dodge to my repertoire, with excellent results. To my mind, the old fable has been disproved: there are times in life when one definitely wants to be the hare, not the tortoise. We fought at the southern port of Balaklava on the twenty-fourth of October. Light Brigade was ordered to charge directly into a battery of Russian guns for no comprehensible reason. Five cavalry regiments were mowed down without support. Two hundred men and nearly four hundred horses lost in twenty minutes. More fighting on the fifth of November, at Inkerman. We went to rescue soldiers stranded on the field before the Russians could reach them. Albert went out with me under a storm of shot and shell, and helped to identify the wounded so we could carry them out of range of the guns. My closest friend in the regiment was killed. Please thank your friend Prudence for her advice for Albert. His biting is less frequent, and he never goes for me, although he’s taken a few nips at visitors to the tent. May and October, the best-smelling months? I’ll make a case for December: evergreen, frost, wood smoke, cinnamon. As for your favorite song…were you aware that “Over the Hills and Far Away” is the official music of the Rifle Brigade? It seems nearly everyone here has fallen prey to some kind of illness except for me. I’ve had no symptoms of cholera nor any of the other diseases that have swept through both divisions. I feel I should at least feign some kind of digestive problem for the sake of decency. Regarding the donkey feud: while I have sympathy for Caird and his mare of easy virtue, I feel compelled to point out that the birth of a mule is not at all a bad outcome. Mules are more surefooted than horses, generally healthier, and best of all, they have very expressive ears. And they’re not unduly stubborn, as long they’re managed well. If you wonder at my apparent fondness for mules, I should probably explain that as a boy, I had a pet mule named Hector, after the mule mentioned in the Iliad. I wouldn’t presume to ask you to wait for me, Pru, but I will ask that you write to me again. I’ve read your last letter more times than I can count. Somehow you’re more real to me now, two thousand miles away, than you ever were before. Ever yours, Christopher P.S. Sketch of Albert included

Speaking of those children...."  He tried to turn his head within the curve of Juliet's arm so that he could look at Charlotte. "It appears that one of them ... is yours." "Yes, my daughter. She's just over six months." "Will you lift her up so I may see her? I adore children." Juliet hesitated, thinking that sleeping babes were best left alone. But it was not in her to deny the wishes of a man who might very well be dying. Carefully, she picked up the infant and held her so that Gareth could see her. Charlotte whimpered and opened her eyes. Immediately, the lines of pain about Gareth's mouth relaxed. Smiling weakly, he reached up and ran his fingers over one of the tiny fists, unaware that he was touching his own niece. A lump rose in Juliet's throat. It was not hard at all to imagine that he was Charles, reaching up to touch his daughter. Not hard at all. "You're just ... as pretty as your mama," he murmured. "A few more years ... and all the young bucks shall be after you ... like hounds to the fox."  To Juliet he said, "What is her name?" "Charlotte."  The baby was wide awake now and tugging at the lace of his sleeve. "Charlotte. Such a pretty name ... and where is your papa, little Charlie-girl? Should he ... not be here to ... protect you and your mama?" Juliet stiffened. His innocent words had slammed a fresh bolt of pain through her. Tight-lipped, she pried the lace from Charlotte's fist and cradled her close. Deprived of her amusement, the baby screwed up her face and began to wail at the top of her lungs while Juliet stared out the window, her mouth set and her hand clenched in a desperate bid to control her emotions. Gareth managed to make himself heard over Charlotte's angry screams. "I am sorry. I think I have offended you, somehow...." "No." "Then what is it?" "Her papa's dead." "Oh. I, ah ... I see."  He looked distressed, and remorse stole the brightness that Charlotte had brought to his eyes. "I am sorry, madam. I am forever saying the wrong thing, I fear." Charlotte was now crying harder, beating her fists and kicking her feet in protest. The blanket fell away. Juliet attempted to put it back. Charlotte screamed louder, her angry squalls filling the coach until Juliet felt like crying herself. She made a noise of helpless despair. "Here ... set her on your lap, beside my head," Lord Gareth said at last. "She can play with my cravat." "No, you're hurt." He smiled. "And your daughter is crying. Oblige me, and she will stop."  He stretched a hand toward the baby, offering his fingers, but she batted him away and continued to wail. "I'm told I have a way ... with children." With a sigh, Juliet did as he asked. Immediately, Charlotte quieted and fell to playing with his cravat.

