“
He uncovered the boat, his hands working the knots like he'd been doing it his whole life. Under the tarp was an old steel rowboat with no oars. The boat had been painted dark blue at one point, but the hull was so crusted with tar and salt it looked like one massive nautical bruise.
On the bow, the name Pax was still readable, lettered in gold. Painted eyes drooped sadly at the water level, as if the boat were about to fall asleep. On board were two benches, some steel wool, an old cooler, and a mound of frayed rope with one end tied to the mooring. At the bottom of the boat, a plastic bag and two empty Coke cans floated in several inches of scummy water.
"Behold," Frank said. "The mighty Roman navy.
”
”
Rick Riordan (The Son of Neptune (The Heroes of Olympus, #2))
“
It is a known fact that the sheep that give us steel wool have no natural enemies.
”
”
Gary Larson
“
Hair like steel wool grew far back on his head and gave him a domed brown forehead that might at careless glance seemed a dwelling place for brains.
”
”
Raymond Chandler (The Big Sleep (Philip Marlowe, #1))
“
Bright, quiet, crystal-clear writing that evokes fond memories, that seems a touch sentimental yet is unsparing and deep, writing as lovely as a dream, yet as exact as reality.
”
”
Natsu Miyashita (The Forest of Wool and Steel)
“
I look down at myself, but I don't need to. I can feel it. My hot blood is pounding through my body, flooding capillaries and lighting up cells like Fourth of July fireworks. I can feel the elation of every atom in my flesh, brimming with gratitude for the second chance they never expected to get. The chance to start over, to live right, to love right, to burn up in a fiery cloud and never again be buried in the mud. I kiss Julie to hide the fact that I'm blushing. My face is bright red and hot enough to melt steel.
Okay, corpse, a voice in my head says, and I feel a twitch in my belly, more like a gentle nudge than a kick. I'm going now. I'm sorry I couldn't be here for your battle; I was fighting my own. But we won, right? I can feel it. There's a shiver in our legs, a tremor like the Earth speeding up, spinning off into uncharted orbits. Scary, isn't it? But what wonderful thing didn't start out scary? I don't know what the next page is for you, but whatever it is for me I swear I'm not going to fuck it up. I'm not going to yawn off in the middle of a sentence and hide it in a drawer. Not this time. Peel off these dusty wool blankets of apathy and antipathy and cynical desiccation. I want life in all its stupid sticky rawness.
Okay.
Okay, R.
Here it comes.
”
”
Isaac Marion (Warm Bodies (Warm Bodies, #1))
“
Perhaps I hadn't taken the wrong path after all. Even if It took time, even if there were detours, this was exactly the right path for me.
”
”
Natsu Miyashita (The Forest of Wool and Steel)
“
It doesn’t hurt so much to lose out on things if you never hoped for them in the first place. What really hurts is having things right there in front of you, and wanting them, and not being able to reach them.
”
”
Natsu Miyashita (The Forest of Wool and Steel)
“
He wished that he could break out his knitting, but for some reason, people didn’t take you seriously as a warrior when you were knitting. He’d never figured out why. Making socks required four or five double-ended bone needles, and while they weren’t very large, you could probably jam one into someone’s eye if you really wanted to. Not that he would. He’d have to pull the needle out of the sock to do it, and then he’d be left with the grimly fiddly work of rethreading the stitches. Also, washing blood out of wool was possible, but a pain. Still, if he had to suddenly pull out his sword and fend off an attack, there was a chance he’d drop the yarn, and since he’d been feeling masochistic and was using two colors for this current set of socks, there was absolutely no chance the yarn wouldn’t get tangled and then he’d be trying to murder people while chasing the yarn around. And god forbid the tide rose and he went berserk. You never got the knitting untangled after that; you usually just had to throw it away completely.
”
”
T. Kingfisher (Paladin's Grace (The Saint of Steel, #1))
“
This side of Eden, whether we realize it or not, we feel the stain on our souls, and at every opportunity, we try to scrub it away with steel-wool guilt.
”
”
Dean Koontz (Seize The Night (Moonlight Bay, #2))
“
She pretended his eyes weren’t scouring her up and down, steel wool scraping her skin raw. Her
”
”
Laura Ruby (Bone Gap)
“
I went home and scrubbed my hands with a steel wool pad until they bled, even though the memory strikes such a chord of anger and shame that after I share this I have nightmares for a month.
”
”
Carmen Maria Machado (Her Body and Other Parties)
“
But this you must know: the violent murder of a mother- when a boy is at the tender age, when he is just discovering girls- it is a terrible thing. confusingly mixed up with all the things feminine, it leaves a charred residue on the soul, like the black marks found at the bottom of a burned pot. no matter how much you scrub and scrub the pot bottom with steel wool and cleansers, the scars, they are permanent
”
”
Richard C. Morais (The Hundred-Foot Journey)
“
Thanks to this availability of suitable wild mammals and plants, early peoples of the Fertile Crescent could quickly assemble a potent and balanced biological package for intensive food production. That package comprised three cereals, as the main carbohydrate sources; four pulses, with 20—25 percent protein, and four domestic animals, as the main protein sources, supplemented by the generous protein content of wheat; and flax as a source of fiber and oil (termed linseed oil: flax seeds are about 40 percent oil). Eventually, thousands of years after the beginnings of animal domestication and food production, the animals also began to be used for milk, wool, plowing, and transport. Thus, the crops and animals of the Fertile Crescent's first farmers came to meet humanity's basic economic needs: carbohydrate, protein, fat, clothing, traction, and transport.
