Steady Ship Quotes

We've searched our database for all the quotes and captions related to Steady Ship. Here they are! All 100 of them:

O captain! My Captain! Our fearful trip is done. The ship has weather'd every wrack The prize we sought is won The port is near, the bells I hear The people all exulting While follow eyes, the steady keel The vessel grim and daring But Heart! Heart! Heart! O the bleeding drops of red Where on the deck my captain lies Fallen cold and dead.
Walt Whitman
I tried to help you make better choices. You could have saved yourself. But you defied me at every step. You built your ship. You joined that foolish quest. Now you are trapped here, helpless, while the mortal world dies. Leo's hands burst into flame. He wanted to melt Gaea's sandy face to glass. Then he felt Calypso's hand on his shoulder. "Gaea." Her voice was stern and steady. "You are not welcome.
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
He could feel the strong, steady beat of Isabelle's heart. 'I thought you were dead,' she went on. 'I saw you fall down, and--I thought you were dead.' Simon let her hold him, propping himself up on his hands. He realized that he was listing like a ship with a hole in its side, and tried not to move. He was afraid that if he did, he would fall over. 'I am dead.' 'I know,' Izzy snapped. I mean more dead than usual.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
O CAPTAIN! my Captain! our fearful trip is done, The ship has weather'd every rack, the prize we sought is won, The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring; But O heart! heart! heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead. O Captain! my Captain! rise up and hear the bells; Rise up - for you the flag is flung - for you the bugle trills, For you bouquets and ribbon'd wreaths - for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head! It is some dream that on the deck, You've fallen cold and dead. My Captain does not answer, his lips are pale and still, My father does not feel my arm, he has no pulse nor will, The ship is anchor'd safe and sound, its voyage closed and done, From fearful trip the victor ship comes in with object won; Exult O shores, and ring O bells! But I with mournful tread, Walk the deck my Captain lies, Fallen cold and dead.
Walt Whitman (Leaves of Grass)
Why, aren’t you just about as sweet as syrup on a sundae? I sure would appreciate that, ma’am.” He winked. “How’d you like ta stroll the deck of this fine ship with me and watch the sunset? I need a purty girl to put her arm around me and steady this bow-legged cowboy as he finds his sea legs.” I raised an eyebrow and affected a southern accent. “Why, I think you’re a pullin’ my leg there, Texas. You’ve had your sea legs a lot longer than I have.” He rubbed the stubble on his face. “You might be right at that. Well then, how about you taggin’ along to keep me warm?” “It’s about eighty degrees.” “Shoot, you’re a smart one, you are. Then how ‘bout I jes say that a feller can get pretty lonesome by hisself in a strange country and he’d like to keep compn’y with you fer a while longer.
Colleen Houck
I’m ambitious, Alina. I’m driven. But I hope … I hope I still know the difference between right and wrong.” He hesitated. “I offered you freedom, and I meant it. If tomorrow you decided to run back to Novyi Zem with Mal, I’d put you on a ship and let the sea take you.” He held my gaze, his hazel eyes steady. “But I’d be sorry to see you go.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
There was nothing in life harder or more important than agreeing every morning to stay the course, to go back to your forgotten self of so many years ago, and to make the same decision. Marriages, like ships, needed steering, and steady hands at the wheel.
Emma Straub (The Vacationers)
What kind of man does not give up his time, his many pleasures, but hands them over without a sound. What kind of man bends to hold them in their suffering, in their questions, in their garbled turns of phrase. What kind of man admits his failures, turns over his heavy stones, stands at the feet of grief and wanting does not turn away. What kind of man becomes a father. A lasting place. A steady ship inside a tireless storm.
Kate Baer (What Kind of Woman: Poems)
She steadied him like an anchor to a wayward ship, and he couldn't resist bringing her near so that he would not drift too far into his hatred.
Hannah Nicole Maehrer (Assistant to the Villain (Assistant to the Villain, #1))
It faded slowly, ebbing like the tide. He rolled onto his back, staring up, his head still aching. The black clouds were beginning to roll back, showing a widening strip of blue; the Angel was gone, the lake surging under the growing light as if the water were boiling. Simon began to sit up slowly, his eyes squinted painfully against the sun. He could see someone racing down the path from the farmhouse to the lake. Someone with long black hair, and a purple jacket that flew out behind her like wings. She hit the end of the path and leaped onto the lakeside, her boots kicking up puffs of sand behind her. She reached him and threw herself sand behind her. She reached him and threw herself down, wrapping her arms around him. “Simon,” she whispered. He could feel the strong, steady beat of Isabelle’s heart. “I thought you were dead,” she went on. “I saw you fall down, and—I thought you were dead.” Simon let her hold him, propping himself up on his hands. He realized he was listing like a ship with a hole in the side, and tried not to move. He was afraid that if he did, he would fall over. “I am dead.” “ I know,” Izzy snapped. “I mean more dead than usual.
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
In treacherous currents, she is kept steady by a moral anchor the size of a ship.
Dean Koontz (Odd Thomas (Odd Thomas, #1))
She steadied him like an anchor to a wayward ship, and he couldn’t resist
Hannah Nicole Maehrer (Assistant to the Villain (Assistant to the Villain, #1))
The air was warm and heavy as sprinkles began to fall from the clouds high above. The Triton glided through the waters and the whoosh of the ship combined with the steady beat of the rain to make a concerto, like a pianist fluttering his fingers on the keys at one end and running his fingers up and down the scales at the other. Expectancy hung in the air as the tune moved to a crescendo.
Victoria Kahler (Capturing the Sunset)
Shouldn't we fear life? Who steers a safe boat? Around us sorrow swells like a heaving ocean; we can see how the hungry waves lick the ship's sides, how they climb to board her. No safe anchorage, no solid ground, no steady ship, as far as the eye can see; only an unknown sky over an ocean full of trouble!
Selma Lagerlöf
So hypochondriac fancies represent Ships, armies, battles in the firmament; Till steady eyes the exhalations solve, And all to its first matter, cloud, resolve.
Daniel Defoe (History of the Plague in London)
Early next morning there was a sound as of chains being drawn roughly overhead; the steady heart of the Euphrosyne slowly ceased to beat; and Helen, poking her nose above deck, saw a stationary castle upon a stationary hill. They had dropped anchor in the mouth of the Tagus, and instead of cleaving new waves perpetually, the same waves kept returning and washing against the sides of the ship.
Virginia Woolf (The Voyage Out)
She steadied him like an anchor to a wayward ship, and he couldn’t resist bringing her near so that he would not drift too far into his hatred.
Hannah Nicole Maehrer
Her whispering lips brushed his ear. She was praying. Soft begging words to Ganesha and the Buddha, to Kali-Mary Mercy and the Christian God...she was praying to anything at all, begging the Fates to let her walk from the shadow of death. Pleas spilled from her lips, a desperate trickle. She was broken, soon to die, but still the words slipped out in a steady whisper. Tum Karuna ke saagar Tum palankarta hail Mary full of grace Ajahn Chan Bodhisattva, release me from suffering... He drew away. Her fingers slipped from his cheek like orchid petals falling.
Paolo Bacigalupi (Ship Breaker (Ship Breaker, #1))
One of our favorite examples of the value of Nothing is an incident in the life of the Japanese emperor Hirohito. Now, being emperor in one of the most frantically Confucianist countries in the world is not necessarily all that relaxing. From early morning until late at night, practically every minute of the emperor's time is filled in with meetings, audiences, tours, inspections, and who-knows-what. And through a day so tightly scheduled that it would make a stone wall seem open by comparison, the emperor must glide, like a great ship sailing in a steady breeze. In the middle of a particularly busy day, the emperor was driven to a meeting hall for an appointment of some kind. But when he arrived, there was no one there. The emperor walked into the middle of the great hall, stood silently for a moment, then bowed to the empty space. He turned to his assistants, a large smile on his face. "We must schedule more appointments like this," he told them. "I haven't enjoyed myself so much in a long time.
Benjamin Hoff (The Tao of Pooh)
The great ships hung motionless in the sky, over every nation on Earth. Motionless they hung, huge, heavy, steady in the sky, a blasphemy against nature. Many people went straight into shock as their minds tried to encompass what they were looking at. The ships hung in the sky in much the same way that bricks don’t. And
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
You can never make a ship go steady by propping it outside; you know there must be ballast within the ship to make it go steady. So there is nothing outside us that can keep our hearts in a steady, constant way, but grace within the soul.
