Step Brothers Sayings Quotes

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Hello? This is Clary Fairchild.” “Clary? It’s me, Emma.” “Oh, Emma, hi! I haven’t heard from you in ages. My mom says thanks for the wedding flowers, by the way. She wanted to send a note but Luke whisked her away on a honeymoon to Tahiti.” “Tahiti sounds nice.” “It probably is — Jace, what are you doing with that thing? There is no way it’ll fit.” “Is this a bad time?” “What? No! Jace is trying to drag a trebuchet into the training room. Alec, stop helping him.” “What’s a trebuchet?” “It’s a huge catapult.” “What are they going to use it for?” “I have no idea. Alec, you’re enabling! You’re an enabler!” “Maybe it is a bad time.” “I doubt there’ll be a better one. Is something wrong? Is there anything I can do?” “I think we have your cat.” “What?” “Your cat. Big fuzzy Blue Persian? Always looks angry? Julian says it’s your cat. He says he saw it at the New York Institute. Well, saw him. It’s a boy cat.” “Church? You have Church? But I thought — well, we knew he was gone. We thought Brother Zachariah took him. Isabelle was annoyed, but they seemed to know each other. I’ve never seen Church actually likeanyone like that.” “I don’t know if he likes anyone here. He bit Julian twice. Oh, wait. Julian says he likes Ty. He’s asleep on Ty’s bed.” “How did you wind up with him?” “Someone rang our front doorbell. Diana, she’s our tutor, went down to see what it was. Church was in a cage on the front step with a note tied to it. It said For Emma. This is Church, a longtime friend of the Carstairs. Take care of this cat and he will take care of you. —J.” “Brother Zachariah left you a cat.” “But I don’t even really know him. And he’s not a Silent Brother any more.” “You may not know him, but he clearly knows you.” “What do you think the J stands for?” “His real name. Look, Emma, if he wants you to have Church, and you want Church, you should keep him.” “Are you sure? The Lightwoods —“ ‘They’re both standing here nodding. Well, Alec is partially trapped under a trebuchet, but he seems to be nodding.” “Jules says we’d like to keep him. We used to have a cat named Oscar, but he died, and, well, Church seems to be good for Ty’s nightmares.” “Oh, honey. I think, really, he’s Brother Zachariah’s cat. And if he wants you to have him, then you should.” “Why does Brother Zachariah want to protect me? It’s like he knows me, but I don’t know why he knows me.” “I don’t exactly know … But I know Tessa. She’s his — well, girlfriend seems not the right word for it. They’ve known each other a long, long time. I have a feeling they’re both watching over you.” “That’s good. I have a feeling we’re going to need it.” “Emma — oh my God. The trebuchet just crashed through the floor. I have to go. Call me later.” “But we can keep the cat?” “You can keep the cat.
Cassandra Clare (Lady Midnight (The Dark Artifices, #1))
Oh my. He's English. "Er. Does Mer live here?" Seriously, I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big, curly hair?" Then he looks at me like I'm crazy or half deaf, like my Nana Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives here. I've just spent two hours with her." I announce this proudly like my little brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh, [Gosh]. What. Is with. The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely - straight on top and crooked on the bottom, with a touch of overbite. I'm a sucker for smiles like this, due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Étienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
You don’t fool me, he says in a low voice. Is that right? Yea, he says. I see it in yer eyes. All you care about’s yer precious brother. That aint true, I says. If it’d been Emmi they took, he says, Emmi an not Lugh…would you of gone after her? I take in a breath to say of course I would but the look on his face stops me. there ain’t no point in lyin when he already knows the truth. He leaves go of me an steps back. I thought so, he says. Yer sister’ll be safer with me than she could ever be with you. You jest ride along on yer high horse an leave her to me.
Moira Young (Blood Red Road (Dust Lands, #1))
Kelsier exhaled in exasperation. “Elend Venture? You risked your life—risked the plan, and our lives—for that fool of a boy?” Vin looked up, glaring at him. “Yes.” “What is wrong with you, girl?” Kelsier asked. “Elend Venture isn’t worth this.” She stood angrily, Sazed backing away, the cloak falling the floor. “He’s a good man!” “He’s a nobleman!” “So are you!” Vin snapped. She waved a frustrated arm toward the kitchen and the crew. “What do you think this is, Kelsier? The life of a skaa? What do any of you know about skaa? Aristocratic suits, stalking your enemies in the night, full meals and nightcaps around the table with your friends? That’s not the life of a skaa!” She took a step forward, glaring at Kelsier. He blinked in surprise at the outburst. “What do you know about them, Kelsier?” she asked. “When’s the last time you slept in an alley, shivering in the cold rain, listening to the beggar next to you cough with a sickness you knew would kill him? When’s the last time you had to lay awake at night, terrified that one of the men in your crew would try to rape you? Have you ever knelt, starving, wishing you had the courage to knife the crewmember beside you just so you could take his crust of bread? Have you ever cowered before your brother as he beat you, all the time feeling thankful because at least you had someone who paid attention to you?” She fell silent, puffing slightly, the crewmembers staring at her. “Don’t talk to me about noblemen,” Vin said. “And don’t say things about people you don’t know. You’re no skaa— you’re just noblemen without titles.” She turned, stalking from the room. Kelsier watched her go, shocked, hearing her footsteps on the stairs. He stood, dumbfounded, feeling a surprising flush of ashamed guilt. And, for once, found himself without anything to say.
Brandon Sanderson (The Final Empire (Mistborn, #1))
I stand there for a while, then sit cross-legged before it and bow my head. "Hi, Metias," I say in a soft voice. "Today's my birthday. Do you know how old I am now?" I close me eyes, and through the silence surrounding me I think I can sense a ghostly hand on my shoulder, my brother's gentle presence that I'm able to feel every now and then, in these quiet moments. I imagine him smiling down at me, his expression relaxed and free. "I'm twenty-seven today," I continue in a whisper. My voice catches for a moment. "We're the same age now." For the first tine in my life, I am no longer his little sister. Next year I will step across the line and he will still be in the same place. From now on, I will be older than he ever was. I try to move on to other thoughts, so I tell my brother's ghost about my year, my struggles and successes in commanding my own patrols, my hectic workweeks. I tell him, as I always do, that I miss him. And as always, I can hear the whisper of his ghost against my ear, his gentle reply that he misses me too. That he's looking out for me, from wherever he is.
Marie Lu (Champion (Legend, #3))
To make matters worse, everyone she talks to has a different opinion about the nature of his problem and what she should do about it. Her clergyperson may tell her, “Love heals all difficulties. Give him your heart fully, and he will find the spirit of God.” Her therapist speaks a different language, saying, “He triggers strong reactions in you because he reminds you of your father, and you set things off in him because of his relationship with his mother. You each need to work on not pushing each other’s buttons.” A recovering alcoholic friend tells her, “He’s a rage addict. He controls you because he is terrified of his own fears. You need to get him into a twelve-step program.” Her brother may say to her, “He’s a good guy. I know he loses his temper with you sometimes—he does have a short fuse—but you’re no prize yourself with that mouth of yours. You two need to work it out, for the good of the children.” And then, to crown her increasing confusion, she may hear from her mother, or her child’s schoolteacher, or her best friend: “He’s mean and crazy, and he’ll never change. All he wants is to hurt you. Leave him now before he does something even worse.” All of these people are trying to help, and they are all talking about the same abuser. But he looks different from each angle of view.
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
Brighton’s not exactly a big place,” Caulter says.  “Everyone knows everything about everyone.  It’s practically incestuous.
Sabrina Paige (Prick (Step Brother Romance, #1))
My mom says, "Do you know what the AIDS memorial quilt is all about?" Jump to how much I hate my brother at this moment. I bought this fabric because I thought it would make a nice panel for Shane," Mom says. "We just ran into some problems with what to sew on it." Give me amnesia. Flash. Give me new parents. Flash. Your mother didn't want to step on any toes," Dad says. He twists a drumstick off and starts scraping the meat onto a plate. "With gay stuff you have to be so careful since everything means something in secret code. I mean, we didn't want to give people the wrong idea." My Mom leans over to scoop yams onto my plate, and says, "Your father wanted a black border, but black on a field of blue would mean Shane was excited by leather sex, you know, bondage and discipline, sado and masochism." She says, "Really, those panels are to help the people left behind." Strangers are going to see us and see Shane's name," my dad says. "We didn't want them thinking things." The dishes all start their slow clockwise march around the table. The stuffing. The olives. The cranberry sauce. "I wanted pink triangles but all the panels have pink triangles," my mom says. "It's the Nazi symbol for homosexuals." She says,"Your father suggested black triangles, but that would mean Shane was a lesbian. It looks like female pubic hair. The black triangle does." My father says, "Then I wanted a green border, but it turns out that would mean Shane was a male prostitute." My mom says, "We almost chose a red border, but that would mean fisting. Brown would mean either scat or rimming, we couldn't figure which." Yellow," my father says, "means watersports." A lighter shade of blue," Mom says, "would mean just regular oral sex." Regular white," my father says, "would mean anal. White could also mean Shane was excited by men wearing underwear." He says, "I can't remember which." My mother passes me the quilted chicken with the rolls still warm inside. We're supposed to sit and eat with Shane dead all over the table in front of us. Finally we just gave up," my mom says, "and I made a nice tablecloth out of the material." Between the yams and the stuffing, Dad looks down at his plate and says, "Do you know about rimming?" I know it isn't table talk. And fisting?" my mom asks. I say, I know. I don't mention Manus and his vocational porno magazines. We sit there, all of us around a blue shroud with the turkey more like a big dead baked animal than ever, the stuffing chock full of organs you can still recognize, the heart and gizzard and liver, the gravy thick with cooked fat and blood. The flower centerpiece could be a casket spray. Would you pass the butter, please?" my mother says. To my father she says, "Do you know what felching is?
Chuck Palahniuk (Invisible Monsters)
Of course we get along, I say.  What I don’t say is that Caulter’s face was buried between my legs this morning before I even got out of bed. 
Sabrina Paige (Prick (Step Brother Romance, #1))
I hate you.”  She has the most fuckable mouth I've ever seen. "The feeling is completely mutual," I say, before I bring my mouth down on hers, crushing her lips against mine.
Sabrina Paige (Prick (Step Brother Romance, #1))
Every time I came to the end of a block and stepped off the goddam curb, I had this feeling that I'd never get to the other side of the street. I thought I'd just go down, down, down, and nobody'd ever see me again. Boy, did it scare me. You can't imagine. I started sweating like a bastard – my whole shirt and underwear and everything. Then I started doing something else. Every time I'd get to the end of a block I'd make believe I was talking to my brother Allie. I'd say to him, "Allie, don't let me disappear. Allie, don't let me disappear. Allie, don't let me disappear. Please, Allie." And then when I'd reach the other side of the street without disappearing, I'd thank him.
J.D. Salinger (The Catcher in the Rye)
So, Violet." Zane turns his chair in my direction. "Is your day getting better yet?" "Pretty sure it's getting worse as we speak," I say. - Zane's dark eyes are sparkling with humor. "Come on," he says. "It's not that bad, is it?" "Oh, let's see." I stare up at the fancy glass ball lamps hanging from the ceiling. "I got dumped at Taco Bill's today; fell down, split my pants, and generally humiliated myself in front of a complete stranger; went to dinner at a snooty restaurant, found out said stranger is my future step brother; got called a stripper, hooker, and virgin by my mother...did I leave anything out?" "Well, I don't know. The night is still young — anything could happen." The corners of his beautiful mouth twitch upwards. "It can only get better, right?" I frown. "Don't say that, you'll jinx me. Now my mom will come back and blurt out how she and Bill had kinky bathroom sex, and I'll run away before she can go into detail, and trip over that waiter carrying that flaming dessert - he'll go crashing into the lady with way too much product in her hair, and then the whole restaurant will be on fire.
Nicole Christie (Falling for the Ghost of You)
A Rock, A River, A Tree Hosts to species long since departed, Mark the mastodon. The dinosaur, who left dry tokens Of their sojourn here On our planet floor, Any broad alarm of their of their hastening doom Is lost in the gloom of dust and ages. But today, the Rock cries out to us, clearly, forcefully, Come, you may stand upon my Back and face your distant destiny, But seek no haven in my shadow. I will give you no hiding place down here. You, created only a little lower than The angels, have crouched too long in The bruising darkness, Have lain too long Face down in ignorance. Your mouths spelling words Armed for slaughter. The rock cries out today, you may stand on me, But do not hide your face. Across the wall of the world, A river sings a beautiful song, Come rest here by my side. Each of you a bordered country, Delicate and strangely made proud, Yet thrusting perpetually under siege. Your armed struggles for profit Have left collars of waste upon My shore, currents of debris upon my breast. Yet, today I call you to my riverside, If you will study war no more. Come, clad in peace and I will sing the songs The Creator gave to me when I And the tree and stone were one. Before cynicism was a bloody sear across your brow And when you yet knew you still knew nothing. The river sings and sings on. There is a true yearning to respond to The singing river and the wise rock. So say the Asian, the Hispanic, the Jew, The African and Native American, the Sioux, The Catholic, the Muslim, the French, the Greek, The Irish, the Rabbi, the Priest, the Sheikh, The Gay, the Straight, the Preacher, The privileged, the homeless, the teacher. They hear. They all hear The speaking of the tree. Today, the first and last of every tree Speaks to humankind. Come to me, here beside the river. Plant yourself beside me, here beside the river. Each of you, descendant of some passed on Traveller, has been paid for. You, who gave me my first name, You Pawnee, Apache and Seneca, You Cherokee Nation, who rested with me, Then forced on bloody feet, Left me to the employment of other seekers-- Desperate for gain, starving for gold. You, the Turk, the Swede, the German, the Scot... You the Ashanti, the Yoruba, the Kru, Bought, sold, stolen, arriving on a nightmare Praying for a dream. Here, root yourselves beside me. I am the tree planted by the river, Which will not be moved. I, the rock, I the river, I the tree I am yours--your passages have been paid. Lift up your faces, you have a piercing need For this bright morning dawning for you. History, despite its wrenching pain, Cannot be unlived, and if faced with courage, Need not be lived again. Lift up your eyes upon The day breaking for you. Give birth again To the dream. Women, children, men, Take it into the palms of your hands. Mold it into the shape of your most Private need. Sculpt it into The image of your most public self. Lift up your hearts. Each new hour holds new chances For new beginnings. Do not be wedded forever To fear, yoked eternally To brutishness. The horizon leans forward, Offering you space to place new steps of change. Here, on the pulse of this fine day You may have the courage To look up and out upon me, The rock, the river, the tree, your country. No less to Midas than the mendicant. No less to you now than the mastodon then. Here on the pulse of this new day You may have the grace to look up and out And into your sister's eyes, Into your brother's face, your country And say simply Very simply With hope Good morning.
Maya Angelou
If we refuse to forgive, we have stepped into dangerous waters. First, refusing to forgive is to put ourselves in the place of God, as though vengeance were our prerogative, not his. Second, unforgiveness says God’s wrath is insufficient. For the unbeliever, we are saying that an eternity in hell is not enough; they need our slap in the face or cold shoulder to “even the scales” of justice. For the believer, we are saying that Christ’s humiliation and death are not enough. In other words, we shake our fists at God and say, “Your standards may have been satisfied, but my standard is higher!” Finally, refusing to forgive is the highest form of arrogance. Here we stand forgiven. And as we bask in the forgiveness of a perfectly holy and righteous God, we turn to our brother and say, “My sins are forgivable, but yours are not.” In other words, we act as though the sins of others are too significant to forgive while simultaneously believing that ours are not significant enough to matter.
Voddie T. Baucham Jr. (Joseph and the Gospel of Many Colors: Reading an Old Story in a New Way)
Whenever one would see a little filly that caught his eye, he would look at her and simply say one word that would alert the others that she has been claimed and was strictly off-limits to the rest of the McCoys. Stepping closer to the table, he loudly proclaimed, "Tag!" As soon as the word had left Aron's mouth, the younger men looked up at him in suprise. Issac bit back a snort, and Jacob simply said, "Thank God." Their brother has finally decided to come out of hiding.
Sable Hunter
Thanks,” I say, stepping into the room. Do brothers thank each other? Probably not. I should have said something along the lines of, “Took you long enough, asshole.” Hoover, Colleen; Fisher, Tarryn (2015-01-07). Never Never (p. 75). Hoover Ink. Kindle Edition.
Tarryn Fisher (Never Never (Never Never, #1))
She thinks of how they are told that God wants to help His creations, how He says: take one step toward me and I will take ten steps toward you. She is only human, but still, if her brother would only speak to her, be honest with her, she would step a hundred times toward him. He studies her for a long time.
Fatima Farheen Mirza (A Place for Us)
At the top of the basement steps, Kevin balked. “No way. I’m not going down there. Seriously, Frank.” “Every time you say no to your big brother, God kills a kitten. Come on.
Tana French (Faithful Place (Dublin Murder Squad, #3))
Hi, Metias,” I say in a soft voice. “Today’s my birthday. Do you know how old I am now?” I close my eyes, and through the silence surrounding me I think I can sense a ghostly hand on my shoulder, my brother’s gentle presence that I'm able to feel every now and then, in these quiet moments. I imagine him smiling down at me, his expression relaxed and free. “I'm twenty-seven today,” I continue in a whisper. My voice catches for a moment. “We’re the same age now.” For the first time in my life, I am no longer his little sister. Next year I will step across the line and he will still be in the same place. From now on, I will be older than he ever was.
Marie Lu (Champion (Legend, #3))
Well, this. That we’re ashamed to say we’ve refused a posting. That the social conscience completely dominates the individual conscience, instead of striking a balance with it. We don’t cooperate — we obey. We fear being outcast, being called lazy, dysfunctional, egoizing. We fear our neighbor’s opinion more than we respect our own freedom of choice. You don’t believe me, Tak, but try, just try stepping over the line, just in imagination, and see how you feel. You realize then what Tirin is, and why he’s a wreck, a lost soul. He is a criminal! We have created crime, just as the propertarians did. We force a man outside the sphere of our approval, and then condemn him for it. We’ve made laws, laws of conventional behavior, built walls all around ourselves, and we can’t see them, because they’re part of our thinking. Tir never did that I knew him since we were ten years old. He never did it, he never could build walls. He was a natural rebel. He was a natural Odonian — a real one! He was a free man, and the rest of us, his brothers, drove him insane in punishment for his first free act.
Ursula K. Le Guin (The Dispossessed: An Ambiguous Utopia)
Angling his head, Rafe put a hand on Regan’s shoulder. “Dibs,” he said in a mild warning. “Excuse me?” Regan stepped back and gaped. “I beg your pardon, but did you just say ‘Dibs’?” “Yeah.” Rafe bit off candy, offered her the rest of the bar. When she smacked his hand away, he only shrugged and ate it himself. “Of all the ridiculous, outrageous— You’re a grown man, and you’re standing there eating candy and saying ‘Dibs’ as if I were the last ice-cream bar in the freezer.
