Stitch Positive Quotes

From watching my parents I think being married or being with someone else in any kind of real way takes a certain amount of bravery, and it's not something I'm positive I have in me. To pluck your heart from your chest that way and hand it to someone, unprotected, and wait to see how gently they'll stitch it back in for you, or not--to wake up all those days you're the crappiest version of yourself and face the person who knows you best, morning after morning, year after year.

The young man was tall and slim. He wore sandals and a bathing suit and a short-sleeved shirt with an alligator emblem stitched to the left breast, which caused Brody to take an instant, instinctive dislike to the man. In his adolescence Brody had thought of those shirts as badges of wealth and position. All the summer people wore them. Brody badgered his mother until she bought him one—“a two-dollar shirt with a six-dollar lizard on it,” she said.

think humans might be so uncomfortable with transition periods because we don’t give ourselves the right to be lonely and uncomfortable like lobsters do. We’re so often told, “Focus on the positive. Choose happiness. Good vibes only” that we feel like something must be wrong with us when we’re not a living, breathing inspirational cross-stitch pillow.

I wiped my eyes on my sleeve and jumped when I turned and found Ren’s brother standing behind me as a man. Ren got up, alert, and watched him carefully, suspicious of Kishan’s every move. Ren’s tail twitched back and forth, and a deep grumble issued from his chest. Kishan look down at Ren, who had crept even closer to keep an eye on him, and then looked back at me. He reached out his hand, and when I placed mine in it, he lifted it to his lips and kissed it, then bowed deeply with great aplomb. “May I ask your name?” “My name is Kelsey. Kelsey hayes.” “Kelsey. Well, I, for one, appreciate all the efforts you have made on our behalf. I apologize if I frightened you earlier. I am,” he smiled, “out of practice in conversing with young ladies. These gifts you will be offering to Durga. Would you kindly tell me more about them?” Ren growled unhappily. I nodded. “Is Kishan your given name?” “My full name is actually Sohan Kishan Rajaram, but you can call me Kishan if you like.” He smiled a dazzling white smile, which was even more brilliant due to the contrast with his dark skin. He offered an arm. “Would you please sit and talk with me, Kelsey?” There was something very charming about Kishan. I surprised myself by finding I immediately trusted and liked him. He had a quality similar to his brother. Like Ren, he had the ability to set a person completely at ease. Maybe it was their diplomatic training. Maybe it was how their mother raised them. Whatever it was made me respond positively. I smiled at him. “I’d love to.” He tucked my arm under his and walked with me over to the fire. Ren growled again, and Kishan shot a smirk in his direction. I noticed him wince when he sat, so I offered him some aspirin. “Shouldn’t we be getting you two to a doctor? I really think you might need stitches and Ren-“ “Thank you, but no. You don’t need to worry about our minor pains.” “I wouldn’t exactly call your wounds minor, Kishan.” “The curse helps us to heal quickly. You’ll see. We’ll both recover swiftly enough on our own. Still, it was nice to have such a lovely young woman tending to my injuries.” Ren stood in front of us and looked like he was a tiger suffering from apoplexy. I admonished, “Ren, be civil.” Kishan smiled widely and waited for me to get comfortable. Then he scooted closer to me and rested his arm on the log behind my shoulders. Ren stepped right between us, nudged his brother roughly aside with his furry head, creating a wider space, and maneuvered his body into the middle. He dropped heavily to the ground and rested his head in my lap. Kishan frowned, but I started talking, sharing the story of what Ren and I had been through. I told him about meeting Ren at the circus and about how he tricked me to get me to India. I talked about Phet, the Cave of Kanheri, and finding the prophecy, and I told him that we were on our way to Hampi. As I lost myself in our story, I stroked Ren’s head. He shut his eyes and purred, and then he fell asleep. I talked for almost an hour, barely registering Kishan’s raised eyebrow and thoughtful expression as he watched the two of us together. I didn’t even notice when he’d changed back into a tiger.

