Sting Ray Quotes

We've searched our database for all the quotes and captions related to Sting Ray. Here they are! All 40 of them:

So bring on your clubs and parties, your acrobats and magicians, your daredevils, jet cars, motorcycle helicopters, your sex and heroin, more of everything to do with automatic reflex. If the drama is bad, if the film says nothing, if the play is hollow, sting me with the theremin, loudly. I'll think I'm responding to the play, when it's only a tactile reaction to vibration. But I don't care. I just like solid entertainment.
Ray Bradbury
How old are you?" asks Plastic again. "That doesn't matter," says StingRay. "What matters is how much stuff I know. People who know a lot of stuff don't need birthdays.
Emily Jenkins (Toys Go Out: Being the Adventures of a Knowledgeable Stingray, a Toughy Little Buffalo, and Someone Called Plastic (Toys #1))
The day Joe Pipkin was born all the Orange Crush and Nehi soda bottles in the world fizzed over; and joyful bees swarmed countrysides to sting maiden ladies.
Ray Bradbury (The Halloween Tree)
The king deputized for the Queen at many sacred functions, dressed in her robes, wore false breasts, borrowed her lunar axe as a symbol of power, and even took over from her the magical art of rain-making. His ritual death varied greatly in circumstance; he might be torn in pieces by wild women, transfixed with a sting-ray spear, felled with an axe, pricked in the heel with a poisoned arrow, flung over a cliff, burned to death on a pyre, drowned in a pool, or killed in a pre-arranged chariot crash. But die he must.
Robert Graves (The Greek Myths Deluxe Edition)
Remember me. I will be with you in the grave on the night you leave behind your shop and your family. When you hear my soft voice echoing in your tomb, you will realize that you were never hidden from my eyes. I am the pure awareness within your heart, with you during joy and celebration, suffering and despair. On that strange and fateful night you will hear a familar voice -- you'll be rescued from the fangs of snakes and the searing sting of scorpions. The euphoria of love will sweep over your grave; it will bring wine and friends, candles and food. When the light of realization dawns, shouting and upheaval will rise up from the graves! The dust of ages will be stirred by the cities of ecstasy, by the banging of drums, by the clamor of revolt! Dead bodies will tear off their shrouds and stuff their ears in fright-- What use are the senses and the ears before the blast of that Trumpet? Look and you will see my form whether you are looking at yourself or toward that noise and confusion. Don't be blurry-eyed, See me clearly- See my beauty without the old eyes of delusion. Beware! Beware! Don't mistake me for this human form. The soul is not obscured by forms. Even if it were wrapped in a hundred folds of felt the rays of the soul's light would still shine through. Beat the drum, Follow the minstrels of the city. It's a day of renewal when every young man walks boldly on the path of love. Had everyone sought God Instead of crumbs and copper coins T'hey would not be sitting on the edge of the moat in darkness and regret. What kind of gossip-house have you opened in our city? Close your lips and shine on the world like loving sunlight. Shine like the Sun of Tabriz rising in the East. Shine like the star of victory. Shine like the whole universe is yours!