Jeremiah Burroughs (The Rare Jewel of Christian Contentment)
Sail, sail thy best, ship of democracy, Of value is thy freight, 'tis not the present only, The past is also stored in thee, Thou holdest not the venture of thyself alone, not of the western continent alone, Earth's resume entire floats upon thy keel, O ship, is steadied by thy spars, With thee Time voyages in trust, the antecedent nations sink or swim with thee, With all their ancient struggles , martyrs, heroes, epics, wars, thou bear'st the other continents, Theirs, theirs as much as thine, the destination-port triumphant..
Walt Whitman
Few people make sound or sustainable decisions in an atmosphere of chaos. The more serious the situation, usually accompanied by a deadline, the more likely everyone will get excited and bounce around like water on a hot skillet. At those times I try to establish a calm zone but retain a sense of urgency. Calmness protects order, ensures that we consider all the possibilities, restores order when it breaks down, and keeps people from shouting over each other. You are in a storm. The captain must steady the ship, watch all the gauges, listen to all the department heads, and steer through it. If the leader loses his head, confidence in him will be lost and the glue that holds the team together will start to give way. So assess the situation, move fast, be decisive, but remain calm and never let them see you sweat.
Colin Powell (It Worked for Me: In Life and Leadership)
O Captain! my Captain! our fearful trip is done, The ship has weather’d every rack, the prize we sought is won, The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring; But O heart! heart! heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead. O Captain! my Captain! rise up and hear the bells; Rise up—for you the flag is flung—for you the bugle trills, For you bouquets and ribbon’d wreaths—for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head! It is some dream that on the deck, You’ve fallen cold and dead. My Captain does not answer, his lips are pale and still, My father does not feel my arm, he has no pulse nor will, The ship is anchor’d safe and sound, its voyage closed and done, From fearful trip the victor ship comes in with object won; Exult O shores, and ring O bells! But I with mournful tread, Walk the deck my Captain lies, Fallen cold and dead.
Walt Whitman (Oh Captain! My Captain!)
None of us can sail a ship alone. We need friends aboard to help us steady the keel and keep a firm hand on the tiller when the weather turns rough.
Andrea Penrose (Murder at the Serpentine Bridge (Wrexford & Sloane #6))
Steady the ship of your mind, arch the bow of your heart, and take hold of the Hand already taking hold of you.
Kristen Michelle (Steady the ship : Encouragement As the Day Draws Near)
I do, and the now-familiar warmth of his lips steadies me. He tastes of salt and the wine we shared with the others at our small farewell party. Aladdin pulls away first and lifts one of my hands to his lips, kissing the delicate henna patterns on my skin, then turning my arm over to kiss the inside of my wrist. The ship’s crew makes themselves busy on the other side of the ship, giving us privacy. “You’re the most beautiful girl in the world,” Aladdin murmurs. “Have I ever told you that?” “Enough to make me wonder if your father was a parrot.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
Outside the walls of the Crimson Cabaret was a world of rain and darkness. At intervals, whenever someone entered or exited through the front door of the club, one could actually see the steady rain and was allowed a brief glimpse of the darkness. Inside it was all amber light, tobacco smoke, and the sound of the raindrops hitting the windows, which were all painted black. On such nights, as I sat at one of the tables in that drab little place, I was always filled with an infernal merriment, as if I were waiting out the apocalypse and could not care less about it. I also liked to imagine that I was in the cabin of an old ship during a really vicious storm at sea or in the club car of a luxury passenger train that was being rocked on its rails by ferocious winds and hammered by a demonic rain. Sometimes, when I was sitting in the Crimson Cabaret on a rainy night, I thought of myself as occupying a waiting room for the abyss (which of course was exactly what I was doing) and between sips from my glass of wine or cup of coffee I smiled sadly and touched the front pocket of my coat where I kept my imaginary ticket to oblivion.
Thomas Ligotti (The Nightmare Factory)
And it was in that moment of distress and confusion that the whip of terror laid its most nicely calculated lash about his heart. It dropped with deadly effect upon the sorest spot of all, completely unnerving him. He had been secretly dreading all the time that it would come - and come it did. Far overhead, muted by great height and distance, strangely thinned and wailing, he heard the crying voice of Defago, the guide. The sound dropped upon him out of that still, wintry sky with an effect of dismay and terror unsurpassed. The rifle fell to his feet. He stood motionless an instant, listening as it were with his whole body, then staggered back against the nearest tree for support, disorganized hopelessly in mind and spirit. To him, in that moment, it seemed the most shattering and dislocating experience he had ever known, so that his heart emptied itself of all feeling whatsoever as by a sudden draught. 'Oh! oh! This fiery height! Oh, my feet of fire! My burning feet of fire...' ran in far, beseeching accents of indescribable appeal this voice of anguish down the sky. Once it called - then silence through all the listening wilderness of trees. And Simpson, scarcely knowing what he did, presently found himself running wildly to and fro, searching, calling, tripping over roots and boulders, and flinging himself in a frenzy of undirected pursuit after the Caller. Behind the screen of memory and emotion with which experience veils events, he plunged, distracted and half-deranged, picking up false lights like a ship at sea, terror in his eyes and heart and soul. For the Panic of the Wilderness had called to him in that far voice - the Power of untamed Distance - the Enticement of the Desolation that destroys. He knew in that moment all the pains of someone hopelessly and irretrievably lost, suffering the lust and travail of a soul in the final Loneliness. A vision of Defago, eternally hunted, driven and pursued across the skyey vastness of those ancient forests fled like a flame across the dark ruin of his thoughts... It seemed ages before he could find anything in the chaos of his disorganized sensations to which he could anchor himself steady for a moment, and think... The cry was not repeated; his own hoarse calling brought no response; the inscrutable forces of the Wild had summoned their victim beyond recall - and held him fast. ("The Wendigo")
Algernon Blackwood (Monster Mix)
I’m like a sailor, born and bred in the deck of a privateer. Storm and battle are a part of his life, and if he’s cast ashore he pines in boredom, indifferent to the pleasures of shady woods and peaceful sunshine. All day long he walks the beach listening to the steady murmur of the incoming waves and gazing for the sight of a ship in the distant haze. He looks longingly at the pale strip between the ocean blue and the grey clouds, in hopes of seeing a sail, first like a seagull’s wing, that then gradually stands out against the foaming breakers and runs in steadily towards the desolate haven.
Mikhail Lermontov (A Hero of Our Time)
Karl Selig steadied himself on the ship’s rail and peered through the binoculars at the massive iceberg. Another piece of ice crumbled and fell, revealing more of the long black object. It looked almost like
A.G. Riddle (The Atlantis Gene (The Origin Mystery, #1))
O Captain! my Captain! our fearful trip is done, The ship has weather’d every rack, the prize we sought is won, The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring; But O heart! heart! heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead. O Captain! my Captain! rise up and hear the bells; Rise up—for you the flag is flung—for you the bugle trills, For you bouquets and ribbon’d wreaths—for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head! It is some dream that on the deck, You’ve fallen cold and dead. My Captain does not answer, his lips are pale and still, My father does not feel my arm, he has no pulse nor will, The ship is anchor’d safe and sound, its voyage closed and done, From fearful trip the victor ship comes in with object won; Exult O shores, and ring O bells! But I with mournful tread, Walk the deck my Captain lies, Fallen cold and dead.
null
Two battleships assigned to the training squadron had been at sea on maneuvers in heavy weather for several days. I was serving on the lead battleship and was on watch on the bridge as night fell. The visibility was poor with patchy fog, so the captain remained on the bridge keeping an eye on all activities.    Shortly after dark, the lookout on the wing of the bridge reported, “Light, bearing on the starboard bow.”    “Is it steady or moving astern?” the captain called out.    Lookout replied, “Steady, captain,” which meant we were on a dangerous collision course with that ship.    The captain then called to the signalman, “Signal that ship: We are on a collision course, advise you change course 20 degrees.”    Back came a signal, “Advisable for you to change course 20 degrees.”    The captain said, “Send, I’m a captain, change course 20 degrees.”    “I’m a seaman second class,” came the reply. “You had better change course 20 degrees.”    By that time, the captain was furious. He spat out, “Send, I’m a battleship. Change course 20 degrees.”    Back came the flashing light, “I’m a lighthouse.”    We changed course.