Nora Roberts (The Return of Rafe MacKade (The MacKade Brothers, #1))
She was looking at him steadily; he however, found it difficult to look back at her; it was like gazing into a brilliant light. Nice view, he said feebly, pointing toward with window. She ignored this. He could not blame her. I couldn't think what to get you, she said. You didn't have to get me anything. She disregarded this too. I didn't know what would be useful. Nothing too big, because you wouldn't be able to take it with you. He chanced a glance at her. She was not tearful; that was one of the many wonderful things about Ginny, she was rarely weepy. He had sometimes thought that having six brothers must have toughened her up. She took a step closer to him. So then I thought, I'd like you to have something to remember me by, you know, if you meet some Veela when you're off doing whatever you're doing. I think dating opportunities are going to be pretty thin on the ground, to be honest. There's the silver lining I've been looking for, she whispered, and then she was kissing him as she had never kissed him before, and Harry was kissing her back, and it was blissful oblivion better than firewhiskey; she was the only real thing in the world, Ginny, the feel of her, one hand at her back and one in her long, sweet-smelling hair- The door banged open behind them and they jumped apart. Oh, said Ron pointedly. Sorry. Ron! Hermione was just behind him, slight out of breath. There was a strained silence, then Ginny had said in a flat little voice, Well, happy birthday anyway, Harry. Ron's ears were scarlet; Hermione looked nervous. Harry wanted to slam the door in their faces, but it felt as though a cold draft had entered the room when the door opened, and his shining moment had popped like a soap bubble. All the reasons for ending his relationship with Ginny, for staying well away from her, seemed to have slunk inside the room with Ron, and all happy forgetfulness was gone. He looked at Ginny, wanting to say something, though he hardly knew what, but she had turned her back on him. He thought that she might have succumbed, for once, to tears. He could not do anything to comfort her in front of Ron. I'll see you later, he said, and followed the other two out of the bedroom.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
My stride falters. We’ve done this dance a hundred times. I know the steps—two steps forward, ten steps back. We circle the floor and can never quite find our rhythm.
Corinne Michaels (Say I'm Yours (The Hennington Brothers, #3))
Lady Sarah gazes at Henry’s shiny shoes, her face heartbroken. “Do you ever think . . . that perhaps you should be with—” “Do not even think of finishing that fucking sentence,” Henry warns. “Why not?” She lifts her chin. “It’s the truth.” “The truth?” Henry mocks. “The truth is I wouldn’t even be here if it weren’t for you. I don’t know where I’d be or what I’d be doing, but I know it wouldn’t be pretty." “He’s right, you know, Sarah.” Prince Nicholas steps over to them. “Before you, Henry was an unmitigated disaster. Reckless, spoiled, self-destructive—” “Thank you, Nicholas,” Henry says. “I think she gets the picture.” Nicholas smacks his brother on the back and grins cheekily. “Happy to help.” Henry slips his hands into his pockets, rocking on his heels, telling Sarah, “I could say the same thing, you know. You don’t think I know you’d be better off with someone whose everyday life doesn’t send you reeling into a panic attack?” Sarah shakes her head. “No, that’s not true. I could never be better off with anyone else. I would never want to be. You’re mine, Henry, and I’m keeping you.
Emma Chase (Royally Endowed (Royally, #3))
Those clothes are Susie's,' my father said calmly when he reached him. Buckley looked down at my blackwatch dress that he held in his hand. My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked. I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red. Why can't I use them?' he asked. It landed in my father's back like a fist. Why can't I use those clothes to stake my tomatoes?' My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?' You have to choose. It's not fair,' my brother said. Buck?' My father held my clothes against his chest. I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death. I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?' Is Keesha a girl at school?' Yes!' My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility. I'm sorry. When did this happen?' That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot. Buck, stop!' my father cried. My brother turned. You don't get it, Dad,' he said. I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.' ... You act like she was yours only!' Tell me what you want to say. What's this about your friend Keesha's dad?' Put the clothes down.' My father laid them gently on the ground. It isn't about Keesha's dad.' Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.' She's dead.' It never ceased to hurt. 'I know that.' But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.' She will,' my father said. But what about us?' Who?' Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.' Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said. I didn't say anything.' Let go. Let go. Let go. I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go. My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him. Dad?' Son.' There was a quaver in his voice and a grasping outward toward my brother. I'll get Grandma.' And Buckley ran. My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.
Alice Sebold
Eventually they climb sixteen steps into the Gallery of Mineralogy. The guide shows them a gate from Brazil and violet amethysts and a meteorite on a pedestal that he claims is as ancient as the solar system itself. Then he leads them single file down two twisting staircases and along several corridors and stops outside an iron door with a single keyhole. “End of tour,” he says. A girl says, “But what’s through there?” “Behind this door is another locked door, slightly smaller.” “And what’s behind that?” “A third locked door, smaller yet.” “What’s behind that?” “A fourth door, and a fifth, on and on until you reach a thirteenth, a little locked door no bigger than a shoe.” The children lean forward. “And then?” “Behind the thirteenth door”—the guide flourishes one of his impossibly wrinkled hands—“is the Sea of Flames.” Puzzlement. Fidgeting. “Come now. You’ve never heard of the Sea of Flames?” The children shake their heads. Marie-Laure squints up at the naked bulbs strung in three-yard intervals along the ceiling; each sets a rainbow-colored halo rotating in her vision. The guide hangs his cane on his wrist and rubs his hands together. “It’s a long story. Do you want to hear a long story?” They nod. He clears his throat. “Centuries ago, in the place we now call Borneo, a prince plucked a blue stone from a dry riverbed because he thought it was pretty. But on the way back to his palace, the prince was attacked by men on horseback and stabbed in the heart.” “Stabbed in the heart?” “Is this true?” A boy says, “Hush.” “The thieves stole his rings, his horse, everything. But because the little blue stone was clenched in his fist, they did not discover it. And the dying prince managed to crawl home. Then he fell unconscious for ten days. On the tenth day, to the amazement of his nurses, he sat up, opened his hand, and there was the stone. “The sultan’s doctors said it was a miracle, that the prince never should have survived such a violent wound. The nurses said the stone must have healing powers. The sultan’s jewelers said something else: they said the stone was the largest raw diamond anyone had ever seen. Their most gifted stonecutter spent eighty days faceting it, and when he was done, it was a brilliant blue, the blue of tropical seas, but it had a touch of red at its center, like flames inside a drop of water. The sultan had the diamond fitted into a crown for the prince, and it was said that when the young prince sat on his throne and the sun hit him just so, he became so dazzling that visitors could not distinguish his figure from light itself.” “Are you sure this is true?” asks a girl. “Hush,” says the boy. “The stone came to be known as the Sea of Flames. Some believed the prince was a deity, that as long as he kept the stone, he could not be killed. But something strange began to happen: the longer the prince wore his crown, the worse his luck became. In a month, he lost a brother to drowning and a second brother to snakebite. Within six months, his father died of disease. To make matters even worse, the sultan’s scouts announced that a great army was gathering in the east. "The prince called together his father’s advisers. All said he should prepare for war, all but one, a priest, who said he’d had a dream. In the dream the Goddess of the Earth told him she’d made the Sea of Flames as a gift for her lover, the God of the Sea, and was sending the jewel to him through the river. But when the river dried up, and the prince plucked it out, the goddess became enraged. She cursed the stone and whoever kept it.
Anthony Doerr (All the Light We Cannot See)
From the line, watching, three things are striking: (a) what on TV is a brisk crack is here a whooming roar that apparently is what a shotgun really sounds like; (b) trapshooting looks comparatively easy, because now the stocky older guy who's replaced the trim bearded guy at the rail is also blowing these little fluorescent plates away one after the other, so that a steady rain of lumpy orange crud is falling into the Nadir's wake; (c) a clay pigeon, when shot, undergoes a frighteningly familiar-looking midflight peripeteia -- erupting material, changing vector, and plummeting seaward in a corkscrewy way that all eerily recalls footage of the 1986 Challenger disaster. All the shooters who precede me seem to fire with a kind of casual scorn, and all get eight out of ten or above. But it turns out that, of these six guys, three have military-combat backgrounds, another two are L. L. Bean-model-type brothers who spend weeks every year hunting various fast-flying species with their "Papa" in southern Canada, and the last has got not only his own earmuffs, plus his own shotgun in a special crushed-velvet-lined case, but also his own trapshooting range in his backyard (31) in North Carolina. When it's finally my turn, the earmuffs they give me have somebody else's ear-oil on them and don't fit my head very well. The gun itself is shockingly heavy and stinks of what I'm told is cordite, small pubic spirals of which are still exiting the barrel from the Korea-vet who preceded me and is tied for first with 10/10. The two brothers are the only entrants even near my age; both got scores of 9/10 and are now appraising me coolly from identical prep-school-slouch positions against the starboard rail. The Greek NCOs seem extremely bored. I am handed the heavy gun and told to "be bracing a hip" against the aft rail and then to place the stock of the weapon against, no, not the shoulder of my hold-the-gun arm but the shoulder of my pull-the-trigger arm. (My initial error in this latter regard results in a severely distorted aim that makes the Greek by the catapult do a rather neat drop-and-roll.) Let's not spend a lot of time drawing this whole incident out. Let me simply say that, yes, my own trapshooting score was noticeably lower than the other entrants' scores, then simply make a few disinterested observations for the benefit of any novice contemplating trapshooting from a 7NC Megaship, and then we'll move on: (1) A certain level of displayed ineptitude with a firearm will cause everyone who knows anything about firearms to converge on you all at the same time with cautions and advice and handy tips. (2) A lot of the advice in (1) boils down to exhortations to "lead" the launched pigeon, but nobody explains whether this means that the gun's barrel should move across the sky with the pigeon or should instead sort of lie in static ambush along some point in the pigeon's projected path. (3) Whatever a "hair trigger" is, a shotgun does not have one. (4) If you've never fired a gun before, the urge to close your eyes at the precise moment of concussion is, for all practical purposes, irresistible. (5) The well-known "kick" of a fired shotgun is no misnomer; it knocks you back several steps with your arms pinwheeling wildly for balance, which when you're holding a still-loaded gun results in mass screaming and ducking and then on the next shot a conspicuous thinning of the crowd in the 9-Aft gallery above. Finally, (6), know that an unshot discus's movement against the vast lapis lazuli dome of the open ocean's sky is sun-like -- i.e., orange and parabolic and right-to-left -- and that its disappearance into the sea is edge-first and splashless and sad.
David Foster Wallace (A Supposedly Fun Thing I'll Never Do Again: Essays and Arguments)
See you at breakfast?" "Yeah.See ya." I try to say this casually,but I'm so thrilled that I skip from her room and promptly slam into a wall. Whoops.Not a wall.A boy. "Oof." He staggers backward. "Sorry! I'm so sorry,I didn't know you were there." He shakes his head,a little dazed. The first thing I notice is his hair-it's the first thing I notice about everyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles,since I've just seen them in Meredith's room. It's artist hair.Musician hair. I-pretend-I-don't-care-but-I-really-do-hair. Beautiful hair. "It's okay,I didn't see you either. Are you all right,then?" Oh my.He's English. "Er.Does Mer live here?" Seriously,I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big,curly hair?" Then he looks at me like I'm crazy or half deaf,like my Nanna Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives there.I've just spent two hours with her." I announce this proudly like my brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh God. What.Is with.The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely-straight on top and crooked on the bottom,with a touch of overbite. I'm a sucker for smiles like this,due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Etienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na. My heart thump thump thumps in my chest.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Oh, please.” Loki stepped back, examining me with a look of disappointment. “It’s only a matter of degree. So I killed a god. Big deal! He went to Niflheim and became an honored guest in my daughter’s palace. And my punishment? You want to know my punishment?” “You were tied on a stone slab,” I said. “With poison from a snake dripping on your face. I know.” “Do you?” Loki pulled back his cuffs, showing me the raw scars on his wrists. “The gods were not content to punish me with eternal torture. They took out their wrath upon my two favorite sons–Vali and Narvi. They turned Vali into a wolf and watched with amusement while he disemboweled his brother Narvi. Then they shot and gutted the wolf. The gods took my innocent sons’ own entrails…” Loki’s voice cracked with grief. “Well, Magnus Chase, let’s just say I was not bound with ropes.” Something in my chest curled up and died–possibly my hope that there was any kind of justice in the universe. “Gods.” Loki nodded. “Yes, Magnus. The gods. Think about that when you meet Thor.” “I’m meeting Thor?” “I’m afraid so. The gods don’t even pretend to deal in good and evil, Magnus. It’s not the Aesir way. Might makes right. So tell me… do you really want to charge into battle on their behalf?
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
All right, see,” Wayne said, “I’ve got it figured out. I’m gonna be a rich fellow. Made loads off of the sweat and blood o’ lesser men. Only I won’t say it like that, ’cuz I’ll be in character, you see.” “Is that so?” Marasi said, starting up the steps. “Yup,” Wayne said, joining her. “Even brought me fancy hat.” He held up a top hat and spun it on his finger. “That hat belongs to Waxillium.” “No it don’t,” Wayne said, putting it on. “I gave ’im a rat for it.” “A … rat?” “Minus the tail,” Wayne said. “On account of this hat bein’ kinda dusty when I took it. Anyway, I’ll be the rich fellow. You be my younger brother’s daughter.
Brandon Sanderson (The Bands of Mourning (Mistborn, #6))
Good brother, if you want to say something, say it quickly, because these brethren are disciplining their flesh and we cannot listen to anything, nor is it right for us to do so, unless it is so brief that it can be said in two words.” “I shall say it in one,” replied Don Quixote, “and it is this: you must immediately release that beauteous lady whose tears and melancholy countenance are clear signs that you take her against her will, and have done her some notable wrong, and I, who was born into the world to right such iniquities, shall not consent to your taking another step forward until you give her the freedom she desires and deserves.
Miguel de Cervantes Saavedra (Don Quixote)
You make yourself sound like a Venn diagram. ‘The set of all sets which are members of themselves’ or something.” “I feel like it,” he admitted. “But I’ve got to keep track somehow.” “What contains Lord Vorkosigan?” she asked curiously. “When you look in the mirror when you step out of the shower, what looks back? Do you say to yourself, Hi, Lord Vorkosigan?” I avoid looking in mirrors . . . “Miles, I guess. Just Miles.” “And what contains Miles?” His right index finger traced over the back of his immobilized left hand. “This skin.” “And that’s the last, outer perimeter?” “I guess.” “Gods,” she muttered. “I’ve fallen in love with a man who thinks he’s an onion.” Miles
Lois McMaster Bujold (Brothers in Arms (Vorkosigan Saga, #5))
I am Jon-Robert Holden - a basketball player, a son, a brother, a father, a friend, a writer and an Olympian!All these things are great , but I am simply a child of God who pushed himself to be the best I could be .And by following my heart and pursuing my passion I know that He blessed my steps prior to me getting here.And it's because of this I simply and humbly say, "Thank You".
Jon-Robert Holden (Blessed Footsteps: Memoirs of J. R. Holden)
What is it, Lord? What am I holding back? What am I using as an excuse for not serving You in whatever You want me to do?' And then, there by the canal, I finally had my answer. My 'yes' to God had always been a 'yes, but'. Yes, but I'm not educated. Yes, but I'm lame. With the next breath, I did say 'Yes'. I said it in a brand-new way, without qualification. 'I'll go, Lord,' I said, 'no matter whether it's through the route of ordination, or through the WEC programme, or through working on at Ringers'.' Whenever, wherever, however You want me, I'll go. And I'll begin this very minute. Lord, as I stand up from this place, and as I take my first step forward, will You consider that this is a step towards complete obedience to You? I'll call it the Step of Yes.
Brother Andrew (God's Smuggler)
Something new is blowing. On a downtown Kingston wall: IMF—Is Manley Fault. General election called for October 30, 1980. Somebody is driving you through Bavaria, near the Austrian border. A hospital sprouting out of the forest like magic. Hills in the background tipped with snow like cake icing. You meet the tall and frosty Bavarian, the man who helps the hopeless. He smiles but his eyes are set too far back and they vanish in the shadow of his brow. Cancer is a red alert that the whole body is in danger, he says. Thank God the food he forbids, Rastafari had forbidden long time. A sunrise is a promise. Something new is blowing. November 1980. A new party wins the general election and the man who killed me steps up to the podium with his brothers to take over the country. He has been waiting for so long he leaps up the stairs and trips.
Marlon James (A Brief History of Seven Killings)
He found in the world without as actual what was in his world within as possible. Maeterlinck says: If Socrates leave his house today he will find the sage seated on his doorstep. If Judas go forth tonight it is to Judas his steps will tend. Every life is many days, days after day. We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-love. But always meeting ourselves.
James Joyce (Ullyses)
I think about the people I know with the absolutely largest hearts, people with a stunning capacity for endurance and grace and kindness against the most screaming terrors and pains. My Mom and Dad, for example, enduring the death of their first child at six months old, the boy the brother I never met, dying quietly in his stroller on the porch in the moment that my mother stepped back inside to get a pair of gloves because the crisp brilliant April wind was filled with a whistling cutting wind.... Fifty years later after five more children and two miscarriages she is standing in the kitchen with her usual eternal endless cup of tea and I ask her: How do you get over the death of your child? And she says, in her blunt honest direct terse kind way, You don't. Her face harrowed like a hawk for a moment in the swirling steam of the tea. p112-13
Brian Doyle (The Wet Engine: Exploring Mad Wild Miracle of Heart)
Move,” I hear Tony say.  “I want to see her.” “No,” Charlotte bites, the whole exchange getting louder.  I groan into Maddie’s pillow and pull her princess blanket over my head.  I hear a scuffle and I’m not surprised when the door bursts open.  When I peek, Tony’s standing there with my sisters, Gabby and Leigh looking in from behind.  He takes another step in and shuts them out as I hear Sophia let out a little, “Hey!” He doesn’t pay her any mind as I watch him walk to me and sit on the side of the bed.  He doesn’t say a thing, but leans his elbows down to his knees and looks at me. “Please go away,” I say, my voice small. He stays silent, but shakes his head. I roll my eyes.  Of course he won’t go. “He didn’t do anything to me.  There’s no reason to go all Rambo Big Brother on him,” I explain. “Doesn’t look like he didn’t do anything to you,” he says. “He
Brynne Asher (Athica Lane (Carpino, #3))
Rachel came carefully downstairs one morning, in a dressing gown that wasn't quite clean, and stood at the brink of the living room as though preparing to make an announcement. She looked around at each member of the double household - at Evan, who was soberly opening the morning paper, at Phil, who'd been home from Costello's for hours but hadn't felt like sleeping yet, and at her mother, who was setting the table for breakfast - and then she came out with it. "I love everybody," she said, stepping into the room with an uncertain smile. And her declaration might have had the generally soothing effect she'd intended if her mother hadn't picked it up and exploited it for all the sentimental weight it would bear. "Oh Rachel," she cried, "What a sweet, lovely thing to say!" and she turned to address Evan and Phil as if both of them might be too crass or numbskulled to appreciate it by themselves. "Isn't that a wonderful thing for this girl to say, on a perfectly ordinary Friday morning? Rachel, I think you've put us all to shame for our petty bickering and our selfish little silences, and it's something I'll never forget. You really do have a marvelous wife, Evan, and I have a marvelous daughter. Oh, and Rachel, you can be sure that everybody in this house loves you, too, and we're all tremendously glad to have you feeling so well." Rachel's embarrassment was now so intense that it seemed almost to prevent her from taking her place at the table; she tried two quick, apologetic looks at her husband and her brother, but they both missed the message in her eyes. And Gloria wasn't yet quite finished. "I honestly believe that was a moment we'll remember all our lives," she said. "Little Rachel coming downstairs - or little big Rachel, rather - and saying 'I love everybody.' You know what I wish though Evan? I only wish your father could've been here this morning to share it with us." But by then even Gloria seemed to sense that the thing had been carried far enough. As soon as she'd stopped talking the four of them took their breakfast in a hunched and businesslike silence, until Phil mumbled "Excuse me" and shoved back his chair. "Where do you think you're going, young man?" Gloria inquired. "I don't think you'd better go anywhere until you finish up all of that egg.