The cult of the Virgin Mary enabled the worship of the Goddess to flourish, albeit in a cauterised form. As I keep repeating in a mantra, sex is power. The Virgin was a method of turning the sexual impulse of Christians back into the Church and onto the figure of the crucified Christ. I would describe this as a particularly unsavoury form of magick. This is the use of repression and misery as a spiritual battery. This enslavement of the worshipper’s natural desires is the exact opposite of the natural and healthy lust for Babalon. With the resolutely chaste Mary in position, churches had a surrogate Goddess back in the house. Christ knows, they needed one. To sell Christianity to the fans of the God who dies and is reborn (like the crops in the fields) the Church used statues of Mary and Jesus that were rather close to those of Isis and the Child Horus. This mother/son icon propaganda was like a Pepsi taste test for the wavering pagans. They failed. It requires other women to keep women as slaves stripped of their sexual power. The BVM did that job. She was the only role model that you could fixate upon. As a Goddess she is a clitoridectomy. If you lift her skirt you can see the coarse black thread where she has been snipped and stitched. The thread is plaited from the beard of Jehovah himself. This is not a woman anymore. Look under the hem and learn.

Mr. Tridden told them how it had been twenty years ago, the band playing on that ornate stand at night, the men pumping air into their brass horns, the plump conductor flinging perspiration from his baton, the children and fireflies running in the deep grass, the ladies with long dresses and high pompadours treading the wooden xylophone walks with men in choking collars. There was the walk now, all softened into a fiber mush by the years. The lake was silent and blue and serene, and fish peacefully threaded the bright reeds, and the motorman murmured on and on, and the children felt it was some other year, with Mr. Tridden looking wonderfully young, his eyes lighted like small bulbs, blue and electric. It was a drifting, easy day, nobody rushing, and the forest all about, the sun held in one position, as Mr. Tridden's voice rose and fell, and a darning needle sewed along the air, stitching, restitching designs both holden and invisible. A bee settled into a flower, humming and humming.

Know what I did the other day?" Midori asked. "I got all naked in front of my father's picture. Took off every stitch of clothing and let him have a good, long look. Kind of in a yoga position. Like, 'Here, Daddy, these are my tits, and this is my cunt'." "Why in the hell would you do something like that?" I asked. "I don't know, I just wanted to show him. I mean, half of me comes from his sperm, right? Why shouldn't I show him? 'Here's the daughter you made.' I was a little drunk at the time. I suppose that had something to do with it.

Arin glanced up as she approached. One tree shadowed the knoll, a laran tree, leaves broad and glossy. Their shadows dappled Arin’s face, made it a patchwork of sun and dark. It was hard to read his expression. She noticed for the first time the way he kept the scarred side of his face out of her line of sight. Or rather, what she noticed for the first time was how common this habit was for him in her presence--and what that meant. She stepped deliberately around him and sat so that he had to face her fully or shift into an awkward, neck-craned position. He faced her. His brow lifted, not so much in amusement as in his awareness of being studied and translated. “Just a habit,” he said, knowing what she’d seen. “You have that habit only with me.” He didn’t deny it. “Your scar doesn’t matter to me, Arin.” His expression turned sardonic and interior, as if he were listening to an unheard voice. She groped for the right words, worried that she’d get this wrong. She remembered mocking him in the music room of the imperial palace (I wonder what you believe could compel me to go to such epic lengths for your sake. Is it your charm? Your breeding? Not your looks, surely.). “It matters because it hurts you,” she said. “It doesn’t change how I see you. You’re beautiful. You always have been to me.” Even when she hadn’t realized it, even in the market nearly a year ago. Then later, when she understood his beauty. Again, when she saw his face torn, stitched, fevered. On the tundra, when his beauty terrified her. Now. Now, too. Her throat closed. The line of his jaw hardened. He didn’t believe her. “Arin--” “I’m sorry for what happened in the village.” She dropped her hand to her lap. She hadn’t been conscious of lifting it.

