Stepped Up Dad Quotes

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Well, that’s growing up, isn’t it?” my dad said. “You don’t always have to know. And things aren’t always fair. You just have to keep moving forward. A step in one direction.
Robin Benway (Emmy & Oliver)
You should have called us. Desmond would have picked you up.' 'No I wouldn't,' Valkyrie's dad said, stepping into earshot. 'Sorry, Fletcher, but I had important fatherly duties to take care of, which included eating breakfast, showering, and finding my trousers. Of those three, I only managed two. Without looking down, can you guess which one I missed?'... Fletcher smiled back. 'I just want to borrow Stephanie for a moment.' 'Take our daughter,' Valkryie's dad said, waving a hand airily. 'We have another one now.
Derek Landy (Death Bringer (Skulduggery Pleasant, #6))
See it was like this when we waltz into this place. A couple of papish cats is doing an Aztec two-step And I says Dad let's cut but then this dame comes up behind me see and says you and me could really exist Wow I says Only the next day she has bad teeth and really hates poetry.
Lawrence Ferlinghetti
Standing Here My entire world far beneath my feet, I should be filled with pride. Instead, I feel overwhelmed by a sense of defeat. Suddenly it comes to me, toes tempted to test the ledge, that there is a way out of this. Clam surety flows through my veins, and as I turn to wave good-bye, I wonder if it will hurt or if a single person will cry at my funeral. I take a deep breath, a final taste of sweet mountain air. I conjure Leona, Emily. Move my feet closer. Closer There's Grandma One, Grandma Two, and their spouses, waiting for me. I see Dad. Cara. Mommy. I screw up my courage, step over
Ellen Hopkins (Impulse (Impulse, #1))
Dad, will they ever come back?" "No. And yes." Dad tucked away his harmonica. "No not them. But yes, other people like them. Not in a carnival. God knows what shape they'll come in next. But sunrise, noon, or at the latest, sunset tomorrow they'll show. They're on the road." "Oh, no," said Will. "Oh, yes, said Dad. "We got to watch out the rest of our lives. The fight's just begun." They moved around the carousel slowly. "What will they look like? How will we know them?" "Why," said Dad, quietly, "maybe they're already here." Both boys looked around swiftly. But there was only the meadow, the machine, and themselves. Will looked at Jim, at his father, and then down at his own body and hands. He glanced up at Dad. Dad nodded, once, gravely, and then nodded at the carousel, and stepped up on it, and touched a brass pole. Will stepped up beside him. Jim stepped up beside Will. Jim stroked a horse's mane. Will patted a horse's shoulders. The great machine softly tilted in the tides of night. Just three times around, ahead, thought Will. Hey. Just four times around, ahead, thought Jim. Boy. Just ten times around, back, thought Charles Halloway. Lord. Each read the thoughts in the other's eyes. How easy, thought Will. Just this once, thought Jim. But then, thought Charles Halloway, once you start, you'd always come back. One more ride and one more ride. And, after awhile, you'd offer rides to friends, and more friends until finally... The thought hit them all in the same quiet moment. ...finally you wind up owner of the carousel, keeper of the freaks... proprietor for some small part of eternity of the traveling dark carnival shows.... Maybe, said their eyes, they're already here.
Ray Bradbury (Something Wicked This Way Comes)
Dad also has the loudest, stinkiest farts in creation. I don’t know how he manages to control them at work, or even if he does, but when he’d get home, he’d let them loose. They’d start as he walked up the stairs. Step, fart. Step, fart. Step, fart.
Atheneum Books for Young Readers (Out of My Mind (The Out of My Mind Series))
I step back and shout, "Can everyone shut the fuck up?" My dad gasps and says, "Valentina, you no be rude you friends like that!" I nod my head in agreement and try again, "Can everyone please shut the fuck up?" My dad nods his head in a that's better motion.
Belle Aurora (Friend-Zoned (Friend-Zoned, #1))
What would it hurt for me to give that homeless guy a couple bucks? Who the hell cares if he spends it on beer? Maybe beer is a step up for him from the harder stuff that knocked him onto the streets in the first place. Maybe, just maybe, he’s actually going to spend it on food (homeless people do eat, right?). Maybe, he really is a desperate human being who is trying to change his situation.
Dan Pearce (Single Dad Laughing: The Best of Year One)
The way Mom saw it, women should let menfolk do the work because it made them feel more manly. That notion only made sense if you had a strong man willing to step up and get things done, and between Dad's gimp, Buster's elaborate excuses, and Apache's tendency to disappear, it was often up to me to keep the place from falling apart. But even when everyone was pitching in, we never got out from under all the work. I loved that ranch, though sometimes it did seem that instead of us owning the place, the place owned us.
Jeannette Walls (Half Broke Horses)
Henry steps forward, and Oscar looks him up and down- the Burberry bag, the cooler on his shoulder, the elegant smile, the extended hand. His dad had been confused but ultimately willing when to roll with it when Alex asked if he could bring a friend and casually mentioned the friend would be the Prince of Wales. He's not sure how this will go. "Hello," Henry says. "Good to meet you. I'm Henry." Oscar slaps his hand into Henry's. "Hope you're ready to fucking party.
Casey McQuiston (Red, White & Royal Blue)
My mom says, "Do you know what the AIDS memorial quilt is all about?" Jump to how much I hate my brother at this moment. I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it." Give me amnesia. Flash. Give me new parents. Flash. Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea." My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind." Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things." The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does." My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute." My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which." Yellow," my father says, "means watersports." A lighter shade of blue," Mom says, "would mean just regular oral sex." Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which." My mother passes me the quilted chicken with the rolls still warm inside. We're supposed to sit and eat with Shane dead all over the table in front of us. Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material." Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?" I know it isn't table talk. And fisting?" my mom asks. I say, I know. I don't mention Manus and his vocational porno magazines. We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray. Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?
Chuck Palahniuk (Invisible Monsters)
(I pull the second to last item out of my bag. Her purple hair clip. She told me once how much it meant to her, and why she always keeps it.) This purple hair clip? It really is magic…just like your dad told you it was. It’s magic because, no matter how many times it lets you down…you keep having hope in it. You keep trusting it. No matter how many times it fails you, You never fail it. Just like you never fail me. I love that about you, because of you. (I set it back down and pull out a strip of paper and unfold it.) Your mother. (I sigh) Your mother was an amazing woman, Lake. I'm blessed that I got to know her, And that she was a part of my life, too. I came to love her as my own mom…just as she came to love Caulder and I as her own. I didn’t love her because of you, Lake. I loved her because of her. So, thank you for sharing her with us. She had more advice about Life and love and happiness and heartache than anyone I've ever known. But the best advice she ever gave me? The best advice she ever gave us? (I read the quote in my hands) "Sometimes two people have to fall apart, to realize how much they need to fall back together." (She’s definitely crying now. I place the slip back inside the satchel and take a step closer to the edge of the stage as I hold her gaze.) The last item I have wouldn’t fit, because you’re actually sitting in it. That booth. You’re sitting in the exact same spot you sat in when you watched your first performance on this stage. The way you watched this stage with passion in your eyes…I'll never forget that moment. It's the moment I knew it was too late. I was too far gone by then. I was in love with you. I was in love with you because of you. (I back up and sit down on the stool behind me, still holding her stare.) I could go on all night, Lake. I could go on and on and on about all the reasons I'm in love with you. And you know what? Some of them are the things that life has thrown our way. I do love you because you're the only other person I know that understands my situation. I do love you because both of us know what it's like to lose your mom and your dad. I do love you because you're raising your little brother, just like I am. I love you because of what you went through with your mother. I love you because of what we went through with your mother. I love the way you love Kel. I love the way you love Caulder. And I love the way I love Kel. So I'm not about to apologize for loving all these things about you, no matter the reasons or the circumstances behind them. And no, I don’t need days, or weeks, or months to think about why I love you. It’s an easy answer for me. I love you because of you. Because of every single thing about you.
Colleen Hoover (Point of Retreat (Slammed, #2))
Kelly glanced at the freezer as they headed for the steps. “Hey, maybe one of them will donate a liver to your dad.” Nick looked over his shoulder at Kelly, his eyes wide. “I’m just saying. Three perfectly good livers sitting in there,” Kelly said, completely deadpan. “Nobody’s using them. I’ll go get one for you.” Nick gaped at him. “How the hell did you ever pass your psych evals?” “I cheated off your papers.” Nick rolled his eyes and started up the stairs. “The Navy gives bubble tests. When in doubt, go with C.” “Kelly.” “Get it? Navy? The sea?” “Kels, shut up.” “Oh, come on! You love puns.” Nick laughed, unable to stop himself.
Abigail Roux (Ball & Chain (Cut & Run, #8))
The air was alive with yellow wasps. We must have stepped on a wasps' nest in a rotten branch as we walked. And while I was running up the hill, my dad stayed and got stung, to give me time to run away.
Neil Gaiman (Coraline)
But then there are those moments, Colton, when you watch your child do something and are so damn proud of them you are left speechless. And those moments take every single doubt and fear and heartache and moment of insanity you’ve ever had and wipe the slate clean. That’s how I felt watching you go to see your dad. That’s how I feel knowing you and Ry are going to adopt Zander. That’s how I feel watching you be a father. Hell, son, when you stepped up to the plate after Rylee got sick and swung it out of the goddamn park by taking care of Ace? I’ve never been prouder.
K. Bromberg (Aced (Driven, #4))
Dear dad, in consequence of a trivial altercation with a Captain Tapper, of Wild Violet Lodge, whom I happened to step upon in the corridor of a train, I had a pistol duel this morning in the woods near Kalugano and am now no more. Though the manner of my end can be regarded as a kind of easy suicide, the encounter and the ineffable Captain are in no way connected with the Sorrows of Young Veen. In 1884, during my first summer in Ardis, I seduced your daughter, who was then twelve. Our torrid affair lasted till my return to Riverlane; it was resumed last June, four years later. That happiness has been the greatest event in my life, and I have no regrets. Yesterday, though, I discovered she had been unfaithful to me, so we parted. Tapper, I think, may be the chap who was thrown out of one of your gaming clubs for attempting oral intercourse with the washroom attendant, a toothless old cripple, veteran of the first Crimean War. Lots of flowers, please! Your loving son, Van He carefully reread his letter – and carefully tore it up. The note he finally placed in his coat pocket was much briefer. Dad, I had a trivial quarrel with a stranger whose face I slapped and who killed me in a duel near Kalugano. Sorry! Van
Vladimir Nabokov (Ada, or Ardor: A Family Chronicle)
Dad pressed against my mind. Please, Allison. Let me, just this once, hold my son. I shouldn't. Nothing good ever came from letting my father have his way. But I could feel his love for this baby. And even if he couldn't love me, I knew that at this moment, before the baby could grow up and become a disappointment to him, he truly loved him. I slowly stepped away from the front of my mind, letting him fill that space, letting him feel through my hands, see through my eyes. "He's amazing," Dad said through me. "You're amazing." He looked up at Violet, and she smiled.
Devon Monk (Magic on the Hunt (Allie Beckstrom, #6))
I’m tired of chasing affection. I’m worth more than that. I may be young, but I know what I want. I want someone who’s willing to give up everything for me. And I deserve someone who’s proud to be with me instead of being ashamed of their feelings.” “I’m not going to be the lost puppy chasing someone around and begging for attention. I’m going to take some time and figure out what I want to do next, but until I know my next move, I’m done being a burden.” “Sophie—” “It’s not your fault, Bruce. It’s been like this my whole life. I’m just tired of being a second choice.
Alexa Riley (My New Step-Dad)
One of the stories their dad made up was about a little boy who had a secret place in a hidden room in his house. From that room, he was able to solve all his problems, no matter what they were.
Scott Cawthon (Step Closer: An AFK Book (Five Nights at Freddy’s: Fazbear Frights #4))
But as I stood across from Archer, I couldn't forget that I was completely, stupidly in love with the one person I could never have. The laughter died on my lips, and I dashed at my eyes with the back of my hand. "I need to get back," I said. "Right," he replied. He was still holding his sword in his right hand, and he twirled the hilt, the point sratching the wooden floor. "So this is it. We're done." "Yeah," I said, my voice cracking. I cleared my throat. "And I have to say, the world's first and last Eye-demon reconnaissance mission went pretty well." It was a struggle to meet his eyes, but I managed it. "Thank you." He shrugged, his dark gaze full of something I couldn't quite read. "We were a good team." "We were." In more ways than one, I thought. Which is why this sucked so bad. I stepped back. "Anyway, I should go. See ya,Cross." Then I laughed, only it sounded suspiciously like another sob. "Except I won't, will I So I guess I should say goodbye." I felt like I was about to shatter into a million tiny shards, like the mirrors I'd broken with Dad. "okay, well, best of luck with the whole Eye thing, then. Try not to kill anyone I know." I turned away, but he reached out and caught my wrist. I could feel my pulse hammering under his fingers. "Mercer, that day in the cellar..." He searched my face, and I could sense him struggling for what he wanted to say. Then finally, "I didn't kiss you back because I had to. I kissed you because I wanted to." His eyes dropped to my lips,and it was like the whole world had shrunk to just me and him and the shaft of light between us. "I still want to," he said hoarsely. He tugged my wrist and pulled me into his arms. My brain registered the sound of his sword clattering to he ground as his other hand came up to grab the back of my neck, but once his lips were on mine, everything else faded away. I clutched at his shoulders, raising up on my tiptoes, and kissed him with everything I had in me. As the kiss deepened, we held each other tighter, so I didn't know if the pounding heartbeat I felt was mine or his. How stupid,I thought dreamily, to have ever thought I could give this up. Not just the kissing, although, as Archer's hands cupped my face, I had to admit that part was pretty awesome. But all of it: joking with him and working beside him. Being with a guy who was my friend and could still make me feel like this.
Rachel Hawkins (Demonglass (Hex Hall, #2))
At the mention of children, Connor halted his steps. For a moment Beatrice thought he was going to storm off, turn away from her and never look back. Instead he fell to one knee before her. Time went momentarily still. In some dazed part of her mind Beatrice remembered Teddy, kneeling stiffly at her feet as he swore to be her liege man. This felt utterly different. Even kneeling, Connor looked like a warrior, every line of his body radiating a tensed power and strength. "It kills me that I don't have more to offer you," he said roughly. "I have no lands, no fortune, no title. All I can give you is my honor, and my heart. Which already belongs to you." She would have fallen in love with him right then, if she didn't already love him so fiercely that every cell of her body burned with it. "I love you, Bee. I've loved you for so long I've forgotten what it felt like not to love you." "I love you, too." Her eyes stung with tears. "I get that you have to marry someone before your dad dies. But you can't marry Teddy Eaton." She watched as he fumbled in his jacket for something - had he bought a ring? She thought wildly - but what he pulled out instead was a black Sharpie. Still kneeling before her, he slid the diamond engagement ring off Beatrice's finger and tucked it in the pocket of her jacket. Using the Sharpie, he traced a thin loop around the skin of Beatrice's finger, where the ring had been. "I'm sorry it isn't a real ring, but I'm improvising here." There was a nervous catch to Connor's voice that Beatrice hadn't heard before. But when he looked up and spoke his next words, his face glowed with a fierce, fervent hope. "Marry me.
