Step Backward Quotes

And a step backward, after making a wrong turn, is a step in the right direction.

Optimist: Someone who figures that taking a step backward after taking a step forward is not a disaster, it's a cha-cha.

Have you ever seen anything quite as pathetic?" said Malfoy. "And he’s supposed to be our teacher!" Harry and Ron both made furious moves toward Malfoy, but Hermione got there first - SMACK! She had slapped Malfoy across the face with all the strength she could muster. Malfoy staggered. Harry, Ron, Crabbe, and Goyle stood flabbergasted as Hermione raised her hand again. "Don’t you dare call Hagrid pathetic you foul—you evil—" "Hermione!" said Ron weakly and he tried to grab her hand as she swung it back. "Get off Ron!" Hermione pulled out her wand. Malfoy stepped backward. Crabbe and Goyle looked at him for instructions, thoroughly bewildered. "C’mon," Malfoy muttered, and in a moment, all three of them had disappeared into the passageway to the dungeons. "Hermione!" Ron said again, sounding both stunned and impressed.

It is better to take many small steps in the right direction than to make a great leap forward only to stumble backward.

ALL THINGS THAT ARE, ARE OURS. BUT WE MUST CARE. FOR IF WE DO NOT CARE, WE DO NOT EXIST. IF WE DO NOT EXIST, THEN THERE IS NOTHING BUT BLIND OBLIVION. AND EVEN OBLIVION MUST END SOMEDAY. LORD, WILL YOU GRANT ME JUST A LITTLE TIME? FOR THE PROPER BALANCE OF THINGS. TO RETURN WHAT WAS GIVEN. FOR THE SAKE OF PRISONERS AND THE FLIGHT OF BIRDS. Death took a step backwards. It was impossible to read expression in Azrael's features. Death glanced sideways at the servants. LORD, WHAT CAN THE HARVEST HOPE FOR, IF NOT FOR THE CARE OF THE REAPER MAN?

I’m sorry for screwing everything up. I hurt you again, and for that I’m sorry. I’m so sorry. I don’t want to do that anymore. So … I’m not going to stay for the wedding. I’m just going to take off now. I won’t see you again, not for a long time. Probably for the best. Being near you like this, it hurts. And Jere”—Conrad cleared his throat and stepped backward, making space between us—“he’s the one who needs you.” Hoarsely, he said, “I need you to know that no matter what happens, it was worth it to me. Being with you, loving you. It was all worth it

He walked backwards a few more steps and brought Brittany’s hand to his lips without taking his eyes off me. My hand tingled where he kissed her. And the bastard knew it.

You had this young man with you for... what, six years?" Halt shrugged. "Near enough," he replied. "And did you ever understand a word he was saying?" "Not a lot of the time, no," Halt said. Crowley shook his head in wonder. "It's just as well he didn't go into the Diplomatic Service. We'd be at war with half a dozen countries by now if he was on the loose." Will drew a deep breath to begin talking. He noticed that both men took an involuntary half step backward and he decided he'd better try to keep it as simple as possible.

Lily and James only made you Secret-Keeper because I suggested it,” Black hissed, so venomously that Pettigrew took a step backward. “I thought it was the perfect plan... a bluff... Voldemort would be sure to come after me, would never dream they’d use a weak, talentless thing like you... It must have been the finest moment of your miserable life, telling Voldemort you could hand him the Potters.

It would be inappropiate, undignified, at 38, to conduct friendships or love affairs with the ardour or intensity of a 22 year old. Falling in love like that? Writing poetry? Crying at pop songs? Dragging people into photobooths? Taking a whole day to make a compilation tape? Asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or TS Eliot or, god forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at 38, to expect a song or book or film to change your life.

I stepped on a bird/ cried in my new boyfriend's arms/ to live is to kill

Don't step backward toward nothing, step forward toward something, better awkward steps forward, than coward steps backward.

As he stepped out of the science building, he tipped his head backward, as if Ronan Lynch - dreamer of dreams, fighter of men, skipper of classes - might somehow be flying overhead. He was not.

Life isn’t a linear journey. Sometimes it’s one step backwards, two steps forward and then a jump out to the side. It’s kind of like the “Time Warp”, when you think about it. Life follows many directions and hopefully, eventually, your mind and body and life and love, all catch up with each other.

She had resolved to never take another step backward.

I'm not sure he's wrong about automobiles," he said. "With all their speed forward they may be a step backward in civilization -- that is, in spiritual civilization. It may be that they will not add to the beauty of the world, nor to the life of men's souls.

We had a short reprieve as Dad cupped Mom’s face and ran his hands down her neck, over her shoulders. “Helena, are you hurt?” She waved that away. “I’m fine.” She smiled briefly, then turned hard eyes on us. Each of us took a healthy step backward and not a single one of us felt any less manly for the wise retreat.

It is necessary sometimes to take one step backward to take two steps forward.

You are good when you walk to your goal firmly and with bold steps. Yet you are not evil when you go thither limping. For those who limp go not backwards. But you who are strong and swift, see that you do not limp before the lame, deeming it kindness.

The entire hospital seemed to go still, watching and waiting, and what the hell was up with Sin and guys on horses anyway? "Well, who is he?" "War." Con stared at her. "War. Just...War. What kind of name is that?" Nope, not jealous at all of muscle-bound handsome guy. "Yeah, you know, the original War. Second Horseman of the Apocalypse?" Con nearly swallowed his fucking tongue. Everyone else in the ER scrambled backward. Even Eidolon backed up a step as the guy swung down from the horse. Christ, standing, the guy was damned near seven feet tall. "Sin," he said in an impossibly deep voice. He approached her, bent to kiss her cheek, and Con bristled. "Big horse," Con ground out. "Compensating much?

Where the hell is Ronan?” Gansey asked, echoing the words that thousands of humans had uttered since mankind developed speech. As he stepped out of the science building, he tipped his head backwards, as if Ronan Lynch – dreamer of dreams, fighter of men, skipper of classes – might somehow be flying overhead.

We can stick anything into the fog and make it look like a ghost but tonight let us not become tragedies. We are not funeral homes with propane tanks in our windows, lookin’ like cemeteries. Cemeteries are just the Earth’s way of not letting go. Let go. Tonight let’s turn our silly wrists so far backwards the razor blades in our pencil tips can’t get a good angle on all that beauty inside. Step into this with your airplane parts. Move forward and repeat after me with your heart: “I no longer need you to fuck me as hard as I hated myself.” Make love to me like you know I am better than the worst thing I ever did. Go slow. I’m new to this. But I have seen nearly every city from a rooftop without jumping. I have realized that the moon did not have to be full for us to love it, that we are not tragedies stranded here beneath it, that if my heart really broke every time I fell from love I’d be able to offer you confetti by now. But hearts don’t break, y’all, they bruise and get better. We were never tragedies. We were emergencies. You call 9 – 1 – 1. Tell them I’m having a fantastic time.

Our course heavenward is like the plan of the zealous pilgrim of old, who for every three steps forward, took one backward.

Are You Ready for New Urban Fragrances? Yeah, I guess I'm ready, but listen: Perfume is a disguise. Since the middle ages, we have worn masks of fruit and flowers in order to conceal from ourselves the meaty essence of our humanity. We appreciate the sexual attractant of the rose, the ripeness of the orange, more than we honor our own ripe carnality. Now today we want to perfume our cities, as well; to replace their stinging fumes of disturbed fossils' sleep with the scent of gardens and orchards. Yet, humans are not bees any more than they are blossoms. If we must pull an olfactory hood over our urban environment, let it be of a different nature. I want to travel on a train that smells like snowflakes. I want to sip in cafes that smell like comets. Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace. I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve. I want to carry luggage that reeks of the neurons in Einstein's brain. I want a city's gases to smell like the golden belly hairs of the gods. And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella.

I’m so sorry. I don’t think the etiquette manuals cover this sort of situation.” He leaned in close, his lips all but grazing her neck, and inhaled. “Mmm. You smell good, too.” She nearly choked. Took a step backwards, until her back met cold stone. “Th-thank you.” “That’s better. May I kiss you?” His finger dipped into her shirt collar, stroking the tender nape of her neck. “I d-don’t th-think that’s a good idea.” “Why not? We’re alone.” His hands were at her waist. Her lungs felt tight and much too small. “Wh-what if somebody comes in?” He considered for a moment. “Well, I suppose they’ll think I fancy grubby little boys.

