Steven Spielberg Quotes

Only a generation of readers will spawn a generation of writers.

She wanted to go over and hug his tears away, but she was too frightened.

I don't dream at night, I dream at day, I dream all day; I'm dreaming for living.

Why pay a dollar for a bookmark? Why not use the dollar for a bookmark?

I dream for a living.

Audrey gave more than she ever got. The whole world is going to miss her.

Every time I go to a movie, it's magic, no matter what the movie's about.

Only a generation of readers will span a generation of writers.

The love we do not show here on Earth is the only thing that hurts us in the after-life.

The light was misty and actinic, the sort of light to make Steven Spielberg reach for his copyright lawyer.

Two little mice fell into a bucket of cream. The first mouse quickly gave up and drowned, but the second mouse, he struggled so hard that he eventually churned that cream into butter and he walked out. Amen.

Wherever you are, I will find you and I will bring you home

You're not alone, are you? Because I'm here

What kind of a horse?" "A miraculous kind of horse

He never gave up. And he does that for us

This is reality, Greg.-Elliot from E.T.

Technology can be our best friend, and technology can also be the biggest party pooper of our lives. It interrupts our own story, interrupts our ability to have a thought or a daydream, to imagine something wonderful because we're too busy bridging the walk from the cafeteria back to the office on the cell phone.

My first reaction, every time I delve into an episode of history that I don’t know very much about, is anger that my teachers never taught me about it.

Through careful manipulation and good storytelling, you can get everybody to clap at the same time, to hopefully laugh at the same time, and to be afraid at the same time. But you can’t get everybody to interpret the result in the same Way. And that’s thrilling to know – that everybody will see it differently.

Daddy, are you going to yell at us some more today?' Neary gazed down into her clear, guileless eyes. That was how he looked to her---a yelling machine. And she was prepared to accept more yelling because she loved him.

I wanted to do another movie that could make us laugh and cry and feel good about the world. I wanted to do something else that could make us smile. This is a time when we need to smile more and Hollywood movies are supposed to do that for people in difficult times.

The best time of my life has been the three instances where I have been there for the birth of my children. That is, nothing [else] has ever come close.

It looked to her like an image out of a Steven Spielberg science fiction movie.

Sadly, racial, ethnic, and cultural hatred and intolerance are not just history, they are current events.

PRIOR (An awestruck whisper): God almighty. Very Steven Spielberg.

Closure is a made-up thing by Steven Spielberg to sell movie tickets.

That, really, was Sandy’s choice: Tommy’s naked ass or Steven Spielberg’s director of photography.

I just had a crazy, wild imagination all my life, and science fiction is the greatest outlet for me. Steven Spielberg

He had a week’s growth of a beard on his face and round wire-rimmed glasses on. This was what he pictured a film director to look like—a cross between Ron Howard and Steven Spielberg.

Director Steven Spielberg bought the only remaining Rosebud sled from Citizen Kane (1941) for $55,000 at auction at Sotheby’s. He called the sled ‘a symbolic emblem of quality in the film business’.

So listening carefully is what I was taught all my life. When people don’t listen, it’s not that they don’t learn, they just deny themselves tremendous opportunities and glorious choices.” Steven Spielberg

The most amazing thing for me is that every single person who sees a movie, not necessarily one of my movies, brings a whole set of unique experiences. Now, through careful manipulation and good storytelling, you can get everybody to clap at the same time, to hopefully laugh at the same time, and to be afraid at the same time.

The academy expected artists to make work based on mythology, religious iconography, history or classical antiquity in a style that idealized the subject. Such fakery didn’t interest this group of young, ambitious painters. They wanted to leave their studios and go outside to document the modern world around them. It was a bold move. Artists simply didn’t wander off and paint 'low' subjects such as ordinary people picnicking, or drinking or walking; it wasn’t the done thing. It would be like Steven Spielberg hiring himself out for wedding videos.

Technology can be our best friend, and technology can also be the biggest party pooper of our lives. It interrupts our own story, interrupts our ability to have a thought or a daydream, to imagine something wonderful, because we’re too busy bridging the walk from the cafeteria back to the office on the cellphone. STEVEN SPIELBERG

Dyslexia "it is more common than you can imagine, you are not alone

Eat your heart out, Steven Spielberg.