Katharine McGee (American Royals (American Royals, #1))
Dad was on the porch, pacing back and forth in that uneven stride he had on account of having a gimp leg. When he saw, he let out a yelp of delight and started hobbling down the steps towards us. Mom came running out of the house. She sank down on her knees, clasped her hands in front of her, and started praying up to the heavens, thanking the Lord for delivering her children from the flood. It was she who had saved us, she declared, by staying up all night praying. "You get down on your knees and thank your guardian angel," she said. "And thank me, too." Helen and Buster got down and started praying with Mom, but I just stood there looking at them. The way I saw it. I was the one who'd saved us all, not Mom and not some guardian angel. No one was up in that cottonwood tree except the three of us. Dad came alongside me and put his arms around my shoulders. "There weren't no guardian angel, Dad," I said. I started explaining how I'd gotten us to the cottonwood tree in time, figuring out how to switch places when our arms got tired and keeping Buster and Helen awake through the long night by quizzing them. Dad squeezed my shoulder. "Well, darling," he said, "maybe the angel was you.
Jeannette Walls (Half Broke Horses)
The instant I saw Lori’s dad and Frances across the hot asphalt road, I spun around, hoping Lori was still hidden by the trees. She stood right behind me, in full view. And if my expression matched hers, we couldn’t have looked more guilty. I turned back around. Her dad’s face was even worse. Glaring at me, he worked his jaw like he was going to say something, but he wanted to make sure he’d thought of the worst possible insult first. He turned redder and seemed to swell, like all his holes were plugged up and the pressure had nowhere to escape. He opened his mouth. “It was my fault,” I said quickly. “I know!” he roared. At the same time, Lori stepped in front of me and muttered, “Wrong thing to say, Adam.” “Right.” I put my hand on Lori’s shoulder and pushed her an arm’s length away so it wouldn’t look like I was hiding behind her. “It’s nobody’s fault, because we didn’t do anything wrong.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
Good fathers, and by that I mean real fathers who are there, have the ability to change almost every social problem we now find ourselves facing. I’d be assumptive enough to say that there isn’t a single type of crime or a single problem so big that it couldn’t be fixed or wiped out if fathers would just step up.
Dan Pearce (Single Dad Laughing: The Best of Year One)
I don’t want my life to be like hers. I didn't even know her. I know this is terrible to say, but I don’t think I miss her. I long for the idea of what could have been.” “And I’m telling you, sweet S....., that idea you are longing for would’ve just made you into me—a person who tried to be what their parents wanted but ended up like them, not closer to them
Alexa Riley (My New Step-Dad)
Doesn't she have, like, a zip-up adult onesie or something she can put on?
Alexa Riley (My New Step-Dad)
Evan stares at me. I try to hug him. He takes a step back. I pause, my heart in my throat. I’ve got to reach out to him, let myself be vulnerable. I find the courage, but he backs up again. “You can’t go to Iraq anymore.” “I know.” He looks up at Deanna, then back to me. “Did you fight bad guys? You told me you weren’t.” His voice is suspicious, full of accusation. He doesn’t trust me, and I don’t blame him for that. “No, Evan. I didn’t fight bad guys.” I can’t bring myself to tell him the complete truth. I want so desperately to go back into this fight. I miss it every day. I always felt I could change the world with a rifle in my hands and our flag on my shoulder. “Did you get shot?” he looks me over, apparently searching for bullet wounds. I grin a little. “No, Bud, I didn’t get shot.” “People get shot in Iraq.” “Yes, they do.” It strikes me then that Evan for the first time has a grasp on the dangers that are faced over there. He’s six now, and the world is coming into focus for him. “People get shot, Daddy. They die. Bad guys kill them.” I think of Edward Iwan and Sean Sims. “Yeah, I know they do, Evan.
David Bellavia (House to House: An Epic Memoir of War)
"It’s time for you to tell me the truth. All of it.” My stomach winds up like a fist. “That’s a lot of years to cover. Where should I start?” “Baby steps. Your mom’s history. How Jeb’s involved. Does he know what you are? And that winged creature who carried me out of Wonderland’s portal—what part does he play?” “Wow, Dad. Baby steps?” “Yep.” “Baby brontosaurus, maybe,” I tease.
A.G. Howard (Ensnared (Splintered, #3))
Those clothes are Susie's,' my father said calmly when he reached him. Buckley looked down at my blackwatch dress that he held in his hand. My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked. I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red. Why can't I use them?' he asked. It landed in my father's back like a fist. Why can't I use those clothes to stake my tomatoes?' My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?' You have to choose. It's not fair,' my brother said. Buck?' My father held my clothes against his chest. I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death. I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?' Is Keesha a girl at school?' Yes!' My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility. I'm sorry. When did this happen?' That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot. Buck, stop!' my father cried. My brother turned. You don't get it, Dad,' he said. I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.' ... You act like she was yours only!' Tell me what you want to say. What's this about your friend Keesha's dad?' Put the clothes down.' My father laid them gently on the ground. It isn't about Keesha's dad.' Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.' She's dead.' It never ceased to hurt. 'I know that.' But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.' She will,' my father said. But what about us?' Who?' Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.' Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said. I didn't say anything.' Let go. Let go. Let go. I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go. My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him. Dad?' Son.' There was a quaver in his voice and a grasping outward toward my brother. I'll get Grandma.' And Buckley ran. My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.
Alice Sebold
"I don't know. I spent most of my life moving around. My dad and I had just settled in one place when all this happened. I..." She shrugged. "I guess I'm hoping it doesn't last much longer. I want a home." She glanced over her shoulder. "I know you do, too, even if you don't like to admit it." I thought she was talking to me. Then Derek stepped into the doorway. "He wasn't eavesdropping," she said to me. "He just doesn't like me being alone with strangers in the house." She aimed a pointed look his way. "Even if I end up rescuing him from danger as often as he rescues me."
Kelley Armstrong (The Rising (Darkness Rising, #3))
the reality of what he’s saying hits me harder than it should. At least he’s honest. His job will always come first. My mother always filled me with false promises.” “God, I feel so stupid. Why am I always pushing myself on people who don’t want me? It’s like I make things up in my head and don’t see things for what they really are, dreaming up these futures that are so far from possible. Back at school, the girls and even a few teachers always said I lived in my head, my nose in a book. Maybe they were right. But is it so wrong to dream of big love? In reality, I’ve never had a taste of it.
Alexa Riley (My New Step-Dad)
If you’re still not convinced, watch what you say, because I’ve been in therapy since I was five. My mother started me at such a young age because I was really angry at my dad, and it was coming out in the form of night terrors. Therapy literally changed my life, and I’ve been in it pretty much ever since. Because of my years on the couch, I’ve gotten to know my dark side, and I’ve learned how to keep it in check. At this point my self-destructive behaviors are like old enemies that I’ve done battle with again and again—I know all the angles, all the moves I need to dodge them and prevent them from fucking up my life.
Jillian Michaels (Unlimited: A Three-Step Plan for Achieving Your Dreams)
I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me. 'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.' Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.' She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build. I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right. I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.' Someone knocks, I ignore it. 'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth. 'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.' Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink. Never again. Those eyes will never reflect hurt I've inflicted ever again. 'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.' I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them. 'And if it's not possible?' 'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
Dad steps away from the window, and I'm alarmed to discover his eyes are wet. Something about the idea of my father-even if it is my father-on the brink of tears raises a lump in my throat. "Well,kiddo.Guess you're all grown up now." My body is frozen. He pulls my stiff limbs into a bear hug.His grip is frightening. "Take care of yourself. Study hard and make some friends. And watch out for pickpockets," he adds. "Sometimes they work in pairs.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
When I stepped into the kitchen, they both looked up. Mom smiled brightly, looking as if she and Dad were fresh off their honeymoon. “How was date night?” I asked unnecessarily. “Wonderful as always,” Mom said, giving Dad one of those secretive smiles. His face always filled with so much tenderness that I realized why it could have never worked out with Giovanni. I was striving for what Mom and Dad had, but while Giovanni worshipped the ground I walked on because of who I was, of who my father was, he never looked at me as if he’d walk through fire for me. Dad wouldn’t have let anyone tell him how to love Mom. He definitely wouldn’t have been scared of her father.
Cora Reilly (By Sin I Rise: Part One (Sins of the Fathers, #1))
Getting tired already, minnow?” Toraf taunts as he wraps strong arms around Galen’s neck in a choke hold. Galen promptly flips him forward and onto his back. Toraf bounces once with the force. “You must have been drinking salt water,” Galen returns, “to have delusions like that.” Toraf kicks Galen’s legs out from under him, and the scuffle is taken to the floor. Just when I wonder how long this can really go on, the older Syrena steps into the dining room and confirms his identity with the authority in his voice. “That’s enough. Get up.” Toraf scrambles to his feet and steps away from Galen, who reluctantly complies. “Yes, Highness. Sorry, Highness,” Toraf says, breathless. There is not a small amount of shame on Toraf’s face. In fact, even Galen looks conscience stricken. “Apologies, King Antonis,” he says quickly. “I didn’t see you there.” King Antonis. Mom’s dad. My grandfather. Holy! Antonis lifts his chin, satisfied. “I didn’t think so.” Mom steps over the dish debris and embraces her dad. “Thank you for interrupting. It was getting a tad boring. It was obvious no one would win.” Mom is such a dude sometimes. Grom winks at Galen, who shrugs.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Pulling to a stop in front of Aly’s house, I take a deep breath. With a flick of my wrist, I cut the engine and listen to the silence. I’ve sat in this exact spot more times than I can count. In many ways, Aly’s house is like my sanctuary. A place I go when my own home feels like a graveyard. I glance up at the bedroom window of the girl who knows me better than anyone, the only person I let see me cry after Dad died. I won’t let this experiment take that or her away from me. Tonight, I’m going to prove that Aly and I can go back to our normal, easy friendship. Throwing open my door, I trudge up her sidewalk, plant my feet outside her front door, and ring the bell. “Coming!” I step back and see Aly stick her head out of her second-story window. “No problem,” I call back up. “Take your time.” More time to get my head on straight. Aly disappears behind a film of yellow curtain, and I turn to look out at the quiet neighborhood. Up and down the street, the lights blink on, filling the air with a low hum that matches the thrumming of my nerves. Across the street, old Mr. Lawson sits at his usual perch under a gigantic American flag, drinking beer and mumbling to himself. Two little girls ride their bikes around the cul-de-sac, smiling and waving. Just a normal, run-of-the-mill Friday night. Except not. I thrust my hands into my pockets, jiggling the loose change from my Taco Bell run earlier tonight, and grab my pack of Trident. I toss a stick into my mouth and chew furiously. Supposedly, the smell of peppermint can calm your nerves. I grab a second stick and shove it in, too. With the clacking sound of Aly’s shoes approaching the door behind me, I remind myself again about tonight’s mission. All I need is focus. I take another deep breath for good measure and rock back on my heels, ready to greet my best friend. She opens the door, wearing a black dress molded to her skin, and I let the air out in one big huff.
Rachel Harris (The Fine Art of Pretending (The Fine Art of Pretending, #1))
You touch him again, I’ll fucking kill you.” Chills spread over my skin. The tone of his voice was ice cold, demonic, dangerous, and etched with something that told me he wasn’t making idle threats. The look in his eyes must have conveyed all that, because my dad hesitated, backing up a step.
Nordika Night (Garron Park (From Nothing, #1))
You know, we still have like, half an hour down here. Seems a shame to waste it.” I poked him in the ribs, and he gave an exaggerated wince. “No way, dude. My days of cellar, mill, and dungeon lovin’ are over. Go castle or go home.” “Fair enough,” he said as we interlaced our fingers and headed for the stairs. “But does it have to be a real castle, or would one of those inflatable bouncy things work?” I laughed. “Oh, inflatable castles are totally out of-“ I skidded to a stop on the first step, causing Archer to bump into me. “What the heck is that?” I asked, pointing to a dark stain in the nearest corner. “Okay, number one question you don’t want to hear in a creepy cellar,” Archer sad, but I ignored him and stepped off the staircase. The stain bled out from underneath the stone wall, covering maybe a foot of the dirt floor. It looked black and vaguely…sticky. I swallowed my disgust as I knelt down and gingerly touched the blob with one finger. Archer crouched down next to me and reached into his pocket. He pulled out a lighter, and after a few tries, a wavering flame sprung up. We studied my fingertip in the dim glow. “So that’s-“ “It’s blood, yeah,” I said, not taking my eyes off my hand. “Scary.” “I was gonna go with vile, but scary works.” Archer fished in his pockets again, and this time he produced a paper napkin. I took it from him and gave Lady Macbeth a run for her money in the hand-scrubbing department. But even as I attempted to remove a layer of skin from my finger, something was bugging me. I mean, something other than the fact that I’d just touched a puddle of blood. “Check the other corners,” I told Archer. He stood up and moved across the room. I stayed where I was, trying to remember that afternoon Dad and I had sat with the Thorne family grimoire. We’d looked at dozens of spells, but there had been one- “There’s blood in every corner,” Archer called from the other side of the cellar. “Or at least that’s what I’m guessing it is. Unlike some people, I don’t have the urge to go sticking my fingers in it.
