β
The Doctor: Doctor Song, you've got that face on again.
River: What face?
The Doctor: The "He's hot when he's clever" face.
River: This is my normal face.
The Doctor: Yes it is.
River: Oh, shut up.
The Doctor: Not a chance.
β
β
Steven Moffat
β
Amy Pond: 'I thought... well, I started to think you were just a madman with a box.'
The Doctor: 'Amy Pond, there's something you better understand about me, 'cause it's important and one day your life may depend on it. [He Smiles] I am definitely a madman with a box.
β
β
Steven Moffat
β
If a man says something in the woods and there are no women there, is he still wrong?
β
β
Steven Wright
β
When you run with the Doctor, it feels like it'll never end. But however hard you try you can't run forever. Everybody knows that everybody dies and nobody knows it like the Doctor. But I do think that all the skies of all the worlds might just turn dark if he ever for one moment, accepts it. Everybody knows that everybody dies. But not every day. Not today. Some days are special. Some days are so, so blessed. Some days, nobody dies at all. (In the library, the Doctor walks back to the TARDIS. He stops, looking at the doors. Then he raises his hand, and stands there poised like that for a long moment. Finally he snaps his fingers. The doors open. He smiles slowly and walks in, joining Donna. Then he snaps his fingers again, and the doors close. River's voice continues over this.) Now and then, every once in a very long while, every day in a million days, when the wind stands fair, and the Doctor comes to call... everybody lives.
β
β
Steven Moffat
β
A cavalryman's horse should be smarter than he is. But the horse must never be alowed to know this.
β
β
Steven Pressfield (The Virtues of War)
β
Such is the vastness of his genius that he can outwit even himself.
β
β
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
β
The artist committing himself to his calling has volunteered for hell, whether he knows it or not. He will be dining for the duration on a diet of isolation, rejection, self-doubt, despair, ridicule, contempt, and humiliation.
β
β
Steven Pressfield (The War of Art)
β
The Doctor: Dr. Song, youβve got that face on again.
River: What face?
The Doctor: The βheβs hot when heβs cleverβ face.
River: This is my normal face.
The Doctor: Yes, it is.
β
β
Steven Moffat
β
He was not a modest man. Contemplating suicide, he summoned a dragon.'
Gothos' Folly
β
β
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
β
When an evil masochist dies, does he go to hell, or would heaven be a better punishment?
β
β
Steven Wright
β
Last night somebody broke into my apartment and replaced everything with exact duplicates... When I pointed it out to my roommate, he said, "Do I know you?
β
β
Steven Wright
β
You stand before a god! Speak your eloquence for all posterity. Be Profound!"
"Profound ... huh." Temper was silent for a long moment, studying the cobbles of the alley mouth. And then he lifted his helmed head faced Shadowthrone, and said "Fuck off.
β
β
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
β
Someone once asked Somerset Maughham if he wrote on a schedule or only when struck by inspiration. "I write only when inspiration strikes," he replied. "Fortunately it strikes every morning at nine o'clock sharp.
β
β
Steven Pressfield (The War of Art)
β
My people believe in balance,β he said. βWe believe that all living thingsβplants, animals, peopleβhave an intelligent spirit, and that they all make important contributions to the balance of the world.
β
β
Steven Decker (Projector for Sale)
β
I heard that in relativity theory, space and time are the same thing. Einstein discovered this when he kept showing up three miles late for his meetings.
β
β
Steven Wright
β
[T]he unnamed soldier is a gift. The named soldier--dead, melted wax--demands a response among the living...a response no-one can make. Names are no comfort, they're a call to answer the unanswerable. Why did she die, not him? Why do the survivors remain anonymous--as if cursed--while the dead are revered? Why do we cling to what we lose while we ignore what we still hold?
Name none of the fallen, for they stood in our place, and stand there still in each moment of our lives. Let my death hold no glory, and let me die forgotten and unknown. Let it not be said that I was one among the dead to accuse the living.
β
β
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
β
I bought my brother some gift-wrap for Christmas. I took it to the gift wrap department and told them to wrap it, but in a different print so he would know when to stop unwrapping.
β
β
Steven Wright
β
I wonder why Steven wasnβt at swimming club tonight?β Archie asked.
βHeβs caught bronchitis,β Mrs Akran said.
Imran thought for a second before replying. βI would like to catch a dinosaur too. I wonder what he feeds it?β
Archie looked at his friend his face looked as if he was in pain before he burst out laughing. βImran youβre tragic. Bronchitis is like a bad cold itβs not a type of dinosaur.
β
β
Mark A. Cooper (Archie Wilson & The Beasts of Loch Ness)
β
If God dropped acid, would he see people?
β
β
Steven Wright
β
He was a man who would never ask for sympathy. He was a man who sought only to do what was right. Such people appear in the world, every world, now and then, like a single refrain of some blessed song, a fragment caught on the spur of an otherwise raging cacophony.
Imagine a world without such souls.
Yes, it should have been harder to do.
β
β
Steven Erikson (Toll the Hounds (Malazan Book of the Fallen, #8))
β
Marcus: Cherry?
Jillian: My ten-year-old niece.
