Stealing His Clothes Quotes

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War seems like a fine adventure, the greatest most of them will ever know. Then they get a taste of battle. For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they’ve been gutted by an axe. They see the lord who led them there cut down, and some other lord shouts that they are his now, They take the wound, and when that’s still half-healed they take another. There is never enough to eat, their shoes fall to pieces from marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. If they want new boots or a warmer cloak or maybe a rusted iron half helm, they need to take them from a corpse, and before long they are stealing from the living too, from the small folk whose land they’re fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it’s just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don’t know where they are or how to get back home and the lord they’re fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad in all steel, and the iron thunder of their charge seems to fill the world. And the man breaks.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
The bathroom door burst open, and Molly came trotting out. The left half of her body had been shaved almost down to the skin. The right half was as shaggy as before. John emerged after her, brushing a layer of dog hair off his clothes. John said, "Well, that's done... It was Molly's idea. She wants to look like two different dogs when she's coming and going. She thinks it will make it easier for her to steal food... That's one complicated dog, Dave. Have you started on the bomb?
David Wong (John Dies at the End (John Dies at the End, #1))
Pegasus started to neigh, and Paelen translated. “If anyone should try to steal it from you, Pegasus would defend you, as would Joel and I.” A playful twinkle returned to his eyes. “Of course, should that fail, you could always set yourself on fire again. That would surely scare off any attackers!” “Thanks, Paelen,” Emily teased as she shoved him lightly. Then she patted Pegasus on the neck. “And thank you, Pegs. But I still think we will need to find other clothing.
Kate O'Hearn (Olympus at War (Pegasus, #2))
Nawat grinned. “I was helping to steal soldiers who couldn't keep up.” “What do you do with them?” she asked, curious. “I haven't heard of bodies being found.” “Nor will you,” Nawat informed her, sitting on a corner of the worktable. “They were still alive when we gave them to my warriors at the edge of the jungle.” He picked up Aly's hand and laced his fingers with hers. “My warriors will be able to say they last saw the missing soldiers alive, when the troops went on a visit to the jungle.” Aly walked her free fingers over their entwined hands. “But why would Crown soldiers visit the jungle?” “They didn't think they would at first,” Nawat admitted. “So my warriors show them the beauties of the deep jungle. They take away all the things the soldiers have of the civilized world, such as clothes and weapons and armor, so the soldiers will appreciate the jungle with their entire bodies. But my warriors have seen jungle before, so they get bored and leave. The soldiers stay longer.” “Like the tax collectors,” Aly whispered, awed by the beauty of what he described. “Take away all they have and leave them to survive the jungle. If you're questioned under truthspell, you can say they were alive when you left them. And the only way they could survive naked out there . . .” Nawat was shaking his head. Aly nodded. “I take it you don't leave them near any trails.” “They are there to appreciate the jungle that has been untouched by humans,” Nawat told her, a teacher to a student who did not quite understand. Aly sighed. “I am limp with envy,” she told him. “Simply limp.
Tamora Pierce (Trickster's Queen (Daughter of the Lioness, #2))
is a broken man an outlaw?" "More or less." Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world... "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
George R.R. Martin
After a few minutes, he turns to my face slowly. Are his eyes lingering on my eyes, my lips? I’m not sure. I want them to. Then he says, “Let’s get home. We’ll take the Bug and go somewhere. Alice owes me.” As we clamber back over the rocks, I can’t stop wondering what just happened there. I could swear he was looking at me like he wanted to kiss me. What’s stopping him? Maybe he isn’t attracted to me at all. Maybe he just wants to be friends? I’m not sure I can pull off being just friends with someone whose clothes I want to rip off. Oh god. Did I actually just think that? I steal another look at Jase in his jeans. Yes. Yes, I did.
Huntley Fitzpatrick (My Life Next Door)
Running in the rain steals my breath. Ruins it. Smashes it. Nearly eradicates it. When I arrive home, my soaked clothes are stuck to my skin. My shoes are slouching. My toes are cold and stiff. Erratic strands of my hair stick to my temples and forehead, dripping all over me. I stand in our small garden, catching my breath, and press a shaky palm to my chest. My heart’s palpitations grow uneven and out of beat as if protesting. I close my eyes and tip my head back, letting the rain beat down on me. Soak me. Rinse me. The droplets pound on my closed lids almost like a soothing caress. I’ve always loved the rain. The rain camouflaged everything. No one saw the tears. No one noticed the shame or the humiliation. It was just me, the clouds, and the pouring water. But that’s the thing about the rain, isn’t it? It’s only a camouflage, a temporary solution. It can only rinse the outside. It can’t seep under my skin and wash away my shaky insides. Wiping away my memories isn’t an option either. It’s been barely an hour since Aiden had his hands on me – all over me. I can still feel it. His breath. His nearness. His psychotic eyes.
Rina Kent (Deviant King (Royal Elite, #1))
He's not exactly a stranger anymore. He showed Jack how to do a backflip. Someone tipped sand down his shirt. He gave Moxie a leg up over the chain fence on the way home. He's eaten their potato salad and worn their clothes. The trouble is he stole it all, every moment. And that's the part people don't overlook. They feel betrayed. Betrayed people have the hardest fists.
C.G. Drews (The Boy Who Steals Houses (The Boy Who Steals Houses, #1))
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
Every young sculptor seems to think that he must give the world some specimen of indecorous womanhood, and call it Eve, Venus, a Nymph, or any name that may apologize for a lack of decent clothing. I am weary, even more than I am ashamed, of seeing such things. Nowadays people are as good as born in their clothes, and there is practically not a nude human being in existence. An artist, therefore, as you must candidly confess, cannot sculpture nudity with a pure heart, if only because he is compelled to steal guilty glimpses at hired models. The marble inevitably loses its chastity under such circumstances. An old Greek sculptor, no doubt, found his models in the open sunshine, and among pure and princely maidens, and thus the nude statues of antiquity are as modest as violets, and sufficiently draped in their own beauty. But as for Mr. Gibson's colored Venuses (stained, I believe, with tobacco juice), and all other nudities of to-day, I really do not understand what they have to say to this generation, and would be glad to see as many heaps of quicklime in their stead.
Nathaniel Hawthorne (The Marble Faun)
Additionally, Adam’s room had an absolutely massive bed with a plump feather tick that she knew they would put to good use. “Shall we christen it now?” Adam whispered in her ear, his arms stealing around her from behind in spite of the footmen who were still busy bringing up their luggage. Skimming his lips over her cheek, he playfully caressed her nape in a way that never failed to drive her wild. “I could shoo them all out and lock the door. We wouldn’t even have to take off our clothes, I could just tumble you down and toss up your skirts. What do you say, wife, shall I tup you now, or would you rather wait until later?
Tracy Anne Warren (Wicked Delights of a Bridal Bed (The Byrons of Braebourne, #4))
He in­ter­rupted her with a boy­ish grin. "I promise I'll never wear your clothes, and I won't steal your al­lowances or your boyfriends ei­ther." Lau­ren couldn't help start­ing to smile as he fin­ished, "And if you swear never to call me Nicky again, I won't bite you." She stepped aside and let him in, then took his jacket and hung it in the closet. When she turned, Nick was lean­ing against the closed front door, his arms crossed over his chest. "On sec­ond thought," he grinned, "I take part of that back. I'd love to bite you.
Judith McNaught (Double Standards)
Last summer, in London at least, the hoodie was transformed from a benign piece of leisurewear into a uniform for the disaffected, the angry, the malevolent. So much so that ‘hoodie’ was no longer a piece of clothing. It was a whole person. A hoodie was somebody likely to steal, plunder and do you unimaginable harm. People were crossing the street when a hoodie crossed their path - even if it was a 70-year-old gentleman walking his dog. That’s how quickly the fear had permeated the collective consciousness. And lifting the hood was tantamount to cocking a gun.
Mark Capell (RIOT MURDER - Myles Morgan Undercover #2)
I’m not sure I can pull off being just friends with someone whose clothes I want to rip off. Oh god. Did I actually just think that? I steal another look at Jase in his jeans. Yes. Yes, I did.
Huntley Fitzpatrick (My Life Next Door)
This would have been the perfect time to continue with his ravishment scheme. He could lay siege to her virginal clothing. Ruthlessly dismantle her inhibitions. Steal an hour or two of fleeting pleasure before proving beyond a shadow of doubt: Romance is an exercise in willful delusion and nothing—nothing—ends happily. At least, not in this castle, and not with a man like him. There was only one wrinkle in that scheme. He liked her too much to go through with it.
Tessa Dare (Romancing the Duke (Castles Ever After, #1))
Goodbye,Nick," she said, starting to close the door. "And thank you for stopping by." He accepted her decision with a slight inclination of his head, and Lauren made herself finish closing the door. She forced herself to walk away on legs that felt like lead, reminding herself at the same time how insane it would be to let him near her. But halfway across the living room she lost the internal battle. Pivoting on her heel, she raced for the door, yanked it open and hurtled straight into Nick's chest. He was lounging with one hand braced high against the doorframe, gazing down at her flushed face with a knowing, satisfied grin. "Hello,Lauren.I happened to be in the neighborhood and decided to drop by." "What do you want,Nick?" she sighed, her blue eyes searching his. "You." Resolutely she started to close the door again, but his hand shot out to stop her. "Do you really want me to go?" "I told you on Wednesday that what I want has nothing to do with it. What matters is what's best for me, and-" He interrupted her with a boyish grin. "I promise I'll never wear your clothes,and I won't steal your allowances or your boyfriends either." Lauren couldn't help starting to smile as he finished, "And if you swear never to call me Nicky again, I won't bite you." She stepped aside and let him in, then took his jacket and hung it in the closet. When she turned, Nick was leaning against the closed front door, his arms crossed over his chest. "On second thought," he grinned, "I take part of that back.I'd love to bite you." "Pervert!" she returned teasingly, her heart thumping so much with excitement that she hardly knew what she was saying. "Come here and I'll show you just how perverted I can be," he invited smoothly. Lauren took a cautious step backward. "Absolutely not.