Stop!” His voice rings out sharply, hard as a slap. He releases me and I stumble backward. “Alex is dead, do you hear me? All of that—what we felt, what it meant—that’s done now, okay? Buried. Blown away.” “Alex!” He has started to turn away; now he whirls around. The moon lights him stark white and furious, a camera image, two-dimensional, gripped by the flash. “I don’t love you, Lena. Do you hear me? I never loved you.” The air goes. Everything goes. “I don’t believe you.” I’m crying so hard, I can hardly speak. He takes one step toward me. And now I don’t recognize him at all. He has transformed entirely, turned into a stranger. “It was a lie. Okay? It was all a lie. Craziness, like they always said. Just forget about it. Forget it ever happened.

Thaniel listened for a while longer, because the silence was so deep and clear that he could hear ghosts of the thirty-six of thirty-seven possible worlds in which Grace had not won at the roulette, and not stepped backward into him. He wished then that he could go back and that the ball had landed on another number. He would be none the wiser and he would be staying at Filigree Street, probably for years, still happy, and he wouldn't have stolen those years from a lonely man who was too decent to mention that they were missing.

You can’t come in without an invitation.” He leans a shoulder against Alison’s framed photo of a wheat field at harvest. “That so?” His boot heel nudges the door behind him, shutting out the storm and the scent of rain. “Last I checked, I wasn’t a vampire,” he says, his voice low. My fists clench tighter, and I step backward onto the line of carpet that borders the edge of the living room. “You sure have a lot in common with one.” “Because I suck?” “More proof. You just read my mind.

Striding up to him, Wilhelm drew his fist back and landed a clean blow to Rupert’s jaw. Rupert reeled, and after two wobbly backward steps, hit the floor on his backside. He raised a hand to his face. “Feel better?” “No. Get up so I can hit you again.

If you are nice, but you give of yourself with strings attached, the demand for reciprocity will send him several steps backward.

Kenzie took two staggering steps backward, staring at the feeline as if in a daze. "O-kay," she breathed, shaking her head slightly. "A cat. A cat that talks. I'm going crazy." she glanced at me. " Or you slipped something into my drink at the tournament. One or the other.

Separate yourself from those who hinder your vision. Make a choice to walk away from the trap set to ensnare you. Realize when someone is pulling you backwards every time you take a step forward. Separate from them and the result of your action will be a life of success.

His mouth twisted into a perceptive, sexy smile. "Hmm." "Hmm?" I looked away, flustered, automatically using irritation to cover my discomfort up. "What does 'hmm' have to do with anything? Could you ever use more than five words? All this grunting and miced words make you come across--primal." His smile tipped higher. "Primal." "You're impossible." "Me Jev, you Nora." "Stop it." But I nearly smiled in spite of myself. "Since we're keeping it primal, you smell good," he observed. Hw moved closer, makin me acutely aware of his size, the rise and fall of his chest, the warm burn of his skin on mine. Electricity tingled along my scalp, and I shuddered with pleasure. "It's called a shower...," I began automatically, then trailed off. My memory snagged, taken aback by a compelling and forceful sense of undue familiarity. "Soap, shampoo, hot water," I added, almost as an afterthought. "Naked. I know the drill," Jev said, something unreadable passing over his eyes. Unsure how to proceed, I attempted to wash away the moment with an airy laugh. "Are you flirting with me, Jev?" "Does it feel that way to you?" "I don't know you well enough to say either way." I tried to keep my voice level, neutral even. "Then we'll have to change that." Still uncertain of his motives, I cleared my throat. Two could play this game. "Running from bad guys together is your idea of playing getting-to-know-you?" "No. This is." He dipped my body backward, drawing me up in a slow arc until he raised me flush against him. In his arms, my joints loosened, my defenses melting as he led me through the sultry steps.

Wulfe leaned in. "Where did you send Ms. Benoit?" "Disneyland." "Who knows my connection to the Zetas?" "The US Marshall Service, SWAT, my dentist, Oprah---" "How did you know we were coming? Clearly, someone tipped you off." "That guy." Zach points with a jerk of his head toward of of Wulfe's minions. The man looked uncertainly at Wulfe, taking a step backward. "He text me just before you stepped in the elevator.

Kelly looked at the cop, then sighed. “What a cluster. I take it you haven’t been killing young women and leaving their half-eaten bodies in the desert?” Adam was ticked. I could tell it even if he was looking like a reasonably calm businessman. Adam’s temper was the reason he wasn’t one of Bran’s werewolf poster boys. When angered, he often gave in to impulses he wouldn’t otherwise have given in to. “Sorry to disappoint you,” Adam told Kelly in silky tones. “But I prefer rabbits. Humans taste like pork.” And then he smiled. Kelly took an involuntary step backward. Tony gave Adam a sharp look. “Let’s not make things worse, if we can help it, gentlemen.

Holder: "You live over on Conroe, that's over two miles away." Sky: "You know what street I live on?" Holder: "Yeah. Linden Sky Davis, born September 29th. 1455 Conroe Street. Five feet three inches. Donor." Sky: [take a step backward and confused] Holder: "Your ID. You showed me your ID earlier. At the store." Sky: "You look at it for two seconds." Holder: "I have a good memory." Sky: "You stalk." Holder: "I stalk? You're the one standing in front of my house.

I've had it with both of you." He pulled his own bag higher on one shoulder and turned to me. "You let me know when you decide what the hell you want from me. I love you, and I miss you, and I'll be waiting, whenever you're ready. But don't spy on me again. Ever." I nodded miserably as he twisted to face Sabine. "And you! You come find me when you're ready to be my friend, because that's all I have to offer right now. But as badly as I need someone to talk to, I don't need another complication in my life. And as for the two of you!" He stepped away from us, already walking backward toward the school entrance. "Work it out. Or don't work it out. But leave me the hell out of it.

No, this, she felt, was real life and if she wasn’t as curious or passionate as she had once been, that was only to be expected. It would be inappropriate, undignified, at thirty-eight, to conduct friendships or love affairs with the ardour and intensity of a twenty-two-year-old. Falling in love like that? Writing poetry, crying at pop songs? Dragging people into photo-booths, taking a whole day to make a compilation tape, asking people if they wanted to share your bed, just for company? If you quoted Bob Dylan or T.S. Eliot or, God forbid, Brecht at someone these days they would smile politely and step quietly backwards, and who would blame them? Ridiculous, at thirty-eight, to expect a song or book or film to change your life. No, everything had evened out and settled down and life was lived against a general background hum of comfort, satisfaction and familiarity. There would be no more of these nerve-jangling highs and lows. The friends they had now would be the friends they had in five, ten, twenty years’ time. They expected to get neither dramatically richer or poorer; they expected to stay healthy for a little while yet. Caught in the middle; middle class, middle-aged; happy in that they were not overly happy. Finally, she loved someone and felt fairly confident that she was loved in return. If someone asked Emma, as they sometimes did at parties, how she and her husband had met, she told them: ‘We grew up together.

Time, I think, is like walking backward away from something: say, from a kiss. First there is the kiss; then you step back, and the eyes fill up your vision, then the eyes are framed in the face as you step further away; the face then is part of a body, and then the body is framed in a doorway, then the doorway framed in the trees beside it. The path grows longer and the door smaller, the trees fill up your sight and the door is lost, then the path is lost in the woods and the woods lost in the hills. Yet somewhere in the center still is the kiss. That's what time is like.

Finn says, “No, ma’am,” as he enters the shop, where he gets poked directly in the chest by the fertility goddess. I move a step backward so he can get away because the last thing I need is for Finn to suddenly decide to become fertile.

Welfare reforms and the whole “happy” exploitation movement are not “baby steps.” They are big steps–in a seriously backward direction.

For anyone who insists that taking one step forward and two steps backward will never get you anywhere , I protest: It will if you're walking backwards.

Serious reading is hardly a social activity and every halfway serious reader is perpetually subject to a form of coitus interruptus. Family members or friends who lack the desire, the courage, or the opportunity to burst in on you when there's some indication that you could be sexually entwined will seldom hesitate to interject themselves between you and a page, even though the act of reading is often as intimate and intense as a full-fledged carnal embrace. You must take steps to ensure your privacy.

plan B plan Battered and Broken plan Boxed in plan Bailed on and Back from the dead plan Better luck next time plan Balled up plan Backtracked plan Backhanded plan Backward steps plan Blackballed, Black-marked, and Blacklisted plan B-side, Bye Bye Baby plan Belly up and Beat down plan Bad days ahead and Best are far Behind

Julie marched over to Matt. She stood in front of him and crossed her arms. “Lift up your sweatshirt.” Matt rolled his eyes. “God, you really know how to turn a guy on.” Julie didn’t budge. “If I was trying to turn you on, I could do better than that. Now, lift up your sweatshirt.” Matt looked up at her and tried to look serious. “Julie, I’m completely offended that you have so little faith in my honesty. I thought at this point in our friendship that you would at least—” “Get up.” Julie leaned over and shut his laptop. “Get up!” she said again. “You’re being ridiculous,” Matt said laughing, but he stood up. “I trust you implicitly, and it wouldn’t kill you to show me the same respect.” “Show me!” Matt sidestepped the chair and took a few steps backward. “You have quite the attitude today. Suspicious and mean.” Julie took a step forward, causing Matt to continue backing away. “Lift up your shirt.” “Look, I appreciate an aggressive woman, but this is really getting weird.” Julie grabbed his sweatshirt by the waist cuff and lifted it up with one hand, as she pulled down his T-shirt with the other. Matt put his hands over hers, lightly protesting, but she refused to let go. “Aha!” She squinted at his shirt. “OK, I don’t even know what this is, but it’s definitely geeky.