Rachel Hawkins (Spell Bound (Hex Hall, #3))
I had to hide. I couldn’t let him take me to the police station, but I also couldn’t dial 911 to get them help. Maybe if I waited it out, they’d get better on their own? I dashed toward the storage tubs on the other side of the garage, squeezing past the front of Mom’s car. One, maybe two steps more, and I would have jumped inside the closest tub and buried myself under a pile of blankets. The garage door rolled open first. Not all the way—just enough that I could see the snow on the driveway, and grass, and the bottom half of a dark uniform. I squinted, holding a hand up to the blinding blanket of white light that seemed to settle over my vision. My head started pounding, a thousand times worse than before. The man in the dark uniform knelt down in the snow, his eyes hidden by sunglasses. I hadn’t seen him before, but I certainly hadn’t met all the police officers at my dad’s station. This one looked older. Harder, I remembered thinking. He waved me forward again, saying, “We’re here to help you. Please come outside.” I took a tentative step, then another. This man is a police officer, I told myself. Mom and Dad are sick, and they need help. His navy uniform looked darker the closer I got, like it was drenched straight through with rain. “My parents…” The officer didn’t let me finish. “Come out here, honey. You’re safe now.” It wasn’t until my bare toes brushed up against the snow, and the man had wrapped my long hair around his fist and yanked me through the opening, that I even realized his uniform was black.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
I pushed myself up onto my hands and knees, ignoring the bite of the frosty air on my bare skin. I launched myself in the direction of the door, fumbling around until I found it. I tried shaking the handle, jiggling it, still thinking, hoping, praying that this was some big birthday surprise, and that by the time I got back inside, there would be a plate of pancakes at the table and Dad would bring in the presents, and we could—we could—we could pretend like the night before had never happened, even with the evidence in the next room over. The door was locked. “I’m sorry!” I was screaming. Pounding my fists against it. “Mommy, I’m sorry! Please!” Dad appeared a moment later, his stocky shape outlined by the light from inside of the house. I saw Mom’s bright-red face over his shoulder; he turned to wave her off and then reached over to flip on the overhead lights. “Dad!” I said, throwing my arms around his waist. He let me keep them there, but all I got in return was a light pat on the back. “You’re safe,” he told me, in his usual soft, rumbling voice. “Dad—there’s something wrong with her,” I was babbling. The tears were burning my cheeks. “I didn’t mean to be bad! You have to fix her, okay? She’s…she’s…” “I know, I believe you.” At that, he carefully peeled my arms off his uniform and guided me down, so we were sitting on the step, facing Mom’s maroon sedan. He was fumbling in his pockets for something, listening to me as I told him everything that had happened since I walked into the kitchen. He pulled out a small pad of paper from his pocket. “Daddy,” I tried again, but he cut me off, putting down an arm between us. I understood—no touching. I had seen him do something like this before, on Take Your Child to Work Day at the station. The way he spoke, the way he wouldn’t let me touch him—I had watched him treat another kid this way, only that one had a black eye and a broken nose. That kid had been a stranger. Any hope I had felt bubbling up inside me burst into a thousand tiny pieces. “Did your parents tell you that you’d been bad?” he asked when he could get a word in. “Did you leave your house because you were afraid they would hurt you?” I pushed myself up off the ground. This is my house! I wanted to scream. You are my parents! My throat felt like it had closed up on itself. “You can talk to me,” he said, very gently. “I won’t let anyone hurt you. I just need your name, and then we can go down to the station and make some calls—” I don’t know what part of what he was saying finally broke me, but before I could stop myself I had launched my fists against him, hitting him over and over, like that would drive some sense back into him. “I am your kid!” I screamed. “I’m Ruby!” “You’ve got to calm down, Ruby,” he told me, catching my wrists. “It’ll be okay. I’ll call ahead to the station, and then we’ll go.” “No!” I shrieked. “No!” He pulled me off him again and stood, making his way to the door. My nails caught the back of his hand, and I heard him grunt in pain. He didn’t turn back around as he shut the door. I stood alone in the garage, less than ten feet away from my blue bike. From the tent that we had used to camp in dozens of times, from the sled I’d almost broken my arm on. All around the garage and house were pieces of me, but Mom and Dad—they couldn’t put them together. They didn’t see the completed puzzle standing in front of them. But eventually they must have seen the pictures of me in the living room, or gone up to my mess of the room. “—that’s not my child!” I could hear my mom yelling through the walls. She was talking to Grams, she had to be. Grams would set her straight. “I have no child! She’s not mine—I already called them, don’t—stop it! I’m not crazy!
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
He made sure to miss Josephina’s lips by a wide mark. A moment later, the lights extinguished and Tabitha cal ed for a ten-minute break while the stage crew refil ed the rain machine. That night, James had the dream one more time, although this time he felt that it was a true dream and not a direct vision into someone else’s reality. It began as always with the flash and whicker of blades and the rattle of old wood. The figure in the dream walked toward the rippling pool and looked in. As always, two faces swam up out of the depths, a young man and a young woman. This time, however, they looked different. He recognized them vaguely as his own long dead grandparents, his dad’s mum and dad. They didn’t seem to be looking at the girl with the long dark hair. Instead, they seemed to be looking directly at James, where he floated in the darkness next to her. Their faces seemed grave and worried, and although they couldn’t speak, they communicated with their eyes : Beware, grandson; watch closely and step lightly. Beware…
G. Norman Lippert (James Potter and the Curse of the Gatekeeper (James Potter, #2))
And what about this. When we’re thrust into it, we anxious folk can often deal with the present really rather well. It’s worth remembering this. As real, present-moment disasters occur, we invariably cope, and often better than others. The day after no sleep, I get on with things. At funerals, or when I’ve fallen off my bike, or the time I had to attend to my grandmother when she stopped breathing, or whenever a major work disaster plays out leaving my team in a panic, I’m a picture of calm. Dad used to call me “the tower of strength” in such moments. I also don’t tend to have a lot of bog-standard fear (as opposed to anxiety). In fact, I relish real, present-moment fear and actively seek it out.
Sarah Wilson (First, We Make the Beast Beautiful: A New Story About Anxiety)
Dude, you tried to kidnap her to bait her mom into coming to you. Then you tried to turn her mom into a pixie. Come on. I mean, no offense, but you are not Daddy of the Year stuff here.‖ Issie steps a little forward. ―Plus, you didn‘t even show up on the scene for what? Sixteen years? That‘s lame. Seriously. That is very deadbeat dad stuff right there.
Carrie Jones (Captivate (Need, #2))
When she returns a few minutes later, the bachelor party is in tow. She gives me a warning look. Don’t act drunk, she mouths. I give her a thumbs-up. Then I jump up and throw my arms around Peter. “Peter!” I shout above the music. He looks so cute in his button-down and tie. So cute I could cry. I bury my face in his neck like a squirrel. “I’ve missed you so, so very much.” Peter peers at me. “Are you drunk?” “No, I only had like two sips. Two drinks.” “Trina let you drink?” “No.” I giggle. “I stole sips.” “We’d better get you out of here before your dad sees you,” Peter says, eyes darting around. My dad is looking through a songbook with Margot, who is giving me a look that says, Get it together. “What he doesn’t know won’t hurt a living soul.” “Let’s go out to the parking lot so you can get some air,” he says, putting an arm around me and hustling me out the door and through the restaurant. We step outside, and I sway on my feet a little. Peter’s trying not to smile. “You’re drunk.” “I guess I’m a weightlight!” “Lightweight.” He pinches my cheeks. “Right. Weightlight. I mean, lightweight.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I see Dr. Johnston at the end of the hall, walking toward us. He stops talking to the other doctors and gestures for me to wait. He holds up his hand: Stop. His face is eager yet unsmiling. I look in the other direction then back at him. His steps quicken, and I squint, for some reason pretending I don’t recognize him. And I think: What if I’m wrong? What if Joanie doesn’t make it out of this? “Scottie,” I say. “This way.” I walk in the other direction, away from Dr. Johnston, and she turns and follows me. “Walk quickly,” I tell her. “Why?” “It’s a game. Let’s race. Walk fast. Run.”She takes off, her backpack jiggling on her back, and I follow her, walking quickly then breaking into a slow jog, and because Dr. Johnston is my friend’s dad and was a friend of my father’s, I feel like I’m fourteen again, running from the patriarchs.
Kaui Hart Hemmings (The Descendants)
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond. But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen. Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now. Now, not then. I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it. There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together. There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.' I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now. He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on. Even when broken it still works.
Cecelia Ahern (Thanks for the Memories)
My brothers, we have a special and distinct role as Christian men, fathers, husbands, and leaders in the family, in the Church, and in society at large. If we don’t step up, we run the risk of seeing our families overrun and absorbed by the surrounding culture. This is not acceptable. Start with prayer. Be faithful, be consistent, have courage, show humility, and remember . . . we are made for a heavenly home and not this world.
Randy Hain (Journey to Heaven: A Road Map for Catholic Men)
there should be a rule that everyone in the world should get a standing ovation at least once in their lives. Finally, after I don’t know how many minutes, the line of actors onstage stepped back and the curtain closed in front of them. The clapping stopped and the lights went up and the audience started getting up to leave. Me and Mom and Dad made our way to the backstage. Crowds of people were congratulating the performers, surrounding them, patting them on the
R.J. Palacio (Wonder)
Evan Kan: It doesn't matter. We wasted time. Went our different directions. I know I messed up, after my dad died. I shut down. By the time I realized how I felt, you were already with Cole. So I stepped back. Tried to forget. Dated other people. Nothing stuck. Then you divorced, but you were in Scotland. I could have booked a flight. Or called. Something. Evan Kan: Haven't you wondered why I agreed to be Valerie's point of contact on Earth? I didn't do it for her.
L.R. Lam (Goldilocks)
Specifically, I argue the following: (1) the male role has long been culturally defined as that of a provider, and based on the economic dependence of mothers on men; (2) this traditional role has been dismantled by the securing of economic independence by women; (3) culture and policy are stuck on an obsolete model of fatherhood, lagging way behind economic reality; and (4) this is resulting in a 'dad deficit,' with men increasingly unable to fulfill the traditional breadwinner role but yet to step up into a new one.
Richard Reeves (Of Boys and Men: Why the Modern Male Is Struggling, Why It Matters, and What to Do About It)
Her prediction had gotten stuck halfway out of the machine. So Dad steps up to save the day. he manages to rip the top half of the ticket out, but the rest is still stuck in the machine, so Mom can't make sense of the words. So then he told her she'd better stick around and see if her fortune came out with his." "Oh, that old line," Gus said, grinning. "Works every time," I agreed. "Anyway, he put in his nickel and the two tickets came out. Hers said, You will meet a handsome stranger, and his said, Your story's about to begin.
Emily Henry (Beach Read)
My parents didn't settle for the lives their parents lived. They stepped out and up, my father lying his way into the Navy when he was too young to enlist, my mother marrying this fugitive from the mills when she was too young for marriage. A smart guy, he took every course the Navy offered, aced them all, becoming the youngest chief warrant officer in the service. After Pearl Harbor the Navy needed line officers fast and my dad was suddenly wearing gold stripes. My mother watched and learned, getting good at the ways of this new world. She dressed beautifully. Our quarters were always handsomely fitted out. She and Dad were gracious, well-spoken. They were far from rich, but there were books and there was music and sometimes conversations about the world. We even listened to the Metropolitan Opera broadcasts on Saturdays. Still, when I finished high school, their attitudes and the times said that there was little point in further educating a girl. I would take a clerical job until I could find the right junior officer to marry and pursue his career, as helpmeet. If I picked well and worked hard, I might someday be an admiral's wife.
Ann Medlock
Ella?” Cinder asked when things got quiet. “Are you there?” He sounded hesitant. “Welcome to my life,” I said with a sigh of defeat. “Sorry about that.” “It’s okay.” It was definitely not okay. I was so humiliated. It was a miracle I wasn’t crying. I think that was only because I was still in so much shock. “Look, thanks for giving me your phone number, but maybe this is a bad time.” My dad scrambled to his feet, waving his hands at me. “No! You don’t have to end your call. We’ll give you some privacy.” He glanced at both Jennifer and Juliette. “Won’t we, ladies?” His blatant desperation for me to talk to someone—even a stranger from the Internet—was as embarrassing as Anastasia’s outburst. Even worse, Jennifer was just as bad. “Of course! You go ahead and talk to your boyfriend, Ella,” she squealed. “We can keep an eye on you from the kitchen. I have to get dinner started anyway.” While I was busy dying from her use of the word boyfriend, she hopped off the elliptical. She hurried to catch up to my dad, seeming more than happy to finish her workout early. As they started up the steps, they both turned back to Juliette, who had sprawled out on the couch instead of getting up. “I was here first,” Juliette said in response to their expectant looks. “There’s no way I’m going anywhere near the upstairs with Ana in the mood she’s in, and I really don’t care about Ella’s love life. Besides, she’s not supposed to be alone, anyway. What if she tries to throw herself off the balcony or something?” Was there anyone in the world that didn’t feel the need to humiliate me? I glared at Juliette, and she just waved a pair of earbuds at me and shoved them in her ears. “I’ll turn the volume up.” My dad and Jennifer both gave me such hopeful looks that I couldn’t argue anymore. I rolled my eyes and made my way over to the armchair my father had been lounging in. Once Dad and Jennifer were gone, I glanced over at the couch. Juliette was already doing what she did best—ignoring me. She was bobbing her head along with her music as she read out of a textbook. I doubted she could hear me, but I spoke softly anyway, just in case. “Cinder? Are you still there?” “I didn’t realize upping our relationship to phone buddies would come with a boyfriend title. Does that mean if we ever meet in person, we’ll have to get married?” Surprised, I burst into laughter. Juliette glanced at me with one raised eyebrow, but went back to her textbook without saying anything.
Kelly Oram (Cinder & Ella (Cinder & Ella, #1))
If there was any doubt about the authenticity of his fake ID, it would now be put to the test. As Sage waited for the Secret Service to do their due diligence, I wondered how much our mission to find Dad would be set back by Sage taking a quick detour to federal prison. “He’s clear,” the lead agent finally said. Great, we could go in. Sage politely insisted that Rayna and I enter before him. “Not sure that’s such a good idea,” I said, but he wouldn’t hear it. Rayna, Ben, and I shared a knowing smile. Then I shrugged and stepped over the threshold…immediately triggering the Piri alarm. I don’t know how she knew; she was all the way in the kitchen. But the minute I stepped into the foyer she raced in, arms waving in the air, a high-pitched scream keening from her lungs. “AIIIIIIEEEEEEEE!!” “He made me do it, Piri,” I said, happily tossing Sage under the bus. “I tried to tell him-“ Piri strode right up to Sage, her head barely reaching his sternum, and jabbed her finger into his chest to emphasize each scolding word. “You never let a woman enter this house before a man! Very bad luck! And when the senator’s doing business! Jaj!” She pushed us back outside, closed the door, and spit three times on the porch (barely missing the shoes of one of the Secret Service agents), then turned her baleful eyes to Sage, asking him to do the same. “I don’t think I really need to spit on Clea’s porch,” Sage said uncomfortably, but Piri’s glare only grew more and more violent until he withered under its power…and spit three times. Piri smiled smugly and opened the door, gesturing for Sage to enter. Ben went next, bending to Piri’s ear to murmur, “If it’d been me, I would have gone in first.” “That’s because you’re a smart boy,” Piri said, kissing him on both cheeks. Once we were all in, Piri greeted us as if for the first time, with huge hugs and two-cheeked kisses. As she led us to the luncheon raging in the other room, Ben crowed to Sage, “You know, a real European scholar would be up on old-school superstitions.” Sage grimaced.