Judith McNaught (Double Standards)
My lady," Sebastian murmured, resting one hand at the small of her corseted back. Regarding Haldane with a slight smile, he continued to speak to Evie. "It seems I'll have to warn you, my love... this gentleman is a wolf in sheep's clothing." Although Evie would have expected the elderly man to take offense at such a remark, Haldane chuckled with pleasure, his vanity flattered. "If I were twenty years younger, my impudent fellow, I would steal her away from you. Despite your much-vaunted charm, you are no match for what I was then." "Age hasn't tamed you a whit," Sebastian replied with a grin, drawing Evie away from him. "Pardon us, my lord, while I remove my wife from safer territory." "It is obvious that this elusive fellow has been caught firmly in your snare," Haldane told Evie. "Go, then, and pacify his jealous temperament." "I... I will try," Evie said uncertainly. For some reason both men laughed, and Sebastian kept his hand on Evie's back as they left the main room.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
Werewolves had been so rationalized and medicalized by the year 1000 that they became subject to a medieval type of “heroin chic” romanticism in literature, in which they were frequently portrayed as attractive, lonely, suffering, victimized, self-sacrificing, chivalrous heroes in fictional and mythological tales emerging during the Grail romance era. The “chivalrous werewolf” narratives often feature a noble knight or prince who transforms into a werewolf to protect the subject of his romantic love, but while he is a werewolf she betrays him by stealing his transformative device—either a potion, a ring, a belt or his clothes—trapping him forever in his lovelorn werewolf state.25
Peter Vronsky (Sons of Cain: A History of Serial Killers from the Stone Age to the Present)
After he'd gone, I slammed the door shut and, after the day I had, wasn't the least bit surprised to see my closet door open and Whitley stick his head out. "Son of hibachi," I muttered. Now I would have to add burning all of my clothes to my list of things to do. "What?" He exited the closet with a smile. "I don't even get a hello?" I held up a finger. "Wait right here." He shrugged. I shut the door behind me and marched back into the living room and pointed at Dr. Wendell. "You. Come with me. Now." Wide-eyed, he rose from the couch and followed me to my door. Before I opened it, I turned to him. "You said part of your job was to protect me, right?" He nodded, his brow knit in lines of confusion. "Just to prove how bad you suck at your job, look at this." I swung open the door and Whitley waved from his perch at the end of my bed. Dr. Wendell's mouth dropped and he took a step back. "Wait. What is-who is that?" "That"-I gestured to the boy on my bed-"is Whitley, aka Zeami, aka the psycho who tried to kill me, steal my powers, and burnt down my house." Whitley smiled. "Guilty as charged." I folded my arms and glared at Dr. Wendell. "If you're supposedly protecting me, how could you let my past-life murderer walk right into my bedroom and hide out in my closet?" Dr. Wendell shook his head, his skin a shade paler than it had been moments ago. "But I-I didn't-how-" He looked at Whitley. "How did you get in here?" Whitley rolled his eyes. "Through the door. Duh." Dr. Wendell pushed me behind him, bringing his shaking fists in front of his face. "It doesn't matter. If you want to kill Rileigh, you're going to have to get past me.
Cole Gibsen (Senshi (Katana, #2))
Joanna pivoted and bit back a groan of despair.Crockett Archer was even more handsome than she'd remembered. Somehow his rancher's clothing made him seem more approachable, more...within her reach. And if that wasn't the most ridiculous notion, she didn't know what was. A man with his looks and kind heart could have any woman he chose. He'd never settle for a shy, freckled redhead with an ex-outlaw for a father. She was everything the ideal preacher's wife was not.
Karen Witemeyer (Stealing the Preacher (Archer Brothers, #2))
By the way,” Hadrian began, “what was the real reason you didn’t tell me?” “Huh?” “A bit ago you said—” “Oh.” Royce continued to study the walls. He seemed a little too preoccupied by them. Just as Hadrian was sure he would not answer, Royce said, “I didn’t want you to leave.” Hadrian almost laughed at the comment, thinking it was a joke, and then nearly bit his tongue. Thinking of Royce as anything but callous was difficult. Then he realized Royce never had a family and precious few friends. He had grown up an orphan on the streets of Ratibor, stealing his food and clothes and likely receiving his share of beatings for it. He had probably joined the Diamond as much from a desire to belong as a means to profit. After only a few short years, they had betrayed him. Hadrian realized at that moment that Royce did not see him as just his partner, but his family. Along with Gwen and perhaps Arcadius, Hadrian was the only one he had.
Michael J. Sullivan (Nyphron Rising (The Riyria Revelations, #3))
Proshka was a man of self-esteem. He considered himself a cut above the rest, and had a degree of personal pride. His spell in prison was a humiliating experience for him. No longer could he strut with pride before his fellows, and his spirits sank at once. Proshka went home from prison embittered not so much against Pyotr Nikolayevich as against the whole world. Everyone said the same thing: after he came out of prison, Proshka went to pieces. He grew too lazy to work, took to drink, and was soon caught stealing clothes from the trademan's wife. Once again he ended up in prison.
Leo Tolstoy (The Forged Coupon (Hesperus Classics))
The three thousand miles in distance he put between himself and Emma tonight is nothing compared with the enormous chasm separating them when they sit next to each other in calculus. Emma's ability to overlook his existence is a gift-but not one that Poseidon handed down. Rachel insists this gift is uniquely a female trait, regardless of the species. Since their breakup, Emma seems to be the only female utilizing this particular gift. Even Rayna could learn a few lessons from Emma in the art of torturing a smitten male. Smitten? More like fanatical. He shakes his head in disgust. Why couldn't I just sift when I turned of age? Why couldn't I find a suitable mild-tempered female to mate with? Live a peaceful life, produce offspring, grow old, and watch my own fingerlings have fingerlings someday? He searches through his mind for someone he might have missed in the past. For a face he overlooked before but could now look forward to every day. For a docile female who would be honored to mate with a Triton prince-instead of a temperamental siren who mocks his title at every opportunity. He scours his memory for a sweet-natured Syrena who would take care of him, who would do whatever he asked, who would never argue with him. Not some human-raised snippet who stomps her foot when she doesn't get her way, listens to him only when it suits some secret purpose she has, or shoves a handful of chocolate mints down his throat if he lets his guard down. Not some white-haired angelfish whose eyes melt him into a puddle, whose blush is more beautiful than sunrise, and whose lips send heat ripping through him like a mine explosion. He sighs as Emma's face eclipses hundreds of mate-worthy Syrena. That's just one more quality I'll have to add to the list: someone who won't mind being second best. His just locks as he catches a glimpse of his shadow beneath him, cast by slithers of sterling moonlight. Since it's close to three a.m. here, he's comfortable walking around without the inconvenience of clothes, but sitting on the rocky shore in the raw is less than appealing. And it doesn't matter which Jersey shore he sits on, he can't escape the moon that connects them both-and reminds him of Emma's hair. Hovering in the shallows, he stares up at it in resentment, knowing the moon reminds him of something else he can' escape-his conscience. If only he could shirk his responsibilities, his loyalty to his family, his loyalty to his people. If only he could change everything about himself, he could steal Emma away and never look back-that is, if she'll ever talk to him again.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
A young person for Monsieur Jagiello,’ said the guard, with a grin. He stood away from the door, and there was the young person, holding a cloth-covered basket, blushing and hanging her pretty head. The others walked away to the window and talked in what they meant to be a detached, natural way; but few could help stealing glances at the maiden, and none could fail to hear Jagiello cry, ‘But my dear, dear Mademoiselle, I asked for black pudding and apples, no more. And here is foie gras, a gratin of lobster, a partridge, three kinds of cheese, two kinds of wine, a strawberry tart . . . ’ ‘I made it myself,’ said the young person. ‘I am sure it is wonderfully good: but it is much more than I can ever afford.’ ‘You must keep up your strength. You can pay for it later – or in some other way – or however you like.’ ‘But how?’ asked Jagiello, in honest amazement. ‘By a note of hand, do you mean?’ ‘Pray step into the passage,’ said she, pinker still. ‘There you are again,’ said Jack, drawing Stephen into another room. ‘Yesterday it was a thundering great patty, with truffles; and tomorrow we shall see a wedding-cake for his pudding, no doubt. What they see in him I cannot conceive. Why Jagiello, and the others ignored? Here is Fenton, for example, a fine upstanding fellow with side-whiskers that are the pride of the service – with a beard as thick as a coconut – has to shave twice a day – as strong as a horse, and a very fair seaman; but there are no patties for him.
Patrick O'Brian (The Surgeon's Mate (Aubrey/Maturin, #7))
that? Masculinity is and was a broad category that encompassed many forms of behaviour; the manliness of these particular men was inflected by identities of class, ethnicity and profession. Yet it is striking how often the key protagonists appealed to pointedly masculine modes of comportment and how closely these were interwoven with their understanding of policy. ‘I sincerely trust we shall keep our backs very stiff in this matter,’ Arthur Nicolson wrote to his friend Charles Hardinge, recommending that London reject any appeals for rapprochement from Berlin.156 It was essential, the German ambassador in Paris, Wilhelm von Schoen wrote in March 1912, that the Berlin government maintain a posture of ‘completely cool calmness’ in its relations with France and approach ‘with cold blood’ the tasks of national defence imposed by the international situation.157 When Bertie spoke of the danger that the Germans would ‘push us into the water and steal our clothes’, he metaphorized the international system as a rural playground thronging with male adolescents. Sazonov praised the ‘uprightness’ of Poincaré’s character and ‘the unshakable firmness of his will’;158 Paul Cambon saw in him the ‘stiffness’ of the professional jurist, while the allure of the reserved and self-reliant ‘outdoorsman’ was central to Grey’s identity as a public man. To have shrunk from supporting Austria-Hungary during the crisis of 1914, Bethmann commented in his memoirs, would have been an act of ‘self-castration’.
