Sterling Silver Quotes

We've searched our database for all the quotes and captions related to Sterling Silver. Here they are! All 37 of them:

Where did you meet?” he pressed on. I shrugged and considered a little rephrasing. “I was out for a run.” “From who?” I leaned back to take a long, very long, slow sip of that beer. Knox leaned forward. “I think we’re both bullsh*tting here, you ever play that card game?” “With my grandma, every Sunday after church.
Dannika Dark (Sterling (Mageri, #1; Mageriverse #1))
Women were gravitating towards him from all directions like a planetary orbit. (Zoe on meeting Justus)
Dannika Dark (Sterling (Mageri, #1; Mageriverse #1))
There's no use in denying it: this has been a bad week. I've started drinking my own urine. I laugh spontaneously at nothing. Sometimes I sleep under my futon. I'm flossing my teeth constantly until my gums are aching and my mouth tastes like blood. Before dinner last night at 1500 with Reed Goodrich and Jason Rust I was almost caught at a Federal Express in Times Square trying to send the mother of one of the girls I killed last week what might be a dried-up, brown heart. And to Evelyn I successfully Federal Expressed, through the office, a small box of flies along with a note, typed by Jean, saying that I never, ever wanted to see her face again and, though she doesn't really need one, to go on a fucking diet. But there are also things that the average person would think are nice that I've done to celebrate the holiday, items I've bought Jean and had delivered to her apartment this morning: Castellini cotton napkins from Bendel's, a wicker chair from Jenny B. Goode, a taffeta table throw from Barney's, a vintage chain-mail-vent purse and a vintage sterling silver dresser set from Macy's, a white pine whatnot from Conran's, an Edwardian nine-carat-gold "gate" bracelet from Bergdorfs and hundreds upon hundreds of pink and white roses.
Bret Easton Ellis (American Psycho)
That’s my cousin, dickwad,” Agent Jaxon Tremain said from Hector’s left. Had Whacky Jacky been next to Dallas, he would have drilled his knuckles into the guy’s bicep. “Watch your mouth.” “By watch my mouth do you mean I should invite your cuz back to my place for a game of Hide the Magic Wand, or my new personal fave, Puff on the Magic Dragon?” Dallas asked conversationally. “And I know what you’re thinking. I’m really into wizardry these days. Well, you’re right.” Hector gave a rusty bark of laughter. He hadn’t observed Dallas in this good a mood in a long time. A low growl escaped Jaxon. “I meant I’d scoop out your liver with a spoon, you idiot!” “Sterling silver or plastic?” Hector asked. In their line of work, details were important. Besides, he liked being part of their banter.
Gena Showalter (Dark Taste of Rapture (Alien Huntress, #6))
When Sterling’s eyesight did finally fail him completely, we were up in years, content to sit in our garden and reflect on what a wondrous and exciting life we’d led. He did not see my hair fade into silver. For him it was always a vibrant red. I watched him age gracefully and with dignity. He leaned on me much more than he did his walking stick, which was how it should be, because when I needed him most, he was always there for me. Each day I thought I could love him no more than I already did—and the following morning I was always proven wrong, for I awoke loving him just a little bit more.
Lorraine Heath (Surrender to the Devil (Scoundrels of St. James, #3))
When you run, run to me
Catherine Anderson
Old people often have unknown treasures in their homes, and I had often wondered what valuables the old man might have sitting around: original Hummel figurines perhaps, or some pieces of sterling silver. Something to show people later, proof that I had made a connection, that I was the kind of person to whom other people gave things. Something I could sell if I needed to.