Richard Yates (Cold Spring Harbor)
What am I to do – set a servant to dog Jannik’s heels and report on his every step so that I can rush in like a crow to gather him up if he’s ever caught? Jannik’s right about me sometimes. I don’t know what I want. I treat him like a wild thing on a leash. I’m only doing it for his own good. Your justification has always been amusing, Owen says. But now you’ve finally reached a level so pathetic even I can’t enjoy it any more. I hate it when my dead brother is right about me.
Cat Hellisen (House of Sand and Secrets (Hobverse #2))
Chase took a long breath. “There’s no way around saying this, other than just coming straight out with it. I’ve been an idiot—an ass. Time and time again, I’ve done the wrong thing by you.” Her mouth dropped open. “And this whole time I’d been trying to do the right thing by not being with you. I didn’t want to betray Mitch by hooking up with his little sister. I didn’t want to somehow mess up our friendship either, because you have been such a huge part of my life.” He took a deep breath. “And I never wanted to be like my father—to treat you like he treated my mom. And it was stupid—I get that now. Chad was right. Father never loved our mother, but it’s different for me—it’s different for us. It always has been.” The whole time he spoke, he never looked away from her. She opened her mouth to say something but he rushed ahead. “But all I’ve managed to do is screw things up. That night in the club…I wasn’t drunk.” Madison shifted uncomfortably. “I know.” “It was a lame excuse, and I’m sorry. That night—I should’ve told you how I really felt. And every night thereafter,” he said, taking a step forward. “I should’ve told you how I felt the night in that damn cabin, too.” Her heart swelled as hope grew in a tangle of emotions she could never unravel. All of this seemed surreal. Tears rushed her eyes as she reached behind her, grasping the edges of her desk. “And how do you feel?” Chase’s smile revealed those deep dimples she loved, and when he spoke, his voice was husky. “Aw hell, Maddie, I’m not good at this kind of stuff. You…you are my world. You’ve always been my world, ever since I can remember.” At Bridget’s soft inhale, Madison placed a trembling hand over her mouth. Stepping forward, he placed a hand over hers, gently pulling it away from her mouth. “It’s the truth. You are my everything. I love you. I have for longer than I realized. Please tell me my boneheadedness hasn’t screwed things up beyond repair for us.
J. Lynn (Tempting the Best Man (Gamble Brothers, #1))
Over the years I have written many a letter for the wedding of one of the brothers and preached many a wedding sermon. The chief characteristic of such occasions essentially rested in the fact that, in the face of the "last" times (I do not mean this to sound quite so apocalyptic), someone dares to take a step of such affirmation of the earth and its future. It was then always very clear to me that a person could take this step as a Christian truly only from within a very strong faith and on the basis of grace. For here in the midst of the final destruction of all things, one desires to build; in the midst of a life lived from hour to hour and from day to day, one desires a future; in the midst of being driven out from the earth, one desires a bit of space; in the midst of the widespread misery, one desires some happiness. And the overwhelming thing is that God says yes to this strange longing, that here God consents to our will, whereas it usually meant to be just the opposite.
Dietrich Bonhoeffer
Thomas heard the stamping of hooves of horses, a shout of warning, and the Institute carriage came crashing through the Portal barely remaining on all four of its wheels as it came. Balios and Xanthos looked very pleased with themselves as the carriage spun in midair and landed, with a jarring thud, at the foot of the steps. Magnus Bane was in the driver’s seat, wearing a dramatic white opera scarf and holding the reins in his right hand. He looked even more pleased with himself than the horses. “I wondered if it was possible to ride a carriage through a Portal,” he said, jumping down from the seat. “As it turns out, it is. Delightful.” The carriage doors opened, and rather unsteadily, Will, Lucie, and a boy Thomas didn’t know clambered out. Lucie waved at Thomas before leaning against the side of the carriage; she was looking rather green about the gills. Will went around the carriage to unstrap the luggage, while the unfamiliar boy—tall and slender, with straight black hair and a pretty face—put a hand on Lucie’s shoulder. Which was surprising—it was an intimate gesture, one that would be considered impolite unless the boy and girl in question were friends or relatives, or had an understanding between them. It seemed, however, unlikely that Lucie could have an understanding with someone Thomas had never seen before. He rather bristled at the thought, in an older-brother way—James didn’t seem to be here, so someone had to do the bristling for him. “I told you it would work!” Will cried in Magnus’s direction. Magnus was busy magicking the unfastened baggage to the top of the steps, blue sparks darting like fireflies from his gloved fingertips. “We should have done that on the way out!” “You did not say it would work,” Magnus said. “You said, as I recall, ‘By the Angel, he’s going to kill us all.’ “Never,” said Will. “My faith in you is unshakable, Magnus. Which is good,” he added, rocking back and forth a little, “because the rest of me feels quite shaken indeed.
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
Footsteps from the stairwell startle him out of the past. He turns around as Emma's mother takes the last step into the dining area, Emma right behind her. Mrs. McIntosh glides over and puts her arm around him. The smile on her face is genuine, but Emma's smile is more like a straight line. And she's blushing. "Galen, it's very nice to meet you," she says, ushering him into the kitchen. "Emma tells me you're taking her to the beach behind your house today. To swim?" "Yes, ma'am." Her transformation makes him wary. She smiles. "Well, good luck with getting her in the water. Since I'm a little pressed for time, I can't follow you over there, so I just need to see your driver's license while Emma runs outside to get your plate number." Emma rolls her eyes as she shuffles through a drawer and pulls out a pen and paper. She slams the door behind her when she leaves, which shakes the dishes on the wall. Galen nods, pulls out his wallet, and hands over the fake license. Mrs. McIntosh studies it and rummages through her purse until she produces a pen-which she uses to write on her hand. “Just need your license number in case we ever have any problems. But we’re not going to have any problems, are we, Galen? Because you’ll always have my daughter-my only daughter-home on time, isn’t that right?” He nods, then swallows. She holds out his license. When he accepts it, she grabs his wrist, pulling him close. She glances at the garage door and back to him. “Tell me right now, Galen Forza. Are you or are you not dating my daughter?” Great. She still doesn’t believe Emma. If she won’t believe them anyway, why keep trying to convince her? If she thinks they’re dating, the time he intends to spend with Emma will seem normal. But if they spend time together and tell her they’re not dating, she’ll be nothing but suspicious. Possibly even spy on them-which is less than ideal. So, dating Emma is the only way to make sure she mates with Grom. Things just get better and better. “Yes,” he says. “We’re definitely dating.” She narrows her eyes. “Why would she tell me you’re not?” He shrugs. “Maybe she’s ashamed of me.” To his surprise, she chuckles. “I seriously doubt that, Galen Forza.” Her humor is short lived. She grabs a fistful of his T-shirt. “Are you sleeping with her?” Sleeping…Didn’t Rachel say sleeping and mating are the same thing? Dating and mating are similar. But sleeping and mating are the same exact same. He shakes his head. “No, ma’am.” She raises a no-nonsense brow. “Why not? What’s wrong with my daughter?” That is unexpected. He suspects this woman can sense a lie like Toraf can track Rayna. All she’s looking for is honesty, but the real truth would just get him arrested. I’m crazy about your daughter-I’m just saving her for my brother. So he seasons his answer with the frankness she seems to crave. “There’s nothing wrong with your daughter, Mrs. McIntosh. I said we’re not sleeping together. I didn’t say I didn’t want to.” She inhales sharply and releases him. Clearing her throat, she smoothes out his wrinkled shirt with her hand, then pats his chest. “Good answer, Galen. Good answer.” Emma flings open the garage door and stops short. “Mom, what are you doing?” Mrs. McIntosh steps away and stalks to the counter. “Galen and I were just chitchatting. What took you so long?” Galen guesses her ability to sense a lie probably has something to do with her ability to tell one. Emma shoots him a quizzical look, but he returns a casual shrug. Her mother grabs a set of keys from a hook by the refrigerator and nudges her daughter out of the way, but not before snatching the paper out of her hand.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
As they stepped away, Beckett nodded toward Blake’s bandaged arm. “What’d ya get?” “It says ‘Sorry,’” Blake said as he went out the door to Cole’s private quarters, leaving his brothers alone. Beckett dialed his cell phone and spoke to Cole while it rang. “What time’s good for you?” Cole sighed. “Around one-thirty today would work.” “Chaos!” Beckett yelled into the phone. “Fit me and my brother into your busy fucking schedule of dusting lawn gnomes and staring out that dirty shed window. We’ll be there at one-thirty.
Debra Anastasia (Poughkeepsie (Poughkeepsie Brotherhood, #1))
For months beforehand, I fielded calls from British media. A couple of the reporters asked me to name some British chefs who had inspired me. I mentioned the Roux brothers, Albert and Michel, and I named Marco Pierre White, not as much for his food as for how—by virtue of becoming an apron-wearing rock-star bad boy—he had broken the mold of whom a chef could be, which was something I could relate to. I got to London to find the Lanesborough dining room packed each night, a general excitement shared by everyone involved, and incredibly posh digs from which I could step out each morning into Hyde Park and take a good long run around Buckingham Palace. On my second day, I was cooking when a phone call came into the kitchen. The executive chef answered and, with a puzzled look, handed me the receiver. Trouble at Aquavit, I figured. I put the phone up to my ear, expecting to hear Håkan’s familiar “Hej, Marcus.” Instead, there was screaming. “How the fuck can you come to my fucking city and think you are going to be able to cook without even fucking referring to me?” This went on for what seemed like five minutes; I was too stunned to hang up. “I’m going to make sure you have a fucking miserable time here. This is my city, you hear? Good luck, you fucking black bastard.” And then he hung up. I had cooked with Gordon Ramsay once, a couple of years earlier, when we did a promotion with Charlie Trotter in Chicago. There were a handful of chefs there, including Daniel Boulud and Ferran Adrià, and Gordon was rude and obnoxious to all of them. As a group we were interviewed by the Chicago newspaper; Gordon interrupted everyone who tried to answer a question, craving the limelight. I was almost embarrassed for him. So when I was giving interviews in the lead-up to the Lanesborough event, and was asked who inspired me, I thought the best way to handle it was to say nothing about him at all. Nothing good, nothing bad. I guess he was offended at being left out. To be honest, though, only one phrase in his juvenile tirade unsettled me: when he called me a black bastard. Actually, I didn’t give a fuck about the bastard part. But the black part pissed me off.
Marcus Samuelsson (Yes, Chef)
‘Who are you to say that I may not sit at this hearth? Am I not as you? Did we not once break bread, laugh, bleed and weep together? Am I not the one who set off into the world at your side till paths and time set our steps towards different suns? Am I not returned to this place called home, weary with time and the weight of the sword? Is the only rest you would give me that of the bed of knives? Shall we not sit and talk and remember that once we were brothers?’ – from the Voice of the Stones, pre-unification Terra, exact era and author unknown
John French (Cthonia's Reckoning (The Horus Heresy))
The story of Kelly is easily told. He was a murderous thug who deserved to be hanged and was. He came from a family of rough Irish settlers, who made their living by stealing livestock and waylaying innocent passers-by. Like most bushrangers he was at pains to present himself as a champion of the oppressed, though in fact there wasn’t a shred of nobility in his character or his deeds. He killed several people, often in cold blood, sometimes for no very good reason. In 1880, after years on the run, Kelly was reported to be holed up with his modest gang (a brother and two friends) in Glenrowan, a hamlet in the foothills of the Warby Range in north-eastern Victoria. Learning of this, the police assembled a large posse and set off to get him. As surprise attacks go, it wasn’t terribly impressive. When the police arrived (on an afternoon train) they found that word of their coming had preceded them and that a thousand people were lined up along the streets and sitting on every rooftop eagerly awaiting the spectacle of gunfire. The police took up positions and at once began peppering the Kelly hideout with bullets. The Kellys returned the fire and so it went throughout the night. The next dawn during a lull Kelly stepped from the dwelling, dressed unexpectedly, not to say bizarrely, in a suit of home-made armour – a heavy cylindrical helmet that brought to mind an inverted bucket, and a breastplate that covered his torso and crotch. He wore no armour on his lower body, so one of the policemen shot him in the leg. Aggrieved, Kelly staggered off into some nearby woods, fell over and was captured. He was taken to Melbourne, tried and swiftly executed. His last words were: ‘Such is life.
Bill Bryson (In a Sunburned Country)
Monsieur Gogh, I have been to see your brother Vincent. I promised to tell you what I thought of him. I am sorry to tell you that I think he is lost. Not only is his mind affected, but also he is very weak and despondent. He recognized me but did not show any pleasure at seeing me and didn’t ask about any member of my family nor anyone else that he knows. When I left him I told him that I would come back to see him; he replied that we would meet again in heaven, and from his manner I understand that he was saying a prayer. From what the porter told me, I think that they are taking the necessary steps to have him placed in a mental hospital.
Vincent van Gogh (Delphi Complete Works of Vincent van Gogh (Illustrated) (Masters of Art Book 3))
He has, as Prometheus says, bartered his soul for the “p’s” and “q’s”.9 He has lost his soul—to his brother’s gain. He has followed his extraversion, and, because this orients him to the external object, he is caught up in the desires and expectations of the world, seemingly at first to his great advantage. He has become an extravert, after having lived many solitary years under the influence of his brother as an extravert falsified by imitating the introvert. This kind of involuntary “simulation dans le caractère” (Paulhan) is not uncommon. His conversion to true extraversion is therefore a step towards “truth” and brings him a just reward.
C.G. Jung (Collected Works of C. G. Jung, Volume 6: Psychological Types (The Collected Works of C. G. Jung Book 38))
Damned right I am,” Iris said under her breath. She marched on. It was amazing how empowering a bit of profanity could be. “What will you say to her?” “Oh, I don’t know. Maybe ‘Are you out of your bloody mind?’” Marie-Claire’s mouth fell open. And then, skipping forward to catch up, she asked, “Can I watch?” Iris turned, measuring the malevolence in her eyes by the degree to which Marie-Claire drew back. “I am about one step away from clubbing you with a cricket bat,” she hissed. “No you may not watch.” Marie-Claire’s expression took on an almost reverential touch. “Does my brother know you’re so violent?” “He might by the end of the day,” Iris muttered. She picked up her speed.
Julia Quinn (The Secrets of Sir Richard Kenworthy (Smythe-Smith Quartet, #4))
This individual, who, either in his own person or in that of some member of his family, seemed to be always in trouble (which in that place meant Newgate), called to announce that his eldest daughter was taken up on suspicion of shoplifting. As he imparted this melancholy circumstance to Wemmick, Mr Jaggers standing magisterially before the fire and taking no share in the proceedings, Mike’s eye happened to twinkle with a tear. ‘What are you about?’ demanded Wemmick, with the utmost indignation. ‘What do you come snivelling here for?’ ‘I did’t go to do it, Mr Wemmick.’ ‘You did,’ said Wemmick. ‘How dare you? You’re not in a fit state to come here, if you can’t come here without spluttering like a bad pen. What do you mean by it?’ ‘A man can’t help his feelings, Mr Wemmick,’ pleaded Mike. ‘His what?’ demanded Wemmick, quite savagely. ‘Say that again!’ ‘Now, look here my man,’ said Mr Jaggers, advancing a step, and pointing to the door. ‘Get out of this office. I’ll have no feelings here. Get out.’ ‘It serves you right,’ said Wemmick. ‘Get out.’ So the unfortunate Mike very humbly withdrew, and Mr Jaggers and Wemmick appeared to have re-established their good understanding, and went to work again with an air of refreshment upon them as if they had just had lunch. Chapter Thirteen From Little Britain, I went, with my cheque in my pocket, to Miss Skiffins’s brother, the accountant; and Miss Skiffins’s brother, the accountant, going straight to Clarriker’s and bringing Clarriker to me, I had the great satisfaction of concluding that arrangement.
Charles Dickens (Great Expectations)
I walk down the very stairs on which they say the first rabbi’s only daughter was pushed to her death, and in her womb the child who stood to inherit the coveted Satmar dynasty, which others already had their eye on, was killed only weeks before he was expected to be born. I hate taking those steps on my own. I can feel her, Roize, the rabbi’s only, precious daughter, standing there with her large pregnant stomach, watching me with those trademark Teitelbaum eyes. Her pain lives within me. Unlike the others, I cannot forget. That was when Satmar was still a young community, hardly worth fighting over. Now the current rabbi’s sons are squabbling like children over a plastic throne. Where, I wonder, is the brotherly love that God commanded Jews to feel for each other, now, in this community that calls itself holy?
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
If you’re black in this country you’re presumed guilty. Or, to come back to Abdel, who’s a schoolteacher and thinks a lot about children, you’re not allowed to be innocent. The eyes and heart of a nation are not avoidable things. The imagination of a country is not an avoidable thing. And the negreeting, back home, where we are mostly never seen, is a way of witnessing each other’s innocence—a way of saying, “I see your innocence.” And my brother-not-brother ignoring me in his nice red kicks? Maybe he’s going a step further. Maybe he’s imagining a world—this one a street in Bloomington, Indiana—where his unions are not based on deprivation and terror. Not a huddling together. Maybe he’s refusing the premise of our un-innocence entirely and so feels no need to negreet. And in this way proclaims our innocence. Maybe.
