β
So, this is my life. And I want you to know that I am both happy and sad and I'm still trying to figure out how that could be.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
So, I guess we are who we are for alot of reasons. And maybe we'll never know most of them. But even if we don't have the power to choose where we come from, we can still choose where we go from there. We can still do things. And we can try to feel okay about them.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
I am both happy and sad at the same time, and I'm still trying to figure out how that could be.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
Some birds are not meant to be caged, that's all. Their feathers are too bright, their songs too sweet and wild. So you let them go, or when you open the cage to feed them they somehow fly out past you. And the part of you that knows it was wrong to imprison them in the first place rejoices, but still, the place where you live is that much more drab and empty for their departure.
β
β
Stephen King (Rita Hayworth and Shawshank Redemption)
β
The place where you made your stand never mattered. Only that you were there...and still on your feet.
β
β
Stephen King (The Stand)
β
I have noticed that even those who assert that everything is predestined and that we can change nothing about it still look both ways before they cross the street.
β
β
Stephen Hawking (Black Holes and Baby Universes and Other Essays)
β
But even if we don't have the power to choose where we come from we can still choose where we go from there. We can still do things.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
And the most terrifying question of all may be just how much horror the human mind can stand and still maintain a wakeful, staring, unrelenting sanity.
β
β
Stephen King (Pet Sematary)
β
I'll still be with you every night, Kiera. Every night, no matter where I am, crawling into bed with you. Our bed will be a lot bigger, miles wide, but it will just be you and me inside it.
β
β
S.C. Stephens (Effortless (Thoughtless, #2))
β
I read once that sunflowers always orient themselves to face the sun. Thatβs what being near Charlie Lastra is like for me. There could be a raging wildfire racing toward me from the west and Iβd still be straining eastward toward his warmth.
β
β
Emily Henry (Book Lovers)
β
He thrusts his fists against the posts and still insists he sees the ghosts
β
β
Stephen King (It)
β
I wanted to say goodbye to someone, and have someone say goodbye to me. The goodbyes we speak and the goodbyes we hear are the goodbyes that tell us weΒ΄re still alive.
β
β
Stephen King (Wolves of the Calla (The Dark Tower, #5))
β
Still looking at me, Kellan lifted the microphone to his mouth. βIβd like to formally introduce you to this beautiful girl at my side, Miss Kiera Michelle Allen.β He turned back to the DJs. βMy wife.
β
β
S.C. Stephens (Reckless (Thoughtless, #3))
β
It's like when my doctor told me the story of these two brothers whose dad was a bad alcoholic. One brother grew up to be a successful carpenter and never drank. The other brother ended up being a drinker as bad as his dad was. When they asked the first brother why he didn't drink, he said that after he saw what it did to his father, he could never bring himself to even try it. When they asked the other brother, he said that he guessed he learned how to drink on his father's knee. So, I guess we are who we are for a lot of reasons. And maybe we'll never know most of them. But even if we don't have the power to choose where we come from, we can still choose where we go from there. We can still do things. And we can try to feel okay about them.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
His eyes were still closed and his body rocked gently to the music, but his face was almost...desolate. His words matched his face, as he sang about how each day was a struggle, and never seeing my face caused him physical pain. He sang that "my face was his light, and he felt drenched in darkness without it." Tears fell freely after I heard that line.
β
β
S.C. Stephens (Thoughtless (Thoughtless, #1))
β
The world, although well-lighted with fluorescents and incandescent bulbs and neon, is still full of odd dark corners and unsettling nooks and crannies.
β
β
Stephen King (Firestarter)
β
Reality is thin ice, but most people skate on it their whole lives and never fall through until the very end. We did fall through, but we helped each other out. Weβre still helping each other.
β
β
Stephen King (The Outsider)
β
The goodbyes we speak and the goodbyes we hear are the good byes that tell us we're still alive.
β
β
Stephen King (Wolves of the Calla (The Dark Tower, #5))
β
But still, sometimes, in the heart of winter when the light outside seemed yellow- sleepy, like a cat curled up on a sofa...
β
β
Stephen King (It)
β
By the dawn of the seventeenth century, the order of Stormsongs had grown both darker and more powerful, while the Holy Roman Empire they allegedly still served found itself surrounded by powerful enemies β and on the brink of collapse.
β
β
Stephen A. Reger (Storm Surge: Book Two of the Stormsong Trilogy)
β
Ever since the dawn of civilization, people have not been content to see events as unconnected and inexplicable. They have craved an understanding of the underlying order in the world. Today we still yearn to know why we are here and where we came from. Humanity's deepest desire for knowledge is justification enough for our continuing quest. And our goal is nothing less than a complete description of the universe we live in.
β
β
Stephen Hawking (A Brief History of Time)
β
I guess we are who we are for a lot of reasons. And maybe we'll never know most of them. But even if we don't have the power to choose where we come from, we can still choose where we go from there.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
Thereβs always a choice. Thatβs Godβs way, always will be. Your will is still free. Do as you will. Thereβs no set of leg-irons on you. But... this is what God wants of you.