”
”
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies)
“
Inhale the scent of a forest close by. I can smell the earthy fragrance of autumn as night falls, the leaves gently rustling, I can feel the damp air of dusk descending. The forest is not there. It is in my mind's eye.
”
”
Natsu Miyashita (The Forest of Wool and Steel 1)
“
Some instinct made her lift her hand and cup his cheek with her fingers. The room was too dark for her to see him, but she could feel the stickiness of the blood, and a wetness that was not blood. "Little bird," he said once more, his voice raw and harsh as steel on stone. Then he rose from the bed. Sansa heard cloth ripping, followed by the softer sound of retreating footsteps.
When she crawled out of bed, long moments later, she was alone. She found his cloak on the floor, twisted up tight, the white wool stained by blood and fire. The sky outside was darker by then, with only a few pale green ghosts dancing against the stars. A chill wind was blowing, banging the shutters. Sansa was cold. She shook out the torn cloak and huddled beneath it on the floor, shivering.
”
”
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
“
Bailey was the greatest person in my world. And the fact that he was my brother, my only brother, and I had no sisters to share him with, was such good fortune that it made me want to live a Christian life just to show God that I was grateful. Where I was big, elbowy and grating, he was small, graceful and smooth. When I was described by our playmates as being shit color, he was lauded for his velvet-black skin. His hair fell down in black curls, and my head was covered with black steel wool. And yet he loved me.
”
”
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
“
That always amazed him: how centuries of bare palms and shuffling feet could wear down solid steel.
”
”
Hugh Howey (Wool (Wool, #1))
“
Evening light poured in through the high windows, bathing the whirling eddies of dust in a yellow glow.
”
”
Natsu Miyashita (The Forest of Wool and Steel)
“
Before the call buzzed in, Nedda wound her fingers in the small knot of hair at the back of Evgeni’s head. Light, scratchy—a warm steel-wool pad, but soft. She gave it a gentle tug. “See? I like you fine.” When Mission Control appeared on-screen, Evgeni was laughing. They said nothing about blindness. Nothing about energy spikes or which government made the swap from plutonium to strontium. The space between Earth and Chawla filled with all the things that could not be said.
”
”
Erika Swyler (Light from Other Stars)
“
big domestic mammals were crucial to those human societies possessing them. Most notably, they provided meat, milk products, fertilizer, land transport, leather, military assault vehicles, plow traction, and wool, as well as germs that killed previously unexposed peoples.
”
”
Jared Diamond (Guns, Germs, and Steel: The Fates of Human Societies (20th Anniversary Edition))
“
Other March law offences included truce-breaking, attacking castles, impeding a Warden, importing wool, and a delightful local custom known as “bauchling and reproaching”. This meant publicly vilifying and upbraiding someone, usually at a day of truce; such abuse might be directed at a man who had broken his word, or had neglected to honour a bond or pay a ransom. The “bauchler” (also known as brangler, bargler, etc.) sometimes made his reproof by carrying a glove on his lance-point, or displaying a picture of his enemy, and by crying out or sounding a horn-blast, indicating that his opponent was a false man and detestable.
”
”
George MacDonald Fraser (The Steel Bonnets: The Story of the Anglo-Scottish Border Reivers)
“
In some circles emptiness is even made a goal to be sought after, under the guise of being “adaptable.” Nowhere is this illustrated more arrestingly than in an article in Life Magazine entitled “The Wife Problem.”* Summarizing a series of researches which first appeared in Fortune about the role of the wives of corporation executives, this article points out that whether or not the husband is promoted depends a great deal on whether his wife fits the “pattern.” Time was when only the minister’s wife was looked over by the trustees of the church before her husband was hired; now the wife of the corporation executive is screened, covertly or overtly, by most companies like the steel or wool or any other commodity the company uses. She must be highly gregarious, not intellectual or conspicuous, and she must have very “sensitive antennae” (again that radar set!) so that she can be forever adapting.
”
”
Rollo May (Man's Search for Himself)
“
Without electricity or gas, the kitchen became a twilight mausoleum of dead appliances. One day, Natasha had an idea. Wearing latex gloves she found in Sonja’s room, she scrubbed the innards of the oven and refrigerator with steel wool and bleach. She cut a broomstick to the width of the refrigerator compartment, jammed it in below the thermostat control, and pulled out the plastic shelves. In her bedroom, she gathered clothes from the floor in sweeping armfuls and deposited them before the refrigerator and the oven. Ever since she had begun working for the shuttle trader, her wardrobe exceeded her closet space. She hung silk evening dresses and cashmere sweaters on the broomstick bar, set folded jeans and blouses on the oven rack. When finished, she opened the doors to her new closet and bureau and felt pleased with her ingenuity. This is how you will survive, she told herself. You will turn the holes in your life into storage space.
”
”
Anthony Marra (A Constellation of Vital Phenomena)
“
Lucinda might sneak from her own house at midnight to place a wager somewhere else, but she dared not touch the pack that lay in her own sideboard. She knew how passionate he had become about his 'weakness.' She dared not even ask him how it was he had reversed his opinions on the matter. But, oh, how she yearned to discuss it with him, how much she wished to deal a hand on a grey wool blanket. There would be no headaches then, only this sweet consummation of their comradeship.
But she said not a word. And although she might have her 'dainty' shoes tossed to the floor, have her bare toes quite visible through her stockings, have a draught of sherry in her hand, in short appear quite radical, she was too timid, she thought, too much a mouse, to reveal her gambler's heart to him. She did not like this mouselike quality. As usual, she found herself too careful, too held in.