Christopher Clark (The Sleepwalkers: How Europe Went to War in 1914)
My mind wanders as I work, leaving me to wonder whether Adena is having any luck selling her clothes on the other end of the long street. I steal, she sews. And that’s been our lives for the past five years. I was barely thirteen and utterly alone in the world when Adena quite literally ran into me. Well, she phased right through me. I’ll never forget the look on the Imperial’s face as he sprinted after her, screaming about stolen pastries. And without a second thought, I didn’t hesitate before sticking my foot out into his path. As soon as I got a glimpse of the guard’s face meeting the pavement, I was chasing after the gangly, curly-haired girl who ran right through me. An uneasy alliance was born that day, one that was supposed to stay that way.
Lauren Roberts (Powerless (The Powerless Trilogy, #1))
The cold pre-dawn sky was softly grey through the cave opening above, when Griff finally arose and began to retrieve his clothes. Astelle said, ‘A man like you – I could take full time.’ He smiled regretfully. ‘That is impossible, my darling girl. Even though you are irresistibly sweet to me, you are not suitable to join the Faen race, and I am not prepared to live among Morts.’ ‘Suppose I should have a child?’ she asked. ‘You have put enough seed in me to make a dozen babies.’ ‘You will not,’ he said with conviction. ‘A Faen child can be conceived only in love, and we don't have that, do we?’ Griff was quite sure that she thought nothing of him, even though she had left his emotions in turmoil. Damned bitch! She had stolen from him. ‘I would not know if we did. I don't understand how love should feel.’ ‘If you loved, you would know it,’ he told her. And you would not steal from your love, he thought fiercely. He was buckling his sword belt over the black tunic. She did not notice the shaking of his hands; she simply thought what a fine manly figure he made, and she realised how much she wanted him to stay. ‘If I did have a child – could I let you know somehow?’ Astelle clutched at the only strand of hope she could find. He strove to reassure her. ‘We do have mindlink, which means you only have to mindwhisper my name, if you ever need me – I will come.’ But he did not think this very likely. ‘Please don't go, Griff.’ She was almost tearful. ‘I have to go – before the sun rises.’ He then kissed her with unexpected tenderness, which made her feel even worse. ‘Use those jewels wisely.’ He smiled and winked at her, then looked into her eyes for a few more moments, seriously – almost wistfully. Then he just vanished before her very eyes. He had forgotten his black forest cloak. It lay on the floor at the end of the bed. Astelle picked it up and held it close to her body. She watched the red streaks of dawn spread across the cold grey sky, framed in the rocky aperture above her. If you loved, you would know it, he had said. She had never felt more lonely or deserted in her life. Unexplained tears slid slowly down her cheeks. And that was how Griff broke the Faen Colonial Rule.
Bernie Morris (The Fury of the Fae)
He was sitting at his desk. He had to get some relief from seeing what he did not want to see. The factory was empty. There was only the night watchman who’d come on duty with his dogs. He was down in the parking lot, patrolling the perimeter of the double-thick chain-link fence, a fence topped off, after the riots, with supplemental scrolls of razor ribbon that were to admonish the boss each and every morning he pulled in and parked his car, “Leave! Leave! Leave!” He was sitting alone in the last factory left in the worst city in the world. And it was worse even than sitting there during the riots, Springfield Avenue in flames, South Orange Avenue in flames, Bergen Street under attack, sirens going off, weapons firing, snipers from rooftops blasting the street lights, looting crowds crazed in the street, kids carrying off radios and lamps and television sets, men toting armfuls of clothing, women pushing baby carriages heavily loaded with cartons of liquor and cases of beer, people pushing pieces of new furniture right down the center of the street, stealing sofas, cribs, kitchen tables, stealing washers and dryers and ovens—stealing not in the shadows but out in the open. Their strength is tremendous, their teamwork is flawless. The shattering of glass windows is thrilling. The not paying for things is intoxicating. The American appetite for ownership is dazzling to behold. This is shoplifting. Everything free that everyone craves, a wonton free-for-all free of charge, everyone uncontrollable with thinking, Here it is! Let it come! In Newark’s burning Mardi Gras streets, a force is released that feels redemptive, something purifying is happening, something spiritual and revolutionary perceptible to all. The surreal vision of household appliances out under the stars and agleam in the glow of the flames incinerating the Central Ward promises the liberation of all mankind. Yes, here it is, let it come, yes, the magnificent opportunity, one of human history’s rare transmogrifying moments: the old ways of suffering are burning blessedly away in the flames, never again to be resurrected, instead to be superseded, within only hours, by suffering that will be so gruesome, so monstrous, so unrelenting and abundant, that its abatement will take the next five hundred years. The fire this time—and next? After the fire? Nothing. Nothing in Newark ever again.
Philip Roth (American Pastoral)
This is a friendly forty winks, Mrs. FitzEngle.” He snagged her wrist. “Join me.” She regarded him where he lay. “Ellen.” The teasing tone in Val’s voice faded. “I will not ravish you in broad daylight unless you ask it of me, though I would hold you.” She nodded uncertainly and gingerly lowered herself beside him, flat on her back. “You’re out of practice,” Val observed, rolling to his side. “We must correct this state of affairs if we’re to get our winks.” Before she could protest, he arranged her so she was on her side as well, his body curved around hers, her head resting on his bicep, his arm tucking her back against him. “The benefit of this position,” his said, speaking very close to her ear, “is that I cannot behold your lovely face if you want to confide secrets, you see? I am close enough to hear you whisper, but you have a little privacy, as well. So confide away, and I’ll just cuddle up and perhaps even drift off.” “You would drift off while I’m confiding?” “I would allow you the fiction. It’s one of the rules of gentlemanly conduct owed on summer days to napping companions.” His arm was loosely draped over her middle so he could sense the tension in her. “I can hear your thoughts turning like a mill wheel. Let your mind rest too, Ellen.” “I am unused to this friendly napping.” “You and your baron never stole off for an afternoon nap?” Val asked, his fingers tracing the length of her arm. “Never kidnapped each other for a picnic on a pretty day?” “We did not.” Ellen sighed as his fingers stroked over her arm again. “He occasionally took tea with me, though, and we often visited at the end of the day.” But, Val concluded with some satisfaction, they did not visit in bed or on blankets or with their clothes off. Ellen had much to learn about napping. His right hand drifted up to her shoulder, where he experimentally squeezed at the muscles joining her neck to her back. “Blazes,” he whispered, “you are strong. Relax, Ellen.” His right hand was more than competent to knead at her tense muscles, and when he heard her sigh and felt her relax, he realized he’d found the way to stop her mill wheel from spinning so relentlessly. “Close your eyes, Ellen,” he instructed softly. “Close your eyes and rest.” In minutes, her breathing evened out, her body went slack, and sleep claimed her. Gathering her a little more closely, he planted a kiss on her nape and closed his eyes. His hand wasn’t throbbing anymore, his belly was full, and he was stealing a few private moments with a pretty lady on a pretty day. God
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
The Funeral of Sarpedon Zeus is heavy with grief. Sarpedon is dead at Patroclus’ hands and, right now, the son of Menoetius and his Achaeans are setting out to steal the corpse and desecrate it. But Zeus will not allow it. He had left his beloved child alone and now he’s lost – for such the Law demanded. But at least he will honour him in death. Behold: he sends Phoebus down to the field with orders to care for the body. Phoebus lifts the hero’s corpse with reverence and pity, and bears him to the river. He washes away the blood and dust and closes the wounds, careful not to leave a scar; he pours balm of ambrosia over the body and clothes him in resplendent Olympian robes. He blanches the skin and with a comb of pearl straightens the raven-black hair. He lays him out, arranging the lovely limbs. The youth seems a king, a charioteer, twenty-five or twenty-six years old – relishing his moment of victory, with the swiftest stallions, upon a golden chariot in a grand competition. Phoebus, completing his assignment, calls on his two siblings, Sleep and Death, commanding them to carry the body to Lycia, land of riches. So the two brothers, Sleep and Death, set out on foot to transport the body to Lycia, land of riches. And at the door of the king’s palace they hand over the glorious body and return to their affairs. As they receive him into the palace they begin laments and tributes, processions and libations flowing from sacred vessels and everything that befits such a sad funeral; then skilled craftsmen from the city and artists well known for their work in marble arrive to fashion the tomb and the stele.
Constantinos P. Cavafy (Selected Poems)
Bruno reappeared with two baskets swathed in white linen napkins and a ramekin of something bright yellow. Thatcher unveiled one basket. "Pretzel bread," he said. He held up a thick braid of what looked to be soft pretzel, nicely tanned, sprinkled with coarse salt. "This is served with Fee's homemade mustard. So right away the guest knows this isn't a run-of-the-mill restaurant. They're not getting half a cold baguette here, folks, with butter in the gold foil wrapper. This is warm pretzel bread made on the premises, and the mustard ditto. Nine out of ten tables are licking the ramekin clean." He handed the bread basket to a waiter with a blond ponytail (male- everyone at the table was male except for Adrienne, Caren, and the young bar back who was hanging on to Duncan's arm). The ponytailed waiter- name?- tore off a hunk of bread and dipped it in the mustard. He rolled his eyes like he was having an orgasm. The appropriate response, Adrienne thought. But remembering her breakfast she guessed he wasn't faking it. "The other basket contains our world-famous savory doughnuts," Thatcher said. He whipped the cloth off like a magician, revealing six golden-brown doughnuts. Doughnuts? Adrienne had been too nervous to think about eating all day, but now her appetite was roused. After the menu meeting, they were going to have family meal. The doughnuts were deep-fried rings of a light, yeasty, herb-flecked dough. Chive, basil, rosemary. Crisp on the outside, soft on the inside. Savory doughnuts. Who wouldn't stand in line for these? Who wouldn't beg or steal to access the private phone line so that they could make a date with these doughnuts?