We’re going to make a fortune with this place,” says the lawyer, who clearly doesn’t understand that greedy lines like that get you killed in Steven Spielberg movies. “Welcome to Jurassic Park!

        Velociraptors looked the same as they do in Jurassic Park. Velociraptors were only a foot tall. Steven Spielberg liked their design and made them human-sized. In reality, they looked like an aggressive chicken.

The Indiana Jones films have a built in Disney connection, as director Steven Spielberg sent his sound designers down to Disneyland to record Big Thunder Mountain Railroad to provide a soundtrack for the second film's mine chase scene!

Oedipus Rex vs. Tyrannosaurus Rex Oedipus Rex, a tragedy by Sophocles, chronicles the story of Oedipus, a man who becomes the king of Thebes while in the process unwittingly fulfilling a prophecy that he would murder his pops Laius and marry his mom Jocasta. Tyrannosaurus Rex , commonly abbreviated to T. Rex, was a big fucking dinosaur that kicked ass during the Jurassic period. My point? My point is there doesn't have to be a point if you have already hooked the reader with a catchy title. And the winner is... Steven Spielberg

The startling truth was that they were members of a unique group known as Schindlerjüden, the name given to the hundreds of men, women, and children who were saved from the camps by the Nazi businessman, Oskar Schindler, and since made famous by the Steven Spielberg movie, Schindler’s List.

Hollywood has colored our view of sharpshooters. We imagine them as militarized serial killers; at best they’re the odd man out on a squad of regular guys, the one described as having ice water in his veins—see Barry Pepper’s Scripture-quoting sniper in Steven Spielberg’s Saving Private Ryan. And the idea persists that killing from a distance, from hidden nests, is somehow dishonorable or unfair . . . but skilled marksmen have been used by every army since the invention of firearms (and before that the bow and arrow: think of the English archers bringing down French knights at Agincourt, or Robin Hood’s Merry Men downing royal soldiers from hidden forest hideouts!). The use of snipers isn’t a violation of the Geneva Convention, but the stereotype persists: snipers are cold-blooded, remote, pitiless. As Eleanor Roosevelt said when meeting Lyudmila Pavlichenko: If you have a good view of the faces of your enemies through your sights and still fire to kill, how can ordinary people approve of you?

On Listening From a very young age, my parents taught me the most important lesson of my whole life: Listen to everybody before you make up your own mind. When you listen, you learn. You absorb like a sponge. Your life becomes so much better than when you are just trying to be listened to all the time. Steven Spielberg, film director and producer,

The people in makeup would buff away the shine on the face of anyone in front of the camera, and the sound blokes would clip a microphone onto the lapel of a jacket so it looked like something other than an insect about to crawl onto the presenter’s chin, but Steven Spielberg this group was not. This was a low-budget operation, thank you very much.

Desde muy pequeño mis padres me enseñaron la lección más valiosa de mi vida: que uno debe escuchar a todo el mundo antes de formarse una opinión y expresarla. Cuando escuchas, aprendes; absorbes como una esponja. Tu vida se vuelve mucho mejor que cuando sólo tratas de ser escuchado en todo momento. STEVEN SPIELBERG, director, guionista y productor de cine,

Nothing But Death Can Keep Me From It.

I don’t dream at night, I dream all day. I dream for a living.

In Steven Spielberg’s film Lincoln, the screenwriter Tony Kushner has the great emancipator explain Euclid’s axiom in the context of a discussion on the equality of the races: “Euclid’s first common notion is this: Things which are equal to the same thing are equal to each other. That’s a rule of mathematical reasoning. It’s true because it works. Has done and always will do. In his book Euclid says this is self-evident. You see, there it is, even in that 2,000-year-old book of mechanical law it is a self-evident truth.” Although Lincoln never actually uttered those words, there is every reason to think that he would have made just such an argument because it’s precisely what is implied in his 1854 argument that A is interchangeable with B.

