Stoke City Quotes

We've searched our database for all the quotes and captions related to Stoke City. Here they are! All 21 of them:

It only takes a few politicians to stoke division, or a few demagogues encouraging hatred to set your kind upon one another. And then before you know it, you have a whole nation biting on its own tail, going round and round until there is nothing left but the snapping of teeth.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker, #2))
Beyond the snowy trees, the endless high-rises of Seoul have faded to a blurry gray shadow, but their presence hasn’t dwindled. Even in the poor visibility, there’s no denying that the city feels like the walls of a fortress, a fortress that is both protecting us and trapping us.
Paula Stokes (Ferocious (Vicarious, #2))
Racism is both overt and covert. It takes two, closely related forms: individual whites acting against individual blacks, and acts by the total white community against the black community. We call these individual racism and institutional racism. The first consists of overt acts by individuals, which cause death, injury or the violent destruction of property. This type can be recorded by television cameras; it can frequently be observed in the process of commission. The second type is less overt, far more subtle, less identifiable in terms of specific individuals committing the acts. But it is no less destructive of human life. The second type originates in the operation of established and respected forces in the society, and thus receives far less public condemnation than the first type. When white terrorists bomb a black church and kill five black children, that is an act of individual racism, widely deplored by most segments of the society. But when in that same city - Birmingham, Alabama - five hundred black babies die each year because of the lack of proper food, shelter and medical facilities, and thousands more are destroyed and maimed physically, emotionally and intellectually because of conditions of poverty and discrimination in the black community, that is a function of institutional racism. When a black family moves into a home in a white neighborhood and is stoned, burned or routed out, they are victims of an overt act of individual racism which many people will condemn - at least in words. But it is institutional racism that keeps black people locked in dilapidated slum tenements, subject to the daily prey of exploitative slumlords, merchants, loan sharks and discriminatory real estate agents. The society either pretends it does not know of this latter situation, or is in fact incapable of doing anything meaningful about it.
Stokely Carmichael (Black Power: The Politics of Liberation)
He was so adept - so very, very gifted - at stoking my fire then leaving me with a giant lady hard-on. In fact, I suspected maybe this was his superpower.
Penny Reid (Love Hacked (Knitting in the City, #3))
Seoul is a city of layers and Jesse peels them back with his penetrating gaze, taking in the glitzy Western bars, the alleys sloping upward into cramped housing developments, the doorways leading to dark hallways that lead to offices and noodle shops the casual observer would never even know existed.
Paula Stokes (Ferocious (Vicarious, #2))
Sobs force their way out of my throat. I feel like I’m trapped in a disaster movie where everything is shriveling into darkness and ash. Sunflowers are being uprooted. Puppies are being trampled. Whole cities are crumbling to dust.
Paula Stokes (The Art of Lainey (The Art of Lainey, #1))
I dream of a small room and a man with one eye. Blood seeps like scarlet tears from his empty socket. I turn away and the room becomes a hallway that becomes a stairway that becomes a roof. The wind tugs at my body; the sky tries to wrap me in stars. Below me, a gazebo glows with red light. A line of black cars crawls like cockroaches through the streets. An air conditioner exhaust fan chitters angrily near the roof’s edge, one of its blades bent just enough to scrape against the side of the casing. For a second I let the wind push me close enough to the fan’s razor- sharp blades that a lock of my hair gets snipped and sent out into the night. As it twists and flutters toward the gazebo, I think about just letting go, letting the breeze carry my body into the whirling blades, the wind scattering pieces of me throughout the city. Blood and flesh seeping into the cracked pavement. Flowers blooming wherever I land.
Paula Stokes (Vicarious (Vicarious, #1))
Human beings hunger for killing, that is all. It only takes a few politicians to stoke division, or a few demagogues encouraging hatred to set your kind upon one another. And then before you know it, you have a whole nation biting on its own tail, going round and round until there is nothing left but the snapping of teeth.