Jalal ad-Din Muhammad ar-Rumi (Rumi: In the Arms of the Beloved)
Doc was collecting marine animals in the Great Tide Pool on the tip of the Peninsula. It is a fabulous place: when the tide is in, a wave-churned basin, creamy with foam, whipped by the combers that roll in from the whistling buoy on the reef. But when the tide goes out the little water world becomes quiet and lovely. The sea is very clear and the bottom becomes fantastic with hurrying, fighting, feeding, breeding animals. Crabs rush from frond to frond of the waving algae. Starfish squat over mussels and limpets, attach their million little suckers and then slowly lift with incredible power until the prey is broken from the rock. And then the starfish stomach comes out and envelops its food. Orange and speckled and fluted nudibranchs slide gracefully over the rocks, their skirts waving like the dresses of Spanish dancers. And black eels poke their heads out of crevices and wait for prey. The snapping shrimps with their trigger claws pop loudly. The lovely, colored world is glassed over. Hermit crabs like frantic children scamper on the bottom sand. And now one, finding an empty snail shell he likes better than his own, creeps out, exposing his soft body to the enemy for a moment, and then pops into the new shell. A wave breaks over the barrier, and churns the glassy water for a moment and mixes bubbles into the pool, and then it clears and is tranquil and lovely and murderous again. Here a crab tears a leg from his brother. The anemones expand like soft and brilliant flowers, inviting any tired and perplexed animal to lie for a moment in their arms, and when some small crab or little tide-pool Johnnie accepts the green and purple invitation, the petals whip in, the stinging cells shoot tiny narcotic needles into the prey and it grows weak and perhaps sleepy while the searing caustic digestive acids melt its body down. Then the creeping murderer, the octopus, steals out, slowly, softly, moving like a gray mist, pretending now to be a bit of weed, now a rock, now a lump of decaying meat while its evil goat eyes watch coldly. It oozes and flows toward a feeding crab, and as it comes close its yellow eyes burn and its body turns rosy with the pulsing color of anticipation and rage. Then suddenly it runs lightly on the tips of its arms, as ferociously as a charging cat. It leaps savagely on the crab, there is a puff of black fluid, and the struggling mass is obscured in the sepia cloud while the octopus murders the crab. On the exposed rocks out of water, the barnacles bubble behind their closed doors and the limpets dry out. And down to the rocks come the black flies to eat anything they can find. The sharp smell of iodine from the algae, and the lime smell of calcareous bodies and the smell of powerful protean, smell of sperm and ova fill the air. On the exposed rocks the starfish emit semen and eggs from between their rays. The smells of life and richness, of death and digestion, of decay and birth, burden the air. And salt spray blows in from the barrier where the ocean waits for its rising-tide strength to permit it back into the Great Tide Pool again. And on the reef the whistling buoy bellows like a sad and patient bull.
John Steinbeck (Cannery Row (Cannery Row, #1))
Chicago. August. A brilliant day, hot, with a brutal staring sun pouring down rays that were like molten rain. A day on which the very outlines of the buildings shuddered as if in protest at the heat. Quivering lines sprang up from baked pavements and wriggled along the shining car-tracks. The automobiles parked at the kerbs were a dancing blaze, and the glass of the shop-windows threw out a blinding radiance. Sharp particles of dust rose from the burning sidewalks, stinging the seared or dripping skins of wilting pedestrians. What small breeze there was seemed like the breath of a flame fanned by slow bellows.
Nella Larsen (Passing)
While altering the saga of Odysseus’s Return to make my Elyman suitors serve as Penelope’s lovers, I had to protect myself against scandal. What if someone recognized the story and supposed that I, Nausicaa the irreproachable, had played the promiscuous harlot in my father’s absence? So, according to my poem, Penelope must have remained faithful to Odysseus throughout those twenty years. And because this change meant that Aphrodite had failed to take her traditional revenge, I must make Poseidon, not her, the enemy who delayed him on his homeward voyage after the Fall of Troy. I should therefore have to omit the stories of Penelope’s banishment and the oar mistaken for a flail, and Odysseus’s death from Telemachus’s sting-ray spear. When I told Phemius of these decisions, he pointed out, rather nastily, that since Poseidon had fought for the Greeks against the Trojans, and since Odysseus had never failed to honour him, I must justify this enmity by some anecdote. “Very well,” I answered. “Odysseus blinded a Cyclops who, happening to be Poseidon’s son, prayed to him for vengeance.” “My dear Princess, every Cyclops in the smithies of Etna was born to Uranus, Poseidon’s grandfather, by Mother Earth.” “Mine was an exceptional Cyclops,” I snapped. “He claimed Poseidon as his father and kept sheep in a Sican cave, like Conturanus. I shall call him Polyphemus—that is, ‘famous’—to make my hearers think him a more important character than he really was.” “Such deceptions tangle the web of poetry.” “But if I offer Penelope as a shining example for wives to follow when their husbands are absent on long journeys, that will excuse the deception.
