Sticking Plaster Quotes

Shaving was not an easy task, for his hand continued to shake very much; and shaving requires attention, even when you don't dance while you are at it. But if he had cut the end of his nose off, he would have put a piece of sticking-plaster over it, and been quite satisfied.

Then [Badger] fetched them dressing-gowns and slippers, and himself bathed the Mole's shin with warm water and mended the cut with sticking-plaster till the whole thing was just as good as new, if not better.

Yeah, you’re just… Damn it, Charlotte you’re so fucking beautiful. How did I miss this? How did I not plaster myself at your side in kindergarten and stick to you like fucking Elmer’s glue every second until now?

It’s an awful thing, to witness your mother cry. You cannot cure nor mend nor stick a plaster on.

Other children might have made drawings for him to stick on his fridge, but Alicia isn’t keen on drawing, so the puck marks in the plaster of his wall have become much the same thing: small marks in time that say someone you love grew up here.

We think that we can fix our lives by taking some simple step, but it's not like that. Most problems need lots of sticking plasters. They need coaxing and massaging and looking at from all sorts of different angles.

He felt singularly light-hearted, and the immediate cause was his safety razor. A week ago he had bought the thing in a sudden fit of enterprise, and now he shaved in five minutes, where before he had taken twenty, and no longer confronted his fellows, at least one day in three, with a countenance ludicrously mottled by sticking-plaster.

So the women would not forgive. Their passion remained intact, carefully guarded and nurtured by the bitter knowledge of all they had lost, of all that had been stolen from them. For generations they vilified the Yankee race so the thief would have a face, a name, a mysterious country into which he had withdrawn and from which he might venture again. They banded together into a militant freemasonry of remembering, and from that citadel held out against any suggestion that what they had suffered and lost might have been in vain. They created the Lost Cause, and consecrated that proud fiction with the blood of real men. To the Lost Cause they dedicated their own blood, their own lives, and to it they offered books, monographs, songs, acres and acres of bad poetry. They fashioned out of grief and loss an imaginary world in which every Southern church had stabled Yankee horses, every nick in Mama's furniture was made by Yankee spurs, every torn painting was the victim of Yankee sabre - a world in which paint did not stick to plaster walls because of the precious salt once hidden there; in which bloodstains could not be washed away and every other house had been a hospital.

It was an ugly flower, pink with yellow-tipped stamens sticking out of the center. It deserved to die. Zoe pulled the hammer back in a slow motion and snapped it forward. There was a delicious sound of cracking plaster as the flower dissolved into rubble. White dust rose all around here. "I hate that wallpaper," she said

It’s an awful thing, to witness your mother cry. You cannot cure nor mend nor stick a plaster on. It is rotten. I wanted to tear out the pain of it.

I've stuck like a plaster to the old faith I was born in. Yes; there's this to be said for the Church, a man can belong to the Church and bide in his cheerful old inn, and never trouble or worry his mind about doctrines at all. But to be a meetinger, you must go to chapel in all winds and weathers, and make yerself as frantic as a skit. Not but that chapel members be clever chaps enough in their way. They can lift up beautiful prayers out of their own heads, all about their families and shipwrecks in the newspaper." "They can -- they can," said Mark Clark, with corroborative feeling; "but we Churchmen, you see, must have it all printed aforehand, or, dang it all, we should no more know what to say to a great gaffer like the Lord than babes unborn," "Chapelfolk be more hand-in-glove with them above than we," said Joseph, thoughtfully. "Yes," said Coggan. "We know very well that if anybody do go to heaven, they will. They've worked hard for it, and they deserve to have it, such as 'tis. I bain't such a fool as to pretend that we who stick to the Church have the same chance as they, because we know we have not. But I hate a feller who'll change his old ancient doctrines for the sake of getting to heaven.

Suddenly I felt a hand on my shoulder, and heard the Count’s voice saying to me, ‘Good morning.’ I started, for it amazed me that I had not seen him, since the reflection of the glass covered the whole room behind me. In starting I had cut myself slightly, but did not notice it at the moment. Having answered the Count’s salutation, I turned to the glass again to see how I had been mistaken. This time there could be no error, for the man was close to me, and I could see him over my shoulder. But there was no reflection of him in the mirror! The whole room behind me was displayed; but there was no sign of a man in it, except myself. This was startling, and, coming on the top of so many strange things, was beginning to increase that vague feeling of uneasiness which I always have when the Count is near; but at that instant I saw that the cut had bled a little, and the blood was trickling over my chin. I laid down the razor, turning as I did so half-round to look for some sticking-plaster. When the Count saw my face, his eyes blazed with a sort of demoniac fury, and he suddenly made a grab at my throat. I drew away, and his hand touched the string of beads which held the crucifix. It made an instant change in him, for the fury passed so quickly that I could hardly believe that it was ever there.