Todd Robinson (THUGLIT Issue Thirteen)
Ultimately, the roast turkey must be regarded as a monument to Boomer's love. Look at it now, plump and glossy, floating across Idaho as if it were a mammoth, mutated seed pod. Hear how it backfires as it passes the silver mines, perhaps in tribute to the origin of the knives and forks of splendid sterling that a roast turkey and a roast turkey alone possesses the charisma to draw forth into festivity from dark cupboards. See how it glides through the potato fields, familiarly at home among potatoes but with an air of expectation, as if waiting for the flood of gravy. The roast turkey carries with it, in its chubby hold, a sizable portion of our primitive and pagan luggage. Primitive and pagan? Us? We of the laser, we of the microchip, we of the Union Theological Seminary and Time magazine? Of course. At least twice a year, do not millions upon millions of us cybernetic Christians and fax machine Jews participate in a ritual, a highly stylized ceremony that takes place around a large dead bird? And is not this animal sacrificed, as in days of yore, to catch the attention of a divine spirit, to show gratitude for blessings bestowed, and to petition for blessings coveted? The turkey, slain, slowly cooked over our gas or electric fires, is the central figure at our holy feast. It is the totem animal that brings our tribe together. And because it is an awkward, intractable creature, the serving of it establishes and reinforces the tribal hierarchy. There are but two legs, two wings, a certain amount of white meat, a given quantity of dark. Who gets which piece; who, in fact, slices the bird and distributes its limbs and organs, underscores quite emphatically the rank of each member in the gathering. Consider that the legs of this bird are called 'drumsticks,' after the ritual objects employed to extract the music from the most aboriginal and sacred of instruments. Our ancestors, kept their drums in public, but the sticks, being more actively magical, usually were stored in places known only to the shaman, the medicine man, the high priest, of the Wise Old Woman. The wing of the fowl gives symbolic flight to the soul, but with the drumstick is evoked the best of the pulse of the heart of the universe. Few of us nowadays participate in the actual hunting and killing of the turkey, but almost all of us watch, frequently with deep emotion, the reenactment of those events. We watch it on TV sets immediately before the communal meal. For what are footballs if not metaphorical turkeys, flying up and down a meadow? And what is a touchdown if not a kill, achieved by one or the other of two opposing tribes? To our applause, great young hungers from Alabama or Notre Dame slay the bird. Then, the Wise Old Woman, in the guise of Grandma, calls us to the table, where we, pretending to be no longer primitive, systematically rip the bird asunder. Was Boomer Petaway aware of the totemic implications when, to impress his beloved, he fabricated an outsize Thanksgiving centerpiece? No, not consciously. If and when the last veil dropped, he might comprehend what he had wrought. For the present, however, he was as ignorant as Can o' Beans, Spoon, and Dirty Sock were, before Painted Stick and Conch Shell drew their attention to similar affairs. Nevertheless, it was Boomer who piloted the gobble-stilled butterball across Idaho, who negotiated it through the natural carving knives of the Sawtooth Mountains, who once or twice parked it in wilderness rest stops, causing adjacent flora to assume the appearance of parsley.
Tom Robbins (Skinny Legs and All)
Julius explained that the palace rooms where they stood were called Wunderkammers, or wonder rooms. Souvenirs of nature, of travels across continents and seas; jewels and skulls. A show of wealth, intellect, power. The first room had rose-colored glass walls, with rubies and garnets and bloodred drapes of damask. Bowls of blush quartz; semiprecious stone roses running the spectrum of red down to pink, a hard, glittering garden. The vaulted ceiling, a feature of all the ten rooms Julius and Cymbeline visited, was a trompe l'oeil of a rosy sky at down, golden light edging the morning clouds. The next room was of sapphire and sea and sky; lapis lazuli, turquoise and gold and silver. A silver mermaid lounged on the edge of a lapis lazuli bowl fashioned in the shape of an ocean. Venus stood aloft on the waves draped in pearls. There were gold fish and diamond fish and faceted sterling silver starfish. Silvered mirrors edged in silvered mirror. There were opals and aquamarines and tanzanite and amethyst. Seaweed bloomed in shades of blue-green marble. The ceiling was a dome of endless, pale blue. A jungle room of mica and marble followed, with its rain forest of cats made from tiger's-eye, yellow topaz birds, tortoiseshell giraffes with stubby horns of spun gold. Carved clouds of smoky quartz hovered over a herd of obsidian and ivory zebras. Javelinas of spotted pony hide charged tiny, life-sized dik-diks with velvet hides, and dazzling diamond antlers mingled with miniature stuffed sable minks. Agate columns painted a medley of dark greens were strung with faceted ropes of green gold. A room of ivory: bone, teeth, skulls, and velvet. A room crowded with columns all sheathed in mirrors, reflecting world maps and globes and atlases inlaid with silver, platinum, and white gold; the rubies and diamonds that were sometimes set to mark the location of a city or a town of conquest resembled blood and tears. A room dominated by a fireplace large enough to hold several people, upholstered in velvets and silks the colors of flame. Snakes of gold with orange sapphire and yellow topaz eyes coiled around the room's columns. Statues of smiling black men in turbans offering trays of every gem imaginable-emerald, sapphire, ruby, topaz, diamond-stood at the entrance to a room upholstered in pistachio velvet, accented with malachite, called the Green Vault. Peridot wood nymphs attended to a Diana carved from a single pure crystal of quartz studded with tiny tourmalines. Jade tables, and jade lanterns. The royal jewels, blinding in their sparkling excess: crowns, tiaras, coronets, diadems, heavy ceremonial necklaces, rings, and bracelets that could span a forearm, surrounding the world's largest and most perfect green diamond. Above it all was a night sky of painted stars, with inlaid cut crystal set in a serious of constellations.