Elin Hilderbrand (The Blue Bistro)
THE INSTRUCTION OF PTAHHOTEP Part IV If you are mighty, gain respect through knowledge And through gentleness of speech. Don’t command except as is fitting, He who provokes gets into trouble. Don't be haughty, lest you be humbled, Don’t be mute, lest you be chided. When you answer one who is fuming, Avert your face, control yourself. The flame of the hot-heart sweeps across. He who steps gently, his path is paved. He who frets all day has no happy moment, He who’s gay all day can’t keep house. Don’t oppose a great man’s action. Don’t vex the heart of one who is burdened; If he gets angry at him who foils him, The ka will part from him who loves him. Yet he is the provider along with the god, What he wishes should be done for him. When he turns his face back to you after raging, There will be peace from his ka; As ill will comes from opposition,. So goodwill increases love. Teach the great what is useful to him, Be his aid before the people; If you Set his knowledge impress his lord, Your sustenance will come from his ka As the favorite's belly is filled. So your back will be clothed by it, And his help will be there sustain you. For your superior whom you love And who lives by it, He in turn will give you good support. Thus will love of you endure In the belly of those who love you, He is a ka who loves to listen. If you are a magistrate of standing. Commissioned to satisfy the many, Hew a straight line, When you speak don't lean to one side. Beware lest one complain: “Judges, he distorts the matter!” And your deed turns into a judgment (of you). If you are angered by misdeed. Lean toward a man account of his rightness; Pass it over, don’t recall it, Since he was silent to you the first day If you are great after having been humble, Have gained wealth after having been poor In the past, in a town which you know, Knowing your former condition. Do not put trust in your wealth, Which came to you as gift of god; So that you will not fall behind one like you, To whom the same has happened, Bend your back to your superior, Your overseer from the palace; Then your house will endure in its wealth. Your rewards in their right place. Wretched is he who opposes a superior, One lives as long as he is mild, Baring the arm does not hurt it Do not plunder a neighbor’s house, Do not steal the goods of one near you, Lest he denounce you before you are heard A quarreler is a mindless person, If he is known as an aggressor The hostile man will have trouble in the neighborhood. This maxim is an injunction against illicit sexual intercourse. It is very obscure and has been omitted here. If you probe the character of a friend, Don’t inquire, but approach him, Deal with him alone, So as not to suffer from his manner. Dispute with him after a time, Test his heart in conversation; If what he has seen escapes him, If he does a thing that annoys you, Be yet friendly with him, don’t attack; Be restrained, don’t let fly, Don’t answer with hostility, Neither part from him nor attack him; His time does not fail to come, One does not escape what is fated Be generous as long as you live, What leaves the storehouse does not return; It is the food to be shared which is coveted. One whose belly is empty is an accuser; One deprived becomes an opponent, Don’t have him for a neighbor. Kindness is a man’s memorial For the years after the function.
Miriam Lichtheim (Ancient Egyptian Literature, Volume I: The Old and Middle Kingdoms)
Hymn to Mercury : Continued 71. Sudden he changed his plan, and with strange skill Subdued the strong Latonian, by the might Of winning music, to his mightier will; His left hand held the lyre, and in his right The plectrum struck the chords—unconquerable Up from beneath his hand in circling flight The gathering music rose—and sweet as Love The penetrating notes did live and move 72. Within the heart of great Apollo—he Listened with all his soul, and laughed for pleasure. Close to his side stood harping fearlessly The unabashed boy; and to the measure Of the sweet lyre, there followed loud and free His joyous voice; for he unlocked the treasure Of his deep song, illustrating the birth Of the bright Gods, and the dark desert Earth: 73. And how to the Immortals every one A portion was assigned of all that is; But chief Mnemosyne did Maia's son Clothe in the light of his loud melodies;— And, as each God was born or had begun, He in their order due and fit degrees Sung of his birth and being—and did move Apollo to unutterable love. 74. These words were winged with his swift delight: 'You heifer-stealing schemer, well do you Deserve that fifty oxen should requite Such minstrelsies as I have heard even now. Comrade of feasts, little contriving wight, One of your secrets I would gladly know, Whether the glorious power you now show forth Was folded up within you at your birth, 75. 'Or whether mortal taught or God inspired The power of unpremeditated song? Many divinest sounds have I admired, The Olympian Gods and mortal men among; But such a strain of wondrous, strange, untired, And soul-awakening music, sweet and strong, Yet did I never hear except from thee, Offspring of May, impostor Mercury! 76. 'What Muse, what skill, what unimagined use, What exercise of subtlest art, has given Thy songs such power?—for those who hear may choose From three, the choicest of the gifts of Heaven, Delight, and love, and sleep,—sweet sleep, whose dews Are sweeter than the balmy tears of even:— And I, who speak this praise, am that Apollo Whom the Olympian Muses ever follow: 77. 'And their delight is dance, and the blithe noise Of song and overflowing poesy; And sweet, even as desire, the liquid voice Of pipes, that fills the clear air thrillingly; But never did my inmost soul rejoice In this dear work of youthful revelry As now. I wonder at thee, son of Jove; Thy harpings and thy song are soft as love. 78. 'Now since thou hast, although so very small, Science of arts so glorious, thus I swear,— And let this cornel javelin, keen and tall, Witness between us what I promise here,— That I will lead thee to the Olympian Hall, Honoured and mighty, with thy mother dear, And many glorious gifts in joy will give thee, And even at the end will ne'er deceive thee.' 79. To whom thus Mercury with prudent speech:— 'Wisely hast thou inquired of my skill: I envy thee no thing I know to teach Even this day:—for both in word and will I would be gentle with thee; thou canst reach All things in thy wise spirit, and thy sill Is highest in Heaven among the sons of Jove, Who loves thee in the fulness of his love. 80. 'The Counsellor Supreme has given to thee Divinest gifts, out of the amplitude Of his profuse exhaustless treasury; By thee, 'tis said, the depths are understood Of his far voice; by thee the mystery Of all oracular fates,—and the dread mood Of the diviner is breathed up; even I— A child—perceive thy might and majesty.
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
Mr. Hazlit!” She kept her voice down with effort, but when a man sneaked up behind a lady and slid his arms around her waist, some exclamation was in order. “Hush.” He turned her in his arms, though part of Maggie was strongly admonishing herself to wrestle free. He’d let her go. She trusted him that far, when a servant was likely to appear any moment with a tea tray. “Something has you in a dither. Tell me.” His embrace was the most beguiling, irresistible mockery of a kindness. Gayle had offered her a hug a few days ago, a brusque, brotherly gesture as careful as it was brief. This was different. This was… Benjamin Hazlit’s warm, strong male body, available for her comfort. No conditions, no awkwardness, no dissembling for the benefit of an audience. She sighed and tucked her face against his throat, unwilling—or unable—to deny herself what he offered. For a few moments, she was going to pretend she wasn’t alone in a sea of trouble. She was going to pretend they were friends—cousins, maybe—and stealing this from him was permitted. She was going to hold on to the fiction that she was as entitled to dream of children and a husband to dote upon as the next woman. “You are wound as tight as a fiddle string, Maggie Windham.” Hazlit’s hand settled on her neck, kneading gently. “Are the domestics feuding, or has Her Grace been hounding you?” “She never hounds or scolds.” Maggie rested her forehead on his shoulder, her bones turning to butter at his touch. “She looks at us, disappointment in the prettiest green eyes you’ve ever seen, and you want to disappear into the ground, never to emerge until you can make her smile again. His Grace says it’s the same for him.” When she was held like this, Maggie could detect a unique scent about Hazlit’s person: honeysuckle and spice, like an exotic incense. It clung to his clothing, and when she turned her head to rest her cheek on the wool of his coat, she caught the same fragrance rising from the exposed flesh of his neck. That hand of his went wandering, over her shoulder blades, down her spine. “You are tired,” he said, his voice resonating through her physically. “What is disturbing your sleep, Maggie? And don’t think I’ll be distracted by more hissing and arching your back.” “I’m not a cat.” “You’ve cat eyes.” He turned her so his arm was around her waist. “Let’s sit by the fire, and you can tell me your troubles.” Such
Grace Burrowes (Lady Maggie's Secret Scandal (The Duke's Daughters, #2; Windham, #5))
Game of Thrones - Feast for Crows. “Ser? My lady?" said Podrick. "Is a broken man an outlaw?" "More or less," Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chickens, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world . . . "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them . . . but he should pity them as well.
