“
How long have you been ‘Big D’ then?” said Harry.
“Shut it,” snarled Dudley, turning away again.
“Cool name,” said Harry, grinning and falling into step beside his cousin. “But you’ll always be Ickle Diddykins to me.”
“I said, SHUT IT!” said Dudley, whose ham-like hands had curled into fists.
“Don’t the boys know that’s what your mum calls you?”
“Shut your face.”
“You don’t tell her to shut her face. What about ‘popkin’ and ‘Dinky Diddydums,’ can I use them then?
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
But I'm sick of this bloody jagged graph. You know, two steps up, one step down. It's so painful. It's so slow. It's like this endless game of snakes and ladders." And Mum just looked at me as if she wanted to laugh or maybe cry, and said, "But Audrey, that's what life is. We're all on a jagged graph. I know I am. Up a bit, down a bit. That's life.
”
”
Sophie Kinsella (Finding Audrey)
“
Ah, Belikov," said Abe, shaking Dimitri's hand. "I'd been hoping we'd run into each other. I'd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. That's what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. I've certainly got a lot of question to ask you. A lot of things I'd like to tell you."
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
"Actually," said my mum casually."I'd like to come along. I also have a number of questions-especially about when you two were back at St. Vladimir's."
"Don't you guys have somewhere to be?" I asked hastily. "We're about to start."
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. "of course," said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. "I'm glad you're back." Then, with a wink, he said to Dimitri:"Looking forward to our chat."
"Run," I said when they were gone. "If you slip out now, maybe they won't notice. Go back to Siberia.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
When I told Mum that I was autistic, she said: "Yeah, that makes sense. I always knew that there was a lot going on inside you, but I just couldn't get in. You were like a tin of baked beans and my tin opener wouldn't work on you." It's a tidy metaphor, especially if you know that Mum does not like baked beans.
”
”
Hannah Gadsby (Ten Steps to Nanette)
“
As specimens go, they always get excited about me. I'm a good one. A show-stopper. I'm the kind of kid they'll still enquire about ten years later. Fifty-one placements, drug problems, violence, dead adopted mum, no biological links, constant offending. Tick, tick, tick. I lure them in to being with. Cultivate my specimen face. They like that. Do-gooders are vomit-worthy. Damaged goods are dangerous. The ones that are in it cos the thought it would be a step up from an office job are tedious. The ones who've been in too long lose it. The ones who think they've got the Jesus touch are fucking insane. The I can save you brigade are particularly radioactive. They think if you just inhale some of their middle-classism, then you'll be saved.
”
”
Jenni Fagan (The Panopticon)
“
She noticed how this book was allowing her to step into two worlds: the world she was in right now, beside her mum, in her house, the air muggy from the heat of the day, and another world, the world of two children, Scout and her older brother, Jem, who lived somewhere called Maycomb, a small town in Alabama, where they'd play outside, being foolish, being . . . children. She would do anything to see life through a child's eyes again; a time when life wasn't so serious, and scary neighbors were nothing more than a fun pastime, and family just meant home.
”
”
Sara Nisha Adams (The Reading List)
“
There is humility in confession. A recognition of flaws. To hear myself say out loud these shameful secrets meant I acknowledged my flaws. I also for the first time was given the opportunity to contextualize anew the catalogue of beliefs and prejudices, simply by exposing them to another, for the first time hearing the words ‘Yes, but have you looked at it this way?’ This was a helpful step in gaining a new perspective on my past, and my past was a significant proportion of who I believed myself to be. It felt like I had hacked into my own past. Unravelled all the erroneous and poisonous information I had unconsciously lived with and lived by and with necessary witness, the accompaniment of another man, reset the beliefs I had formed as a child and left unamended through unnecessary fear. Suddenly my fraught and freighted childhood became reasonable and soothed. ‘My mum was doing her best, so was my dad.’ Yes, people made mistakes but that’s what humans do, and I am under no obligation to hoard these errors and allow them to clutter my perception of the present. Yes, it is wrong that I was abused as a child but there is no reason for me to relive it, consciously or unconsciously, in the way I conduct my adult relationships. My perceptions of reality, even my own memories, are not objective or absolute, they are a biased account and they can be altered. It is possible to reprogram your mind. Not alone, because a tendency, a habit, an addiction will always reassert by its own invisible momentum, like a tide. With this program, with the support of others, and with this mysterious power, this new ability to change, we achieve a new perspective, and a new life.
”
”
Russell Brand (Recovery: Freedom from Our Addiction)
“
There.You're officially Canadian. Try not to abuse your new power."
"Whatever.I'm totally going out tonight."
"Good." He slows down. "You should."
We're both standing still. He's so close to me.His gaze is locked on mine, and my heart pounds painfully in my chest. I step back and look away. Toph. I like Toph,not St. Clair. Why do I have to keep reminding myself of this? St. Clair is taken.
"Did you paint these?" I'm desperate to change the mood. "These above your bed?" I glance back,and he's still staring at me.
He bites his thumbnail before replying. His voice is odd. "No.My mum did."
"Really? Wow,they're good. Really, really...good."
"Anna..."
"Is this here in Paris?"
"No,it's the street I grew up on. In London."
"Oh."
"Anna..."
"Hmm?" I stand with my back to him, trying to examine the paintings. They really are great. I just can't seem to focus. Of course it's not Paris. I should've known-
"That guy.Sideburns.You like him?"
My back squirms. "You've asked me that before."
"What I meant was," he says, flustered. "Your feelings haven't changed? Since you've been here?"
It takes a moment to consider the question. "It's not a matter of how I feel," I say at last. "I'm interested,but...I don't know if he's still interested in me."
St. Clair edges closer. "Does he still call?"
"Yeah.I mean,not often. But yes."
"Right.Right,well," he says, blinking. "There's your answer."
I look away. "I should go.I'm sure you have plans with Ellie."
"Yes.I mean,no. I mean, I don't know. If you aren't doing any-"
I open his door. "So I'll see you later. Thank you for the Canadian citizenship." I tap the patch on my bag.
St. Clair looks strangely hurt. "No problem. Happy to be of service."
I take the stairs two at a time to my floor. What just happened? One minute we were fine,and the next it was like I couldn't leave fast enough. I need to get out of here.I need to leave the dorm. Maybe I'm not a brave American,but I think I can be a brave Canadian.I grab the Pariscope from inside my room and jog downstairs.
I'm going to see Paris.Alone.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Mum took me to the park a couple of times last week so that I could run. That was a waste of time though, it takes hours to get there and when you finally do, well, there's no room to do anything really, what with all the tents pitched everywhere. Mum says there used to be grass, but I don't see where.