Robert Graves (Homer's Daughter)
In the end, there is cruelty and death alone over the land. Not in a single ray of light or grain of sand will you find solace, for all is dark, and the cold gaze of God’s indifferent, heavy-lidded eyes falls on all with equal disdain. Only in your inner strength is there salvation; you must live just as a tree must live, or the cockroaches and fleas that flourish in the land and ruin of Earth. And so you live, and feel the sting of knowing you live. You eat whatever comes to hand, and if what you eat was once a brother or sister, so be it; God does not care. Nobody cares. You whore, and if you whore with man or woman, nobody cares; for when all are hungry, all are whores, even those who use the whores. And disease flourishes when all are whores, for germs must live, and spread across the land and ruin of Earth.
Greg Bear (Eternity (The Way, #2))
What I want seems to not mean a thing to anyone but myself, and even so, I am still forbidden unlike everyone else that has their moments in the golden hayfields. Their bodies ride against the breezes just like the windmills that are in the hazed background of the rolling hills. Oh- yes, they can have their many escapes from ‘The Land of Many Steeples.’ They can express their deepest desires of expression to their significant others. But not me… I have been forbidden to, I thought it would have gotten better with time, however, the words that are expressed go down the line to the next set, and it proceeds down to the next generation, and so on. It is hard to lie in the fields of gold when there have been so many false stories that have been told. As for me, - I keep steaming down the same old path, seeing but never being stopped to take on any passengers that I desire or that desire me. My moments walking along with hayfields of gold remain as withered memories that sting because they do not exist, all I have is the colorless snapshots in my internal vision of what I think it should be like. However, I know I have admirers, and their lips are stitched shut, yes always forbidden to speak out. Then again someday soon you and I will walk upon the fields of gold together, and we will be united when we become a couple.
Marcel Ray Duriez
I cannot stop them from fingering, stabbing, and sucking on me! My nipples are raw! They beat me up for enjoyment. Pledging with 'God' saying this has to stop. Yet it goes on every school day.' 'I must get away from them. I need to getaway! ('I just need to okay!') It is like these visions of what my life's existence about comes and goes away from me.' I see my life before I live it out in its entirety.' 'Sometimes, it's like I am black, I am not biased, bigoted, discriminatory, prejudiced, antiblack, and racialist, let's get that clear; yet this is the category, I was placed in, as a girl owned by man, that think I should never do anything more than be something like a worker in a field, as a slave to pay back my debts to be who I am to them in their hate.' 'The air that is around me now, is making my slit labia skin hurt with burn and sting. Burning hotter than a flame, before snuffed out! I know how a candle feels, struggling not to be blown out by the rushing air, or being snuffed out.' 'It's like they have a new addiction and that is the hole in my body that makes me a lady.' 'Just if you are wondering, I put my teddy in my backpack right after getting off the bus, after getting hazed by having him. after all, he is very significant to me.' 'I walk over to my bookbag, and see him down in their look at me, and find my one pink notebook. I open it to that one page I penned, the one that I have dogeared. 'There it is!' I say as I rip it out, it recollects the day.' 'The paper is jagged and wet, but I have an adieu note in my hand. I made it earlier in school, at lunch, when I was sitting alone; on this wrinkled up pink notebook paper. The black ink is running like a watercolor all over all my trembling, quivering, shivering, and childlike penmanship handwriting. All it has on it are all words that need to be said, about my existence in life, not living! Decidedly not.' 'They're all there the notes the things, places, events, and even smalls, maybe spelled incorrectly, but there regardless, all have gone in this book of life I call- Sh-h as if making the most long-spun book in the world, with all my pages, are thick; all pasted, shoved and slammed together, furthermore mismatched, yet all has been said, in my enchanting written long run-ons of memories, the way I fancy to remember.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
So perhaps spiritual experience is simply what happens in the space that opens up in the mind when “all mean egotism vanishes.” Wonders (and terrors) we’re ordinarily defended against flow into our awareness; the far ends of the sensory spectrum, which are normally invisible to us, our senses can suddenly admit. While the ego sleeps, the mind plays, proposing unexpected patterns of thought and new rays of relation. The gulf between self and world, that no-man’s-land which in ordinary hours the ego so vigilantly patrols, closes down, allowing us to feel less separate and more connected, “part and particle” of some larger entity. Whether we call that entity Nature, the Mind at Large, or God hardly matters. But it seems to be in the crucible of that merging that death loses some of its sting.