G R R Martin
There’s Tom,” Becky says. He’s been tromping around the city half the day, but I don’t see a speck of mud on him. Though he dresses plain, it always seems he rolls out of bed in the morning with his hair and clothes as neat and ordered as his arguments. We walk over to join him, and he acknowledges us with a slight, perfectly controlled nod. He’s one of the college men, three confirmed bachelors who left Illinois College to join our wagon train west. Compared to the other two, Tom Bigler is a bit of a closed book—one of those big books with tiny print you use as a doorstop or for smashing bugs. And he’s been closing up tighter and tighter since we blew up Uncle Hiram’s gold mine, when Tom negotiated with James Henry Hardwick to get us out of that mess. “How goes the hunt for an office?” I ask. “Not good,” Tom says. “I found one place—only one place—and it’s a cellar halfway up the side of one those mountains.” Being from Illinois, which I gather is flat as a griddle, Tom still thinks anything taller than a tree is a mountain. “Maybe eight foot square, no windows and a dirt floor, and they want a thousand dollars a month for it.” “Is it the cost or the lack of windows that bothers you?” He pauses. Sighs. “Believe it or not, that’s a reasonable price. Everything else I’ve found is worse—five thousand a month for the basement of the Ward Hotel, ten thousand a month for a whole house. The land here is more valuable than anything on it, even gold. I’ve never seen so many people trying to cram themselves into such a small area.” “So it’s the lack of windows.” He gives me a side-eyed glance. “I came to California to make a fortune, but it appears a fortune is required just to get started. I may have to take up employment with an existing firm, like this one.” Peering at us more closely, he says, “I thought you were going to acquire the Joyner house? I mean, I’m glad to see you, but it seems things have gone poorly?” “They’ve gone terribly,” Becky says. “They haven’t gone at all,” I add. “They’ll only release it to Mr. Joyner,” Becky says. Tom’s eyebrows rise slightly. “I did mention that this could be a problem, remember?” “Only a slight one,” I say with more hope than conviction. “Without Mr. Joyner’s signature,” Becky explains, “they’ll sell my wedding cottage at auction. Our options are to buy back what’s ours, which I don’t want to do, or sue to recover it, which is why I’ve come to find you.” If I didn’t know Tom so well, I might miss the slight frown turning his lips. He says, “There’s no legal standing to sue. Andrew Junior is of insufficient age, and both his and Mr. Joyner’s closest male relative would be the family patriarch back in Tennessee. You see, it’s a matter of cov—” “Coverture!” says Becky fiercely. “I know. So what can I do?” “There’s always robbery.” I’m glad I’m not drinking anything, because I’m pretty sure I’d spit it over everyone in range. “Tom!” Becky says. “Are you seriously suggesting—?” “I’m merely outlining your full range of options. You don’t want to buy it back. You have no legal standing to sue for it. That leaves stealing it or letting it go.” This is the Tom we’ve started to see recently. A little angry, maybe a little dangerous. I haven’t made up my mind if I like the change or not. “I’m not letting it go,” Becky says. “Just because a bunch of men pass laws so other men who look just like them can legally steal? Doesn’t mean they should get away with it.” We’ve been noticed; some of the men in the office are eyeing us curiously. “How would you go about stealing it back, Tom?” I ask in a low voice, partly to needle him and partly to find out what he really thinks. He glances around, brows knitting. “I suppose I would get a bunch of men who look like me to pass some laws in my favor and then take it back through legal means.” I laugh in spite of myself. “You’re no help at all,” Becky says.
Rae Carson (Into the Bright Unknown (The Gold Seer Trilogy, #3))
Aha! Come to think of it, that might explain the insistence of the oppressed that the oppressor must not be allowed to camouflage his appearance or confuse the poor by stealing and masquerading in their clothes. Perhaps it is the demand of that primitive integrity of the earth... Or, who knows, it might also be something less innocent (for the earth does have its streak of peasant cunning) - an insistence that your badge of privilege must never leave your breast, nor your coat of many colours your back... so that... on the wrathful day of reckoning... you will be as conspicuous as a peacock!
Chinua Achebe (Anthills of the Savannah)
Another thing etched into my memory, was that someone stole my swimming suit from the wash line that ran from an upstairs window to a rickety wooden pole behind the house. That someone would steal clothing from a clothesline puts the desperation of people during the depression years into focus. Discovering this, I ran to tell Charlie the Cop…. Charlie was a mounted policeman who sat tall in the saddle, and he was my idol. He cut quite an impressive figure of authority in his blue uniform, badge, and highly shined, black riding boots. Charlie, Jersey City’s finest, carefully listened to my tale of woe and promised to get to the bottom of this serious criminal matter. I believed what he said and trusted him to get my itchy two- piece, woolen, swimsuit back. Years went by and he never did apprehend the culprits, but in my heart I know that this is still an open case with the Jersey City Police Department and Charlie is still out there looking! We respected the police and thought of them as friends. Charlie on his horse patrolled our area and was known and trusted by everyone. I wish that the police were thought of in the same way today.
Hank Bracker
Make me a story.” “Hunter, I don’t have a stitch of clothes on,” she squeaked. One of his dark eyebrows flicked upward. “You must have clothes to make stories?” “No. I guess I…well, it might help me think.” He sighed and rolled onto his back, carrying her along with him in the curve of his arm. Pressing her head onto his shoulder, he made a valiant attempt to ignore the feeling of her silken flesh against his and said, “This Comanche wears breeches. I will make the story.” And with that, Hunter began talking, smiling to himself every once in a while because he quickly discovered that he had as much trouble concentrating as she did when she didn’t have clothes on. In a husky whisper he recited the prophecy to her. When he finished she stirred in the crook of his arm. “That is your song?” “Huh, yes.” “But, it’s beautiful!” With a start, Hunter realized he thought so, too. “Since my boyhood, I had much hate for the words.” He twined a length of her hair around his finger, smiling. “And great hate for the honey-haired woman who would one day steal my heart. I wished to kill you, yes?” “But I’m not the woman in your song.” “Ah, yes, you are the woman.” “The song says the People will call me the Little Wise One. They don’t! And they never will. I’m far from wise.” “It will come to pass,” he assured her. “It must. All of the words must.
Catherine Anderson (Comanche Moon (Comanche, #1))
Not only had his housekeeper attempted to steal from him, but she'd refused to answer his questions, and- he surveyed the servants sent to wait upon him- if he wasn't mistaken she'd made sure to hide away the comeliest of his maids and footmen. Did she think him a satyr? Well, perhaps she wasn't entirely mistaken in her judgement... Val smirked as he shed his banyan- the only article of clothing he wore- and sauntered nude to the bath. He crooked a finger at the eldest and most worldly-looking of the footmen. If Mrs. Crumb thought to curtail his bedsport, she was going to be sadly disappointed.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Grief is a cruel companion. You would think that he would come and remain at your side when a loved one dies, and for the first few weeks this is indeed the case. You grow used to him. You wake with him and go about your day in his company. You climb into bed and he is there. Then, time passes, and he seems to step away. You believe yourself safe. You have whole moments where you do not recall your loss and start to laugh and smile again. Life goes on… It is then that grief becomes the most unwelcome of surprise guests. He is a malicious visitor, arriving unannounced and unexpected. It can be the slightest of things which calls him to you; the scent of a particular dish, the sight of the setting sun, a familiar object which brings forth memories. Everyday things. Things to which we normally pay no heed. This is where grief hides, waiting to spring his trap. He leaps; bringing back your loss fresh, raw and new. Your heart falls again. Your sorrows crash upon your shoulders. Grief is a cruel fool; an evil jester who takes delight in stealing happiness. He is never satisfied. He always wants more.
G. Lawrence (Strands of My Winding Cloth (The Elizabeth of England Chronicles, #4))
Four years in, she had discovered the gallery when a hailstorm chased her off the street. The door stuck - it still did - and was set back from the street between two shops that sold vintage clothing. Glenice climbed the stairs and went in. A grey-faced man peered out around a curtain at the far end of the room. He nodded, and returned to his heater and his laptop. He knew Glenice of old: she wouldn't buy, steal or vandalise anything, and he had no interest in her. His lumpy black cat strolled out, inspected Glenice, tested the patch of light that the window threw on the floor and stalked back into the office. Quite often there was something here for Glenice. Today it was a room with a table, a vase, a dish of fruit and part of a window. The hungry blue of the window frame clashed perfectly with the blue of the tablecloth without taking it over. The vase held flowers, mauve, pinky yellow, pale red, blackish - Glenice tried and failed to call up the names of black flowers. The wall was a quiet, mortal sort of pink, and there were sleepy-looking pears slumped on a green dish. It looked to Glenice like the kind of room in which someone had gradually recovered from a long illness. She stared at the painting until her feet died from the cold and then she left.
Michelle de Kretser (The Life to Come)
Mahes does 90 days for stealing fish. It costs taxpayers $162 a day to feed, clothe and house him at Rikers Island His 90-day sentence will cost them $14,580, to punish him for refusing to pay the $51.31 check. In five years he has cost them more than $250,000. Your tax dollars at work. (...) All around us are inmates who just want to go home. Mahes is already there. He has no expectations, so there are no disappointments: he does not envy people who are free, because they are free to suffer.
Rick Bragg (All Over But the Shoutin')
Lady Asha, as the mother of a prince, found herself much in demand with the Court, if not the High King. Given to whimsy and frivolity, she wished to return to the merry life of a courtier. She couldn't attend balls with an infant in tow, so she found a cat whose kitten were still born to act as his wet nurse. That arrangement lasted until Prince Cardan was able to crawl. By then, the cat was heavy with a new litter and he'd begun to pull at her tail. She fled to the stables, abandoning him, too. And so he grew up in the palace, cherished by no one and checked by no one. Who would dare stop a prince from stealing food from the grand tables and eating beneath them, devouring what he'd taken in savage bites? His sisters and brothers only laughed, playing with him as they would with a puppy. He wore clothes only occasionally, donning garlands of flowers instead and throwing stones when the guard tired to come near him. None but his mother exerted any hold over him, and she seldom tried to curb his excesses. Just the opposite.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
Lady Asha, as the mother of a prince, found herself much in demand with the Court, if not the High King. Given to whimsy and frivolity, she wished to return to the merry life of a courtier. She couldn't attend balls with an infant in tow, so she found a cat whose kittens were still born to act as his wet nurse. That arrangement lasted until Prince Cardan was able to crawl. By then, the cat was heavy with a new litter and he'd begun to pull at her tail. She fled to the stables, abandoning him, too. And so he grew up in the palace, cherished by no one and checked by no one. Who would dare stop a prince from stealing food from the grand tables and eating beneath them, devouring what he'd taken in savage bites? His sisters and brothers only laughed, playing with him as they would with a puppy. He wore clothes only occasionally, donning garlands of flowers instead and throwing stones when the guard tired to come near him. None but his mother exerted any hold over him, and she seldom tried to curb his excesses. Just the opposite.
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
When God looks at us, He does not see our broken, rejected, useless state. He sees what He intended us to be. He sees what the Lamb sacrificed to reinstate us. We gave our identity away, so the Lamb, Jesus, came to restore that which was lost. He sacrificed to give us His identity. He clothed us in His right standing and covered us in His precious blood. His DNA was given to restore ours.