Ross Gay (The Book of Delights: Essays)
No, Jesus is right by your side to encourage you and restore you to wholeness. You may say, “But I don’t deserve it!” That’s right. That’s what makes it His unmerited favor in your life. There is a beautiful psalm that says, “The steps of a good man are ordered by the Lord, and He delights in his way. Though he fall, he shall not be utterly cast down; for the Lord upholds him with His hand” (Psalm 37:23–24). When you fail, Jesus is there to uphold you. Unlike some of your so-called “friends,” He does not just take off. You can count on Him. He is a faithful, dependable and trustworthy friend. Even when you have failed Him, He is right there with you, ready to pick you up and restore you to wholeness. Amen! The Bible talks about a friend who “sticks closer than a brother.” That’s Jesus! Beloved, lean on His constant presence. Draw on His unfailing strength and support for you today.
Joseph Prince (100 Days Of Favor)
Jackson. Wait.” He didn’t turn to face me when I finally reached him. Staring at his back, I scrambled for something to say. Why hadn’t I thought this through? In the end, watching him not even turn to face me, anger won out. “What the fuck, Jackson?” “Go back to your fiancée.” With a growl, I gripped his shoulder, forcing him to turn and then shoving him back into the wall. His eyes looked like they were holding back their own storm, daring me to push one more time. I was about to push a whole lot harder if it meant getting something out of him. “Talk to me.” I wanted it to be a command, but it came out as more of a plea. He took a deep breath, closing his eyes. When he opened them, I almost stepped back from how angry they were. “What do you want me to say? You’re not gay,” he sneered, beginning to back me up with each word. “You would never. Which I found pretty damn shocking since you loved being deep inside me, spilling your cum. Fucking me—a man—like a desperate fucking freight train.” He threw my words I’d stupidly sputtered to his brother back in my face. “I’m sorry,” I whispered. “Fuck you,” Jackson growled before bumping my shoulder to walk past me. Digging my hands in my hair, frustration rose inside me, pulling me under, drowning me. I was losing control and I couldn’t breathe because of it. “I’M SORRY, OKAY?” I shouted. “I fucked up. I panicked. This is all new to me—liking a guy. Fooling around with you when I’m engaged. I can’t just talk about it. I fucking panicked and I’m sorry. So fucking sorry.” He let my apology linger, and I held my breath waiting. “Okay.” Okay? Okay? Was he fucking kidding me? I spilled my guts and it was okay? “No. It’s not fucking okay. This isn’t okay.” A fiery burn built behind my eyes, stinging my nose, but I wasn’t going to stop because he finally turned back to me. “I miss you. You won’t touch me, or kiss me, or sit with me, or hold me. Nothing. And I fucking miss you.” I choked on the last few words praying he wouldn’t turn away. It was the most honest I’d been with him—with myself—about my feelings for him. My heart thundered, and hands trembled from how nervous I was. Nervous that the words felt so right coming from my lips. Nervous about what it really meant, that I left Carina behind, so I could chase Jackson down and plead with him to not leave me. “Can we please go back? Can you please forgive me?” It wasn’t just about sex and exploring. Right there in the stairwell, getting lost in him, begging him to stay and care, it hit me. I was falling in love with him. With a man. I was falling in love with Jackson. While my fiancée sat upstairs, I realized I was falling in love with my best friend.
Fiona Cole (Lovers (Voyeur, #2))
He came softly, unobserved, and yet, strange to say, every one recognized Him. That might be one of the best passages in the poem. I mean, why they recognized Him. The people are irresistibly drawn to Him, they surround Him, they flock about Him, follow Him. He moves silently in their midst with a gentle smile of infinite compassion. The sun of love burns in His heart, light and power shine from His eyes, and their radiance, shed on the people, stirs their hearts with responsive love. He holds out His hands to them, blesses them, and a healing virtue comes from contact with Him, even with His garments. An old man in the crowd, blind from childhood, cries out, ‘O Lord, heal me and I shall see Thee!’ and, as it were, scales fall from his eyes and the blind man sees Him. The crowd weeps and kisses the earth under His feet. Children throw flowers before Him, sing, and cry hosannah. ‘It is He—it is He!’ all repeat. ‘It must be He, it can be no one but Him!’ He stops at the steps of the Seville cathedral at the moment when the weeping mourners are bringing in a little open white coffin. In it lies a child of seven, the only daughter of a prominent citizen. The dead child lies hidden in flowers. ‘He will raise your child,’ the crowd shouts to the weeping mother. The priest, coming to meet the coffin, looks perplexed, and frowns, but the mother of the dead child throws herself at His feet with a wail. ‘If it is Thou, raise my child!’ she cries, holding out her hands to Him. The procession halts, the coffin is laid on the steps at His feet. He looks with compassion, and His lips once more softly pronounce, ‘Maiden, arise!’ and the maiden arises. The little girl sits up in the coffin and looks round, smiling with wide-open wondering eyes, holding a bunch of white roses they had put in her hand.
Fyodor Dostoevsky (The Brothers Karamazov)
Needless to say he had a newfound respect for that blind vampire. There were very few things iAm hadn’t been able to move in his adult life. He’d changed a tire while acting as his own tire iron. Had been known to walk vats of sauce big as washing machines around a kitchen. Hell, he’d even actually relocated a washer and dryer without thinking much about it. And then he’d had to lift that truck off his brother about two years ago. Another example of Trez’s love life getting out of control. But down in the training center with Wrath? There’d been no budging that fucker. The King had been bulldog-locked on—and the expression on his face? No emotion, not even a grimace of effort. And that body—viciously strong. iAm shook his head as he crossed that apple tree in full bloom. Trying to budge Wrath had been like pulling on a boulder. Nothing moved; nothing gave. That canine had gotten through, though. Thank God. Now, ordinarily, iAm didn’t like animals in the house—and he definitely wasn’t a dog person. They were too big, too dependent, the shedding—too much. But he respected that golden whatever it was now— Meeeeeeeeeeeerowwwwwwwwwwwwww. “Fuck!” Speak of the devil. As the queen’s black cat wound its way around his feet, he was forced to Michael Jackson it over the damn thing so he didn’t step on it. “Damn it, cat!” The feline followed him all the way into the kitchen, always with the in-and-out around the ankles—almost like it knew he’d been thinking benes about the dog and was establishing dominance. Except cats couldn’t read minds, of course. He stopped and glared at the thing. “What the hell do you want.” Not really a question, as he didn’t care to give the feline an opening. One black paw lifted and then . . . Next thing he knew, the g*dd*mn cat was leaping into his arms, rolling over onto its back . . . and purring like a Ferrari. “Are you fucking kidding me,” he muttered. -iAm & Boo
J.R. Ward (The King (Black Dagger Brotherhood, #12))
Did you say—you love me?” Sloane took a step back, and Dex held his hands up, praying his partner didn’t do what he looked like he was about to do. Then he remembered his brother was in the room. Double shit. Sloane seemed to sense his thoughts. “Cael knows about us.” “What? When the fuck did that happen?” What in the ever-living fuck of fucks is going on around here? Cael glared at him. “Thanks, bro.” Dex didn’t have time to answer his brother because something in his gut told him he had to do something fast. Sloane was about to bolt. Dex could see it in his eyes. “You didn’t answer my question,” Sloane demanded softly. “And don’t try to play it off. I know you too well by now.” What was he supposed to do? Lie? He could lie. No, he was a shitty liar. But he could…. Fuck it. “Yes. I love you.” “When?” Sloane asked, his voice growing more distant. When? “I don’t know? It’s not like I marked it on my calendar.” “Don’t.” It was a subtle but grave warning. Dex wasn’t trying to be a smartass. It’s just what his brain went to when he was on the verge of freaking out about something. And if there was ever a time to freak out about something, this was it. “I know it’s too soon, which is why I wasn’t going to say anything, but with everything going on, it just slipped.” “So you were going to keep it from me?” Dex felt himself deflate and he shrugged. “What’s the right answer here, Sloane?” There was none. They both knew it. He took a step toward Sloane, his heart breaking when Sloane pulled back. “I need some air,” Sloane said, backing up until he hit the security panel. He turned and entered his security code. Dex could feel it all crumbling around him, and he felt sick to his stomach. Even then, he stayed where he was, refusing to force Sloane. “Can we please talk about this?” “Not right now. I need some space.” The door had barely finished opening before Sloane squeezed through and was off, taking Dex’s heart with him.
Charlie Cochet (Rack & Ruin (THIRDS #3))
We both took some adjusting to Egyptian notions of friendliness. Stepping outside our Cairo hotel, we were greeted by a host of amiable young men saying, ‘Where you from, mis-tah? Australia? Ah, my brother, he is in Australia! From Sydney, yes? No? Ah, Adelaide! So too my brother! Adelaide is a very fine city, yes, very fine. And your name, mis-tah? Ah, San-dee! My brother, he too is called San-dee! He is an astrophysicist! Please, we are friends! Come to my shop and drink tea!’ Three out of five such invitations will surely lead straight to a carpet or perfume shop, where you will be badgered into buying wares at a very special low price, as is fitting between friends. But the other two are likely to lead to a long, gentle afternoon drinking mint tea in some tiny home, being shown the family albums, meeting the wife and five kids and, sure enough, being shown a photo of the improbable brother, San-dee, standing outside Adelaide University and waving a degree in astrophysics at the camera.
A.J. Mackinnon (The Well at the World's End: The Epic True Story of One Man's Search for the Secret to Eternal Youth)
When all was set in order, King Epimetheus stepped forward supported by a friend on either side, greeted Prometheus, and spoke to him these well-meant words: “I am heartily sorry for you, Prometheus, my dear brother! But nonetheless take courage, for look, I have a salve here which is a sure remedy for every ill and works wondrously well in heat and in frost, and moreover can be used alike for solace as for punishment.” So saying, he took his staff and tied the box of ointment to it, and reached it carefully and with all due solemnity towards his brother. But as soon as he saw and smelt the ointment, Prometheus turned away his head in disgust. At that the King changed his tone, and shouted and began to read his brother a lesson with great zest: “Of a truth it seems you have need of yet greater punishment, since your present fate does not suffice to teach you.” And as he spoke, he drew a mirror from the folds of his robe, and made everything clear to him from the beginning, and waxed very eloquent and knew all his faults.
C.G. Jung (Collected Works of C. G. Jung, Volume 6: Psychological Types (The Collected Works of C. G. Jung Book 38))
We walked together along the street. At the corner a lorry was standing with bags of coal. The driver lifted the bonnet up and did something to the engine. Then he got back into his seat. Just as we passed he started her up and stepped on the gas. Orlow jumped. I looked at him. He was pale as death. “Are you ill?” I asked. He smiled with white lips and shook his head. “No—but it does give me a fright sometimes when I hear that noise unexpectedly. They ran the engine of a lorry outside the house so we shouldn’t hear the shots, when my father was killed in Russia. We did hear them, though.” He smiled again as if he had to apologise. “They made less bones about my mother; they shot her in a cellar in the early morning. My brother and I escaped at night. We had a few diamonds. But my brother got frozen on the way.” “What were your father and mother shot for?” “Before the war my father commanded a Cossack regiment that had put down a rising. He knew it was coming to him; found it quite in order, as you might say. Not so my mother.
Erich Maria Remarque (Three Comrades)
Colby arrived the next day, with stitches down one lean cheek and a new prosthesis. He held it up as Cecily came out to the car to greet him. He held it up as Cecily came out to the car to greet him. “Nice, huh? Doesn’t it look more realistic than the last one?” “What happened to the last one?” she asked. “Got blown off. Don’t ask where,” he added darkly. “I know nothing,” she assured him. “Come on in. Leta made sandwiches.” Leta had only seen Colby once, on a visit with Tate. She was polite, but a little remote, and it showed. “She doesn’t like me,” Colby told Cecily when they were sitting on the steps later that evening. “She thinks I’m sleeping with you,” she said simply.” So does Tate.” “Why?” “Because I let him think I was,” she said bluntly. He gave her a hard look. “Bad move, Cecily.” “I won’t let him think I’m waiting around for him to notice me,” she said icily. “He’s already convinced that I’m in love with him, and that’s bad enough. I can’t have him know that I’m…well, what I am. I do have a little pride.” “I’m perfectly willing, if you’re serious,” he said matter-of-factly. His face broke into a grin, belying the solemnity of the words. “Or are you worried that I might not be able to handle it with one arm?” She burst out laughing and pressed affectionately against his side. “I adore you, I really do. But I had a bad experience in my teens. I’ve had therapy and all, but it’s still sort of traumatic for me to think about real intimacy.” “Even with Tate?” he probed gently. She wasn’t touching that line with a pole. “Tate doesn’t want me.” “You keep saying that, and he keeps making a liar of you.” “I don’t understand.” “He came to see me last night. Just after I spoke to you.” He ran his fingers down his damaged cheek. She caught her breath. “I thought you got that overseas!” “Tate wears a big silver turquoise ring on his middle right finger,” he reminded her. “It does a bit of damage when he hits people with it.” “He hit you? Why?” she exclaimed. “Because you told him we were sleeping together,” he said simply. “Honest to God, Cecily, I wish you’d tell me first when you plan to play games. I was caught off guard.” “What did he do after he hit you?” “I hit him, and one thing led to another. I don’t have a coffee table anymore. We won’t even discuss what he did to my best ashtry.” “I’m so sorry!” “Tate and I are pretty much matched in a fight,” he said. “Not that we’ve ever been in many. He hits harder than Pierce Hutton does in a temper.” He scowled down at her. “Are you sure Tate doesn’t want you? I can’t think of another reason he’d try to hammer my floor with my head.” “Big brother Tate, to the rescue,” she said miserably. She laughed bitterly. “He thinks you’re a bad risk.” “I am,” he said easily. “I like having you as my friend.” He smiled. “Me, too. There aren’t many people who stuck by me over the years, you know. When Maureen left me, I went crazy. I couldn’t live with the pain, so I found ways to numb it.” He shook his head. “I don’t think I came to my senses until you sent me to that psychologist over in Baltimore.” He glanced down at her. “Did you know she keeps snakes?” he added. “We all have our little quirks.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I do love you.” Her face eased and relaxed into a smile. “I love you, too.” “I want you and Drew to marry me.” The nurse lifted the mask completely from him, sniffed and tactfully left the room. Ember’s brown eyes were wide and luminous with tears. One slipped down her cheek. “And I can speak for Drew when I say we want to marry you too. He already told me you needed a family. Our family.” Emotion tightened his throat and made his eyes burn. “I never e-e-expected to find somebody willing to take all of me, like this.” She shook her head and stepped between his knees, reaching for his hands. “I’ve told you before and I’ll tell you a million times more. Your scars don’t bother me. I love them, because they tell me exactly the kind of man you are, willing to fight for your country and your brothers. If you never have another surgery, I’ll be fine with it. The outside isn’t the important part to me. It’s this right here.” She laid her hand over his pounding heart. His damn eyes. He wiped the tears away and pulled her into his arms. “I’ll love you forever,” he vowed.