Michael Pollan (How to Change Your Mind: The New Science of Psychedelics)
Between screams, Mom managed to cover the snake with a bucket, which she duct-taped to the floor, so that when Dad came home from work eight hours later in a suit and tie he found, in the dark, an enraged reptile—coiled and claustrophobic—waiting to strike. He just managed to slide a copy of the REO Speedwagon album You Can Tune a Piano, but You Can’t
Steve Rushin (Sting-Ray Afternoons)
There is an irresistible impulse among the boys of suburban Minneapolis to kick a football as far as they possibly can. Even among the men. Mike McCollow’s dad will come home from his dental practice, having stopped at the VFW hall for a brandy Manhattan en route, and drop-kick a half-frozen football between the uprights of two barren tree branches without even setting down his briefcase
Steve Rushin (Sting-Ray Afternoons)
Luckily, queer ones like her don't happen, often. We know how to nip most of them in the bud, early. You can't build a house without nails and wood. If you don't want a house built, hide the nails and wood. If you don't want a man unhappy politically, don't give him two sides to a question to worry him; give him one. Better yet, give him none. Let him forget there is such a thing as war. If the Government is inefficient, top-heavy, and tax-mad, better it be all those than that people worry over it. Peace, Montag. Give the people contests they win by remembering the words to more popular songs or the names of state capitals or how much corn Iowa grew last year. Cram them full of non-combustible data, chock them so damned full of 'facts' they feel stuffed, but absolutely 'brilliant' with information. Then they'll feel they're thinking, they'll get a sense of motion without moving. And they'll be happy, because facts of that sort don't change. Don't give them any slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can nowadays, is happier than any man who tries to slide-rule, measure, and equate the universe, which just won't be measured or equated without making man feel bestial and lonely. I know, I've tried it; to hell with it. So bring on your clubs and parties, your acrobats and magicians, your dare-devils, jet cars, motor-cycle helicopters, your sex and heroin, more of everything to do with automatic reflex. If the drama is bad, if the film says nothing, if the play is hollow, sting me with the theremin, loudly. I'll think I'm responding to the play, when it's only a tactile reaction to vibration. But I don't care. I just like solid entertainment.
Ray Bradbury, Fahrenheit 451
His tongue slid over mine, tasting me, licking me, battling and conquering me. My hands slipped under the back of his T-shirt, pressing into his hot, bare skin and pulling him as close as I could. Our bodies were flush, not even a ray of light could penetrate between us. “Let me come in,” he said against my lips. His erection dug into my stomach, and I couldn’t stop the answering rock of my hips, making him groan. “Grace.” “No.” I shook my head. “No. I’m not...no.” He tugged on my hair, tipping my head back so far he took my breath away. “I don’t like this. I don’t like waiting for some arbitrary time frame. My dick is hard, and I know if I stuck my hand down your pants, you’d be soaked. Let me come inside, Grace.” “I don’t want to be a random hole you stick your dick in, Sebastian. I’ve been that, and I didn’t like it. Two weeks isn’t a long time by any means, and you know that. Especially given how we started.” Tears welled in my eyes from the sting in my scalp, and his grip on my hair loosened. “I want to go home now.
Julia Wolf (Start a Fire (The Savage Crew, #1))
Sting-Ray
Gary D. Schmidt (Okay for Now: A National Book Award Winner)
There is no such thing as a carefree childhood, only a childhood that shifts the burden of care onto someone else. [Mom] is that someone else.