They sat eating ham sandwiches and fresh strawberries and waxy oranges and Mr. Tridden told them how it had been twenty years ago, the band playing on that ornate stand at night, the men pumping air into their brass horns, the plump conductor flinging perspiration from his baton, the children and fireflies running in the deep grass, the ladies with long dresses and high pompadours treading the wooden xylophone walks with men in choking collars. There was the walk now, all softened into a fiber mush by the years. The lake was silent and blue and serene, and fish peacefully threaded the bright reeds, and the motorman murmured on and on, and the children felt it was some other year, with Mr. Tridden looking wonderfully young, his eyes lighted like small bulbs, blue and electric. It was a drifting, easy day, nobody rushing, and the forest all about, the sun held in one position, as Mr. Tridden's voice rose and fell, and a darning needle sewed along the air, stitching, restitching designs both golden and invisible. A bee settled into a flower, humming and humming. The trolley stood like an enchanted calliope, simmering where the sun fell on it. The trolley was on their hands, a brass smell, as they ate ripe cherries. The bright odor of the trolley blew from their clothes on the summer wind.

We were beginning to see that the medical profession, at the time still over 90 percent male, had transformed childbirth from a natural event into a surgical operation performed on an unconscious patient in what approximated a sterile environment. Routinely, the woman about to give birth was subjected to an enema, had her pubic hair shaved off, and was placed in the lithotomy position - on her back, with knees up and crotch spread wide open. As the baby began to emerge, the obstetrician performed an episiotomy, a surgical enlargement of the vaginal opening, which had to be stitched back together after birth. Each of these procedures came with a medical rationale: The enema was to prevent contamination with feces; the pubic hair was shaved because it might be unclean; the episiotomy was meant to ease the baby's exit. But each of these was also painful, both physically and otherwise, and some came with their own risks, Shaving produces small cuts and abrasions that are open to infection; episiotomy scars heal m ore slowly than natural tears and can make it difficult for the woman to walk or relieve herself for weeks afterward. The lithotomy position may be more congenial for the physician than kneeling before a sitting woman, but it impedes the baby's process through the birth canal and can lead to tailbone injuries in the mother.

Poppy was busy with needlework, stitching a pair of men’s slippers with bright wool threads, while Beatrix played solitaire on the floor near the hearth. Noticing the way her youngest sister was riffling through the cards, Amelia laughed. “Beatrix,” she said after Win had finished a chapter, “why in heaven’s name would you cheat at solitaire? You’re playing against yourself.” “Then there’s no one to object when I cheat.” “It’s not whether you win but how you win that’s important,” Amelia said. “I’ve heard that before, and I don’t agree at all. It’s much nicer to win.” Poppy shook her head over her embroidery. “Beatrix, you are positively shameless.” “And a winner,” Beatrix said with satisfaction, laying down the exact card she wanted.

Finally, it was all finished. September was quite proud of herself, and we may be proud of her, too, for certainly I have never made a boat so quickly, and I daresay only one or two of you have ever pulled off such a trick. All she lacked was a sail. September thought for a good while, considering what Lye, the soap golem, had said: "Even if you've taken off every stitch of clothing, you will still have your secrets, your history, your true name. It's hard to be really naked. You have to work hard at it. Just getting into a bath isn't being naked, not really. It's just showing skin. And foxes and bears have skin, too, so I shan't be ashamed if they're not." 'Well, I shan't be! My dress, my sail!' cried September aloud, and wriggled out of her orange dress. She tied the sleeves to the top of the mast and the tips of the skirt to the bottom. The wind puffed it out obligingly. She took off the Marquess's dreadful shoes and wedged them between the sceptres. There she stood, her newly shorn hair flying in every direction, naked and fierce, with the tide coming in.

Helen wriggled in protest as his hand stole to the back of her skirts. She was wearing a ready-made traveling dress, which fit nicely after a few minor alterations made by one of Mrs. Allenby’s assistants. It was a simple design of light blue silk and cashmere, with a smart little waist-jacket. There was no bustle, and the skirts had been drawn back snugly to reveal the shape of her body. The skirts descended in a pretty fall of folds and pleats, with a large decorative bow placed high on her posterior. To her vexation, Rhys wouldn’t leave the bow alone. He was positively mesmerized by it. Every time she turned her back to him, she could feel him playing with it. “Rhys, don’t!” “I can’t help it. It calls to me.” “You’ve seen bows on dresses before.” “But not there. And not on you.” Reluctantly Rhys let go of her and pulled out his pocket watch. “The train should have departed by now. We’re five minutes late.” “What are you in a rush for?” she asked. “Bed,” came his succinct reply. Helen smiled. She stood on her toes and pressed a quick kiss to his cheek. “We have a lifetime of nights together.” “Aye, and we’ve already missed too many of them.” Helen turned and bent to pick up her small valise, which had been set on the floor. At the same time, she heard the sound of fabric ripping. Before Helen had straightened and twisted to look at the back of her skirts, she already knew what had happened. The bow hung limply, at least half of its stitches torn. Meeting her indignant glance, Rhys looked as sheepish as a schoolboy caught with a stolen apple. “I didn’t know you were going to bend over.” “What am I going to say to the lady’s maid when she sees this?” He considered that for a moment. “Alas?” he suggested. Helen’s lips quivered with unwilling amusement.