Whitney Otto (Eight Girls Taking Pictures (Thorndike Press Large Print Basic Series))
Before they even reached the front door, it opened and a small, silver-gray terrier came bounding out. He stopped a few yards away from Merritt and growled. "Hello, Wallace," she said with a faint smile, and stood still as he came to her. The terrier circled around her, sniffing at her skirts. In a moment he gazed up at her with bright eyes and a wagging tail, and let her pet him. "What a handsome boy you are," she exclaimed, smoothing his fur.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Oh, this smells fantastic.” She slid up onto one of the stools. “Italian. And you said you could only make one thing.” “Yeah, I really slaved over this.” He turned toward the oven with a flourish and removed a flat pan with… Ehlena burst out laughing. “French-bread pizza.” “Only the best for you.” “DiGiorno?” “Of course. And I splurged on the supreme kind. I figured you could pick off what you don’t like.” He used a pair of sterling-silver tongs to transfer the pizzas onto the plates and then put the baking sheet back on the top of the stove. “I have red wine, too.” As he came over with the bottle, all she could do was stare up at him and smile. “You know,” he said as he poured some into her glass, “I like the way you’re looking at me.” She put her hands over her face. “I can’t help it.” “Don’t try. It makes me feel taller.” “And you’re not small to begin with.” -Ehlena & Rehv
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
By the time India shifted the backing of its rupee to the gold-backed pound sterling in 1898, the silver backing its rupee had lost 56% of its value in the twenty-seven years since the end of the Franco-Prussian War. For China, which stayed on the silver standard until 1935, its silver (in various names and forms) lost 78% of its value over the period. It is the author's opinion that the history of China and India, and their failure to catch up to the West during the twentieth century, is inextricably linked to this massive destruction of wealth and capital brought about by the demonetization of the monetary metal these countries utilized.
Saifedean Ammous (The Bitcoin Standard: The Decentralized Alternative to Central Banking)
One of the most effective ways to quicken your story’s pace is to move from a static description of an object, place or person to an active scene. The classic method for accomplishing this is to have your character interact with the subject that’s been described. For instance, let’s say you’ve just written three paragraphs describing a wedding dress in a shop window. You’ve detailed the Belgian lace veil, the beaded bodice, the twelve-foot train, even the row of satin buttons down the sleeves. Instinctively you feel it’s time to move into an action scene, but how do you do it without making your transition obvious? A simple, almost seamless way is to initiate an action between your character (let’s call her Miranda) and the dress you’ve just described. Perhaps Miranda could be passing by on the sidewalk when the dress in the window catches her attention. Or she could walk into the shop and ask the shopkeeper how much the dress costs. This method works well to link almost any static description with a scene of action. Describe an elegant table, for instance, complete with crystal goblets, damask tablecloth, monogrammed napkins and sterling silver tableware; then let the maid pull a cloth from her apron and begin to polish one of the forks. Or describe a Superman kite lying beside a tree, then watch as a little girl grabs the string and begins to run. You will still be describing, but the nature of your description will have changed from static to active, thus quickening the story’s pace. Throughout
Rebecca McClanahan (Word Painting: A Guide to Writing More Descriptively)
Hmm. Feels like my brilliant pep talk isn’t doing its job—so how about we play Name That Baby Alicorn? Otherwise I’m going to call them Sparkle Tushie Number One and Number Two. Actually, I’m probably going to call them that anyway—but I might occasionally go with something more official, as long as Mama and Papa pick something that pleases me.” Silveny didn’t seem to understand anything he was saying, so Sophie did her best to explain telepathically. Name baby? Name baby? Silveny asked, glancing at Greyfell. “I don’t think they’ve picked anything yet,” Sophie told Keefe. He clapped his hands. “Perfect! It’s a girl and a boy, right? So how about Keeferina and the Keefster?” “Keeferina?” Sophie had to ask. Even Silveny looked like she was wincing. “Or Keefette. Or Keefelle. Or Keefiana. Honestly, I thought you’d fight me harder on the Keefster.” “How about nothing with Keefe?” Sophie suggested. “See, but there really is no better name, is there?” He glanced at Silveny, who definitely did not chant any Keefes. “Fine. Your loss. How about an homage to the Mysterious Miss F instead? We could have a little Sophie and a little Foster—though now that I’m saying that out loud, I’m realizing how confusing that would get. What’s your middle name, again? Something with an E?” “Elizabeth,” Sophie confirmed. “What’s yours?” “It’s ‘Nope’—as in nope, we’re so not going there.” “Why not?” Ro asked, momentarily breaking the Bo-Ro glarefest. “Because I have enough humiliation in my immediate future, thanks to you,” he told her. “Yeah, I think you’re going to have to tell me now,” Sophie insisted. “See, but I’m too busy naming alicorn babies. They’re silver, right? So how about Sterling and Argent?” “Argent?” Sophie repeated. “Yeah, wow, I’m pretty bad at this. You might want to help, or I’m going back to Keeferina.