Marcus: She's named after a piece of fruit?
Jillian nodded.
Jillian: So is her twin sister, Apple.
Marcus: You're kidding me.
Jillian: Unfortunately, I'm serious. Their father is fond of fruit pies and thought it would be cute.
Marcus: And their mother didn't protest?
Jillian: She thinks Steven's cute, so she gives him whatever he wants.
β
β
Gena Showalter
β
Heβs a bad man, Mama, came the thought, somehow manifesting itself into the voice of my little Maddie. Β
β
β
Steven Decker (Child of Another Kind)
β
I know he says itβs a mind upload problem,β said Aideen. βBut we wonβt know that for sure until we get there. And maybe not even then if he restricts our access to the outside world of 2253.
β
β
Steven Decker (Time Chain)
β
Last year I went fishing with Salvador Dali. He was using a dotted line. He caught every other fish.
β
β
Steven Wright
β
My friend has a baby. Iβm recording all the noises he makes so later I can ask him what he meant.
β
β
Steven Wright
β
The professional learns to recognize envy-driven criticism and to take it for what it is: the supreme compliment. The critic hates most that which he would have done himself if he had had the guts.
β
β
Steven Pressfield (The War of Art)
β
I went down to the 24-hour grocery. When I got there, the guy was locking the front door. I said, 'Hey, the sign says youβre open 24 hours. He said, 'Yes, but not in a row.
β
β
Steven Wright
β
I rate Morrissey (Steven Patrick Morrissey) as one of the best lyricists in Britain. For me, he`s up there with Bryan Ferry.
β
β
David Bowie
β
Gods, I wish the world was full of passive women.He thought for a moment longer, then scowled. On second thoughts, what a nightmare that'd be. It's the job of a man to fan the spark into flames, not quench it...
β
β
Steven Erikson (Memories of Ice (Malazan Book of the Fallen, #3))
β
A stupid person can make only certain, limited types of errors; the mistakes open to a clever fellow are far broader. But to the one who knows how smart he is compared to everyone else, the possibilities for true idiocy are boundless.
β
β
Steven Brust (Iorich (Vlad Taltos, #12))
β
Next morning I went over to Paulβs for coffee and told him I had finished. βGood for you,β he said without looking up. βStart the next one today.
β
β
Steven Pressfield (The War of Art)
β
A king does not abide within his tent while his men bleed and die upon the field. A king does not dine while his men go hungry, nor sleep when they stand at watch upon the wall. A king does not command his men's loyalty through fear nor purchase it with gold; he earns their love by the sweat of his own back and the pains he endures for their sake. That which comprises the harshest burden, a king lifts first and sets down last. A king does not require service of those he leads but provides it to them...A king does not expend his substance to enslave men, but by his conduct and example makes them free.
β
β
Steven Pressfield (Gates of Fire)
β
The sure sign of an amateur is he has a million plans and they all start tomorrow.
β
β
Steven Pressfield (Turning Pro)
β
The amateur believes he must first overcome his fear; then he can do his work. The professional knows that fear can never be overcome.
β
β
Steven Pressfield (The War of Art)
β
Ben Adaephon Delat," Pearl said plaintively, "see the last who comes. You send me to my death."
"I know," Quick Ben whispered.
"Flee, then. I will hold them enough to ensure your escape no more."
Quick Ben sank down past the roof.
Before he passed from sight Pearl spoke again. "Ben Adaephon Delat, do you pity me?"
"Yes" he replied softly, then pivoted and dropped down into darkness.
β
β
Steven Erikson (Gardens of the Moon (Malazan Book of the Fallen, #1))
β
The amateur believes he must first overcome his fear; then he can do his work. The professional knows that fear can never be overcome. He knows there is no such thing as a fearless warrior or a dread-free artist.
β
β
Steven Pressfield
β
When I have a kid, I want to buy one of those strollers for twins. Then put the kid in and run around, looking frantic. When he gets older, I'd tell him he used to have a brother, but he didn't obey.
β
β
Steven Wright
β
This ain't your fight,' he said to the distant creature. 'Fucking dragon.
β
β
Steven Erikson (Reaper's Gale (Malazan Book of the Fallen, #7))
β
I loved them in the way one loves at any age β if itβs real at all β obsessively, painfully, with wild exaltation, with guilt, with conflict; I wrote poems to and about them; I put them into novels (disguised of course); I brooded upon why they were as they were, so often maddening, don't you know? I wrote them ridiculous letters. I lived with their faces. I knew their every gesture by heart. I stalked them like wild animals. I studied them as if they were maps of the world β and in a way, I suppose they were." She had spoken rapidly, on the defensive... if he thought she didn't know what she was talking about! "Love opens the doors into everything, as far as I can see, including and perhaps most of all, the door into one's own secret, and often terrible and frightening, real self.
β
β
May Sarton (Mrs. Stevens Hears the Mermaids Singing)
β
But most of all, she thought of John. She pictured him in Dingle, sitting out on the veranda of his wonderful little house, gazing with his peacefully intense, ocean blue eyes out toward the sea. She wondered if he was alone, and suspected he was, and she also reflected that he was probably quite sad, just as she was at that very moment.