Steve Rushin (Sting-Ray Afternoons)
Beyond that box camera he saw in a shop window in Chicago in seventh grade, Dad has never wanted anything, as far as I know. He still coos over the tennis balls and Old Spice we give him every birthday, Father’s Day, and Christmas. And yet he understands the symbolic power that an earned object holds.
Steve Rushin (Sting-Ray Afternoons)
Childhood disappears down a storm drain. It flows, then trickles, then vanishes, leaving some olfactory memory—of new tennis balls, Sunday-morning bacon, a chemical cloud of Glade—to prove it ever existed. It seldom ends on a sixteenth birthday or an eighteenth birthday or some other calendar date, and rarer still is it stamped with a time of death. But sometimes it is.
Steve Rushin (Sting-Ray Afternoons)
In those days, tired of buying him tennis balls and socks and Old Spice for his birthday, we annually asked Dad if there wasn’t anything else he would like. And he always said the same thing. He gathered us to his side—Amy and The Boys; one redhead and four shitheads—and told us that he already had everything he ever wanted. The car is just a box to keep it in.
Steve Rushin (Sting-Ray Afternoons)
In dying, she allayed my greatest fear -- of death. Dying joined shoe tying and coat zipping and bed making on the long list of acts Mom demonstrated for her children, so that we could someday do it for ourselves.
Steve Rushin (Sting-Ray Afternoons)
At the same time, though, many workers will feel the sting of economic disruption,
Ray Kurzweil (The Singularity Is Nearer: When We Merge with AI)
Almost like a waterfall gushing in-between my legs at this moment at this time. Kissing, loving, and creasing me like, as my mud-covered toes, as I sink them in the dirt. My legs are so weakly holding me upright, after standing so long.' 'Ultimately, the pounding rains get more powerful. Making me fall to the ground with a soft thud, now covered by the clay. Where I will remain until I feel that I can get up and over what has transpired from the day of hell I had and what has happened to me. That's if I can, like if I can accept this all, as I look down at me. I feel the dropping rain is weeping for me, like 'God’s tears, even after this I still believe in.' 'The pain triples within me also like the thoughts all at the same time, I start rolling around, like a pig in mud. I have the sensation like I have been ripped in two parts in my centered hips and vagina.' 'However, it is like it is all pounding down on me at once. I look, up to the sky, lying on my backside. It jostles me, the thought of what it is that I want to do… with myself to escape.' 'Even with all this rain. I feel that my vagina will surely never feel the same, or like it's clean again. It's all because of them!' 'No!' I scream. 'The rainwater can only wash away somewhat of what they have done to me. Never all of it… never- ever! It cannot wash away all my fears that I have. They have sucked my bean above the hole! Tugged on the hood, until I thought they would bite it off me completely. That is why I'm bleeding! Nevertheless, the school would not do anything about this, over I was the one that started it all; as the instigator.' 'They rubbed and touched me in all the places, yet this one the most. They ripped my black hole wide open, with their hateful fingernails and slashing teeth.' 'I cannot run away from them. They always find me! Always, I have nowhere to run or to hide!' 'I cannot stop them from fingering, stabbing, and sucking on me! My nipples are raw! They beat me up for enjoyment. Pledging with 'God' saying this has to stop. Yet it goes on every school day.' 'I must get away from them. I need to getaway! ('I just need to okay!') It is like these visions of what my life's existence about comes and goes away from me.' I see my life before I live it out in its entirety.' 'Sometimes, it's like I am black, I am not biased, bigoted, discriminatory, prejudiced, antiblack, and racialist, let's get that clear; yet this is the category, I was placed in, as a girl owned by man, that think I should never do anything more than be something like a worker in a field, as a slave to pay back my debts to be who I am to them in their hate.' 'The air that is around me now, is making my slit labia skin hurt with burn and sting. Burning hotter than a flame, before snuffed out! I know how a candle feels, struggling not to be blown out by the rushing air, or being snuffed out.' 'It's like they have a new addiction and that is the hole in my body that makes me a lady.' 'Just if you are wondering, I put my teddy in my backpack right after getting off the bus, after getting hazed by having him. after all, he is very significant to me.' 'I walk over to my bookbag, and see him down in their look at me, and find my one pink notebook. I open it to that one page I penned, the one that I have dogeared. 'There it is!' I say as I rip it out, it recollects the day.' 'The paper is jagged and wet, but I have an adieu note in my hand. I made it earlier in school, at lunch, when I was sitting alone; on this wrinkled up pink notebook paper. The black ink is running like a watercolor all over all my trembling, quivering, shivering, and childlike penmanship handwriting. All it has on it are all words that need to be said, about my existence in life, not living! Decidedly not.