A year jammed full of adventure and misadventure, strides forward and many steps backward, another year in my topsy-turvy, Jekyll-and-Hyde existence.

There is nothing like a doorbell to precipitate the potential into the kinetic. When you stand outside a door and push the button, something has to happen. Someone must respond; whatever is inside must be revealed. Questions will be answered, uncertainties or mysteries dispelled. A situation will be started on its way through unknown complications to an unpredictable conclusion. The answer to your summons may be a rush of tearful welcome, a suspicious eye at the crack of the door, a shot through the hardwood, anything. Any pushing of any doorbell button is as rich in dramatic possibility as that scene in Chekhov when, just as the Zemstvo doctor's only child dies of diphtheria and the doctor's wife drops to her knees beside the bed and the doctor, smelling of carbolic, takes an uncertain step backward, the bell sounds sharply in the hall.

As time passes, the system becomes less and less well-ordered. Sooner or later the fixing cease to gain any ground. Each forward step is matched by a backward one. Although in principle usable forever, the system has worn out as a base for progress. ...A brand-new, from-the-ground-up redesign is necessary.

Nothing but the sight of blood upon his dark face would ease the pain in her heart. She lunged for him, swift as a cat, but with a light startled movement, he sidestepped, throwing up his arm to ward her off. She was standing on the edge of the freshly waxed top step, and as her arm with the whole weight of her body behind it, struck his out-thrust arm, she lost her balance. She made a wild clutch for the newel post and missed it. She went down the stairs backwards, feeling a sickening dart of pain in her ribs as she landed. And, too dazed to catch herself she rolled over and over to the bottom of the flight.

I’m so fucking tired of pretending.” “Pretending what?” It’s nothing but a breathy whisper as he prowls toward me, matching each of my steps backward. His strong hands cup my face, piercing gaze locked on mine as he looms above me. My heart slams in my chest as his thumb sweeps across my lower lip, and his eyes dip, watching as my lips part on a jagged inhale, before flipping back up to mine. “I’m so fucking tired of pretending I’m not in love with you.

I got to get back to work. I’ll be looking for you to come entertain me soon, Becca Lynn,” Cage said in a low whisper then stepped around her and headed out the door without a backward glance. The second the door closed behind him Becca pulled out a kitchen chair and sank down into it with a loud thump. “OHMYGOD!” she squealed. “I swear I think I just creamed my damn panties.

Every time our people take two steps forward, it seems that we take a step and a half backward. Things are changing for the better, but when you wear your difference on your face, when the color of your skin defines who you are to others, change doesn’t come easy…

The choice isn’t to move on—life moves whether I want it to or not. No, the choice is to look forward, not backward, to take a step because refusing to move won’t draw the past nearer, only postpone better days.

Casting a curious gaze down on planet Earth, extra-terrestrial beings could well be forgiven for assuming that we humans are programmed in every move we make, by a palm-sized, oblong, slab of glass. More perplexing than that, who on earth could convince them otherwise ?

She brought her elbow backward and connected with Rand’s ribs. He swore and released her. She whirled on him. “That’s for being so arrogant!” Rand advanced on her, and the grin on his face wasn’t at all reassuring. She took one step back, then turned to sprint into the bathroom, when a pair of hands caught her and slung her over a hard muscled shoulder. “Put me down right now!” She screamed as she pummeled his back. “You are the most annoying, selfish, barbaric, horny man I know, Rand Miller!” He set her back on her feet inside the bathroom, then cupped her chin in his palm. “You are the most gorgeous, intelligent, feisty woman I know, Lucy Flemming.” Lucy narrowed her eyes. What was he up to now? “Flattery won’t help you out of this one.” “It’s not flattery. It’s the truth,” he murmured as he leaned close to her ear. “And, baby?” “Yes?” she answered, her voice nearly inaudible as his nearness began to override her anger. “I’d better be the only horny man you know.

Rin had dealt with verbal abuse from the Fangs for years. Hearing insults from this boy hardly fazed her. But slandering Tutor Feyrik, the man who had delivered her from Tikany, who had saved her from a miserable future in a forced marriage . . . that was unforgivable. Rin took two steps toward the boy and punched him in the face. Her fist connected with his eye socket with a pleasant popping noise. The boy staggered backward into the students behind him, nearly toppling to the ground. “You bitch!” he screeched. He righted himself and rushed at her. She shrank back, fists raised.

What's your name?" I ask him. We're standing in front of my door. He stops suprised. Lifts his chin almost imperecmptly. Focuses his eyes on my face until I begin to regret my question. "You want to know my name." I don't do it on purpose, but my eyes narrow just a bit. "Warner is your last name, isn't it?" He almost smiles. "You want to know my name" "I didn't realize it was a secret." He steps forward. His lips twitch. His eyes fall, his lips draw in a tight breath. He drops a gloved finger down the apple of my cheek. "I'll tell you mine if you tell me yours," He whispers, too close to my neck. I inch backward. Swallow hard. "You already know my name." He's not looking at my eyes. "You're right. I should rephrase that. What I meant to say was I'll tell you mine if you show me yours." "What?" I'm breathing too fast too suddenly. He begins to pull off his gloves and I begin to panic. "Show me what you can do." My jaw is tight and my teeth have begun to ache. "I won't touch you" "That's all right." He tugs off the other glove. "I don't exactly need your help." "No-" "Don't worry." He grins. "I'm sure it won't hurt you at all." "No," I gasp "No, I won't-I can't-" "Fine," Warner snaps "That's fine. You don't want to hurt me. I'm so utterly flattered." He almost rolls his eyes.

He will talk to me a little while, too shy to tell me why he has come, and then he will thank me and leave, walking backward a few steps, thinking, Yes, the barn is still there, yes, the lilacs, even the pot of petunias. This was my father's house. And I will think, He is young. He cannot know that my whole like has come down to this moment. That he has answered his father's prayers.

Check it out." Jonah removed the bubble wrap and held up the picture for his three cousins. Dan took a step backward. The shock was almost as powerful as it had been the day before at the Uffizi. "It's perfect! It's every bit as disgusting as the real one!" Amy nodded. "And so fast. We only called you yesterday." Jonah shrugged. "Even the Janus take a short cut every now and then. You can do a lot with digitization these days. You break the picture down to squares and reproduce them one at a time. The other two are just as fly." "You mean, hog ugly," Hamilton amended. "The serpents don't help," Dan put in critically. "Live fat spaghetti. Lady, if you're thinking of a modeling career, forget it!" The rapper clucked sympathetically. "You guys just don't appreciate the power of the visual image. The Wiz used to be like that–until Gangsta Kronikles. When you're in film industry, you understand the whole picture's-worth-a-thousand-words deal." Hamilton rolled his eyes. "Here we go again.

Then again, maybe you couldn't have killed me," he said, crawling out of the stairway. He moved very slowly, like a lizard who had gotten too cold. I heard a whimper from behind one of the closed doors next to the bathroom, and sympathized. I wanted to whimper, too. "I'm not hunting you," I told him firmly, though I stepped backward until I stood in a circle of light at the end of the hallway. He stopped halfway out of the stairway, his eyes were filmed over like a dead man's. "Good," he said. "If you kill Andre, I won't tell-and no one will ask." And he was gone, withdrawing from the hallway and down the stairs so fast that I barely caught the motion, though I was staring right at him. I walked out of his home because if I'd moved any faster, I'd have run screaming.

He stepped backward and nodded while giving me that smirk. ‘ Ahh, Ms. Summers the pleasure has been all mine.’ I couldn’t help but smile. ‘ Oh, Mr. Clark, by the way, it’s Mrs., not Ms.’ Putting two fingers to his lips, he winked and turned. ‘ I know,’ he called behind him, and then he was gone.