β
β
Stephen King (The Stand)
β
It didnΒ΄t occur to me until later that thereΒ΄s another truth, very simple: greed in a good cause is still greed.
β
β
Stephen King (Wolves of the Calla (The Dark Tower, #5))
β
Sir, pay no attention to the people who say the glass is half empty, because 32% means it's 2/3 empty. There's still some liquid in that glass is my point, but I wouldn't drink it. The last third is usually backwash.
(Said to President Bush at the White House Correspondents Dinner)
β
β
Stephen Colbert
β
I'm not sure anybody ever gets completely over their first love, and that still rankles. Part of me still wants to know what was wrong with me. What I was lacking.
β
β
Stephen King (Joyland)
β
But even if we don't have the power to choose where we come from, we can still choose where we go from there.
β
β
Stephen Chobosky
β
You just couldn't get hold of the things you had done and turn them right again. Such power might be given to the gods, but it was not given to men and women, and that was probably a good thing. Had it been otherwise, people would probably die of old age still trying to rewrite their teens.
β
β
Stephen King (The Stand)
β
Griffin? You . . . okay?β
His face still blank, he looked over at me. His pale eyes were wider than Iβd ever seen. βThat . . . was . . . the most . . . disgusting thing . . . Iβve ever seen.β
My fear vanished. She was okay. I patted his knee and his expression changed. Peace filled his face. βAnd the most incredible.
β
β
S.C. Stephens (Reckless (Thoughtless, #3))
β
This is how we bring about our own damnation, you know-by ignoring the voice that begs us to stop. To stop while there's still time.
β
β
Stephen King (Revival)
β
There are two kinds of women: those who marry princes and those who marry frogs. The frogs never become princes, but it is an acknowledged fact that a prince may very well, in the course of an ordinary marrige, gradually, at first almost imperceptibly, turn into a frog. Happy the woman who after twenty-five years still wakes up beside the prince she fell in love with.
β
β
Stephen Mitchell (The Frog Prince: A Fairy Tale for Consenting Adults)
β
They were still all beautiful and there was still enchantment and wonder, but she had crossed a line and now the fairy tale was green with corruption and evil.
β
β
Stephen King (Carrie)
β
Reaching over, I stilled his leg. Eyes wide, he turned to me and whispered, βIβm nervous. Iβm really fucking nervous. I never get nervous. What the hell is wrong with me?
β
β
S.C. Stephens (Reckless (Thoughtless, #3))
β
I hid this one in hopes that you would find it long after I'm gone. I hope you find this months from now, when I'm still out there, on the road, away from you. I can't imagine what the time apart has done to us. I'm hoping we're more in love than ever. I'm hoping that when I come back, you'll move in with me. In all honesty, I'm hoping that when I come back, you'll agree to marry me someday. Because that's what I want, what I dream about. You, mine, for the rest of my life. I hope you feel the same because I don't know what I would do without you. I love you so much. But, if for some reason we're not closer, if something has gotten between us, please, I'm begging you, don't give up on me. Stay. Stay with me. Work it out with me. Just don't leave me. Please.
β
β
S.C. Stephens
β
Lying in the bed that had once held two, Lisey thought alone never felt more lonely than when you woke up and discovered you still had the house to yourself. That you and the mice in the walls were the only ones still breathing.
β
β
Stephen King (Lisey's Story)
β
When the dawn was still long hours away, bad thoughts took on flesh and began to walk. In the middle of the night thoughts became zombies.
β
β
Stephen King (Under the Dome)
β
Party lights hang over the street, yellow and red and green. Sadie stumbles over someoneβs chair, but Iβm ready for this and I catch her easily by the arm.
βSorry, clumsy,β she says.
βYou always were, Sadie. One of your more endearing traits.β
Before she can ask about that I slip my arm around her waist. She slips hers around mine, still looking up at me. The lights skate across her cheeks and shine in her eyes. We clasp hands, fingers folding together naturally, and for me the years fall away like a coat thatβs too heavy and too tight. In that moment, I hope on thing above all others: that she was not too busy to find at least one good man β¦
She speaks in a voice almost too low to be heard over the music. But I hear her β I always did. βWho are you, George?β
βSomeone you knew in another life, honey.
β
β
Stephen King (11/22/63)
β
Do you still love me?β My breath stopped as I
waited for his answer. I hoped from his expression and his song that he
did, but I needed to hear him acknowledge it.
He sighed and looked over my face. Slowly, he nodded. βYou would
never believe how much.
β
β
S.C. Stephens (Thoughtless (Thoughtless, #1))
β
Even when in the midst of disturbance, the stillness of the mind can offer sanctuary.
β
β
Stephen Richards (The Ultimate Cosmic Ordering Meditation)
β
Despite the countless acts of violence that the two had witnessed, and even participated in, over the years, they were still shocked by what they saw.
β
β
Stephen A. Reger (Storm Surge: Book Two of the Stormsong Trilogy)
β
If the difference between guys and men is still unclear, here are a few examples that apply to dating:
A guy uses women to build his self-esteem. A man already has it.
A guy likes to "hang out" with a woman he's interested in. A man asks her out.