J.M. Madden (Embattled Minds (Lost and Found, #2))
There once was a female snake that roamed around a small village in the countryside of Egypt. She was commonly seen by villagers with her small baby as they grazed around the trees. One day, several men noticed the mother snake was searching back and forth throughout the village in a frenzy — without her young. Apparently, her baby had slithered off on its own to play while she was out looking for food. Yet the mother snake went on looking for her baby for days because it still hadn't returned back to her. So one day, one of the elder women in the village caught sight of the big snake climbing on top of their water supply — an open clay jug harvesting all the village's water. The snake latched its teeth on the big jug's opening and sprayed its venom into it. The woman who witnessed the event was mentally handicapped, so when she went to warn the other villagers, nobody really understood what she was saying. And when she approached the jug to try to knock it over, she was reprimanded by her two brothers and they locked her away in her room. Then early the next day, the mother snake returned to the village after a long evening searching for her baby. The children villagers quickly surrounded her while clapping and singing because she had finally found her baby. And as the mother snake watched the children rejoice in the reunion with her child, she suddenly took off straight for the water supply — leaving behind her baby with the villagers' children. Before an old man could gather some water to make some tea, she hissed in his direction, forcing him to step back as she immediately wrapped herself around the jug and squeezed it super hard. When the jug broke burst into a hundred fragments, she slithered away to gather her child and return to the safety of her hole. Many people reading this true story may not understand that the same feelings we are capable of having, snakes have too. Thinking the villagers killed her baby, the mother snake sought out revenge by poisoning the water to destroy those she thought had hurt her child. But when she found her baby and saw the villagers' children, her guilt and protective instincts urged her to save them before other mothers would be forced to experience the pain and grief of losing a child. Animals have hearts and minds too. They are capable of love, hatred, jealousy, revenge, hunger, fear, joy, and caring for their own and others. We look at animals as if they are inferior because they are savage and not civilized, but in truth, we are the ones who are not being civil by drawing a thick line between us and them — us and nature. A wild animal's life is very straightforward. They spend their time searching and gathering food, mating, building homes, and meditating and playing with their loved ones. They enjoy the simplicity of life without any of our technological gadgetry, materialism, mass consumption, wastefulness, superficiality, mindless wars, excessive greed and hatred. While we get excited by the vibrations coming from our TV sets, headphones and car stereos, they get stimulated by the vibrations of nature. So, just because animals may lack the sophisticated minds to create the technology we do or make brick homes and highways like us, does not mean their connections to the etheric world isn't more sophisticated than anything we could ever imagine. That means they are more spiritual, reflective, cosmic, and tuned into alternate universes beyond what our eyes can see. So in other words, animals are more advanced than us. They have the simple beauty we lack and the spiritual contentment we may never achieve.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
I brushed my teeth like a crazed lunatic as I examined myself in the mirror. Why couldn’t I look the women in commercials who wake up in a bed with ironed sheets and a dewy complexion with their hair perfectly tousled? I wasn’t fit for human eyes, let alone the piercing eyes of the sexy, magnetic Marlboro Man, who by now was walking up the stairs to my bedroom. I could hear the clomping of his boots. The boots were in my bedroom by now, and so was the gravelly voice attached to them. “Hey,” I heard him say. I patted an ice-cold washcloth on my face and said ten Hail Marys, incredulous that I would yet again find myself trapped in the prison of a bathroom with Marlboro Man, my cowboy love, on the other side of the door. What in the world was he doing there? Didn’t he have some cows to wrangle? Some fence to fix? It was broad daylight; didn’t he have a ranch to run? I needed to speak to him about his work ethic. “Oh, hello,” I responded through the door, ransacking the hamper in my bathroom for something, anything better than the sacrilege that adorned my body. Didn’t I have any respect for myself? I heard Marlboro Man laugh quietly. “What’re you doing in there?” I found my favorite pair of faded, soft jeans. “Hiding,” I replied, stepping into them and buttoning the waist. “Well, c’mere,” he said softly. My jeans were damp from sitting in the hamper next to a wet washcloth for two days, and the best top I could find was a cardinal and gold FIGHT ON! T-shirt from my ‘SC days. It wasn’t dingy, and it didn’t smell. That was the best I could do at the time. Oh, how far I’d fallen from the black heels and glitz of Los Angeles. Accepting defeat, I shrugged and swung open the door. He was standing there, smiling. His impish grin jumped out and grabbed me, as it always did. “Well, good morning!” he said, wrapping his arms around my waist. His lips settled on my neck. I was glad I’d spritzed myself with Giorgio. “Good morning,” I whispered back, a slight edge to my voice. Equal parts embarrassed at my puffy eyes and at the fact that I’d slept so late that day, I kept hugging him tightly, hoping against hope he’d never let go and never back up enough to get a good, long look at me. Maybe if we just stood there for fifty years or so, wrinkles would eventually shield my puffiness. “So,” Marlboro Man said. “What have you been doing all day?” I hesitated for a moment, then launched into a full-scale monologue. “Well, of course I had my usual twenty-mile run, then I went on a hike and then I read The Iliad. Twice. You don’t even want to know the rest. It’ll make you tired just hearing about it.” “Uh-huh,” he said, his blue-green eyes fixed on mine. I melted in his arms once again. It happened any time, every time, he held me. He kissed me, despite my gold FIGHT ON! T-shirt. My eyes were closed, and I was in a black hole, a vortex of romance, existing in something other than a human body. I floated on vapors. Marlboro Man whispered in my ear, “So…,” and his grip around my waist tightened. And then, in an instant, I plunged back to earth, back to my bedroom, and landed with a loud thud on the floor. “R-R-R-R-Ree?” A thundering voice entered the room. It was my brother Mike. And he was barreling toward Marlboro Man and me, his arms outstretched. “Hey!” Mike yelled. “W-w-w-what are you guys doin’?” And before either of us knew it, Mike’s arms were around us both, holding us in a great big bear hug. “Well, hi, Mike,” Marlboro Man said, clearly trying to reconcile the fact that my adult brother had his arms around him. It wasn’t awkward for me; it was just annoying. Mike had interrupted our moment. He was always doing that.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
Tobias takes me to the atrium near the hotel dormitory, and we spend some time there, talking and kissing and pointing out the strangest plants. It feels like something that normal people do--go on dates, talk about small things, laugh. We have had so few of those moments. Most of our time together has been spent running from one threat or another, or running toward one threat or another. But I can see a time on the horizon when that won’t need to happen anymore. We will reset the people in the compound, and work to rebuild this place together. Maybe then we can find out if we do as well with the quiet moments as we have with the loud ones. I am looking forward to it. Finally the time comes for Tobias to leave. I stand on the higher step in the atrium and he stands on the lower one, so we’re on the same plane. “I don’t like that I can’t be with you tonight,” he says. “It doesn’t feel right to leave you alone with something this huge.” “What, you don’t think I can handle it?” I say, a little defensive. “Obviously that is not what I think.” He touches his hands to my face and leans his forehead against mine. “I just don’t want you to have to bear it alone.” “I don’t want you to have to bear Uriah’s family alone,” I say softly. “But I think these are things we have to do separately. I’m glad I’ll get to be with Caleb before…you know. It’ll be nice not having to worry about you at the same time.” “Yeah.” He closes his eyes. “I can’t wait until tomorrow, when I’m back and you’ve done what you set out to do and we can decide what comes next.” “I can tell you it will involve a lot of this,” I say, and I press my lips to his. His hands shift from my cheeks to my shoulders and then slide painstakingly down my back. His fingers find the hem of my shirt, then slip under it, warm and insistent. I feel aware of everything at once, of the pressure of his mouth and the taste of our kiss and the texture of his skin and the orange light glowing against my closed eyelids and the smell of green things, growing things, in the air. When I pull away, and he opens his eyes, I see everything about them, the dart of light blue in his left eye, the dark blue that makes me feel like I am safe inside it, like I am dreaming. “I love you,” I say. “I love you, too,” he says. “I’ll see you soon.” He kisses me again, softly, and then leaves the atrium. I stand in that shaft of sunlight until the sun disappears. It’s time to be with my brother now.
Veronica Roth (Allegiant (Divergent, #3))
I stroll to the platform and up under the awning, hands in pockets, stepping lively on my toes as if I'm expecting -- a loved one, a girlfriend, a best friend from college long out of touch. The two trainmen give me the mackerel eye and begin some exclusive talk they've been putting off. But I don't feel the least excluded, since I enjoy this closeness to trains and the great moment they exude, their implacable hissing noise and purpose. I read somewhere it is psychologically beneficial to stand near things greater and more powerful than you yourself, so as to dwarf yourself (and your piddlyass brothers) by comparison. To do so, the writer said, released the spirit from its everyday moorings, and accounted for why Montanans and Sherpas, who live near daunting mountains, aren't much at complaining or nettlesome introspection. He was writing about better "uses" to be made of skyscrapers, and if you ask me the guy was right on the money. All alone now beside the humming train cars, I actually do feel my moorings slacken, and I will say it again, perhaps for the last time: there is mystery everywhere, even in a vulgar, urine-scented, suburban depot such as this. You have only to let yourself in for it. You can never know what's coming next. Always there is the chance it will be -- miraculous to say -- something you want.
Richard Ford (The Sportswriter (Frank Bascombe, #1))
He takes my hand and pulls me out onto the floor. He smiles down at me. “I can’t feel the beat to this kind of music.” He looks around at the other couples. I see my dad step onto the floor with the model who approached Logan, and I roll my eyes. Logan takes me in his arms, his hand holding mine. He pulls me close to him, just a breath away, not touching, and my heart starts to flutter. Will I ever get used to being with this man who makes me feel so perfect? He picks up the rhythm of the music by watching the other dancers. “You’re pretty good at this,” I say. He just smiles and shrugs. “Mom made us all take dance lessons when we were young. Paul did a year of ballet before he grew enough balls to tell her he wouldn’t do it anymore.” He chuckles. I’ll never enjoy a sound more than that of his laughter. When we first met, he didn’t speak at all. He started talking again for me, and it took him even longer to learn to laugh. Sometimes he can’t tell how loud he is, and he doesn’t alter his voice well enough for the situation. This is one of those times. My dad shoots me a glare. I look up at Logan and just smile. “What’s bothering you?” he asks. “Not a thing,” I say. And it’s not. I’d trade my right arm for his voice, if someone told me I had to choose between the two. Hearing his words, his laughter and his thoughts means the world to me.
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
I pull into the driveway outside of my father's house and shut off the engine. I sit behind the wheel for a moment, studying the house. He'd called me last night and demanded that I come over for dinner tonight. Didn't request. He demanded. What struck me though, was that he sounded a lot more stressed out and harried than he did when he interrupted my brunch with Gabby to demand my presence at a “family”dinner. Yeah, that had been a fun night filled with my father and Ian badgering me about my job. For whatever reason, they'd felt compelled to make a concerted effort to belittle what I do –more so than they usually do anyway -- try to undermine my confidence in my ability to teach, and all but demand that I quit and come to work for my father's company. That had been annoying, and although they were more insistent than normal, it's pretty par for the course with those two. They always think they know what's best for me and have no qualms about telling me how to live my life. When he'd called me last night though, and told me to come to dinner tonight, there was something in my father's voice that had rattled me. It took me a while to put a finger on what it was I heard in his voice, but when I figured it out, it really shook me. I heard fear. Outright fear. My father isn't a man who fears much or is easily intimidated. In fact, he's usually the one doing the intimidating. But, something has him really spooked and even though we don't always see eye-to-eye or get along, hearing that fear in his voice scared me. In all my years, I've never known him to sound so downright terrified. With a sigh and a deep sense of foreboding, I climb out of my car and head to the door, trying to steel myself more with each step. Call me psychic, but I have a feeling that this is going to be a long, miserable night. “Good evening, Miss Holly,”Gloria says as she opens the door before I even have a chance to knock. “Nice to see you again.”“It's nice to see you too, Gloria,”I say and smile with genuine affection. Gloria has been with our family for as far back as I can remember. Honestly, after my mother passed away from ovarian cancer, Gloria took a large role in raising me. My father had plunged himself into his work –and had taken Ian under his wing to help groom him to take over the empire one day –leaving me to more or less fend for myself. It was like I was a secondary consideration to them. Because I'm a girl and not part of the testosterone-rich world of construction, neither my father nor Ian took much interest in me or my life. Unless they needed something from me, of course. The only time they really paid any attention to me was when they needed me to pose for family pictures for company literature.
R.R. Banks (Accidentally Married (Anderson Brothers, #1))
So, boy, how does it feel to be pouring out a never-ending stream of--?” “Stop that!” I scowled at my brothers as I shooed them away from Milo. “How can you make such jokes in front of him?” “To be honest, the only thing in front of him right now is the sea and the supper he ate three days ago.” Castor’s grin got wider. Polydeuces was contrite. “We mean well, Helen. We’re only trying to make him laugh. A good laugh might take his mind off being so ill.” “It’s a shame we’re bound straight for Corinth,” the old sailor said, rubbing the back of his neck. “Since nothing else seems to be working for this lad, could be that a short rest on dry land would steady his stomach.” “You think we’d ever be able to get him back on board afterward?” Castor asked. The sailor shrugged. “What would he have to say about it? He’s your slave, isn’t he?” “He’s our sister’s slave, or was,” Castor replied. “She freed him as soon as she bought him.” “And still he came onto this ship with you, sick as seafaring makes him?” “This is his first voyage,” I said, stooping beside Milo to place one arm protectively around him. “He didn’t know he’d get sick.” “Oh, he’d have come along even if he’d known that a sea monster was waiting to gobble him up,” Castor said, with another of those annoying, conspiratorial winks to his twin. “Anything rather than be separated from you, little sister.” Polydeuces eagerly took up his brother’s game. “That’s true,” he hastened to tell the old sailor. “If you could have seen the way he’s been gazing at her, all the way from Calydon!” “Can we blame him, Polydeuces?” Castor asked with mock sincerity. “Our little sister is the most beautiful woman in the world.” They collapsed laughing into each other’s arms. Milo made a great effort and pushed himself away from the rail, away from me. He took two staggering steps, fists clenched. “She is.” Then he spun around and lurched for the ship’s side once more. My brothers exchanged a look of pure astonishment. The old sailor chuckled. “He may have been a slave, Lady Helen, but he’s braver than many a free man, to talk back to princes that way! But it wouldn’t be the first time a man found courage he never knew he had until he met the right woman.” My face flamed. I wanted to thank Milo for putting an end to my brothers’ teasing--whether or not it was all in fun, I still found it annoying--but I was strangely tongue-tied. Fortunately for me, the old sailor chose that moment to say, “That’s not something you see every day, a mouse trying to take a bite from a lion’s tail. Mark my words, this lad has the makings of a great hero. Why, if I had it my way, I’d put in at the next port and carry him all the way to Apollo’s temple at Delphi, just to see what marvels the Pythia would have to predict about his future.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
I wake the next morning to a gentle tap, tap, tap on the side of my nose. I blink my eyes open and startle when I see a face looking into mine. Hayley grins at me. “You sweepy?” she says quietly. I was until she tapped against my face like a hungry bird. I scrub the sleep from my eyes and look over at Logan. He’s lying beside me with one arm flung over his head, his mouth hanging open. I snuggle deeper into my pillow. “Where’s your daddy?” I ask. “Sweeping,” she says. She’s dragging a bunny by the ears. “I’m hungwy,” she says. I cover a yawn with my open palm. I probably have awful morning breath. “Can you go and wake your daddy?” She shakes her head. “He said to go back to sweep.” I look toward the window. The sun is just barely over the horizon. “I want a pancake,” she says. A pancake? “How about some cereal?” I ask as I throw the covers off myself and get up. I take a pair of Logan’s boxers from his drawer and put them on. “Dos are Logan’s,” she says, scowling at me. “Do you think he’ll mind if I borrow them?” I whisper at her. She shakes her head and smiles, taking my hand in her free one so she can lead me from the room. “You don’t got to whisper. Logan can’t hear,” she says. I laugh. She’s right. And what’s funny is that it took a three-year-old to remind me. I hold a finger to my lips, though, as we step out into the hallway. “But your daddy can. Shh.” She giggles and repeats my shush.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
Young men, I set before you Jesus Christ this day, as the treasury of your souls; and I invite you to begin by going to Him. Let this be your first step--go to Christ. Do you want to consult friends? He is the best friend: "a friend who sticks closer than a brother" (Proverbs 18:24). Do you feel unworthy because of your sins? Do not fear: His blood cleanses from all sin. He says, "Though your sins are like scarlet, they shall be as white as snow; though they are red as crimson, they shall be like wool" (Isaiah 1:18). Do you feel weak, and unable to follow Him? Do not fear: He will give you the power to become sons of God. He will give you the Holy Spirit to live in you, and seal you for His own; He will give you a new heart, and He will put a new spirit within you. Are you troubled or beset with a strange bent to evil? Do not fear: there is no evil spirit that Jesus cannot cast out, there is no disease of soul that He cannot heal. Do you feel doubts and fears? Throw them aside: "Come to Me," He says; "whoever comes to me I will never drive away." He knows very well the heart of a young man. He knows your trials and your temptations, your difficulties and your foes. In the days of His flesh He was like yours--a young man at Nazareth. He knows by experience a young man's mind. He can understand the feeling of your temptations--because He Himself suffered when He was tempted. Surely you will be without excuse if you turn away from such a Savior and Friend as this.
J.C. Ryle (Thoughts For Young Men)
You said she works at an ice-cream shop around here, right?” He made a big show of wiping the sweat off his brow. “Come to think of it, a nice double cone would really hit the spot in this heat.” Zach’s expression was one of pure teenage mortification. “Yeah, because that’s exactly what will help my inability to talk to her—my older brother watching and critiquing all my moves.” “I thought we’d already established that you don’t have any moves.” “Now that’s funny. Picking on someone half your age. Hey, here’s an idea: I’ll introduce you to Paige as soon as I meet this so-called smart, witty, and hot woman you’re supposedly seeing. Sounds a lot like one of those made-up girlfriends who live in Niagara Falls.” “She’s real. I’m seeing her tonight, in fact.” They hadn’t decided their specific plans yet, but Brooke had texted him last night, asking if he was free. “Wow. You actually, like, beamed when you said that.” “Get out of here,” Cade scoffed. “I did not.” “What’s her name?” Cade opened his mouth to answer, then paused. Zach grinned. “Worried you can’t say it without beaming again?” Ridiculous. “Her name is Brooke.” He deliberately maintained a straight face Zach made a big show of studying him, presumably looking for any sign of this alleged “beaming.” He stepped closer and then, with a comically scrutinizing face, slowly looked at one side of Cade’s face, and then the other. Cade never cracked once. Finally, Zach gave up. “Dude, I’m impressed. You need to show me that trick.
Julie James (Love Irresistibly (FBI/US Attorney, #4))
If I could wave a magic wand and have one wish granted, I’d wish for an end to world hunger; the small shit could wait in line. If, however, the god or genie who bestowed the magic wand told me my one wish had to do with American politics, I think I’d wave it and make the following proclamation: “Every liberal in the country must watch Fox News for one year, and every conservative in the country must watch MSNBC for one year.” (Middle-of-the-roaders could stick with CSI.) Can you imagine what that would be like? For the first month, the screams of “What IS this shit???” would echo high to the heavens. For the next three, there would be a period of grumbling readjustment as both sides of the political spectrum realized that, loathsome politics aside, they were still getting the weather, the sports scores, the hard news, and the Geico Gecko. During the next four months, viewers might begin seeing different anchors and commentators, as each news network’s fringe bellowers attracted increasing flak from their new captive audiences. Adamantly shrill editorial stances would begin to modify as a result of tweets and emails saying, “Oh, wait a minute, Slick, that’s fucking ridiculous.” Finally, the viewers themselves might change. Not a lot; just a slide-step or two away from the kumbayah socialists of the left and the Tea Partiers of the right. I’m not saying they’d re-colonize the all-but-deserted middle (lot of cheap real estate there, my brothers and sisters), but they might close in on it a trifle.
Stephen King (Guns (Kindle Single))
With houses looking on, on every side, save where a reeking little tunnel of a court gives access to the iron gate--with every villainy of life in action close on death, and every poisonous element of death in action close on life--here they lower our dear brother down a foot or two, here sow him in corruption, to be raised in corruption: an avenging ghost at many a sick-bedside, a shameful testimony to future ages how civilization and barbarism walked this boastful island together. Come night, come darkness, for you cannot come too soon or stay too long by such a place as this! Come, straggling lights into the windows of the ugly houses; and you who do iniquity therein, do it at least with this dread scene shut out! Come, flame of gas, burning so sullenly above the iron gate, on which the poisoned air deposits its witch-ointment slimy to the touch! It is well that you should call to every passerby, "Look here!" With the night comes a slouching figure through the tunnel-court to the outside of the iron gate. It holds the gate with its hands and looks in between the bars, stands looking in for a little while. It then, with an old broom it carries, softly sweeps the step and makes the archway clean. It does so very busily and trimly, looks in again a little while, and so departs. Jo, is it thou? Well, well! Though a rejected witness, who "can't exactly say" what will be done to him in greater hands than men's, thou art not quite in outer darkness. There is something like a distant ray of light in thy muttered reason for this: "He wos wery good to me, he wos!