I am sure they will make the road to recovery seem clean. They’ll use words to make healing seem pretty and pretend the bandages don’t feel heavy and still cause pain. Your sadness is never going to be near and tidy, and on some days you might even wonder how you’re going to pick up every shattered piece on the floor when burying your soul seems much easier. There will be moments where you have to convince yourself that feeling is better than being numb and that your aching bones are strong enough to carry on. There will be times things feel upside down and you are spinning on an axis that is never balanced. There will be days where you take steps backward and those new steps forward feel very far away. But even in the difficulty you are still taking steps, you are still making progress. And for every bump along the way, just remember you have come this far; might as well keep going.

And then he had trained them, those lupine eyes, on her. The hunger in them so startled her that she took a step backward, striking her head against an iron pillar with such force that she later found crumbs of dried blood in her hair. It was a purely impersonal hunger, if such a thing there was - and here her report to Mr. Panicker faltered under the burden of his disapproval for her "romantic nature" - a hunger devoid of prurience, appetite, malice, or goodwill. It was a hunger, she decided later, for information. And yet there was liveliness in his gaze, a kind of cool vitality that was nearly amusement, as if a steady lifelong diet of mundane observations had preserved the youthful-ness of his optic organs alone.

As I watched my family sip champagne, I thought about how their lives trailed backward and forward from my death and then, I saw, as Samuel took the daring step of kissing Lindsey in a room full of family, became borne aloft away from it. These were the lovely bones that had grown around my absence: the connections- sometimes made at great cost, but often magnificent- that happened after I was gone. And I began to see things in a way that let me hold the world without me in it. The events that my death wrought were merely the bones of a body that would become whole at some unpredictable time in the future. The price of what I came to see as this miraculous body had been my life. My father looked at the daughter who was standing there in front of him. The shadow daughter was gone.

She came quickly over to me and held out her hand. I looked at her full of distrust. Was she doing this freely, with a light heart? Or was she doing it just to get rid of me? She put her arm around my neck, tears in her eyes. I just stood and looked at her. She offered me her mouth but I couldn't believe her, it was bound to be a sacrifice on her part, a means of getting it over with. She said something, it sounded to me like "I love you anyway!" She said it very softly and indistinctly, I may not have heard it correctly, perhaps she didn't say exactly those words. But she threw herself passionately on my neck, held both arms around my neck a little while, even raised herself on tiptoe to reach well up, and stood thus. Afraid that she was forcing herself to show me this tenderness, I merely said "How beautiful you are now!" That was all I said. I stepped back, bumped against the door and walked out backward. She was left standing inside.

The old adage that people only want what they can’t have or what they can’t tame— is totally primitive. A being of higher origins will know instinctively that life on earth is a series of chances, moments and concepts. That’s really all that you have. So when you find one of these things and it makes you burn, or it makes you feel peace inside, or it makes you look forwards and backwards and here all at the same time— that’s when you know to hold onto it. And you hold onto it with every fiber of your being. Because it’s in the holding on of these chances and moments and concepts that life is lived. Every other kind of living is only in vitro. I don’t care what psychologists say today about how the human mind works. Because one day they will reach this pinnacle and they will see what I see and they will look upon the old ways as primitive. As long and gone. We do not wish to have what we can’t have. We wish to burn in whatever flame we have stepped into.

Checkmate to us I think,’ Cyrus said softly. ‘Now listen to me,’ he said, dropping his gaze to Evie. ‘If you want protection you can come with us now. Your boyfriend, however, is one of them. And what’s rule number three, Vero?’ ‘Kill all unhumans,’ the girl answered flatly. ‘Jesus,’ Evie said, bringing her hands quickly to Cyrus’s chest and pushing him hard. He fell backwards a few steps. ‘This is not Fight Club,’ she yelled. ‘You can break a rule for Chrissake.

I love you, and it's driving me crazy to see you so upset. I want to fix it, and I know I can't. But what I want to do is rewrite this whole world so you can fix it. I want to come up with a story that all the world will choose to celebrate, and in it, the people we love will never get sick, and the people we love will never be sad for long, and there would be unlimited frozen hot chocolate. Maybe if it were up to me I wouldn't have the whole world collectively believe in Santa Claus, but I would definitely have them collectively believe in something, because there is a messed-up kind of beauty in the way we can bend over backward to make life seem magical when we want to. In other words, after giving it some thought , I think that reality has the distinct potential to complete suck, and the way to get around that is to step out of reality with someone you completely, unadulteratedly enjoy. In my life, that's you. And if it takes dressing up like Santa to get that across to you, then so be it.

Every achievement of man is a value in itself, but it is also a stepping-stone to greater achievements and values. Life is growth; not to move forward, is to fall backward; life remains life, only so long as it advances. Every step upward opens to man a wider range of action and achievement--and creates the need for that action and achievement. There is no final, permanent "plateau". The problem of survival is never "solved", once and for all, with no further thought or motion required. More precisely, the problem of survival is solved, by recognizing that survival demands constant growth and creativeness.

For Marius to arrive at this flourishing condition had required years. Hard years, and difficult ones; those to get through, these to climb. Marius had never given up for a single day. He had undergone everything, in the shape of privation; he had done everything, except get into debt. He gave himself this credit, that he had never owed a sou to anybody. For him a debt was the beginning of slavery. He felt even that a creditor is worse than a master; for a master owns only your person, a creditor owns your dignity and can belabour that. Rather than borrow, he did not eat. He had had many days of fasting. Feeling that all extremes meet, and that if we do not take care, abasement of fortune may lead to baseness of soul, he watched jealously over his pride. Such a habit or such a carriage as, in any other condition, would have appeared deferential, seemed humiliating and he braced himself against it. He risked nothing, not wishing to take a backward step. He had a kind of stern blush upon his face. He was timid even to rudeness. In all his trials he felt encouraged and sometimes even upborne by a secret force within. The soul helps the body, and at certain moments uplifts it. It is the only bird which sustains its cage.

When he [Colin] reached the center of the field, he paused to catch his breath and scan the area for telltale tufts of wool. When the lamb failed to appear, he cupped his hands around his mouth and tried again. "Dinner!" This time, his call earned an answer. Several answers. In fact, the ground shook with the collective bestial response. He spied several large, dark forms lumbering toward him through the twilight dusk. He blinked, trying to make them out. These weren't sheep. No, they were... Cows. Large cows. Remarkably fast and menacing cows. A small herd of them, all thundering straight for him where he stood in the center of the field. Colin took a few steps backward. "Wait," he said, holding up his hands. "I didn't mean you.

That looks cozy," I said in a timid voice. He turned at the sound and-taking in my appearance-immediately spit hot chocolate all over. "What?" I demanded. With an obvious effort to compose himself, he forced his lips into a frown and wiped his chin with the back of his hand. "Breathtaking." I raised an eyebrow,and his lips started to quiver, and then there was no stopping him. The laughter came in waves. "Well,that's not exactly the reaction I was going for," I said. "Isn't it?" he said, gasping for breath. I put my hand on my hip and tapped my foot as he inhaled deeply and rubbed his eyes with the palm of his hand. "Finished?" I asked. He shook his head. "I love you." "I'm sorry?" "You heard me." He stood and walked toward me. I glanced down at my sweats,and then back at his face. "Did you not notice my getup?" He halved the distance between us. "Oh yeah. I noticed," he said,like it was the sexiest thing he'd ever seen. His lips curled up into a smile. "Okay,so that's not the reaction I was going for either," I said,taking a small step backward as he closed the gap between us. He grabbed my hands in his and his grin disappeared. "Becks.I think I know what you're worried about,but I meant what I said.I love you. And I would never push you." My entire body turned red. "But don't you mythological higher beings-" I tried to remember how Jules had put it-"need...the...um..." Jack looked confused,and then he chuckled. "Please don't even try to finish that sentence.

I'm stuck on this planet with you. And honestly, I'm glad. I've been exposed to a lot of awful people in the last few months, but I've met so many more that are amazing, thoughtful, generous, and kind. I honestly believe that is the human condition. And if the Carls are testing us, this final test is the hardest to accomplish. If you pay attention, there is only one story that makes sense, and that is one in which humanity works together more and more since we took over this planet. Yeah, we fuck it up all the time, yeah, there have been some massive steps backward, but look at us! We are one species now more than we have ever been. People fight against that, and they probably always will, but could there be any time in history when what Carl is asking would be more possible?