Stephen R. Covey (The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change)
He seemed to her so wonderfully concrete, so certain not only of himself, but of the world he occupied. Alizeh, by contrast, often felt like a ship lost at sea, tossed about in every storm, narrowly avoiding disaster at every turn. She was struck, then, by a strange thought: that she might never be shipwrecked if she had such an anchor to steady her.
Tahereh Mafi (This Woven Kingdom (This Woven Kingdom, #1))
In a 2007 cable about Nauru, made public by WikiLeaks, an unnamed U.S. official summed up his government’s analysis of what went wrong on the island: “Nauru simply spent extravagantly, never worrying about tomorrow.” Fair enough, but that diagnosis is hardly unique to Nauru; our entire culture is extravagantly drawing down finite resources, never worrying about tomorrow. For a couple of hundred years we have been telling ourselves that we can dig the midnight black remains of other life forms out of the bowels of the earth, burn them in massive quantities, and that the airborne particles and gases released into the atmosphere - because we can’t see them - will have no effect whatsoever. Or if they do, we humans, brilliant as we are, will just invent our way out of whatever mess we have made. And we tell ourselves all kinds of similarly implausible no-consequences stories all the time, about how we can ravage the world and suffer no adverse effects. Indeed we are always surprised when it works out otherwise. We extract and do not replenish and wonder why the fish have disappeared and the soil requires ever more “inputs” (like phosphate) to stay fertile. We occupy countries and arm their militias and then wonder why they hate us. We drive down wages, ship jobs overseas, destroy worker protections, hollow out local economies, then wonder why people can’t afford to shop as much as they used to. We offer those failed shoppers subprime mortgages instead of steady jobs and then wonder why no one foresaw that a system built on bad debts would collapse. At every stage our actions are marked by a lack of respect for the powers we are unleashing - a certainty, or at least a hope, that the nature we have turned to garbage, and the people we have treated like garbage, will not come back to haunt us.
Naomi Klein (This Changes Everything: Capitalism vs. The Climate)
O Captain! my Captain! our fearful trip is done, The ship has weather’d every rack, the prize we sought is won, The port is near, the bells I hear, the people all exulting, While follow eyes the steady keel, the vessel grim and daring; But O heart! heart! heart! O the bleeding drops of red, Where on the deck my Captain lies, Fallen cold and dead. O Captain! my Captain! rise up and hear the bells; Rise up—for you the flag is flung—for you the bugle trills, For you bouquets and ribbon’d wreaths—for you the shores a-crowding, For you they call, the swaying mass, their eager faces turning; Here Captain! dear father! This arm beneath your head! It is some dream that on the deck, You’ve fallen cold and dead. My Captain does not answer, his lips are pale and still, My father does not feel my arm, he has no pulse nor will, The ship is anchor’d safe and sound, its voyage closed and done, From fearful trip the victor ship comes in with object won; Exult O shores, and ring O bells! But I with mournful tread, Walk the deck my Captain lies, Fallen cold and dead.
Walt Witman
A sudden silence hit the Earth. If anything it was worse than the noise. For a while nothing happened. The great ships hung motionless in the sky, over every nation on Earth. Motionless they hung, huge, heavy, steady in the sky, a blasphemy against nature. Many people went straight into shock as their minds tried to encompass what they were looking at. The ships hung in the sky in much the same way that bricks don’t. And still nothing happened.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
As the bartender struck a match to light her cigarette, she put her hand on his wrist to steady it. Travis saw him jump, draw back. He held his wrist, blew on it, looked at her reproachfully. Travis said: 'Why, you scratched him, Sarah.' 'Did I?' And as she turned and looked at him, he saw her hand twitch a little, and drew still further away from her. 'What - what's got into you?' he faltered. There was some kind of tension spreading all around the horseshoe-shaped bar, emanating from her. All the cordiality, the sociability, was leaving it. Cheery conversations even at the far ends of it faltered and died, and the speakers looked around them as though wondering what was putting them so on edge. A heavy leaden pall of restless silence descended, as when a cloud goes over the sun. One or two people even turned and moved away reluctantly, as though they hadn't intended to but didn't like it at the bar any more. The gaunt-faced woman in red and black was the center of all eyes, but the looks sent her were not the admiring looks of men for a well-dressed woman; they were the blinking petrified looks a blacksnake would get in a poultry yard. Even the barman felt it. He dropped and smashed a glass, a thing he hadn't done since he'd been working on the ship. Even the canary felt it, and stood shivering pitifully on its perch, emitting an occasional cheep as though for help. ("I'm Dangerous Tonight")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
 I find myself humming as I reach the top of the steps, but then I halt. “Really now, Kearan,” I say. He’s facedown on the ground. Likely passed out in his own vomit, yet again. This can’t continue. I’ll have to think of some fitting punishment for him. I couldn’t care less what he does in his free time, but when he’s on duty, he’d better be ready to perform at his best. Suddenly his whole body jerks upward, and I take a step back in case he’s having some sort of sleeping fit. “Three,” he says on a raspy breath before leaning down to the ground again. Is he sleep talking? He’s been known to do that even with his eyes open. No, wait—“Are you doing push-ups?” I ask. “F-f-four,” he says as he rises again. “Sweet stars, you are. What’s gotten into you?” After five, he lies on the ground and rolls onto his back, breathing heavily. “Just passing the time, is all. We’ve a long journey ahead of us.” Yes, but he usually passes the time with drink. He reaches into one of his pockets. Ah, there he is. But what he pulls out isn’t a flask. It’s a canteen. The kind we use on the ship for storing water. He sits up and takes a few sips. “What’s in that?” He holds the canteen out to me, and I take a sniff. It’s water. “She dumped all of my flasks into the sea while I slept,” Kearan says. “Didn’t realize she cared so much.” He searches across the ship for Sorinda, but she must be belowdecks because he focuses on me once more. “Any more questions, Captain?” His tone sounds bored. “Are we headed in the right direction?” “Course, I’m keeping her steady.” “Good,” I say before moving on quickly. Lest Kearan break into song or sprout wings.
Tricia Levenseller (Daughter of the Siren Queen (Daughter of the Pirate King, #2))
One tradesman the same as the next? Not in the real world. Any man with a steady hand and a cleaver can call himself a butcher: but without the smith, where does he get that cleaver? Without the man who works in metal, where are your hammers, your scythes, your sickles, scissors and planes? Your arms and armour, your arrowheads, your pikes and your guns? Where are your ships at sea and their anchors? Where are your grappling hooks, your nails, latches, hinges, pokers and tongs? Where are your spits, kettles, trivets, your harness rings, buckles and bits? Where are your knives?
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
I Won’t Write Your Obituary You asked if you could call to say goodbye if you were ever really gonna kill yourself. Sure, but I won’t write your obituary. I’ll commission it from some dead-end journalist who will say things like: “At peace… Better place… Fought the good fight…” Maybe reference the loving embrace of Capital-G-God at least 4 times. Maybe quote Charles fucking Bukowski. And I won’t stop them because I won’t write your obituary. But if you call me, I will write you a new sky, one you can taste. I will write you a D-I-Y cloud maker so on days when you can’t do anything you can still make clouds in whatever shape you want them. I will write you letters, messages in bottles, in cages, in orange peels, in the distance between here and the moon, in forests and rivers and bird songs. I will write you songs. I can’t write music, but I’ll find Rihanna, and I’ll get her to write you music if it will make you want to dance a little longer. I will write you a body whose veins are electricity because outlets are easier to find than good shrinks, but we will find you a good shrink. I will write you 1-800-273-8255, that’s the suicide hotline; we can call it together. And yeah, you can call me, but I won’t tell you it’s okay, that I forgive you. I won’t say “goodbye” or “I love you” one last time. You won’t leave on good terms with me, Because I will not forgive you. I won’t read you your last rights, absolve you of sin, watch you sail away on a flaming viking ship, my hand glued to my forehead. I will not hold your hand steady around a gun. And after, I won’t come by to pick up the package of body parts you will have left specifically for me. I’ll get a call like “Ma’am, what would you have us do with them?” And I’ll say, “Burn them. Feed them to stray cats. Throw them at school children. Hurl them at the sea. I don’t care. I don’t want them.” I don’t want your heart. It’s not yours anymore, it’s just a heart now and I already have one. I don’t want your lungs, just deflated birthday party balloons that can’t breathe anymore. I don’t want a jar of your teeth as a memento. I don’t want your ripped off skin, a blanket to wrap myself in when I need to feel like your still here. You won’t be there. There’s no blood there, there’s no life there, there’s no you there. I want you. And I will write you so many fucking dead friend poems, that people will confuse my tongue with your tombstone and try to plant daisies in my throat before I ever write you an obituary while you’re still fucking here. So the answer to your question is “yes”. If you’re ever really gonna kill yourself, yes, please, call me.