Once she said: 'I wish I had ten sisters and a big kitchen to laugh in.'
Her lodger frowned and dusted his knees.
She thought: He is as near to a sister as I am likely to get, but he does not understand.
She would have had a woman friend so they could brush each other's hair, and just, please God, put aside this great clanking suit of ugly armor.
She kept her glass dreams from him, even whilst she appeared to talk about them. He was an admiring listener, but she only showed him the opaque skin of her dreams--window glass, the price of transporting it, the difficulties with builders who would not pay their bills inside six months. He imagined this was her business, and of course it was, but all the things she spoke of were a fog across its landscape which was filled with such soaring mountains she would be embarrassed to lay claim to them. Her true ambition, the one she would not confess to him, was to build something Extraordinary and Fine from glass and cast iron. A conservatory, but not a conservatory. Glass laced with steel, spun like a spider web--the idea danced around the periphery of her vision, never long enough to be clear. When she attempted to make a sketch, it became diminished, wooden, inelegant. Sometimes, in her dreams, she felt she had discovered its form, but if she had, it was like an improperly fixed photograph which fades when exposed to daylight. She was wise enough, or foolish enough, to believe this did not matter, that the form would present itself to her in the end.
”
”
Peter Carey (Oscar and Lucinda)
“
Danlo looked down to see himself holding the knife. To see is to be free, he thought. To see that I see. As he looked deeply into himself, he was overcome with a strange sense that he had perfect will over shatterwood and steel, over hate, over pain, over himself. He remembered then why he had taken his vow of ahimsa. In the most fundamental way, his life and the lamb's were one and the same. He was aware of this unity of their spirits – this awareness was both an affliction and a grace. The lamb was watching him, he saw, bleating and shivering as he locked eyes with Danlo. Killing the lamb would be killing himself, and he was very aware that such a self-murder was the one sin that life must never commit. To kill the lamb would be to remove a marvelous thing from life, and more, to inflict great pain and terror. And this he could not do, even though the face and form of his beloved Tamara burned so dearly inside him that he wanted to cry out at the cruelty of the world. He looked at the lamb, and the animal's wild eye burned like a black coal against the whiteness of his wool. In remembrance of the fierce will to life with which he and all things had been born – and in relief at freeing himself from the Entity's terrible temptation – he began to laugh, softly, grimly, wildly.
”
”
David Zindell (The Wild (A Requiem For Homo Sapiens, #2))
“
Sebastian nodded his way. “This is Hadrian … er, Hadrian…” He snapped his fingers and looked for help.
“Blackwater.” He extended his hand and shook with each.
“And where do you hail from, Hadrian?” Eugene asked.
“Nowhere really.”
“A man with no home?” Samuel’s voice was nasal and a bit suspicious. Hadrian imagined him the type of man to count money handed him by a priest.
“What do you mean?” Eugene asked. “He came off the boat from Calis. We talked about it just last night.”
“Don’t be a fool, Eugene,” Sebastian said. “Do you think Calians have sandy hair and blue eyes? Calians are swarthy brutes and clever beyond measure. Never trust one, any of you.”
“What were you doing in Calis, then?” Eugene’s tone was inquisitorial and spiteful, as if Hadrian had been the one to declare him foolish.
“Working.”
“Making his fortune, I suspect,” Sebastian said, motioning toward Hadrian. “The man wears a heavy purse. You should be half as successful, Eugene.”
“All Calian copper dins, I’ll wager.” Eugene sustained his bitter tone. “If not, he’d have a fine wool robe like us.”
“He wears a fine steel sword, two of them in fact. So you might consider your words more carefully,” Sebastian said.
“Three,” Samuel added. “He keeps another in his cabin. A big one.”
“There you have it, Eugene. The man spends all his coin on steel, but by all means go right on insulting him. I’m certain Samuel and I can manage just fine without you.
”
”
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
“
Cutting Board Maintenance
Moisturize! Once a month I spend some quality time, just me and my cutting board family. Wood is porous and kind of alive—it expands and contracts, absorbs moisture and dries out. Without any TLC even the best wooden cutting board can crack, warp, or even rot from the inside. Luckily, all you need to prevent all of that is monthly moisturization.
1. Start with a clean and dry board: Using a soft dish sponge, scrub clean with dish soap. Remove any tough stains with a mixture of baking soda and water. Never use any harsh abrasives like bleach or steel wool. Rinse and then dry the board with a towel and leave it standing on its edge to fully dry. (If you can, it’s best to store your board standing on its edge when not in use so moisture doesn’t fester underneath.) When washing your board, be sure to wet both sides. This ensures that both sides are equally moist and dry at the same rate to prevent warping.
2. Apply a generous layer of food-grade mineral oil: Lay the board flat so excess oil doesn’t run off, and use your hands to spread a thick layer of mineral oil all over one side, rubbing into the edges and any grooves. Why mineral oil? Unlike most other oils, such as canola, olive, or coconut, mineral oil is totally flavorless and won’t grow rancid
3. Give it time to soak in: Let it sit for a few hours and preferably overnight to drink in as much oil as possible.
4. Buff and repeat: Use a towel to rub away any excess oil the board didn’t soak up. Next, buff the board, rubbing in any last remnants of oil. It should not feel slick or greasy when you’re done. Flip and repeat on the other side.
• Level up: To give your board an almost velvety feel, after oiling both sides, rub them down with board cream. Board cream is a mixture of food-grade mineral oil and beeswax that you can purchase or make yourself. Using a towel, rub a thin, even layer all over the board. No need to wipe it off after.