Buchanan tried to whip the devil out of me. “Find your tongue, lad!” Forgive this regression, but the man hated English. He may have hated everything by then, including me, but he was uncommon prickly when it came to English. You could tell by the way he bullied it. “The bastarde English,” the old man roared. “The verie whoore of a tongue.” We did our best to mimic him note for note, gesture for gesture. He hated that, too. The verie whoore. Old Greek before Breakfast Latin by Noon himself. The point is, what English I had was beaten or twisted into me. We were orphaned and crowned before we could speak or take our first step. No father. No mother. Too many uncles. Hounds for baying. Buchanan was the most religious of my keepers, and the unkindest of spirits among them. We have been told the young queen of Scots was once his student, and that he loved her. Just before giving her over to wreckage, methinks. Pious frauds. Their wicked Jesus. Then occasion smil’d. We were thirteen. The affection of Esme Stuart was one thing, lavished, as it was, so liberally upon us, but the music of his voice was another. We empowered our cousin, gave him name, station, a new sense of gravity, height, and reach, all the toys of privilege. We were told he spoke our mother’s French, the way it flutters about your neck like a small bird. But it was his English that moved us. For the first time, there was kindness in it, charity, heat and light. We didn’t know language could do such things, that could charm with such violence, make such a disturbance in us. Our cousin was our excess, our vice, our great transgression according to some, treason according to others. They came one night and stole him from us, that is, from me. They tore me out of his arms, called me wanton. Better that bairns should weepe, they said. Barking curs. We never saw our cousin again and were never the same after. But the charm was wound up. If we say we can taste words, we are not trying to be clever. And we are an insatiable king. Try now, if you can, to understand the nature of our thoughts touching the translation, its want of a poet. We will consult with Sir Francis. He is closer to the man, some say, than a brother. English is mistress between them. There, Bacon says, is empire. There, a great Britain. Where it is dull, where the glow . . . gleam . . . where the gleam of Majestie is absent or mute . . . When occasion smiles again, we will send for the man, Shakespere. Majestie has left its print on his art. After that hideous Scottish play, his best, darkest, and most complicated characters are . . . us. Lear. Antony. Othello. Fools all. All. The English language must be the best that is in us . . . We are but names, titles, antiquities, forgotten speeches, an accident of blood and historical memory. Aye . . . but this marvelously unexceptional little man. No more of this. By the unfortunate title of this history we must, it seems, prepare ourselves for a tragedy. Some will escape. Some will not. For bully Ben can never suffer a true rival. He killed an actor once for botching his lines. Actors. Southampton waits in our chambers. We will let him. First, to our thoughts. Only then to our Lord of Southampton.

A man named Lucky walked into my pawnshop carrying a skull and a pie tin. The skull was not in the pie tin, to be fair, but it was not the kind of thing I took in for pawn, either. It was human. "Please tell me that's fake," I said, torn between competing impulses to clutch my head or call the sheriff. Lucky, who had a super cute, blue-eyed, blond-haired, boy-next-door thing going on, but with muscles that showed he just happened to be ex-Special Forces, squinted at me. "No, it's not fake, it's the pan from the pecan pie you baked for Molly last week. She asked me to drop it by." I took a long, deep, breath. "No. The skull. Please tell me the skull is fake. Halloween decoration you want to pawn, maybe?" He laughed. "Oh. Sorry. No, it's real. I'm on my way to find the sheriff and thought I'd drop off your pan. I didn't want to leave the skull in the car because what if someone broke into my car and stole it?" I stared at him for a moment, because what were the odds that someone would: 1) break into his car, and 2) break into his car at the exact time there happened to be a skull in it, and 3) break into his car at the exact time there happened to be a skull in it and decide to steal the skull.