At the opposite pole to this nature of shadows, madness fascinates because it is knowledge. It is knowledge, first, because all these absurd figures are in reality elements of a difficult, hermetic, esoteric learning. These strange forms are situated, from the first, in the space of the Great Secret, and the Saint Anthony who is tempted by them is not a victim of the violence of desire but of the much more insidious lure of curiosity; he is tempted by that distant and intimate knowledge which is offered, and at the same time evaded, by the smile of the gryllos; his backward movement is nothing but that step by which he keeps from crossing the forbidden limits of knowledge; he knows already—and

Richard had met Jessica in France, on a weekend trip to Paris two years earlier; had in fact discovered her in the Louvre, trying to find the group of his office friends who had organized the trip. Staring up at an immense sculpture, he had stepped backwards into Jessica, who was admiring an extremely large and historically important diamond. He tried to apologize to her in French, which he did not speak, gave up, and began to apologize in English, then tried to apologize in French for having to apologize in English, until he noticed that Jessica was about as English as it was possible for any one person to be.

Commandism is wrong in any type of work, because in overstepping the level of political consciousness of the masses and violating the principle of voluntary mass action it reflects the disease of impetuosity. Our comrades must not assume that everything they themselves understand is understood by the masses. Whether the masses understand it and are ready to take action can be discovered only by going into their midst and making investigations. If we do so, we can avoid commandism. Tailism in any type of work is also wrong, because in falling below the level of political consciousness of the masses and violating the principle of leading the masses forward it reflects the disease of dilatoriness. Our comrades must not assume that the masses have no understanding of what they themselves do not yet understand. It often happens that the masses outstrip us and are eager to advance a step and that nevertheless our comrades fail to act as leaders of the masses and tail behind certain backward elements, reflecting their views and, moreover, mistaking them for those of the broad masses.

I’m dead, Makina said to herself when everything lurched: a man with a cane was crossing the street, a dull groan suddenly surged through the asphalt, the man stood still as if waiting for someone to repeat the question and then the earth opened up beneath his feet: it swallowed the man, and with him a car and a dog, all the oxygen around and even the screams of passers-by. I’m dead, Makina said to herself, and hardly had she said it than her whole body began to contest that verdict and she flailed her feet frantically backward, each step mere inches from the sinkhole, until the precipice settled into a perfect circle and Makina was saved. Slippery bitch of a city, she said to herself. Always about to sink back into the the cellar.

Roan looked down at the pathetic little fur ball with a pink ribbon clipped to the top of its head and growled at it. It came from deep in his throat, and while it was unintentional, it wasn’t precisely a human noise. He could feel it in his throat, vibrating his vocal chords, and the dog’s ears rotated briefly in as much alarm as a dog could express, and then it whimpered and cringed, pissing on the sidewalk in submission. The woman took a couple steps backward, eyes wide and horrified, and dragged her dog past them as she hurried off, the Pom more than happy to leave. Paris looked at him, an eyebrow raised and the corner of his mouth quirked up in a half smile. “I love it when you get defensive.” “I’m the king of the jungle.I’m not taking any shit from a living dust mop.

MY FIVE DOS FOR GETTING BACK INTO THE GAME: 1. Do expect defeat. It’s a given when the stakes are high and the competition is working ferociously to beat you. If you’re surprised when it happens, you’re dreaming; dreamers don’t last long. 2. Do force yourself to stop looking backward and dwelling on the professional “train wreck” you have just been in. It’s mental quicksand. 3. Do allow yourself appropriate recovery—grieving—time. You’ve been knocked senseless; give yourself a little time to recuperate. A keyword here is “little.” Don’t let it drag on. 4. Do tell yourself, “I am going to stand and fight again,” with the knowledge that often when things are at their worst you’re closer than you can imagine to success. Our Super Bowl victory arrived less than sixteen months after my “train wreck” in Miami. 5. Do begin planning for your next serious encounter. The smallest steps—plans—move you forward on the road to recovery. Focus on the fix. MY FIVE DON’TS: 1. Don’t ask, “Why me?” 2. Don’t expect sympathy. 3. Don’t bellyache. 4. Don’t keep accepting condolences. 5. Don’t blame others.

I. My first thought was, he lied in every word, That hoary cripple, with malicious eye Askance to watch the workings of his lie On mine, and mouth scarce able to afford Suppression of the glee, that pursed and scored Its edge, at one more victim gained thereby. II. What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull-like laugh Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare. III. If at his counsel I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower. Yet acquiescingly I did turn as he pointed, neither pride Now hope rekindling at the end descried, So much as gladness that some end might be. IV. For, what with my whole world-wide wandering, What with my search drawn out through years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, I hardly tried now to rebuke the spring My heart made, finding failure in its scope. V. As when a sick man very near to death Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bit the other go, draw breath Freelier outside, ('since all is o'er,' he saith And the blow fallen no grieving can amend;') VI. When some discuss if near the other graves be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves And still the man hears all, and only craves He may not shame such tender love and stay. VII. Thus, I had so long suffered in this quest, Heard failure prophesied so oft, been writ So many times among 'The Band' to wit, The knights who to the Dark Tower's search addressed Their steps - that just to fail as they, seemed best, And all the doubt was now - should I be fit? VIII. So, quiet as despair I turned from him, That hateful cripple, out of his highway Into the path he pointed. All the day Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray. IX. For mark! No sooner was I fairly found Pledged to the plain, after a pace or two, Than, pausing to throw backwards a last view O'er the safe road, 'twas gone; grey plain all round; Nothing but plain to the horizon's bound. I might go on, naught else remained to do. X. So on I went. I think I never saw Such starved ignoble nature; nothing throve: For flowers - as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind with none to awe, You'd think; a burr had been a treasure trove. XI. No! penury, inertness and grimace, In some strange sort, were the land's portion. 'See Or shut your eyes,' said Nature peevishly, It nothing skills: I cannot help my case: Tis the Last Judgement's fire must cure this place Calcine its clods and set my prisoners free.

Enthusiasm is the first step," she said. "Artfulness comes later." "I hope I didn't disappoint you." "I'm not displeased, Jovanno. Hells, having a lover that's new to the dance means you can train him properly. Give me a few nights and I'll have you whipped into proper form." "The Asino brothers ... they always, well, they always invited me to go with them when they went out. To buy it, you know." "There's no shame in doing that. And there's no shame in not having done it. But those two are hounds, Jovanno. Any woman could smell it a mile away. Sometimes a run with the hounds is just what you're in the mood for, but in the end they'll always roll around in muck and shit on your floor." "Oh, they've got an endearing side," said Jean. "It comes out once a month, when the first moon is full. They're like backwards werewolves.

He sat before a note book of blank pages, saying: I swallow my own words. I chew and chew everything until it deteriorates. Every thought or impulse I have is chewed into nothingness. I want to capture all my thoughts at once, but they run in all directions. If I could do this I would be capturing the nimblest of minds, like a shoal of minnows. I would reveal innocence and duplicity, generosity and calculation, fear and cowardice and courage. I want to tell the whole truth, but I cannot tell the whole truth because I would have to write four pages at once, like four columns simultaneously, four pages to the present one, and so I do not write at all. I would have to write backwards, retrace my steps constantly to catch the echoes and overtones.

Victor waited until Ozols had passed out of the light before squeezing the trigger with smooth, even pressure. Suppressed gunshots interrupted the early morning stillness. Ozols was hit in the sternum, twice in rapid succession. The bullets were low powered, subsonic 5.7 mm, but larger rounds could have been no more fatal. Copper-encased lead tore through skin, bone, and heart before lodging side by side between vertebrae. Ozols collapsed backward, hitting the ground with a dull thud, arms outstretched, head rolling to one side. Victor melted out of the darkness and took a measured step forward. He angled the FN Five-seveN and put a bullet through Ozols’s temple. He was already dead, but in Victor’s opinion there was no such thing as overkill.

We have to emphasize to the gay community that opposition to same-sex marriages is not about hate, but about debate. Opposition to what some of us see as a devastating move that will further weaken the family and harm children--such opposition is not hateful. Morality is not bigotry. In their book The Homosexual Agenda, authors Alan Sears and Craig Osten give this illustration, which I've summarized: Imagine that you are standing at the bottom of a cliff and you are watching as someone on the ledge above you is walking backwards, and in a few steps he will surely fall over the precipice. You shout, warning him to stop, and before you know it, a crowd gathers around you, snapping your picture and accusing you of "hate speech." You are being warned to keep your prejudices to yourself. After all, who are you to tell someone where they can and can't walk? Who are you to say that someone can't walk backwards? You are dumbfounded, but there you are, the object of everyone's wrath.