Marcel Ray Duriez (Walking the Halls (Nevaeh))
He knew whom she saw---whom everybody saw---when they looked in his face. Why on earth do I care about you? He couldn't help that he looked so much like his father, and he knew she was thinking about Daddy. But he still felt the harsh sting of her pain, and he always wondered...he always wondered if she faulted him a little bit for it.
Allie Ray (Children of Promise)
And that’s when the startling truth hits me…they’re my guys now. Ilmari, Jake, and Caleb. Not Harrison. Not dad. For the first time in my life, my inner circle has shifted. Tears stinging my eyes. Harrison isn’t my guy anymore. It hurts me more than I ever thought it could. I feel like I’m being cleaved. He’s my twin and my brother and my best friend in the world, but he’s not my person anymore.
Emily Rath (Pucking Around (Jacksonville Rays, #1))
is an indication of the impact Oppenheimer made on Edsall that the title he chose was one suggested to him by Oppenheimer: The Gad-Fly. This was an allusion to Socrates’s description of himself in Plato’s Apology as a gadfly whose role in society was “to sting people, and whip them into a fury, all in the service of truth.” Eagerly embracing this image, Edsall, in his editorial for the first issue, published in December 1922, announced:
Ray Monk (Robert Oppenheimer: A Life Inside the Center)
A fourth-grader with a red-tipped Lucky Spike dangling from his lip and a die-cast metal cap gun tucked into the waistband of his Toughskins, riding through South Brook on a Sting-Ray the color of grape soda, was an adolescent American badass circa 1974 - especially if he had a temporary tattoo from a Cracker Jack box adhered to one or both of his pipe-cleaner biceps.
Steve Rushin (Sting-Ray Afternoons)
At home, while Dad is away, Jim beats up Tom, Tom beats up me, and sometimes Jim skips the middleman and beats me up directly.
Steve Rushin (Sting-Ray Afternoons)
Dad has impressed on each of his children that we’re no better than anybody else and are often a great deal worse.
Steve Rushin (Sting-Ray Afternoons)
I am named after the saint who was stoned to death rather than the one who was tortured and beheaded. Reading my ‘Children’s Book of Saints,’ I think of this as a small blessing.
Steve Rushin (Sting-Ray Afternoons)
In the spring of 1973, when I was six, researchers at the University of Chicago reported that “young school children at play are similar in a number of ways to young baboons or monkeys,” a fact any boy could have told them.
Steve Rushin (Sting-Ray Afternoons)
This heartache stings I T’ S   K I L L E D   M E I loved you forever But you just let me die And die And die So I no longer sleep I stay up, tears flooding my floor Tears of a better life Memories so beautiful in shape You poisoned me with loss Left untreated and alone I can’t quite see it How you got so cold.
Jack Ray (Midnight Milkshakes: Ice Cream And Suicide Vol. II)
Dad told me once that life is an accidental adventure, peppered with beautiful moments, but salted with stinging realities.