Do you remember,” I said, slowly, “when we were little and Hitomi the kitchen maid told us the story of the red thread? How some people are born tied together by a long scarlet string that no one can see? The red thread is fate. People joined in this way would always be searching for each other, always moving towards each other, even if they never realized it until the moment they met. Remember she said that the red thread may stretch, or tangle, but never, ever break?”   A pained half-smile twitched at one corner of his mouth. “You stole the red silk from your mother’s embroidery box and tied our little fingers together.”   “Which only lasted until bath time, when Father very firmly cut us apart again.” I stroked his left little finger with mine. “I still believe in that thread, Shinobu. I know it’s there. I can feel it, even if I can’t see it. We were always meant to be together. But maybe … maybe we weren’t meant to be together forever.”   “Mio-dono…”   “Shin-chan.” I forced myself to smile into his anguished eyes through the welling tears. “If none of this had ever happened, if Izanagi and the Nekomata had never come to the village, if we had grown old together in my family’s home the way we dreamed, we would have chosen this, wouldn’t we? To be together as long as we could. And, when it was time, to die together. After all these years, we finally get our wish.”   He whispered, “You have already made up your mind, my love.”   “Haven’t you? Where you go…”   He raised my hands and pressed them to his heart, then kissed each palm. “I will follow, always.

On a bright day in October 1996, a small, withered woman named Estelle Sapir testified before a US Senate committee investigating Swiss banks and the Holocaust. She had last seen her father through barbed wire in southern France shortly before he went to die in a Polish concentration camp, but before he died he had carefully explained where his assets were. After the war she visited several banks in Britain and France, where they traced the accounts and emptied them for her, without any kerfuffle. She then explained what happened when she went to Switzerland with a Credit Suisse deposit slip from 1938, which she had found among her father’s papers. ‘I saw a young man come out behind,’ she explained, ‘and the first thing he asked me, “Show me the death certificate for your father.” And I answer him, “How can I have a death certificate? I have to go find Himmler, Hitler, Eichmann and Mengele.” And I start to cry. I run out from the bank, into the street. The same day, I go back to the bank, but could not compose myself. Never went back to Switzerland. Never went back to Switzerland. Never.’ Credit Suisse offices around the world turned her away on twenty visits between 1946 and 1957.

Nam—” I start, but the word dies on my tongue as I stare in shock at the candidate standing far above me. He’s taller than Dain but shorter than Xaden, with a muscular build and strong chin, and though his sandy-brown hair is shorter than the last time I saw him, I’d recognize those features, those eyes, anywhere. “Cam?” What the hell is he doing here? His green eyes flare with surprise, then blink with recognition. “Aaric…Graycastle.” His middle name I recognize, but the last? “Did you just make that up?” I whisper at him. “Because it’s awful.” “Aaric. Graycastle,” he repeats, his jaw flexing. He lifts his chin with the same arrogance I’ve seen in every single one of his brothers and especially his father. Even if I didn’t recognize him from the dozens of times our parents’ lives have tossed us into the same room, those startling green eyes mark him the same way my hair does me. He’s not going to fool anyone who’s ever met his father or any of his brothers. I glance over at Dain, who openly stares at Cam—Aaric. “You sure about this?” Dain asks, and the concern in his eyes gives me a glimpse of my Dain again, but it’s short-lived. That version of Dain, the one I could always depend on, died the day he stole my memories and set us on a collision course with venin. “You cross that parapet, and there’s no going back.” Aaric nods. “Aaric Graycastle,” I repeat to Rhiannon, who writes it down but clearly knows something is up. “Does your father know?” Dain murmurs to Aaric. “It’s none of his business,” he replies, stepping up to the parapet and rolling his shoulders. “I’m twenty.” “Right, because that’s going to make a difference when he realizes what you’re doing,” Dain retorts, ripping his hand through his hair. “He’ll kill us all.” “Are you going to tell him?” Aaric asks.