Bellatrix was still fighting too, fifty yards away from Voldemort, and like her master she dueled three at once: Hermione, Ginny, and Luna, all battling their hardest, but Bellatrix was equal to them, and Harry’s attention was diverted as a Killing Curse shot so close to Ginny that she missed death by an inch — He changed course, running at Bellatrix rather than Voldemort, but before he had gone a few steps he was knocked sideways. “NOT MY DAUGHTER, YOU BITCH!” Mrs. Weasley threw off her cloak as she ran, freeing her arms. Bellatrix spun on the spot, roaring with laughter at the sight of her new challenger. “OUT OF MY WAY!” shouted Mrs. Weasley to the three girls, and with a swipe of her wand she began to duel. Harry watched with terror and elation as Molly Weasley’s wand slashed and twirled, and Bellatrix Lestrange’s smile faltered and became a snarl. Jets of light flew from both wands, the floor around the witches’ feet became hot and cracked; both women were fighting to kill. “No!” Mrs. Weasley cried as a few students ran forward, trying to come to her aid. “Get back! Get back! She is mine!” Hundreds of people now lined the walls, watching the two fights, Voldemort and his three opponents, Bellatrix and Molly, and Harry stood, invisible, torn between both, wanting to attack and yet to protect, unable to be sure that he would not hit the innocent. “What will happen to your children when I’ve killed you?” taunted Bellatrix, as mad as her master, capering as Molly’s curses danced around her. “When Mummy’s gone the same way as Freddie?” “You — will — never — touch — our — children — again!” screamed Mrs. Weasley. Bellatrix laughed, the same exhilarated laugh her cousin Sirius had given as he toppled backward through the veil, and suddenly Harry knew what was going to happen before it did. Molly’s curse soared beneath Bellatrix’s outstretched arm and hit her squarely in the chest, directly over her heart. Bellatrix’s gloating smile froze, her eyes seemed to bulge: For the tiniest space of time she knew what had happened, and then she toppled, and the watching crowd roared, and Voldemort screamed.

Perhaps there are events and things that work as a doorway into a mythical world, the world of first people, all the way back to the creation of the universe and the small quickenings of earth, the first stirrings of human beings at the beginnings of time. Our elders believe this to be so, that it is possible to wind a way backwards to the start of things, and in doing so find a form of sacred reason, different from ordinary reason, that is linked to forces of nature. In this kind of mind, like in the feather, is the power of sky and thunder and sun, and many have had alliances and partnerships with it, a way of thought older than measured time, less primitive than the rational present. Others have tried for centuries to understand the world by science and intellect but have not yet done so, not yet understood animals, finite earth, or even their own minds and behavior. The more they seek to learn the world, the closer they come to the spiritual, the magical origins of creation. There is a still place, a gap between the worlds, spoken by the tribal knowings of thousands of years. In it are silent flyings that stand aside from human struggles and the designs of our own makings. At times, when we are silent enough, still enough, we take a step into such mystery, the place of spirit, and mystery, we must remember, by its very nature does not wish to be known.

I have to go," I said, resting my head against Archer's chest. It occurred to me that my cheek was probably right over his tattoo. Without thinking, I lifted my face and tugged at the neckline of his T-shirt. This time, the stark black-and-gold mark wasn't hidden. No need for that spell anymore, I guess. Still, I covered it with my palm. Archer's hands clutched reflexively on my waist. Our eyes met. "It doesn't burn this time," I whispered. His breathing was ragged. "Beg to differ, Mercer." Magic was rushing through me, and when Archer covered my hand with his own, there was a little blue spark. Slowly, he moved my hand off his chest, then gripped both my shoulders. I thought he was going to kiss me again-and with the way we were feeling, there was a chance we might set the whole mill on fire-but instead, he gingerly pushed me away. "Okay," he said, closing his eyes. "If you don't go now, we're...You should go now." Once we were several feet apart, he lust-fog cleared a little. "We still have no idea what we're going to go." Archer opened his eyes and took a couple of steps backward. "Right now, you're going to go back to Thorne and check in with your dad. I'm going to go back to my people and do the same. Then tomorrow night, we'll meet here. You'll stand over there"-he pointed at a corner-"and I'll stand over there"-the complete opposite corner-"and there will be no physical contact until we've figured something out. Deal?" I smiled,even as I shoved my hands in my pockets to keep from grabbing him again. "Deal.Midnight?" "Perfect.So." That grin again. "See ya, Mercer." Happiness flooded through me as warm and bright as sunlight. "See ya, Cross.

Do you even feel anything, Chad? Will you for once stop walking around, all in control and f'ing calm? Do you have any idea what you all have done. I lost everything, Chad. Everything, when Kyle died. I lost myself. I had finally begun to build a new life with new friends. With people I thought cared about me. I have started to be just a little bit happy again. Was it too much to ask? Did I ask for too much by just wanting to have a little bit of a life again? Now, it’s all screwed up again and you walk around here like you don’t feel anything about what’s happened.” Chad spun around, and for only the second time since she’d known him, she saw the flash of anger so fierce her breath caught in her throat and she took an involuntary step back, away from him. Jennie knew Chad would never hurt her on purpose, but the anger rolling off of him was palpable. It seemed to force her backwards as if it had a life of its own, a power of its own. “Not feel anything, Jennie? Are you f'ing kidding me? I walk around here every day and I ache every f'ing minute I’m with you. I’m so twisted up with loving you and hating you, I can’t breathe. I can’t keep my hands off you, but I can’t let myself kiss you because I might lose myself in you. I can’t make love to you because I’m afraid you’ll pretend I’m him. I know you want his arms around you, not mine. I know you want it to be his baby inside you, not mine. And I know you can’t love me back, no matter what I do, because you’re still so in love with your husband, you can’t even begin to see me.” Chad didn’t stop and Jennie didn’t try to stop him. “And every day, I have to sit here and wonder how I’ll be a part of my baby’s life. I wonder if you’ll let me be in the delivery room, if you’ll let me help you name the baby. I wonder how much money I’d have to offer the people who live across the street from you to get them to sell me their house, just so I can see my child grow up. If you’ll let me...” Chad stopped as if he’d run out of steam. They stood in uneasy silence for a long time before Chad spoke again. He sounded worn out and bitter and angry, mirroring Jennie’s chaos of emotions. “Am I feeling anything? Yeah. I’m feeling some f'ing sh**, Jen.

Goodbye,Nick," she said, starting to close the door. "And thank you for stopping by." He accepted her decision with a slight inclination of his head, and Lauren made herself finish closing the door. She forced herself to walk away on legs that felt like lead, reminding herself at the same time how insane it would be to let him near her. But halfway across the living room she lost the internal battle. Pivoting on her heel, she raced for the door, yanked it open and hurtled straight into Nick's chest. He was lounging with one hand braced high against the doorframe, gazing down at her flushed face with a knowing, satisfied grin. "Hello,Lauren.I happened to be in the neighborhood and decided to drop by." "What do you want,Nick?" she sighed, her blue eyes searching his. "You." Resolutely she started to close the door again, but his hand shot out to stop her. "Do you really want me to go?" "I told you on Wednesday that what I want has nothing to do with it. What matters is what's best for me, and-" He interrupted her with a boyish grin. "I promise I'll never wear your clothes,and I won't steal your allowances or your boyfriends either." Lauren couldn't help starting to smile as he finished, "And if you swear never to call me Nicky again, I won't bite you." She stepped aside and let him in, then took his jacket and hung it in the closet. When she turned, Nick was leaning against the closed front door, his arms crossed over his chest. "On second thought," he grinned, "I take part of that back.I'd love to bite you." "Pervert!" she returned teasingly, her heart thumping so much with excitement that she hardly knew what she was saying. "Come here and I'll show you just how perverted I can be," he invited smoothly. Lauren took a cautious step backward. "Absolutely not.

I throw my arms around him and lift my chin expectantly, waiting for my good-night kiss. He nuzzles his face against mine, and I feel gladness for the fact that he has smooth cheeks and barely even needs to shave. I close my eyes, breathe him in, wait for my kiss. And he plants a chaste peck on my forehead. “Good night, Covey.” My eyes fly open. “That’s all I get?” Smugly he says, “You said earlier that I’m not that good at kissing, remember?” “I was kidding!” He winks at me as he hops in his car. I watch him drive away. Even after a whole year of being together, it can still feel so new. To love a boy, to have him love you back. It feels miraculous. I don’t go inside right away. Just in case he comes back. Hands on my hips, I wait a full twenty seconds before I turn toward the front steps, which is when his car comes peeling back down our street and stops right in front of our house. Peter sticks his head out the window. “All right then,” he calls out. “Let’s practice.” I run back to his car, I pull him toward me by his shirt, and angle my face against his— and then I push him away and run backward, laughing, my hair whipping around my face. “Covey!” he yells. “That’s what you get!” I call back gleefully. “See you on the bus tomorrow!