Charles Dickens (Bleak House)
Grabbing my hair and pulling it to the point my skull throbs, I rock back and forth while insanity threatens to destroy my mind completely. Father finally did what Lachlan started. Destroyed my spirit. The angel is gone. The monster has come and killed her. Lachlan Sipping his whiskey, Shon gazes with a bored expression at the one-way mirror as Arson lights the match, grazing the skin of his victim with it as the man convulses in fear. “Show off,” he mutters, and on instinct, I slap the back of his head. He rubs it, spilling the drink. “The fuck? We are wasting time, Lachlan. Tell him to speed up. You know if you let him, he can play for hours.” All in good time, we don’t need just a name. He is saving him for a different kind of information that we write down as Sociopath types furiously on his computer, searching for the location and everything else using FBI databases. “Bingo!” Sociopath mutters, picking up the laptop and showing the screen to me. “It’s seven hours away from New York, in a deserted location in the woods. The land belongs to some guy who is presumed dead and the man accrued the right to build shelters for abused women. They actually live there as a place of new hope or something.” Indeed, the center is advertised as such and has a bunch of stupid reviews about it. Even the approval of a social worker, but then it doesn’t surprise me. Pastor knows how to be convincing. “Kids,” I mutter, fisting my hands. “Most of them probably have kids. He continues to do his fucked-up shit.” And all these years, he has been under my radar. I throw the chair and it bounces off the wall, but no one says anything as they feel the same. “Shon, order a plane. Jaxon—” “Yeah, my brothers will be there with us. But listen, the FBI—” he starts, and I nod. He takes a beat and quickly sends a message to someone on his phone while I bark into the microphone. “Arson, enough with the bullshit. Kill him already.” He is of no use to us anyway. Arson looks at the wall and shrugs. Then pours gas on his victim and lights up the match simultaneously, stepping aside as the man screams and thrashes on the chair, and the smell of burning flesh can be sensed even here. Arson jogs to a hose, splashing water over him. The room is designed security wise for this kind of torture, since fire is one of the first things I taught. After all, I’d learned the hard way how to fight with it. “On the plane, we can adjust the plan. Let’s get moving.” They spring into action as I go to my room to get a specific folder to give to Levi before I go, when Sociopath’s hand stops me, bumping my shoulder. “Is this a suicide mission for you?” he asks, and I smile, although it lacks any humor. My friend knows everything. Instead of answering his question, I grip his shoulder tight, and confide, “Valencia is entrusted to you.” We both know that if I want to destroy Pastor, I have to die with him. This revenge has been twenty-three years in the making, and I never envisioned a different future. This path always leads to death one way or another, and the only reason I valued my life was because I had to kill him. Valencia will be forever free from the evils that destroyed her life. I’ll make sure of it. Once upon a time, there was an angel. Who made the monster’s heart bleed.
V.F. Mason (Lachlan's Protégé (Dark Protégés #1))
I slide a particularly stunning weapon from its mounting and inspect the gems glittering on its hilt. “What kind is this one?” “That,” August says with a slight grin, “is a broadsword. And I highly doubt that it is what killed my brother.” “Why not? It’s the right width!” He holds up his hands. “I’m just saying that it doesn’t seem likely. Swords are much more conspicuous than daggers. If someone was carrying that around, I think people would have noticed.” “En guard!” I say, swinging it. He snorts. “Very terrifying.” “This is heavy. How do people actually fight with these things? I feel like I’m going to lose my balance.” “That’s because you’re standing all wrong. You need to spread your feet more and sink into your knees.” He demonstrates for me, bouncing a bit to show me his knees aren’t locked. I try to mimic the stance. “Good,” he says. “Now grip the sword. One hand under the cross guard and the other down close to the pommel.” I move my hands into the places he indicates and thrust the sword as though stabbing an imaginary foe. He snorts again. “No, no, no.” “Stop laughing. I’m fearsome.” “I guess that’s one word you could use.” “It’s the only word.” I stick my tongue out at him. “Then tell me, oh wise one, what am I doing wrong now?” “Your elbows. They look like chicken wings.” “Well, I’m sorry, but they’re the ones I was born with.” He chuckles again. “Here. You need to lower them a bit.” He sets the lantern on the floor at our feet, steps around behind me, and presses his hands against my arms. My breath catches in my throat, and I turn my head. His nose is inches from mine, but he doesn’t back away. Instead, his eyes dip to my lips.
Jessica S. Olson (A Forgery of Roses)
Um, I think I left my handkerchief on the table,” Jane said. “I’ll just run down and fetch it. There’s no need to wait for me--you go on to bed.” Lisette stopped to stare at her in bewilderment. “Your handkerchief will be perfectly fine where it is. A footman will find it and give it to you in the morning.” “No, I dare not leave it or I’ll forget about it in the confusion of our departure.” She was already turning to descend the stairs. “And it’s my favorite.” Jane didn’t stop to see if Lisette believed that nonsense. She just hastened down, trying to figure out how to get Dom alone. Fortunately, just as she approached the dining room, she heard the duke say from inside, “Sorry to be a wet blanket, old chap, but I shall turn in, too. Lisette and I don’t usually rise as early as we did this morning.” “So I’ve noticed.” Then Dom added hastily, “Not that it matters, mind you. Everyone has his own habits.” “Yes, that’s true.” The duke’s puzzled tone showed he was unaware of what his wife had said yesterday about his “habits.” “Don’t forget that we must leave as early tomorrow as possible.” “Of course.” “I’m hoping Tristan will have arrived by then, but if not, we’ll press on without him.” “Certainly,” Max said, rather stiffly now. He probably wasn’t used to being ordered about by anyone, even his brother-in-law. “Well, good night, then.” Hearing footsteps approaching, Jane darted quickly into an alcove and waited with heart pounding as the duke emerged from the dining room. He strode, with a surprisingly quick step for a man who claimed to be tired, in the direction his wife had gone. Only after he’d disappeared up the stairs did Jane relax. This was her chance.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
You,” she said, bending an icy eye on Elizabeth, “come with me. You have much to explain, madam, and you can do it while Faulkner attends to your appearance.” “I am not,” Elizabeth said in a burst of frustrated anger, “going to think of my appearance at a time like this.” The duchess’s brows shot into her hairline. “Have you come to persuade them that your husband is innocent?” “Well, of course I have. I-“ “Then don’t shame him more than you already have! You look like a refugee from a dustbin in Bedlam. You’ll be lucky if they don’t hang you for putting them to all this trouble!” She started up the staircase with Elizabeth following slowly behind, listening to her tirade with only half her mind. “Now, if your misbegotten brother would do us the honor of showing himself, your husband might not have to spend the night in a dungeon, which is exactly where Jordan thinks he’s going to land if the prosecutors have their way.” Elizabeth stopped on the third step. “Will you please listen to me for a moment-“ she began angrily. “I’ll listen to you all the way to Westminster,” the dowager snapped back sarcastically. “I daresay all London will be eager to hear what you have to say for yourself in tomorrow’s paper!” “For the love of God!” Elizabeth cried at her back, wondering madly to whom she could turn for speedier help. An hour was an eternity! “I have not come merely to show that I’m alive. I can prove that Robert is alive and that he came to no harm at Ian’s hands, and-“ The duchess lurched around and started down the staircase, her gaze searching Elizabeth’s face with a mixture of desperation and hope. “Faulkner!” she barked without turning, “bring whatever you need. You can attend Lady Thornton in the coach!
Judith McNaught (Almost Heaven (Sequels, #3))
Hiya, cutie! How was your first day of school?" She pops the oven shut with her hip. He shakes his head and pulls up a bar stool next to Rayna, who's sitting at the counter painting her nails the color of a red snapper. "This won't work. I don't know what I'm doing," he says. "Sweet pea, what happened? Can't be that bad." He nods. "It is. I knocked Emma unconscious." Rachel spits the wine back in her glass. "Oh, sweetie, uh...that sort of thing's been frowned upon for years now." "Good. You owed her one," Rayna snickers. "She shoved him at the beach," she explains to Rachel. "Oh?" Rachel says. "That how she got your attention?" "She didn't shove me; she tripped into me," he says. "And I didn't knock her out on purpose. She ran from me, so I chased her and-" Rachel holds up her hand. "Okay. Stop right there. Are the cops coming by? You know that makes me nervous." "No," Galen says, rolling his eyes. If the cops haven't found Rachel by now, they're not going to. Besides, after all this time, the cops wouldn't still be looking. And the other people who want to find her think she's dead. "Okay, good. Now, back up there, sweet pea. Why did she run from you?" "A misunderstanding." Rachel clasps her hands together. "I know, sweet pea. I do. But in order for me to help you, I need to know the specifics. Us girls are tricky creatures." He runs a hand through his hair. "Tell me about it. First she's being nice and cooperative, and then she's yelling in my face." Rayna gasps. "She yelled at you?" She slams the polish bottle on the counter and points at Rachel. "I want you to be my mother, too. I want to be enrolled in school." "No way. You step one foot outside this house, and I'll arrest you myself," Galen says. "And don't even think about getting in the water with that human paint on your fingers." "Don't worry. I'm not getting in the water at all." Galen opens his mouth to contradict that, to tell her to go home tomorrow and stay there, but then he sees her exasperated expression. He grins. "He found you." Rayna crosses her arms and nods. "Why can't he just leave me alone? And why do you think it's so funny? You're my brother! You're supposed to protect me!" He laughs. "From Toraf? Why would I do that?" She shakes her head. "I was trying to catch some fish for Rachel, and I sensed him in the water. Close. I got out as fast as I could, but probably he knows that's what I did. How does he always find me?" "Oops," Rachel says. They both turn to her. She smiles apologetically at Rayna. "I didn't realize you two were at odds. He showed up on the back porch looking for you this morning and...I invited him to dinner. Sorry." As Galen says, "Rachel, what if someone sees him?" Rayna is saying, "No. No, no, no, he is not coming to dinner." Rachel clears her throat and nods behind them. "Rayna, that's very hurtful. After all we've been through," Toraf says. Rayna bristles on the stool, growling at the sound of his voice. She sends an icy glare to Rachel, who pretends not to notice as she squeezes a lemon slice over the fillets. Galen hops down and greets his friend with a strong punch to the arm. "Hey there, tadpole. I see you found a pair of my swimming trunks. Good to see your tracking skills are still intact after the accident and all." Toraf stares at Rayna's back. "Accident, yes. Next time, I'll keep my eyes open when I kiss her. That way, I won't accidentally bust my nose on a rock again. Foolish me, right?" Galen grins.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
A pair of shots rang out from outside, near the front of the house, followed by shouting. A sudden flood of adrenaline doused my fatigue and political confusion. Jean’s posture straightened, and he rose quickly. “That is Dominique, whose men were watching the transport. Something is amiss.” Ya think? I ran for my bag and pulled out the staff. Jean slipped a triangular-bladed dagger from beneath his tunic, wrenched open the door to the study, and strode out ahead of me. As always where the pirate was concerned, I trailed along, a step behind. I edged around Jean in time to see his older half-brother and fellow pirate captain Dominique Youx dragging a stumbling, bleeding man into the front hallway from outside and shoving him to the floor. I breathed a sigh of relief that it wasn’t Alex, followed by a chaser of disappointment that it wasn’t Alex, topped by a dollop of concern that our friend Ken Hachette had been shot. Ken, a human NOPD detective who’d recently been clued in about the big bad world surrounding him, had missed all the recent events due to a family emergency that had taken him out of town. Why would he be coming to Old Barataria alone via Jean Lafitte’s private transport unless Alex sent him? My adrenaline jump-started my heart to another race, this one fueled by worry. Something bad had happened; it was the only explanation. Jean and Dominique exchanged a rapid-fire torrent of French that went way past my abilities to interpret. “He claims to be a friend to her,” Dominique finally spat out, and I could tell by the way he said her, much as one might say flesh-eating maggot, that he referred to me. He’d never liked me; he considered me a bad influence on his baby brother the immortal pirate. As if.
Suzanne Johnson (Belle Chasse (Sentinels of New Orleans #5))
I want to try something with you,” she says quietly. She steps close, so close I can feel her breath against my shirt. It’s warm and moist. My heart starts to thud. “Can I touch you?” she asks. She lays a hand on my stomach. “Yes, please,” I croak. I clear my throat, and she laughs. Her other hand comes up to lie beside the first, and then one hand goes east while the other goes west, until her hands wrap around my back. She locks her hands behind me and lays her face against my shirt. She nuzzles her cheek into my left pectoral muscle. “Hug me back,” she says quietly. I wrap my arms around her, careful to squeeze her soft and slow, calmly and carefully. She exhales heavily, and I rest my chin on top of her head. In that second, I know my heart is hers. I tell myself she’s only taking a little piece, but that’s a fucking lie. She’ll have the whole thing by the time I go back to New York. She undoes me with her simple affection. And I don’t know how to behave, so I just hold her. I hold her and let her breathe while I drink in the feel of her. I want to tip her face up and press my lips to hers, but I’m not sure that would be any more fulfilling than this pregnant silence is. It’s full of possibility. For me, it’s full of longing, and something entirely different for her, probably. I open my eyes and look up. Her mother is standing there with her mouth hanging open. She slams it shut and smiles at me, giving me a thumbs-up. I grin. I can’t help it. I lay my hand on the back of Reagan’s head and stroke down the length of her hair. “You have no idea how long I’ve wanted to touch you,” I say quietly. “You have no idea how long I’ve wanted to be touched,” she says. I can feel the words against my chest, ripe with longing.
Tammy Falkner (Calmly, Carefully, Completely (The Reed Brothers, #3))
Lady Thornton,” Sutherland said in an awful, silky voice that made Elizabeth shake inside, “does the word ‘perjury’ have any meaning to you?” “I believe,” Elizabeth said, “it means to tell a lie in a place like this.” “Do you know how the Crown punishes perjurers? They are sentenced to gaol, and they live their lives in a dark, dank cell. Would you want that to happen to you?” “It certainly doesn’t sound very agreeable,” Elizabeth said. “Would I be able to take my jewels and gowns?” Shouts of laughter shook the chandeliers that hung from the vaulted ceilings. “No, you would not!” “Then I’m certainly happy I haven’t lied.” Sutherland was no longer certain whether he’d been duped, but he sensed that he’d lost his effort to make Elizabeth sound like a clever, scheming adulteress or a terrified, intimidated wife. The bizarre story of her flight with her brother had now taken on a certain absurd credibility, and he realized it with a sinking heart and a furious glower. “Madam, would you perjure yourself to protect that man?” His arm swung toward Ian, and Elizabeth’s gaze followed helplessly. Her heart froze with terror when she saw that, if anything, Ian looked more bored, more coldly remote and unmoved than he had before. “I asked you,” Sutherland boomed, “if you would perjure yourself to save that man from going to the gallows next month.” Elizabeth would have died to save him. Tearing her gaze from Ian’s terrifying face, she pinned a blank smile on her face. “Next month? What a disagreeable thing to suggest! Why, next month is-is Lady Northam’s ball, and Kensington very specifically promised that we would go”-thunderous guffaws exploded, rocking the rafters, drowning out Elizabeth’s last words-“and that I could have a new fur!!” Elizabeth waited, sensing that she had succeeded, not because her performance had been so convincing, but because many of the lords and wives who never thought beyond the next gown or ball or fur, and so she seemed entirely believable to them. “No further questions!” Sutherland rapped out, casting a contemptuous glance over her. Peterson Delham slowly arose, and though his expression was carefully blank, even bemused, Elizabeth sensed rather than saw that he was silently applauding her. “Lady Thornton,” he said in formal tones, “is there anything else you have to say to this court?” She realized that he wanted her to say something else, and in her state of relieved exhaustion Elizabeth couldn’t think what it was. She said the only thing she could think of, and she knew soon after she began speaking that he was pleased. “Yes, my lord. I wish to say how very sorry I am for the bother Bobby and I have caused everyone. I was wrong to believe him and to dash off without a word to anyone. And it was wrong of him to remain so angry with my husband all this time over what was, after all, rather an act of kindness on his part.” She sensed that she was going too far, sounding too sensible, and she hastily added, “If Kensington had had Bobby tossed into gaol for trying to shoot him, I daresay Bobby would have found it nearly as disagreeable a place as I. He is,” she confided, “a very fastidious person!” “Lady Thornton!” the Lord Chancellor said when the fresh waves of laughter had diminished to ripples. “You may step down.” At the scathing tone in his voice, Elizabeth dared a look in his direction, and then she almost missed her step when she saw the furious scorn on his face. The other lords might think her an incorrigible henwit, but the Lord Chancellor looked as if he would personally have enjoyed throttling her.
Judith McNaught (Almost Heaven (Sequels, #3))
Jesus was a man of love, of immense compassion. He loved this earth, the people, the threes, because that is the way to love God. God is life. Jesus is very life-affirmative. He says total yes to life. When you look into the eyes of each being that you meet, you meet God. Everybody is an incarnation of God - the threes, the flowers, the rocks, the animals, the people and the mountains. Love the people, love the threes, love the animals - and through the love you meet God. All are brothers here, because God is one. The threes, the flowers, the birds and the rocks are all your brothers, because they all come from the one source. if you are not reconciled with the world, you cannot pray to God. Prayer is only possible when you are in harmony with existence. The whole existence is your brother. The first step for prayer is to be reconciled with your brother. And your brother means all beings. Jesus is a celebration of being, a celebration of life. If you deny life, you deny God. If you say no to life, you say no to God, because God is life. To understand Jesus, you have to understand that life is God. If you say yes to life, you will feel a prayer arising in your heart, a yes arising in your being. The ego is a no to life, the ego is a separation from life. The inner being is a yes to life. The inner being is a deep yes and acceptance of life. Saying yes bridges you with the whole. It makes you a part of the whole. Saying yes will make you more and more spiritual. Jesus whole message is yes. The word "amen" means yes. You will never meet God, you will meet human beings, animals, stones and threes. You can love God through other human beings, through threes, through stones and through animals. And when you have learnt to love God through all his forms - then only love changes into prayer.