β
β
Steven Decker (Projector for Sale)
β
With the Black Company series Glen Cook single-handedly changed the face of fantasyβsomething a lot of people didnβt notice and maybe still donβt. He brought the story down to a human level, dispensing with the clichΓ© archetypes of princes, kings, and evil sorcerers. Reading his stuff was like reading Vietnam War fiction on peyote.
β
β
Steven Erikson
β
One of the Enemy's most effective strategies is to get you to focus on what you don't have, what you used to have, or what someone else has that you wish you had. He does this to keep you from looking around and asking, "God, what can You do through what I have?
β
β
Steven Furtick (Greater: Dream Bigger. Start Smaller. Ignite God's Vision for Your Life.)
β
He who whets his steel, whets his courage
β
β
Steven Pressfield (Gates of Fire)
β
As all born teachers, he was primarily a student.
β
β
Steven Pressfield (Gates of Fire)
β
When one loves all things of the world, when one has that gift of joy, it is not the armour against grief that you might think it to be. Such a person stands balanced on the edge of sadness β there is no other way for it, because to love as he does is to see clearly.
β
β
Steven Erikson (Forge of Darkness (The Kharkanas Trilogy #1))
β
All literature consists of whatever the writer thinks is cool. The reader will like the book to the degree that he agrees with the writer about whatβs cool.
β
β
Steven Brust (The Paths of the Dead (Khaavren Romances, #3: The Viscount of Adrilankha, #1))
β
The doctor says he has to amputate all of me.
β
β
Steven Wright
β
Books should be an experience, he thought, not a trophy for having read them.
β
β
Steven Rowley (The Guncle)
β
The gifts of the Master are these: freedom, life, hope, new direction, transformation, and intimacy with God. If the cross was the end of the story, we would have no hope. But the cross isn't the end. Jesus didn't escape from death; he conquered it and opened the way to heaven for all who will dare to believe. The truth of this moment, if we let it sweep over us, is stunning. It means Jesus really is who he claimed to be, we are really as lost as he said we are, and he really is the only way for us to intimately and spiritually connect with God again.
β
β
Steven James (Story)
β
Stop waiting for what you want, and start working what you have. This can turn your greatest frustration into your greatest potential innovation. If you'll do your part, God will begin to do what only He can do: He'll make your box bigger.
β
β
Steven Furtick (Greater: Dream Bigger. Start Smaller. Ignite God's Vision for Your Life.)
β
He thinks I will hit him. Strike him, with a large stick. Foolish mule. Oh no, I am much more cunning. I will surprise him with kindness⦠until he grows calm and dispenses with all watchfulness, and then⦠ha! I shall punch him in the nose! Won't he be surprised! No mule can match wits with me. Oh yes, many have tried, and almost all have failed!
β
β
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))
β
The devil stole into the Garden of Eden. He carried with him the disease - amor deliria nervosa - in the form of a seed. It grew and flowered into a magnificent apple tree, which bore apples as bright as blood.
-From Genesis: A Complete History of the World and the Known Universe, by Steven Horace, PhD, Harvard University
β
β
Lauren Oliver (Delirium (Delirium, #1))
β
What matters most is not what I think I am or am not. What matters is what my Father sees in me and what He says about me.
β
β
Steven Furtick (Greater: Dream Bigger. Start Smaller. Ignite God's Vision for Your Life.)
β
This will never happen again.
I hope not. If he comes back from a beheading I think that we can just give him his crown, throw him a party, and admit defeat.
β
β
Erica Stevens (Salvation (The Captive, #4))
β
Two little mice fell into a bucket of cream. The first mouse quickly gave up and drowned, but the second mouse, he struggled so hard that he eventually churned that cream into butter and he walked out. Amen.
β
β
Frank W. Abagnale
β
Alexandra practically took Stevenβs head off once because he borrowed one of my Playboys. Yet every summer, thereβs The Bitch laying out on the beach with her Fabio-covered soft porn.
Yeah, I said, βporn.β Thatβs what it is.
And itβs not even good porn: βHe moved his trunk-like manhood toward the weeping petals of her womanly center.
β
β
Emma Chase (Tangled (Tangled, #1))
β
O Divine Poesy, goddess, daughter of Zeus, sustain for me this song of the various-minded man who, after he had plundered the innermost citadel of hallowed Troy, was made to stay grievously about the coasts of men, the sport of their customs, good and bad, while his heart, through all the sea-faring, ached with an agony to redeem himself and bring his company safe home. Vain hope β for them. The fools! Their own witlessness cast them aside. To destroy for meat the oxen of the most exalted Sun, wherefore the Sun-god blotted out the day of their return. Make this tale live for us in all its many bearings, O Muse.β β from Homerβs Odyssey, translation by T.E. Lawrence (Lawrence of Arabia)
β
β
Steven Pressfield (The War of Art)
β
So itβs fate then?β I asked with him so close my lips brushed the line of his jaw with each word, βUs being together?β
βAbsolutely,β Calvin said with a low growl. Then he lifted my chin, tilting my head back, and kissed me deeply.
Who was I to argue with Fate?
β
β
E.J. Stevens
β
I spilled spot remover on my dog; now he's gone.