Paolo Bacigalupi (The Drowned Cities (Ship Breaker #2))
After simmering years of censorship and repression, the masses finally throng the streets. The chants echoing off the walls to build to a roar from all directions, stoking the courage of the crowds as they march on the center of the capital. Activists inside each column maintain contact with each other via text messages; communications centers receive reports and broadcast them around the city; affinity groups plot the movements of the police via digital mapping. A rebel army of bloggers uploads video footage for all the world to see as the two hosts close for battle. Suddenly, at the moment of truth, the lines go dead. The insurgents look up from the blank screens of their cell phones to see the sun reflecting off the shields of the advancing riot police, who are still guided by close circuits of fully networked technology. The rebels will have to navigate by dead reckoning against a hyper-informed adversary. All this already happened, years ago, when President Mubarak shut down the communications grid during the Egyptian uprising of 2011. A generation hence, when the same scene recurs, we can imagine the middle-class protesters - the cybourgeoisie - will simply slump forward, blind and deaf and wracked by seizures as the microchips in their cerebra run haywire, and it will be up to the homeless and destitute to guide them to safety.
CrimethInc. (Contradictionary)
Pitt arrived at the Broad Street Station of the Great Northern Railway just in time to catch his train to Lincolnshire. He slammed the carriage door as the engine started to belch forth steam and the fireman stoked the furnace, and with a roar and a clash of iron they moved out of the vast, grimy dome into the sunlight and began the long journey past the factories and houses and through the suburbs of the largest, wealthiest, and most populous city in the world. Within its bounds lived more Scots than in Edinburgh, more Irish than in Dublin, and more Roman Catholics than in Rome.
Anne Perry (Bethlehem Road (Charlotte & Thomas Pitt, #10))
Our fascination with the gothic peaks in times of anxiety, panic, and upheaval. The Victorian gothic revival of the 1890s was stoked by scientific, technological, and social change. Industrialization and urbanization sparked feelings of alienation. Darwin's theories of evolution and the changing roles of women fanned racist, misogynistic, homophobic, and colonialist fears of 'primitivism,' moral decay, and sexual depravity. In the nineteenth century, terror-inducing imagery had shifted away from crumbling castles to crime-infested cities, and fear of villains and ghosts was supplanted by a fear of madness and degeneration. In the twentieth century, we celebrated/mourned the death of authorship, of the grand narrative, of the self, 'going-one-better in eschatological eloquence,' as Jacques Derrida put it, 'the end of history...the end of subject, the end of man, the end of the West, the end of Oedipus, the end of the earth, Apocalypse Now.' A few years into the new millennium, we were zombie hordes, stalking social media for brains. The gothic is the fucked-either-way-and-freaking-the-fuck-out school of artistic interpretation, the hysterical framework of doom. And this tension between horror as morality tale and horror as decadent spectacle is, I believe, what fueled the pandemic of tabloid stories about wayward starlets that raged throughout 2006 and 2007. Celebrity train wreck stories begin, conservatively, as cautionary tales. A young woman, unprotected or legally emancipated, has moved alone from the relatively sheltered and secluded condition of parent-managed child stardom (because who, nowadays, is more cut off from the world than a child star?) into a corrupt and dangerous world, where her beauty, fame, youth, fortune, and sexual allure are regarded with a charged, ambivalent awe. She is instantly besieged with dangers, and preyed upon by unscrupulous adults. Until they can be contained again, by marriage or paternal protection, she exists in a constant state of uncertainty and peril. The peril is created, of course, by the 'author' - the media outlets that shape the train wreck's life, again and again, into thrilling, chilling tales of suspense.
Carina Chocano (You Play the Girl: On Playboy Bunnies, Stepford Wives, Train Wrecks, & Other Mixed Messages)
Historically, this group would come to dominate the realm carved out for them, often celebrated unless they went head to head against an upper-caste person, as did the black boxer Jack Johnson when he unexpectedly knocked out James Jeffries in 1910. The writer Jack London had coaxed Jeffries out of retirement to fight Johnson in an era of virulent race hatred, and the press stoked passions by calling Jeffries “the Great White Hope.” Jeffries’s loss on that Fourth of July was an affront to white supremacy, and triggered riots across the country, north and south, including eleven separate ones in New York City, where whites set fire to black neighborhoods and tried to lynch two black men over the defeat. The message was that, even in an arena into which the lowest caste had been permitted, they were to know and remain in their place.