Nora Cooper
Jerry thought of Dean as a brother, but in time, tempers and egos flared in the partnership, leading to their headline-making breakup in 1956, exactly ten years after they had joined forces. People worried what would become of Dean Martin, but Jerry Lewis flourished in his first solo films: The Delicate Delinquent, The Sad Sack, Rock-a-Bye Baby, and Don't Give Up the Ship. His directors include such comedy pros as Taurog and Frank Tashlin. Eventually, Lewis decided that he wanted to write and direct his own films. As a steady and stellar money-maker for Paramount, no one at the studio was prepared to stand in his way. His first effort was his most daring: The Bellboy,
Leonard Maltin (Great Movie Comedians: From Charlie Chaplin to Woody Allen (The Leonard Maltin Collection))
Unluckier still was Guillaume Le Gentil, whose experiences are wonderfully summarized by Timothy Ferris in Coming of Age in the Milky Way. Le Gentil set off from France a year ahead of time to observe the transit from India, but various setbacks left him still at sea on the day of the transit—just about the worst place to be since steady measurements were impossible on a pitching ship. Undaunted, Le Gentil continued on to India to await the next transit in 1769. With eight years to prepare, he erected a first-rate viewing station, tested and retested his instruments, and had everything in a state of perfect readiness. On the morning of the second transit, June 4, 1769, he awoke to a fine day, but, just as Venus began its pass, a cloud slid in front of the Sun and remained there for almost exactly the duration of the transit: three hours, fourteen minutes, and seven seconds. Stoically, Le Gentil packed up his instruments and set off for the nearest port, but en route he contracted dysentery and was laid up for nearly a year. Still weakened, he finally made it onto a ship. It was nearly wrecked in a hurricane off the African coast. When at last he reached home, eleven and a half years after setting off, and having achieved nothing, he discovered that his relatives had had him declared dead in his absence and had enthusiastically plundered his estate.
Bill Bryson (A Short History of Nearly Everything)
The great ships hung motionless in the sky, over every nation on Earth. Motionless they hung, huge, heavy, steady in the sky, a blasphemy against nature. Many people went straight into shock as their minds tried to encompass what they were looking at. The ships hung in the sky in much the same way that bricks don’t. And still nothing happened. Then there was a slight whisper, a sudden spacious whisper of open ambient sound. Every hi-fi set in the world, every radio, every television, every cassette recorder, every woofer, every tweeter, every mid-range driver in the world quietly turned itself on. Every tin can, every dustbin, every window, every car, every wineglass, every sheet of rusty metal became activated as an acoustically perfect sounding board. Before the Earth passed away it was going to be treated to the very ultimate in sound reproduction, the greatest public address system ever built. But there was no concert, no music, no fanfare, just a simple message. “People of Earth, your attention, please,” a voice said, and it was wonderful. Wonderful perfect quadraphonic sound with distortion levels so low as to make a brave man weep. “This is Prostetnic Vogon Jeltz of the Galactic Hyperspace Planning Council,” the voice continued. “As you will no doubt be aware, the plans for development of the outlying regions of the Galaxy require the building of a hyperspatial express route through your star system, and regrettably your planet is one of those scheduled for demolition. The process will take slightly less than two of your Earth minutes. Thank you.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
When preparing for a trip, we can read about architecture and restaurants. But what ultimately breathes life into the daydreams of anticipation are the people we encounter when we're actually there, including those we merely pass on the street or, in this case, the stairwell. I thought, too, of the man on the pier who offered his hand to steady me as I stepped off the ferry, and of the old woman in the public restroom who motioned for me to come and share with her the sole tiny sink. The possibility of these wordless interactions, to which we can be particularly attuned when alone, didn't cross my mind when I was anticipating my days in Istanbul. I had envisioned ships and minarets, the Grand Bazaar and the Hagia Sofia, yet not these faces, not these moments that silently transmit the warmth of a city.
Stephanie Rosenbloom (Alone Time: Four Seasons, Four Cities, and the Pleasures of Solitude)
Standing on the left side of the runway was my battle-worn X-wing fighter. Parked on the right side was my DeLorean. Sitting on the runway itself was my most frequently used spacecraft, the Vonnegut. Max had already powered up the engines, and they emitted a low, steady roar that filled the hangar. The Vonnegut was a heavily modified Firefly-class transport vessel, modeled after the Serenity in the classic Firefly TV series. The ship had been named the Kaylee when I’d first obtained it, but I’d immediately rechristened it after one of my favorite twentieth-century novelists. Its new name was stenciled on the side of its battered gray hull. I’d looted the Vonnegut from a cadre of Oviraptor clansmen who had foolishly attempted to hijack my X-wing while I was cruising through a large group of worlds in Sector Eleven known as the Whedonverse. The
Ernest Cline (Ready Player One (Ready Player One, #1))
What breaks in me? Some sinew cracks! 'tis whole again; oars! oars! Burst in upon him! I grow blind; hands! stretch out before me that I may yet grope my way. Is't night? Oars, oars! Slope downwards to thy depths, O sea, that ere it be for ever too late, Ahab may slide this last, last time upon his mark; I see: the ship! the ship! Dash on, my men! - Oh, all ye sweet powers of air, now hug me close! Let not Starbuck die, if die he must, in a woman's fainting fit. Up helm, I say ye fools. Is this the end of all my bursting prayers? all my lifelong fidelities? Oh, Ahab, Ahab, lo, thy work. Steady! helmsman, steady. Nay, nay! Up helm again! He turns to meet us! Oh, his unappeasable brow drives on towards one, whose duty tells him he cannot depart. My God, stand by me now! - Stand not by me, but stand under me, whoever you are that will now help Stubb; for Stubb, too, sticks here. I grin at thee, thou grinning whale! Who ever helped Stubb, or kept Stubb awake, but Stubb's own unwinking eye? And now poor Stubb goes to bed upon a mattrass that is all too soft; would it were stuffed with brushwood! I grin at thee, thou grinning whale! Look ye, sun, moon, and stars! I call ye assassins of as good a fellow as ever spouted up his ghost. For all that, I would yet ring glasses with ye, would ye but hand the cup! Oh, oh! oh, oh! thou grinning whale, but there'll be plenty of gulping soon! Why fly ye not, O Ahab! For me, off shoes and jacket to it; let Stubb die in his drawers! A most mouldy and over salted death, though; cherries! cherries! cherries! Oh, Flask, for one red cherry ere we die! - Cherries? I only wish that we were where they grow. Oh, Stubb, I hope my poor mother's drawn my part-pay ere this; if not, few coppers will now come to her, for the voyage is up.