β
β
Steven Wright
β
The books were easy to restack, but he pulled a few titles to donate, anyhow. Books should be an experience, he thought, not a trophy for having read them.
β
β
Steven Rowley (The Guncle)
β
God gives the exact experiences he wants them to have in order to shape the specific destiny he designed for them.
β
β
Steven Furtick (Sun Stand Still: What Happens When You Dare to Ask God for the Impossible)
β
Just because your lover died doesn't mean you can't find another. Besides, if
you don't start dating again your parents will intervene and I've met your parents, they scare the crap out of me."
Anthony shivered at the memory of his parents'
matchmaking skills. "Last time they fixed me up with a fairy."
Steven snorted. "I thought you didn't like labels."
"No. He was an actual fairy, you know, from Faeland."
That got Steven's full attention. "What happened?"
Anthony shrugged. "Let's just say it didn't work out.
β
β
Amber Kell (Attracting Anthony (Moon Pack, #1))
β
There was something so primal and hungry about the way he stared down at her..the way their bodies unconsciously strained toward one another as if nothing - not even time, not distance, not even death- could ever keep them apart.
β
β
Amanda Stevens (The Restorer (Graveyard Queen, #1))
β
A typical weeknight when he was home like this:
1. Sit down and try to do homework.
2. Get interrupted by Jeffrey: βPlease play with me!β
3. Ignore brother, try to do homework.
4. Get interrupted by Jeffrey: βCome ON, Steven! Iβm BORED!β
5. Beg Jeffrey for five minutes of peace.
6. Get begged for five minutes of play: βSteven, you never, ever play with meβever!β
7. Move entire homework operations center to different room.
8. Repeat steps #1-7 as directed by small drugged maniac.
β
β
Jordan Sonnenblick (Drums, Girls & Dangerous Pie (Drums, Girls & Dangerous Pie #1))
β
God works in mysterious ways but at least he works, he's never on welfare in a mysterious way.
β
β
Stephen Colbert
β
If he were to put his heart in my hand, he might never find it again. And I'm not cruel enough to let him break while he tries to heal the impossible.
β
β
Courtney C. Stevens (Faking Normal (Faking Normal, #1))
β
If God always met our expectations, He'd never be able to exceed them.
β
β
Steven Furtick
β
Steven, I look like a raccoon.
You do NOT look like a raccoon.
Actually, he looked like some deranged anteater, but I didnβt figure that would be the thing to tell him.
Yes, I do. Oh, no. What if I stay this way forever?
Youβre not going to stay that way forever, Jeffy. People get black eyes all the time. If they never got better, the streets would be crowded with raccoon people. Soon the raccoon people would find each other and breed.
I was on a roll here.
The preschools would fill up with strange ring-eyed children. Soon the raccoons would be taking over our streets, stealing from our garbage cans, leaving eerie tails of Dinty Moore beef stew cams in their wakes. Gangs of them would haunt the malls, buying up all the black-and-gray-striped sportswear. THE RIVERS WOULD RISE! THE VALLEYS WOULD RUN WITHβ¦
Steven youβre joking, right?
β
β
Jordan Sonnenblick (Drums, Girls & Dangerous Pie (Drums, Girls & Dangerous Pie #1))
β
You take this cold, remarkable, difficult, dangerous, borderline psychopath man, and you wonder what might have happened to him had he not met his best friend, a friend that no one would have put him with β this solid, dependable, brave, big-hearted war hero. I think people fall in love, not with Sherlock Holmes or with Dr. Watson, but with their friendship. I think it is the most famous friendship in fiction, without a doubt.
β
β
Steven Moffat (Sherlock Holmes on Screen)
β
He checked out his surrounding. More books. A drinking fountain. A poster showing a guy slam-dunking a basketball with one hand and holding a book in the other, urging kids to READ! Weird, thought Steve. How can he even see the hoop?
...
You see, Steven, Librarians are the most elite, best trained secret force in the United States of America. Probably in the world."
"No way."
"Yes way."
"What about the FBI?"
"Featherweights."
"The CIA?"
Mackintosh snorted. "Don't make me laugh. Those guys can't even dunk a basketball andd read a book at the same time.
β
β
Mac Barnett (The Case of the Case of Mistaken Identity (Brixton Brothers, #1))
β
He swam at my feet,
Powerful arms in broad strokes
Sweeping the sand.
So I asked this man,
What seas do you swim?
And to this he answered,
'I have seen shells and the like
On this desert floor,
So I swim this land's memory
Thus honouring its past,'
Is the journey far, queried I.
'I cannot say,' he replied,
'For I shall drown long before
I am done.'
Sayings of the Fool
Thenys Bule"
Steven Erikson - Malazan Book of the Fallen 02
Deadhouse Gates
β
β
Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
β
Institutionalized torture in Christendom was not just an unthinking habit; it had a moral rationale. If you really believe that failing to accept Jesus as one's savior is a ticket to fiery damnation, then torturing a person until he acknowledges this truth is doing him the biggest favor of his life: better a few hours now than an eternity later.