Hilary Duff (Elixir (Elixir, #1))
Bless me, readers, for I have published. It's been five years since my last book. Greetings, fellow sinners! If you picked up a copy of this book, it means you are either: 1) wracked with guilt and are looking for penance, or 2) need to spend over $10.00 at the airport newsstand so you can use your credit card. Either way, welcome to Stephen Colbert's Midnight Confessions. As America's foremost TV Catholic, it was natural for me to do a segment inspired by the church. After all, the Catholic Church and late night TV actually have a lot in common: our shows last about an hour, we're obsessed with reaching younger demographics, and the hosts are almost always men. This religious-adjacent tome contains all my favorite confessions from The Late Show. These are things that aren't necessarily sins, but I do feel guilty about them. For instance, repackaging material from the show and selling it in a book. I've always been a big fan of confession. The confessional is a great place to go to relieve yourself of your sins. Unless you're claustrophobic, in which case it's a suffocating death trap of despair! And while most confession books just give you run-of-the-mill mortal sins, I go one step further and provide you with mortal sins, venial sins, deadly sins, and even sins of omission (Notice that the previous sentence didn't have a period!) This book is a throwback to a simpler life when people would go to a priest to confess their sins. As opposed to how it's done now - getting drunk and weeping to Andy Cohen on Bravo. Confessing your sins is a great way to get things off your chest. Second only to waxing. The only downside is that you get introduced to it as a kid, before you have any juicy sins to confess. Oh, you stole a cookie? That's adorable, Becky. Come back when you total your dad's Chevy. Now you might be asking yourself, "What if I'm not Catholic - can I still enjoy this book?" Of course. After all, no matter what religion you are - be it Jewish, Muslim, Lutheran, Pagan, or SoulCycle - we all have things to feel guilty about. For example, not being Catholic.
Stephen Colbert (Stephen Colbert's Midnight Confessions)
What are you doing?” he asks me. “Just wait one second.” I run to the bathroom and change out of my old bra and underwear and put on the lacy ones. Then I brush my teeth, look at my face in the mirror. This is it. I, Lara Jean Song Covey, am about to lose my virginity to Peter K. Peter calls out, “Is everything okay?” “Just a sec!” Should I put my clothes back on or just come out in my bra and underwear? He’s never seen me in just my underwear before. Well, I guess he’s about to see me without any clothes at all, so I might as well. I step out of the bathroom, carrying my clothes in front of me like a shield, and Peter does a double take when he sees me and quickly takes his shirt off. I can feel myself blush. I stuff my bra and underwear in my suitcase, and then dig around inside until I find the packet of condoms. I take one out and then climb back into bed and get under the sheets. “Okay, now I’m ready.” “I like your bra,” Peter says, peeling the sheet away from me. “Thank you.” He moves closer to me and kisses my eyelid. First the left, then the right. “Are you nervous?” “A little.” “We don’t have to do anything tonight, Covey.” “No, I want to.” I hold up the condom, and Peter’s eyebrows shoot up. “From my dad’s kit. Remember, I told you he made me a contraception kit?” Taking the condom from me, he kisses my neck and says, “Can we not talk about your dad right now?” “Sure,” I say.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Heather whistles to round us all up. Oliver and I reach for each other’s hands at the same time, falling into step with each other as easily as breathing. “To the Milkshake Bar,” Heather calls. “Millie Mias on the house!” “That’s what I was hoping she’d say,” says Oliver. Perhaps the most delicious consequence of all this is that Heather coined a new sundae on the menu based on last summer’s shenanigans. It’s got a scoop of mint chip for me and Georgie, strawberry for Heather and Chloe, vanilla for my dad and Beth, Nutella for Farrah, sea salt chocolate chip cookie pieces for Oliver, and Reese’s Puffs for Teddy. The whole thing is a big ooey-gooey fantastic mess, but I wouldn’t have it any other way.
Emma Lord (When You Get the Chance)
Dad takes a step back, one hand still on my shoulder, and reaches into his pocket. He draws out a little blue capsule, and I feel every molecule in my body screaming to run. Dad must catch the panic in my eyes - he squeezes my shoulder and holds out the capsule. "Cas, it's fine. It's going to be fine. This is just in case." Just in case. Just in case the worst happens. The ship falls. Durga fails, I fail, and the knowledge I carry as a Reckoner trainer must be disposed of. That information can't fall into the wrong hands, into the hands of people who will do anything to take down our beasts. So this little capsule holds the pill that will kill me if it comes to that. "It's waterproof," Dad continues, pressing it into my hand. "The pocket on the collar of your wetsuit, keep it there. It has to stay with you at all times." It won't happen on this voyage. It's such a basic mission, gift-wrapped to be easy enough for me to handle on my own. But even holding the pill fills me with revulsion. On all my training voyages, I've never had to carry one of these capsules. That burden only goes to full-time trainers. "Cas." Dad tilts my chin up, ripping my gaze from the pull. "You were born to do this. I promise you, you'll forget you even have it." I suppose he ought to know - he's been carrying one for two decades. It's just a right of passage, I tell myself, and throw my arms around his neck once more.
Emily Skrutskie (The Abyss Surrounds Us (The Abyss Surrounds Us, #1))
Wren’s voice dropped. “She feels terrible about it, Cath.” “Good!” Cath shouted. “So do I!” She took a step closer to her sister. “I’m probably going to be crazy for the rest of my life, thanks to her. I’m going to keep making fucked-up decisions and doing weird things that I don’t even realize are weird. People are going to feel sorry for me, and I won’t ever have any normal relationships—and it’s always going to be because I didn’t have a mother. Always. That’s the ultimate kind of broken. The kind of damage you never recover from. I hope she feels terrible. I hope she never forgives herself.” “Don’t say that.” Wren’s face was red, and there were tears in her eyes. “I’m not broken.” There weren’t any tears in Cath’s eyes. “Cracks in your foundation.” She shrugged. “Fuck that.” “Do you think I absorbed all the impact? That when Mom left, it hit my side of the car? Fuck that, Wren. She left you, too.” “But it didn’t break me. Nothing can break me unless I let it.” “Do you think Dad let it? Do you think he chose to fall apart when she left?” “Yes!” Wren was shouting now. “And I think he keeps choosing. I think you both do. You’d rather be broken than move on.” “Dad’s sick, Wren,” she said as calmly as she could manage. “And your omelette’s burnt. And I’d rather be broken than wasted.” She set the plate on the counter. “You can tell Laura to go fuck herself. Like, to infinity and beyond. She doesn’t get to move on with me. Ever.
Rainbow Rowell (Fangirl)
Things I worried about on the bus: a snapshot of an anxious brain . . . Is that car slowing down? Is someone going to get out and kidnap me? It is slowing down. What if someone asks for directions? What if—Oh. They’re just dropping someone off. The bus is late. What if it doesn’t arrive? What if I’m late getting to school? Did I turn my straighteners off ? What if the bus isn’t running today and no one told me? Where’s the—oh. There’s the bus. Oh crap is that Rowan from Biology? What if he sees me? What if he wants to chat? Hide. Okay, he hasn’t seen me. He hasn’t seen me. What if he did see me and now he thinks I’m weird for not saying hi? Did I remember to clean out Rita’s bowl properly? What if she gets sick? One day Rita will die. One day I’ll die. One day everyone will die. What if I die today and everyone sees that my bra has a hole in it? What if the bus crashes? Where are the exits? Why is there an exit on the ceiling? What if that headache Dad has is a brain tumor? Would I live with Mum all the time if Dad died? Why am I thinking about my living arrangements instead of how horrible it would be if Dad died? What’s wrong with me? What if Rhys doesn’t like me? What if he does? What if we get together and we split up? What if we get together and don’t split up and then we’re together forever until we die? One day I’ll die. Did I remember to turn my straighteners off ? Yes. Yes. Did I? Okay my stop’s coming up. I need to get off in about two minutes. Should I get up now? Will the guy next to me get that I have to get off or will I have to ask him to move? But what if he’s getting off too and I look like a twat? What if worrying kills brain cells? What if I never get to go to university? What if I do and it’s awful? Should I say thank you to the driver on the way off ? Okay, get up, move toward the front of the bus. Go, step. Don’t trip over that old man’s stick. Watch out for the stick. Watch out for the—shit. Did anyone notice that? No, no one’s looking at me. But what if they are? Okay, doors are opening, GO! I didn’t say thank you to the driver. What if he’s having a bad day and that would have made it better? Am I a bad person? Yeah but did I actually turn my straighteners off ?
Sara Barnard (A Quiet Kind of Thunder)
I should have felt something—a pang of sadness, a twinge of nostalgia. I did feel a peculiar sensation, like oceanic despair that—if I were in a movie—would be depicted superficially as me shaking my head slowly and shedding a tear. Zoom in on my sad, pretty, orphan face. Smash cut to a montage of my life's most meaningful moments: my first steps; Dad pushing me on a swing at sunset; Mom bathing me in the tub; grainy, swirling home video of my sixth birthday in the backyard garden, me blindfolded and twirling to pin the tail on the donkey. But the nostalgia didn't hit. These weren't my memories. I just felt a tingling in my hands, an eerie tingle, like when you nearly drop something precious off a balcony, but don't. My heart bumped up a little. I could drop it, I told myself—the house, this feeling. I had nothing left to lose.
Ottessa Moshfegh (My Year of Rest and Relaxation)
When I see you play, I see perfection,” he said. “I see the player I always believed you could be. So be happy, right here and now. Because of what you have done, who you’ve become. And not on some condition of being number one.” “But why stop striving now, Dad? You’ve raised me to be the very best. That means number one. And I’m not yet. Why are you changing the rules?” My father sat down in the chair next to him. But I could not sit down. “At least be honest,” I said, shaking my head. “Decime la verdad, papá.” My eyes were burning and starting to tear. “Do you not believe I can do it?” I asked him. “Do you not think I can knock her out of first place?” He closed his eyes and sighed. I stared at him, wiping away the tear that fell out of my eye. “After all this time,” I said, “have you given up on me?” He did not open his eyes. He did not respond. “Respondeme,” I said. “¿Creés que puedo hacerlo?” He threw his hands into the air. “Why won’t you listen to what I’m trying to tell you, Carolina?” I stepped closer to him. My breath slowed; my mouth turned down. “Do you think I can beat her, Dad?” I asked him. “Yes or no.” He finally looked up at me, and I swear my heart started breaking before he even said it. “I do not know.” I closed my eyes and tried to stay upright, but my legs nearly gave out. I sat down, but then just as quickly, I was back on my feet. “Te podés ir,” I said. I ran to my hotel room door and opened it. “¡ANDATE DE ACÁ!” I said to him. “Carolina,” my father said. “Get out of my room,” I said. “We’re done.” “Carolina, you cannot be done with your father.” “I’m talking to you as my coach,” I said. “Get out.” My father stood, his shoulders low. His eyelids half closed, suddenly heavy. He hung his head. “Te amo, hija,” he said as he walked into the hallway. I shut the door behind him. In the morning, I got up and went to the court alone. My father flew home to L.A. later that day.
Taylor Jenkins Reid (Carrie Soto Is Back)
She’s amazing.” That comes out a bit gooier than I mean it to, and my cheeks burn. My whole head practically bursts into flames when I notice my parents. My mom’s grinning her my little boy is growing up smile and my dad looks like he wants to pat me on the back and call me “slugger.” Parents: perfecting ways to humiliate their children since the dawn of time. “Well, it’s very nice to meet you,” my mom whispers, her voice thick. If she starts crying, I’m going to smother myself with my pillow. Audra steps forward, offering a sturdy hand to shake. “It’s nice to meet you, too. Vane talks about you guys all the time.” My parents beam and I can’t help grinning. She sure knows how to charm the parental units. “I wish I could say the same,” my mom says, shooting me a glare. “He told us he had a date, but you’re the first girl he’s brought home. He must really like you.” “Mom,” I complain, ready to bean her with my pillow. Or maybe the bedside lamp. Especially when Audra blushes bright red.
Shannon Messenger (Let the Sky Fall (Sky Fall, #1))
Max's father likes to tell people that he and Max play catch every night in the backyard, like they are doing tonight. He tells everyone he can, sometimes more than once, but he usually waits until Max's mom isn't around before he says it. Sometimes he says it just after she leaves the room if he knows that she's coming right back. But he and Max don't really play catch. Max's dad throws the ball to Max, and Max lets it hit the ground and roll, and when it stops moving, he picks it up and tries to throw it back. Except Max's dad never stands close enough for Max to reach him, even though he tells Max to "Step into it!" and "Throw with your body!" and "Give it your all, son!" Whenever they play catch, Max's dad calls Max "son" instead of "Max." But even if Max steps into it or gives it his all (I don't know what either of those things mean, and I don't think Max does either,) the ball never reaches his dad. If Max's dad wants the ball to reach him, why doesn't he just stand closer?
Matthew Dicks (Memoirs of an Imaginary Friend)
After the plates are removed by the silent and swift waiting staff, General Çiller leans forward and says across the table to Güney, ‘What’s this I’m reading in Hürriyet about Strasbourg breaking up the nation?’ ‘It’s not breaking up the nation. It’s a French motion to implement European Regional Directive 8182 which calls for a Kurdish Regional Parliament.’ ‘And that’s not breaking up the nation?’ General Çiller throws up his hands in exasperation. He’s a big, square man, the model of the military, but he moves freely and lightly ‘The French prancing all over the legacy of Atatürk? What do you think, Mr Sarioğlu?’ The trap could not be any more obvious but Ayşe sees Adnan straighten his tie, the code for, Trust me, I know what I’m doing, ‘What I think about the legacy of Atatürk, General? Let it go. I don’t care. The age of Atatürk is over.’ Guests stiffen around the table, breath subtly indrawn; social gasps. This is heresy. People have been shot down in the streets of Istanbul for less. Adnan commands every eye. ‘Atatürk was father of the nation, unquestionably. No Atatürk, no Turkey. But, at some point every child has to leave his father. You have to stand on your own two feet and find out if you’re a man. We’re like kids that go on about how great their dads are; my dad’s the strongest, the best wrestler, the fastest driver, the biggest moustache. And when someone squares up to us, or calls us a name or even looks at us squinty, we run back shouting ‘I’ll get my dad, I’ll get my dad!’ At some point; we have to grow up. If you’ll pardon the expression, the balls have to drop. We talk the talk mighty fine: great nation, proud people, global union of the noble Turkic races, all that stuff. There’s no one like us for talking ourselves up. And then the EU says, All right, prove it. The door’s open, in you come; sit down, be one of us. Move out of the family home; move in with the other guys. Step out from the shadow of the Father of the Nation. ‘And do you know what the European Union shows us about ourselves? We’re all those things we say we are. They weren’t lies, they weren’t boasts. We’re good. We’re big. We’re a powerhouse. We’ve got an economy that goes all the way to the South China Sea. We’ve got energy and ideas and talent - look at the stuff that’s coming out of those tin-shed business parks in the nano sector and the synthetic biology start-ups. Turkish. All Turkish. That’s the legacy of Atatürk. It doesn’t matter if the Kurds have their own Parliament or the French make everyone stand in Taksim Square and apologize to the Armenians. We’re the legacy of Atatürk. Turkey is the people. Atatürk’s done his job. He can crumble into dust now. The kid’s come right. The kid’s come very right. That’s why I believe the EU’s the best thing that’s ever happened to us because it’s finally taught us how to be Turks.’ General Çiller beats a fist on the table, sending the cutlery leaping. ‘By God, by God; that’s a bold thing to say but you’re exactly right.