Swami Dhyan Giten
There was a man in the garden with the little girl. He was turning over the soil in a garden bed. He had obviously heard the car, because he raised his hand in greeting, but then he had gone back to his work. He had actually turned his back on the car. Tina thought she knew what that meant. The man had not wanted to see Pete the policeman. Maybe he thought Pete was bringing bad news. Tina smiled. Here was good news. Finally, here was good news for this family. The man dug the garden fork into the soil with a little bit of effort. He was deliberately not looking at Pete. The little girl walked down the driveway towards them. Pete said quietly, ‘No real way to prepare them. You go ahead, Lockie.’ Lockie squeezed Tina’s hand. ‘Go on, Lockie, it’s your dad. He’s been looking for you for a long time. Go on.’ She pulled her hand slowly out of Lockie’s grip. She wanted to save him from his fear, but she had saved him once. Lockie would have to do this by himself. The little girl who was surely Sammy looked back at her father, but he was still concentrating on his work. She smiled in Pete’s direction and then she focused on Lockie. She stared at him, as if trying to work out exactly who he was. Lockie pushed his hood back, exposing his short blond hair. He stood, and Tina could sense him holding his breath, waiting for his sister to see him. To really see him. Sammy stared hard at Lockie now, frowning. And then Tina saw recognition light up her face. She looked at her father who had still not looked up. She looked back at Lockie. She started jumping up and down. ‘Lockie!’ she screamed. ‘Lockie, Lockie, Lockie!’ Lockie smiled.The man jerked upright and dropped the garden fork. ‘Stop that, Samantha,’ he whispered angrily. ‘Jesus, stop that! Be quiet. Stop that.’ ‘Lockie, Lockie, Lockie!’ The little girl flew down the driveway and launched herself at her brother, who went, ‘Oof,’ but he steadied himself and wrapped his arms around her. ‘Lockie, Lockie, Lockie,’ she repeated, as if to make the moment real for herself. The man stood and stared at his children, still without realising that he was indeed looking at both his children. He started walking down the driveway. He began with an angry quick stride but the closer he got the more unsure his steps became. He was a big man in charge of a big farm but his steps became small and faltering. Tina could see the disbelief spreading across his face. Sammy let go of Lockie and took his hand. She started pulling him up the driveway. ‘It’s Lockie, Dad. Look, it’s Lockie, come look, Dad, Lockie’s home. He’s home, Dad. I knew he home. He’s home, Dad. I knew he would come home. I told you, Dad. Look its Lockie. Lockie, Lockie, Lockie’s home. Lockie’s home.’ The man stopped a few feet away from Lockie. His mouth was open. He moved it once or twice, but no words came out, and then came a sound that Tina had never heard before. It was a moaning, keening sound, but rough with the depth of his voice. It was four months of agony and the ecstasy of this moment all rolled into one. It was his heart right out there in the open for everyone to see. He opened his arms and dropped to his knees. Lockie let go of Sammy’s hand and continued alone up the driveway towards his father. He was twisting his hands and pulling at his jumper. He walked into his father’s arms and was completely surrounded by the large man. ‘I’m sorry, Dad,’ he said. ‘I’m sorry, Dad, I’m sorry.’ At the bottom of the driveway Tina watched Lockie and his father. Lockie’s voice was muffled by his father’s arms, but Tina could still hear him repeating, ‘I’m sorry.’ Say it, Tina begged the man silently. Please, please, just say it. ‘Oh, Lockie,’ said the man through his tears, his large shoulders heaving. ‘It wasn’t your fault. It wasn’t your fault. I’m sorry, Lockie. I’m sorry. I’ve been looking for you, Lockie. Where did you go, mate? Where did you go?
Nicole Trope (The Boy Under the Table)
When he reached the doorman, he stopped. “Did you see Miss Christian come in a few minutes ago?” The doorman nodded. “Yes, sir. She got here just before you arrived.” Relief staggered him. He bolted for the elevator. A few moments later, he strode into the apartment. “Kelly? Kelly, honey, where are you?” Not waiting for an answer, he hurried into the bedroom to see her sitting on the edge of the bed, her face pale and drawn in pain. When she heard him, she looked up and he winced at the dullness in her eyes. She’d been crying. “I thought I could do it,” she said in a raw voice, before he could beg her forgiveness. “I thought I could just go on and forget and that I could accept others thinking the worst of me as long as you and I were okay again. I did myself a huge disservice.” “Kelly…” Something in her look silenced him and he stood several feet away, a feeling of helplessness gripping him as he watched her try to compose herself. “I sat there tonight while your friends and your mother looked at me in disgust, while they looked at you with a mixture of pity and disbelief in their eyes. All because you took me back. The tramp who betrayed you in the worst possible manner. And I thought to myself I don’t deserve this. I’ve never deserved it. I deserve better.” She raised her eyes to his and he flinched at the horrible pain he saw reflected there. Then she laughed. A raw, terrible sound that grated across his ears. “And earlier tonight you forgave me. You stood there and told me it no longer mattered what happened in the past because you forgave me and you wanted to move forward.” She curled her fingers into tight balls and rage flared in her eyes. She stood and stared him down even as tears ran in endless streams down her cheeks. “Well, I don’t forgive you. Nor can I forget that you betrayed me in the worst way a man can betray the woman he’s supposed to love and be sworn to protect.” He took a step back, reeling from the fury in her voice. His eyes narrowed. “You don’t forgive me?” “I told you the truth that day,” she said hoarsely, her voice cracking under the weight of her tears. “I begged you to believe me. I got down on my knees and begged you. And what did you do? You wrote me a damn check and told me to get out.” He took another step back, his hand going to his hair. Something was wrong, terribly wrong. So much of that day was a blur. He remembered her on her knees, her tear-stained face, how she put her hand on his leg and whispered, “Please don’t do this.” It made him sick. He never wanted to go back to the way he felt that day, but somehow this was worse because there was something terribly wrong in her eyes and in her voice. “Your brother assaulted me. He forced himself on me. I didn’t invite his attentions. I wore the bruises from his attack for two weeks. Two weeks. I was so stunned by what he’d done that all I could think about was getting to you. I knew you’d fix it. You’d protect me. You’d take care of me. I knew you’d make it right. All I could think about was running to you. And, oh God, I did and you looked right through me.” The sick knot in his stomach grew and his chest tightened so much he couldn’t breathe. “You wouldn’t listen,” she said tearfully. “You wouldn’t listen to anything I had to say. You’d already made your mind up.” He swallowed and closed the distance between them, worried that she’d fall if he didn’t make her sit. But she shook him off and turned her back, her shoulders heaving as her quiet sobs fell over the room. “I’m listening now, Kelly,” he forced out. “Tell me what happened. I’ll believe you. I swear.” But he knew. He already knew. So much of that day was replaying over and over in his head and suddenly he was able to see so clearly what he’d refused to see before. And it was killing him. His brother had lied to him after all. Not just lied but he’d carefully orchestrated the truth and twisted it so cleverly that Ryan had been completely deceived.
Maya Banks (Wanted by Her Lost Love (Pregnancy & Passion, #2))
Everything has already been caught, until my death, in an icefloe of being: my trembling when a piece of rough trade asks me to brown him (I discover that his desire is his trembling) during a Carnival night; at twilight, the view from a sand dune of Arab warriors surrendering to French generals; the back of my hand placed on a soldier's basket, but especially the sly way in which the soldier looked at it; suddenly I see the ocean between two houses in Biarritz; I am escaping from the reformatory, taking tiny steps, frightened not at the idea of being caught but of being the prey of freedom; straddling the enormous prick of a blond legionnaire, I am carried twenty yards along the ramparts; not the handsome football player, nor his foot, nor his shoe, but the ball, then ceasing to be the ball and becoming the “kick-off,” and I cease being that to become the idea that goes from the foot to the ball; in a cell, unknown thieves call me Jean; when at night I walk barefoot in my sandals across fields of snow at the Austrian border, I shall not flinch, but then, I say to myself, this painful moment must concur with the beauty of my life, I refuse to let this moment and all the others be waste matter; using their suffering, I project myself to the mind's heaven. Some negroes are giving me food on the Bordeaux docks; a distinguished poet raises my hands to his forehead; a German soldier is killed in the Russian snows and his brother writes to inform me; a boy from Toulouse helps me ransack the rooms of the commissioned and non-commissioned officers of my regiment in Brest: he dies in prison; I am talking of someone–and while doing so, the time to smell roses, to hear one evening in prison the gang bound for the penal colony singing, to fall in love with a white-gloved acrobat–dead since the beginning of time, that is, fixed, for I refuse to live for any other end than the very one which I found to contain the first misfortune: that my life must be a legend, in other words, legible, and the reading of it must give birth to a certain new emotion which I call poetry. I am no longer anything, only a pretext.
Jean Genet (The Thief's Journal)
On the deck was a skeleton. Some of the bugs seemed to be fighting for the last scraps of flesh but pretty much everything but bone and some scraps of skin and hair were gone. Bugs were even crawling in and out of the eye sockets, cleaning out the brains. “Holy crap,” Woodman said, “I don’t want those getting on me!” “I just figured out what they are,” Gardner said, stepping through the hatch after a flash around with her light. Every step caused a crunch. “And they won’t bite.” “They stripped that guy to the bone!” Woodman said. “That’s what they do,” Gardner said, bending down and picking up one of the beetles. It skittered along her arm and she shook it off. “They’re carrion beetles.” “Carrion?” Woodman said. “So they eat people?” “They eat dead flesh,” Gardner said. “I’d heard Wolf say he’d ‘seeded’ the boat. I didn’t know it was with these.” “Wolf did this?” Woodman said angrily. “To our people?” “Six of us came off, Woodie,” Gardner said softly. “Ninety-four and twenty-six refugees didn’t. You’ve carried bodies. You know how heavy they are. Now . . . they’re not.” “That’s horrible,” Woodman said. “No,” Gardner said, flashing her light around. “It’s efficient, simple and brutal. It’s Wolf all over if you think about it. These things only eat dead flesh. They may get into some of the electronics but those are mostly thrashed by the infecteds, anyway. It cleans the boat out of the main issue, the dead meat on the dead people. If we ever get around to clearing this out, all we’ll have to do is bag the bones.” “We won’t know who’s who,” Woodman said. “Does it matter?” Gardner said. “There’s a big thing, it’s called an ossuary, in France. All the guys who died in a certain battle in World War One. They buried them, waited for bugs like this to do their work, then dug them back up. All of certain bones are on the left, all the others are on the right and the skulls are in the middle.” She picked up the skull of the former Coast Guard crewman and looked at it as beetles poured out. “I don’t know who you were but you were my brother,” Gardner said. “This way, I know I can give you a decent burial. And I will remember you. Now, we’ve got a mission to complete, Woodman, and people waiting on us. Live people. Let the dead bury the dead.
John Ringo (Under a Graveyard Sky (Black Tide Rising, #1))
With Mary standing in the hall, Kate and Anthony exited out the doorway and headed west on Milner Street. “I usually stay to the smaller streets and make my way up to Brompton Road,” Kate explained, thinking that he might not be very familiar with this area of town, “then take that to Hyde Park. But we can walk straight up Sloane Street, if you prefer.” “Whatever you wish,” he demurred. “I shall follow your direction.” “Very well,” Kate replied, marching determinedly up Milner Street toward Lenox Gardens. Maybe if she kept her eyes ahead of her and moved briskly, he’d be discouraged from conversation. Her daily walks with Newton were supposed to be her time for personal reflection. She did not appreciate having to drag him along. Her strategy worked quite well for several minutes. They walked in silence all the way to the corner of Hans Crescent and Brompton Road, and then he quite suddenly said, “My brother played us for fools last night.” That stopped her in her tracks. “I beg your pardon?” “Do you know what he told me about you before he introduced us?” Kate stumbled a step before shaking her head, no. Newton hadn’t stopped in his tracks, and he was tugging on the lead like mad. “He told me you couldn’t say enough about me.” “Wellll,” Kate stalled, “if one doesn’t want to put too fine a point on it, that’s not entirely untrue.” “He implied,” Anthony added, “that you could not say enough good about me.” She shouldn’t have smiled. “That’s not true.” He probably shouldn’t have smiled, either, but Kate was glad he did. “I didn’t think so,” he replied. They turned up Brompton Road toward Knightsbridge and Hyde Park, and Kate asked, “Why would he do such a thing?” Anthony shot her a sideways look. “You don’t have a brother, do you?” “No, just Edwina, I’m afraid, and she’s decidedly female.” “He did it,” Anthony explained, “purely to torture me.” “A noble pursuit,” Kate said under her breath. “I heard that.” “I rather thought you would,” she added. “And I expect,” he continued, “that he wanted to torture you as well.” “Me?” she exclaimed. “Whyever? What could I possibly have done to him?” “You might have provoked him ever so slightly by denigrating his beloved brother,” he suggested. Her brows arched. “Beloved?” “Much-admired?” he tried. She shook her head. “That one doesn’t wash, either.” Anthony grinned.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
She is pissed off all the time,” he mumbled and I remained silent, letting him ramble. “She wants chocolate ice cream, I go in search of chocolate, but the time I get back she’s pissed because she wants strawberry instead. I can’t win.” He looked me straight in the eyes and I swear his expression was one of desperation. “It wasn’t like this before. With Liam she was so sweet. But I swear the damn devil has possessed my wife and she might kill me in my sleep one night.” It was then I laughed. “What the hell is so funny?” he asked. “I sleep with one eye open and one leg hanging off the bed touching the floor at my side. This way if I have to move fast I feel I’m one step closer.” He didn’t smile. There was absolutely no humor in his words. “Weren’t you the one that said you wanted five kids?” I asked. “I changed my mind. After this one, we’re done. I want Trinity back.” Again, complete seriousness. Poor guy looked lost. And it was the best damn thing to witness. Within four months of having Liam, Trinity was pregnant again. And this time she was cranky as hell. Everyone noticed it, but she directed all that aggravation toward the man she said was to blame. And the rest of us loved to witness his hell. “Go home, Chase,” I told him and he looked as if he wanted to argue. “Stop at the store and pick up every flavor of ice cream they got,” I told him. “Tell her she’s beautiful and rub her feet.” “I do that already,” he whined. “I tell her she’s beautiful, and no other woman has ever looked as amazing as her. I tell her I love her and that she is my world, but she is like the exorcist.” “Well it’s your job to take it. Let her growl and complain and just take it,” I told him. “Because at the end of the day you just need to remember one thing.” He looked at me like I was about to give him the best piece of advice. I almost felt bad about the fact that I had nothing reassuring to say. “What?” he asked and I cracked a smile, almost talking myself out of taking the chance at being an asshole. Then I thought about the fact that had the roles been reversed he would have jumped at the chance. “You are to blame for the state she is in.” He narrowed his eyes at me. “And the rest of us guys are loving that it’s you and not us being tortured.” “You’re an asshole,” he mumbled as he turned around and walked off toward his truck. I laughed the entire drive home.
C.A. Harms (Trinity's Trust (Sawyer Brothers #5))
Did the Führer take her (mother) away?” The question surprised them both, and it forced Papa to stand up. He looked at the brown-shirted men taking to the pile of ash with shovels. He could hear them hacking into it. Another lie was growing in his mouth, but he found it impossible to let it out. He said, “I think he might have, yes.” “I knew it.” The words were thrown at the steps and Liesel could feel the slush of anger, stirring hotly in her stomach. “I hate the Führer,” she said. “I hate him.” And Hans Hubermann? What did he do? What did he say? Did he bend down and embrace his foster daughter, as he wanted to? Did he tell her that he was sorry for what was happening to her, to her mother, for what had happened to her brother? Not exactly. He clenched his eyes. Then opened them. He slapped Liesel Meminger squarely in the face. “Don’t ever say that!” His voice was quiet, but sharp. As the girl shook and sagged on the steps, he sat next to her and held his face in his hands. It would be easy to say that he was just a tall man sitting poorpostured and shattered on some church steps, but he wasn’t. At the time, Liesel had no idea that her foster father, Hans Hubermann, was contemplating one of the most dangerous dilemmas a German citizen could face. Not only that, he’d been facing it for close to a year. “Papa?” The surprise in her voice rushed her, but it also rendered her useless. She wanted to run, but she couldn’t. She could take a Watschen from nuns and Rosas, but it hurt so much more from Papa. The hands were gone from Papa’s face now and he found the resolve to speak again. “You can say that in our house,” he said, looking gravely at Liesel’s cheek. “But you never say it on the street, at school, at the BDM, never!” He stood in front of her and lifted her by the triceps. He shook her. “Do you hear me?” With her eyes trapped wide open, Liesel nodded her compliance. It was, in fact, a rehearsal for a future lecture, when all of Hans Hubermann’s worst fears arrived on Himmel Street later that year, in the early hours of a November morning. “Good.” He placed her back down. “Now, let us try …” At the bottom of the steps, Papa stood erect and cocked his arm. Forty-five degrees. “Heil Hitler.” Liesel stood up and also raised her arm. With absolute misery, she repeated it. “Heil Hitler.” It was quite a sight—an eleven-year-old girl, trying not to cry on the church steps, saluting the Führer as the voices over Papa’s shoulder chopped and beat at the dark shape in the background.
Markus Zusak
For freedom Christ has set us free; stand firm therefore, and do not submit again to a yoke of slavery. 2Look: I, Paul, say to you that if you accept circumcision, Christ will be of no advantage to you. 3I testify again to every man who accepts circumcision that he is obligated to keep the whole law. 4You are severed from Christ, you who would be justified [1] by the law; you have fallen away from grace. 5For through the Spirit, by faith, we ourselves eagerly wait for the hope of righteousness. 6For in Christ Jesus neither circumcision nor uncircumcision counts for anything, but only faith working through love. 7You were running well. Who hindered you from obeying the truth? 8This persuasion is not from him who calls you. 9A little leaven leavens the whole lump. 10I have confidence in the Lord that you will take no other view, and the one who is troubling you will bear the penalty, whoever he is. 11But if I, brothers, [2] still preach [3] circumcision, why am I still being persecuted? In that case the offense of the cross has been removed. 12I wish those who unsettle you would emasculate themselves! 13For you were called to freedom, brothers. Only do not use your freedom as an opportunity for the flesh, but through love serve one another. 14For the whole law is fulfilled in one word: “You shall love your neighbor as yourself.” 15But if you bite and devour one another, watch out that you are not consumed by one another. Keep in Step with the Spirit 16But I say, walk by the Spirit, and you will not gratify the desires of the flesh. 17For the desires of the flesh are against the Spirit, and the desires of the Spirit are against the flesh, for these are opposed to each other, to keep you from doing the things you want to do. 18But if you are led by the Spirit, you are not under the law. 19Now the works of the flesh are evident: sexual immorality, impurity, sensuality, 20idolatry, sorcery, enmity, strife, jealousy, fits of anger, rivalries, dissensions, divisions, 21envy, [4] drunkenness, orgies, and things like these. I warn you, as I warned you before, that those who do such things will not inherit the kingdom of God. 22But the fruit of the Spirit is love, joy, peace, patience, kindness, goodness, faithfulness, 23gentleness, self-control; against such things there is no law. 24And those who belong to Christ Jesus have crucified the flesh with its passions and desires. 25If we live by the Spirit, let us also keep in step with the Spirit. 26Let us not become conceited, provoking one another, envying one another. Bear One Another’s Burdens
Anonymous (The Holy Bible, English Standard Version (without Cross-References))
Though she could feel Dom darting glances at her the whole time, she couldn’t face him, couldn’t even look at him. Not just now, when she was still in turmoil about what they’d done. About what he’d said to her at the end. It will also give you a chance to decide what you want. That was the trouble. She didn’t know what she wanted. Well, she did know--she wanted to marry Dom the courteous gentleman. But not Dom the Almighty. She wanted the Dom who mourned for the six children who’d lost their mother needlessly, not the Dom who was sure Nancy was a whore because she’d married his bastard of a brother. But what if both parts were him? What if she couldn’t have one without the other? Why, he hadn’t even said he loved her! Then again, neither had she, so she could hardly fault him for that. Their past was still too raw, and they were both still afraid. Perhaps he’d been waiting for her to say it. She’d certainly been waiting for him. Because then she might really believe he meant to make a life with her again, and not go running off at the first sign of disaster. Like, perhaps, if Nancy proved to be bearing George’s son. “Since it’s such a beautiful morning,” Dom said, “I was thinking that someone might prefer to ride in the phaeton with me. What do you think, Jane? Shall you join me?” He was asking. Deliberately asking, not ordering. And she could feel his expectant gaze on her, indeed, feel everyone’s expectant gazes on her. But her thoughts were too jangled right now, and an enforced ride with him would only jangle them more. Especially since they’d be trapped together for half the day. She wouldn’t be able to escape. Not that she necessarily wanted to escape. Did she? Oh, Lord, she couldn’t handle this at the moment. “Actually, I was looking forward to chatting with your sister in His Grace’s coach. If you don’t mind.” Only then did she meet his gaze. It showed nothing of his thoughts, which made everything worse. She’d begun to recognize that bland expression; he only wore it when he was protecting himself. And if he felt a need to protect himself, then she’d hurt him. She swallowed hard. She hadn’t wanted to hurt him. Perhaps she should ride with him. Clear the air. Perhaps she was being a coward. “Whichever you prefer,” he said curtly. Then he walked briskly down the steps to his waiting phaeton, leapt in, and set it going. And the decision was made for her. Again. No, she couldn’t blame this one on him. This one was entirely hers. She’d sent him running away. Everyone knew it, too, which was nowhere more apparent than in the carriage once they were all settled in and headed off.