Robert Askins Brings ‘Hand to God’ to Broadway Chad Batka for The New York Times Robert Askins at the Booth Theater, where his play “Hand to God” opens on Tuesday. By MICHAEL PAULSON The conceit is zany: In a church basement, a group of adolescents gathers (mostly at the insistence of their parents) to make puppets that will spread the Christian message, but one of the puppets turns out to be more demonic than divine. The result — a dark comedy with the can-puppets-really-do-that raunchiness of “Avenue Q” and can-people-really-say-that outrageousness of “The Book of Mormon” — is “Hand to God,” a new play that is among the more improbable entrants in the packed competition for Broadway audiences over the next few weeks. Given the irreverence of some of the material — at one point stuffed animals are mutilated in ways that replicate the torments of Catholic martyrs — it is perhaps not a surprise to discover that the play’s author, Robert Askins, was nicknamed “Dirty Rob” as an undergraduate at Baylor, a Baptist-affiliated university where the sexual explicitness and violence of his early scripts raised eyebrows. But Mr. Askins had also been a lone male soloist in the children’s choir at St. John Lutheran of Cypress, Tex. — a child who discovered early that singing was a way to make the stern church ladies smile. His earliest performances were in a deeply religious world, and his writings since then have been a complex reaction to that upbringing. “It’s kind of frustrating in life to be like, ‘I’m a playwright,’ and watch people’s face fall, because they associate plays with phenomenally dull, didactic, poetic grad-schoolery, where everything takes too long and tediously explores the beauty in ourselves,” he said in a recent interview. “It’s not church, even though it feels like church a lot when we go these days.” The journey to Broadway, where “Hand to God” opens on Tuesday at the Booth Theater, still seems unlikely to Mr. Askins, 34, who works as a bartender in Brooklyn and says he can’t afford to see Broadway shows, despite his newfound prominence. He seems simultaneously enthralled by and contemptuous of contemporary theater, the world in which he has chosen to make his life; during a walk from the Cobble Hill coffee shop where he sometimes writes to the Park Slope restaurant where he tends bar, he quoted Nietzsche and Derrida, described himself as “deeply weird,” and swore like, well, a satanic sock-puppet. “If there were no laughs in the show, I’d think there was something wrong with him,” said the actor Steven Boyer, who won raves in earlier “Hand to God” productions as Jason, a grief-stricken adolescent with a meek demeanor and an angry-puppet pal. “But anybody who is able to write about such serious stuff and be as hilarious as it is, I’m not worried about their mental health.” Mr. Askins’s interest in the performing arts began when he was a boy attending rural Texas churches affiliated with the conservative Lutheran Church-Missouri Synod denomination; he recalls the worshipers as “deeply conservative, old farm folks, stone-faced, pride and suffering, and the only time anybody ever really livened up was when the children’s choir would perform.” “My grandmother had a cross-stitch that said, ‘God respects me when I work, but he loves me when I sing,’ and so I got into that,” he said. “For somebody who enjoys performance, that was the way in.” The church also had a puppet ministry — an effort to teach children about the Bible by use of puppets — and when Mr. Askins’s mother, a nurse, began running the program, he enlisted to help. He would perform shows for other children at preschools and vacation Bible camps. “The shows are wacky, but it was fun,” he said. “They’re badly written attempts to bring children to Jesus.” Not all of his formative encounters with puppets were positive. Particularly scarring: D