”
”
Martin Pond (Dark Steps)
“
Once unpacked, I saw my family downstairs. Each step released something spidery inside me: the sick-making terror of need. Needing the accumulative, impervious love of being forced to eat all your broccoli even when it is making you retch and gag to put it in your mouth. The love of the TV being turned off past eleven. The love of being asked to say hello to the dog over the telephone. I’d always seen my mum and aunt from knee height, never quite managed to meet them as equals. It occurred to me how ludicrous it was that families slept in separate bedrooms, not piled on top of one another like lazily sunbathing lions.
”
”
Lara Williams (Supper Club)
“
He made sure to miss Josephina’s lips by a wide mark. A moment later, the lights extinguished and Tabitha cal ed for a ten-minute break while the stage crew refil ed the rain machine. That night, James had the dream one more time, although this time he felt that it was a true dream and not a direct vision into someone else’s reality. It began as always with the flash and whicker of blades and the rattle of old wood. The figure in the dream walked toward the rippling pool and looked in. As always, two faces swam up out of the depths, a young man and a young woman. This time, however, they looked different. He recognized them vaguely as his own long dead grandparents, his dad’s mum and dad. They didn’t seem to be looking at the girl with the long dark hair. Instead, they seemed to be looking directly at James, where he floated in the darkness next to her. Their faces seemed grave and worried, and although they couldn’t speak, they communicated with their eyes : Beware, grandson; watch closely and step lightly. Beware…
”
”
G. Norman Lippert (James Potter and the Curse of the Gatekeeper (James Potter, #2))
“
He looks up.
Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes.
He is no longer St. Clair, everyone's pal, everyone's friend.
He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend.
He is so much more.
Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect.
My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs.
"Whoa," he says. But I don't think he means me falling.
I blush and blame it on clumsiness. "Yeesh,that could've been bad."
Phew.A steady voice.
He looks dazed. "Are you all right?"
I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!"
"Hey,Anna. How was your break?"
John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank.
We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?"
The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs.
"I have something for you." He pulls me back down by my sleeve. "A late Christmas present."
"For me? But I didn't get you anything!"
He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited."
"Ooo,what is it?"
"I saw it when I was out with Mum, and it made me think of you-"
"Etienne! Come on!"
He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand."
Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned.
"Whoops," I say.
He tilts his head at me.
"I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal.
Where is it? What is it?
"Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too.
It's a glass bead.A banana.
He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..."
I close my hand around the bead. "Thank you."
"Mum wondered why I wanted it."
"What did you tell her?"
"That it was for you,of course." He says this like, duh.
I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
The first two human beings to set foot on another world stepped out of the jelly-hatch and into the warm, ever-so-slightly joy-coloured light of Litost's twin suns, which the Klavaret refer to collectively as Our Mums.
”
”
Catherynne M. Valente (Space Opera (Space Opera, #1))
“
The grief is not over, it will never be over. It still trips me up in unexpected moments, stumbling me all over again. What does it: a reminisce with Paul, the sight of a mate laughing so easily with their mum, a Klimt painting we both loved. Simple things. Two steps forward, one step back, righting myself and then not.
But the moving forward is stronger, swifter now; the seam of melancholy more hidden. Yes, climbing back into the world. Firm.
”
”
Nikki Gemmell (After)
“
This was a helpful step in gaining a new perspective on my past, and my past was a significant proportion of who I believed myself to be. It felt like I had hacked into my own past. Unravelled all the erroneous and poisonous information I had unconsciously lived with and lived by and with necessary witness, the accompaniment of another man, reset the beliefs I had formed as a child and left unamended through unnecessary fear. Suddenly my fraught and freighted childhood became reasonable and soothed. ‘My mum was doing her best, so was my dad.’ Yes, people made mistakes but that’s what humans do, and I am under no obligation to hoard these errors and allow them to clutter my perception of the present. Yes, it is wrong that I was abused as a child but there is no reason for me to relive it, consciously or unconsciously, in the way I conduct my adult relationships. My perceptions of reality, even my own memories, are not objective or absolute, they are a biased account and they can be altered.
”
”
Russell Brand
“
Banana (Nana) Bread - the one that got me back in my groove.
M&M Cookies - named after my favourite people.
Mae's Tiramisu - for the woman I never got to meet but who raised two amazing men. I hope I follow in your steps by being a fantastic boy-mum.
”
”
Liz Tomforde (Caught Up (Windy City, #3))
“
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond.
But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen.
Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now.
Now, not then.
I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it.
There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together.
There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.'
I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now.
He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on.
Even when broken it still works.
”
”
Cecelia Ahern (Thanks for the Memories)
“
Do you think he even knows?” Oscar whispered.
Ira sat with a plunk on the couch. “Knows what?”
“You’ve obviously never had the privilege of meeting Stuart McGreenery,” Camille said.
Ira snorted. “I’d certainly like to meet the bastard now, that’s for sure.”
The ceiling above their heads creaked with the weight of Samuel’s steps. A door opened and closed lightly.
“From the looks of it”-Camille searched Oscar’s face for affirmation-“you’ve just met his son.”
Ira scooted to the edge of the couch cushion. “Holy gallnipper! You mean that McGreenery bloke and your mum pulled the wool over your father’s eyes a time or two way back?
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
How was she meant to let go ?
Sometimes, instead of having a single daughter, it felt as if she were grieving the loss of hundreds. The baby that clung to her little finger. The toddler who squealed with delight at her first steps. The small girl who said "I love you" for the first time with no ceremony and without realising it almost broke Maggie's heart with joy. The teenager who broke down when she needed Mum one last time. It was like her daughter disappeared over and over again. All those incredible people who Maggie would never meet again, some of whom were remembered only by her. And she felt colossal loneliness at the realisation.