Herman Melville (Moby-Dick or, The Whale)
Ahoy!” a seaman called out. “The English frigate Polaris, ten days out from Antigua, bound for Portsmouth.” “Ahoy, yerself!” It was O’Shea’s rough brogue. She’d never heard sweeter music. “This be the clipper Sophia, of no particular country at the moment. Seven days out from Tortola, bound for…well, bound for here. Captain requests permission to board.” Gray. It had to be Gray. The officers of the Polaris exchanged wary looks. “Oh, for Heaven’s sake.” Sophia pushed forward to the ship’s rail and cupped her hands around her mouth, calling, “Permission to board granted!” A cheer rose up from the other ship’s deck. “It’s her, all right!” a voice called. Stubb’s, Sophia thought. Oh, but she hardly cared who was on the other deck. She cared only for the strong figure swinging across the watery divide as the two ships came abreast. Turning back toward the center of the ship, she pushed her way through the sweaty throng of sailors, desperate to get to him. Her foot caught on a rope, and she tripped- But it didn’t matter. Gray was there to catch her. And he was still wearing those sea-weathered, fire-scarred boots. No doubt for sentimental reasons. “Steady there,” he murmured, catching her by the elbows. She looked up to meet his beautiful blue-green eyes. “I have you.” “Oh, Gray.” She launched herself into his arms, clinging to his neck as he laughed and spun her around. “You’re here.” “I’m here.” And he was. Every strong, solid, handsome inch of him. Sophia buried her face in his throat, breathing in his scent. Lord, how she’d missed him. She pulled away, bracing her hands on his shoulders to study his face. “I can’t believe you came after me.” “I can’t believe you actually left.” He lowered her to the deck, and her hands slid to his arms. “I thought you were bluffing with that bit. I’d have never allowed you to go.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
The Peloponnesians arranged their ships in such a manner as to make the largest possible circle without leaving space to break through, turning their prows outwards and their sterns inwards; within the circle they placed the smaller craft which accompanied them, and five of their swiftest ships that they might be close at hand and row out at whatever point the enemy charged them. The Athenians ranged their ships in a single line and sailed round and round the Peloponnesian fleet, which they drove into a narrower and narrower space, almost touching as they passed, and leading the crews to suppose that they were on the point of charging. But they had been warned by Phormio not to begin until he gave the signal, for he was hoping that the enemy's ships, not having the steadiness of an army on land, would soon fall into disorder and run foul of one another; they would be embarrassed by the small craft, and if the usual morning breeze, for which he continued waiting as he sailed round them, came down from the gulf, they would not be able to keep still for a moment. He could attack whenever he pleased, because his ships were better sailers; and he knew that this would be the right time. When the breeze began to blow, the ships, which were by this time crowded into a narrow space and were distressed at once by the force of the wind and by the small craft which were knocking up against them, fell into confusion; ship dashed against ship, and they kept pushing one another away with long poles; there were cries of 'keep off' and noisy abuse, so that nothing could be heard either of the word of command or of the coxswains' giving the time; and the difficulty which unpractised rowers had in clearing the water in a heavy sea made the vessels disobedient to the helm.At that moment Phormio gave the signal; the Athenians, falling upon the enemy, began by sinking one of the admirals' vessels, and then wherever they went made havoc of them. (Book 2 Chapter 83.5-84.3)
Thucydides (History of the Peloponnesian War: Books 1-2)
Besides, if you wouldn’t duel with Lord Everly when he called you a cheat, you certainly wouldn’t harm poor Lord Howard merely for touching my arm.” “Wouldn’t I?” he asked softly. “Those are two very different issues.” Not for the first time, Elizabeth found herself at a loss to understand him. Suddenly his presence was vaguely threatening again; whenever he stopped playing the amusing gallant he became a dark, mysterious stranger. Raking her hair off her forehead, she glanced out the window. “It must be after three already. I really must leave.” She surged to her feet, smoothing her skirts. “Thank you for a lovely afternoon. I don’t know why I remained. I shouldn’t have, but I am glad I did…” She ran out of words and watched in wary alarm as he stood up. “Don’t you?” he asked softly. “Don’t I what?” “Know why you’re still here with me?” “I don’t even know who you are?” she cried. “I know about places you’ve been, but not your family, your people. I know you gamble great sums of money at cards, and I disapprove of that-“ “I also gamble great sums of money on ships and cargo-will that improve my character in your eyes?” “And I know,” she continued desperately, watching his gaze turn warm and sensual, “I absolutely know you make me excessively uneasy when you look at me the way you’re doing now!” “Elizabeth,” he said in a tone of tender finality, “you’re here because we’re already half in love with each other.” “Whaaat? she gasped. “And as to needing to know who I am, that’s very simple to answer.” His hand lifted, grazing her pale cheek, then smoothing backward, cupping her head. Gently he explained, “I am the man you’re going to marry.” “Oh, my God!” “I think it’s too late to start praying,” he teased huskily. “You-you must be mad,” she said, her voice quavering. “My thoughts exactly,” he whispered, and, bending his head, he pressed his lips to her forehead, drawing her against his chest, holding her as if he knew she would struggle if he tried to do more than that. “You were not in my plans, Miss Cameron.” “Oh, please,” Elizabeth implored helplessly, “don’t do this to me. I don’t understand any of this. I don’t know what you want.” “I want you.” He took her chin between his thumb and forefinger and lifted it, forcing her to meet his steady gaze as he quietly added, “And you want me.” Elizabeth’s entire body started to tremble as his lips began descending to hers, and she sought to forestall what her heart knew was inevitable by reasoning with him. “A gently bred Englishwomen,” she shakily quoted Lucinda’s lecture, “feels nothing stronger than affection. We do not fall in love.” His warm lips covered hers. “I’m a Scot,” he murmured huskily. “We do.” “A Scot!” she uttered when he lifted his mouth from hers. He laughed at her appalled expression. “I said ‘Scot,’ not ‘ax murderer.” A Scot who was a gambler to boot! Havenhurst would land on the auction block, the servants turned off, and the world would fall apart. “I cannot, cannot marry you.” “Yes, Elizabeth,” he whispered as his lips trailed a hot path over her cheek to her ear, “you can.
Judith McNaught (Almost Heaven (Sequels, #3))
Unluckier still was Guillaume Le Gentil, whose experiences are wonderfully summarized by Timothy Ferris in Coming of Age in the Milky Way. Le Gentil set off from France a year ahead of time to observe the transit from India, but various setbacks left him still at sea on the day of the transit—just about the worst place to be since steady measurements were impossible on a pitching ship. Undaunted, Le Gentil continued on to India to await the next transit in 1769. With eight years to prepare, he erected a first-rate viewing station, tested and retested his instruments, and had everything in a state of perfect readiness. On the morning of the second transit, June 4, 1769, he awoke to a fine day, but, just as Venus began its pass, a cloud slid in front of the Sun and remained there for almost exactly the duration of the transit: three hours, fourteen minutes, and seven seconds. Stoically, Le Gentil packed up his instruments and set off for the nearest port, but en route he contracted dysentery and was laid up for nearly a year. Still weakened, he finally made it onto a ship. It was nearly wrecked in a hurricane off the African coast. When at last he reached home, eleven and a half years after setting off, and having achieved nothing, he discovered that his relatives had had him declared dead in his absence and had enthusiastically plundered his estate. In
Bill Bryson (A Short History of Nearly Everything)
Unluckier still was Guillaume Le Gentil, whose experiences are wonderfully summarized by Timothy Ferris in Coming of Age in the Milky Way . Le Gentil set off from France a year ahead of time to observe the transit (of Venus) from India, but various setbacks left him still at sea on the day of the transit—just about the worst place to be since steady measurements were impossible on a pitching ship. Undaunted, Le Gentil continued on to India to await the next transit in 1769. With eight years to prepare, he erected a first-rate viewing station, tested and retested his instruments, and had everything in a state of perfect readiness. On the morning of the second transit, June 4, 1769, he awoke to a fine day, but, just as Venus began its pass, a cloud slid in front of the Sun and remained there for almost exactly the duration of the transit: three hours, fourteen minutes, and seven seconds. Stoically, Le Gentil packed up his instruments and set off for the nearest port, but en route he contracted dysentery and was laid up for nearly a year. Still weakened, he finally made it onto a ship. It was nearly wrecked in a hurricane off the African coast. When at last he reached home, eleven and a half years after setting off, and having achieved nothing, he discovered that his relatives had had him declared dead in his absence and had enthusiastically plundered his estate
Bill Bryson