A guy doesn't make a move until he's sure there's no risk. A man is bold and clear with his intentions.
A guy plays games with a woman. A man has no time for games because they keep him from getting to know the woman.
A guy will become bitter and angry with a woman when she denies him. A man accepts that dating involves risk.
A guy fears and worships women. A man respects and adores them but fears and worships only God.
Guys are cool and indifferent. Men are hot and passionate.
β
β
Stephen W. Simpson (What Women Wish You Knew about Dating: A Single Guy'S Guide To Romantic Relationships)
β
I have to remind myself that some birds aren't meant to be caged. Their feathers are just too bright. And when they fly away, the part of you that knows it was a sin to lock them up DOES rejoice. But still, the place you live in is that much more drab and empty that they're gone. I guess I just miss my friend.
β
β
Stephen King (Rita Hayworth and Shawshank Redemption)
β
Despite everything my mom and doctor and dad have said to
me about blame, I can't stop thinking what I know. And I know
that my aunt Helen would still be alive today if she just bought me
one present like everybody else. She would be alive if I were born
on a day that didn't snow.
β
β
Stephen Chbosky (The Perks of Being a Wallflower)
β
I am just a child who has never grown up. I still keep asking these βhowβ and βwhyβ questions. Occasionally, I find an answer.
β
β
Stephen Hawking (A Brief History of Time)
β
And you, CONSTANT READER. Thank God youβre still there after all these years. If youβre having fun, I am, too.
β
β
Stephen King (Finders Keepers (Bill Hodges Trilogy, #2))
β
He found himself still with too many questions and not enough answers.
β
β
Stephen King (The Long Walk)
β
Something else I want you to know: how glad I am, Constant Reader, that weβre both still here. Cool, isnβt it?
β
β
Stephen King (The Bazaar of Bad Dreams)
β
I still believe in the resilience of the human heart and the essential validity of love;I still believe that connections between people can be made and that the spirits which inhabit us sometimes touch. I still believe that the cost of these connections is horribly, outrageously high... and I still believe that the value received far outweighs the price which must be paid. (From introductory notes.)
β
β
Stephen King (Four Past Midnight)
β
I still want you. But not while youβre his. Not like this, not like last night.
β
β
S.C. Stephens (Thoughtless (Thoughtless, #1))
β
What if I told you there are individuals in your own beloved government who actually work with al Qaeda, with ISIS, even with neo-Nazi groups that still wield power all over the world?
β
β
Jeffrey S. Stephens (Enemies Among Us (Nick Reagan, #2))
β
Today will still yearn to know why we are here and where we came from. Humanity's deepest desire for knowledge is justification enough for our continuing quest. And our goal is nothing less than a complete description of the universe we live in.
β
β
Stephen Hawking (A Brief History of Time)
β
He remained quiet, his movements studied. He was still not certain the intruder had gone and, if an attack was coming, he was going to be ready.
β
β
Jeffrey S. Stephens (Enemies Among Us (Nick Reagan, #2))
β
Internet users, that blue screen of death you were looking at this morning? That's the sky. If you're still confused, look it up on Wikipedia tomorrow.
β
β
Stephen Colbert
β
One only wishes Wayne LaPierre and his NRA board of directors could be drafted to some of these scenes, where they would be required to put on booties and rubber gloves and help clean up the blood, the brains, and the chunks of intestine still containing the poor wads of half-digested food that were some innocent bystander's last meal.
β
β
Stephen King (Guns)
β
Well I donβt know about you, but when I recall childhood pain, I donβt recall the pains of toothache, a thrashed backside, broken bones, stubbed toes, gashed knees or twisted ankles β I recall the pains of loneliness, boredom, abandonment, humiliation, rejection and fear. Those are the pains on which I might and, still sometimes do, dwell, and those pains, almost without exception, were inflicted on me by other children and by myself.
β
β
Stephen Fry (Moab Is My Washpot (Memoir, #1))
β
The Overlook was still not done with him. Written on the mirror, not in lipstick but in blood, was a single word:
REDRUM
β
β
Stephen King (Doctor Sleep (The Shining, #2))
β
A friend came to visit James Joyce one day and found the great man sprawled across his writing desk in a posture of utter despair.
James, whatβs wrong?' the friend asked. 'Is it the work?'
Joyce indicated assent without even raising his head to look at his friend. Of course it was the work; isnβt it always?
How many words did you get today?' the friend pursued.
Joyce (still in despair, still sprawled facedown on his desk): 'Seven.'
Seven? But Jamesβ¦ thatβs good, at least for you.'
Yes,' Joyce said, finally looking up. 'I suppose it isβ¦ but I donβt know what order they go in!
β
β
Stephen King
β
It is easy to blame your lot in life on some outside force, to stop trying because you believe fate is against you. It is easy to think that where you were raised, how your parents treated you, or what school you went to is all that determines your future. Nothing could be further from the truth. The common people and the great men and women are all defined by how they deal with lifeβs unfairness: Helen Keller, Nelson Mandela, Stephen Hawking, Malala Yousafzai, andβMoki Martin. Sometimes no matter how hard you try, no matter how good you are, you still end up as a sugar cookie. Donβt complain. Donβt blame it on your misfortune. Stand tall, look to the future, and drive on!