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
From the Author Matthew 16:25 says, “For whoever desires to save his life will lose it, but whoever loses his life for my sake will find it.”  This is a perfect picture of the life of Nate Saint; he gave up his life so God could reveal a greater glory in him and through him. I first heard the story of Operation Auca when I was eight years old, and ever since then I have been inspired by Nate’s commitment to the cause of Christ. He was determined to carry out God’s will for his life in spite of fears, failures, and physical challenges. For several years of my life, I lived and ministered with my parents who were missionaries on the island of Jamaica. My experiences during those years gave me a passion for sharing the stories of those who make great sacrifices to carry the gospel around the world. As I wrote this book, learning more about Nate Saint’s life—seeing his spirit and his struggles—was both enlightening and encouraging to me. It is my prayer that this book will provide a window into Nate Saint’s vision—his desires, dreams, and dedication. I pray his example will convince young people to step out of their comfort zones and wholeheartedly seek God’s will for their lives. That is Nate Saint’s legacy: changing the world for Christ, one person and one day at a time.   Nate Saint Timeline 1923 Nate Saint born. 1924 Stalin rises to power in Russia. 1930 Nate’s first flight, aged 7 with his brother, Sam. 1933 Nate’s second flight with his brother, Sam. 1936 Nate made his public profession of faith. 1937 Nate develops bone infection. 1939 World War II begins. 1940 Winston Churchill becomes British Prime Minister. 1941 Nate graduates from Wheaton College. Nate takes first flying lesson. Japan attacks Pearl Harbor, Hawaii. 1942 Nate’s induction into the Army Air Corps. 1943 Nate learns he is to be transferred to Indiana. 1945 Atomic bombs dropped on Hiroshima and Nagasaki, Japan by U.S. 1946 Nate discharged from the Army. 1947 Nate accepted for Wheaton College. 1948 Nate and Marj are married and begin work in Eduador. Nate crashes his plane in Quito. 1949 Nate’s first child, Kathy, is born. Germany divided into East and West. 1950 Korean War begins. 1951 Nate’s second child, Stephen, is born. 1952 The Saint family return home to the U.S. 1953 Nate comes down with pneumonia. Nate and Henry fly to Ecuador. 1954 The first nuclear-powered submarine is launched. Nate’s third child, Phillip, is born. 1955 Nate is joined by Jim Elliot, Ed McCully, Peter Fleming and Roger Youderian. Nate spots an Auca village for the first time. Operation Auca commences. 1956 The group sets up camp four miles from the Auca territory. Nate and the group are killed on “Palm Beach”.
Nancy Drummond (Nate Saint: Operation Auca (Torchbearers))
Miraculously, thirty minutes later I found Marlboro Man’s brother’s house. As I pulled up, I saw Marlboro Man’s familiar white pickup parked next to a very large, imposing semi. He and his brother were sitting inside the cab. Looking up and smiling, Marlboro Man motioned for me to join them. I waved, getting out of my car and obnoxiously taking my purse with me. To add insult to injury, I pressed the button on my keyless entry to lock my doors and turn on my car alarm, not realizing how out of place the dreadful chirp! chirp! must have sounded amidst all the bucolic silence. As I made my way toward the monster truck to meet my new love’s only brother, I reflected that not only had I never in my life been inside the cab of a semi, but also I wasn’t sure I’d ever been within a hundred feet of one. My armpits were suddenly clammy and moist, my body trembling nervously at the prospect of not only meeting Tim but also climbing into a vehicle nine times the size of my Toyota Camry, which, at the time, was the largest car I’d ever owned. I was nervous. What would I do in there? Marlboro Man opened the passenger door, and I grabbed the large handlebar on the side of the cab, hoisting myself up onto the spiked metal steps of the semi. “Come on in,” he said as he ushered me into the cab. Tim was in the driver’s seat. “Ree, this is my brother, Tim.” Tim was handsome. Rugged. Slightly dusty, as if he’d just finished working. I could see a slight resemblance to Marlboro Man, a familiar twinkle in his eye. Tim extended his hand, leaving the other on the steering wheel of what I would learn was a brand-spanking-new cattle truck, just hours old. “So, how do you like this vehicle?” Tim asked, smiling widely. He looked like a kid in a candy shop. “It’s nice,” I replied, looking around the cab. There were lots of gauges. Lots of controls. I wanted to crawl into the back and see what the sleeping quarters were like, and whether there was a TV. Or a Jacuzzi. “Want to take it for a spin?” Tim asked. I wanted to appear capable, strong, prepared for anything. “Sure!” I responded, shrugging my shoulders. I got ready to take the wheel. Marlboro Man chuckled, and Tim remained in his seat, saying, “Oh, maybe you’d better not. You might break a fingernail.” I looked down at my fresh manicure. It was nice of him to notice. “Plus,” he continued, “I don’t think you’d be able to shift gears.” Was he making fun of me? My armpits were drenched. Thank God I’d work black that night. After ten more minutes of slightly uncomfortable small talk, Marlboro Man saved my by announcing, “Well, I think we’ll head out, Slim.” “Okay, Slim,” Tim replied. “Nice meeting you, Ree.” He flashed his nice, familiar smile. He was definitely cute. He was definitely Marlboro Man’s brother. But he was nothing like the real thing.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
My lips parted to say something, but I forgot what it had been as my gaze fell on the girl who had just stepped into the room. My thumping pulse picked up speed for a wholly different reason as I drank her in. Long, black hair tumbled down her spine, her green eyes turned up towards the curving roof as she drank in the sight of the building she was in. Her lips were full and primed for tasting, but the set of her mouth said she was more used to frowning than smiling. She was without a doubt, the most stunning creature I'd ever laid my eyes upon and I couldn't help but stare at her as she moved deeper into the room with the other students. I felt a silencing bubble closing around me as one of the others tossed it up to allow us to speak freely, but I didn't look away from her. My gaze was riveted to her as I drank in every small movement of her body and each expression crossing her face. I didn't give a fuck about the Vegas showing up tonight anymore. I just wanted to know that girl a whole lot better than I did. "Holy fuck," Caleb murmured beside me and a deep growl rolled through my chest as I got the impression his gaze was fixed where mine was. "Mine," I snarled, the beast in me waking up and my eyes shifting into reptilian slits as if my Dragon was aching for a look at her too. Every muscle in my body tensed and I was filled with the insane urge to get out of my seat and stride straight up to that girl and claim her in front of every fucker here. I didn't even know her name. I didn't know what Order she was or how powerful she was or any of the things like that which should have mattered to me. But I didn't care. Because the only thing about her that mattered in that moment was that I was laying my claim. The Dragon in me demanded it. "Well shit, I didn't consider the fact that they might be hot," Seth cursed and I frowned a little at his words, trying to piece them together. "That'll make things more interesting," Max agreed. "I wanna know how good they taste," Caleb said with a barely stifled groan. I didn't want to listen to any of them, but their words kept pushing in on me while I continued to stare at my mystery girl. ... The second girl looked strikingly like her sister, though for some reason I felt like I'd know which was which in the dark. I wasn't sure what it was. But despite their equally attractive looks, my attention was pulled back towards the first girl like the stars wanted it to be on her. Nova kept prattling on to the twins while my brothers all hissed plans back and forth between each other. Our parents had been more than clear on this. The Vega twins needed to go. We were expected to make sure that happened. That was all that mattered. My dick's interest in getting to know one of them a whole lot more intimately had no bearing on anything. (Darius POV)
Caroline Peckham (The Awakening as Told by the Boys (Zodiac Academy, #1.5))
The Old Issue October 9, 1899 “HERE is nothing new nor aught unproven,” say the Trumpets, “Many feet have worn it and the road is old indeed. “It is the King—the King we schooled aforetime !” (Trumpets in the marshes—in the eyot at Runnymede!) “Here is neither haste, nor hate, nor anger,” peal the Trumpets, “Pardon for his penitence or pity for his fall. “It is the King!”—inexorable Trumpets— (Trumpets round the scaffold at the dawning by Whitehall!) “He hath veiled the Crown and hid the Sceptre,” warn the Trumpets, “He hath changed the fashion of the lies that cloak his will. “Hard die the Kings—ah hard—dooms hard!” declare the Trumpets, Trumpets at the gang-plank where the brawling troop-decks fill! Ancient and Unteachable, abide—abide the Trumpets! Once again the Trumpets, for the shuddering ground-swell brings Clamour over ocean of the harsh, pursuing Trumpets— Trumpets of the Vanguard that have sworn no truce with Kings! All we have of freedom, all we use or know— This our fathers bought for us long and long ago. Ancient Right unnoticed as the breath we draw— Leave to live by no man’s leave, underneath the Law. Lance and torch and tumult, steel and grey-goose wing Wrenched it, inch and ell and all, slowly from the King. Till our fathers ’stablished, after bloody years, How our King is one with us, first among his peers. So they bought us freedom—not at little cost Wherefore must we watch the King, lest our gain be lost, Over all things certain, this is sure indeed, Suffer not the old King: for we know the breed. Give no ear to bondsmen bidding us endure. Whining “He is weak and far”; crying “Time shall cure.”, (Time himself is witness, till the battle joins, Deeper strikes the rottenness in the people’s loins.) Give no heed to bondsmen masking war with peace. Suffer not the old King here or overseas. They that beg us barter—wait his yielding mood— Pledge the years we hold in trust—pawn our brother’s blood— Howso’ great their clamour, whatsoe’er their claim, Suffer not the old King under any name! Here is naught unproven—here is naught to learn. It is written what shall fall if the King return. He shall mark our goings, question whence we came, Set his guards about us, as in Freedom’s name. He shall take a tribute, toll of all our ware; He shall change our gold for arms—arms we may not bear. He shall break his judges if they cross his word; He shall rule above the Law calling on the Lord. He shall peep and mutter; and the night shall bring Watchers ’neath our window, lest we mock the King— Hate and all division; hosts of hurrying spies; Money poured in secret, carrion breeding flies. Strangers of his counsel, hirelings of his pay, These shall deal our Justice: sell—deny—delay. We shall drink dishonour, we shall eat abuse For the Land we look to—for the Tongue we use. We shall take our station, dirt beneath his feet, While his hired captains jeer us in the street. Cruel in the shadow, crafty in the sun, Far beyond his borders shall his teachings run. Sloven, sullen, savage, secret, uncontrolled, Laying on a new land evil of the old— Long-forgotten bondage, dwarfing heart and brain— All our fathers died to loose he shall bind again. Here is naught at venture, random nor untrue— Swings the wheel full-circle, brims the cup anew. Here is naught unproven, here is nothing hid: Step for step and word for word—so the old Kings did! Step by step, and word by word: who is ruled may read. Suffer not the old Kings: for we know the breed— All the right they promise—all the wrong they bring. Stewards of the Judgment, suffer not this King!
Rudyard Kipling
Luna left, too, with a cheery, “Thanks for the morning entertainment. That provided a better jolt than a cup of espresso.” Then it was just Arabella, her brother, and the really, really big man, who had just turned his gaze on her. Given his threats and violent solution, Arabella should have been quaking. At the very least staring at her toes lest she incur his wrath. But the gentlest blue eyes caught hers, and his tone was soft and soothing when he addressed her. “You must be Arabella. I’m Leo, the pride’s omega.” “More like enforcer,” Jeoff muttered, still rubbing his head. “If you behave, then I don’t have to resort to my methods.” “He started it,” Jeoff accused, pointing at finger at Hayder, who emerged from the bedroom clad in low-hipped jeans that hugged his corded thighs and a soft T-shirt that clung to his chest. “Hey, it’s not my fault you jumped to the wrong conclusion when I answered the door.” “What else was I to think? You’re in my sister’s condo wearing only a rag.” “Protecting her.” “The same way you protected her last night when you took her out and flaunted her?” “I took her to dinner.” “What the hell do you mean you took her out to dinner? You put my baby sister in danger.” “She wasn’t in danger.” “They snatched her off the street!” “And I got her back.” The men glared at each, toe-to-toe, bodies bristling. Leo, who’d seated himself on a stool by the kitchen island, cleared his throat. “Don’t make me get off this stool.” The tension remained, but the impending violence moved down a few notches. Seeming satisfied, Leo turned to her. “Coffee?” He addressed that to Arabella, holding out a cup he’d brewed from the machine on the counter. With a wary look at both Hayder and her brother, she went toward him but then almost scalded herself when Hayder barked, “Baby, where are your pants?” Oh yeah. She peeked down at her bare legs. To his credit, Leo didn’t, but he did smile. “How about I add some sugar and milk to this while you find some pants? You look like you need something sweet.” She couldn’t help but return his smile. “Yes, please.” Still ignoring the other two men, she stepped past them to the bedroom, where she scrounged in a drawer for pants. As she dressed, she listened to the arguing. “She’s leaving with me.” Her brother hadn’t relented. Neither did Hayder. “Wrong. Arabella isn’t going anywhere.” Ouch. She knew her brother wouldn’t like that. She was right. “Excuse me? You don’t get a say. She’s my sister, my responsibility. I’m taking her.” Arabella stepped back into the living room. “What of the danger though, Jeoff? The pack is in town, and they’re looking for me.” “We’ll figure something out.” “We already have. She’ll stay here with me where she’s safe.” Hayder crossed his arms over his impressive chest, looking much too determined— and sexy. A certain brother wasn’t impressed. “As safe as she was last night?” Hayder rolled his eyes. “Oh please. What part of ‘we had the situation under control’ can you not grasp? Leo, tell the wolf that Arabella was never in any danger.” “I don’t lie to my friends,” Leo said as he re-handed Arabella her coffee. She took a sip of the hot brew and sighed as she listened to the arguing. When Leo patted the stool beside him, she hopped on. For such a big man, he offered a strangely calming effect. On her at least. Hayder and Jeoff, on the other hand, just couldn’t stem their tirade. “I was wrong to stick her here. So you can forget I asked.” “Too late. She’s part of the pride now.” “She’s a wolf, or have you forgotten? She belongs with her own kind.” Jeoff crooked his finger at her and inclined his head to the door. Arabella didn’t move, more because Hayder’s next words froze her. “She belongs with me. Arabella is my mate.
Eve Langlais (When a Beta Roars (A Lion's Pride, #2))
flicker?" He points to the screen and pauses the vid. "That's when they switched the footage." I stare at the screen. "How do I know you're not the ones lying?" "You saw it yourself on the street," Meyer says. I glance up from the pad and lock eyes with Meyer. "What else are they lying about?" Jayson chuckles. "Well… that's going to take longer than we have." "Here's one," Meyer says. "Remember that last viral outbreak that killed a bunch of Level Ones?" "3005B?" My heart races. That's the virus that ultimately killed Ben thirteen years ago. "That's it. The one they use in all the broadcasts to remind citizens how important it is to get your MedVac updates? It wasn't an accident." We were always told a virus swept through Level One because they hadn't gotten their updated VacTech yet. Hundreds of people died in the day it took to get everyone up to date. "My brother died because of that." Everything I've found out over the last week suddenly grips me with fear. This can't be real. My breath shortens, and suddenly my head starts slowly spinning. Everything goes blurry. Then black. ~~~ "It's all right, kid," a distant voice, which must be Jayson's, echoes in the back of my mind. The room swirls around me. Their faces blur in and out of focus. "Meyer, get her." Blinking a couple of times, I try to sit up. I guess I fell. Meyer's warm hands rest on the back of my neck, my head in his lap. "Don't stand. You could pass out again," he says. He helps me sit up. "Are you okay?" "No, I'm not okay," I mumble. "This is too much." I feel like I should be crying, but I'm not. The reality is that the anger I feel is so much greater than any sadness. Neither Meyer nor Jayson speak, and let me mull over what I've just heard. "Why did they do that?" I eventually ask. "Two reasons, kid," Jayson says. "To cull the Level Ones, and to scare Elore into taking the VacTech. If viral outbreaks are still a threat, no one questions it, and continues believing inside the perimeter is the safest place for them." "I'm sorry about your brother," Meyer says as he stands, offering me his hand. His words are genuine, filled with the emotions of someone who has also experienced loss. "I hate to end this," Jayson interrupts, "but it's time to go." Meyer eyes Jayson, and then me. "I understand if you're not ready, but you need to choose soon. Within the next few days." I take his hand and pull myself to my feet. Words catch somewhere between my heart and throat. The old me wants to tell them to get lost and to never bother me again. It's so risky. Then again, I can't stand by while Manning and Direction kill people to keep us in the dark. Joining is the right thing to do. Feelings I've never experienced before well inside my chest, and I long to shout, When do we start? Instead, I stuff them down and stare at the ground. Subtle pressure squeezes my hand, bringing me back to the present. I never let go of Meyer's hand. How long have we been like that? He releases my hand as he mutters and steps back. The heat from his touch still flickers on my skin. You didn't have to go. I clear my throat and turn toward Meyer. Our eyes lock. "I've already decided," I tell him. "I'll do it. For Ben. Direction caused his death, and there's no way I'm standing by and letting them do this to more people." I barely recognize my own voice as I ask, "What do I do?" A slap hits my back and I choke. Jayson. "Atta girl. Meyer and I knew you had it in you." "Jayson, you have to give Avlyn some time." Meyer steps toward me and holds his handheld in the air toward Jayson. "I'll bring her up to speed." "Sure thing." Jayson throws his hands in the air and walks to the other side of the room. "Sorry," Meyer murmurs. "Jayson is pretty… overwhelming. At least until you know him. Even then…" "Oh, it's fine." A white lie. "He's a nice guy. Now, why don't you tell me the instructions
Jenetta Penner (Configured (Configured, #1))