Ian McDonald (The Dervish House)
What is a “pyramid?” I grew up in real estate my entire life. My father built one of the largest real estate brokerage companies on the East Coast in the 1970s, before selling it to Merrill Lynch. When my brother and I graduated from college, we both joined him in building a new real estate company. I went into sales and into opening a few offices, while my older brother went into management of the company. In sales, I was able to create a six-figure income. I worked 60+ hours a week in such pursuit. My brother worked hard too, but not in the same fashion. He focused on opening offices and recruiting others to become agents to sell houses for him. My brother never listed and sold a single house in his career, yet he out-earned me 10-to-1. He made millions because he earned a cut of every commission from all the houses his 1,000+ agents sold. He worked smarter, while I worked harder. I guess he was at the top of the “pyramid.” Is this legal? Should he be allowed to earn more than any of the agents who worked so hard selling homes? I imagine everyone will agree that being a real estate broker is totally legal. Those who are smart, willing to take the financial risk of overhead, and up for the challenge of recruiting good agents, are the ones who get to live a life benefitting from leveraged Income. So how is Network Marketing any different? I submit to you that I found it to be a step better. One day, a friend shared with me how he was earning the same income I was, but that he was doing so from home without the overhead, employees, insurance, stress, and being subject to market conditions. He was doing so in a network marketing business. At first I refuted him by denouncements that he was in a pyramid scheme. He asked me to explain why. I shared that he was earning money off the backs of others he recruited into his downline, not from his own efforts. He replied, “Do you mean like your family earns money off the backs of the real estate agents in your company?” I froze, and anyone who knows me knows how quick-witted I normally am. Then he said, “Who is working smarter, you or your dad and brother?” Now I was mad. Not at him, but at myself. That was my light bulb moment. I had been closed-minded and it was costing me. That was the birth of my enlightenment, and I began to enter and study this network marketing profession. Let me explain why I found it to be a step better. My research led me to learn why this business model made so much sense for a company that wanted a cost-effective way to bring a product to market. Instead of spending millions in traditional media ad buys, which has a declining effectiveness, companies are opting to employ the network marketing model. In doing so, the company only incurs marketing cost if and when a sale is made. They get an army of word-of-mouth salespeople using the most effective way of influencing buying decisions, who only get paid for performance. No salaries, only commissions. But what is also employed is a high sense of motivation, wherein these salespeople can be building a business of their own and not just be salespeople. If they choose to recruit others and teach them how to sell the product or service, they can earn override income just like the broker in a real estate company does. So now they see life through a different lens, as a business owner waking up each day excited about the future they are building for themselves. They are not salespeople; they are business owners.
Brian Carruthers (Building an Empire:The Most Complete Blueprint to Building a Massive Network Marketing Business)
That’s your ghoul, isn’t it?” asked Harry, who had never actually met the creature that sometimes disrupted the nightly silence. “Yeah, it is,” said Ron, climbing the ladder. “Come and have a look at him.” Harry followed Ron up the few short steps into the tiny attic space. His head and shoulders were in the room before he caught sight of the creature curled up a few feet from him, fast asleep in the gloom with its large mouth wide open. “But it . . . it looks . . . do ghouls normally wear pajamas?” “No,” said Ron. “Nor have they usually got red hair or that number of pustules.” Harry contemplated the thing, slightly revolted. It was human in shape and size, and was wearing what, now that Harry’s eyes became used to the darkness, was clearly an old pair of Ron’s pajamas. He was also sure that ghouls were generally rather slimy and bald, rather than distinctly hairy and covered in angry purple blisters. “He’s me, see?” said Ron. “No,” said Harry. “I don’t.” “I’ll explain it back in my room, the smell’s getting to me,” said Ron. They climbed back down the ladder, which Ron returned to the ceiling, and rejoined Hermione, who was still sorting books. “Once we’ve left, the ghoul’s going to come and live down here in my room,” said Ron. “I think he’s really looking forward to it—well, it’s hard to tell, because all he can do is moan and drool—but he nods a lot when you mention it. Anyway, he’s going to be me with spattergroit. Good, eh?” Harry merely looked his confusion. “It is!” said Ron, clearly frustrated that Harry had not grasped the brilliance of the plan. “Look, when we three don’t turn up at Hogwarts again, everyone’s going to think Hermione and I must be with you, right? Which means the Death Eaters will go straight for our families to see if they’ve got information on where you are.” “But hopefully it’ll look like I’ve gone away with Mum and Dad; a lot of Muggle-borns are talking about going into hiding at the moment,” said Hermione. “We can’t hide my whole family, it’ll look too fishy and they can’t all leave their jobs,” said Ron. “So we’re going to put out the story that I’m seriously ill with spattergroit, which is why I can’t go back to school. If anyone comes calling to investigate, Mum or Dad can show them the ghoul in my bed, covered in pustules. Spattergroit’s really contagious, so they’re not going to want to go near him. It won’t matter that he can’t say anything, either, because apparently you can’t once the fungus has spread to your uvula.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
The same song was playing the second I met my ex–best friend and the moment I realized I’d lost her. I met my best friend at a neighborhood cookout the year we would both turn twelve. It was one of those hot Brooklyn afternoons that always made me feel like I'd stepped out of my life and onto a movie set because the hydrants were open, splashing water all over the hot asphalt. There wasn't a cloud in the flawless blue sky. And pretty black and brown people were everywhere. I was crying. ‘What a Wonderful World’ was playing through a speaker someone had brought with them to the park, and it reminded me too much of my Granny Georgina. I was cupping the last snow globe she’d ever given me in my small, sweaty hands and despite the heat, I couldn’t help imagining myself inside the tiny, perfect, snow-filled world. I was telling myself a story about what it might be like to live in London, a place that was unimaginably far and sitting in the palm of my hands all at once. But it wasn't working. When Gigi had told me stories, they'd felt like miracles. But she was gone and I didn't know if I'd ever be okay again. I heard a small voice behind me, asking if I was okay. I had noticed a girl watching me, but it took her a long time to come over, and even longer to say anything. She asked the question quietly. I had never met anyone who…spoke the way that she did, and I thought that her speech might have been why she waited so long to speak to me. While I expected her to say ‘What’s wrong?’—a question I didn’t want to have to answer—she asked ‘What are you doing?’ instead, and I was glad. “I was kind of a weird kid, so when I answered, I said ‘Spinning stories,’ calling it what Gigi had always called it when I got lost in my own head, but my voice cracked on the phrase and another tear slipped down my cheek. To this day I don’t know why I picked that moment to be so honest. Usually when kids I didn't know came up to me, I clamped my mouth shut like the heavy cover of an old book falling closed. Because time and taught me that kids weren't kind to girls like me: Girls who were dreamy and moony-eyed and a little too nice. Girls who wore rose-tonted glasses. And actual, really thick glasses. Girls who thought the world was beautiful, and who read too many books, and who never saw cruelty coming. But something about this girl felt safe. Something about the way she was smiling as she stuttered out the question helped me know I needn't bother with being shy, because she was being so brave. I thought that maybe kids weren't nice to girls like her either. The cookout was crowded, and none of the other kids were talking to me because, like I said, I was the neighborhood weirdo. I carried around snow globesbecause I was in love with every place I’d never been. I often recited Shakespeare from memory because of my dad, who is a librarian. I lost myself in books because they were friends who never letme down, and I didn’t hide enough of myself the way everyone else did, so people didn’t ‘get’ me. I was lonely a lot. Unless I was with my Gigi. The girl, she asked me if it was making me feel better, spinning the stories. And I shook my head. Before I could say what I was thinking—a line from Hamlet about sorrow coming in battalions that would have surely killed any potential I had of making friends with her. The girl tossed her wavy black hair over her shoulder and grinned. She closed her eyes and said 'Music helps me. And I love this song.' When she started singing, her voice was so unexpected—so bright and clear—that I stopped crying and stared at her. She told me her name and hooked her arm through mine like we’d known each other forever, and when the next song started, she pulled me up and we spun in a slow circle together until we were both dizzy and giggling.
Ashley Woodfolk (When You Were Everything)
When Dad pulled up in front of the house, the three of us sat still for a moment and stared at the gloomy pile of bricks my great-aunt called home. Up close, it looked even worse than it had from a distance. Ivy clung to the walls, spreading over windows and doors. A wisteria vine heavy with bunches of purple blossoms twisted around the porch columns. Paint peeled, loose shutters banged in the wind, slates from the roof littered the overgrown lawn. Charles Addams would have loved it. So would Edgar Allan Poe. But not me. No, sir, definitely not me. Just looking at the place made my skin prickle. Dad was the first to speak. “This is your ancestral home, Drew,” he said, once more doing his best to sound excited. “It was built by your great-great-grandfather way back in 1865, right after the Civil War. Tylers have lived here ever since.” While Dad babbled about family history and finding your roots and things like that, I let my thoughts drift to Camp Tecumseh again. Maybe Martin wasn’t so bad after all, maybe he and I could have come to terms this summer, maybe we-- My fantasies were interrupted by Great-aunt Blythe. Flinging the front door open, she came bounding down the steps. The wind ballooned her T-shirt and swirled her gray hair. If she spread her arms, she might fly up into the sky like Mary Poppins.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
He takes my hand and pulls me out onto the floor. He smiles down at me. “I can’t feel the beat to this kind of music.” He looks around at the other couples. I see my dad step onto the floor with the model who approached Logan, and I roll my eyes. Logan takes me in his arms, his hand holding mine. He pulls me close to him, just a breath away, not touching, and my heart starts to flutter. Will I ever get used to being with this man who makes me feel so perfect? He picks up the rhythm of the music by watching the other dancers. “You’re pretty good at this,” I say. He just smiles and shrugs. “Mom made us all take dance lessons when we were young. Paul did a year of ballet before he grew enough balls to tell her he wouldn’t do it anymore.” He chuckles. I’ll never enjoy a sound more than that of his laughter. When we first met, he didn’t speak at all. He started talking again for me, and it took him even longer to learn to laugh. Sometimes he can’t tell how loud he is, and he doesn’t alter his voice well enough for the situation. This is one of those times. My dad shoots me a glare. I look up at Logan and just smile. “What’s bothering you?” he asks. “Not a thing,” I say. And it’s not. I’d trade my right arm for his voice, if someone told me I had to choose between the two. Hearing his words, his laughter and his thoughts means the world to me.
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
Brian spared her a glance. "I'm just angry altogether." "Oh,that's right." Since violence seemed to be the mood of the day, she gave in to it and stabbed a finger into his shoulder. "You're just angry period. He's got some twisted idea that I don't think he's good enough to defend me against a drunk bully. Well, I have news for you,you hardheaded Irish horse's ass." Now that her own temper was fired, she curled her hand into a fist and used it to thump his chest. "I was defending myself just fine." "You half Irish, stiff-necked birdbrain, he's twice your size and then some." "I was handling it, but I appreciate your help." "The hell you do.It's just like with everything else.You've got to do it all yourself.No one's as smart as you, or as clever, or as capable.Oh it's fine to give me a whistle if you need a diversion." "Is that what you think?" She was so livid her voice was barely a croak. "That I make love with you for a diversion? You vile, insulting, disgusting son of a bitch." She raised her own fists, and might have used them, but Travis stepped in and gripped Brian by the shirt.His voice was quiet, almost matter-of-fact. "I ought to take you apart." "Oh,Travis." Adelia merely pressed her fingers to her eyes. "Dad,don't you dare." At wit's end, Keeley threw up her hands. "I've got an idea.Why don't we all just beat each other senseless today and be done with it?
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Where do the biggest movie star of his generation and a revered director (and great actor in his own right) stay when they are visiting someone? Would you believe the local Holiday Inn? Hoping to forge a better connection to Chris, Clint Eastwood and Bradley Cooper came to see me and the rest of the family in early spring of 2014, before they started filming American Sniper. The unpretentiousness of their visit and their genuine goodwill floored me. It was a great omen for the movie. Bubba and I picked them up at the local airport and brought them home; within minutes Bubba had Bradley out in the back playing soccer. Meanwhile, Clint and I talked inside. He reminded me of my grandfather with his courtly manners and gracious ways. He was very funny, with a quiet, quick wit and dry sense of humor. After dinner--it was an oryx Chris had killed shortly before he died--Bradley took Bubba to the Dairy Queen for dessert. Even in small-town Texas, he couldn’t quite get away without being recognized, and when someone asked for his photo, he stepped aside to pose. Bubba folded his arms across his chest and scanned the area much as his dad would have: on overwatch. I guess I didn’t really understand how unusual the situation was until later, when I dropped them off at the Holiday Inn. I watched them walk into the lobby and disappear. That’s Clint Eastwood and Bradley Cooper! Awesome!
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
The next morning, I sneeze as I’m putting on my coat, and Stormy raises one pencil-drawn eyebrow at me. “Catch a cold playing in the snow last night with Johnny?” I squirm. I’d hoped she wouldn’t bring it up. The last thing I want to do is discuss her midnight rendezvous with Mr. Morales! We watched Stormy go back to her apartment and then waited half an hour before John went back to Mr. Morales’s. Weakly, I say, “Sorry we snuck out. It was so early, and we couldn’t fall asleep, so we thought we’d play in the snow.” Stormy waves a hand. “It’s exactly what I hoped would happen.” She winks at me. “That’s why I made Johnny stay with Mr. Morales, of course. What’s the fun in anything if there aren’t a few roadblocks to spice things up?” In awe, I say, “You’re so crafty!” “Thank you, darling.” She’s quite pleased with herself. “You know, he’d make a great first husband, my Johnny. So, did you French him, at least?” My face burns. “No!” “You can tell me, honey.” “Stormy, we didn’t kiss, and even if we had, I wouldn’t discuss it with you.” Stormy’s nose goes thin and haughty. “Well, isn’t that so very selfish of you!” “I have to go, Stormy. My dad’s waiting for me out front. See you!” As I hurry out the door, she calls out, “Don’t you worry, I’ll get it out of Johnny! See you both at the party, Lara Jean!” When I step outside, the sun is shining bright and much of the snow has already melted away. It’s almost like last night was a dream.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
I couldn’t wipe the smile off my face/ I felt giddy all the way back to the hotel. I giggled. I was happy. Sage leaned back in his seat and studied me, an amused smile on his face. “What?” I asked. He shook his head. “You’re making fun of me,” I said. “I’m not,” Sage assured me. I knew he was telling the truth. His eyes were affectionate. I was his, not just in the past but today and forever, and nothing had ever made me feel more secure. I was about to pull into the hotel when Sage reminded me of the snacks-the whole reason we’d supposedly gone out. I swung a wild U-turn that slammed Sage against his door. “Taking up stunt driving?” he asked. “Can you imagine walking in without the snacks? Rayna would be all over me.” “You don’t think she will be anyway? It’s been a long snack run.” “It hasn’t been that long,” I said. “Has it?” He scrunched his brows. “What are you trying to say?” I giggled again, and we pulled into a gas station market. Sage wrapped his arm around my shoulders and I leaned against his chest as we walked in step into the store; he held my hand as I cruised the tiny aisles; he stood behind me and rubbed my shoulders as we paid. I felt normal. I imagined how things would be after everything was over: after we met the dark lady, after we got the Elixir, after we found my dad. Sage and I could travel the world together: me taking pictures, him painting, always coming back together at the end of the day to share what we’d done and lie in each other’s arms.