β
β
William H. McRaven (Make Your Bed: Little Things That Can Change Your Life...And Maybe the World)
β
I'm not exactly Miss Confidence. I busy myself with all kinds of activities and I do well in school and I try to look pretty but I still need someone to tell me I'm worthwhile. To show me attention. I don't like it. I don't like it at all...
β
β
Stephen Emond (Happyface)
β
I'm Losing Faith in My Favorite Country
Throughout my life, the United States has been my favorite country, save and except for Canada, where I was born, raised, educated, and still live for six months each year. As a child growing up in Waterloo, Ontario, Canada, I aggressively bought and saved baseball cards of American and National League players, spent hours watching snowy images of American baseball and football games on black and white television and longed for the day when I could travel to that great country. Every Saturday afternoon, me and the boys would pay twelve cents to go the show and watch U.S. made movies, and particularly, the Superman serial. Then I got my chance. My father, who worked for B.F. Goodrich, took my brother and me to watch the Cleveland Indians play baseball in the Mistake on the Lake in Cleveland. At last I had made it to the big time. I thought it was an amazing stadium and it was certainly not a mistake. Amazingly, the Americans thought we were Americans.
I loved the United States, and everything about the country: its people, its movies, its comic books, its sports, and a great deal more. The country was alive and growing. No, exploding. It was the golden age of life, liberty, and the pursuit of happiness. The American dream was alive and well, but demanded hard work, honesty, and frugality. Everyone understood that. Even the politicians.
Then everything changed.
β
β
Stephen Douglass
β
In a high-trust relationship, you can say the wrong thing, and people will still get your meaning. In a low-trust relationship, you can be very measured, even precise, and theyβll still misinterpret you.
β
β
Stephen M.R. Covey (The SPEED of Trust: The One Thing that Changes Everything)
β
The water was glassy and calm, still candy-colored in the afterglow of sunset.
β
β
Stephen King (Bag of Bones)
β
Hey, heard youβre a bitch whore for stealing Siennaβs man.β
β¦ βYep. I officially, globally suck.β
Anna chewed her food for a minute, then smiled. βWell, c**t or not, I still love you.
β
β
S.C. Stephens (Reckless (Thoughtless, #3))
β
He didnβt know if that was really true or not, but he discovered something which was tremendously liberating: he didnβt care. He was very tired of thinking and thinking and still not knowing. He was also tired of being frightened, like a man who has entered a cave on a lark and now begins to suspect he is lost. Stop thinking about it, then. Thatβs the solution.
β
β
Stephen King (The Dark Half)
β
But music lasts, even pop music. Especially pop music. Sneer at βRaindrops Keep Fallinβ on My Headβ if you want to, but people will still be listening to that silly piece of shit fifty years from now.
β
β
Stephen King (Revival)
β
The two of them had discovered it was all right to open the closets...as long as you didn't poke too far back in them. Because things might still be lurking there, ready to bite.
β
β
Stephen King (Cujo)
β
I know weβve taken things slow, but I still want to move forwardβ¦with you.
β
β
S.C. Stephens (Effortless (Thoughtless, #2))
β
When youβre still too young to shave, optimism is a perfectly legitimate response to failure.
β
β
Stephen King (On Writing: A Memoir of the Craft)
β
Where you think Iβm goan?β
βWell,β Eddie said, βwhat was behind Door Number One wasnβt so hot, and what was behind Door Number Two was even worse, so now, instead of quitting like sane people, weβre going to go right on ahead and check out Door Number Three. The way things have been going, I think itβs likely to be something like Godzilla or Ghidra the Three-Headed Monster, but Iβm an optimist. Iβm still hoping for the stainless steel cookware.
β
β
Stephen King (The Drawing of the Three (The Dark Tower, #2))
β
Some birds are not meant to be caged, thatβs all. Their feathers are too bright, their songs too sweet and wild. So you let them go, or when you open the cage to feed them they somehow fly out past you. And the part of you that knows it was wrong to imprison them in the first place rejoices, but still, the place where you live is that much more drab and empty for their departure.
β
β
Stephen King (Different Seasons)
β
I think it was the first real pain I ever felt in my life...It wasn't what I thought it would be at all. It didn't put an end to me as a person. I think...it gave me a basis for comparison, finding out you could still exist inside the pain, in SPITE of the pain.
β
β
Stephen King (It)
β
GLINDA: Well,I'm a public figure now! People expect me to--
ELPHABA: Lie?
GLINDA: (fiercely) Be encouraging! And what exactly have you been doing? Besides riding on around on that filthy thing!
ELPHABA: Well, we can't all come and go by bubble. Whose invention was that, the Wizard's? Of course, even if it wasn't, I'm sure he'd still take credit for it.
GLINDA: Yes, well, a lot of us are taking things that don't belong to us, aren't we?
Uh oh! The two stare daggers at each other, then...
ELPHABA: Now, wait just a clock-tick. I know it's difficult for that blissful blonde brain of yours to comprehend that someone like him could actually choose someone like me!But it's happened. It's real. And you can wave that ridiculous wand all you want, you can't change it! He never belonged to you -- he doesn't love you, he never did! He loves me!