”
”
Sohla El-Waylly (Start Here: Instructions for Becoming a Better Cook)
“
Before she could think of what to say, he grasped the axe and turned toward her, his face a mass of angles in the lanternlight. "Step back."
This was a man who expected to be heeded. He did not wait to see if she followed his direction before he lifted the axe high above his head. She pressed herself into the corner of the dark room as he attacked the furniture with a vengeance, her surprise making her unable to resist watching him.
He was built beautifully.
Like a glorious Roman statue, all strong, lean muscles outlined by the crisp linen of his shirtsleeves when he lifted the tool overhead, his hands sliding purposefully along the haft, fingers grasping tightly as he brought the steel blade down into the age-old oak with a mighty thwack, sending a splinter of oak flying across the kitchen, landing atop the long-unused stove.
He splayed one long-fingered hand flat on the table, gripping the axe once more to work the blade out of the wood. He turned his head as he stood back, making sure she was out of the way of any potential projectiles- a movement she could not help but find comforting- before confronting the furniture and taking his next swing with a mighty heave.
The blade sliced into the oak, but the table held.
He shook his head and yanked the axe out once more, this time aiming for one of the remaining table legs.
Thwack!
Penelope's eyes went wide as the lanternlight caught the way his wool trousers wrapped tightly around his massive thighs. She should not notice... should not be paying attention to such obvious... maleness.
But she'd never seen legs like his.
Thwack!
Never imagined they could be so... compelling.
Thwack!
Could not help it.
Thwack!
”
”
Sarah MacLean (A Rogue by Any Other Name (The Rules of Scoundrels, #1))
“
the power of relinquishing
what one would keep; that is freedom. Become dinosaur-
skulled, quilled or salamander-wooled, more ironshod
and javelin-dressed than a hedgehog battalion of steel, but be
dull. Don’t be envied or
armed with a measuring rod.
”
”
Marianne Moore (Complete Poems)
“
Holston could feel the vibrations in the railing, which was worn down to the gleaming metal. That always amazed him: how centuries of bare palms and shuffling feet could wear down solid steel. One molecule at a time, he supposed. Each life might wear away a single layer, even as the silo wore away that life.
”
”
Hugh Howey (Wool Omnibus (Silo, #1))
“
His muscled thighs and lean hips felt like warm steel under her hands as she caressed him on her knees, kissing his chiseled belly, while his large, gentle hands stroked her shoulders and her hair. She felt the mystery of his rock-hard manhood brush her throat. He was swollen solid behind the barrier of his tight black breeches. He needed her, she knew, and it pleased her.' There was no sound in her dream but his urgent whisper, 'Give it to me. Give it all to me.'
'Yes,' she thought, her body arching, 'yes.'
She was naked beneath the brown robe and painfully aroused, acutely aware of the feel of coarse wool against her tender flesh. She wanted to be rid of it, but she waited patiently, weaving a wreath of careful, rosy kisses around his navel, for she knew he would sate her.
”
”
Gaelen Foley (Lord of Fire (Knight Miscellany, #2))
“
As unlike as morning and night, pencil and ink.
”
”
Natsu Miyashita (The Forest of Wool and Steel)
“
Music is there to help us enjoy life, not as a means to outdo everyone else. Even if you do compete and a winner is picked – the person who enjoys himself the most is always the real winner.
”
”
Natsu Miyashita (The Forest of Wool and Steel)
“
He wished that he could break out his knitting, but for some reason, people didn’t take you seriously as a warrior when you were knitting. He’d never figured out why. Making socks required four or five double-ended bone needles, and while they weren’t very large, you could probably jam one into someone’s eye if you really wanted to. Not that he would. He’d have to pull the needle out of the sock to do it, and then he’d be left with the grimly fiddly work of rethreading the stitches. Also, washing blood out of wool was possible, but a pain.
”
”
T. Kingfisher (Paladin's Grace (The Saint of Steel, #1))
“
To peer into the mass of wastepaper and find the spine and boards of a rare
book has always been a special treat for me. Instead of going after it on the spot,
I’ll take a piece of steel wool and give the shaft a good rub, then have another look
at the paper and check whether I have the strength to pull out the book and open it,
and not until I decide I do have the strength will I pick it up, and even then it
shakes in my hands like a bride’s bouquet at the altar.