β
β
Steven Pinker (The Better Angels of Our Nature: Why Violence Has Declined)
β
Because civilization isn't a thing that you build and then there it is, you have it forever. It needs to be built constantly, recreated daily. It vanishes far more quickly than he ever would have thought possible. And if he wishes to live, he must do what he can to prevent the world he wants to live in from fading away. As long as there's war, life is a preventative measure.
β
β
Steven Galloway (The Cellist of Sarajevo)
β
He's opening a door, but he already knows I won't walk through. The power of Bodee is in the way he reads me, sees through me, and then understands the truth behind the facade. He's the guy who can walk straight through the House of Mirrors on the first try. It's almost annoying. No one should ride tragedy like a pro surfer while I drown.
β
β
Courtney C. Stevens (Faking Normal (Faking Normal, #1))
β
He lifted up another card and set it down before him. 'Priest of Life, hah, now that's a good one. Game's done.'
'Who wins?' the Adjunct, her face pale as candlewax, asked in a whisper.
'Nobody,' Fiddler replied. 'That's Life for you.' He suddenly rose, tottered, then staggered for the door.
β
β
Steven Erikson (The Bonehunters (Malazan Book of the Fallen, #6))
β
The One who lives outside of time invites you into a reality that is informed by His perfect plans to give you hope and a future. God speaks in the past tense about battles youβre currently fighting. And He buries the shame of yesterday in order to resurrect the moment you are in and sustain you in the season He is calling you to embrace.
β
β
Steven Furtick (Crash the Chatterbox: Hearing God's Voice Above All Others)
β
I am going to marry you.β
βArenβt you supposed to ask me first?β she inquired.
βI thought that would be redundant.β
βSo you just assumed I would say yes.β
βOf course.β
Well how the hell was she supposed to argue with that, especially with him grinning down at her like that, and a happy sparkle in his vivid eyes? βYouβre arrogant.β
βHmm.β He shrugged as his hands stroked over her back. βAnd you love it.
β
β
Erica Stevens (Salvation (The Captive, #4))
β
You know, Hitler wanted to be an artist. At eighteen he took his inheritance, seven hundred kronen, and moved to Vienna to live and study... Ever see one of his paintings? Neither have I. Resistance beat him. Call it overstatement but I'll say it anyway: it was easier for Hitler to start World War II than it was for him to face a blank square of canvas.
β
β
Steven Pressfield
β
When a warrior fights not for himself, but for his brothers, when his most passionately sought goal is neither glory nor his own life's preservation, but to spend his substance for them, his comrades, not to abandon them, not to prove unworthy of them, then his heart truly has achieved contempt for death, and with that he transcends himself and his actions touch the sublime. That is why the true warrior cannot speak of battle save to his brothers who have been there with him. The truth is too holy, too sacred, for words." -Suicide (Gates of Fire)
β
β
Steven Pressfield
β
The voice called his name again and it came through a lot of throat. Steven twisted quickly on his stool.
Just a white wall and, down near the floor, the ventilation grille. Then movement behind the grille and Steven was on his knees, peering through it, pressing his face against the mesh. In there, in the shadows beyond the spill of light from the hall, the outline of an anvil-shaped head swayed gently.
Two eyes blinked limpidly, insolent in their slowness. A dark mass moved forward into the light.
βThat Cripps man is going to fuck you up, dude.β
It was a cow. Most of the body was below floor level but Steven could tell it was a full grown animal. A sienna Guernsey. He looked closely at the flawless sandy curves of forehead and cheek, at the chocolate darkening of the mouth and nostrils, at the badger rings around the eyes. For an absurd second he thought that if he looked hard enough at it the thing might phase back into his head and disappear.
But it was real and it stayed.
βWhat β¦ ?β
βYeah, Iβm a cow, man. Touch me.β
Steven stuck his fingers through the grille. The cow was a cow, warm and solid.
β
β
Matthew Stokoe (Cows)
β
This is how great intellectual breakthroughs usually happen in practice. It is rarely the isolated genius having a eureka moment alone in the lab. Nor is it merely a question of building on precedent, of standing on the shoulders of giants, in Newton's famous phrase. Great breakthroughs are closer to what happens in a flood plain: a dozen separate tributaries converge, and the rising waters lift the genius high enough that he or she can see around the conceptual obstructions of the age.
β
β
Steven Johnson (The Ghost Map: The Story of London's Most Terrifying Epidemic--and How It Changed Science, Cities, and the Modern World)
β
I was so furious, you see, that all around me were things that could move and bend and grow and reproduce and my son - my vital, charismatic, beautiful boy - was just this thing. Immobile, wilted, bloodied, suffering. Their beauty seemed like an obscenity. I screamed and I screamed and I swore - words I didn't know I knew - until Steven came out and stood, his hand resting on my shoulder, waiting until he could be sure that I would be silent again. He didn't understnad, you see. He hadn't worked it out yet. That Will would try again. That our lives would be spent in a state of constant vigilance, waiting for the next time, waiting to see what horror he could inflict upon himself. We would have to see the world through his eyes - the potential poisons, the sharp objects, the inventiveness with which he could finish the job that damned motorcyclist had started. Our lives had to shrink to fit around the potential for that one act. And he had the advantage - he had nothing else to think about, you see ? Two weeks later, I told Will, "Yes". Of course I did. What else could I have done ?