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
The idea that the creative endeavor and mind-altering substances are entwined is one of the great pop-intellectual myths of our time. ... Substance abusing writers are just substance abusers β common garden variety drunks and druggies, in other words. Any claims that the drugs and alcohol are necessary to dull a finer sensibility are just the usual self-serving bullshit. I've heard alcoholic snowplow drivers make the same claim, that they drink to still the demons.
β
β
Stephen King (On Writing: A Memoir of the Craft)
β
I find I'm so excited I can barely sit still or hold a thought in my head. I think it is the excitement only a free man can feel, a free man at the start of a long journey whose conclusion is uncertain. I hope I can make it across the border. I hope to see my friend, and shake his hand. I hope the Pacific is as blue as it has been in my dreams. I hope.
β
β
Stephen King
β
I like talking about people who don't have any power and it seems like some of the least powerful people in the United States are the migrant workers who come and do our work and don't have any rights as a result. And yet we still invite them to come here, and at the same time ask them to leave.
β
β
Stephen Colbert
β
Garraty wondered how it would be, to lie in the biggest, dustiest library silence of all, dreaming endless, thoughtless dreams behind your gummed-down eyelids, dressed forever in your Sunday suit. No worries about money, success, fear, joy, pain, sorrow, sex, or love. Absolute zero. No father, mother, girlfriend, lover. The dead are orphans. No company but the silence like a moth's wing. An end to the agony of movement, to the long nightmare of going down the road. The body in peace, stillness, and order. The perfect darkness of death.
How would that be? Just how would that be?
β
β
Stephen King (The Long Walk)
β
I have to remind myself that some birds aren't meant to be caged. Their feathers are just too bright. And when they fly away, the part of you that knows it was a sin to lock them up does rejoice. Still, the place you live in is that much more drab and empty that they're gone. I guess I just miss my friend.
β
β
Stephen King (Rita Hayworth and Shawshank Redemption)
β
It is possible to be a fan of reality TV, talent shows and bubblegum pop and still have a brain. You will also see that a great many people know perfectly well how silly and camp and trivial their fandom is. They do not check in their minds when they enter a fan site. Judgement is not necessarily fled to brutish beasts, and men have not quite lost their reason. Which is all a way of questioning whether pop-culture hero worship is really so psychically damaging, so erosive of cognitive faculties, so corrupting of the soul of mankind as we are so often told.
β
β
Stephen Fry (The Fry Chronicles)
β
The good folks mostly win, courage usually triumphs over fear, the family dog hardly ever contracts rabies: these are things I knew at twenty-five, and things I still know now, at the age of 25 x 2. But I know something else as well: there's a place in most of us where the rain is pretty much constant, the shadows are always long, and the woods are full of monsters. It is good to have a voice in which the terrors of such a place can be articulated and its geography partially described, without denying the sunshine and clarity that fill so much of our ordinary lives. (viii)
β
β
Stephen King (The Long Walk)
β
The grass in the back field was almost waist high, and now there was goldenrod, that late-summer gossip which comes to tattle on autumn every year. But there was no autumn in the air today; the sun was still all August, although calendar August was almost two weeks gone.
β
β
Stephen King (Pet Sematary)
β
It's probably wrong to believe there can be any limit to the horror which the human mind can experience. On the contrary, it seems that some exponential effect begins to obtain as deeper and deeper darkness falls-as little as one may like to admit it, human experience tends, in a good many ways, to support the idea that when the nightmare grows black enough, horror spawns horror, one coincidental evil begets other, often more deliberate evils, until finally blackness seems to cover everything. And the most terrifying question of all may be just how much horror the human mind can stand and still maintain a wakeful, staring, unrelenting sanity. That such events have their own Rube Goldberg absurdity goes almost without saying. At some point, it all starts to become rather funny. That may be the point at which sanity begins either to save itself or to buckle and break down; that point at which one's sense of humor begins to reassert itself.
β
β
Stephen King (Pet Sematary)
β
What if there were no grownups? Suppose the whole idea of grownups was an illusion? What if their money was really just playground marbles, their business deals no more than baseball-card trades, their wars only games of guns in the park? What if they were all still snotty-nosed kids inside their suits and dresses? Christ, that couldn't be, could it? It was too horrible to think about.
β
β
Stephen King (Hearts in Atlantis)
β
My advice to any heartbroken young girl is to pay close attention to the study of theoretical physics. Because one day there may well be proof of multiple universes. It would not be beyond the realms of possibility that somewhere outside of our own universe lies another different universe. And in that universe, Zayn is still in One Direction.
β
β
Stephen Hawking
β
In those days I still believed the love of a man for a woman and a woman for a man was stronger than the love of drinkin and hell-raisinβthat love would eventually rise to the top like cream in a bottle of milk. I learned better over the next ten years. The worldβs a sorry schoolroom sometimes, ainβt it?