”
”
Bohumil Hrabal (Too Loud a Solitude)
“
DECEMBER 22 Parallel Universes Doubt, for me, tends to come in an overwhelming package, all at once. I don’t worry much about nuances of particular doctrines, but every so often I catch myself wondering about the whole grand scheme of faith. I stand in the futuristic airport in Denver, for example, watching important-looking people in business suits, briefcases clutched to their sides like weapons, pause at an espresso bar before scurrying off to another concourse. Do any of them ever think about God? I wonder. Christians share an odd belief in parallel universes. One universe consists of glass and steel and wool clothes and leather briefcases and the smell of freshly ground coffee. The other consists of angels and sinister spiritual forces and somewhere out there places called Heaven and Hell. We palpably inhabit the material world; it takes faith to consider oneself a citizen of the other, invisible world. Occasionally the two worlds merge for me, and these rare moments are anchors for my faith. The time I snorkeled on a coral reef and suddenly the flashes of color and abstract design flitting around me became a window to a Creator who exults in life and beauty. The time my wife forgave me for something that did not merit forgiveness—that too became a window, allowing a startling glimpse of divine grace. I have these moments, but soon toxic fumes from the material world seep in. Sex appeal! Power! Money! Military might! These are what matter most in life, I’m told, not the simpering platitudes of Jesus’ teachings in the Sermon on the Mount. For me, living in a fallen world, doubt seems more like forgetfulness than disbelief. I, a citizen of the visible world, know well the struggle involved in clinging to belief in another, invisible world. Christmas turns the tables and hints at the struggle involved when the Lord of both worlds descends to live by the rules of the one. In Bethlehem, the two worlds came together, realigned; what Jesus went on to accomplish on planet Earth made it possible for God someday to resolve all disharmonies in both worlds. No wonder a choir of angels broke out in spontaneous song, disturbing not only a few shepherds but the entire universe. Finding God in Unexpected Places (34 – 35)
”
”
Philip Yancey (Grace Notes: Daily Readings with Philip Yancey)
“
The treads, like his father’s boots, showed signs of wear. Paint clung to them in feeble chips, mostly in the corners and undersides, where they were safe. Traffic elsewhere on the staircase sent dust shivering off in small clouds. Holston could feel the vibrations in the railing, which was worn down to the gleaming metal. That always amazed him: how centuries of bare palms and shuffling feet could wear down solid steel. One molecule at a time, he supposed. Each life might wear away
”
”
Hugh Howey (Wool (Wool, #1))
“
inferred by the pattern to either side, the small pyramidal bumps rising from the flat steel with their crisp edges and flecks of paint. Holston lifted an old boot to an old step, pressed down,
”
”
Hugh Howey (Wool (Wool, #1))
“
Each step was slightly bowed from generations of traffic, the edge rounded down like a pouting lip. In the center, there was almost no trace of the small diamonds that once gave the treads their grip. Their absence could only be inferred by the pattern to either side, the small pyramidal bumps rising from the flat steel with their crisp edges and flecks of paint. Holston lifted an old boot to an old step, pressed down, and did
”
”
Hugh Howey (Wool (Wool, #1))
“
Ding! The computer sounded across the room, signaling the arrival of another e-mail.
“It’s him!” Madison squeaked, spinning to look at her computer. “Listen, Piper, I can’t talk now. Blue just wrote me a note.”
“Hold it! You’re hanging up on your best friend just so you can read an e-mail from some random guy named Blue?” Piper huffed. “You don’t really know anything about him. And he could be making all sorts of stuff up.”
“He’s nice,” Madison protested.
“Oh, yeah? What if you find out that ‘Blue’ is actually Leonard Watkins, number one freak-a-zoid at EHS?”
Madison winced at the thought. Leonard was certainly strange to look at--barely five feet tall, with oversized glasses, bad skin, and hair that looked like steel wool. But that was just looks. “Maybe Leonard is a nice guy. I know he lurks around the halls humming to himself, but you know, if he really was ‘Blue,” I’d give him a chance.”
“You’re certifiably insane,” Piper declared, “You have all these guys at Evergreen High drooling over you and you fall for some unknown named Blue. Hmm…I that’s the way to get guys, maybe I’d better hang up and check my e-mail. Some maniac named Lemon Yellow could have sent me a letter that will change my life.”
“Go for it, Piper!” Madison chuckled. “I’ll see you tomorrow.”
“Okay,” Piper said. “Although I may have eloped to Vancouver with Lemon Yellow by then.
”
”
Jahnna N. Malcolm (Perfect Strangers (Love Letters, #1))
“
The shirts were buttoned low enough that their gray chest hair jutted out like steel wool.
”
”
Harlan Coben (Gone for Good)
“
In his young mind, there it was. A surefire, absolute method to gain access to that which all Muslims strive for their entire lives. It confounded him to no end that none of his peers or elders had discovered such a wonderful and easy shortcut. He would not be one such sheep; he wouldn’t allow the joys of a full life to pull the wool over his young eyes. His future course of action became crystal clear. After making up his mind, steeling his resolve and after a number of failed attempts, Armin finally launched himself from one of the higher windows in his school.
”
”
Atheist Republic (Your God Is Too Small: 50 Essays on Life, Love & Liberty Without Religion)
“
Lily fought like a lynx caught in a steel trap. She scratched and bit and kicked with a force that took Connell by surprise. Her teeth sank into the sensitive flesh of his palm and forced him to let go. “Calm down, Lily. It’s just me, Connell.” The beginning of her scream died away, and she spun on him, her eyes flashing with fury. “Why did you sneak up on me like that?” “I didn’t mean to.” He brought his smarting hand to his mouth and sucked at the blood she’d drawn. “When you didn’t hear me approach, I thought I might startle you. And I didn’t want you to scream—a sure way to get every shanty boy in the camp to come running.” The tempest in her eyes turned into a low gale. He glanced at the teeth marks she’d left in his hand. “You sure know how to greet a fellow.” “And you sure know how to scare a girl half to death.” “Why exactly were you so scared?” “Because I thought you were someone else.” “And what if I had been someone else?” She paused, her pretty lips stalled around the shape of her next word. “Any number of the rough men from this camp could have followed you out here.” He’d seen the way the men were looking at her, how they hadn’t been able to take their eyes off her from the moment she’d arrived. “What would you have done then?” When she’d run off into the woods after the stupid cat, he’d had to yell at several of the men to stop them from chasing after her. “I would have screamed.” She pulled herself up to her full height, which he estimated to be five feet six inches. “Since apparently I’d get lots of attention that way.” “I’m serious,” he started. But then at the glimpse of the twinkle in her eyes, his ready lecture stalled. He stuck his aching hand into his pocket and pressed his wound against the scratchy wool. “I appreciate your concern,” she offered with the hint of a smile. “But I’m a much stronger woman than you realize.” She’d be no match for any of his strong shanty boys. “You were reckless to wander off by yourself.” He tried to soften his accusation, but he wanted her to realize the constant danger she was in simply by being an attractive woman in a place populated by lusty men. “I strongly suggest you refrain from doing so again—especially if you hope to avoid any further run-ins.