”
”
Clare Ashton (The Goodmans)
“
Harry stepped into the shadow of a large lilac tree and waited. ‘… squealed like a pig, didn’t he?’ Malcolm was saying, to guffaws from the others. ‘Nice right hook, Big D,’ said Piers. ‘Same time tomorrow?’ said Dudley. ‘Round at my place, my parents will be out,’ said Gordon. ‘See you then,’ said Dudley. ‘Bye, Dud!’ ‘See ya, Big D!’ Harry waited for the rest of the gang to move on before setting off again. When their voices had faded once more he headed around the corner into Magnolia Crescent and by walking very quickly he soon came within hailing distance of Dudley, who was strolling along at his ease, humming tunelessly. ‘Hey, Big D!’ Dudley turned. ‘Oh,’ he grunted. ‘It’s you.’ ‘How long have you been “Big D” then?’ said Harry. ‘Shut it,’ snarled Dudley, turning away. ‘Cool name,’ said Harry, grinning and falling into step beside his cousin. ‘But you’ll always be “Ickle Diddykins” to me.’ ‘I said, SHUT IT!’ said Dudley, whose ham-like hands had curled into fists. ‘Don’t the boys know that’s what your mum calls you?’ ‘Shut your face.’ ‘You don’t tell her to shut her face. What about “Popkin” and “Dinky Diddydums”, can I use them then?’ Dudley said nothing. The effort of keeping himself from hitting Harry seemed to demand all his self-control. ‘So who’ve you been beating up tonight?’ Harry asked, his grin fading. ‘Another ten-year-old? I know you did Mark Evans two nights ago –
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Things I worried about on the bus: a snapshot of an anxious brain . . . Is that car slowing down? Is someone going to get out and kidnap me? It is slowing down. What if someone asks for directions? What if—Oh. They’re just dropping someone off. The bus is late. What if it doesn’t arrive? What if I’m late getting to school? Did I turn my straighteners off ? What if the bus isn’t running today and no one told me? Where’s the—oh. There’s the bus. Oh crap is that Rowan from Biology? What if he sees me? What if he wants to chat? Hide. Okay, he hasn’t seen me. He hasn’t seen me. What if he did see me and now he thinks I’m weird for not saying hi? Did I remember to clean out Rita’s bowl properly? What if she gets sick? One day Rita will die. One day I’ll die. One day everyone will die. What if I die today and everyone sees that my bra has a hole in it? What if the bus crashes? Where are the exits? Why is there an exit on the ceiling? What if that headache Dad has is a brain tumor? Would I live with Mum all the time if Dad died? Why am I thinking about my living arrangements instead of how horrible it would be if Dad died? What’s wrong with me? What if Rhys doesn’t like me? What if he does? What if we get together and we split up? What if we get together and don’t split up and then we’re together forever until we die? One day I’ll die. Did I remember to turn my straighteners off ? Yes. Yes. Did I? Okay my stop’s coming up. I need to get off in about two minutes. Should I get up now? Will the guy next to me get that I have to get off or will I have to ask him to move? But what if he’s getting off too and I look like a twat? What if worrying kills brain cells? What if I never get to go to university? What if I do and it’s awful? Should I say thank you to the driver on the way off ? Okay, get up, move toward the front of the bus. Go, step. Don’t trip over that old man’s stick. Watch out for the stick. Watch out for the—shit. Did anyone notice that? No, no one’s looking at me. But what if they are? Okay, doors are opening, GO! I didn’t say thank you to the driver. What if he’s having a bad day and that would have made it better? Am I a bad person? Yeah but did I actually turn my straighteners off ?
”
”
Sara Barnard (A Quiet Kind of Thunder)
“
From Sister by ROSAMUND LUPTON
The rain hammered down onto your coffin, pitter-patter; ‘Pitter-patter, pitter-patter, I hear raindrops’; I was five and singing it to you, just born.
Your coffin reached the bottom of the monstrous hole. And a part of me went down into the muddy earth with you and lay down next to you and died with you.
Then Mum stepped forwards and took a wooden spoon from her coat pocket. She loosened her fingers and it fell on top of your coffin. Your magic wand.
And I threw the emails I sign ‘lol’. And the title of older sister. And the nickname Bee. Not grand or important to anyone else, I thought, this bond that we had. Small things. Tiny things. You knew that I didn’t make words out of my alphabetti spaghetti but I gave you my vowels so you could make more words out of yours. I knew that your favourite colour used to be purple but then became bright yellow; (‘Ochre’s the arty word, Bee’) and you knew mine was orange, until I discovered that taupe was more sophisticated and you teased me for that. You knew that my first whimsy china animal was a cat (you lent me 50p of your pocket money to buy it) and that I once took all my clothes out of my school trunk and hurled them around the room and that was the only time I had something close to a tantrum. I knew that when you were five you climbed into bed with me every night for a year. I threw everything we had together - the strong roots and stems and leaves and beautiful soft blossoms of sisterhood - into the earth with you. And I was left standing on the edge, so diminished by the loss, that I thought I could no longer be there.
All I was allowed to keep for myself was missing you. Which is what? The tears that pricked the inside of my face, the emotion catching at the top of my throat, the cavity in my chest that was larger than I am. Was that all I had now? Nothing else from twenty-one years of loving you. Was the feeling that all is right with the world, my world, because you were its foundations, formed in childhood and with me grown into adulthood - was that to be replaced by nothing? The ghastliness of nothing. Because I was nobody’s sister now.
I saw Dad had been given a handful of earth. But as he held out his hand above your coffin he couldn’t unprise his fingers. Instead, he put his hand into his pocket, letting the earth fall there and not onto you. He watched as Father Peter threw the first clod of earth instead and broke apart, splintering with the pain of it. I went to him and took his earth-stained hand in mine, the earth gritty between our soft palms. He looked at me with love. A selfish person can still love someone else, can’t they? Even when they’ve hurt them and let them down. I, of all people, should understand that.
Mum was silent as they put earth over your coffin.
An explosion in space makes no sound at all.
”
”
Rosamund Lupton
“
That’s your ghoul, isn’t it?” asked Harry, who had never actually met the creature that sometimes disrupted the nightly silence.
“Yeah, it is,” said Ron, climbing the ladder. “Come and have a look at him.”
Harry followed Ron up the few short steps into the tiny attic space. His head and shoulders were in the room before he caught sight of the creature curled up a few feet from him, fast asleep in the gloom with its large mouth wide open.
“But it . . . it looks . . . do ghouls normally wear pajamas?”
“No,” said Ron. “Nor have they usually got red hair or that number of pustules.”
Harry contemplated the thing, slightly revolted. It was human in shape and size, and was wearing what, now that Harry’s eyes became used to the darkness, was clearly an old pair of Ron’s pajamas. He was also sure that ghouls were generally rather slimy and bald, rather than distinctly hairy and covered in angry purple blisters.
“He’s me, see?” said Ron.
“No,” said Harry. “I don’t.”
“I’ll explain it back in my room, the smell’s getting to me,” said Ron. They climbed back down the ladder, which Ron returned to the ceiling, and rejoined Hermione, who was still sorting books.
“Once we’ve left, the ghoul’s going to come and live down here in my room,” said Ron. “I think he’s really looking forward to it—well, it’s hard to tell, because all he can do is moan and drool—but he nods a lot when you mention it. Anyway, he’s going to be me with spattergroit. Good, eh?”
Harry merely looked his confusion.
