Stevie Nicks Song Quotes

..I find it incredible impossible not to cry when I hear Stevie Nicks's "Landslide," especially the lyric: "I've been afraid of changing, because I've built my life around you." I think a good test to see if a human is actually a robot/android/cylon is to have them listen to this song lyric and study their reaction. If they don't cry, you should stab them through the heart. You will find a fusebox.

Gansey turned the key. The engine turned over once, paused for the briefest of moments - and then roared to deafening life. The Camaro lived to fight another day. The radio was even working, playing the Stevie Nicks song that always sounded to Gansey like it was about a one-winged dove.

Don't listen to her listen through her.

It was hard when you practice that hard and you sound that good and everybody tells you that you should be doing something else... You want to say, 'Obviously we're not from the same planet'...Lindsey and I just couldn't understand how we could sing a beautiful song and nobody liked it. It was like, 'We don't belong here, nobody understands us.

I find it extremely impossible not to cry when I hear Stevie Nicks’s “Landslide,” especially the lyric: “I’ve been afraid of changing, because I’ve built my life around you.” I think a good test to see if a human is actually a robot/android/cylon is to have them listen to this song lyric and study their reaction. If they don’t cry, you should stab them through the heart. You will find a fusebox.

Stevie thought that “Silver Springs” would be her dominant song on the new album; it couldn’t fail. The only problem was that Lindsey hated the song. He said it was too much in his face, and he gave Stevie a very hard time about working on the song in the studio. To Lindsey Buckingham, “Silver Springs” was not a prophesy. It was a curse.

The Proctors relied on geometry and Jacobean literature, and I used the poems of Emily Dickinson, but it was Fleetwood Mac who inspired my mother’s gramarye. There wasn’t much to distinguish between William Shakespeare, Emily Dickinson, and Stevie Nicks. They were all bards, after all, with magic in their pens. I showed Gwyneth the annotated lyrics. “She hid it in plain sight—in the words of her favorite songs. This is what she used to refresh old spells and keep them sharp.” Gwyneth gasped. “Rebecca used music?” “Apparently,” I replied, running my fingers across the underlining in “I Don’t Want to Know.” She’d written A powerful method for uncovering old secrets next to Finally baby / The truth has come down now.

convey musically in her songs. Nobody else had this. As for Lindsey, he was angry about everything. He blamed Fleetwood Mac and the pressures of being in the band for the breakup with Stevie. He told his girlfriend Carol he didn’t like Stevie, but he was still in love with her. Even decades later, he confessed to an interviewer: “I was devastated when she took off.

Also, I find it extremely impossible not to cry when I hear Stevie Nicks’s “Landslide,” especially the lyric: “I’ve been afraid of changing, because I’ve built my life around you.” I think a good test to see if a human is actually a robot/android/cylon is to have them listen to this song lyric and study their reaction. If they don’t cry, you should stab them through the heart. You will find a fusebox.

(“Dreams” would become Fleetwood Mac’s only ever #1 single release. Stevie later said that “Dreams” was “totally related” to a song by the Spinners, but couldn’t remember which one. Observers have suggested “I’ll Be Around” as a possible model.) *

He flipped through the music stations as he drove, searching for some nonexistent perfect song that would be, as Stevie Nicks might sing, “hauntingly familiar” yet not played so often as to beat it into submission. When he did find such a song—a rarity—it was always the last verse, and so the flipping would start anew. When

Years later, after Henley had spoken publicly about this pregnancy, Stevie gave an interview to Billboard during which she was asked about this in reference to one of her songs. She replied, “Had I married Don and had that baby, and had she been a girl, I would have named her Sara. But there was another woman in my life then named Sara; so it’s accurate, but not the entirety of it.

...but somehow, it's part of why Stevie Nicks means so much to us. It's why we hear our own broken forevers in this music, why we hear our own emotional avalanches in her songs. When she rides the landslide, she rides it all the way down, and she takes us down with her.

One of her best songs ever is 'Annabel Lee,' which she just released a few years ago on her underrated 2011 album In My Dreams. It's a six-minute sex-and-death trip with a lyric from one of her hot dead rock-and-roll boyfriends: Edgar Allan Poe. The key line is: 'The moon never beams without bringing me dreams.' Poe might have written that line in 1849, but he clearly always meant it for Stevie Nicks to sing.

Stevie Nicks writes great and interesting songs, sings them proudly, dances to them like an over-pampered princess and flaunts her sexy hair which rattles louder than her tambourine. She is a great woman.