Robby Dawkins (Identity Thief: Exposing Satan's Plan to Steal Your Purpose, Passion and Power)
A breeze announced his arrival- and I turned from the table toward the long hall, to the open glass doors to the garden. I'd forgotten how huge he was in this form- forgotten the curled horns and lupine face, the bearlike body that moved with feline fluidity. His green eyes glowed in the darkness, fixing on me, and as the doors snicked shut behind him, the clicking of claws on marble filled the hall. I stood still- not daring to flinch, to move a muscle. He limped slightly. And in the moonlight, dark, shining stains were left in his wake. He continued toward me, stealing the air from the entire hell. He was so big that the space felt cramped, like a cage. The scrape of claw, a huff of uneven breathing, the dripping of blood. Between one step and the next, he changed forms, and I squeezed my eyes shut at the blinding flash. When at last my eyes adjusted to the returning darkness, he was standing in front of me. Standing, but- not quite there. No sign of the baldric, or his knives. His clothes were in shreds- long, vicious slashes that made me wonder how he wasn't gutted and dead. BUt the muscled skin peered out beneath his shirt was smooth, unharmed.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
He took in the curving outline of her small breasts and their hardened, dark tips before he thought to avert his gaze. She wrung water from her hair, still facing toward him, oblivious.  He cleared his throat. “Kadaki, I can see through your shirt.”  Out of the corner of his eye, he saw her giving him a half-lidded stare. She looked like she was questioning his intelligence. “I know. I can see you staring at my breasts, believe it or not.”  He jerked to look up at her, and had to quickly look away again. He scoffed, offended. “That wasn’t staring. It was a mere brief glance, if anything.”  She gave him a look that he couldn’t quite interpret, but she didn’t seem pleased with him.  “I have no need to steal looks at women,” he said. “It’s not as if I have a shortage of breasts to look at.”  “Yes, you can get any woman you want, of course,” she drawled. “Consider me very impressed.” “I’m not talking about people I’m romantically involved with.” She gave him another look. “You spend a lot of time leering at strangers’ breasts, do you?”  “Yes—no.” He climbed out of the pool. Water from his sodden clothes splashed on the stone floor. “Not leering. But they’re… there, sometimes, obviously. I’m around women frequently, you know. There are plenty of women in the Ysuran military. It’s not like the Ardanian army. And there are times when we’re bathing, or changing, or what have you.” “So this is a story about how you stare at your subordinates’ tits while they’re changing?” He glared.
Nina K. Westra (Sun Elves of Ardani (Elves of Ardani #3))
But the creature that reached from the depths of the lake and took Ravyn by the ankle was. His fingers were icy, piercing through Ravyn’s boot and into his skin. He spoke with Ravyn’s voice—wore Ravyn’s face, his gray eyes bright. “Swim no farther,” he said. “The freedom you seek has always been here, behind the mask. Be who you like. Love the infected woman. Steal, betray. Flout the King’s law. Stay.” It was a test, honed by his blood—a trick of the Spirit of the Wood. To fortify him— Or to drown him. Ravyn flailed in the water. Lungs burning, he aimed a kick at the highwayman’s face and wrenched away. The weight of his clothes, his blades, was enormous. But he was strong. He’d never had a choice but to be strong. Ravyn breached the lake’s surface and took a deep, gasping breath, searching frantically for the others. He saw Wik ten strokes ahead, then Petyr, struggling to keep up. “There are fucking demons in the water,” he screamed. “Get off me!” Gorse shouted somewhere nearby, his voice clogged with water.
Rachel Gillig (Two Twisted Crowns (The Shepherd King, #2))
We lay on our backs on hot sand and baked in the sun. Salt-crusted, preserved. Later, in the darkness of the green dome I felt his hand brush against my thigh, and with it the same electric pulse of need there had always been. Silence descended; everything stopped; I didn’t move, afraid to ignite a want that wouldn’t be satisfied, or lose a hope I’d held on to forever. He hesitated for a long moment, his hand stretching hot against my cold skin, a moment that hung between us in an unanswered question. Days passed. Clouds moved in from the south-west, white rolling cumuli disappearing inland. Winds changed direction: damp and light from the west; dry and cooling from the east; colder from the north-west, carrying hints of another season soon behind; then gently from the south, summer not quite yet spent. The heat reflected off the flat rocks, less jagged than those that surrounded them in the cove. We dried clothes on them, sat the stove flat on them to cook limpets, cracked an egg on them in the hope that it might fry, but when it didn’t, scraped it up and scrambled it, picking out bits of sand and grit. We lay on them, crisping to leathery brown. Bodies that fourteen months earlier were hunched and tired, soft and pale, were now lean and tanned, with a refound muscularity that we’d thought lost forever. Our hair was fried and falling out, our nails broken, clothes worn to a thread, but we were alive. Not just breathing through the thirty thousand or so days between life and death, but knowing each minute as it passed, swirling around in an exploration of time. The rock gave back the heat as it followed the arc of the sun, gulls called in differing tones as the tide left the shore and then returned, my hands wrinkled with age and my thighs changed to a new shape with passing miles, but when he pulled me to him and kissed me with an urgency that wasn’t in doubt, with a fervour that wouldn’t fail, time turned. I was ten million minutes and nineteen years ago, I was in the bus stop about to go back to his house, knowing his parents weren’t home, I was a mother of toddlers stealing moments in a walk-in wardrobe, we were us, every second of us, a long-marinated stew of life’s ingredients. We were everything we wanted to be and everything we didn’t. And we were free, free to be all those things, and stronger because of them. Skin on longed-for skin, life could wait, time could wait, death could wait. This second in the millions of seconds was the only one, the only one that we could live in. I was home, there was nothing left to search for, he was my home.
Raynor Winn (The Salt Path)
Officer Gurney ran a strip of yellow tape around the back area of the café, roping it off so no one could disturb the site. Then he scanned the crowd. His eyes lit on a comfortably plump woman wearing a red down jacket that made her look even plumper. She had a short brownish-blond ponytail that stuck out through a hole in her red baseball hat. “Brenda,” said Officer Gurney. “What do you think?” Grover was in danger of being late for school by this time. He’d already been late twice this month. If he was late again, he might get a note sent home to his parents. But he had to risk it. This was too interesting to miss. The woman stepped forward. Grover knew her, of course; everyone did. Mrs. Brenda Beeson was the one who had figured out the Prophet’s mumbled words and explained what they meant. She and her committee—the Reverend Loomis, Mayor Orville Milton, Police Chief Ralph Gurney, and a few others—were the most important people in the town. Officer Gurney raised the yellow tape so Mrs. Beeson could duck under it. She stood before the window a long time, her back to the crowd, while everyone waited to see what she would say. Clouds sailed slowly across the sun, turning everything dark and light and dark again. To Grover, it seemed like ages they all stood there, holding their breath. He resigned himself to being late for school and started thinking up creative excuses. The front door of his house had stuck and he couldn’t get it open? His father needed him to help fish drowned rats out of flooded basements? His knee had popped out of joint and stayed out for half an hour? Finally Mrs. Beeson turned to face them. “Well, it just goes to show,” she said. “We never used to have people breaking windows and stealing things. For all our hard work, we’ve still got bad eggs among us.” She gave an exasperated sigh, and her breath made a puff of fog in the chilly air. “If this is someone’s idea of fun, that person should be very, very ashamed of himself. This is no time for wild, stupid behavior.” “It’s probably kids,” said a man standing near Grover. Why did people always blame kids for things like this? As far as Grover could tell, grown-ups caused a lot more trouble in the world than kids. “On the other hand,” said Mrs. Beeson, “it could be a threat, or a warning. We’ve heard the reports about someone wandering around in the hills.” She glanced back at the bloody rag hanging in the window. “It might even be a message of some sort. It looks to me like that stain could be a letter, maybe an S, or an R.” Grover squinted at the stain on the cloth. To him it looked more like an A, or maybe even just a random blotch. “It might be a B,” said someone standing near him. “Or an H,” said someone else. Mrs. Beeson nodded. “Could be,” she said. “The S could stand for sin. Or if it’s an R it could stand for ruin. If you’ll let me have that piece of cloth, Ralph, I’ll show it to Althea and see if she has anything to say about it.” Just then Wayne Hollister happened to pass by, saw the crowd, and chimed in about what he’d seen in the night. His story frightened people even more than the blood and the broken glass. All around him, Grover heard them murmuring: Someone’s out there. He’s given us a warning. What does he mean to do? He’s trying to scare us. One woman began to cry. Hoyt McCoy, as usual, said that Brenda Beeson should not pronounce upon things until she was in full possession of the facts, which she was not, and that to him the
Jeanne DuPrau (The Prophet of Yonwood)
Don’t be ridiculous, dear. There is no reason for you to carry on as you are. I can give you everything you need—lovely clothes, servants, and maids; grand parties, balls, and soirees. You will entertain dignitaries, diplomats, and naval officers, take tea with members of your own fair sex instead of crossing swords with criminals, killers, and rogues. By God, never again will you have to steal just to feed yourself, fight just to defend your honor! I will take care of you, Maeve. I will love you. As my wife you shall enjoy the life you deserve to have, one of grandeur, society, and status.” “But that is not the life I want.” He drew back, hurt. “What do you mean? Isn’t that what every woman wants?” “It is not what I want. And I am not ‘every woman.’” “Well, what do you want, then?” He twisted the purple ribbon in his hands, looking bewildered, confused, lost. “Ask, Maeve, and you shall have it.
Danelle Harmon (My Lady Pirate (Heroes of the Sea #3))
The progressives are right that there is no way Gates can spend $50 billion on himself. He can only eat three meals a day and wear one set of clothes at a time. Even his heirs can be provided for with a fraction of that amount. Gates actually knows this. He has vowed to give away most of his fortune to charity. Nor is he waiting for death to do this. He has already given away billions. He buys mosquito nets for people in poor countries so that they don’t get malaria. He invests in medical research. He funds educational projects in America and abroad.