I have to see you in daylight.” His mouth chased lightly, hungrily over her throat and shoulder. “Monisha, you are the most beautiful woman, the most…” His hands moved with increasing impatience, pulling hard at her clothes until a few stitches popped. “Don’t, this dress doesn’t belong to me,” Amelia said anxiously, fumbling to unfasten the borrowed garments herself rather than have them torn. She froze at the sound of footsteps coming along the hallway, passing the closed door without stopping. Most likely it was a servant. But what if someone had seen her entering Cam’s room?… What if someone were searching for her at this very moment? “Cam, please, not now.” “I’ll be gentle.” He lifted her from the circle of discarded clothes. “I know it’s soon after your first time.” She shook her head as he laid her on the bed. Clenching the fabric of her chemise with both hands to keep it in place, she whispered, “No, it’s not that. Someone will find out. Someone will hear. Someone will—” “Let go, hummingbird, so I can take this off you.” There was a flick of devil’s fire in his eyes as he said mildly, “Let go, or I’ll rip it.” “Cam, don’t—” She was interrupted by the sound of rending linen. He had torn it completely down the front, the fragile material drooping on either side of her. “You’ve ruined it,” she said in disbelief. “How am I to explain this to the maid? And how am I to put my corset back on?” Cam didn’t look at all apologetic as he pulled the remnants of the chemise away from her body. “Take off your drawers. Or I’ll have to rip those, too.” “Oh, God.” Seeing no way to stop him, Amelia pulled the drawers down over her hips. “Lock the door,” she whispered with a scarlet face. “Please, please lock it.” A quick smile passed over Cam’s mouth. He left the bed and went to the door, stripping off his jerkin and shirt along the way. After turning the key in the lock, he took his time about returning to the bed, seeming to enjoy the sight of her burrowing beneath the bed linens. He stood before her half-naked, the breeches riding low on his hips. Amelia dragged her gaze away from the sleek, tightly muscled surface of his torso, and shivered between the cold layers of the bedclothes. “You’re putting me in a terrible position.” Cam finished undressing and joined her beneath the covers. “I know other positions you’ll like much better.

What do you mean?” she asked, though she knew. “What do you see?” In response, he buried a hand in her hair and pulled her down for a kiss that left their previous one in its shadow. His arm encircled her waist and she wrapped hers around his neck. Certainly, she thought, they would melt into a single being, like two wax figures left too close to the fire. Perhaps sensing that he need not urge her to kiss him, Marcel took his hand from her hair, dislodging its loose gathering as he did so. She felt a grazing across the fabric of her vest, briefly tracing the stitching of the peacock feathers, and finally a very surprising, but not unwelcome, grip to her bare calf. A protective instinct roared to life. “You mustn’t,” she said, breaking their kiss to look at the others in the room. If she and Marcel had attracted any of the patrons’ attention, they knew enough to glance away at that moment. “Do not mind them.” He continued his touch. “You are not the first woman to be seen in such a position. Our times are too desperate for modesty.” “I may not be the first woman. For you. But I’ve . . . I’ve never —” He kissed her again, irrevocably erasing the word never from her mind, drawing away only when distracted by a commotion at the door. “Mes amis! Mes amis!” He was a small, wiry man, and he jumped about with flailing arms, like a featherless bird. “You would not believe! A royal

She took his hand, and he arranged her in waltz position. “Close your eyes.” Why not? She closed her eyes, the better to enjoy his fragrance, the better to enjoy the fiction that they might, even in this parlor, indulge in a few steps of the dance. The door was open, in any case. Let the footmen think what they would. “You will let me lead you in an exploration of the letter e.” He gathered her closer and moved off with her, slowly but confidently. Three steps up, a little shift, andthree steps back. Another shift, and the same pattern, again and again. “You’re making a chain stitch with me.” “You have maligned a perfectly agreeable letter, Miss Danforth. A simple loop exists not to confound you, but to pleasure your hand in its making.” Or her entire body. He danced wonderfully, and to be held like this—Milly’s opinion of the letter e underwent a drastic revision. “I think you have it, madam, but now we will venture on to the letter l.” She liked the letter l even better, because it was six steps up, and six steps back, a more ambitious undertaking in the small parlor. “There are two l’s in Millicent,” she said. And for no reason, no reason at all, this inspired her to lay her cheek against his chest. They e’d and l’d and o’d (as in Danforth) a while longer before St. Clair came to a gliding halt.