In her fantastic mood she stretched her soft, clasped hands upward toward the moon. 'Sweet moon,' she said in a kind of mock prayer, 'make your white light come down in music into my dancing-room here, and I will dance most deliciously for you to see". She flung her head backward and let her hands fall; her eyes were half closed, and her mouth was a kissing mouth. 'Ah! sweet moon,' she whispered, 'do this for me, and I will be your slave; I will be what you will.' Quite suddenly the air was filled with the sound of a grand invisible orchestra. Viola did not stop to wonder. To the music of a slow saraband she swayed and postured. In the music there was the regular beat of small drums and a perpetual drone. The air seemed to be filled with the perfume of some bitter spice. Viola could fancy almost that she saw a smoldering campfire and heard far off the roar of some desolate wild beast. She let her long hair fall, raising the heavy strands of it in either hand as she moved slowly to the laden music. Slowly her body swayed with drowsy grace, slowly her satin shoes slid over the silver sand. The music ceased with a clash of cymbals. Viola rubbed her eyes. She fastened her hair up carefully again. Suddenly she looked up, almost imperiously. "Music! more music!" she cried. Once more the music came. This time it was a dance of caprice, pelting along over the violin-strings, leaping, laughing, wanton. Again an illusion seemed to cross her eyes. An old king was watching her, a king with the sordid history of the exhaustion of pleasure written on his flaccid face. A hook-nosed courtier by his side settled the ruffles at his wrists and mumbled, 'Ravissant! Quel malheur que la vieillesse!' It was a strange illusion. Faster and faster she sped to the music, stepping, spinning, pirouetting; the dance was light as thistle-down, fierce as fire, smooth as a rapid stream. The moment that the music ceased Viola became horribly afraid. She turned and fled away from the moonlit space, through the trees, down the dark alleys of the maze, not heeding in the least which turn she took, and yet she found herself soon at the outside iron gate. ("The Moon Slave")

Their other hands flipped up, palm to palm, and Merik’s only consolation as he and the domna slid into the next movement of the dance was that her chest heaved as much as his did. Merik’s right hand gripped the girl’s, and with no small amount of ferocity, he twisted her around to face the same direction as he before wrenching her to his chest. His hand slipped over her stomach, fingers splayed. Her left hand snapped up—and he caught it. Then the real difficulty of the dance began. The skipping of feet in a tide of alternating hops and directions. The writhing of hips countered the movement of their feet like a ship upon stormy seas. The trickling tap of Merik’s fingers down the girl’s arms, her ribs, her waist—like the rain against a ship’s sail. On and on, they moved to the music until they were both sweating. Until they hit the third movement. Merik flipped the girl around to face him once more. Her chest slammed against his—and by the Wells, she was tall. He hadn’t realized just how tall until this precise moment when her eyes stared evenly into his and her panting breaths fought against his own. Then the music swelled once more, her legs twined into his, and he forgot all about who she was or what she was or why he had begun the dance in the first place. Because those eyes of hers were the color of the sky after a storm. Without realizing what he did, his Windwitchery flickered to life. Something in this moment awoke the wilder parts of his power. Each heave of his lungs sent a breeze swirling in. It lifted the girl’s hair. Kicked at her wild skirts. She showed no reaction at all. In fact, she didn’t break her gaze from Merik, and there was a fierceness there—a challenge that sent Merik further beneath the waves of the dance. Of the music. Of those eyes. Each leap backward of her body—a movement like the tidal tug of the sea against the river—led to a violent slam as Merik snatched her back against him. For each leap and slam, the girl added in an extra flourishing beat with her heels. Another challenge that Merik had never seen, yet rose to, rose above. Wind crashed around them like a growing hurricane, and he and this girl were at its eye. And the girl never looked away. Never backed down. Not even when the final measures of the song began—that abrupt shift from the sliding cyclone of strings to the simple plucking bass that follows every storm—did Merik soften how hard he pushed himself against this girl. Figuratively. Literally. Their bodies were flush, their hearts hammering against each other’s rib cages. He walked his fingers down her back, over her shoulders, and out to her hands. The last drops of a harsh rain. The music slowed. She pulled away first, slinking back the required four steps. Merik didn’t look away from her face, and he only distantly noticed that, as she pulled away, his Windwitchery seemed to settle. Her skirts stopped swishing, her hair fluttered back to her shoulders. Then he slid backward four steps and folded his arms over his chest. The music came to a close. And Merik returned to his brain with a sickening certainty that Noden and His Hagfishes laughed at him from the bottom of the sea.

He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.

We startled awake, alarmed by her shouting, jumping to our feet, drawing swords, looking for imminent danger. Jeb was saying it was a false alarm, that there was nothing wrong, but Lia had somehow gotten to her feet on her own, her eyes wild, telling us we had to leave. A relieved breath hissed between my teeth and I lowered my sword. She’d only had a nightmare. I stepped toward her. “Lia, it was just a bad dream. Let me help you lie back down.” She hobbled backward, determined, sweat glistening on her face, and her arm stretched out to keep me at a distance. “No! Get ready. We leave this morning.” “Look at you,” I said. "You’re tottering like a drunk. You can’t ride.” “I can and I will." “What’s your hurry, Your Highness?” Sven asked. She looked from me to my men. Their feet were firmly planted. They weren’t going anywhere based on her wild-eyed demands. Had she spiked another fever? Her expression sobered. “Please, Rafe, you have to trust me on this.” “What did you see?” I asked. “It’s not what I saw but what I heard— Aster’s voice telling me not to tarry.” “Didn’t she say that to you a dozen times?” “At least,” she answered, but her stance remained determined. All this rush over don’t tarry? Ever since I had gathered her into my arms on that riverbank, I had been looking over my shoulder for danger. I knew it was there. But I had to weigh that uncertainty against the benefits of healing too. I looked away, trying to think. I wasn’t sure if I was making the right decision or not, but I turned back to my men. “Pack up.

More seriously-and this is probably why there has been a lot of garbage talked about a lost generation-it was easy to see, all over the landscape of contemporary fiction, the devastating effect of the Thatcher years. So many of these writers wrote without hope. They had lost all ambition, all desire to to wrestle with the world. Their books dealt with tiny patches of the world, tiny pieces of human experience-a council estate, a mother, a father, a lost job. Very few writers had the courage or even the energy to bite off a big chunk of the universe and chew it over. Very few showed any linguistic or formal innovation. Many were dulled and therefore dull. (And then, even worse, there were the Hooray Henries and Sloanes who evidently thought that the day of the yuppie novel, and the Bellini-drinking, okay-yah fiction had dawned. Dukedoms and country-house bulimics abounded. It was plain that too may books were being published; that too many writers had found their way into print without any justification for it at all; that too many publishers had adopted a kind of random, scattergun policy of publishing for turnover and just hoping that something would strike a cord. When the general picture is so disheartening, it is easy to miss the good stuff. I agreed to be a judge for "Best of Young British Novelists II" because I wanted to find out for myself if the good stuff really was there. In my view, it is...One of my old schoolmasters was fond of devising English versions of the epigrams of Martial. I remember only one, his version of Martial's message to a particularly backward-looking critic: "You only praise the good old days We young 'uns get no mention. I don't see why I have to die To gain your kind attention.

You sayin' you want to go?" "Don't you?" "Hell no!" "Okay,I'll tell Matt and Jared that they can go to Paris without us." The only response was stunned silence, and I finally turned to smile at him. "Do you want to reconsider?" I asked. "The wedding's in Paris?" "Yep." His dark eyes were huge, and I could see so much in them. He was excited, almost giddy. I could see it bubbling up in him, but he was trying t stay calm and not get his hopes up. "Can we afford Paris?" "No," I said, "but it doesn't matter. Cole's footing the bill." He grabbed my shirt and pushed me back against the countertop, almost as if he was going to kiss me, but stopped short, looking into my eyes. "Are you serious?" "Would I lie to you about something like this?" "No." "Do you think I'd make it up just to tease you?" "No." "Yes." He backed up a step. "Yes what?" he asked. I could hardly keep from laughing that I'd finally managed to turn the tables on him with his own backward form of communication. "Yes, I'm absolutely serious. Cole offered to fly us all to Paris." ... His expression was so full of hope, I thought it was a good thing I hadn't tried to say no. He put his hand against my cheek and looked into my eyes. "Tell me what you want to do." All I had to do was tell him the truth. I brushed his hair out of his eyes and said, "I want to do whatever will make you happy." He smiled at me, the huge, excited smile of a child who woke up from his nap to find himself in Disneyland. "I want to go to Paris." "Okay," I said as I leaned down to kiss him. "Then you will.