Other children might have made drawings for him to stick on his fridge, but Alicia isn’t keen on drawing, so the puck marks in the plaster of his wall have become much the same thing: small marks in time that say someone you love grew up here. It started with Sune teaching her how to play hockey but it went on with him teaching her everything else you need to know in life: tying shoelaces and chanting times tables and listening to Elvis Presley.

It ascended by levels: Da's cameo recessed against the glow of the tuner's parade,the drawer of utensils withdrawn past its fulcrum, the disembodied face of my brother miming and distorting my desperate attempt by expression alone to make Mum look up from me and see him, I no longer feeling my features' movements so much as seeing them on that writhing white face against the pantry's black, the throttle-popped eyes and cheeks ballooning against the gag's restraint, Mum squatting chairside to even my ears, my face before us bother farther and farther from my own control as I saw in his twin face what all lolly-smeared hand-held brats must see in the fun-house mirror- the gross and pitiless sameness, the distortion in which there is, tiny, at the center, something cruelly true about the we who leer and woggle at stick necks and and concave skulls, goggling eyes that swell to the edges- as the mimicry ascended reflected levels to become finally the burlesque of a wet hysteria that plastered cut strands to a wet white brow, the strangled man's sobs blocked by cloth, storm's thrum and electric hiss and Da's mutter against the lalation of shears meant for lambs, an unseen fit that sent my eyes upward again and again into their own shocked white, knowing past sight that my twin's face would show the same, to mock it- until the last refuge was slackness, giving up the ghost completely for a blank sack gagged mask's mindless stare-un seen and seeing- into a mirror I could not know or feel myself without. No not ever again.

Nipple?” I ask, far too enthralled, but she shakes her head. I sit up straight and measure roughly eight inches between my palms. She nods. “No!” I look over to the reserved, standoffish Drew, my eyes automatically dropping to his crotch. “You won’t see it through his jeans, Ava.” Kate chuckles, and I’m off again, too. Uncontrollable, belly clenching, might-pee-my-knickers laughter. Through my tears, I see Kate stick her tongue in her cheek. “I nearly cracked a tooth.” “Please!” I’m falling all over my chair. I’m helpless. “Something funny?” I battle to pull myself together and wipe my eyes, looking up at my Lord of the Sex Manor, who’s staring down at his giggling wife with a bemused look plastered all over his face. “No, nothing.

London was fifteen hundred years old, and was a great town—for that day. It had a hundred thousand inhabitants—some think double as many. The streets were very narrow, and crooked, and dirty, especially in the part where Tom Canty lived, which was not far from London Bridge. The houses were of wood, with the second story projecting over the first, and the third sticking its elbows out beyond the second. The higher the houses grew, the broader they grew. They were skeletons of strong criss-cross beams, with solid material between, coated with plaster. The beams were painted red or blue or black, according to the owner’s taste, and this gave the houses a very picturesque look. The windows were small, glazed with little diamond-shaped panes, and they opened outward, on hinges, like doors.

Man tends to regard the order he lives in as natural. The houses he passes on his way to work seem more like rocks rising out of the earth than like products of human hands. He considers the work he does in his office or factory as essential to the har­monious functioning of the world. The clothes he wears are exactly what they should be, and he laughs at the idea that he might equally well be wearing a Roman toga or medieval armor. He respects and envies a minister of state or a bank director, and regards the possession of a considerable amount of money the main guarantee of peace and security. He cannot believe that one day a rider may appear on a street he knows well, where cats sleep and chil­dren play, and start catching passers-by with his lasso. He is accustomed to satisfying those of his physio­logical needs which are considered private as dis­creetly as possible, without realizing that such a pattern of behavior is not common to all human so­cieties. In a word, he behaves a little like Charlie Chaplin in The Gold Rush, bustling about in a shack poised precariously on the edge of a cliff. His first stroll along a street littered with glass from bomb-shattered windows shakes his faith in the "naturalness" of his world. The wind scatters papers from hastily evacuated offices, papers labeled "Con­fidential" or "Top Secret" that evoke visions of safes, keys, conferences, couriers, and secretaries. Now the wind blows them through the street for anyone to read; yet no one does, for each man is more urgently concerned with finding a loaf of bread. Strangely enough, the world goes on even though the offices and secret files have lost all meaning. Farther down the street, he stops before a house split in half by a bomb, the privacy of people's homes-the family smells, the warmth of the beehive life, the furniture preserving the memory of loves and hatreds-cut open to public view. The house itself, no longer a rock, but a scaffolding of plaster, concrete, and brick; and on the third floor, a solitary white bath­ tub, rain-rinsed of all recollection of those who once bathed in it. Its formerly influential and respected owners, now destitute, walk the fields in search of stray potatoes. Thus overnight money loses its value and becomes a meaningless mass of printed paper. His walk takes him past a little boy poking a stick into a heap of smoking ruins and whistling a song about the great leader who will preserve the nation against all enemies. The song remains, but the leader of yesterday is already part of an extinct past.