“It is!” said Ron, clearly frustrated that Harry had not grasped the brilliance of the plan. “Look, when we three don’t turn up at Hogwarts again, everyone’s going to think Hermione and I must be with you, right? Which means the Death Eaters will go straight for our families to see if they’ve got information on where you are.”
“But hopefully it’ll look like I’ve gone away with Mum and Dad; a lot of Muggle-borns are talking about going into hiding at the moment,” said Hermione.
“We can’t hide my whole family, it’ll look too fishy and they can’t all leave their jobs,” said Ron. “So we’re going to put out the story that I’m seriously ill with spattergroit, which is why I can’t go back to school. If anyone comes calling to investigate, Mum or Dad can show them the ghoul in my bed, covered in pustules. Spattergroit’s really contagious, so they’re not going to want to go near him. It won’t matter that he can’t say anything, either, because apparently you can’t once the fungus has spread to your uvula.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
The walk is over too quickly. Tally tries everything she can think of to make it last longer, suggesting that Rupert needs to be taken all around the park and then play some stick-chasing games. But after twenty minutes, Mum says that it’s time to head home. “He’s an old dog,” she tells Tally. “And he had quite a fright yesterday. He’ll be happiest having a sleep on his bed now, while we pop out for a while.” “Can’t Nell and I stay here?” Tally asks, the second they’re inside the house. Mum shakes her head. “Not today. After yesterday’s escapades I think that I want us all to stick together. And besides, Dad is looking forward to seeing you.” “I can’t wait to see him,” says Nell, and Tally wonders how she can be so brave about going to the hospital but so scared about something as silly as the dark. Just like the dog walk, the drive to the hospital doesn’t take long enough. Mum parks the car and they all get out. Tally stares at the building ahead. It is grey and gloomy and huge and she knows that if she were to get lost in there then she’d never find her way out. “This way,” says Mum, leading them towards the main entrance. They walk past a man sitting in a wheelchair and a woman with her arm in a sling, and Tally lowers her eyes so that the only thing she can see is Mum’s feet in front of her. The ground changes from concrete to tiles and then Mum’s feet stop and Tally has to look up There are people everywhere and the lights are so bright that it hurts her eyes. “Dad is on the fifth floor,” mum says. “So we need to take the lift.” Tally steps back, accidentally bumping into Nell.
”
”
Libby Scott (Can You See Me?: A powerful story of autism, empathy and kindness)
“
Things I worried about on the bus: a snapshot of an anxious brain . . . Is that car slowing down? Is someone going to get out and kidnap me? It is slowing down. What if someone asks for directions? What if—Oh. They’re just dropping someone off. The bus is late. What if it doesn’t arrive? What if I’m late getting to school? Did I turn my straighteners off ? What if the bus isn’t running today and no one told me? Where’s the—oh. There’s the bus. Oh crap is that Rowan from Biology? What if he sees me? What if he wants to chat? Hide. Okay, he hasn’t seen me. He hasn’t seen me. What if he did see me and now he thinks I’m weird for not saying hi? Did I remember to clean out Rita’s bowl properly? What if she gets sick? One day Rita will die. One day I’ll die. One day everyone will die. What if I die today and everyone sees that my bra has a hole in it? What if the bus crashes? Where are the exits? Why is there an exit on the ceiling? What if that headache Dad has is a brain tumor? Would I live with Mum all the time if Dad died? Why am I thinking about my living arrangements instead of how horrible it would be if Dad died? What’s wrong with me? What if Rhys doesn’t like me? What if he does? What if we get together and we split up? What if we get together and don’t split up and then we’re together forever until we die? One day I’ll die. Did I remember to turn my straighteners off ? Yes. Yes. Did I? Okay my stop’s coming up. I need to get off in about two minutes. Should I get up now? Will the guy next to me get that I have to get off or will I have to ask him to move? But what if he’s getting off too and I look like a twat? What if worrying kills brain cells? What if I never get to go to university? What if I do and it’s awful? Should I say thank you to the driver on the way off ? Okay, get up, move toward the front of the bus. Go, step. Don’t trip over that old man’s stick. Watch out for the stick. Watch out for the—shit. Did anyone notice that? No, no one’s looking at me. But what if they are? Okay, doors are opening, GO! I didn’t say thank you to the driver. What if he’s having a bad day and that would have made it better? Am I a bad person?
”
”
Sara Barnard (A Quiet Kind of Thunder)
“
She stepped into Mum’s shoes on the 11th of January 2002 and has looked after me ever since. Life would have been very different for me if I hadn’t had her.
”
”
Isobel Kerr (No One Listened)
“
I had told Imran how my father after his Fajr prayers would always bring fragrant motiya flowers for my mum and put them on her bedside. Imran listened, and as I would step out of the bathroom in the morning, I would be greeted by hand-picked roses and fragrant magnolias on my bedside and my pillow, laid out by Imran. It brought tears to my eyes. Even now, it brings a smile to my face, despite all that followed. He made me love him when I thought it wasn’t possible for me to love anymore.
”
”
Reham Khan (Reham Khan)
“
You try to work full-time, but you can’t. You try to keep the house clean, but you fail. You try to make your mum’s birthday lunch and go to your son’s graduation, but you crash, you just can’t do it.
You try to be nice to your partner, but you snap. You try to be patient with your kids, but you are short-tempered. You want to catch up with your friends, but it’s too hard. You try to exercise, but you feel too exhausted. You try to think positive, but you can’t seem to do that either.
It’s OK.
If you just manage to pull back a little from pushing against your boundaries, life will stop slapping you in the face with them.
”
”
Dan Neuffer (Discover Hope : 34 Steps To Find Hope and To Cope with Chronic Fatigue Syndrome & Fibromyalgia)
“
Studies show that when babies sleep close to their mothers it regulates heartbeat and reduces the stress hormone in both mum and baby
”
”
aidie London: Seffie Wells, MSc (How To Support Your Newborn Baby's Development: A Step-by Step guide from pregnancy throughout your babys first year (Raising Babies Book 1) Kindle Edition)
“
Many ancient cultures and some modern tribal cultures believe it's important not to shock or stress a pregnant woman because the baby feels everything she feels. That means no shocks, surprises, no making her jump and no sudden movements for mum either
”
”
aidie London: Seffie Wells, MSc (How To Support Your Newborn Baby's Development: A Step-by Step guide from pregnancy throughout your babys first year (Raising Babies Book 1) Kindle Edition)
“
When we got close to the airport, the reality of the public reaction to Steve’s death began to sink in. Members of the media were everywhere. We drove straight through the gates to pull up right next to the charter plane. The last thing I felt like doing at that moment was to talk to anyone about what had happened. I just wanted to get to Steve.