Shannon Messenger (Flashback (Keeper of the Lost Cities #7))
Raphael pulled out a paperback and handed it to me. The cover, done back in the time when computer-aided imagine manipulation had risen to the level of art, featured an impossibly handsome man, leaning forward, one foot in a huge black boot resting on the carcass of some monstrous sea creature. His hair flowed down to his shoulders in a mane of white gold, in stark contrast to his tanned skin and the rakish black patch hiding his left eye. His white, translucent shirt hung open, revealing abs of steel and a massive, perfectly carved chest graced by erect nipples. His muscled thighs strained the fabric of his pants, which were unbuttoned and sat loosely on his narrow hips, a touch of a strategically positioned shadow hinting at the world’s biggest boner. The cover proclaimed in loud golden letters: The Privateer’s Virgin Mistress, by Lorna Sterling. “Novel number four for Andrea’s collection?” I guessed. Raphael nodded and took the book from my hands. “I’ve got the other one Andrea wanted, too. Can you explain something to me?” Oh boy. “I can try.” He tapped the book on his leather-covered knee. “The pirate actually holds this chick’s brother for ransom, so she’ll sleep with him. These men, they aren’t real men. They’re pseudo-bad guys just waiting for the love of a ‘good’ woman.” “You actually read the books?” He gave me a chiding glance. “Of course I read the books. It’s all pirates and the women they steal, apparently so they can enjoy lots of sex and have somebody to run their lives.” Wow. He must’ve had to hide under his blanket with a flashlight so nobody would question his manliness. Either he really was in love with Andrea or he had a terminal case of lust. “These guys, they’re all bad and aggressive as shit, and everybody wets themselves when they walk by, and then they meet some girl and suddenly they’re not uber-alphas; they are just misunderstood little boys who want to talk about their feelings.” “Is there a point to this dissertation?” He faced me. “I can’t be that. If that’s what she wants, then I shouldn’t even bother.” I sighed. “Do you have a costume kink? French maid, nurse . . .” “Catholic school girl.” Bingo. “You wouldn’t mind Andrea wearing a Catholic school uniform, would you?” “No, I wouldn’t.” His eyes glazed over and he slipped off to some faraway place. I snapped my fingers. “Raphael! Focus.” He blinked at me. “I’m guessing—and this is just a wild stab in the dark—that Andrea might not mind if once in a while you dressed up as a pirate. But I wouldn’t advise holding her relatives for ransom nookie. She might shoot you in the head. Several times. With silver bullets.
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
Marooned by all but one of his new disciples, the busker complete his act unfazed. The perfumed air seems to be replaced by a faint electrical smell like ozone after a lightning strike. When the man becomes a sterling tableau in the setting sun, Leah stares into his unblinking moonstone eye.
Laura Treacy Bentley (The Silver Tattoo)
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February 14: Marilyn and Miller send Steffi Sidney (Sidney Skolsky’s daughter) a wedding present: a sterling silver cigarette box with the inscription “For this wonderful day—affectionately, Marilyn and Arthur.” Epoca (Italy) shows Marilyn in a white halter-top in a photo taken during a party for Let’s Make Love.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
Impa and Genison stood back, as Link looked at himself in the mirror. Wearing a white waistcoat tuxedo with gleaming silver trim and polished black riding boots, Link looked like one of those bold, valiant knights in the Disney movies. A Sheikah crest of dark blue enamel on sterling silver had been pinned to his chest, and his hair had been trimmed and styled so as not to appear as scruffy as it normally did. "You clean up nice, man," Genison laughed, and next to him Impa chuckled. Genison himself stood in a similar white tux, but without any extra decoration. "Hey, Hans from Frozen called, he wants his suit back." Link smirked at his best man. "Is all of this really necessary?" Link asked, not truly recognizing himself in the mirror.