So, boy, how does it feel to be pouring out a never-ending stream of--?” “Stop that!” I scowled at my brothers as I shooed them away from Milo. “How can you make such jokes in front of him?” “To be honest, the only thing in front of him right now is the sea and the supper he ate three days ago.” Castor’s grin got wider. Polydeuces was contrite. “We mean well, Helen. We’re only trying to make him laugh. A good laugh might take his mind off being so ill.” “It’s a shame we’re bound straight for Corinth,” the old sailor said, rubbing the back of his neck. “Since nothing else seems to be working for this lad, could be that a short rest on dry land would steady his stomach.” “You think we’d ever be able to get him back on board afterward?” Castor asked. The sailor shrugged. “What would he have to say about it? He’s your slave, isn’t he?” “He’s our sister’s slave, or was,” Castor replied. “She freed him as soon as she bought him.” “And still he came onto this ship with you, sick as seafaring makes him?” “This is his first voyage,” I said, stooping beside Milo to place one arm protectively around him. “He didn’t know he’d get sick.” “Oh, he’d have come along even if he’d known that a sea monster was waiting to gobble him up,” Castor said, with another of those annoying, conspiratorial winks to his twin. “Anything rather than be separated from you, little sister.” Polydeuces eagerly took up his brother’s game. “That’s true,” he hastened to tell the old sailor. “If you could have seen the way he’s been gazing at her, all the way from Calydon!” “Can we blame him, Polydeuces?” Castor asked with mock sincerity. “Our little sister is the most beautiful woman in the world.” They collapsed laughing into each other’s arms. Milo made a great effort and pushed himself away from the rail, away from me. He took two staggering steps, fists clenched. “She is.” Then he spun around and lurched for the ship’s side once more. My brothers exchanged a look of pure astonishment. The old sailor chuckled. “He may have been a slave, Lady Helen, but he’s braver than many a free man, to talk back to princes that way! But it wouldn’t be the first time a man found courage he never knew he had until he met the right woman.” My face flamed. I wanted to thank Milo for putting an end to my brothers’ teasing--whether or not it was all in fun, I still found it annoying--but I was strangely tongue-tied. Fortunately for me, the old sailor chose that moment to say, “That’s not something you see every day, a mouse trying to take a bite from a lion’s tail. Mark my words, this lad has the makings of a great hero. Why, if I had it my way, I’d put in at the next port and carry him all the way to Apollo’s temple at Delphi, just to see what marvels the Pythia would have to predict about his future.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
sheer size, it has no rival. Of the two American fleets involved in the battle, one was comprised of 738 ships and carried an invasion force of approximately 165,000 men in addition to the 50,000 sailors aboard the ships.1 The other American fleet was the most powerful in the world, with a total of 16 aircraft carriers and six of the world’s most powerful battleships. In total, the two fleets brought 235 surface combatants and 1,500 aircraft to the battle. Opposed to this collection of naval might was the Imperial Japanese Navy. Once the most powerful navy in the Pacific, the Imperial Fleet was forced into a desperate fight with all its remaining strength. In total, the Japanese committed 69 ships and some 375 aircraft, most of which were land based.2 Both sides committed so much because the stakes were so high. The Americans planned to invade Leyte Island in the Philippines as a potential first step to occupying the entire archipelago. The Leyte invasion force was larger than the initial American contribution to the assault force at Normandy. If the Philippines could be occupied, Japanese sea lines of communications between the Home Islands and the resource areas in Southeast Asia would be severed, fatally compromising Japan’s ability to continue the war. This demanded that the Japanese respond to the invasion with all of their remaining strength. The ensuing battle was the most complex naval battle of the entire Second World War. Its complexity makes it compelling. Instead of being a single battle as the name implies, it was actually comprised of four major engagements and several lesser actions fought over the span of three days. The characteristics of the battle continue to astound – it contained the largest air-sea battle in history; it included the last carrier and battleship clashes in history; it was the only time that a surface force engaged a carrier force while under air attack; and it featured the first pre-planned use of suicide attacks during the Pacific War. Adding to the drama of this momentous event was the role personalities played in the battle. On the American side were the flamboyant General Douglas MacArthur, the steady Admiral Chester Nimitz, and the impulsive Admiral William Halsey. Overlooked but still key commanders included Vice Admiral Thomas Kinkaid and the brilliant Clifton Sprague, commander of the escort carrier group known as Taffy 3. For the Japanese, the taciturn Vice Admiral Kurita Takeo was placed in command of their most important force. He was charged to execute a plan devised by Admiral Toyoda Soemu, who cared more about presenting the Imperial Navy’s Combined Fleet with an opportunity to die fighting than to produce a plan in the best interests of the nation.
Mark E. Stille (Leyte Gulf: A New History of the World's Largest Sea Battle)
Yet another reason Jamie was willing to pay out for expensive, hard-capped boots. You never knew where you’d be stepping. Right in the centre of the settlement a side-path led down a narrow little alley between the backs of two squats made out of shipping pallets, and opened into a little square where three tents all opened towards each other. Two of them looked ancient, propped up by sticks and other rigid objects, tied off and hanging from the bridge overhead with their support strings.  But the third tent looked pretty new.  It was a modest green and orange striped thing — big enough to fit no more than two people. But it matched the description that Reggie had given. He said that it looked too nice to be there, and this one did.  ‘Grace?’ Jamie called softly. Roper was right at her shoulder. She could smell the cigarettes on his breath. There was no answer. She stepped forward a little. ‘Grace? Are you in there? Can you hear me?’ There was an equal chance that the tent was empty, or that Grace was strung out and unresponsive. Either way, she needed to take a look. Jamie glanced at Roper, whose face she couldn’t read. His nose was wrinkled in disgust, but his flushed cheeks told her that he was as nervous as she was.  As much as she hated to generalise — confronting homeless people was never an easy thing to do. They could be unpredictable at best, and it was always smart to tread lightly. She steadied her heart, took a breath and then clenched her hand to stop it from shaking. The zipper toggle hung at the top of the entrance, shimmering gently in the half-light. Jamie couldn’t tell if it was from movement inside, or from vibrations coming through the other squats around them.  She swallowed and reached for it, taking it lightly between her fingers, not wanting to startle whoever was inside. Roper’s breath was short and sharp in her ear. ‘Grace?’ she tried again, but there was no response. She tugged left and the zipper began to unfurl, grinding its way along the teeth. Roper exhaled behind her, filling the already ripe gap with hot air.  Jamie craned her neck to look through the widening gap as the flap began to fold down, but inside was shaded and dark. The smell of urine wafted out and stung her nostrils. She was aware of her boots in the mud, aware of the sounds around her, of the closeness of Roper as he looked over her head.  Everything was still, the zipper not seeming to move at all.
Morgan Greene (Bare Skin (DS Jamie Johansson, #1))
Oh,’ cried Stephen. But what he had to say was never heard, for away on the horizon towards Tangiers there was a flash flash-flash, not unlike the repeated dart of lightning. They leapt to their feet and cupped their ears to the wind to catch the distant roar; but the wind was too strong and presently they sat down again, fixing the western sea with their telescopes. They could distinctly make out two sources, between twenty and twenty-five miles away, scarcely any distance apart – not above a degree: then three: then a fourth and fifth, and then a growing redness that did not move. ‘There is a ship on fire,’ said Jack in horror, his heart pumping so hard that he could scarcely keep the steady deep-red glow in his object-glass. ‘I hope to God it is not one of ours. I hope to God they drown the magazines.’ An enormous flash lit the sky, dazzled them, put out the stars; and nearly two minutes later the vast solemn long rumbling boom of explosion reached them, prolonged by its own echo off the African shore.
Patrick O'Brian (Master and Commander (Aubrey & Maturin, #1))
Notwithstanding all that has been said about the beauty of a ship under full sail, there are very few who have ever seen a ship, literally, under all her sail. A ship coming in or going out of port, with her ordinary sails, and perhaps two of three studding-sails, is commonly said to be under full sail; but a ship never has all her sail upon her, except when she has a light, steady breeze, very nearly, but not quite, dead aft, and so regular that it can be trusted, and is likely to last for some time. Then, with all her sails, light and heavy, and studding-sails, on each side, alow and aloft, she is the most glorious moving object in the world. Such a sight, very few, even some who have been at sea a great deal, have ever beheld; for from the deck of your own vessel you cannot see her, as you would a separate object. One night,
Charles William Eliot (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
There was no sure, steady decline into the water, but rather it felt like something was pulling them down. As if the titans the ship had been named after had wrapped a hand around her, and were drawing her deep into the depths of the ocean.
Charlotte Anne Hamilton (The Breath Between Waves)
Today, the old baselines are changing so quickly as to not be baselines at all—each year a record for warming or nearly so, the annual minima of ice in steady retreat, and the seasonal boundaries of weather events utterly disrupted. Chicago freezes. Siberia bakes. The arc of climate crumbles at both ends into uncertainty.