As I walked toward the plane, I turned back to thank the police who had helped us. The tears in their eyes shocked me out of my own personal cocoon of grief. This wasn’t just a job for them. They genuinely felt for us, and suffered Steve’s loss. So many other people loved him too, I thought.
All during the endless, three-hour plane ride to Maroochydore, I kept flashing back to our fourteen years of adventures together. My mind kept focusing on another plane ride, so similar to this one, when Bindi and I had to fly from the United States back to Australia after Steve’s mum had died. Part of me wished we could have flown forever, never landing, never facing what we were about to. I concentrated on Bindi and Robert, getting them fed and making sure they were comfortable. But the thought of that last sad flight stayed there in the back of my mind.
The plane landed at Maroochydore in the dark. We taxied in between hangars, out of public view. I think it was raining, but perhaps it wasn’t, maybe I was just sad. As I came down the steps of the plane, Frank, Joy, and Wes stood there. We all hugged one another. Wes sobbed. We managed to help one another to the hangar, where we all piled into two vehicles for the half-hour drive back to the zoo.
I turned on the DVD in the backseat for the kids. I desperately needed a moment without having to explain what was going on. I wanted to talk to Wes, Joy, and Frank. At some point during the ride, Wes reached back and closed the DVD player. The light from the player was giving the press the opportunity to film and photograph us in the car.
This was a time to be private and on our own. How clever of Wes to consider that, I thought, right in the middle of everything.
“Wes,” I said, “what are we going to do now?
”
”
Terri Irwin (Steve & Me)
“
It’s not how much money you have that matters, it’s what you do with it. That’s how to become really rich.
Let me give you an example of someone who is ridiculously rich, in every sense of the word. Let me introduce you to Dave.
This is how Dave works: whenever he comes across great, everyday people, whoever they are - whether it’s a shy 17-year-old just leaving school with a longing to visit his absent father who now lives in Canada; or a plumber who has worked beyond the call of duty, been respectful and diligent, but who rarely gets to see his kids as he works so hard; or a single mother, a friend of a friend, who is struggling to balance a million things and multiple jobs and wishes she could treat her kids to something nice - Dave steps in. A bit like Superman!
You see, Dave has worked hard in his life, and been rewarded with great wealth, but through it all he has learnt something far greater: that great wealth doesn’t make you rich unless you do great things with it.
So Dave will secretly help people out in some special way. Maybe he pays for the young man’s plane fare to Canada to see his dad, or for the plumber to take his family on holiday, or the single mum to get a car. Anything that is beyond the norm, out of the ordinary - he does it. And you know what? It blows people away!
Not only does Dave have the most loyal army of everyday people who would go to the ends of the Earth for him (and it is not because of the money he gave them, by the way, it is because he did something so far beyond the norm for them), but Dave is also the happiest man I have ever met.
Why?
Because it is impossible to live like this and not be ridiculously happy!
It is in the giving that a person becomes rich. And that can start today, whatever point we are along the road of our goals.
So don’t waste a chance to get rich quick by getting busy giving.
Then stand back and watch the happiness unfold…
”
”
Bear Grylls (A Survival Guide for Life: How to Achieve Your Goals, Thrive in Adversity, and Grow in Character)
“
stepped from the pavement into the tiny lobby and turned immediately left to climb the stairs to the first floor. There was one reasonably sized bedroom, a living room about the same size with a kitchen area in one corner, and a small shower room. It was newly redecorated, the kitchen well equipped, despite the lack of space, and it was light and airy. There was just enough room for her books. It wasn’t perfect for guests though, and Daniel couldn’t stay long. Lauren had made it very clear this was a temporary arrangement. She was happy to help, but she’d chosen not to have flatmates, so he knew it wouldn’t be long-term. During his time there, she expected him to find something to do, somewhere to go, and then she’d maybe let him stay until he could move. As long as she knew he would be going. Lauren had always been like this. Fiercely independent, fiercely territorial. As a child she’d put large notices on her bedroom door: Keep Out Or Else! And later, Enter At Your Peril, All Who Approach. Even their mum wasn’t allowed in. Lauren cleaned the room herself, changed her own bed and kept the door shut. Once, Daniel had ventured in while his sister was at her music lesson. He only wanted to see what was in there, what was so important that nobody was allowed in.
”
”
Susanna Beard (The Perfect Witness)
“
Dina hummed to herself as she pulled out an empty jam jar from a busy cupboard. It was still labeled "Apricot Jam" from the batch her mum had made for her last year--- jam that tasted like bottled sunshine.
There wasn't an exact science to the magic, but Dina often found that the best tea blends were ones she put into secondhand jars, ones that had been full of delicious, wonderful things.
She clipped her curls out of her face and headed into the pantry. The walls were lined floor-to-ceiling with all manner of jars and boxes, all individually labeled in Dina's messy handwriting. She kept her spices together, along with other baking essentials like fish vanilla, cake flour, and a tin that was labeled "Eye of Newt" but actually contained nutmeg.
Her tea selection had several shelves dedicated to it. Aside from the specialty blends she made for the shop, Dina kept a collection of tea and tisane ingredients, which she could mix into more personal blends at a moment's notice. Dina never felt more in her element as a kitchen witch than when she was looking through her pantry.
Scott's tea blend needed to be something that encapsulated his energies yet also helped him in some way. A tea to drink in the middle of a long work day, Dina decided.
She twirled a curl around her finger as she focused. She hadn't met any of his fellow curators yet, but from what Scott had told her they could be a bit of a handful. So the kind of tea that would help him get through a long meeting. Something to sharpen a tired mind. Dina knew just the thing for it.
She scooped up several jars and laid them out on the counter before her. Black tea--- a full-bodied assam, cacao nibs, dried ginger and... it was missing something. Dina stepped back into the pantry and surveyed her shelves with her hands on her hips.
She knew that this would need one more ingredient to be perfect for Scott. Lion's mane mushroom? Perhaps a little too earthy. Clove? Too heavy. It would overpower the other flavors. As her eyes skirted over the rows of jars, she spotted it. A small glass jar with a dark red powder in it. Dried beetroot! Perfect! Energizing yet slightly sweet and smooth, and it would make Scott look like he was drinking some kind of red-velvet-themed drink. Which was also his favorite cake flavor.
”
”
Nadia El-Fassi (Best Hex Ever)
“
Her mum is leaning against the wall, arms crossed, when Summer exits. “Gage left from here a few minutes ago,” she says, tone neutral. “His hair was ruffled.” She gestures with her hand above her head.
The haze Gage left Summer in vanishes. She frowns.
Her mum sighs and steps forward. Smooths her daughter’s hair. “If he hurts you,” she says in a mild tone, “I’ll kill him.