”
”
Jody Hedlund (Unending Devotion (Michigan Brides, #1))
“
That always amazed him: how centuries of bare palms and shuffling feet could wear down solid steel. One molecule at a time, he supposed. Each life might wear away a single layer, even as the silo wore away that life.
”
”
Hugh Howey (Wool Omnibus (Silo, #1))
“
I found my truck where I had left it, parked with the rear against a juniper. Water in the jugs had frozen. A mouse trap in the back still hadn’t caught the mouse who was living in my wool socks and eating holes in my plastic bags. I drove north. By the time the Milky Way was out I had reached the foot of the Book Cliffs and the remains of Thompson, Utah. The train comes through the town and was heading out for Christmas. I was an hour late. The train is customarily two hours late. I still had time to set pennies on the tracks. This was the only time I had seen another customer in the Silver Grill Cafe. Through the window he sat at one end of the counter gesturing toward the gray-haired woman who runs the place, sitting at the other end. I once ordered a cinnamon roll in there, and she peeled open a box she had gone all the way to Moab City Market a couple days earlier to purchase. By telling me this, she was emphasizing the fact that the cinnamon rolls were fresh. She put it in the microwave for me. Gave me an extra pat of butter, the kind with foil around it. I spent an hour once just up the street talking to the post mistress and her cat. I checked the WANTED bulletins, then ran when the train came through. If you are not standing at the tracks in Thompson, the Amtrak will not stop. They call it a whistle stop. One of the few left in the country. The gray-haired woman shut down the cafe, clicked off the front lights. Electricity was buzzing out of the single street light, so I opened the truck door and turned on the tape deck. After a while I shut it off because my battery has never proved itself to be resilient. A couple of freight trains tore through with the impact of sudden cataclysm, flattening my pennies. Then the buzzing of the street light. Then the coyotes. They were yelping and howling up Sego Canyon, where there are pre-Anasazi paintings on the walls—big, round eyes, huge and red, looking over the canyon. The train was three hours late. I stood nearly on the tracks so they couldn’t miss me with that blinding, drunken light. The conductor threw open the steel door. “Shoot,” he yelled. “It’s dark out here!” I dove through and tackled him with my backpacks, flashing a ticket in his face. He quickly announced that I had too many pieces, but the train was already moving. I looked back out. Utah was black. He pulled the door closed and the train began to rock along the tracks. When I came down the aisle I saw a few passengers who were still awake, on their way to San Francisco or Las Vegas. Overhead lights were trained on paperbacks in their laps. They were staring out their windows into absolute darkness. I knew what they were thinking; there is nothing out there.
”
”
Craig Childs (Stone Desert)
“
His fingers cupped my face, cradling my cheek and jaw as if I was made of glass. I found a handful of his soft hair and wound my fingers into it, while curling my other hand into the shoulder of his leather coat. My heart hadn’t even stopped thundering from the Foul Woman’s presence. Now it was thrumming against my ribs again, too fast to count the beats. I did something I’d always secretly wanted to and bit down, very gently, on his beautiful bottom lip. Shinobu’s breath shivered into my mouth, and he pulled me closer.
I was taller now, but not tall enough. Tiptoes didn’t bring me where I wanted to be either. I jumped and hauled myself up the steel pillar of his body, wrapping one leg around his hip. The big, warm hand on my waist slid slowly down the thin fabric of my trousers to cup my thigh, supporting my weight. His other hand was clenched in my hair. A wave of almost painful excitement and yearning crashed through me, and sent me into a full-body shudder that I had no chance of hiding. A tiny moan popped from my lips straight into his.
“Mio. Oh, Mio…” His shaking voice echoed in my ears, mixing with words in Japanese. I recognized some of them. My beloved. My Mio. He pressed his mouth to my eyelid, my cheek, the edge of my jaw, the skin beneath my ear.
There was a loud tearing noise. We both froze.
Abruptly I was aware of the wall against my back, and the tremble in my thigh from hanging onto him like a demented spider monkey. I swallowed and blinked as Shinobu eased back, letting my feet drop to the pavement again. Our eyes met.
“What just…?” I asked.
He cleared his throat. “I think – my shirt.”
I looked down and saw that at some point I’d traded my grip on his hair for a handful of the T-shirt and jumper under his jacket. My fingers had gone straight through the thin wool and made a nice tear in the cotton beneath that too.
“Darn super-strength,” I muttered.
Shinobu’s lip twitched up at the corner again. I snatched my hand away from his ruined clothes and clapped it over his mouth. “No laughing at me,” I said, only half joking. “Not at a moment like this. Romance will die forever and it’ll be your fault.”
He peeled my hand off and pressed a kiss to my palm. “Where are we now? What is this place?”
“Um … Remnant Street, I think.”
“No. From now on it will be Paradise Street. Heaven Road. Happiness Avenue.”
“You big cheese-ball…” I muttered, putting my arms around his waist and hugging him tightly.
“What?”
“Never mind!” I grumped, then sighed. “I wish we could stay on Happiness Avenue a bit longer…”
“But we can’t,” he finished. “It is all right. I promise we will come back whenever you want.