β
β
Stephen King (Dolores Claiborne)
β
The common people and the great men and women are all defined by how they deal with lifeβs unfairness: Helen Keller, Nelson Mandela, Stephen Hawking, Malala Yousafzai, andβMoki Martin. Sometimes no matter how hard you try, no matter how good you are, you still end up as a sugar cookie. Donβt complain. Donβt blame it on your misfortune. Stand tall, look to the future, and drive on!
β
β
William H. McRaven (Make Your Bed: Little Things That Can Change Your Life...And Maybe the World)
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I was at a dinner party many years ago,sitting along from Tom Stoppard, who in those days smoked not just between courses,but between mouthfuls. An American woman watched in disbelief.
"And you so intelligent!"
"Excuse me?" said tom
"Knowing those things are going to kill you" she said "and still you do it."
"How differently I might behave" Tom said, "if immortality were an option
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Stephen Fry (The Fry Chronicles)
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Before drifting away entirely, he found himself reflecting---not for the first time---on the peculiarity of adults. Thet took laxatives, liquor, or sleeping pills to drive away their terrors so that sleep would come, and their terrors were so tame and domestic: the job, the money, what the teacher will think if I can't get Jennie nicer clothes, does my wife still love me, who are my friends. They were pallid compared to the fears every child lies cheek and jowl with in his dark bed, with no one to confess to in hope of perfect understanding but another child. There is no group therapy or psychiatry or community social services for the child who must cope with the thing under the bed or in the cellar every night, the thing which leers and capers and threatens just beyond the point where vision will reach. The same lonely battle must be fought night after night and the only cure is the eventual ossification of the imaginary faculties, and this is called adulthood.
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Stephen King ('Salem's Lot)
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Why must you hurt me, when I love you so? When I can do nothing else nor want to, for love made me and fed me and kept me in better days? Why will you cut me, and disfigure my face, and fill me with woe? I have only loved you for your beauty as you once loved me for mine in the days before the world moved on. Now you scar me with nails and put burning drops of quicksilver in my nose; you have set the animals on me, so you have, and they have eaten of my softest parts. Around me the can-toi gather and thereβs no peace from their laughter.
Yet still I love you and would serve you and even bring the magic again, if you would allow me, for that is how my heart was cast when I rose from the Prim. And once I was strong as well as beautiful, but now my strength is almost gone. If torture were to stop now, I might still recover β if never my looks, then at least my strength and my kes.
But other weekβ¦ or maybe five daysβ¦ or even threeβ¦ and it will be too late. Even if the torture stops, Iβll die. And youβll die too, for when love leaves the world, hearts are still. Tell them of my love and tell them of my pain and tell them of my hope, which still lives. For this is all I have and all I am and all I ask.
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Stephen King (The Dark Tower (The Dark Tower, #7))
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That's when Sam grabbed my hand. "I love this song!" She led me to the dance floor. And she started dancing. And I started dancing. It was a fast song, so I wasn't very good, but she didn't seem to mind. We were just dancing, and that was enough. The song ended, and then a slow one came on. She looked at me. I looked at her. Then, she took my hands and pulled me in to dance slow. I don't know how to dance slow very well either, but I do know how to sway. Her whisper smelled like cranberry juice and vodka. "I looked for you in the parking lot today." I hoped mine still smelled like toothpaste. "I was looking for you, too." Then, we were quiet for the rest of the song. She held me a little closer. I held her a little closer. And we kept dancing. It was the one time all day that I really wanted the clock to stop. And just be there for a long time.
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Stephen Chbosky (The Perks of Being a Wallflower)
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I said it before and Iβll say it again: books are dead, plays are dead, poems are dead: thereβs only movies.
Music is still okay, because music is sound track. Ten, fifteen years ago, every arts student wanted to be a novelist or a playwright. Iβd be amazed if you could find a single one now with such a dead-end ambition. They all want to make movies. Not write movies. You donβt write movies. You make movies.
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Stephen Fry (Making History)
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The boat dipped and swayed and sometimes took on water, but it did not sink; the two brothers had waterproofed it well. I do not know where it finally fetched up, if it ever did; perhaps it reached the sea and sails there forever, like a magic boat in a fairytale. All I know is that it was still afloat and still running on the breast of the flood when it passed te incorporated town limits of Derry, Maine, and there it passes out of this tale forever.
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Stephen King (It)
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Let's say someone has experienced a violent trauma or betrayal: a child has been raped by a parent or has witnessed the destruction of someone he loves or has been so traumatized by the possibility of beatings and punishments that he's afraid to act. If the trauma is great enough, that person's life may become frozen, emotionally frozen even though he still gets up in the morning, is busy all day, and goes to bed at night. But there's this empty space that begins to fill with rage, rage toward everyone - the perpetrator, the people in the world who haven't suffered, even toward himself. (174)
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Stephen Dobyns (Boy in the Water)
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Situations produce vibrations. Negative, potentially harmful situations emit slow vibrations. Positive, potentially life-enhancing situations emit quick vibrations. As these vibrations impact on your energy field they produce either resonance or dissonance in your lower and middle tantiens (psychic power stations) depending on your own vibratory rate at the time. When you psychic field force is strong and your vibratory rate is fast, therefore, you will draw only positive situations to you. When you mind is quiet enough and your attention is on the moment, you will literally hear the dissonance in your belly and chest like an alarm bell going off, urging you from deep within your body to move in such and such a direction. Always follow it. At times these urges may come to you in the form of internally spoken dialogue with your higher self, spirit guide, guardian angel, alien intelligence, however you see the owner of the βstill, small voice within.β This form of dialogue can be entertaining and reassuring but is best not overindulged in as, in the extreme; it tends to lead to the loony bin. At times you may receive your messages from βIndian signsβ, such as slogans on passing trucks or cloud formations in the sky. This is also best kept in moderation, to avoid seeing signs in everything and becoming terribly confused. Just let it happen when it happens and donβt try looking for it.