In May 1993, Clinton ordered the presidential plane to wait on the tarmac at Los Angeles International Airport while he got a haircut from Christophe Schatteman, a Beverly Hills hairdresser. Schatteman’s clients have included Nicole Kidman, Goldie Hawn, and Steven Spielberg. “We flew out of San Diego to L.A. to pick him up,” recalls James Saddler, a steward on the infamous trip. “Some guy came out and said he was supposed to cut the president’s hair. Christophe cut his hair, and we took off. We were on the ground for an hour. They closed the runways.” While Christophe cut Clinton’s hair, two runways at LAX were closed. That meant all incoming and outgoing flights had to be halted. Clinton’s thoughtlessness inconvenienced passengers throughout the country. Like

Steven Spielberg’s 2012 film Lincoln is dramatization at its best. It shows the president, played by Daniel Day-Lewis, trying to make good on the claim, in the Declaration of Independence, that all men are created equal: what more praiseworthy cause could a hedgehog possibly pursue? But to abolish slavery, Lincoln must move the Thirteenth Amendment through a fractious House of Representatives, and here his maneuvers are as foxy as they come. He resorts to deals, bribes, flattery, arm-twisting, and outright lies—so much so that the movie reeks, visually if not literally, of smoke-filled rooms. 27 When Thaddeus Stevens (Tommy Lee Jones) asks the president how he can reconcile so noble an aim with such malodorous methods, Lincoln recalls what his youthful years as a surveyor taught him: [A] compass . . . [will] point you true north from where you’re standing, but it’s got no advice about the swamps and deserts and chasms that you’ll encounter along the way. If in pursuit of your destination, you plunge ahead, heedless of obstacles, and achieve nothing more than to sink in a swamp . . . , [then] what’s the use of knowing true north? 28 I had the spooky sense, when I saw the film, that Berlin was sitting next to me, and at the conclusion of this scene leaned over to whisper triumphantly: “You see? Lincoln knows when to be a hedgehog (consulting the compass) and when a fox (skirting the swamp)!

The Pyrenean ibex, an extinct form of wild mountain goat, was brought back to life in 2009 through cloning of dna taken from skin samples. This was followed in June of 2010 by researchers at Jeju National University in Korea cloning a bull that had been dead for two years. Cloning methods are also being studied for use in bringing back Tasmanian tigers, woolly mammoths, and other extinct creatures, and in the March/April 2010 edition of the respected Archaeology magazine, a feature article by Zah Zorich (“Should We Clone Neanderthals?”) called for the resurrection via cloning of what some consider to be man’s closest extinct relative, the Neanderthals. National Geographic confirmed this possibility in its May 2009 special report, “Recipe for a Resurrection,” quoting Hendrik Poinar of McMaster University, an authority on ancient dna who served as a scientific consultant for the movie Jurassic Park, saying: “I laughed when Steven Spielberg said that cloning extinct animals was inevitable. But I’m not laughing anymore.… This is going to happen.

The most well known theory concerning the whereabouts of the Ark, made famous by the movie Raiders of the Lost Ark, places it in the ruins of the ancient city of Tanis in Egypt. This theory proposes that the Ark was plundered by the Egyptians shortly after Solomon’s death. According to the Old Testament, the pharaoh Sheshonq I of Egypt attacked Jerusalem, raided the Temple, and plundered its treasures (1 Kgs 14:26). Sheshonq I established Tanis as the new Egyptian capital, and so it is here that Indiana Jones discovers the lost Ark in Steven Spielberg’s movie.

I phoned Tom and said we had to air Twin Peaks. By that point, there was already a tremendous buzz in and outside of Hollywood that we were doing this. There was even an article on the front page of The Wall Street Journal about this buttoned-up guy at ABC who was taking huge creative risks. Suddenly I was getting calls from Steven Spielberg and George Lucas. I visited Steven on the set of Hook, which he was directing at the time, and George at his Skywalker Ranch. They were both interested in talking about what they might do for ABC. That notion, that directors of that caliber would be interested in making television shows, was unheard of until we started making Twin Peaks.

Never give up on yourself Everyone may give up on you but never give up on yourself, because if you do, it will also become the end. Believe that anything can be achieved with effort. Most important of all, we must understand that dyslexia is not just a hindrance to learning; it may also be considered a gift. Multiple studies have proven that dyslexic people are highly creative and intuitive. Not to mention the long list of dyslexic people who have succeeded in their chosen fields; Known scientist and the inventor of telephone, Alexander Graham Bell; The inventor of telescope, Galileo Galilei; Painter and polymath, Leonardo da Vinci; Mathematician and writer Lewis Carroll; American journalist, Anderson Cooper; Famous actor, Tom Cruise; Director of our all time favorites Indiana Jones and Jurassic Park, Steven Spielberg; Musician Paul Frappier; Entrepreneur and Apple founder, Steve Jobs; and maybe the person who is reading this book right now. We must always remember, everything can be learned and anyone can learn how to read!