β
β
Jojo Moyes (Me Before You (Me Before You, #1))
β
Ammanas slipped noiselessly forward until he was on the other side of the corpse. βItβs her, isnβt it.β
βIt is.β
βHow many times do our followers have to die, Cotillion?β the god asked, then sighed. βThen again, she clearly ceased being a follower some time ago.β
βShe thought we were gone, Ammanas. The Emperor and Dancer. Gone. Dead.β
βAnd in a way, she was right.β
βIn a way, aye. But not in the most important way.β
βWhich is?β
Cotillion glanced up, then grimaced. βShe was a friend.β
βAh, that most important way.
β
β
Steven Erikson (House of Chains (Malazan Book of the Fallen, #4))
β
Edward reached out with his arms and embraced her, his heart filled with a mix of sadness and hope. He desperately wanted to believe her promise and hold on to her vow that they would be reunited soon. Still, young Edwardβs life had been so full of disappointment that it was hard for him to believe his unfortunate circumstances might soon be ending. He clung to her, wishing she would never let him go.
β
β
Steven Decker (One More Life to Live (Edward and the Bricklayer Book 1))
β
It shouldn't freak you out to realize that God's eyes are on you. Because He doesn't see you through eyes of disapproval or disappointment. His presence is not a sign of condemnation. It's actually an invitation. God is present with you, through His Holy Spirit, because He intends to uproot you from the tyranny of the familiar, shatter the monotonous life you've had. And take you on an adventure.
β
β
Steven Furtick (Greater: Dream Bigger. Start Smaller. Ignite God's Vision for Your Life.)
β
Karsa reached down, gathered the skeletal figure into his arms, and then settled back. βI stepped over corpses on the way here,β the Toblakai said. βPeople no one cared about, dying alone. In my barbaric village this would never happen, but here in this city, this civilized jewel, it happens all the time. (...) What is your name?β
βMunug.β
βMunug. This night β before I must rise and walk into the temple β I am a village. And you are here, in my arms. You will not die uncared for.β
βYou β you would do this for me? A stranger?β
βIn my village no one is a stranger β and this is what civilization has turned its back on. One day, Munug, I will make a world of villages, and the age of cities will be over. And slavery will be dead, and there shall be no chains β tell your god. Tonight, I am his knight.β
Munugβs shivering was fading. The old man smiled. βHe knows.β
It wasnβt too much, to take a frail figure into oneβs arms for those last moments of life. Better than a cot, or even a bed in a room filled with loved ones. Better, too, than an empty street in the cold rain. To die in someoneβs arms β could there be anything more forgiving?
Every savage barbarian in the world knew the truth of this.
β
β
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
β
And more than that, Bodee left me with hope. For love. For wanting someone to touch me again and to lie with me without fear as my first response. Because Bodee slept in his sneakers, because Bodee asked for a kiss instead of just taking it, and because he kept space between us. He danced with two fingers until I asked for three or four... and his hand on my hip.
I know we're both still broken. Both of us. But Bodee's got the glue to make us whole.
He is love.
β
β
Courtney C. Stevens (Faking Normal (Faking Normal, #1))
β
He found himself one night in a bar standing beside a gorgeous woman. βWould you be willing to sleep with me for $1 million?β he asked her. She looked him over. There wasnβt much to seeβbut still, $1 million! She agreed to go back to his room. βAll right then, β he said. βWould you be willing to sleep with me for $100?β βA hundred dollars!β she shot back. βWhat do you think I am, a prostitute?β βWeβve already established that. Now weβre just negotiating the price.
β
β
Steven D. Levitt (Think Like a Freak)
β
The idea that boys want to sleep with their mothers strikes most men as the silliest thing they have ever heard. Obviously, it did not seem so to Freud, who wrote that as a boy he once had an erotic reaction to watching his mother dressing. But Freud had a wet-nurse, and may not have experienced the early intimacy that would have tipped off his perceptual system that Mrs. Freud was his mother. The Westermarck theory has out-Freuded Freud.
β
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Steven Pinker (How the Mind Works)
β
Let me tell you about scared. Your heart is beating so hard I can feel it through your hands. Thereβs so much blood and oxygen pumping through your brain itβs like rocket fuel. Right now you could run faster and you can fight harder. You can jump higher than ever in your life and you are so alert itβs like you can slow down time.
Whatβs wrong with scared? Scared is a superpower! Your superpower! There is danger in this room. And guess what? Itβs you. Do you feel it? Do you think he feels it? Do you think heβs scared? Nah. Loser!
β
β
Steven Moffat (Doctor Who: The Shooting Scripts)
β
The amateur dreads becoming who she really is because she fears that this new person will be judged by others as "different." The tribe will declare us "weird" or "queer" or "crazy." The tribe will reject us. Here's the truth: the tribe doesn't give a shit. There is no tribe. That gang or posse that we imagine is sustaining us by the bonds we share is in fact a conglomeration of individuals who are just as fucked up as we are and just as terrified. Each individual is so caught up in his own bullshit that he doesn't have two seconds to worry about yours or mine, or to reject or diminish us because of it. When we truly understand that the tribe doesn't give a damn, we're free. There is no tribe, and there never was. Our lives are entirely up to us.