”
”
Laura Kreitzer (Burning Falls (Summer Chronicles, #3))
“
From Rotting [God will] bestow on them a crown of beauty instead of ashes, the oil of joy instead of mourning, and a garment of praise instead of a spirit of despair. They will be called oaks of righteousness, a planting of the LORD for the display of his splendor. ISAIAH 61:3 NIV Sometime in August, after weeks of busy work schedules by day (and sometimes night) and a bathroom tiling project by night (and into the wee morning hours), Mary walked down her front porch steps and took a deep breath. When she looked around, she was shocked to realize how neglected her landscaping was. There were massive broad-leaf weeds taking over the ground. A closer look revealed that the “weeds” were actually pumpkin plants that last year’s rotting pumpkin display had inadvertently provided. She thought about ripping out the vines, since there wasn’t much growing on them yet, but she decided to let what was alive and well continue to grow. Before long, three large, bright orange volunteer pumpkins had pushed past red (now barely visible) mums. Mary started thinking how many things volunteer themselves right into her life—and end up being beautiful additions to her days. God, thank You for taking the rotten things of life and turning them into bountiful blessings. Amen.
”
”
Anonymous (Daily Wisdom for Women - 2014: 2014 Devotional Collection)
“
Mr John Harris?’ I asked, stepping back involuntarily
half a step, intimidated by his height and unfriendly gaze.
‘I’m not interested in your vision of my salvation or
in the answer to whether God is love,’ he hissed irritably.
‘No! No! It’s not that!’ I stammered, taken aback by
his hostile demeanour.
‘I don’t want the Avon catalogue either,’ he added,
ready to slam the door in my face.
‘But sir! I’m Lucinda Blackbird, Maya’s daughter,’
I hurriedly blurted out, instinctively grabbing onto the
door handle. ‘My mum asked me to deliver this letter to
you.
”
”
Dominika Caddick
“
Exiting through the doors of the hospital feels like stepping from inside into another inside. There is no stepping outside this experience, I feel quite clearly that I am still in the room with Mum, even as I stand in the rain. We are hermetically sealed into this other reality; we don’t leave it until it’s really time to go. Until the door appears. I think about the Helen Keller quote we only ever say part of, When one door closes, another one opens. That’s what we all say; the actual quote is: When one door of happiness closes another one opens but we often look so long at the closed door that we do not see the one that has been opened for us. I walk down the street in my bubble; amazing to be in two places at once. When the door opens I think, I will try to keep looking at it.
”
”
Minnie Driver (Managing Expectations: A Memoir in Essays)
“
The librarian looks up for a moment as he steps through the doors, and smiles. Aidan is greeted by silence. In his memories, this place was never silent. Obviously, it is a library . . . so it has always been quiet, but there had been that hum—of people shuffling about, of kids whispering to their mums, people flicking pages, moving chairs, wiggling around, coughing and snuffling too. Today, barely a sound. Someone tapping out a text on their phone. The librarian drumming away on that clunky old keyboard. Nothing else. Recently, he has spotted posters about saving Brent’s libraries stuck up on community boards: in Tesco; at the gym; even plastered near the Tube station, advertising cake sales, knitting clubs at the library, sit-ins, petitions. But it has never crossed his mind that Harrow Road Library needs saving. In his mind, it is popular, well loved, but now that he is here, his heart begins to sink . . . Maybe Harrow Road Library will be the next to go
”
”
Sara Nisha Adams (The Reading List)
“
Sure,’ Mary said, putting on a smile. ‘I have to get back. But please, feel free to look around as much as you’d like.’ Roper gave her a look that said, we don’t need your permission for that, but Jamie thanked her anyway and let her walk off. He sucked on his teeth the way he did when he wanted a cigarette, and watched Mary go out of earshot. ‘Find anything?’ he asked, turning to Jamie. She let out a long breath. ‘Don’t know yet. Looks like Grace wasn’t as faithful to Ollie as she made out.’ ‘Lover’s tiff?’ ‘Could be.’ Jamie thought about it. ‘Spurned ex, maybe. Maybe it’s the drugs. Maybe something else entirely.’ She rubbed her eyes. It’d been a long morning and she needed to eat. ‘Come on. Let’s head back to HQ, get this written up. We’ll come back when Grace shows her face.’ Roper nodded without a word and headed for the door, already reaching for his cigarettes. Chapter 6 Jamie zipped up her jacket and dug her hands into her pockets, following Roper out the door. He’d sped on ahead so that he could light up before Jamie told him not to. She didn’t like that fresh stink in her car, and she definitely wouldn’t let him smoke in there anyway. And he definitely wasn’t above running out and doing it before she had time to protest. Her effort to make him quit by forcing him to stand in the cold obviously wasn’t working. He was a seasoned smoker and spent most nights standing outside pubs, come rain or shine, sucking down smoke. That and the fact that he was far too stubborn to give in to such a weak ploy. It was like those goats that stand on the side of damns to lick the salt off. One missed step and it was guaranteed death. But they were single minded. And so was Roper. If she cared more she might have tried harder, but she knew from experience that when guys like Roper made a decision, they’d stick to it forever. As far as he was concerned, the drinking and the smoking was as much a part of him as his belly button was. It couldn’t be changed, and trying would only invite self-loathing. Guys like him had to hit rock bottom. Only then could they start coming back up. But sometimes they just stayed there, scraping the ground until they gouged a hole deep enough to die in. She should call her mum. It had been a while. Outside, Roper was already two drags in by the time she reached the steps. A couple of the people outside had moved on and the guy in the sleeping bag had woken up and headed inside, though the urine stain that had seeped into the stone under him still remained. Jamie tried not to breathe through her nose as she hopped down the steps, her shin still throbbing from the morning’s bout with Cake. She opened her mouth to tell Roper to hurry up when she almost got knocked over. A guy in his forties with an expensive suit and a long lambswool coat was rushing by, his head turned towards the steps. ‘Filthy fucking cretins,’ he almost yelled at the three homeless people still perched on the steps, before colliding with Jamie. He stumbled sideways, down into the roadway, shoving Jamie backwards. ‘Get off!’ he shouted, flapping his arms. Jamie steadied herself and stared at him. Roper even stopped smoking his cigarette and came forward. ‘Hey!’ he called. ‘You’re not having any!’ the man yelled again, striding forward away from the shelter. ‘You should all be drowned. Wash this goddamn city clean!