Depending on how you approach life, remember that everything has a positive and a negative. The yin and the yang, up and down, left and right, etc. If you let the negative things in life dictate your next move, you will not be able to enjoy the wonderful things that life has to offer. Turn the negative into a positive.

Standing at the end of the bed Mariana is sporting a black dildo, held in position with what looks to be a harness made of beautifully turned leather. Even the stitching is… who gives a fuck about the stitching, Jude? Holy shit, you are about to get fucked by the hottest woman on the planet.

I personally would like a lot more stuff around here to make sense. But when something ghastly happens, it is not helpful to many people if you say that it's all part of God's perfect plan, or that it's for the highest good of every person in the drama, or that more will be revealed, even if that is all true. Because at least for me, if someone's cute position minimizes the crucifixion, it's bullshit. Which I say with love. To use just one Christian example: Christ really did suffer, as the innocent of the earth really do suffer. It's the ongoing tragedy of humans. Our lives and humanity are untidy: disorganized and careworn. Life on earth is often a raunchy and violent experience. It can be agony just to get through the day. And yet, I do believe there is ultimately meaning in the chaos, and also in the doldrums. What I resist is not the truth but when people put a pretty bow on scary things instead of saying, 'This is a nightmare. I hate everything. I'm going to go hide in the garage.'... My understanding of incarnation is that we are not served by getting away from the grubbiness of suffering... It would be great if we could shop, sleep or date our way out of this. Sometimes we think we can, but it feels that way only for a while. To heal, it seems we have to stand in the middle of the horror, at the foot of the cross, and wait out another's suffering where that person can see us.

I commenced writing this scroll in a frenzied attempt to find myself. I wished to ascertain how the concertina wire that cinches the plasma pool of my biological capsule together stitches a person into the vacillating web of eternity. Instead of my wild ravings spooling out answers, the act of writing nonstop in the midst of my darkest hours triggered a torrent of questions to examine. Each adamant question posed led to a baffling string of insistent conundrums. I orchestrated an urgent caucus, and tenaciously conducted a fact-finding mission. I held a self-questioning klatch attempting to pierce a spool of secular inquiries, a series of pious and profane questions that compressed upon my confused mind. The resultant positive displacement and negative displacement of febrile energy generated from this disorientating and mind-numbing process of rigorous self-scrutiny spun me akin to a crazed top. Unsure of my destiny, I lunged into the unknown, diving headfirst into the indecipherable parts of my reeling existence. I asked questions and sought answers, examined a sundry of personal experiences, and listened to my inner vibrations. How does a person square their mystical self to the undulating camber of life? How does anyone face the deflating specter of the impending death of his or her beloved? I seek to develop a desirable quotient of self-confidence and gain the needed degree of brio to tackle life. I wish to learn how to savor every moment, come to terms with impairing personal fears, blighting uncertainty, and caustic self-doubt. I aspire to overcome the disfiguring emotional liabilities harvested during my troubled past, develop healthful new habits, and brace myself against the irreducible fact of human mortality.

While she worked to stitch reality back together, she could forget about the broader conflict and the scope of the damage in other worlds. Reconstruction was a purely positive action. And it was gratifying to know that she was using her talents effectively.

I’ve seen a positive benefit from every negative thing that has happened in my life, including every injury. My career has been filled with injuries, but not derailed by them. Too many people see an injury as something that prevents them from progressing. I’ve used every physical setback to develop in another area I wouldn’t have otherwise addressed. When I broke my right hand, I said, “I’m going to have a badass left hook when this is all said and done.” When I ended up with stitches in my foot days before a fight, I was driven to make sure I ended that fight definitively and fast. Don’t focus on what you can’t do. Focus on what you can.

My mother designed every one of his suits. She selected the silk lining, the thread for the pick stitching, the cut of the jacket, the positioning of the pockets, even the color and material of the buttons. My father hasn’t bought a single suit since she died. He just retailors the ones she chose to fit his shrinking frame.

In the tapestry of life, our habits are the threads that bind our fate, stitching together the story of who we are and who we strive to become.