Isabel Wilkerson (Caste: The Origins of Our Discontents)
KEEPING THEIR PROFILE AT limbo-champion lows, they trickled through the Paris streets, following Addison’s map toward the Templar Fortress. Despite hunger, cold, and fear, Addison couldn’t help but marvel at the beauty of the city. According to Mr. Fiddleton, Paris was one of the first cities to line its avenues with streetlamps, earning it the nickname the City of Light. With the holiday season in full bloom, there were even more lights than usual, glowing and blinking in every color. They strolled south on the Boulevard de Magenta, winding ever closer to the Seine, that fabled river that meandered through Paris’s heart and into
Jonathan W. Stokes (Addison Cooke and the Ring of Destiny)
Farm-state politicians and activists were berating the Democratic administration of President Bill Clinton to take action. The urgency of the issue was stoked by the upcoming presidential election. The Democratic candidate, Vice President Al Gore, faced a growing challenge from the longtime consumer advocate Ralph Nader. Nader was unequivocal in his opposition to industrial meat production and the rise of factory farms. Clinton’s administration needed to look like it was doing something about it. In this increasingly tense environment, Eric Tabor was given a rare public chance to be the good guy. Iowa had gone further than any other state in combating the rise of corporate agribusiness, and Tabor was invited to the Kansas City forum to outline what Iowa regulators were doing. Tom Miller was attacking corporate meat production from two angles: through litigation and the creation of new laws. The lawsuit against Smithfield, filed just a few months earlier, threatened to upend the creeping vertical integration of the hog industry. At the same time, Miller was pressing for the passage of the Producer Protection Act in sixteen states, which would limit how much power companies like Tyson and Smithfield could wield over farmers.
Christopher Leonard (The Meat Racket: The Secret Takeover of America's Food Business)
Brasher was alone with Stokes his calling might distract her and
Michael Connelly (City Of Bones (Harry Bosch, #8; Harry Bosch Universe, #11))
Their friendship with my parents had taken purposefulness: they’d made decisions that stoked the friendship and kept it alive. These decisions weren’t necessarily as big as the one to move to the same city at the same time, although that certainly helped, but rather smaller ones: to pop into each other’s homes for a few minutes of conversation, to serve at church together, to champion each other’s children.
Christine Hoover (Messy Beautiful Friendship: Finding and Nurturing Deep and Lasting Relationships)
Jasper’s gaze dropped to Sylvie’s lips, launching her pulse to a painful speed. But just as quickly, he released her and stood, for Kirstin bustled into the room to stoke the fire. Her face flushed with the heat of a summer’s day, Sylvie stood and thanked Jasper once more while the maid knelt at the hearth.
Jocelyn Green (Veiled in Smoke (The Windy City Saga Book #1))
Conditions were also starkly worsened by ongoing guerrilla warfare, which was stoked by the economic crisis. The war, conducted amidst paroxysms of violence on both sides, was waged by the Peruvian Army against two well-organized but mutually antagonistic revolutionary forces—the Maoist party Shining Path (Sendero Luminoso), founded in 1980, and the pro-Russian movement named after the last Incan monarch, Túpac Amaru. As many as twenty thousand people died in the conflict, and the lack of security in the countryside decimated agricultural production and drove migration to cities that were already overcrowded.
Frank M. Snowden III (Epidemics and Society: From the Black Death to the Present)
Stokely Carmichael stepped off an Air France Boeing 707 at John F. Kennedy International Airport in New York City to find United States marshals from New York’s Eastern District waiting to confiscate his passport. Carmichael had been on a blistering worldwide tour since his decision to step down in May of that year as the leader of SNCC. While in Paris, he boldly declared to four thousand people at the Palais de la Mutualité, “Our aim is to disrupt the United States of America, and we think our blood is not too high a price to pay. We don’t want peace in Vietnam! We want the Vietnamese to defeat the United States of America!” In
Eddie S. Glaude Jr. (Begin Again: James Baldwin's America and Its Urgent Lessons for Our Own)
To the deep feeling of love and veneration for home and liberty and to the every growing consciousness of high responsibility which warmed the hearts and guided the actions of the true leaders among our Dutch, English, and American forbears this record of their material achievements is proudly, yet humbly, inscribed with the hope and belief that the same spirit will ever continue a chief strength and inspiration to succeeding generations of happy sojourners upon Manhattan Island.
Isaac Newton Phelps Stokes (The Iconography of Manhattan Island, 1498-1909, Vol. 1: Compiled From Original Sources and Illustrated by Photo-Intaglio Reproductions of Important Maps, Plans, Views, and Documents in Public and Priv)
Nine clubs have never been relegated from the Premier League. They are Arsenal, Bournemouth, Chelsea, Everton, Liverpool, Manchester United, Stoke City, Swansea City and Tottenham Hotspur.
Chris Carpenter (The Premier League Quiz Book: EPL Quiz Book 2019/20 Edition)