”
”
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
“
Mum tries smiling at herself in the mirror
again and from the lounge I can hear my
dad having a solitary coughing fit. How can
love look so old and tired? How can you be
properly in love if you're thinking about
washing machines and paying the electric-
ity bills? How can I wander among the
great literary lovers, hob nob with Lord
Byron
and share
a
steed
with John
Willoughby, and then suffer the hum drum
when I come down to breakfast? Where
have my fairy tales gone, Muse? I'm so
frightened that this is a world where, when
you kiss your handsome prince, he steps
out of the magic puff of smoke and he's got
socks and sandals on and a dirty t-shirt
with a belly under it.
”
”
Maria Wallingford
“
I’ve got you’ like a mum who’s endured the worst of you and still carries a seemingly refillable, recyclable, indestructible well of love. Just before I got carried away, one step
”
”
Kerry Fisher (Another Woman's Child)
“
Knocking on their door, a panther's paw that rubbed until it became a pounding no one responded to. He tried the handle. They were there all right, fancy pretending like that, it wasn't as if he had disturbed them from sleeping. He coughed, and gasped, while walking rapidly up and down the landing.
Should he go back into his room, shout from there, scream in fact, as though in the middle of a nightmare? He remained at the top of the stairs, cutoff from the rest of the house, the neighbourhood. Had they gone out, or were they dead— copulating too fast, too much? He moved down one stair head bowed considering the best way into the next event. The other doors had, during his stay, remained part of the walls, a slight murmur or hum of a radio escaped occasionally through a crack. But if he knocked, enquired the time, wouldn't the crack immediately be sealed, not even space for an eye, let alone his finger? He hovered on the front door step, two hundred yards from the Palais de Dance.
Coloured tickets, spent out balloons, contraceptives divided pavement from road.
Berg leaned slightly forward in order to see the pub clock. On his back he stared at the buildings that were giants advancing. Snatch the stars, pull out the moon for my navel, a button hole for my own personal identification.
A shadow pushed itself across his face. He spread out his arms. I implore to be left where I am, as I have been given, I am satisfied, attuned to my world. He shut his eyes, and foetus-curled from the pavement. His lips, dry leaves, slowly parted. Have I ever been inside?
Edith's tears, not coping, timid amongst robust mums. You discovered: dormitory pleasures, what is considered a pretty boy at the age of nine, to be taken advantage of.
”
”
Ann Quin (Berg)
“
That was the thing when it came to victims like Leah's mum, like Fiona. Even when they went through all the steps to get a restraining order, what they really wanted was for a person to love them who never had, and never would
”
”
Kerry Wilkinson (The Night of the Sleepover (Sleepover, #1))
“
When I was a kid, I used to feel sorry for Dad. We all did; and sadly, Mum knew this and that must have been painful. Dad's preference for fence-sitting has been a near-constant source of frustration for Mum. As a child I couldn't at all comprehend why, but now, as an adult, I can see the immense pressure she must have been under. Essentially, when it came to emotional labor and decision-making, Mum was operating as a single mother of six (five children and one adult man). But whenever things went wrong, which they frequently did, Mum would suddenly be married again and having the anatomy of her mistakes explained back to her by the very man who'd refused to help in the first place.
”
”
Hannah Gadsby (Ten Steps to Nanette)
“
The Army was looking for lads like me. What’s that you say, young man? Parents divorced? Mum’s dead? Unresolved grief or psychological trauma? Step this way!
”
”
Prince Harry (Spare)
“
there, she pushes herself to her feet. Hoisting her school bag onto her shoulder, she walks across the stones to the boardwalk, waiting for a mother with a pushchair to pass by before crossing over it and heading for the gate in their wall. As she lets herself onto the patio, closing the gate behind her, she looks up. Through the fronds of the palm, she sees her mum as she has many times before. Standing in her studio, her brush to the painting in front of her. Kitty in a bouncy chair beside her. Megan studies her, wondering what it is that causes her mother to press the front of her forearm to her forehead. What she’s painted on that flat white surface. More sea, she presumes. More boring sky. It’s hard to see clearly, as the sunlight’s shining on the glass, but, as Megan watches, her mum stands back from the canvas, covering her face with the palms of both hands. As though unable to stand the sight of what’s in front of her. Megan turns away, not wanting to see. Apart from that time after Kitty was born, she’d always thought of her mum as strong. Now the vulnerability she’s shown recently scares her… leaves her wondering where that leaves her. What’s clear is she can never tell her mum what she’s done. Not unless she wants to make things worse. Alex will have to remain her secret. Her mum drops her hands, and Megan steps back into the shadows of the oleander, not wanting to be seen. As she waits for her mum to move away from the sliding doors, she sees that the fat buds in the leaves that hide her from view have produced their first flower. It’s something her mum would celebrate, seeing as how, every year in November, she and Sean have to drag it, in its giant pot, into the sunroom so the winter frosts don’t get it. She wonders whether she’s seen it, but, from the look of her mum now, it’s clearly the last thing on her mind.
”
”
Wendy Clarke (The Night Out)
“
sometimes you’re—’ ‘Stace, it’s supposed to be confidential,’ he snapped. ‘But I suppose you’ve scored yourself modestly?’ Stacey nodded. ‘You know, when I was a kid my mum told me never seat yourself at the head of the table, because it’s a longer walk if you’re asked to step down.
”
”
Angela Marsons (Dying Truth (D.I. Kim Stone, #8))
“
You don't understand. When I was seven, Mum bought me a rabbit, Mister Fluffy. For two weeks, Dad paid more attention to that rabbit than he did me. He paid more attention to that rabbit than he did to me. He played with it, he took it on walks, he practically tucked it in at night. And that was a rabbit. Imagine what he's going to be like with a baby."
“But after those two weeks, once the novelty wore off, he was back to normal, wasn’t he?”
“ I don’t think it was because the novelty wore off. I think it was because he stood on Mister Fluffy.”
“Pardon?”
“He stepped on it. Squished it. Squashed it. Killed it. Cut it down in its prime. It kicked the bucket, turned up its toes, shuffled off this mortal coil. It was… an ex-ribbit.”
“ He’s a dangerous man, your father.”
“ The baby better learn to dodge.