Hilary Duff (Elixir (Elixir, #1))
The walk is over too quickly. Tally tries everything she can think of to make it last longer, suggesting that Rupert needs to be taken all around the park and then play some stick-chasing games. But after twenty minutes, Mum says that it’s time to head home. “He’s an old dog,” she tells Tally. “And he had quite a fright yesterday. He’ll be happiest having a sleep on his bed now, while we pop out for a while.” “Can’t Nell and I stay here?” Tally asks, the second they’re inside the house. Mum shakes her head. “Not today. After yesterday’s escapades I think that I want us all to stick together. And besides, Dad is looking forward to seeing you.” “I can’t wait to see him,” says Nell, and Tally wonders how she can be so brave about going to the hospital but so scared about something as silly as the dark. Just like the dog walk, the drive to the hospital doesn’t take long enough. Mum parks the car and they all get out. Tally stares at the building ahead. It is grey and gloomy and huge and she knows that if she were to get lost in there then she’d never find her way out. “This way,” says Mum, leading them towards the main entrance. They walk past a man sitting in a wheelchair and a woman with her arm in a sling, and Tally lowers her eyes so that the only thing she can see is Mum’s feet in front of her. The ground changes from concrete to tiles and then Mum’s feet stop and Tally has to look up There are people everywhere and the lights are so bright that it hurts her eyes. “Dad is on the fifth floor,” mum says. “So we need to take the lift.” Tally steps back, accidentally bumping into Nell.
Libby Scott (Can You See Me?: A powerful story of autism, empathy and kindness)
Zeke drifted over to her father’s guitar in the corner of the office. He stared at it for a few long moments, before glancing at her over his shoulder. “Mind?” She shook her head, curious what he would do with the old acoustic. It had seen better days and Dad kept it more for sentimental reasons than practical. Zeke picked it up and dust swirled away. He fitted it under his arm, running through chords to check to see if it was in tune. It wasn’t off by much, but his broad fingers tweaked and tightened until it was at perfect pitch. Seamlessly, he strummed the opening chords to “Home” by Michael Buble. Ember knew her mouth had to be hanging open, but she didn’t care. As if he couldn’t not, his deep voice fell into accompaniment. She stepped away to sink down into a chair, entranced by the broken man singing, eyes shut. Tendrils of need and longing crept into her heart, and it was one of the most beautiful things she’d ever seen. Tears filled her eyes. Almost halfway through the song, his fingers fumbled a note and he stopped singing. When she lifted her eyes to look at him, he stared at her as if he’d forgotten she were there. Jaw tight, emotion brimming in his eyes, he set the guitar back on the stand and walked out of the room. Ember could have wept. She didn’t know why he’d quit, but she wanted him to come right back in and finish the song. Her mind knew what melody was supposed to come next, but it couldn’t create the same type of emotion he had while singing. She thought back to the absolute absorption on his face as he sang, and realized he hadn’t stuttered or hesitated once through the entire performance.
J.M. Madden (Embattled Minds (Lost and Found, #2))
A loud crash came from somewhere off screen. “Sorry, man. Hold on a second. I swear to me, don’t ever have children. They drive you up the wall.” God stood from his chair and stepped away off screen. “Jesus! Jesus Christ, you better not be making a mess in the kitchen. We just had it cleaned!” A surly response came crackling through the monitor. “I’m not! And don’t tell me what to do! You’re not even my real dad. Joseph is! When he and Mom get back from their vacation, I’m going to tell them you never let me do anything.” “You do that,” God said. “See how far it gets you. And you know I’m your real dad. Your mom was a virgin when I put my seed of light inside of—” “Gross! Stop it! And that’s not how pregnancy works. You made sure of that!” “Just…I’m making a very important call right now. Please keep it down. I promise when I finish, we’ll go ride unicorns or something. We’ll make a day of it.” “I hate unicorns!” “Jesus, I’m warning you. Lose the tone.” “Or what, you’ll send me to Earth and let me die for more sins again that aren’t even my own? Real original. Oh, hey, guys, of course you can nail me to a piece of wood. I’m here for you, after all!” “That’s it. You’re grounded!” “You can’t ground me! I’m calling Mom!” “Do it, then! And you tell her that you think she wasn’t a virgin. See how that goes.” “I’m going to hang out with my friends. At least beggars and whores understand me!” Somewhere deep inside the cloud castle God lived in, a door slammed. God sighed as he reappeared on screen, sitting back down in his chair. “Sorry about that, man. Sharing custody is hard. Joseph and Mary have been gone for a week. It feels like a year.
T.J. Klune (Blasphemy!)
There was a man in the garden with the little girl. He was turning over the soil in a garden bed. He had obviously heard the car, because he raised his hand in greeting, but then he had gone back to his work. He had actually turned his back on the car. Tina thought she knew what that meant. The man had not wanted to see Pete the policeman. Maybe he thought Pete was bringing bad news. Tina smiled. Here was good news. Finally, here was good news for this family. The man dug the garden fork into the soil with a little bit of effort. He was deliberately not looking at Pete. The little girl walked down the driveway towards them. Pete said quietly, ‘No real way to prepare them. You go ahead, Lockie.’ Lockie squeezed Tina’s hand. ‘Go on, Lockie, it’s your dad. He’s been looking for you for a long time. Go on.’ She pulled her hand slowly out of Lockie’s grip. She wanted to save him from his fear, but she had saved him once. Lockie would have to do this by himself. The little girl who was surely Sammy looked back at her father, but he was still concentrating on his work. She smiled in Pete’s direction and then she focused on Lockie. She stared at him, as if trying to work out exactly who he was. Lockie pushed his hood back, exposing his short blond hair. He stood, and Tina could sense him holding his breath, waiting for his sister to see him. To really see him. Sammy stared hard at Lockie now, frowning. And then Tina saw recognition light up her face. She looked at her father who had still not looked up. She looked back at Lockie. She started jumping up and down. ‘Lockie!’ she screamed. ‘Lockie, Lockie, Lockie!’ Lockie smiled.The man jerked upright and dropped the garden fork. ‘Stop that, Samantha,’ he whispered angrily. ‘Jesus, stop that! Be quiet. Stop that.’ ‘Lockie, Lockie, Lockie!’ The little girl flew down the driveway and launched herself at her brother, who went, ‘Oof,’ but he steadied himself and wrapped his arms around her. ‘Lockie, Lockie, Lockie,’ she repeated, as if to make the moment real for herself. The man stood and stared at his children, still without realising that he was indeed looking at both his children. He started walking down the driveway. He began with an angry quick stride but the closer he got the more unsure his steps became. He was a big man in charge of a big farm but his steps became small and faltering. Tina could see the disbelief spreading across his face. Sammy let go of Lockie and took his hand. She started pulling him up the driveway. ‘It’s Lockie, Dad. Look, it’s Lockie, come look, Dad, Lockie’s home. He’s home, Dad. I knew he home. He’s home, Dad. I knew he would come home. I told you, Dad. Look its Lockie. Lockie, Lockie, Lockie’s home. Lockie’s home.’ The man stopped a few feet away from Lockie. His mouth was open. He moved it once or twice, but no words came out, and then came a sound that Tina had never heard before. It was a moaning, keening sound, but rough with the depth of his voice. It was four months of agony and the ecstasy of this moment all rolled into one. It was his heart right out there in the open for everyone to see. He opened his arms and dropped to his knees. Lockie let go of Sammy’s hand and continued alone up the driveway towards his father. He was twisting his hands and pulling at his jumper. He walked into his father’s arms and was completely surrounded by the large man. ‘I’m sorry, Dad,’ he said. ‘I’m sorry, Dad, I’m sorry.’ At the bottom of the driveway Tina watched Lockie and his father. Lockie’s voice was muffled by his father’s arms, but Tina could still hear him repeating, ‘I’m sorry.’ Say it, Tina begged the man silently. Please, please, just say it. ‘Oh, Lockie,’ said the man through his tears, his large shoulders heaving. ‘It wasn’t your fault. It wasn’t your fault. I’m sorry, Lockie. I’m sorry. I’ve been looking for you, Lockie. Where did you go, mate? Where did you go?
Nicole Trope (The Boy Under the Table)
So then…you still like me?” “Yeah,” I whisper. “I mean, sort of.” My heartbeat is going quick-quick-quick. I’m giddy. Is this a dream? If so, let me never wake up. Peter gives me a look like Get real, you know you like me. I do, I do. Then, softly, he says, “Do you believe me that I didn’t tell people we had sex on the ski trip?” “Yes.” “Okay.” He inhales. “Did…did anything happen with you and Sanderson after I left your house that night?” He’s jealous! The very thought of it warms me up like hot soup. I start to tell him no way, but he quickly says, “Wait. Don’t tell me. I don’t want to know.” “No,” I say, firmly so he knows I mean it. He nods but doesn’t say anything. Then he leans in, and I close my eyes, heart thrumming in my chest like hummingbird wings. We’ve technically only kissed four times, and only one of those times was for real. I’d like to just get right to it, so I can stop being nervous. But Peter doesn’t kiss me, not the way I expect. He kisses me on my left cheek, and then my right; his breath is warm. And then nothing. My eyes fly open. Is this a literal kiss-off? Why isn’t he kissing me properly? “What are you doing?” I whisper. “Building the anticipation.” Quickly I say, “Let’s just kiss.” He angles his head, and his cheek brushes against mine, which is when the front door opens, and it’s Peter’s younger brother, Owen, standing there with his arms crossed. I spring away from Peter like I just found out he has some incurable infectious disease. “Mom wants you guys to come in and have some cider,” he says, smirking. “In a minute,” Peter says, pulling me back. “She said right now,” Owen says. Oh my God. I throw a panicky look at Peter. “I should probably get going before my dad starts to worry…” He nudges me toward the door with his chin. “Just come inside for a minute, and then I’ll take you home.” As I step inside, he takes off my coat and says in a low voice, “Were you really going to walk all the way home in that fancy dress? In the cold?” “No, I was going to guilt you into driving me,” I whisper back.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
Things I worried about on the bus: a snapshot of an anxious brain . . . Is that car slowing down? Is someone going to get out and kidnap me? It is slowing down. What if someone asks for directions? What if—Oh. They’re just dropping someone off. The bus is late. What if it doesn’t arrive? What if I’m late getting to school? Did I turn my straighteners off ? What if the bus isn’t running today and no one told me? Where’s the—oh. There’s the bus. Oh crap is that Rowan from Biology? What if he sees me? What if he wants to chat? Hide. Okay, he hasn’t seen me. He hasn’t seen me. What if he did see me and now he thinks I’m weird for not saying hi? Did I remember to clean out Rita’s bowl properly? What if she gets sick? One day Rita will die. One day I’ll die. One day everyone will die. What if I die today and everyone sees that my bra has a hole in it? What if the bus crashes? Where are the exits? Why is there an exit on the ceiling? What if that headache Dad has is a brain tumor? Would I live with Mum all the time if Dad died? Why am I thinking about my living arrangements instead of how horrible it would be if Dad died? What’s wrong with me? What if Rhys doesn’t like me? What if he does? What if we get together and we split up? What if we get together and don’t split up and then we’re together forever until we die? One day I’ll die. Did I remember to turn my straighteners off ? Yes. Yes. Did I? Okay my stop’s coming up. I need to get off in about two minutes. Should I get up now? Will the guy next to me get that I have to get off or will I have to ask him to move? But what if he’s getting off too and I look like a twat? What if worrying kills brain cells? What if I never get to go to university? What if I do and it’s awful? Should I say thank you to the driver on the way off ? Okay, get up, move toward the front of the bus. Go, step. Don’t trip over that old man’s stick. Watch out for the stick. Watch out for the—shit. Did anyone notice that? No, no one’s looking at me. But what if they are? Okay, doors are opening, GO! I didn’t say thank you to the driver. What if he’s having a bad day and that would have made it better? Am I a bad person?