J. Row (The Legend of Zelda: A Sword in the Time of Guns: Vol. 6)
These fifty Sterling Silver Roses symbolize my love for you knows no bounds. I will never let you go. We belong together. I intend to make you face the truth and punish you soundly for your transgressions. Your love forever, Baz
Charmaine Louise Shelton (Heighten My Desires; Sebastian & Lola Part II (Steele International, Inc. #2))
This is the backward hemisphere. Underdeveloped. The realm of the second-class (save for an upper crust, with their silvered spoons). This is the kingdom of poverty, of disease and the starving peasant...the hemisphere of silence...of patient resignation...up to a point.
Sterling Hayden (Wanderer)
Other than showing up in white tie and tails for the lavish awards ceremonies—the event is so fancy that even the traffic cops outside wear tuxedos, and the sterling silver laid out for the ensuing banquet is never used for any other function—a Nobel laureate’s only unavoidable duty during prize week is to deliver a lecture. Jack Kilby’s Nobel lecture in physics took place in a classically Scandinavian lecture hall, all blond wood and sleek modern furniture, on the campus of Stockholm University. Jack was introduced by a Swedish physicist who noted that “Dr. Kilby’s” invention had launched the global digital revolution, making possible calculators, computers, digital cameras, pacemakers, the Internet, etc., etc. Naturally, Jack wasn’t going to let that go unanswered. “When I hear that kind of thing,” he said, “it reminds me of what the beaver told the rabbit as they stood at the base of Hoover Dam: ‘No, I didn’t build it myself, but it’s based on an idea of mine.’” Everybody liked that joke, so Jack quickly added that he had borrowed the story from Charles H. Townes, an American who won the physics prize in 1964.
T.R. Reid (The Chip: How Two Americans Invented the Microchip and Launched a Revolution)
(In the Clark apartment doorknobs and plates and hinges were overlaid with sterling silver.) There were inlaid marble floors, wrought-iron staircases, walls wainscoted in rare marbles and choice hardwoods, bronze lamp fixtures and railings in the elevator lobbies.
Stephen Birmingham (Life at the Dakota: New York's Most Unusual Address)
The Collapse of Society 21Look how the once faithful city has become as unfaithful as a prostitute! She who was once the “Center of Justice,” where righteousness made its home, is now the dwelling place of murderers!ap 22She was once like sterling silver, now only mixture; once so pure, now diluted like watered-down wine.aq 23Your rulers are rebellious and companions of crooks. They are self-centered racketeers who love a bribe and who chase after payoffs. They don’t defend the fatherless or consider the rights of a helpless widow. 24Therefore, here is what the Sovereign One decrees, the Lord God of Angel Armies, the Mighty One of Israel: “Ah,ar I will get relief from my adversaries and avenge myself on my foes!as 25I will bring my fiery hand upon you and burn you and purify you into something clean.”at God Promises Deliverers 26“I will restore deliverers as in former times and your wise counselors as at the beginning.au Only then will you be called the Righteous City and the Faithful City!”av 27Yes, Zion will be redeemed with justice and her repentant converts with righteousness.aw 28There will be a shattering of rebels and sinners together, and those who forsake the Lord will be consumed. 29You will reap shame from the idols you once delighted in and you will be humiliated by your cultic sacred groves,ax where you chose to worship. 30You will be like an oak tree with faded, fallen leaves and like a withered, waterless garden. 31The “powerful elite” will become like kindling and their evil deeds like sparks—both will burn together and no one will be able to put out the fire. a 1:1 Or “prophecy.