”
”
Zoë Marriott (Darkness Hidden (The Name of the Blade, #2))
“
The road of head was steep and long, and I had no firm idea as to how to achieve my goals. First came the will to do it, then persistence and effort. And then maybe something else entirely.
”
”
Natsu Miyashita (The Forest of Wool and Steel)
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She leaned her head against his shoulder, hoping to remember his scent of freshly mown hay, bay rum, and hard work. He caressed the back of her neck.
“It won’t be long,” he comforted her.
They were empty words, which didn’t have a true, sure ring to them but sparked hope all the same.
“Take care of our little one,” he whispered in her ear.
Robin took a deep breath, steeling herself to be strong. She tipped up her head. “I will.”
Willis crushed a kiss to her lips. Robin didn’t care what any of them thought. The train whistle blew, and Willis released her. A chill breeze blew over the platform and made Robin tug her indigo-blue, wool sweater tighter around her expanding middle.
”
”
Jenny Knipfer (Under the Weeping Willow (Sheltering Trees #2))
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Whereas online negativity seems to dissipate naturally in a large city, it often grates like steel wool in a small town where insults are not easily forgotten. — A.G. SULZBERGER, “IN SMALL TOWNS, GOSSIP MOVES TO THE WEB, AND TURNS VICIOUS,” THE NEW YORK TIMES, 2011
”
”
Eileen Ormsby (Small Towns, Dark Secrets: Social media, reality TV and murder in rural America (Tangled Webs True Crime))
“
Playing the piano is not how I'll make a living, it's how I'll make a life.
”
”
Natsu Miyashita (The Forest of Wool and Steel)
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Gradually, they draw back, and I’m left floating, drifting in a current of Charlie: his faintly spiced scent, the heat of his skin, the fine wool of his light sweater. A picture of my apartment flickers across my mind. The yellowy-red streetlights catching raindrops on my windowpane, the sound of cars slushing past, the radiator hissing against my socked feet. The smell of old books and crisp new ones, and the cologne whose cedarwood and amber notes are meant to conjure up the image of sun-soaked libraries. The creak of old floorboards, the shuffle of footsteps, half-drunken singing as revelers make their way home from the tequila bar across the street, stopping for dollar slices of pizza dripping with oil. I can almost believe I’m there. In my home, where it’s safe enough to relax, to undo the brackets of steel in my spine and slip out of my harsh outline to—settle. “You’re not useless, Charlie,” I whisper against his steady heartbeat. “You’re . . .” His hand is still in my hair. “Organized?” I smile into his chest. “Something like that,” I say. “It’ll come to me.
”
”
Emily Henry (Book Lovers)
“
Breath!’ A voice, wild with anxiety, ordered, and I felt a cruel stab of pain where I recognized the voice because it wasn't Marcel’s.
I could not obey. The waterfall pouring from my mouth didn't stop long enough for me to catch a breath. The black, icy water filled my chest, burning.
The rock smacked into my back again, right between my shoulder blades, and another volley of water choked its way out of my lungs.
‘Breathe, Bell! C'mon!’ Marcel begged.
Black spots bloomed across my vision, getting wider and wider, blocking out the light.
The rock struck me again.
The rock wasn't cold like the water; it was hot on my skin. I realized it was Marcel’s hand, trying to beat the water from my lungs. The iron bar that had dragged me from the sea was also… warm… My head whirled; the black spots covered everything…
Was I dying again, then? I didn't like it. This wasn't as good as the last time. It was only dark now, nothing worth looking at here. The sound of the crashing waves faded into the black and became a quiet, even whoosh that sounded like it was coming from the inside of my ears…
‘Bell?’ Marcel asked, his voice still tense, but not as wild as before. ‘Bells, honey, can you hear me?’
The contents of my head swished and rolled sickeningly like they'd joined the rough water…
‘How long has she been unconscious?’ someone else asked.
The voice that was not Marcel’s shocked me, jarred me into a more focused awareness.
I realized that I was still. There was no tug of the current on me-the heaving was inside my head. The surface under me was flat and motionless. It felt grainy against my bear arms.
‘I don't know,’ Marcel reported, still frantic. His voice was very close. Hands-so warm they had to be his- I brushed wet hair from my cheeks. ‘A few minutes? It didn't take long to tow her to the beach.’ The quiet whooshing inside my ears was not the waves-it was the air moving in and out of my lungs again. Each breath burned-the passageways were as raw as if I'd scrubbed them out with steel wool. But I was breathing.
And I was freezing. A thousand sharp, icy beads were striking my face and arms, making the cold worse.
‘She's breathing. She'll come around. We should get her out of the cold, though. I don't like the color she's turning…’ I recognized Sam's voice this time.
‘You think it's okay to move her?’
‘She didn't hurt her back or anything when she fell?’
‘I don't know.’
They hesitated.
”
”
Marcel Ray Duriez (Nevaeh Hard to Let Go)
“
I sat down, over months and months, and wrote a story. Then I erased that story and recomposed it from memory. Then I erased itagain, and recomposed it again. The story lived in my eyes and my fingers. It lived in my messy hair and my wool socks and my fuzzy slippers. It lived on my skin. It lived in my mouth. It lived in my ears. And then I sold it to a publisher, and the publisher said, “I love it! Let’s change everything!” And so I did. It’s called the editorial process, and it is a magic thing. Editors are people who have eyes made of titanium and tongues made of steel. Their hearts are carefully built of the most delicate and complicated clockwork gears in the world. They never sleep. They never eat. They are fed on starlight and birdsong and the dreams of children. And they are almost always right. So I changed lots of things and rewrote lots of things and the story I wrote became the story it could be, and that has made all the difference.