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Stephen Russell (Barefoot Doctor's Guide to the Tao: A Spiritual Handbook for the Urban Warrior)
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The hand that rested on my shoulder rubbed it a bit, comfortingly. Then it gave my shoulder a little squeeze. I leaned into him.
Maybe it was that I was broken. Maybe it was just that I was out of my mind. But it occurred to me that I was going to kiss him. The thought just arrived, certain knowledge, delivered from some greater, more knowledgeable place. I was going to kiss him. Stephen would not want to kiss me. He would back up in horror. And yet, I was still going to do it. I reached over, and put my hand against his chest, then I moved closer. I could feel just the very tips of the gentle stubble on his cheek brushing against my skin.
"Rory," he said. But it was a quiet protest, and it went nowhere.
For the first few seconds, he didn't move-he accepted the kiss like you might accept a spoonful of medicine. Then I heard it, a sigh, like he had finally set down a heavy weight.
I was pretty sure we were both kind of terrified, but I was completely sure that we were both doing this. We kissed slowly, very deliberately, coming together and then pulling apart and looking at each other. Then each kiss got longer, and then it didn't stop. Stephen put his hand just under the edge of my shirt, holding it on the spot where the scar was. Sometimes the skin around the scar got cold-now it was warm. Now it was alive.
"So Thorpe says that-Seriously?"
Callum was in the doorway.
Stephen mumbled what I think was a very obscene word right against my mouth.
"You realize I now owe Boo five pounds?" Callum said. "Boo! I owe you five pounds!
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Maureen Johnson (The Madness Underneath (Shades of London, #2))
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I must have been in the car for a long time because eventually my sister found me there. I was chain-smoking cigarettes and crying still. My sister knocked on the window. I rolled it down. She looked at me with this curious expression. Then, her curiosity turned to anger.
"Charlie, are you smoking?!"
She was so mad. I can't tell you how mad she was.
"I can't believe you're smoking!"
That's when I stopped crying. And started laughing. Because of all the things she could have said right after she got out of there, she picked my smoking. And she got angry about it. And I knew if my sister was angry, then her face wouldn't be that different. And she would be okay.
"I'm going to tell Mom and Dad, you know?"
"No, you're not." God, I couldn't stop laughing.
When my sister thought about it for a second, I think she figured out why she wouldn't tell Mom or Dad. It's like she suddenly remembered where we were and what had just happened and how crazy our whole conversation was considering at all. Then, she started laughing.
But the laughing made her feel sick, so I had to get out of the car and help her into the backseat. I had already set up the pillow and the blanket for her because we figured it was probably best for her to sleep it off a little in the car before we went home.
Just before she feel asleep, she said, "Well, it you're going to smoke, crack the window at least."
Which made me start laughing again.
"Charlie, smoking. I can't believe it."
Which made me laugh harder, and I said, "I love you."
And my sister said, "I love you too. Just stop it with the laughing already.
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Stephen Chbosky (The Perks of Being a Wallflower)
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In all important transactions of life we have to take a leap in the dark.... If we decide to leave the riddles unanswered, that is a choice; if we waver in our answer, that, too, is a choice: but whatever choice we make, we make it at our peril. If a man chooses to turn his back altogether on God and the future, no one can prevent him; no one can show beyond reasonable doubt that he is mistaken. If a man thinks otherwise and acts as he thinks, I do not see that any one can prove that he is mistaken. Each must act as he thinks best; and if he is wrong, so much the worse for him. We stand on a mountain pass in the midst of whirling snow and blinding mist through which we get glimpses now and then of paths which may be deceptive. If we stand still we shall be frozen to death. If we take the wrong road we shall be dashed to pieces. We do not certainly know whether there is any right one. What must we do? ' Be strong and of a good courage.' Act for the best, hope for the best, and take what comes. . . . If death ends all, we cannot meet death better.
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James Fitzjames Stephen (Liberty, Equality, Fraternity)
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[M]y mother read a horror novel every night. She had read every one in the library. When birthdays and Christmas would come, I would consider buying her a new one, the latest Dean R. Koontz or Stephen King or whatever, but I couldn't. I didn't want to encourage her. I couldn't touch my father's cigarettes, couldn't look at the Pall Mall cartons in the pantry. I was the sort of child who couldn't even watch commercials for horror movies - the ad for Magic, the movie where marionette kills people. sent me into a six-month nightmare frenzy. So I couldn't look at her books, would turn them over so their covers wouldn't show, the raised lettering and splotches of blood - especially the V.C. Andrews oeuvre, those turgid pictures of those terrible kids, standing so still, all lit in blue.