Sara Barnard (A Quiet Kind of Thunder)
… The frayed and gritty edges of everyone’s world were being worried away by neighbors you’d never noticed until the air spilled over with the tragedy of their loss. The war had taken them or their children; killed them, lost them, torn off body parts, shipped them back brain-fried…. … Tales fell from hearts in heavy, wet tones of grief and confusion…. … Even when rare moments of relative calm and clarity crept briefly through our days, they crawled in with head hanging through that most familiar of all tunnels, our sense of loss. Each new friend seemed only to step in and announce himself with his last breath. Why hadn’t we loved him earlier when there had been more time? That overriding sense of loss was the dismal cloud through which you viewed the world. Dreading life’s relentless advance, but knowing your locks could never keep it out…. … As the late 60’s gave in and died, and I trudged through my first year as an art student in college, even the old folks were growing up. Their World War II glories clouded over. Someone had shot the president, his brother, and a great civil rights leader, dragging us all out of our warm, snuggly innocence. People seemed infested by life, burdened by the stifling weight of it, until we could only force shallow, labored breaths. Each new day was just an old one playing through again, a dust-laden August, a storm always riding right on top of you that never quite cut loose. It settled into your joints until they grew achy, too heavy to lift; tarring all hearts with a dark, heavy plaque. Days stuck together as walking and breathing grew tedious. Until even my bubbly sister couldn’t offer up a smile without a shadow lurking inside it. We trudged through life as our mighty nation killed our sons and broke our buddies, defending itself from skinny barefoot farmers with sticks, in rice swamps somewhere on the other side of existence, where you couldn’t tell the good guys from the bad. Some lost tiny nowhere that hadn’t even existed when you’d been a kid; when the world had been innocent and untainted. Back when Father Knew Best, Beaver’s mom fed his dad all the answers, and Annie Oakley never had to shoot to kill…. - From “Entertaining Naked People
Edward Fahey (Entertaining Naked People)
I was headed into the final fitting of my leg. I’d gone through the test socket phase and my leg was finally ready. I was so excited! I walked into the physical therapy lab and shouted, “Man, I cannot wait to put this leg on and walk!” My physical therapist, Bob, and the prosthetist exchanged nervous glances. My right leg was still pretty weak and by all normal standards, I should not be able to walk right away. But then, of course, I never like to be like everyone else. They had me wheel over to the parallel bars to attach my new leg. “We’re just going to have you stand for now,” said Bob. “Nah, I’m walking.” I offered up my best shit-eating grin. “Let’s just see how it feels,” Bob replied with some firmness. I stood up and said, “I feel good. I feel really good.” Bob relented and they let me try to walk. They put a belt around me so that Bob could hold on to me as I walked the parallel bars. Most guys can use the parallel bars for support. I only have one arm so that only helped me so much. Good thing I didn’t really need them. I started walking without faltering right away. “Yeah, this feels good. I feel good. You can back up,” I told them. They backed up and I started walking by myself, holding on with one hand. Then, feeling bolder, I lifted my hand off the bar. I took a step. And then another step. I was walking without any help. I walked up and down those parallel bars the very first day I put on my leg. I did all this with an audience. Dad and Uncle Johnny were right there with me, watching and cheering me on. They were so excited. Uncle Johnny snapped a picture and sent it to my mom back home in Alabama. And as any proud mom would do, she sent that picture to everyone she knew. That picture went the pre-viral version of viral! It was a triumphant snapshot. I was walking again. And not only that, I was wearing those shiny new New Balance shoes the nice ladies had given me. As the picture made the rounds through my mom’s friends and friends of her friends and friends of friends of friends, somehow it ended up with people at New Balance. They reached out to my mom to ask what sizes of shoe Colston and I wore. She told them and then soon after that, Colston and I had matching sneakers.
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
It takes me nearly a half hour to make what should be a ten-minute trip, and by the time I pull up in front of my house, my hands are cramped from my death grip on the steering wheel. It’s not until I step out of the car, my legs feeling like they’re made of Jell-O, that I notice Ryder’s Durango parked in front of me. “Where the hell have you been?” he calls out from the front porch, just as I make a mad dash to join him there. His face is red, his brow furrowed over stormy eyes. “They let us out an hour ago!” I am really not in the mood for his crap. “Yeah, so?” “So I was worried sick. A tornado touched down over by the Roberts’ place.” “I know! I mean, I didn’t know it touched down, but I was still at school when the sirens went off.” I drop my ridiculously heavy backpack and shake the rain from my hair. “Is everyone okay over there?” He runs a visibly trembling hand through his hair. “Yeah, it just tore up their fence or something. Jesus, Jemma!” “What is wrong with you? Why are you even here?” “I’m supposed to stay over here, remember?” “What…now?” I look past him and notice an army-green duffel bag by the front door. He’s got a key--he could’ve just let himself in. “I figured now’s as good a time as any. We need to put sandbags in front of the back door before it gets any worst out, and then we’ve got to do something about the barn. It’s awful close to the creek, and the water’s rising fast.” “Well, what do you propose we do?” “Don’t you keep your guns out there? We should move them inside. And your dad has some expensive tools in his workshop--we should get those, too.” I let out a sigh. He’s got a point. “Can I at least go inside first? Put my stuff away?” “Sure?” He moves to the edge of the porch and gazes up at the sky. “It looks like we might get a break in a few minutes, once this band moves through. Might as well wait for it.” I dig out my keys and unlock the door. I can hear the dogs howling their heads off the minute I step inside. “I’ve gotta let Beau and Sadie out,” I say over my shoulder as I head toward the kitchen. “Take your stuff to the guest room and get settled, why don’t you?” That’s my attempt at reestablishing the fact that I’m in charge here, not him. This is my house. My stuff. My life.
Kristi Cook (Magnolia (Magnolia Branch, #1))
You look beautiful,” my dad said as he walked over to me and offered his arm. His voice was quiet--even quieter than his normal quiet--and it broke, trailed off, died. I took his arm, and together we walked forward, toward the large wooden doors that led to the beautiful sanctuary where I’d been baptized as a young child just after our family joined the Episcopal church. Where I’d been confirmed by the bishop at the age of twelve. I’d worn a Black Watch plaid Gunne Sax dress that day. It had delicate ribbon trim and a lace-up tie in the back--a corset-style tie, which, I realized, foreshadowed the style of my wedding gown. I looked through the windows and down the aisle and could see myself kneeling there, the bishop’s wrinkled, weathered hands on my auburn hair. I shivered with emotion, feeling the sting in my nose…and the warm beginnings of nostalgia-driven tears. Biting my bottom lip, I stepped forward with my father. Connell had started walking down the aisle as the organist began playing “Jesu, Joy of Man’s Desiring.” I could close my eyes and hear the same music playing on the eight-track tape player in my mom’s Oldsmobile station wagon. Was it the London Symphony Orchestra or the Mormon Tabernacle Choir? I suddenly couldn’t remember. But that’s why I’d chosen it for the processional--not because it appeared on Modern Bride’s list of acceptable wedding processionals, but because it reminded me of childhood…of Bach…of home. I watched as Becky followed Connell, and then my sister, Betsy, her almost jet-black hair shining in the beautiful light of the church. I was so glad to have a sister. Ms. Altar Guild gently coaxed my father and me toward the door. “It’s time,” she whispered. My stomach fell. What was happening? Where was I? Who was I? At that very moment, my worlds were colliding--the old world with the new, the past life with the future. I felt my dad inhale deeply, and I followed his lead. He was nervous; I could feel it. I was nervous, too. As we took our place in the doorway, I squeezed his arm and whispered, “I love thee.” It was our little line. “I love thee, too,” he whispered back. And as I turned my head toward the front of the church, my eyes went straight to him--to Marlboro Man, who was standing dead ahead, looking straight at me.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Bindi the Jungle Girl aired on July 18, 2007, on ABC (Channel 2) in Australia, and we were so proud. Bindi’s determination to carry on her father’s legacy was a testament to everything Steve believed in. He had perfectly combined his love for his family with his love for conservation and leaving the world a better place. Now this love was perfectly passed down to his kids. The official beginning of Bindi’s career was a fantastic day. All the time and effort, and joy and sorrow of the past year culminated in this wonderful series. Now everyone was invited to see Bindi’s journey, first filming with her dad, and then stepping up and filming with Robert and me. It was also a chance to experience one more time why Steve was so special and unique, to embrace him, to appreciate him, and to celebrate his life. Bindi, Robert, and I would do our best to make sure that Steve’s light wasn’t hidden under a bushel. It would continue to sine as we worked together to protect all wildlife and all wild places. After Bindi’s show launched, it seemed so appropriate that another project we had been working on for many months came to fruition. We found an area of 320,000 acres in Cape York Peninsula, bordered on one side by the Dulcie River and on the other side by the Wenlock River--some of the best crocodile country in the world. It was one of the top spots in Australia, and the most critically important habitat in the state of Queensland. Prime Minister John Howard, along with the Queensland government, dedicated $6.3 million to obtaining this land, in memory of Steve. On July 22, 2007, the Steve Irwin Wildlife Reserve became official. This piece of land means so much to the Irwin family, and I know what it would have meant to Steve. Ultimately, it meant the protection of his crocodiles, the animals he loved so much. What does the future hold for the Irwin family? Each and every day is filled with incredible triumphs and moments of terrible grief. And in between, life goes on. We are determined to continue to honor and appreciate Steve’s wonderful spirit. It lives on with all of us. Steve lived every day of his life doing what he loved, and he always said he would die defending wildlife. I reckon Bindi, Robert, and I will all do the same. God bless you, Stevo. I love you, mate.
Terri Irwin (Steve & Me)
 “You like me, though. You want to go on a date with me.” It wasn’t a question. “Cocky much?” “Confident. Don’t be mistaken.” “Why do you want to take me out so badly?” “Fishing for more compliments, are we?” He’d caught me, but went on anyway. “Obviously you’re beautiful. You have nice, you know, legs and . . . stuff.” “You’re laughing. I don’t think I’m really your type. I think you’re messing with me. I’m not at all like Charlize Theron.” We pulled up to my car but he let Charlize idle before getting out. “You are so my type. Charlize—at least the actress—is not. I mean, she’s gorgeous, in a blond, Amazonian, I-might-kill-and-eat-my-own-young kind of way, but I like your look better.” “Oh yeah? What’s my look?” “There’s something dark about you . . . and interesting. Your creamy skin, your black hair. The way you move. Your mouth.” He reached out to touch my cheek but I jerked away, breaking the seriousness of the moment. “What do you mean I’m dark?” He smiled and shrugged. “I don’t know. Like I want to get naked with you and a Ouija board.” I burst out laughing. “And your laugh . . . it’s like the sound of someone squeezing the life out of a miniature trumpet. It’s really cute.” “That is not a compliment. I have a nice laugh. And by the way, your voice is nasally when you’re not trying to impress people.” He held his hand to his chest like he was offended, except he was still smiling. “I’m crushed. Penny, whatever your last name is—” “Piper.” “Ha! Penny Piper? You’ve got to be kidding! That’s either a children’s book character or a porn star’s name. Penny Piper picked a peck of pickled pep—” “Stop! I know, trust me. I have to live with this name. My poor sister’s name is Kiki Piper. Like we’re fucking hobbits or something.” “Penny Piper is worse than Kiki Piper, hands down.” I cocked my head to the side. “Thanks.” “Just sayin’. What’s your middle name?” “Isabelle.” “I’m gonna call you PIP Squeak.” “Thank you. I can’t wait.” “And by the way, I happen to have a deviated septum. That’s why my voice sounds like this sometimes, you asshole. Now get out and help me with your car.” As we stepped out, he pointed to my Honda and said, “Try and start it when I tell you.” I stopped and turned to him. “What’s your middle and last name?” “Gavin Augusta Berninger.” “Regal,” I said with a wink. “I know, right?” He shrugged one arm like he was royalty or something. “Is that French?” “Yeah, my dad’s family is French . . . sort of. Like, his great-great-grandfather came from France. No one in our family even speaks French.” “Hmm, not so regal anymore,” I said. “Whatever, Penny Piper.
Renee Carlino (Blind Kiss)
MY PROCESS I got bullied quite a bit as a kid, so I learned how to take a punch and how to put up a good fight. God used that. I am not afraid of spiritual “violence” or of facing spiritual fights. My Dad was drafted during Vietnam and I grew up an Army brat, moving around frequently. God used that. I am very spiritually mobile, adaptable, and flexible. My parents used to hand me a Bible and make me go look up what I did wrong. God used that, as well. I knew the Word before I knew the Lord, so studying Scripture is not intimidating to me. I was admitted into a learning enrichment program in junior high. They taught me critical thinking skills, logic, and Greek Mythology. God used that, too. In seventh grade I was in school band and choir. God used that. At 14, before I even got saved, a youth pastor at my parents’ church taught me to play guitar. God used that. My best buddies in school were a druggie, a Jewish kid, and an Irish soccer player. God used that. I broke my back my senior year and had to take theatre instead of wrestling. God used that. I used to sleep on the couch outside of the Dean’s office between classes. God used that. My parents sent me to a Christian college for a semester in hopes of getting me saved. God used that. I majored in art, advertising, astronomy, pre-med, and finally English. God used all of that. I made a woman I loved get an abortion. God used (and redeemed) that. I got my teaching certification. I got plugged into a group of sincere Christian young adults. I took courses for ministry credentials. I worked as an autism therapist. I taught emotionally disabled kids. And God used each of those things. I married a pastor’s daughter. God really used that. Are you getting the picture? San Antonio led me to Houston, Houston led me to El Paso, El Paso led me to Fort Leonard Wood, Fort Leonard Wood led me back to San Antonio, which led me to Austin, then to Kentucky, then to Belton, then to Maryland, to Pennsylvania, to Dallas, to Alabama, which led me to Fort Worth. With thousands of smaller journeys in between. The reason that I am able to do the things that I do today is because of the process that God walked me through yesterday. Our lives are cumulative. No day stands alone. Each builds upon the foundation of the last—just like a stairway, each layer bringing us closer to Him. God uses each experience, each lesson, each relationship, even our traumas and tragedies as steps in the process of becoming the people He made us to be. They are steps in the process of achieving the destinies that He has encoded into the weave of each of our lives. We are journeymen, finding the way home. What is the value of the journey? If the journey makes us who we are, then the journey is priceless.
Zach Neese (How to Worship a King: Prepare Your Heart. Prepare Your World. Prepare the Way)
TRACKING GAMES Hold an object in front of the baby. When you’re sure she’s seen it, let it drop out of your hand. At five or six months, most babies won’t follow the object down. But starting at about seven months, they’ll begin to anticipate where things are going to land. When your baby has more or less mastered this skill, add an additional complication: drop a few objects and let her track them down. Then hold a helium balloon in front of her and let it go. She’ll look down and be rather stunned that the balloon never lands. She’ll also give you a priceless look of betrayal—as though you cheated by defying the laws of physics. Let her hold the string of the balloon and experiment. Another great game involves your baby’s newly developed abilities to track moving objects even when they’re out of sight part of the time. Put your baby in a high chair and sit down at a table facing her. Slowly move a toy horizontally in front of her a few times. Then put a cereal box between you and the baby and move the ball along the same trajectory but have it go behind the box for a second or two. Most six-month-olds will look ahead to the other side of the box, anticipating where the ball will emerge. If your baby’s still having fun, try it again, but this time, instead of keeping the ball on the same path, make a 90-degree turn and bring the ball out from the top of the box. You can do the same kind of thing during games of peek-a-boo. Step behind a door so the baby can’t see you. Then open the door a little and poke your head out. Do that in the same place a few times and then higher or lower than where she was expecting to see you. Most babies find this endlessly amusing. Again, if your baby doesn’t respond to some, or any, of these activities, don’t worry. Babies develop at very different rates, and what’s “normal” for your baby may be advanced—or delayed—for your neighbor’s. And keep in mind that you don’t need to spend a lot of money on fancy toys. When my oldest daughter was about this age, one of her favorite toys was a plastic dish-scrubbing pad. And I remember taking her to FAO Schwartz in New York—zillions of fantastic toys everywhere—and thinking that she was going to want to play with everything. But all she wanted to do was play with the price tags. (She’s a teenager now, and I look back at that experience as a warning—she still spends an awful lot of time looking at price tags …) Give the Kid a Break Don’t feel that you have to entertain your baby all the time. Sure it’s fun, but letting her have some time to play by herself is almost as important to her development as playing with her yourself. And don’t worry; letting her play alone—as long as you’re close enough to hear what she’s doing and to respond quickly if she needs you—doesn’t mean you’re being neglectful. Quite the opposite, in fact. By giving her the opportunity to make up her own games or to practice on her own the things she does with you, you’re helping her learn that she’s capable of satisfying at least some of her needs by herself. You’re also helping her build her sense of self-confidence by allowing her to decide for herself what she’ll play with and for how long.