”
”
Kelly Barnhill, winner of the Newbery Award for The Girl Who Drank the Moon
“
So there we were, in the middle of the night, on our hands and knees with scrub brushes, steel wool, sponges, scouring powder and buckets of water making the old shop look spic and span. We secured from the task at 0400. I should have hit the rack but instead went topside and out to the canoe, the sacred spot where Lieutenant Goldberg and I had sat together contemplating the why's of life. I was saying farewell in my own way. I wanted to experience the Oriskany for the last time on the high seas. It was still dark – the dark that comes just before dawn. The waning moon, merely a fluorescent nail clipping, hung near the horizon. The night air was crisp; the sky a deep, cold black with pinpoints of stars shimmering through the earth’s canopy. Above me was the endless universe; below me, the deep mystical sea. Large undulating swells gently rocked the ship like a babe in its mother’s arms. Mother Ocean. Father Sky.
I meditated upon this new life that I am now obliged to live. I thought about youth. I thought about old age. Apparently bad memories fade away with time and only the moments of goodness and joy remain. Those who are nearing the end of their lives revel in the bliss of yesterday but we the young have this day and tomorrow to contend with. Today, we see the world naked, exposed before our eyes. We see hatred, misery and pain. We find it difficult to live for today. Only the desires for tomorrow’s better world can alleviate the suffering that is today. Only tomorrow can offer us hope that glimmering moments will again materialize. So we continue to exist for a dream, a wish that tomorrow we can say: “This is a day worth living.”
Excerpted from God, Bombs & Viet Nam: Based on the Diary of...
”
”
Gerald Maclennon (Wrestling with Angels: An Anthology of Prose & Poetry 1962-2016 Revised)
“
If geography and time are the warp and weft structuring (art) history, perceptual culture is like the pile of a velvet cloth that, without altering the warp or weft of the fabric, reenchants its texture and depth. It treats Islam as the Simurgh, and objects as its feathers. Like the galleries in China full of representations futilely and obsessively trying to reconstruct the bird from its feathers, the museum is a monument to our inability to feel what we are trying to represent. And yet like the three princes seeking the hand of the Chinese princess in the gallery of creation, we can also discover through objects the spirit we can never expect to pin down in our hands. With these hopes tucked in between the warp of evidence and the weft of interpretation, this book would like to quote a certain textile from a very long time ago: I exist for pleasure; Welcome! For pleasure am I; he who beholds me sees joy and well-being. This book offers complex more than simple pleasures: its many questions diverge and converge, offering iridescence to our certainties. It puts forth the pleasure of using thought as steel wool polishing our mental acumen, enabling perception beyond predetermined realities. It may be that a barzakh exists somewhere between the secular and the sacred, a peninsula of understanding in which we enter the cave of our ghurba and become in the world but not of it. If we tread lightly with a pure heart cleansed in the mirror of curiosity and wonder, it may just open its doors a bit and let us explore the glory it holds inside.
”
”
Wendy M.K. Shaw (What is 'Islamic' Art?: Between Religion and Perception)
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She cut him off before he could start in on marbles. “Why would you want to stop time?” “Ah. Better question.” He sat, letting her look down on his hair, the wiry curled mop, thick as his beard and streaked with white. It looked like steel wool. “You’re growing up too fast, Little Twitch. Maybe I want to keep you with me longer.” He smiled, but it was tight, square. “What if you could stop all the wear on things like bridges? Or make food that lasts twice as long before it goes rotten? A doctor could stop joints from breaking down.” “You want to use it on your hands.” “It might eventually help someone like me. I’m looking for a contained area of effect. And I’m also looking for a patent, so everyone will know you’re the smartest daughter of the smartest man in the world.” That smile was a good one.
”
”
Erika Swyler (Light from Other Stars)
“
Holston could feel the vibrations in the railing, which was worn down to the gleaming metal. That always amazed him: how centuries of bare palms and shuffling feet could wear down solid steel. One molecule at a time, he supposed.
”
”
Hugh Howey (Wool (Wool, #1))
“
The world around me falls into a haze, my hands moving on their own. I scour everything within sight until my hands are raw, scrubbing so hard with a steel wool pad that my fingers bleed, cleaning in the darkness to try to purge the vindictive thoughts, but they're all that exist.
They eat me up when I get like this.
”
”
J.M. Darhower (Torture to Her Soul (Monster in His Eyes, #2))
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Instead of Punishment 1. EXPRESS YOUR FEELINGS STRONGLY—WITHOUT ATTACKING CHARACTER. “I’m furious that my new saw was left outside to rust in the rain!” 2. STATE YOUR EXPECTATIONS. “I expect my tools to be returned after they’ve been borrowed.” 3. SHOW THE CHILD HOW TO MAKE AMENDS. “What this saw needs now is a little steel wool and a lot of elbow grease.” 4. OFFER A CHOICE. “You can borrow my tools and return them or you can give up the privilege of using them. You decide.” 5. TAKE ACTION. Child: “Why is the toolbox locked?” Father: “You tell me why.” 6. PROBLEM-SOLVE. “What can we work out so that you can use my tools when you need them, and so that I’ll be sure they’re there when I need them?
”
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Adele Faber (How to Talk So Kids Will Listen & Listen So Kids Will Talk (The How To Talk Series))