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Steven Pressfield (Turning Pro)
β
You both love Tolstoy and Dostoyevsky, Hawthorne and Melville, Flaubert and Stendahl, but at that stage of your life you cannot stomach Henry James, while Gwyn argues that he is the giant of giants, the colossus who makes all other novelists look like pygmies. You are in complete harmony about the greatness of Kafka and Beckett, but when you tell her that Celine belongs in their company, she laughs at you and calls him a fascist maniac. Wallace Stevens yes, but next in line for you is William Carlos Williams, not T.S. Eliot, whose work Gwyn can recite from memory. You defend Keaton, she defends Chaplin, and while you both howl at the sight of the Marx Brothers, your much-adored W.C. Fields cannot coax a single smile from her. Truffaut at his best touches you both, but Gwyn finds Godard pretentious and you don't, and while she lauds Bergman and Antonioni as twin masters of the universe, you reluctantly tell her that you are bored by their films. No conflicts about classical music, with J.S. Bach at the top of the list, but you are becoming increasingly interested in jazz, while Gwyn still clings to the frenzy of rock and roll, which has stopped saying much of anything to you. She likes to dance, and you don't. She laughs more than you do and smokes less. She is a freer, happier person than you are, and whenever you are with her, the world seems brighter and more welcoming, a place where your sullen, introverted self can almost begin to feel at home.
β
β
Paul Auster (Invisible (Rough Cut))
β
This, I realized now watching Dienekes rally and tend to his men, was the role of the officer: to prevent those under this command, at all stages of battle--before, during and after--from becoming "possessed." To fire their valor when it flagged and rein in their fury when it threatened to take them out of hand. That was Dienekes' job. That was why he wore the transverse-crested helmet of an officer. His was not, I could see now, the heroism of an Achilles. He was not a superman who waded invulnerably into the slaughter, single-handedly slaying the foe by myriads. He was just a man doing a job. A job whose primary attribute was self-restraint and self-composure, not for his own sake, but for those whom he led by his example.
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β
Steven Pressfield (Gates of Fire)
β
Fiddler briefly wondered about those three dragons - where they had gone, what tasks awaited them - then he shrugged. Their appearance, their departure and, in between and most importantly, their indifference to the four mortals below was a sobering reminder that the world was far bigger than that defined by their own lives, their own desires and goals. The seemingly headlong plunge this journey had become was in truth but the smallest succession of steps, of no greater import than the struggles of a termite.
The worlds live on, beyond us, countless unravelling tales.
In his mind's eye he saw his horizons stretch out on all sides, and as they grew ever vaster he in turn saw himself as ever smaller, ever more insignificant.
We are all lone souls. It pays to know humility, lest the delusion of control, of mastery, overwhelms. And indeed, we seem a species prone to that delusion, again and ever again ...
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Steven Erikson (Deadhouse Gates (Malazan Book of the Fallen, #2))
β
Death. Now, that was an interesting notion. One that, perhaps, he should have been more familiar with than any other being, but the truth was, he knew nothing about it at all. The Jaghut went to war against death. So many met that notion with disbelief, or confusion. They could not understand.
Who is the enemy? The enemy is surrender. Where is the battlefield? In the heart of despair. How is victory won? It lies within reach. All you need do is choose to recognize it. Failing that, you can always cheat. Which is what I did. How did I defeat death? By taking its throne.
β
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Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
β
The Cool Stuff Theory of Literature is as follows: All literature consists of whatever the writer thinks is cool. The reader will like the book to the degree that he agrees with the writer about what's cool. And that works all the way from the external trappings to the level of metaphor, subtext, and the way one uses words. In other words, I happen not to think that full-plate armor and great big honking greatswords are cool. I don't like 'em. I like cloaks and rapiers. So I write stories with a lot of cloaks and rapiers in 'em, 'cause that's cool. Guys who like military hardware, who think advanced military hardware is cool, are not gonna jump all over my books, because they have other ideas about what's cool.
The novel should be understood as a structure built to accommodate the greatest possible amount of cool stuff.
β
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Steven Brust
β
Fallen. Who tracks our footsteps, I wonder? We who are the forgotten, the discounted and the ignored. When the path is failure, it is never willingly taken. The fallen. Why does my heart weep for them? Not them but us, for most assuredly I am counted among them. Slaves, serfs, nameless peasants and labourers, the blurred faces in the crowdβjust a smear on memory, a scuffing of feet down the side passages of history.
Can one stop, can one turn and force oneβs eyes to pierce the gloom? And see the fallen? Can one ever see the fallen? And if so, what emotion is born in that moment?
There were tears on his cheeks, dripping down onto his chafed hands. He knew the answer to that question, knife-sharp and driven deep, and the answer wasβ¦recognition.
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Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
β
Instructions for Dad.
I don't want to go into a fridge at an undertaker's. I want you to keep me at home until the funeral. Please can someone sit with me in case I got lonely? I promise not to scare you.