Armin A. Brott (The New Father: A Dad's Guide to the First Year (New Father Series Book 2))
the fresh air would do him good. Marcus went along Lord Street and out towards the business area of town. His intention was to consult a solicitor. Surely to God a solicitor must know what could be done. All manner of questions were rushing through his mind. Would it be possible to have the marriage annulled? How could this awful thing be resolved without shaming Phoebe? What of the child? And, least of all, would he be sent to prison? As he went up the steps to the grand panelled door which was laden with brass plaques bearing the names of solicitors, Marcus prayed there was someone there who could find a solution to the awful nightmare that had engulfed both him and the innocent Phoebe.   ‘Our Dad’s in a difficult mood this morning,’ Dora yawned as she came into the parlour where Judd was pulling on his boots. ‘We’ve none of us had five minutes’ sleep altogether,’ she told him. ‘And look at you, you’re still half asleep. I reckon you’d best give work a miss today, our Judd,’ she said,
Josephine Cox (Jessica's Girl)
I figured if you have your own place, you would be less likely to want to leave again.” There it was. I saw the uncertainty in his eyes. He was afraid. “Max.” He pulled me closer. “I just want you to stay.” He shook his head. “My life is here, Hadley. My job, my family, my identity is all wrapped up in this town.” His fingers gently tipped my chin. “And now that you’re back everything feels like it should.” He brushed his fingers against my cheek. “I was struggling for some happiness. I was fighting to keep my smile so that I could be the rock my mom needs and the dad my daughter needs, but I was struggling.” He leaned in and those hazel eyes held me captive. “The moment I saw you sitting on your porch, my happy returned.” My heart turned over in my chest. “Hadley, I need you here.” I stepped closer. His arms gently circled my waist and he drew me into the strength of them. He bent down slightly and my arms automatically went around his neck. He leaned down and set his cheek against mine. The scrape of his stubble against my smooth skin was a sensation that I could not describe the pleasure of. His lips to my ear made me shiver. “Stay?” “I had no plans to leave,” I whispered.
Sarah Brocious (What Remains (Love Abounds, #1))
Madison!” Bob’s head jerks up and he steps back three paces from me, and all the warmth that was him is suddenly gone. “Dad!” I cry. My father steps between me and Bob. “What are you doing here?” “Skip called me.” Skip and I grew up together. The traitor. “Skip said some ex-convict was carrying you out of the bar over his shoulder.” He looks from Bob to me and back again. “Is that true?” “I can explain, sir,” Bob begins, but my dad shoots him a look. “Why do you look so familiar to me?” Dad asks him. “We met in the courtroom, sir.” “What’s your name?” “Bob Caster, sir.” Dad’s eyes narrow. “One of Phil’s boys?” “Yes, sir.” Bob scratches his nose like he’s suddenly uncomfortable. “Why are you with my daughter?” “We’re on a date, sir.” “One that ends with you throwing her over you shoulder?” “That’s actually how it starts, sir.” A chuckle bursts from my lips and I cover my mouth to keep it in. “Sorry,” I mutter. “Madison, get in the car.” Dad points to his fancy car, which is parked right behind the one I’m sitting on. “With all due respect, sir, I’d like to take her home.” “If you had any respect for my daughter, you wouldn’t have been all over her on the hood of a car in the middle of the street.” “It was just a kiss, Dad—” “It looked like more than that.” “It was,” Bob interjects. His eyes meet mine. “It was more than that.” “What was it?” I whisper, past the lump that’s suddenly clogging my throat. “More,” Bob says. “I don’t know how to explain it. But it was more.” “More than you deserve,” Dad snaps. “My daughter will not have a relationship with an ex-convict.” Bob takes a step back and stuffs his hands in his pockets. “I understand, sir,” he says. “Good night, Madison.” “Don’t go!” I cry. He rounds the front of his car and gets inside. He cranks it and waits for me to get my butt off it. “You deserve better than him, Madison,” Dad says. I get off the hood of the car and glare at him. “Dad!” “Get in the car, Madison!” he shouts. He points his finger in the direction he wants me to go. I stomp over to the car and get in, and my heart breaks when I see that Bob is already driving away. His eyes meet mine briefly in his mirror and I see a world of hurt inside him. “I’m not going to my apartment, Dad,” I tell him. “Yes, you are.” “No, I’m not.” Dad heaves a sigh. “What do you want, Madison?” “I want to get to know him, Dad. That’s all. I like him a lot.” “I could tell,” he grunts. “He’s not the one for you.
Tammy Falkner (Yes You (The Reed Brothers #9.5))
Can I come in?” I ask. “No.” My belly drops. “No?” He shakes his head. “No.” “Please.” He shakes his head again, but he’s looking a little chagrined. “You should go.” “I’m not leaving.” He shrugs. “Fine. Suit yourself.” He closes the door in my face. I stand there on the stoop, not sure what to do with myself. Dad left with Phil, and I don’t have another ride. I sit down on the top step. A gentle drizzle begins to fall. I pull my knees up to my chest and scoot back under the overhang, but it’s not enough. I’m getting soaked. The door opens. “Jesus Christ, Madison. Are you seriously going to sit there in the rain?” My teeth are starting to chatter. “Just until my dad gets back. Then I’ll get out of your hair.” “Get in here,” he snarls. “No, I’m fine right here.” “Is this what life with you is going to be like? You declining every time I make a suggestion and me having to force you into it?” He hooks an arm beneath my knees and one behind my shoulders and scoops me up. “Jesus, you’re a lot of trouble,
Tammy Falkner (Yes You (The Reed Brothers #9.5))
Were the Comanches still out there, hidden from sight but watching? Was that lance a message from Hunter to his people? I will come to you like the wind. I am your destiny. She visualized the Indian returning with a dirty blanket or two, a scrawny horse he no longer wanted, perhaps a battered pot. And Uncle Henry, coward that he was, would waste no time in handing her over. Loretta Simpson, bought by a Comanche. No, not by just any Comanche, but Hunter himself. It would be whispered in horror all along the Brazos and Navasota rivers. Hunter’s woman. She’d never be able to hold her head up again. No decent man would even look at her. If she lived… With a whining intake of air, Loretta lunged to her feet and ran to the door. Before anyone could stop her, she was across the porch and down the steps. She’d show that heathen. If this was a message that she belonged to him, she’d destroy it. Grabbing the lance, she worked it free from the earth. “Loretta, you fool girl!” Tom came after her, catching her arm to whirl her around. “All you’ll do is rile him.” Jerking free, she headed for the front gate. Rile him or not, if she didn’t refute the Comanche’s claim, it would be the same as agreeing to it. Maybe he would come back for her, but if he was out there watching, at least he’d know he wasn’t welcome. She walked beyond the yard fence, then turned and swung the lance against the top rail. The resilient shaft bounced back at her. She swung again. And again. The lance seemed to take life, resisting her, mocking her. She envisioned the Comanche’s arrogant face and bludgeoned it, venting her hatred. For Ma, for Papa. She’d never belong to a filthy redskin, never. Sweat began to run down her face, burning her eyes, salty on her lips, but still she swung the lance. It had to break. He might be out there watching. If his weapon defeated her, it would be the same as if he had. Her shoulders began to ache. Each lift of her arms became an effort. Beyond the realm of her immediate focus, she saw her family standing around her in shocked horror, staring as if she had lost her mind. Perhaps she had. Loretta fell to her knees, gazing at the intact lance. Willow, green willow. No wonder the dad-blamed thing wouldn’t break. Furious, she snatched the feathers off of it and ripped them into shreds, sputtering when the bits of down flew back in her face. Then she knelt there, heaving for air, so exhausted all the fight in her was drained away. He had won.
Catherine Anderson (Comanche Moon (Comanche, #1))
Willie wrote one asking her when she was going to meet him at the barn. At the bottom of the note, he drew a really neat spider in a web. Then he folded the sheet up small, addressed it, and passed it to the kid next to him. Milton was sitting along the postal route. The note got to him just as Mrs. Tealso stepped out of the room to talk to the teacher across the hall. Willie couldn’t believe it when he saw Milton unfolding the note. “Hey, Marla,” Milton said loud enough to get the whole class’s attention. “Willie wants to know if you’ll meet him in the barn. Will ya, huh?” Boys hooted as if the question meant something dirty. When Willie saw Marla cringing in her seat, he went berserk. He hurdled a desk and jumped Milton to grab the note away from him, but Milton turned and hunched over so that Willie found himself hoisted onto Milton’s back with his feet off the ground. Just then Mrs. Tealso returned. She caught Willie clinging to Milton as if he were stuck midway in a leapfrog game. “Willie Feldman! What has gotten into you? Step outside in the hall and stay there until I finish taking attendance.” Out in the hall, Willie leaned against the door, which Mrs. Tealso had firmly shut behind him. Some friend Milton was turning out to be! Boy, would Willie be in trouble if Dad heard about this. The instant Mrs. Tealso gave him a chance, before she could decide it was all his fault, Willie had better spit out a convincing explanation.
C.S. Adler (Willie, the Frog Prince)
A deep voice behind me makes me jump. I quickly turn around to see a tanned, tall man, about my age, in a pair of khaki shorts, tank top, tennis shoes, and dark shades. He has about two days’ growth of stubble on his face. He smiles broadly when I ask, “What?” “Can I help you with that? It looks like you’re wrestling an octopus.” I nervously giggle and step back, giving him room to try to wrangle the bike into the back of the SUV. After a few attempts, he turns to me. “If you want, we can put it in the back of my truck, and I can take it home for you.” Warning signs immediately start flashing in my brain. I am not at all comfortable talking to men. I’ve been with one man my entire life; as in comfortable with, talked with, been friends with. Before him, it was my Dad. Every other male makes me nervous. I feel like I’m being judged. I’m not comfortable in my own skin, much less around a man. I start stammering as I quickly try to think of a response that isn’t rude or make me sound like an idiot or an inexperienced school girl. “Um, you don’t have to do that. Thank you though.” Geez girl! He doesn’t give up. “I don’t mind. Do you live on Coronado? If so, no place is too far. If you tell me you live in Rancho Bernardo, I might have to think twice about it.” He offers me a huge smile. He removes his shades, placing them on top of his head. The brightest blue eyes look at me with such warmth that I feel like a fool for thinking he may be a serial killer. I think for a moment and finally agree.
Elaine D. Ryan (Looking for Katie (#1))
Mom’s car pulled up in front of the open garage. Dad was using her parking space for the bench saw. “My, my, my,” she said out the car window. “Look at you two covered in sawdust.” She stepped out of the car, keeping well away from the pale particles blanketing the area in front of her. “Are you having fun?” She laughed and took several shopping bags from the trunk. “What did you buy?” Dad asked, brushing sawdust from his rolled-up sleeves. “Nothing major; just this and that…I’ll have dinner ready in a half hour. Or are you too busy to eat?” “Is it dinnertime?” Dad sounded surprised. Willie wasn’t. He was tired enough for it to have been bedtime.
C.S. Adler (Willie, the Frog Prince)
For Dads Helping Ease Her Quease Morning sickness is one pregnancy symptom that definitely doesn’t live up to its name. It’s a 24/7 experience that can send your spouse running to the bathroom morning, noon, and night—and hugging the toilet far more than she’ll be hugging you. So take steps to help her feel better—or at least not worse. Lose the aftershave that she suddenly finds repulsive, and get your onion ring fix out of her sniffing range (thanks to her hormones, her sense of smell is supersized). Fill her gas tank so she doesn’t have to come nose-to-nozzle with the fumes at the pump. Fetch her foods that quell her queasies and don’t provoke another run to the toilet. Good choices include ginger ale, soothing smoothies, and crackers (but ask first—what spells r-e-l-i-e-f for one queasy woman spells v-o-m-i-t for another). Encourage her to eat small meals throughout the day instead of 3 large ones (spreading out the load and keeping her tummy filled may ease her nausea), but don’t chide her for her food choices (now’s not the time to nag her about eating her broccoli). Be there for support when she’s throwing up—hold back her hair, bring her some ice water, rub her back. And remember, no jokes. If you were throwing up for weeks, you wouldn’t find it amusing. Not surprisingly, neither does she.
Heidi Murkoff (What to Expect When You're Expecting: (Updated in 2024))
Dad also has the loudest, stinkiest farts in creation. I don’t know how he manages to control them at work, or even if he does, but when he’d get home, he’d let them loose. They’d start as he walked up the stairs. Step, fart.
Sharon M. Draper (Out of My Mind (The Out of My Mind Series))
Getting Off the Island of Lost Boys and Girls The first step to getting off this God-forsaken island is to understand ministry is wherever you are as a disciple of Jesus. When I first chose the public-university route, Christian friends would say, “Wow, I’m really surprised you’re not going into ministry.” But they had no idea of the ministry happening all around me, through me, and growing inside of me. They weren’t there when I carried my drunk classmate to her dorm room at 3:00 a.m. and slept on her floor to make sure she was safe. They weren’t hearing the midnight conversations between my Jewish roommate and me. They didn’t know how much ministry was happening as I lit the menorah with her at Hanukkah or how the presence of God filled our room as we read the Easter story together that same year. They didn’t know about the lunches with my atheist professors who wore me down as they challenged my charismatic upbringing and tried to tell me there was no God. They didn’t see me wrestling with my faith and that with each day God was perfecting it. Ministry is all around us, and if we let him, he’ll show us it isn’t confined to a position in a church building that we fear can be stolen. It’s in the everyday hugs and phone calls we make, in teachers grading papers and doctors charting medical information, in stay-at-home moms and dads packing lunches with little notes where Jesus shows up, and the Kingdom advances because we are right where he wants us. When we learn that ministry is right where we are, we go big, we don’t hold back, and we don’t wait for something better. We stop being afraid it can be stolen. We don’t care if we’re overlooked. It might be holding back your roommate’s hair after a long night of partying or rocking a sleeping baby or mowing your neighbor’s lawn. This isn’t selfie material. Setting sail with the Great Commission (go and make disciples) and the Great Commandment (love God and love people) as our North Star keeps us off the Island of Lost Boys and Girls.
Natalie Runion (Raised to Stay: Persevering in Ministry When You Have a Million Reasons to Walk Away)