Ray Melnik (TO YOUR OWN SELF BE TRUE)
A deep, booming chime echoed through the square. It throbbed in the stones under my feet. Children cried, covering their ears. And I started screaming as I ran. ‘Marcel!’ I screamed, knowing it was useless. The crowd was too loud, and my voice was breathless with exertion. All the same and all, I couldn't stop screaming. The clock tolled again. I ran past a nude young girl child in her mother's arms as her hair was almost white in the dazzling sunlight. A circle of tall men, all wearing red blazers, called out warnings as I barreled through them. The clock tolled again and again. On the other side of the men in blazers, there was a break in the throng, space between the sightseers who milled aimlessly around me. My eyes peered over the vast dark narrow passage to the right of the wide square edifice under the tower. I couldn't see the street level there were still too many kids and teens in the way. The clock tolled again, and the rings cried out. Part: 2 Thrashed Just like me, this is not here anymore… It was hard to see now, more than ever. Without the kids, teens, and tweens, to break the wind, it whipped at my face and burned my eyes. -And- I for one at that moment could not be one hundred present certain if that was the reason behind my tears, or if I was crying in defeat as the clock hands rounded the face again, and the bell grew hazier. A big family of ten stood nearest to the alley's opening. The two girls wore blue dresses, with matching ribbons tying their dark hair back. The father wasn't small or big. It seemed like I could see something bright in the shadows, just over his shoulder. I rushed toward them, trying to see past the stinging tears. The clock hands spun, and the littlest girl clamped her fingers around one of the boy's long fingers.
Marcel Ray Duriez
Quickly pushing and shoving to get out of the pool, was in a full-on panic. That is when Shy moved in for the kill- she was Jenny's best friend at the time. She grabbed Lizzy’s goodies, and bikini bottom and pulled the plug out by the sting, and the blood started to show in the water all pink. Shy dunked her and swam away, that is when Lizzy swam over to the diving board ass showing to get out, she claimed out and ran the length of the Olympic sized pool dripping and shaking to get around everyone, while the rest of us nearly died laughing at the sight of her new hair and a blood-covered vertical smile that was showing. That is how Shy became popular, she did Jenny’s dirty work for her. It reminded me of the time my parents took me to Kenny Wood when I was about in the fourth grade and made me get on one of the big coasters. My legs were not able to stop shaking and my feet got a tingling feeling on the bottom side of them like they were itching to get out of a pair of hot shoes: I couldn’t stop thinking about how easy it would be to fall out, how high up we were. After my mom got the picture, they took off on the ride, I started laughing and couldn’t stop at how scared yet thrilled I was. Standing on the high dive with Jenny got me exactly in the same way. It’s like I started craving more and more of that feeling too. It feels like that twenty-six seconds when you have a girly eruption and shaking because of it so good.
Marcel Ray Duriez (Nevaeh Falling too You)
I saw nothing- but darkness. Say- I am crazy also, I do not care! I would lie all the time to others, I would lie about my name, I would lie about where I lived, I would lie about being stocked, and Isolated in school I was a liar. I should have never been born; me being born like everyone else was a lie too. I know that now, but I did not back then. I - Jaylynn liked to be part of the softball team. I - Jaylynn liked to dance and sing. I - Jaylynn loves picking flowers in spring. I - Jaylynn also remembers the words that would sting. I - Jaylynn wanted a fling. I - Jaylynn wanted everything and had nothing. I - Jaylynn is who I was, you know I was nothing inspiring. As a young girl, I all was like taking things apart, yet I could not always get them back together.
Marcel Ray Duriez
The Sears Christmas Wish Book, thick as a telephone directory, was more than a catalogue of consumer goods. It was a glossy catalogue of children’s dreams, a hard-copy rendering of an eight-year-old’s id.
Steve Rushin (Sting-Ray Afternoons)
Madman Muntz was a wildly successful automobile salesman who had pioneered the loud television hard sell to move cars off his lot.
Steve Rushin (Sting-Ray Afternoons)
There was more to what happened to him, more to what crushed him, than a girlfriend running away. Yes, they were lovers and all that and who knows what they might have been. But Ray was also first and foremost a photojournalist. He’d been independent and sarcastic and smart. A lover running out on him would hurt, sting, break his heart. But it wouldn’t do this. Her
Harlan Coben (Stay Close)