Racism was a constant presence and absence in the Obama White House. We didn’t talk about it much. We didn’t need to—it was always there, everywhere, like white noise. It was there when Obama said that it was stupid for a black professor to be arrested in his own home and got criticized for days while the white police officer was turned into a victim. It was there when a white Southern member of Congress yelled “You lie!” at Obama while he addressed a joint session of Congress. It was there when a New York reality show star built an entire political brand on the idea that Obama wasn’t born in the United States, an idea that was covered as national news for months and is still believed by a majority of Republicans. It was there in the way Obama was talked about in the right-wing media, which spent eight years insisting that he hated America, disparaging his every move, inventing scandals where there were none, attacking him for any time that he took off from work. It was there in the social media messages I got that called him a Kenyan monkey, a boy, a Muslim. And it was there in the refusal of Republicans in Congress to work with him for eight full years, something that Obama was also blamed for no matter what he did. One time, Obama invited congressional Republicans to attend a screening of Lincoln in the White House movie theater—a Steven Spielberg film about how Abraham Lincoln worked with Congress to pass the Thirteenth Amendment abolishing slavery. Not one of them came. Obama didn’t talk about it much. Every now and then, he’d show flashes of dark humor in practicing the answer he could give on a particular topic. What do you think it will take for these protests to stop? “Cops need to stop shooting unarmed black folks.” Why do you think you have failed to bring the country together? “Because my being president appears to have literally driven some white people insane.” Do you think some of the opposition you face is about race? “Yes! Of course! Next question.” But he was guarded in public. When he was asked if racism informed the strident opposition to his presidency, he’d carefully ascribe it to other factors.

Uhhhhh, okay, let’s fast-forward. This is taking forever. The T. rex gets out. The lawyer tries to hide in a toilet house, but T. rex finds him immediately because this is the ’90s, so T. rexes hate lawyers. Newman gets eaten by some fancy lads (GOOD), while everyone else runs around screaming, or holds perfectly still, depending on their prior knowledge of dinosaur eyeballs... Richard Attenborough is making a speech about fleas. He just wanted to make something that wasn’t an illusion, you know? “I wanted to show them something that wasn’t an illusion. Something that was real. Something they could see and touch.” And get dismembered by.

Documentaries     All My Loved Ones, directed by Matej Minac, 1999.     As If It Were Yesterday, directed by Myriam Abramowicz and Esther Hoffenberg, 1980.     The Flat, directed by Arnon Goldfinger, 2012.     Four Seasons Lodge, directed by Andrew Jacobs, 2008.     Generation War (Our Mothers, Our Fathers in the original German), directed by Philipp Kadelbach, 2013.     Hidden Children, directed by John Walker, 1994.     Hitler’s Children, directed by Chanoch Ze’evi, 2011.     Image Before My Eyes, directed by Josh Waletzky, 1981.     Imaginary Witness, directed by Daniel Anker, 2004.     Inheritance, directed by James Moll, 2006.     A Life Apart: Hasidism in America, directed by Menachem Daum and Oren Rudavsky, 1997.     The Nazi Officer’s Wife, directed by Liz Garbus, 2003.     Torn, directed by Ronit Krown Kertsner, 2011.     Triumph of the Will, directed by Leni Riefenstahl, 1935. Features     Defiance, directed by Edward Zwick, 2008.     In Darkness, directed by Agnieszka Holland, 2011.     Inside Hana’s Suitcase, directed by Larry Weinstein, 2002.     The Pianist, directed by Roman Polanski, 2002.     Sarah’s Key, directed by Gilles Paquet-Brenner, 2010.     Schindler’s List, directed by Steven Spielberg, 1993.     A Year of the Quiet Sun, directed by Krzysztof Zanussi, 1984.