Elliot Rappaport (Reading the Glass: A Captain's View of Weather, Water, and Life on Ships)
A month later reports from NOAA and NASA begin to waffle. Maybe not this year after all, they say. The trade winds reappear—fitfully at first and then a warm steady breath of restored momentum. The various climate indicators dip back into neutral territory, and warnings are called off. The scientists take all this in stride, it being part of their profession to understand that there is in fact no such thing as a classic harbinger. It is simply necessary to realign one’s conclusions with the latest data at hand. There is, I learn, already a name for the sort of ENSO head-fake we have just been subjected to. Scientists call it “La Nada.
Elliot Rappaport (Reading the Glass: A Captain's View of Weather, Water, and Life on Ships)
A Statesman in contact with the moving current of events and anxious to keep the ship on an even keel and steer a steady course may lean all his weight now on one side and now on the other. His arguments in each case when contrasted can be shown to be not only very different in character, but contradictory in spirit and opposite in direction: yet his object will throughout have remained the same.
Clarke D. Forsythe (Politics for the Greatest Good: The Case for Prudence in the Public Square)
With a snarl of pain, she forced herself to sit up, her head spinning with the sudden movement. One hand touched her temple, sticky with dried blood. She winced, feeling a gash along her eyebrow. It was long but shallow, and already scabbing over. She clenched her jaw, teeth grinding, as she surveyed the beach with squinting eyes. The ocean stared back at her, empty and endless, a wall of iron blue. Then she noticed shapes along the beach, some half-buried in the sand, others caught in the rhythmic pull of the tide. She narrowed her eyes and the shapes solidified. A torn length of sail floated, tangled up with rope. A shattered piece of the mast angled out of the sand like a pike. Smashed crates littered the beach, along with other debris from the ship. Bits of hull. Rigging. Oars snapped in half. The bodies moved with the waves. Her steady breathing lost its rhythm, coming in shorter and shorter gasps until she feared her throat might close. Her thoughts scattered, impossible to grasp. All thoughts but one. “DOMACRIDHAN!” Her shout echoed, desperate and ragged. “DOMACRIDHAN!” Only the waves answered, crashing endless against the shore. She forgot her training and forced herself to stand, nearly falling over with dizziness. Her limbs aches but she ignored it, lunging toward the waterline. Her lips moved, her voice shouting his name again, though she couldn’t hear it above the pummel of her own heart. Sorasa Sarn was no stranger to corpses. She splashed into the waves with abandon, even as her head spun. Sailor, sailor, sailor, she noted, her desperation rising with every Tyri uniform and head of black hair. One of them looked ripped in half, missing everything from the waist down. His entrails floated with the rear of him, like a length of bleached rope. She suspected a shark got the best of him. Then her memories returned with a crash like the waves. The Tyri ship. Nightfall. The sea serpent slithering up out of the deep. The breaking of a lantern. Fire across the deck, slick scales running over my hands. The swing of a greatsword, Elder-made. Dom silhouetted against a sky awash with lightning. And then the cold, drowning darkness of the ocean. A wave splashed up against her and Sorasa stumbled back to the shore, shivering. She had not waded more than waist deep, but her face felt wet, water she could not understand streaking her cheeks. Her knees buckled and she fell, exhausted. She heaved a breath, then two. And screamed. Somehow the pain in her head paled in comparison to the pain in her heart. It dismayed and destroyed her in equal measure. The wind blew, stirring salt-crusted hair across her face, sending a chill down to her soul. It was like the wilderness all over again, the bodies of her Amhara kin splayed around her. No, she realized, her throat raw. This is worse. There is not even a body to mourn. She contemplated the emptiness for awhile, the beach and the waves, and the bodies gently pressing into the shore. If she squinted, they could only be debris from the ship, bits of wood instead of bloated flesh and bone. The sun glimmered on the water. Sorasa hated it. Nothing but clouds since Orisi, and now you choose to shine.
Victoria Aveyard (Fate Breaker (Realm Breaker, #3))
She rose heavily from her chair and motioned to me to follow. I walked very close to her, these days—she didn’t seem completely steady on her feet, and frequently listed to one side, like a badly loaded ship in high seas. But she made it, her hand trailing the wall for extra stability. “Under that bed, dear. No, there. There are two chests. That’s it.” I knelt and wrenched out two heavy wooden boxes with lids. Opening them, I found them filled to the brim with rows of buttons, zippers, tapes, and fringes. There were hooks and eyes, fastenings of every type, all neatly separated and labeled, brass naval buttons and tiny Chinese ones, covered with bright silk, bone, and shell, sewn neatly onto little strips of card. In the cushioned lid sat sprays of pins, rows of different-sized needles, and an assortment of silk threads on tiny pegs. I ran my
Jojo Moyes (Still Me (Me Before You #3))
He took Mephi. And I know where he’ll take him to.” He took his hands in mine. His fingers were cold, though mine weren’t much warmer. “Then you have to go.” There wasn’t anything else he could do. The thought of someone taking Thrana, of not knowing where she was, of knowing she was in unfamiliar hands—I couldn’t bear it. “You have to find him.” He ran his fingers over my knuckles, his gaze on our entwined hands. “I shouldn’t leave you. I’m your Captain of the Imperial Guard. You’ll need me now, more than ever.” Now that the Alanga were returning. Now that we knew that their motives were as varied as the fish in the sea. “We both know Mephi needs you more. Take whatever you need from the ship. Money. Supplies. Witstone. It’s all yours.” I could feel the pull to be out on the open sea, away from the mess of politics, trying to untangle the knots my father had wrought. “I wish I could go with you.” He sighed. “But you can’t.” I tugged him in closer, reaching up to press my lips to his. He tasted earthy, like mud and rainwater. His clothes were heavy with moisture, as were mine. But I could feel the heat of him beneath, and it warmed me more than a roaring fire. “Lin,” he said, breathless, again my mouth. To the depths of the Endless Sea with propriety. I seized his collar with mud-caked hands, pressing against him, knowing this could be the last time. The last kiss, the last embrace, the last time I ever saw him. It felt like drowning, but with no urge to come up for air. He caught me, one arm around my waist, the other lifting to cup my cheek, to dig fingers into the tangle of my hair. I wished I could live in this moment. I wished it never had to end. But for ever was a term for fools and poets. I was neither. I pulled away. “I don’t care where you came from. I don’t care about your heritage. Come back to me.” I didn’t ask, but he offered it anyway. “I promise.” He took my hand and held it over his heart. It beat, strong and steady, beneath my palm. “And I’ll never break a promise to you again.” Before I could respond he was gone.
Andrea Stewart (The Bone Shard Emperor (The Drowning Empire, #2))
He took Mephi. And I know where he’ll take him to.” He took his hands in mine. His fingers were cold, though mine weren’t much warmer. “Then you have to go.” There wasn’t anything else he could do. The thought of someone taking Thrana, of not knowing where she was, of knowing she was in unfamiliar hands—I couldn’t bear it. “You have to find him.” He ran his fingers over my knuckles, his gaze on our entwined hands. “I shouldn’t leave you. I’m your Captain of the Imperial Guard. You’ll need me now, more than ever.” Now that the Alanna were returning. Now that we knew that their motives were as varied as the fish in the sea. “We both know Mephi needs you more. Take whatever you need from the ship. Money. Supplies. Witstone. It’s all yours.” I could feel the pull to be out on the open sea, away from the mess of politics, trying to untangle the knots my father had wrought. “I wish I could go with you.” He sighed. “But you can’t.” I tugged him in closer, reaching up to press my lips to his. He tasted earthy, like mud and rainwater. His clothes were heavy with moisture, as were mine. But I could feel the heat of him beneath, and it warmed me more than a roaring fire. “Lin,” he said, breathless, again my mouth. To the depths of the Endless Sea with propriety. I seized his collar with mud-caked hands, pressing against him, knowing this could be the last time. The last kiss, the last embrace, the last time I ever saw him. It felt like drowning, but with no urge to come up for air. He caught me, one arm around my waist, the other lifting to cup my cheek, to dig fingers into the tangle of my hair. I wished I could live in this moment. I wished it never had to end. But for ever was a term for fools and poets. I was neither. I pulled away. “I don’t care where you came from. I don’t care about your heritage. Come back to me.” I didn’t ask, but he offered it anyway. “I promise.” He took my hand and held it over his heart. It beat, strong and steady, beneath my palm. “And I’ll never break a promise to you again.” Before I could respond he was gone.