Brian Simmons (The Book of Isaiah: The Vision (The Passion Translation (TPT)))
The reception tent was rigged with a custom lighting system that projected twinkling constellations in an evening sky. Every table had a massive floral centerpiece draped in lush white flowers and dripping with crystals. The china, crystal, and sterling silver were brought in from England. Fun fact: just one sterling place setting cost roughly $800. The gilded custom stage for the orchestra-style band would have been suited to a Roaring Twenties New York City ballroom. Ornamental bushes dotted the room, trimmed to resemble the constellations brought to life, from the Hunter to the Big Dipper. However, the crown jewel was the head table, a round mirrored table underneath a huge hanging ring of white orchids, peonies, and crystals---and in front of a solid wall of five thousand white roses and ranunculus. The sight was truly breathtaking.
Mary Hollis Huddleston (Without a Hitch)
Silver Star recommendation; vs. Koch Tompkins, Gwen Tompkins, Warwick: Fifty South to Fifty South; friendship with SH; HUAC testimony on; and Johnsons; politics of; on SH biography Tompkins, Warwick, Jr.
Lee Mandel (Sterling Hayden's Wars (Hollywood Legends))
As if the name Sterling Woodcock wasn’t enough of a giveaway, he’s now bragging about the hunting trip he and his dad spent hundreds of thousands of dollars on to kill lions born and bred in captivity, like that will somehow make their dicks bigger.
Elsie Silver (Powerless (Chestnut Springs, #3))
Polly had a sound. It came from the necklace she always wore: a long silver chain, from which she'd hung two pendants---one fine and shaped like a jacaranda tree, the other a sterling silver cat. The jacaranda tree had been a gift, and the cat had come from a secondhand shop; it had once been the top of a baby's rattle, Polly said, back in the olden days, a "hey diddle diddle" cat with a ball inside that made a soft tinkle whenever she walked. Jess loved that sound. It always made her feel safe and warm and happy.
Kate Morton (Homecoming)
First in line was the Hanukkah table, all a-glitter with blue and silver tinsel and featuring a huge antique Art Deco menorah in sterling silver. There were platters of smoked salmon, trays of rugelach, babkas, and sufganiyot, and on small nearby steam tables, dishes of brisket and of latkes. The main table also held a large collection of side dishes or trimmings - cream cheese, applesauce, onions, pickles, horseradish, tomatoes, capers, and such - and was strewn with Hanukkah gelt and chocolate-marshmallow dreidels on pretzel sticks.
Donna Andrews (Owl Be Home for Christmas (Meg Lanslow, #26))
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The crown and engraved scepters every Lovett High homecoming queen receives aren’t the run-of-the-mill plastic tiaras you see at nearly every other high school. A family-owned local jeweler has crafted and donated the pieces to our high school’s queens since the daughter of the family’s patriarch won the title two years before my grandmother. The designs of the crown and scepter have varied over the years, but the quality remains the same. The sparkling accessories are made of sterling silver and adorned with hundreds of cubic zirconia crystals.
Jumata Emill (The Black Queen)
Like sterling silver, love will tarnish unless it is polished with daily applications of interest, involvement, and expressions of love.
Zig Ziglar (See You at the Top)
In addition to a stack of small white plates, a basket of rolled cloth napkins, and a pile of polished silver forks, there is baked Brie in puff pastry, caviar with blinis (caviar!), a shallow bowl of beautiful purple grapes with a sterling silver pair of scissors placed beside it, poached shrimp with cocktail sauce, and a pale pink mold in the shape of a fish with crackers surrounding it, thin lemon slices and capers on top. "That's not the salmon mousse from the Silver Palate, is it?" I ask. The salmon mousse from the Silver Palate is perhaps my favorite thing to eat in the world. "Oh shoot," she says, and I can all but imagine her stomping her little foot. "You found me out. Is it just so tacky I brought in food from the city? I did press the mousse into the fish mold myself, and I also fixed the Brie. That is, I put some apricot jam on it and wrapped it in Pepperidge Farm puff pastry dough.
Susan Rebecca White (A Place at the Table)
they aren’t sterling silver or even gold. They’re this deep copper color, blackened at the edges. Realization washes over me, as potent and clear as an ocean wave. It’s a penny. A real penny that has been attached to a bracket, melded to make this cufflink that he wears on his body. I pick one up and find it warm. My gaze rises to meet his. “Where is this from?” I already know the answer, but it still makes me shiver to hear him say, “They’re two of the breadcrumbs you left me. So I never forget.
Skye Warren (The King (Masterpiece Duet, #1))
It also feels good when I slide my hand down and take a big handful of her Levi’s-clad ass while winking over my shoulder at that red blinking light. Because I know Sterling Woodcock will check these tapes.
Elsie Silver (Powerless (Chestnut Springs #3))