Racism was a constant presence and absence in the Obama White House. We didn’t talk about it much. We didn’t need to—it was always there, everywhere, like white noise. It was there when Obama said that it was stupid for a black professor to be arrested in his own home and got criticized for days while the white police officer was turned into a victim. It was there when a white Southern member of Congress yelled “You lie!” at Obama while he addressed a joint session of Congress. It was there when a New York reality show star built an entire political brand on the idea that Obama wasn’t born in the United States, an idea that was covered as national news for months and is still believed by a majority of Republicans. It was there in the way Obama was talked about in the right-wing media, which spent eight years insisting that he hated America, disparaging his every move, inventing scandals where there were none, attacking him for any time that he took off from work. It was there in the social media messages I got that called him a Kenyan monkey, a boy, a Muslim. And it was there in the refusal of Republicans in Congress to work with him for eight full years, something that Obama was also blamed for no matter what he did. One time, Obama invited congressional Republicans to attend a screening of Lincoln in the White House movie theater—a Steven Spielberg film about how Abraham Lincoln worked with Congress to pass the Thirteenth Amendment abolishing slavery. Not one of them came.

She was a good student, curious and self-possessed, a collector of details much like her dad. She’d become fascinated by films and filmmaking and the previous summer had taken it upon herself to seek out Steven Spielberg one evening when he’d come to the White House for a dinner party, asking him so many questions that he followed up with an offer to let her intern on a TV series he was producing. Our girl was finding her way.

La visión práctica del mundo, por un lado, y la capacidad de generar catársis sin exigir dolor, por el otro, harían de Tiburón el manifiesto de una generación. O mejor, de una sensibilidad: la adolescencia perpetua, entronizada por Steven Spielberg, tal como lo prueba el éxito de su cine hasta hoy.

Por sus formas de organizar el mundo, y su absoluto desinterés en alterar el statu quo, Steven Spielberg fue uno de los adolescentes más adultos de su generación.

In the stout-hearted person of Harrison Ford, Indy was a new generation’s Ethan Edwards—a young John Wayne-bwana dispatched to curate the Third World. Not an identity-cloaked sci-fi superhero but a bullwhip-toting, fedora-wearing, two-fisted sophisticate who respected the Bible and saved the children of India—a superb hero yet an intrinsically nostalgic figure.

A once-great filmmaker has taken on a new avatar less heroic than Parzival. It is the avatar of a pandering crowd-pleaser. Spielberg, the D. W. Griffith of the sound era—who ironically, when the politically correct putsch began in 1999, turned his back on Griffith by failing to speak up as the Directors Guild of America stripped Griffith’s name and legacy from its awards—now celebrates Hollywood’s most craven tendencies. The crowd-pleaser has outdone himself.

STEVEN SPIELBERG: George was so anxious that Star Wars would be the biggest flop in his personal history that he went to Hawaii to get away. I met him in Hawaii the day the film opened.

STEVEN SPIELBERG: It doesn’t take much gall. It takes desire to really do it. To really be a moviemaker or a writer or whatever you want to be, it just takes a blind faith that overcomes all fear.

On Valentine’s Day, John let himself into Steven Spielberg’s home, raided his refrigerator, and left a note. He partied into the night with the Pretenders, who had played at UCLA. After midnight, he telephoned Judy from Chateau Marmont. “Chrissie Hynde has passed out,” he said. “What should I do?” Call her road manager, Judy instructed coolly.

The executives had also sent the script to Steven Spielberg, whose fantasy films had made him the most commercially successful director in Hollywood. Everyone, including Spielberg, thought he was the wrong choice. However, Warner Bros. sent every script to “Steven” first.

ROY NEARY: Just close your eyes and hold your breath and everything will turn real pretty. —Steven Spielberg, Close Encounters of the Third Kind

Beams of blue light lanced out into the corridor, moving and dancing as indistinct shapes shuffled through the blinding brilliance inside the room. The light was misty and actinic, the sort of light to make Steven Spielberg reach for his copyright lawyer.

Steven Spielberg could cross my legs in ET.

Steven Spielberg once said, which is that people will sit through twenty minutes of anything.

«¿Quieres saber el secreto para cambiar el mundo? Deja de intentarlo. Haz un buen trabajo y deja que este cambie el mundo.»

nadie cumple su sueño desde la comodidad de la certidumbre.

«¡La perseverancia funciona!».