You are God. You want to make a forest, something to hold the soil, lock up energy, and give off oxygen. Wouldn’t it be simpler just to rough in a slab of chemicals, a green acre of goo? You are a man, a retired railroad worker who makes replicas as a hobby. You decide to make a replica of one tree, the longleaf pine your great-grandfather planted- just a replica- it doesn’t have to work. How are you going to do it? How long do you think you might live, how good is your glue? For one thing, you are going to have to dig a hole and stick your replica trunk halfway to China if you want the thing to stand up. Because you will have to work fairly big; if your replica is too small, you’ll be unable to handle the slender, three-sided needles, affix them in clusters of three in fascicles, and attach those laden fascicles to flexible twigs. The twigs themselves must be covered by “many silvery-white, fringed, long-spreading scales.” Are your pine cones’ scales “thin, flat, rounded at the apex?” When you loose the lashed copper wire trussing the limbs to the trunk, the whole tree collapses like an umbrella. You are a sculptor. You climb a great ladder; you pour grease all over a growing longleaf pine. Next, you build a hollow cylinder around the entire pine…and pour wet plaster over and inside the pine. Now open the walls, split the plaster, saw down the tree, remove it, discard, and your intricate sculpture is ready: this is the shape of part of the air. You are a chloroplast moving in water heaved one hundred feet above ground. Hydrogen, carbon, oxygen, nitrogen in a ring around magnesium…you are evolution; you have only begun to make trees. You are god- are you tired? Finished?

Never repaired, his glasses looked as if they'd been thrown at his face, dirty grayish lumps of Reba's sticking plaster holding the frames together in a tentative accord with the forces of gravity.

Drowning his misery with alcohol and junk food was like sticking plaster on an infected cut. It masked it temporarily, but only made it fester under the surface till it came spilling out again.

Stress costs British business over £400 million a year, and the Health and Safety Executive predict that the bill will continue to rise. The World Health Organisation estimates that stress will account for half of the ten most common medical problems in the world by 2020. The economic costs, and the threat of legal action, have alarmed employers and governments alike; it is these, rather than the human cost, which are driving government policy - it is the Secretary of Trade and Industry who comments on stress, not the Health Secretary. Over the last decade there has been a huge amount of research into the causes of stress, yet its incidence has continued to soar. Little has come out of the research except a burgeoning industry which offers stress consultants, stress programmes, stress counsellors, therapists and, when all that fails, lawyers to fight stress claims. This amounts to a dramatic failure of collective will either to recognise the extent of the problem or to do anything effective about it. All that is offered are sticking plasters to cover the symptoms, rather than the kind of reform of the workplace which is required to tackle the causes. According to one major study into the causes of stress, 68 per cent of the highly stressed report work intensification as a major factor.

But why does it matter what we call it, as long as there is concerted action to respond to and prevent such crimes? It matters because if we really want to fix something that is broken, if we want to heal these fractures in our society, then we need to understand their causes. If we do not, then we will forever continue to place giant sticking plasters over the wounds left by this violence, trying to bandage over losses that can never be replaced. As long as this violence continues, it is obviously the case that we do have to address the symptoms, but my argument is that we must also address the causes if we want a long-term reduction or even, perhaps, the eventual eradication of male violence against women.

A more thorough analysis of the many weaknesses and shortcomings of the confederal system of that time would make clear that today’s European Union reveals exactly the same flaws. However, somewhat different from the case in America – where it took only eleven years to understand that they had to replace the Confederation with a Federation – we in Europe have been floundering since 1950 with sticking plasters on the stinking wounds of our own European confederal system.

One only had to go to Kabul airport to see a classic example of the aid community helping itself rather than Afghans. The scariest part of going to Afghanistan was flying in from Dubai on the state airline Ariana. Its planes were in such bad condition that they were banned from most places on earth. Even the model plane in the sales office was held together by sticking plaster and elastic bands. The UN has its own airline to fly staff in and out of danger spots, so it quickly began its own service from Dubai or Islamabad to Kabul. As I stood nervously fiddling with my Ariana boarding pass, I would enviously watch the foreign aid workers and diplomats boarding the shiny UN planes. What I didn’t realise was that the millions of dollars to subsidise this service was coming from the money pledged to help Afghanistan. Ghani was indignant. ‘The first thing the UN system provided through the $1.6 billion of donor money channelled to UN agencies in 2002 was an airline devoted to serving UN staff, and occasionally (after much lobbying) some Afghan government officials.