”
”
Derek Landy (Mortal Coil (Skulduggery Pleasant, #5))
“
I don’t — don’t suppose you remember it, Harry?” he asked awkwardly. “No — well, I was only one when they died,” said Harry, his eyes on the flame of the candle flickering in Hagrid’s heavy snores. “But I’ve found out pretty much what happened since. My dad died first. Did you know that?” “I — I didn’t,” said Slughorn in a hushed voice. “Yeah . . . Voldemort murdered him and then stepped over his body toward my mum,” said Harry. Slughorn gave a great shudder, but he did not seem able to tear his horrified gaze away from Harry’s face. “He told her to get out of the way,” said Harry remorselessly. “He told me she needn’t have died. He only wanted me. She could have run.” “Oh dear,” breathed Slughorn. “She could have . . . she needn’t . . . That’s awful. . . .” “It is, isn’t it?” said Harry, in a voice barely more than a whisper. “But she didn’t move. Dad was already dead, but she didn’t want me to go too. She tried to plead with Voldemort . . . but he just laughed. . . .” “That’s enough!” said Slughorn suddenly, raising a shaking hand. “Really, my dear boy, enough . . . I’m an old man . . . I don’t need to hear . . . I don’t want to hear . . .” “I forgot,” lied Harry, Felix Felicis leading him on. “You liked her, didn’t you?” “Liked her?” said Slughorn, his eyes brimming with tears once more. “I don’t imagine anyone who met her wouldn’t have liked her. . . . Very brave . . .
”
”
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
“
I was late to meet them. I had arrived early but walked into the small market town, not to check if I was being followed or anything professional, but to send a postcard to my mum, telling her I was out of London.
”
”
Simon Reeve (Step By Step)
“
His … but … Ron, you’re not …?’ Ron held up his badge. Mrs Weasley let out a shriek just like Hermione’s. ‘I don’t believe it! I don’t believe it! Oh, Ron, how wonderful! A prefect! That’s everyone in the family!’ ‘What are Fred and I, next-door neighbours?’ said George indignantly, as his mother pushed him aside and flung her arms around her youngest son. ‘Wait until your father hears! Ron, I’m so proud of you, what wonderful news, you could end up Head Boy just like Bill and Percy, it’s the first step! Oh, what a thing to happen in the middle of all this worry, I’m just thrilled, oh, Ronnie –’ Fred and George were both making loud retching noises behind her back but Mrs Weasley did not notice; arms tight around Ron’s neck, she was kissing him all over his face, which had turned a brighter scarlet than his badge. ‘Mum … don’t … Mum, get a grip …’ he muttered, trying to push her away. She let go of him and said breathlessly, ‘Well, what will it be? We gave Percy an owl, but you’ve already got one, of course.’ ‘W-what do you mean?’ said Ron, looking as though he did not dare believe his ears. ‘You’ve got to have a reward for this!’ said Mrs Weasley fondly. ‘How about a nice new set of dress robes?’ ‘We’ve already bought him some,’ said Fred sourly, who looked as though he sincerely regretted this generosity. ‘Or a new cauldron, Charlie’s old one’s rusting through, or a new rat, you always liked Scabbers –’ ‘Mum,’ said Ron hopefully, ‘can I have a new broom?’ Mrs Weasley’s face fell slightly; broomsticks were expensive. ‘Not a really good one!’ Ron hastened to add. ‘Just – just a new one for a change …’ Mrs Weasley hesitated, then smiled. ‘Of course you can … well, I’d better get going if I’ve got a broom to buy too. I’ll see you all later … little Ronnie, a prefect! And don’t forget to pack your trunks … a prefect … oh, I’m all of a dither!’ She gave Ron yet another kiss on the cheek, sniffed loudly, and bustled from the room. Fred and George exchanged looks. ‘You don’t mind if we don’t kiss you, do you, Ron?’ said Fred in a falsely anxious voice. ‘We could curtsey, if you like,’ said George. ‘Oh, shut up,’ said Ron, scowling at them.
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J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
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The title on the front of the sketchbook was written in bold cursive: 'Libby's Book of Butterflies.'
One of the edges was folded, and she smoothed it with her hand, reverently, to honor the sister she'd never known. Then she stepped back under the light and flipped through the first pages. There were beautiful paintings of butterflies, their wings bright from the watercolors.
Did her sister create this book or did someone make it for her?
Mum had loved her gardens, but Heather had never known her to do any kind of artwork. She'd always been busy planting her flowers and working as a hairdresser and caring well for their family.
Intrigued, Heather slowly turned the pages. The butterflies were unique in their brilliance, each one with a magical name.
Golden Shimmer. Moonlit Fairy. Lavender Lace.
Under the butterflies were short descriptions. Like they all had different personalities. Her favorite was the Autumn Dancer, colored a vibrant orange and red with speckles of teal. It reminded her of a leaf, clinging to its branch before the autumn winds blew it away.
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Melanie Dobson (Shadows of Ladenbrooke Manor)
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People who take their own steps to notch up spectacular success are prone to receive the gifts of luck more often; success starts walking toward them in its turn to accelerate the awarded meeting.
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Ani Shahverdyan (Ticket to All-Inclusive Life)
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Eyes wide, Jamie. Don’t give them an inch. Don’t even let them think they can take one. Not even for a second. That’s what her dad would have said. What he had said to her. A hundred times. He was no stranger to stepping into the wrong parts of the city. And he used to do it with the sort of attitude that scared most guys off. The kind of try it and see what happens, shit-bag stare that sent most people scampering. She tried to carry that look. The look that conveyed that her crescent kick could crack a skull and they’d never see it coming. She didn’t know if she could pull it off as well as her dad. He was six-three with the frame of a Scandinavian bison, after all, and about as intimidating. She, on the other hand, had her mum’s frame. Though that did have its advantages. Mostly in part to the fact that if she did need to hit someone, they’d never expect it. Roper pulled up short of the first tent and put his hands on his hips, looking around. Narrow walkways wound around the little squats, making the thirty-by-sixty-foot space a veritable micro favela by all accounts. There must have been fifty different shelters made up in there — of all varying sizes, shapes, and constructions. ‘Jesus,’ Roper grumbled. ‘How the hell are we going to find Grace’s tent in all this?’ Jamie surveyed the exteriors. All the heads seemed to shrink back inside as they got close. ‘Reggie said that the tent was too nice to be here. So I guess we just look for the one that sticks out.’ He made a humming sound and pursed his lips, inhaling sharply. ‘Grace Melver,’ he called loudly, verging on yelling. ‘Grace Melver!’ Nothing stirred. ‘Smooth, Roper,’ Jamie mumbled, sidestepping to look around the battered old four-man in front of them. Behind it a blue tarp had been hung from the girders overhead with what looked to be electrical wire.
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Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
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I couldn’t have grasped this at the time but like it or not, children are witnesses to their parents’ growing up. To a greater or lesser degree, and in our own way, we are all still finding out who we are and perhaps who we want to be, before our children take their first steps. As children we assume our parents are perfect and complete creations, but mums and dads will inevitably misbehave, test the boundaries, make mistakes, stamp their feet and shed tears before they become the men and women they need to be. And, so it was for both my parents in the end.
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Ruth Badley (Where are the grown-ups?)