Dinesh D'Souza (Stealing America: What My Experience with Criminal Gangs Taught Me about Obama, Hillary, and the Democratic Party)
If anyone fears theft, let him scatter caraway seeds among those things of value and if a thief should try to steal them he shall be held in that place. Likewise, if a woman fears her husband may stray she should sew caraway seeds into his clothes, so that no other woman may steal him away from her. Mistress
Karen Maitland (The Vanishing Witch)
Some toy you give,” he said, gritty-voiced, and now the two tears in the corners of his eyes began to slide down his cheeks. “You remembered the day Daddy said he would give me this when I became a doctor.” “How could I forget? That little catalog was the one thing you took of yours that wasn’t clothes, when we went to Foxworth Hall. And every time he swatted a fly, or killed a spider, Paul, Chris would long to have a John Cuff microscope. And once he said he wanted to be the Mouseman of the Attic, and discover for himself why mice die so young.” “Do mice die young?” asked Paul seriously. “How did you know they were young? Did you capture baby ones, and mark them in some way?” Chris and I met eyes. Yeah, we’d lived in another world back when we were young and imprisoned, so that we could look at the mice who came to steal and nibble on our food, especially the one named Mickey.
V.C. Andrews (Petals on the Wind (Dollanganger, #2))
The result of unlimited immigration is showing plainly in the rapid decline in the birth rate of native Americans because the poorer classes of Colonial stock, where they still exist, will not bring children into the world to compete in the labor market with the Slovak, the Italian, the Syrian and the Jew. The native American is too proud to mix socially with them and is gradually withdrawing from the scene, abandoning to these aliens the land which he conquered and developed. The man of the old stock is being crowded out of many country districts by these foreigners just as he is to-day being literally driven off the streets of New York City by the swarms of Polish Jews. These immigrants adopt the language of the native American, they wear his clothes, they steal his name and they are beginning to take his women, but they seldom adopt his religion or understand his ideals and while he is being elbowed out of his own home the American looks calmly abroad and urges on others the suicidal ethics which are exterminating his own race.
Madison Grant (The Passing of the Great Race or the Racial Basis of European History)
My car is already packed with clothes and supplies for all of us," Saint snapped like that was obvious just as I made it back to him. "I also took the liberty of securing Tatum's father's ashes and the letters from her sister down in the crypt." "What about the necklace she asked me to look after?" Monroe asked, taking a step back, like he was willing to go hunting for it even as we heard a knock at the front door. Saint pressed a finger to his lips before opening a pocket on the side of the bag of cash he held, revealing the necklace alongside the plaque my mom had given me, Nash's little collection of mementos from his previous life and Kyan's sketchbook. Monroe gaped at him in clear confusion as to how Saint had managed to steal his most prized possessions, but considering our situation he couldn’t really fault his methods. I caught a glimpse of the pen and lighter Saint had stolen from me and Kyan oh so long ago too before he zipped the pocket shut again and threw the bag over his shoulder. My heart surged with love for my brother as we hounded him towards the crypt on silent feet. For someone who claimed not to understand love or sentiments, he'd instantly figured out the few things that meant the most to the people he cared about and had secured them in preparation of this happening. Deep down, Saint Memphis was as soft as butter and he was starting to let it show.
Caroline Peckham (Queen of Quarantine (Brutal Boys of Everlake Prep, #4))
Those who have come to Jesus have seen a need of Him, and a worth in Him above all the world. They have left all for Him and do account their own righteousness as a filthy cloth, as dung and dross, all their own wisdom to be foolishness, and their own strength to be but weakness. They loath themselves in their own eyes, in the sight and sense of their own vileness, and they are made willing to have all in Christ, and to follow Him (apart from all their vanities and beloved lusts) through all difficulties they encounter. Oh! how few are those that are thus come to Jesus Christ. It is true the world is come to Him in their own fancies and imaginations, but it is but a cheat and delusion. They are ignorant of Him and strangers to Him, and enemies in their minds by wicked works; and indeed the truth is not known to them. They will steal, murder, and commit adultery, etc. and yet come and stand before God as if they were His. They rebel against Him and trample His blood and ordinances under their feet, and yet pretend themselves to be Christians. This is the common state and condition of most of the world.
Thomas Collier (Gospel Blessedness in the New Covenant: The distinction of the two Covenants, New and Old, First and Second.)
And suddenly he was by my side and I was standing and he was ducking down to kiss me. Our lips met with a gentle thrill down the back of my neck. This wasn't a fiery kiss, one that foretold clothes tearing and fuck mes. It was a soft kiss, a sweet kiss, one that brought with it promises of waking up next to each other every morning and him bringing me chicken soup when I was sick and me slowly stealing all of his hoodies because they smelled like him. I pulled away and nestled my cheek into his shoulder. He leaned his head down and pressed a kiss to my forehead. "Does this mean you're my boyfriend now? However high school that sounds." "It means I'm your boyfriend," he said. "Does it mean you're my girlfriend? Do you want me to write a note where you can check off the yes or no box?" This next kiss melted me. Now came the clothes tearing, the sweeping of plastic plates off the table, the gasping as he bent over me and I but his earlobe and he groaned into the curve of my neck. Who needed pastries? This was better than any dessert.
Amanda Elliot (Best Served Hot)
He knew there were dreams waiting for him, and could even feel their shadowy presences rusting in the corners of the room, among his clothes in the wardrobe, beneath his bed.
Storm Constantine (Stealing Sacred Fire (The Grigori Trilogy, #3))
I know the food isn’t…okay but…” he tells his father. Trying to pacify Mr. Wylder is beginning to seem an impossible task and to Dane’s credit, he’s been having this conversation since the crack of dawn and hasn’t lost his temper once. Side note: it hasn’t escaped my notice that witnessing how patient he is with his father means he’ll be patient with our child. I grasp onto this discovery with both hands and hold it close to my heart. “No, you’re not. And if you give me one more minute of grief, Stella and I are gettin’ on the next flight back to New York…that’s what I thought…okay. We’ll see you in a couple of hours. Yep.” I stand corrected. Ending the call, he exhales tiredly. “Don’t look at me like that.” “That was a bit harsh, don’t you think?” “He was seconds from runnin’ out of there bare-assed. I had to steal his clothes last night ’cause I knew what was coming.” “Oh,” is all I can say, a smile overtaking my face.
P. Dangelico (Baby Maker (It Takes Two, #1))
You open your door one evening to find a uniformed police officer standing outside. Nothing’s wrong, don’t worry. This is just a courtesy call. There’s been a burglary in the area and they’re just letting you know so your home isn’t next. Lock your doors and windows. Keep valuables out of view. Think about installing an alarm. You chat for a few minutes. You might mention the door at the back that doesn’t lock. Or that fact that you live here alone. Or that the couple who owns this construction site is living here while the work goes on—or, well, one of them is, because her husband is going back to San Francisco for a few weeks next week. Maybe you don’t reveal any information, but while you speak he’s still gathering it. The integrity of the front-door lock. The layout of the ground floor. Whether or not he likes the look of you. If he’d like to do to you what he’s already done to the others. That’s how he was choosing them, we felt sure. Donning a Garda uniform and doing door-to-door calls in the aftermath of a real burglary. But was he really a guard? Neither Tom nor Johnnie could remember seeing a Garda car, and we thought it would be relatively easy to convince a member of the public that you were wearing a Garda uniform when in actual fact you were wearing an approximation of one. He could’ve also easily gotten hold of a real uniform—if he was prepared to murder innocent people, he was probably willing to steal items of clothing too. Moreover this behavior would have been an incredible risk for a serving member to take, when one phone call to the local station would’ve been all it took to bring his little rogue scouting missions crashing down.
Catherine Ryan Howard (The Nothing Man)
I can’t stop cleaning and I have a monster inside my brain and I miss you and Sloan is falling apart and his parents won’t take him off life support, so his organs are rotting. I can’t get all the lines right on the carpet with the vacuum and Stuntman is in a kennel and I haven’t seen him in days, and I just need you to let me clean this fucking apartment!” I’m not sure how much of it he heard, if any. I was crying so hard I could barely understand myself. He just held me and caressed my hair, and for the first time in weeks the velociraptor hunted other prey. Josh made me weak. Or strong. It was hard to tell anymore what I was without my coping mechanism. At least when I rode the beast, I got shit done. And now I was nothing but an emotional mess. But at least the mess was mine. Why did he have this effect on me? He had this way of waking up dormant parts of my soul. He ripped through me and let everything in with him like a storm surge. I took on water. And at the same time, something told me if I let him, he’d keep me afloat. He wouldn’t let me sink. I’d never felt this vulnerable and safe with anyone. I felt hot and shaky. I gasped and clutched his shirt until the crying spasms stopped. He held me so tight my knees could have given out and I wouldn’t have fallen an inch. “I can’t be the only one who has their shit together,” I whispered. His chest rumbled as he spoke. “It doesn’t look like you have your shit together…” I snorted. “Josh, please.” I looked up at him, my hands trembling on his collarbone. “I need you to insert yourself here. Go talk to his parents. They’ll listen to you.” He looked at me like seeing me cry was agony. The longing on his face was razor blades to my heart. His sad eyes, the set of his mouth, his knit brows. He loved me almost as much as I loved him, and I knew I was hurting him. I knew he thought I was enough. But I wasn’t enough. How could one of me be any kind of substitute for the half dozen kids he’d always wanted? It just couldn’t. The math didn’t work. The logic wasn’t sound. He wiped a tear off my cheek with his thumb. “Okay,” he whispered. “I’ll go. Just, sit down or something. Stop cleaning.” He dipped his head to catch my eyes. “Are you okay? You’re shaking.” He put a hand over mine to still the tremor against his chest, and the closeness of him made me whole for the first time in weeks. “I’m fine,” I said, swallowing. “Just hurry, okay?” He looked at me for a long moment, like he was trying to memorize my face or steal an extra second to hold me. Then he turned for the bathroom. When he walked away from me, the absence of his body pressed into mine felt like I’d lost my clothes and I stood naked and exposed to the elements. I missed him. No amount of time lessened it. It made it worse. My heart was a neglected building, and every day I weathered a fierce storm that dripped through my roof, flooded my floors, and broke my windows, and the disrepair just made me weaker and closer to collapse. The water turned on in the bathroom and I looked around the apartment, my compulsion raging back with a fury now that he was gone. At least I could do this for him. I could take care of his space, give it order. Wash his clothes and his blankets. Make things smell clean, turn his home into someplace he wanted to be. Do this thing that he obviously couldn’t do for himself at the moment.