I want to be buried in my butterfly dress, my lilac bra and knicker set and my black zip boots (all still in the suitcase that I packed for Sicily). I also want to wear the bracelet Adam gave me.
Don't put make-up on me. It looks stupid on dead people.
I do NOT want to be cremated. Cremations pollute the atmosphere with dioxins,k hydrochloric acid, hydrofluoric acid, sulphur dioxide and carbon dioxide. They also have those spooky curtains in crematoriums.
I want a biodegradable willow coffin and a woodland burial. The people at the Natural Death Centre helped me pick a site not for from where we live, and they'll help you with all the arrangements.
I want a native tree planted on or near my grave. I'd like an oak, but I don't mind a sweet chestnut or even a willow. I want a wooden plaque with my name on. I want wild plants and flowers growing on my grave.
I want the service to be simple. Tell Zoey to bring Lauren (if she's born by then). Invite Philippa and her husband Andy (if he wants to come), also James from the hospital (though he might be busy).
I don't want anyone who doesn't know my saying anything about me. THe Natural Death Centre people will stay with you, but should also stay out of it. I want the people I love to get up and speak about me, and even if you cry it'll be OK. I want you to say honest things. Say I was a monster if you like, say how I made you all run around after me. If you can think of anything good, say that too! Write it down first, because apparently people often forget what they mean to say at funerals.
Don't under any circumstances read that poem by Auden. It's been done to death (ha, ha) and it's too sad. Get someone to read Sonnet 12 by Shakespeare.
Music- "Blackbird" by the Beatles. "Plainsong" by The Cure. "Live Like You Were Dying" by Tim McGraw. "All the Trees of the Field Will Clap Their Hands" by Sufian Stevens. There may not be time for all of them, but make sure you play the last one. Zoey helped me choose them and she's got them all on her iPod (it's got speakers if you need to borrow it).
Afterwards, go to a pub for lunch. I've got Β£260 in my savings account and I really want you to use it for that. Really, I mean it-lunch is on me. Make sure you have pudding-sticky toffee, chocolate fudge cake, ice-cream sundae, something really bad for you. Get drunk too if you like (but don't scare Cal). Spend all the money.
And after that, when days have gone by, keep an eye out for me. I might write on the steam in the mirror when you're having a bath, or play with the leaves on the apple tree when you're out in the garden. I might slip into a dream.
Visit my grave when you can, but don't kick yourself if you can't, or if you move house and it's suddenly too far away. It looks pretty there in the summer (check out the website). You could bring a picnic and sit with me. I'd like that.
OK. That's it.
I love you.
Tessa xxx
β
β
Jenny Downham
β
Though many of my arguments will be coolly analytical β that an acknowledgment of human nature does not, logically speaking, imply the negative outcomes so many people fear β I will not try to hide my belief that they have a positive thrust as well. "Man will become better when you show him what he is like," wrote Chekhov, and so the new sciences of human nature can help lead the way to a realistic, biologically informed humanism. They expose the psychological unity of our species beneath the superficial differences of physical appearance and parochial culture. They make us appreciate the wondrous complexity of the human mind, which we are apt to take for granted precisely because it works so well. They identify the moral intuitions that we can put to work in improving our lot. They promise a naturalness in human relationships, encouraging us to treat people in terms of how they do feel rather than how some theory says they ought to feel. They offer a touchstone by which we can identify suffering and oppression wherever they occur, unmasking the rationalizations of the powerful. They give us a way to see through the designs of self-appointed social reformers who would liberate us from our pleasures. They renew our appreciation for the achievements of democracy and of the rule of law. And they enhance the insights of artists and philosophers who have reflected on the human condition for millennia.
β
β
Steven Pinker (The Blank Slate: The Modern Denial of Human Nature)
β
Thirteen Ways of Looking at a Blackbird"
I
Among twenty snowy mountains,
The only moving thing
Was the eye of the blackbird.
II
I was of three minds,
Like a tree
In which there are three blackbirds.
III
The blackbird whirled in the autumn winds.
It was a small part of the pantomime.
IV
A man and a woman
Are one.
A man and a woman and a blackbird
Are one.
V
I do not know which to prefer,
The beauty of inflections
Or the beauty of innuendoes,
The blackbird whistling
Or just after.
VI
Icicles filled the long window
With barbaric glass.
The shadow of the blackbird
Crossed it, to and fro.
The mood
Traced in the shadow
An indecipherable cause.
VII
O thin men of Haddam,
Why do you imagine golden birds?
Do you not see how the blackbird
Walks around the feet
Of the women about you?
VIII
I know noble accents
And lucid, inescapable rhythms;
But I know, too,
That the blackbird is involved
In what I know.
IX
When the blackbird flew out of sight,
It marked the edge
Of one of many circles.
X
At the sight of blackbirds
Flying in a green light,
Even the bawds of euphony
Would cry out sharply.
XI
He rode over Connecticut
In a glass coach.
Once, a fear pierced him,
In that he mistook
The shadow of his equipage
For blackbirds.
XII
The river is moving.
The blackbird must be flying.
XIII
It was evening all afternoon.
It was snowing
And it was going to snow.
The blackbird sat
In the cedar-limbs.
β
β
Wallace Stevens