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Dave Eggers (A Heartbreaking Work of Staggering Genius)
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Sometimes it's beautiful and we fall in love with all that story. Even after a thousand pages we don't want to leave the world the writer has made for us, or the make-believe people who live there. You wouldn't leave after two thousand pages, if there were two thousand. The Rings trilogy of J.R.R.Tolkien is a perfect example of this. A thousand pages of hobbits hasn't been enough for three generations of post-World War II fantasy fans; even when you add in that clumsy, galumphing dirigible of an epilogue, The Silmarillion, it hasn't been enough. Hence Terry Brooks, Piers Anthony, Robert Jordan, the questing rabbits of Watership Down, and half a hundred others. The writers of these books are creating the hobbits they still love and pine for; they are trying to bring Frodo and Sam back from the Grey Havens because Tolkien is no longer around to do it for them.
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Stephen King (On Writing: A Memoir of the Craft)
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I don't want your apology, least of all for being afraid," he said. "Without fear, what would we be? Mad dogs with foam on our muzzles and shit drying on our hocks." "What do you want, then?" Eddie cried. "You've taken everything else- everything I have to give! No, not even that, because in the end, I gave it to you! So what else do you want from me?" Roland held the key which was their half of Jake Chamber's salvation locked in his fist and said nothing. His eyes held Eddie's, and the sun shone on the green expanse of plain and the blue-gray reach of the Send River, and somewhere in the distance the crow hailed again across the golden leagues of this fading summer afternoon. After awhile, understanding began to dawn in Eddie Dean's eyes. Roland nodded. "I have forgotten the face. . ." Eddie paused. Dipped his head. Swallowed. Looked up at the Gunslinger once more. The thing which had been dying among them had moved on now- Roland knew it. That thing was gone. Just like that. Here, on this sunny wind-swept ridge at the edge of everything, it had gone forever. "I have forgotten the face of my father, gunslinger. . . and I cry your pardon." Roland opened his hand and returned the small burden of the key to him who ka had decreed must carry it. "Speak not so, gunslinger," he said in the High Speech. "Your father sees you very well. . . loves you very well . . . and so do I." Eddie closed his own hand over the key and turned away with his tears still drying on his face. "Let's go," he said, and they began to move down the long hill toward the plain which streched beyond.
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Stephen King
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Stephen had been put to sleep in his usual room, far from children and noise, away in that corner of the house which looked down to the orchard and the bowling-green, and in spite of his long absence it was so familiar to him that when he woke at about three he made his way to the window almost as quickly as if dawn had already broken, opened it and walked out onto the balcony. The moon had set: there was barely a star to be seen. The still air was delightfully fresh with falling dew, and a late nightingale, in an indifferent voice, was uttering a routine jug-jug far down in Jack's plantations; closer at hand and more agreeable by far, nightjars churred in the orchard, two of them, or perhaps three, the sound rising and falling, intertwining so that the source could not be made out for sure. There were few birds that he preferred to nightjars, but it was not they that had brought him out of bed: he stood leaning on the balcony rail and presently Jack Aubrey, in a summer-house by the bowling-green, began again, playing very gently in the darkness, improvising wholly for himself, dreaming away on his violin with a mastery that Stephen had never heard equalled, though they had played together for years and years.
Like many other sailors Jack Aubrey had long dreamed of lying in his warm bed all night long; yet although he could now do so with a clear conscience he often rose at unChristian hours, particularly if he were moved by strong emotion, and crept from his bedroom in a watch-coat, to walk about the house or into the stables or to pace the bowling-green. Sometimes he took his fiddle with him. He was in fact a better player than Stephen, and now that he was using his precious Guarnieri rather than a robust sea-going fiddle the difference was still more evident: but the Guarnieri did not account for the whole of it, nor anything like. Jack certainly concealed his excellence when they were playing together, keeping to Stephen's mediocre level: this had become perfectly clear when Stephen's hands were at last recovered from the thumb-screws and other implements applied by French counter-intelligence officers in Minorca; but on reflexion Stephen thought it had been the case much earlier, since quite apart from his delicacy at that period, Jack hated showing away.
Now, in the warm night, there was no one to be comforted, kept in countenance, no one could scorn him for virtuosity, and he could let himself go entirely; and as the grave and subtle music wound on and on, Stephen once more contemplated on the apparent contradiction between the big, cheerful, florid sea-officer whom most people liked on sight but who would have never been described as subtle or capable of subtlety by any one of them (except perhaps his surviving opponents in battle) and the intricate, reflective music he was now creating. So utterly unlike his limited vocabulary in words, at times verging upon the inarticulate.
'My hands have now regained the moderate ability they possessed before I was captured,' observed Maturin, 'but his have gone on to a point I never thought he could reach: his hands and his mind. I am amazed. In his own way he is the secret man of the world.
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Patrick O'Brian (The Commodore (Aubrey/Maturin, #17))