Abby Jimenez
I was about to rush out the door when I realized that I’d be stealing his clothes. Frantically thinking of some quick way to repay him, I spotted his kitchen trashcan and decided to take his trash out as a way of thanking him. It wasn’t a fair payback-He’d saved my life after all – but at least it was better than nothing. To appease my guilty conscience, I ended up taking his recyclables as well. “I couldn’t help myself. Your mom’s a MILF,” the TV blared. It was the last thing I heard before I opened the front door and stepped outside. I planned on looking for the dumpster around his apartment but when I reached the bottom of his stairs, I heard his door open. Panicking that he’d catch me, I slung the garbage bags over my shoulder and sprinted in the direction of my dorm. Running across campus in an oversized shirt and jeans, wet, dirty clothes in hand, and two trash bags jangling over my shoulder, I probably looked like a deranged homeless person. A homeless person who saw imaginary cats.
Priscilla West (Wrecked (Forever, #4))
16Then he told them a story: “A rich man had a fertile farm that produced fine crops. 17He said to himself, ‘What should I do? I don’t have room for all my crops.’ 18Then he said, ‘I know! I’ll tear down my barns and build bigger ones. Then I’ll have room enough to store all my wheat and other goods. 19And I’ll sit back and say to myself, “My friend, you have enough stored away for years to come. Now take it easy! Eat, drink, and be merry!”’ 20“But God said to him, ‘You fool! You will die this very night. Then who will get everything you worked for?’ 21“Yes, a person is a fool to store up earthly wealth but not have a rich relationship with God.” Teaching about Money and Possessions 22Then, turning to his disciples, Jesus said, “That is why I tell you not to worry about everyday life—whether you have enough food to eat or enough clothes to wear. 23For life is more than food, and your body more than clothing. 24Look at the ravens. They don’t plant or harvest or store food in barns, for God feeds them. And you are far more valuable to him than any birds! 25Can all your worries add a single moment to your life? 26And if worry can’t accomplish a little thing like that, what’s the use of worrying over bigger things? adopt God’s values 27“Look at the lilies and how they grow. They don’t work or make their clothing, yet Solomon in all his glory was not dressed as beautifully as they are. 28And if God cares so wonderfully for flowers that are here today and thrown into the fire tomorrow, he will certainly care for you. Why do you have so little faith? 29“And don’t be concerned about what to eat and what to drink. Don’t worry about such things. 30These things dominate the thoughts of unbelievers all over the world, but your Father already knows your needs. 31Seek the Kingdom of God above all else, and he will give you everything you need. 32“So don’t be afraid, little flock. For it gives your Father great happiness to give you the Kingdom. 33“Sell your possessions and give to those in need. This will store up treasure for you in heaven! And the purses of heaven never get old or develop holes. Your treasure will be safe; no thief can steal it and no moth can destroy it. 34Wherever your treasure is, there the desires of your heart will also be.
Tyndale House Publishers (NLT Courage For Life Study Bible for Men)
is a broken man an outlaw?" "More or less." Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world... "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
is a broken man an outlaw?" "More or less." Brienne answered. Septon Meribald disagreed. "More less than more. There are many sorts of outlaws, just as there are many sorts of birds. A sandpiper and a sea eagle both have wings, but they are not the same. The singers love to sing of good men forced to go outside the law to fight some wicked lord, but most outlaws are more like this ravening Hound than they are the lightning lord. They are evil men, driven by greed, soured by malice, despising the gods and caring only for themselves. Broken men are more deserving of our pity, though they may be just as dangerous. Almost all are common-born, simple folk who had never been more than a mile from the house where they were born until the day some lord came round to take them off to war. Poorly shod and poorly clad, they march away beneath his banners, ofttimes with no better arms than a sickle or a sharpened hoe, or a maul they made themselves by lashing a stone to a stick with strips of hide. Brothers march with brothers, sons with fathers, friends with friends. They've heard the songs and stories, so they go off with eager hearts, dreaming of the wonders they will see, of the wealth and glory they will win. War seems a fine adventure, the greatest most of them will ever know. "Then they get a taste of battle. "For some, that one taste is enough to break them. Others go on for years, until they lose count of all the battles they have fought in, but even a man who has survived a hundred fights can break in his hundred-and-first. Brothers watch their brothers die, fathers lose their sons, friends see their friends trying to hold their entrails in after they've been gutted by an axe. "They see the lord who led them there cut down, and some other lord shouts that they are his now. They take a wound, and when that's still half-healed they take another. There is never enough to eat, their shoes fall to pieces from the marching, their clothes are torn and rotting, and half of them are shitting in their breeches from drinking bad water. "If they want new boots or a warmer cloak or maybe a rusted iron halfhelm, they need to take them from a corpse, and before long they are stealing from the living too, from the smallfolk whose lands they're fighting in, men very like the men they used to be. They slaughter their sheep and steal their chicken's, and from there it's just a short step to carrying off their daughters too. And one day they look around and realize all their friends and kin are gone, that they are fighting beside strangers beneath a banner that they hardly recognize. They don't know where they are or how to get back home and the lord they're fighting for does not know their names, yet here he comes, shouting for them to form up, to make a line with their spears and scythes and sharpened hoes, to stand their ground. And the knights come down on them, faceless men clad all in steel, and the iron thunder of their charge seems to fill the world... "And the man breaks. "He turns and runs, or crawls off afterward over the corpses of the slain, or steals away in the black of night, and he finds someplace to hide. All thought of home is gone by then, and kings and lords and gods mean less to him than a haunch of spoiled meat that will let him live another day, or a skin of bad wine that might drown his fear for a few hours. The broken man lives from day to day, from meal to meal, more beast than man. Lady Brienne is not wrong. In times like these, the traveler must beware of broken men, and fear them...but he should pity them as well” ― George R.R. Martin
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
You don’t know me or Maggot. If you saw the two of us let’s say in second grade, you’d see two of a kind. Two white boys more or less. My dead father being Melungeon, which passes generally for white, mixed with my little blondie mom. So I’m not as white as some, but enough to say so. Two little rascals then, in Walmart tennis shoes and dirty fingernails: if you’re from the city, I guess you’d say a couple of little hillbillies. Matched pair. Now I’m going to jump ahead, which is breaking my promise, but just for a minute. Ninth grade. I’ve got a lot of growth on me and a tiny red mustache. Maggot has grown his hair to his shoulders and started stealing eyeliner and nail polish from his cousins, worse case Walgreens. He’s got spending cash, but a boy can’t walk in and buy those things. Because he aims to use them. To switch out the tennis shoes also. Mrs. Peggot’s homemade clothes we had turned against hard, no-thank-you on the fringe cowboy shirts. But now Maggot’s tastes have started circling back around to the eye-catching. Now take a look at us: a straight boy and a queer. No matter who you are, whatever else you might say—“Good for him,” or “I want to kick his face in,” or even “I don’t give a damn”—you still saw what you saw. A boy and a queer. The eye sees what it cares enough to see. Even though I’m exactly the same kid I was, and so is Maggot. He was always the same Maggot. It was me that started calling him that. We were little, and it was hilarious. And it was me that kept it up. Because Matty Peggot goes to school, and what is he going to be there but Matty Faggot? I tried to make an end run around that one. I can’t say the other names never got called, they did. But apart from that night with Stoner, they weren’t said where I could hear them. I wasn’t clueless to people’s thinking. But a thing grows teeth once it’s put into words. Now I felt that worm digging, spitting poison in my brain, trying to change how I saw Maggot. How I felt about people seeing the two of us together. Up to then, I was a casual collector of reasons to hate Stoner. That night a fire got lit. For what he’d done to my head, I would burn the man down.
Barbara Kingsolver (Demon Copperhead)
When Barthemo Beele was two years old, he was trained to use a little potty stool that was kept in a cupboard with a hanging cloth in front of it. This little secret, with its aura of shame, interested him so keenly that he had to lift the cloth and look at it a dozen times a day. To this single episode, he later felt, all of his curiosity could be traced. For little ‘Themo’ developed an unfortunate habit of lifting hanging cloths to peer under them. And after he had lifted the skirt of a visitor, a bishop’s wife, ‘Themo’ received his first sound whipping. Yet, as if his motto were Video, ergo sum, Barthemo went on lifting hanging cloths and looking under them, and was unable to resist doing so. He would lift the corner of a tablecloth and stare at the table’s legs, fascinated, flushed with guilt and a strange pleasure he could not name. He grew to a skinny, secretive kid, addicted to tattling, to forming, with friends, secret clubs, and to writing what he hoped were dirty words on fences: FUDGE, SHAME, ORGANISM, and especially LOVE. One day by chance he lifted a blanket and found a couple of organisms making love: his mother and a man not his father. Barthemo hastened to tell his father, who thanked him for his information by spanking him and locking him in his room for a day. When he decided the boy had learned his lesson, the elder Beele relented and let him out – but on condition that he mind his own business. Barthemo actually did have a business at this time, which was selling information to the police. For nickels, dimes and quarters, he would tell them which members of which secret clubs were stealing bike tyres from gas stations and magazines from drugstores. Later, for larger sums, he told them about car thefts and burglaries. This continued well into high school, when his duties as a school reporter took up most of his free time. The police gave him a present of money when he left for college, and told him he was the ‘Best little
John Sladek (The Reproductive System)