Qi Lu creció en un pueblo a las afueras de Shangai, China, sin agua corriente ni electricidad. Era un pueblo tan pobre que la gente padecía deformidades por malnutrición. Allí vivían cientos de niños, pero solo había un maestro. A los veintisiete, Qi Lu estaba ganando el sueldo de su vida: siete dólares al mes. Veinte años después, es el presidente de los servicios en línea de Microsoft.

«A los estudiantes universitarios les digo que, al llegar a mi edad, habrán tenido éxito si las personas que esperaban que los amaran, efectivamente los aman.» «No importa cuánto talento tengas, ni lo mucho que te esfuerces: algunas cosas requieren tiempo. No se puede gestar un bebé en un mes dejando a nueve mujeres embarazadas.» «Insisto en dedicar mucho tiempo, casi cada día, a sentarme y pensar. Es algo poco habitual en las empresas estadounidenses [...]. Yo leo y pienso mucho más que la mayoría de los empresarios, y tomo muchas menos decisiones impulsivas.»

«Te diré el secreto para hacerse rico en Wall Street. Ser codicioso cuando los demás son prudentes y ser prudente cuando los otros son codiciosos.» «El mercado de valores no es un partido de fútbol. No tienes por qué chutar la pelota continuamente: debes esperar el momento adecuado. El problema es que, cuando gestionas dinero, los aficionados siempre están gritado: “¡Chuta, tio!”.» «Intento comprar acciones de empresas que son tan fantásticas que hasta un idiota podría dirigirlas. Porque, tarde o temprano, alguno lo hará.»

Perseverancia: es un cliché, pero resulta que funciona. Quien lo consigue es aquel que persiste cuando los demás lo dejan. Es más importante que la inteligencia, el pedigrí o incluso que los contactos. ¡Sé tenaz! ¡Aporrea esa puerta hasta tirarla abajo! JERRY WEINTRAUB La energía y la perseverancia lo conquistan todo. BENJAMIN FRANKLIN La forma más segura de triunfar es intentándolo una vez más. THOMAS EDISON Sencillamente, no se puede vencer a quien nunca se rinde. BABE RUTH Mi éxito se basa en la perseverancia, no en la suerte. ESTÉE LAUDER

No es que yo sea más inteligente, sino que dedico más tiempo a los problemas. ALBERT EINSTEIN Podemos hacer lo que queramos si ponemos suficiente empeño. HELLEN KELLER Si estás pasando un infierno, sigue caminando. WINSTON CHURCHILL Nada en el mundo puede suplir la perseverancia. CALVIN COOLIDGE

Do. Or DO NOT. There is NO Try.

Michael Jordan: cut from his high school basketball team. Steven Spielberg: rejected from film school three times. Walt Disney: fired by the editor of a newspaper for lacking ideas and imagination. Albert Einstein: He learned to speak at a late age and performed poorly in school. John Grisham: first novel was rejected by sixteen agents and twelve publishing houses. J.K. Rowling: was a divorced, single mother on welfare while writing Harry Potter. Stephen King: his first book “Carrie” was rejected 30 times. He threw it in the trash. His wife retrieved it from the trash and encouraged him to try again. Oprah Winfrey: fired from her television reporting job as “not suitable for television.” The Beatles: told by a record company that they have “no future in show business”.

Saving Private Ryan (1998) Directed By: Steven Spielberg Starring: Tom Hanks, Tom Sizemore

There used to be well over a dozen A-list directors working in Hollywood at any given time who could get most any movie they wanted greenlit at any studio where they chose to work. Today there are only three: Steven Spielberg, James Cameron, and Christopher Nolan. In the franchise age, directors increasingly resemble hired hands who are brought in to helm a single sequel or spinoff but aren’t integral to the brand. The fourteen Marvel Studios films released through 2016, for instance, had eleven different directors. The model is similar to that of a television series. Directors come and go for different episodes and are valued largely for their ability to maintain the tone of the series and bring their installment in on time and on budget. In TV, the power has traditionally lain with writers and producers—many of whom serve both roles—who work on every episode, maintaining long-running story arcs and the consistency and coherence of story lines and characters.

Like many junior executives, Dawn Steel served as punching bag/chum for her bosses. Once the marketing chief, Frank Mancuso, asked her to tell Steven Spielberg the release date of one of his movies; Spielberg immediately retorted, “Who are you to tell me when the release date is?