This place is like the island of misfit toys, and someone is always on hand with a sticking plaster and a spoonful of medicine for the soul.

My smells of a son are gummy sweeties, Play-Doh, Pritt Stick, poster paint and wax crayons. Earthy mud on polyester football kit. The sweet antiseptic of sticking plasters. Fruity bubble gum and the minty tang of chong- as he and his friends called chewing gum. Bicycle chain oil and rubber inner tubes. The chemical overload of Lynx sprayed profusely over sweat, hair gel and toxic trainers. Fried onions and meat on the breath. Tomato ketchup. My scents for a son are: I am Juicy Couture by Juicy Couture Black by Bvlgari L'Air de Rien by Miller Harris Serge Noire by Serge Lutens Rocker Femme by Britney Spears Dirty by Lush Africa by Lynx

While the British colonel set Lazzaro’s broken arm and mixed plaster for the cast, the German major translated out loud passages from Howard W. Campbell, Jr.’s monograph. Campbell had been a fairly well-known playwright at one time. His opening line was this one: America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves. To quote the American humorist Kin Hubbard, “It ain’t no disgrace to be poor, but it might as well be.” It is in fact a crime for an American to be poor, even though America is a nation of poor. Every other nation has folk traditions of men who were poor but extremely wise and virtuous, and therefore more estimable than anyone with power and gold. No such tales are told by the American poor. They mock themselves and glorify their betters. The meanest eating or drinking establishment, owned by a man who is himself poor, is very likely to have a sign on its wall asking this cruel question: “If you’re so smart, why ain’t you rich?” There will also be an American flag no larger than a child’s hand—glued to a lollipop stick and flying from the cash register.

It’s not a day we have to seize, it’s an era. We need a revolution, not a sticking plaster over a gaping wound. As Nietzsche said, we must revalue all values. We must redefine capitalism and change it from free-market capitalism (designed to serve globalists), to social capitalism (designed to serve all the citizens of the nation). We need to remove the plutocratic boot from the neck of democracy. We must seek to build a true meritocracy in a society free of monarchs, dynastic families, privilege, inheritance, cronyism and nepotism.

A man who smelled like a distillery flopped on a subway seat next to a priest. The man's tie was stained, his face was plastered with red lipstick, and a half empty bottle of gin was sticking out of his torn coat pocket. He opened his newspaper and began reading. After a few minutes, the disheveled man turned to the priest and asked, "Say, Father, what causes arthritis?" The priest replied "Mister, it's caused by loose living, being with cheap women, too much alcohol and a contempt for your fellow man."  "Well I'll be," the drunk muttered, returning to his paper. The priest, thinking about what he had said, nudged the man and apologized, "I'm very sorry. I didn't mean to come on so strong. How long have you had arthritis?"  "I don't have it Father. I was just reading here that the Pope does." A guy is going down on his girlfriend and says, "Man you have a big pussy! Man you have a big pussy!" She snaps back, "Why'd you say it twice?" He replies, "I didn't...

I still find it strange that the communal bath has gone for ever. When I began it was an absolute staple of the game – all of you piling in, naked and covered in mud, a good old splash about and then climbing out with things winking in all directions. And then time passes without them, and you think, what a very strange vibe that was. Sitting in dirty water. Plasters bobbing about. Bits of grass and mud sticking to you, whether you had brought it in or not. Imagine trying to introduce the concept to the young lads now. They’d think you were insane, or predatory.

Their savagery was intimidating: we sissybritches Headquarters-City-of-the-Vast-Permian-Basin-Empire boys lost to Sintown by 20 to 7 and 48 to 0 in my time,” wrote King in Texas Monthly. “Only by joining the Army before my senior season did I avoid the record 55–0 plastering of 1946. High school football was, I think, a legitimate cultural and psychological measuring stick of that time and that place: many of us concluded that Odessa was, indeed, the rawer and tougher community.

The world was a place of sadness and strife, of selfish behaviour and disagreement, of oppression and injustice; and efforts to remedy that, to set right the scales of justice, sometimes seemed like patching up a crack in a dam wall with sticking plaster. But you had to do what you could, and, more specifically, what your role in life expected of you. And he was a detective; he was a member of the Malmö Criminal Investigation Authority, and that meant there were souls within his care...yes, he thought, souls, because that old-fashioned word said so much more than the word person. A soul was something more than that—a soul had feelings and ambitions and private tragedies. A soul weighed more than something that was not a soul.