I take the comb from a pocket of my new dress and then hesitate. If I begin to untangle my nimbus of snarls, he will see how badly my hair is matted and be reminded of where he found me. He stands. Good. He will leave, and then I will be able to wrangle my hair alone. But instead he steps behind me and takes the comb from my hands. 'Let me do that,' he says, taking strands of my hair in his fingers. 'It's the colour of primroses.' My shoulders tense. I am unused to people touching me. 'You don't need to-' I start. 'It's no trouble,' he says. 'I had three older sisters brushing and braiding mine, no matter how I howled. I had to learn to do theirs, in self-defence. And my mother...' His fingers are clever. He holds each lock at the base, slowly teasing out the knots at the very end and then working backward to the scalp. Under his hands, it becomes smooth ribbons. If I had done this, I would have yanked half of it out in frustration. 'Your mother...,' I echo, prompting him to continue in a voice that shakes only a little. He begins to braid, sweeping my hair up so that thick plaits become something like his circlet, wrapping around my head. 'When we were in the mortal world, away from her servants, she needed help arranging it.' His voice is soft. This, along with the slightly painful pull against my scalp, the brush of his fingertips against my neck as he separates a section, the slight frown of concentration on his face, is overwhelming. I am not accustomed to someone being this close. When I look up, his smile is all invitation. We are no longer children, playing games and hiding beneath his bed, but I feel as though this is a different kind of game, one where I do not understand the rules. With a shiver, I take up the mirror from the dresser. In this hair, and with this dress, I look pretty. The kind of pretty that allows monsters to deceive people into forests, into dances where they will find their doom.

See you at breakfast?" "Yeah.See ya." I try to say this casually,but I'm so thrilled that I skip from her room and promptly slam into a wall. Whoops.Not a wall.A boy. "Oof." He staggers backward. "Sorry! I'm so sorry,I didn't know you were there." He shakes his head,a little dazed. The first thing I notice is his hair-it's the first thing I notice about everyone. It's dark brown and messy and somehow both long and short at the same time. I think of the Beatles,since I've just seen them in Meredith's room. It's artist hair.Musician hair. I-pretend-I-don't-care-but-I-really-do-hair. Beautiful hair. "It's okay,I didn't see you either. Are you all right,then?" Oh my.He's English. "Er.Does Mer live here?" Seriously,I don't know any American girl who can resist an English accent. The boy clears his throat. "Meredith Chevalier? Tall girl? Big,curly hair?" Then he looks at me like I'm crazy or half deaf,like my Nanna Oliphant. Nanna just smiles and shakes her head whenever I ask, "What kind of salad dressing would you like?" or "Where did you put Granddad's false teeth?" "I'm sorry." He takes the smallest step away from me. "You were going to bed." "Yes! Meredith lives there.I've just spent two hours with her." I announce this proudly like my brother, Seany, whenever he finds something disgusting in the yard. "I'm Anna! I'm new here!" Oh God. What.Is with.The scary enthusiasm? My cheeks catch fire, and it's all so humiliating. The beautiful boy gives an amused grin. His teeth are lovely-straight on top and crooked on the bottom,with a touch of overbite. I'm a sucker for smiles like this,due to my own lack of orthodontia. I have a gap between my front teeth the size of a raisin. "Etienne," he says. "I live one floor up." "I live here." I point dumbly at my room while my mind whirs: French name, English accent, American school. Anna confused. He raps twice on Meredith's door. "Well. I'll see you around then, Anna." Eh-t-yen says my name like this: Ah-na. My heart thump thump thumps in my chest.

She stepped aside, dodging him with maddening ease. Grave lunged again. But faster than he could follow she ducked and slashed her sword across his shins. He hit the wet ground before he felt the pain. The world flashed black and gray and red, and agony tore at him. A dagger still left in his hand, he scuttled backward toward the wall. But his legs wouldn’t respond, and his arms strained to pull him through the damp filth. “Bitch,” he hissed. “Bitch.” He hit the wall, blood pouring from his legs. Bone had been sliced. He would not be able to walk. He could still find a way to make her pay, though. She stopped a few feet away and sheathed her sword. She drew a long, jeweled dagger. He swore at her, the filthiest word he could think of. She chuckled, and faster than a striking asp, she had one of his arms against the wall, the dagger glinting. Pain ripped through his right wrist, then his left as it, too, was slammed into the stone. Grave screamed—truly screamed—as he found his arms pinned to the wall by two daggers. His blood was nearly black in the moonlight. He thrashed, cursing her again and again. He would bleed to death unless he pulled his arms from the wall. With otherworldly silence, she crouched before him and lifted his chin with another dagger. Grave panted as she brought her face close to his. There was nothing beneath the cowl—nothing of this world. She had no face. “Who hired you?” she asked, her voice like gravel. “To do what?” he asked, almost sobbing. Maybe he could feign innocence. He could talk his way out, convince this arrogant whore he had nothing to do with it … She turned the dagger, pressing it into his neck. “To kill Princess Nehemia.” “N-n-no one. I don’t know what you’re talking about.” And then, without even an intake of breath, she buried another dagger he hadn’t realized she’d been holding into his thigh. So deep he felt the reverberation as it hit the cobblestones beneath. His scream shattered out of him, and Grave writhed, his wrists rising farther on the blades. “Who hired you?” she asked again. Calm, so calm. “Gold,” Grave moaned. “I have gold.” She drew yet another dagger and shoved it into his other thigh, piercing again to the stone. Grave shrieked—shrieked to gods who did not save him. “Who hired you?” “I don’t know what you’re talking about!” After a heartbeat, she withdrew the daggers from his thighs. He almost soiled himself at the pain, at the relief. “Thank you.” He wept, even as he thought of how he would punish her. She sat back on her heels and stared at him. “Thank you.” But then she brought up another dagger, its edge serrated and glinting, and hovered it close to his hand. “Pick a finger,” she said. He trembled and shook his head. “Pick a finger.” “P-please.” A wet warmth filled the seat of his pants. “Thumb it is.” “N-no. I … I’ll tell you everything!” Still, she brought the blade closer, until it rested against the base of his thumb. “Don’t! I’ll tell you everything!

The crowd started going crazy. Like even crazier than when Romeo got up from the hit. I was clinging to the railing, wondering if I would like prison, when Ivy sighed. "I swear. You have all the luck." Confused, I glanced around. Romeo was jogging toward us, helmet in his hands. Quickly, I glanced at the big screen and it was showing a wide shot of me clinging onto the rails and him running toward us. When he arrived, he slapped the guard on his back and said something in his ear. The guard looked at me and grinned and then walked away. Romeo stepped up to where I was. At the height I was at one the railing, for once I was taller than him. "You're killing me, Smalls," he said. "I had to interrupt a championship game to keep you from going to the slammer." "I was worried. You didn't get up." "And so you were just going to march out on the field and what?" God, he looked so… so incredible right then. His uniform stretched out over his wide shoulders and narrow waist. The pads strapped to his body made him look even stronger. He had grass stains on his knees, sweat in his hair, and ornery laughter in his sparkling blue eyes. I swear I'd never seen anyone equal parts of to-die-for good looks and boy-next-door troublemaker. "I was going to come out there and kiss it and make it better." He threw back his head and laughed, and the stadium erupted once more. I was aware that every moment between us was being broadcast like some reality TV show, but for once, I didn't care how many people were staring. This was our moment. And I was so damn happy he wasn't hurt. "So you're okay, then?" I asked. "Takes a lot more than a shady illegal attack to keep me down." Behind him, the players were getting back to the game, rushing out onto the field, and the coach was yelling out orders. "I'll just go back to my seat, then," I said. He rushed forward and grabbed me off the railing. The crown cheered when he slid me down his body and pressed his lips to mine. It wasn't a chaste kiss. It was the kind of kiss that made me blush when I watched it on TV. But I kissed him back anyway. I got lost in him. When he pulled back, I said, "By the way, You're totally kicking ass out there." He chuckled and put me back on the railing and kept one hand on my butt as I climbed back over. Back in the stands, I gripped the cold metal and gave him a small wave. He'd been walking backward toward his team, but then he changed direction and sprinted toward me. In one graceful leap, he was up on the wall and leaning over the railing. "Love you," he half-growled and pressed a swift kiss to my lips. "Next touchdown's for you.