Andrea Stewart (The Bone Shard Emperor (The Drowning Empire, #2))
zipped along with the wind in our faces, speeding through the waves so smooth and steady I hardly needed to hold on at all. As we got closer to the cruise ship, I realized just how huge it was. I felt as though I were looking up at a building in Manhattan. The white hull was at least ten stories tall, topped with another dozen levels of decks with brightly lit balconies and portholes. The ship’s name was painted just above the
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
We extract and do not replenish and wonder why the fish have disappeared and the soil requires ever more “inputs” (like phosphate) to stay fertile. We occupy countries and arm their militias and then wonder why they hate us. We drive down wages, ship jobs overseas, destroy worker protections, hollow out local economies, then wonder why people can’t afford to shop as much as they used to. We offer those failed shoppers subprime mortgages instead of steady jobs and then wonder why no one foresaw that a system built on bad debts would collapse.
Naomi Klein (This Changes Everything: Capitalism vs. The Climate)
Of all the things I love about Nick, this is what I love most. I love his calmness. I love the way my brain spirals out of control while next to it his moves in a straight and steady path. As if I'm a little tugboat in a storm, being thrown about by the waves and the currents, and he's the big ship I'm anchored to for safety.
Holly Smale (Picture Perfect (Geek Girl, #3))
Just as our body would inevitably burst if the pressure of the atmosphere were removed from it, so if the pressure of want, hardship, disappointment, and the frustration of effort were removed from the lives of men, their arrogance would rise, though not to bursting-point, yet to manifestations of the most unbridled folly and even madness. At all times, everyone indeed needs a certain amount of care, anxiety, pain, or trouble, just as a ship requires ballast in order to proceed on a straight and steady course.
Arthur Schopenhauer
The hero's light sprang from his forehead, long and thick as a warrior's whetstone, long as a prow, and he clattered with rage as he wielded the shields, urging his charioteer on and raining stones on the massed army. Then thick, steady, strong, high as the mast of a tall ship was the straight spout of dark blood that rose up from the fount of his skull to dissolve in an otherworldly mist like the smoke that hangs above a royal hunting-lodge when a king comes to be looked after at the close of a winter's day.
Ciaran Carson (The Táin: From the Irish Epic Táin Bó Cúailnge)
Atlantic Ocean 88 Miles off the Coast of Antarctica Karl Selig steadied himself on the ship’s rail and peered through the binoculars at the massive iceberg. Another piece of ice crumbled and fell, revealing more of the long black object. It looked almost like… a submarine. But it couldn’t be.
A.G. Riddle (The Atlantis Gene (The Origin Mystery, #1))
Suddenly, as I watched the powerful dynamics of the ocean, I saw a young boy and his sister trying to make their way around the front of the superstructure. Like me, they wanted to get a better view. It was just then that an exceptionally large wave struck, bringing the water crashing over the anchor windlass and the foredeck. The force swept the children off their feet and towards the railing. My first thought was that they were about to be carried overboard, into this unforgiving ocean. Fortunately, they managed to hold fast onto the lower rung of the railing, as the bulk of the water washed over the side or ended up in the scuppers. As the ship started to lift itself from the ocean’s grip, I ran across the foredeck and grabbed both children with one arm. Feeling the ship begin its slide into another trough, I grabbed hold of a stanchion with my free hand. Once more, the vessel shuddered and lifted, trying to break free of the raging ocean. In this wild roller coaster ride, we were all soaked in the cold salt water that flooded around us, but I managed to hold fast. It seemed like an eternity that I lay there trying to prevent the three of us from being washed over the side. Braced against the fishplate, my leg steadied us until the next convulsion lifted us high above the ocean again. At the right moment, we all got up and ran. Slipping and sliding we ran down the sloping deck to the relative safety of the leeward side. The Deck Officer on the Bridge, who had the watch, saw what had happened and recommended me for a “Life Saving award.” I didn’t think that I deserved an award for what I had done, but nevertheless I received one on our return voyage. And when the crew learned what had happened, I was promoted in their estimation from a greenhorn kid, to one of them.
Hank Bracker
A single Seaway ship can hold up to six million gallons of vessel-steadying ballast water that gets discharged at a port in exchange for cargo. And that water, scientists would learn after it was too late, can be teeming with millions, if not billions, of living organisms.
Dan Egan (The Death and Life of the Great Lakes)
Once again I am riding my bike on the streets of loneliness. Your thoughts are the anchor that make me ride fast yet not lose my balance. You had promised me that you would never leave me alone. But I do know that the love that you have bestowed on me is more precious than the biggest pearls discovered by the sailors on their voyages of prosperity. I too sail on myriad voyages in the ocean of my life. And your love holds my ship steady on those turbulent waters of life when the moon even does not show her face to me!
Avijeet Das
Once again I am riding my bike on the streets of loneliness. Your thoughts are the anchor that make me ride fast yet not lose my balance. You had promised me that you would never leave me alone. But I do know that the love that you have bestowed on me is more precious than the biggest pearls discovered by the sailors on their voyages of prosperity. I too sail on myriad voyages in the ocean of my life. And your love holds my ship steady in those turbulent waters of life when even the moon does not show her face to the world!
Avijeet Das
I loved to steer the ship, and in a short time became an expert helmsman. What glorious weather one experiences within the limits of these trade winds! — a long swell that kept the “Ariel” gently rolling from side to side, the wind being nearly dead aft, steady trades, not varying a half-point day after day and week after week, no squalls, no sails to trim, only an occasional pull at the halliards to bowse everything taut, wind not over strong, but enough to bowl the ship along from seven to eight knots per hour, a cloudless sky o’erhead, with the exception of the light fleecy trade clouds that constantly hung around the horizon, and bright, warm sunshine every day, while the nights were resplendent with the brilliancy of the constellations of the southern hemisphere. This was indeed ideal sailing.
John D. Whidden (Ocean Life in the Old Sailing Ship Days)
Unlike traditional retailers, Amazon boasted what was called a negative operating cycle. Customers paid with their credit cards when their books shipped but Amazon settled its accounts with the book distributors only every few months. With every sale, Amazon put more cash in the bank, giving it a steady stream of capital to fund its operations and expansion.14 The company could also lay claim to a uniquely high return on invested capital. Unlike
Brad Stone (The Everything Store: Jeff Bezos and the Age of Amazon)
Take me for a lesson and a cheap one at that. I’m named for the secret, vital core of a ship. Ballast is the weight down in the deep of you that keeps a vessel upright in dark water. ... Oh, the cargo you carry will do it for a while, or even the heft of a crew, mates and mettles, if you love them enough. But a ship’s not a ship till she’s got ballast of her own. Down in the belly, a big massy mess of rope and wood and hardtack and love letters and harpoons and old lemons. Anything that ever fascinated the ship, made it sail true, patched it or broke it, anything the ship loved or longed for, anything it could use. Bo’sun gets in a fistfight with a deckhand over a missing cannonball and they bloody each other up some, but that ball’s just circled down into the baby ballast. Some’ll tell you a ship’s not born till she gets a name or has a bottle of wanderwhiskey broke over her bow, but it’s not so. Without ballast, she’s just wood. ... It all just sort of sinks down and jumbles up together into something hot and heavy inside you, and the weight of everything you ever wanted in the world will keep you steady even when the worst winds blow.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
Coast of Antarctica Karl Selig steadied himself on the ship’s rail and peered through the binoculars at the massive iceberg. Another piece of ice crumbled and fell, revealing more of the long black object. It looked almost like… a submarine. But it couldn’t be. “Hey Steve, come check
A.G. Riddle (The Atlantis Gene (The Origin Mystery, #1))
Chemicals define a vast swath of intimate relationships in the modern world. The doleful, uninvolved husband who works through a twelve-pack in front of the TV and side trips to the garage to visit a pint of vodka. The wife whose headaches require a steady stream of Klonopin. The fifth-grade daughter who is wired on Adderal. The teenager who sustains himself with one-hitters in his bedroom. Ships passing in a mood-altered murk, each regarding the other through the lens of pharmacology.
David Carr (The Night of the Gun)
Nikos stared out across the bleached sand, the scattered cacti and rock. “Walk with me a while, Bartolomeo.” We walked together across the hot sand, an arm’s length apart. I’d already lost my orientation, and when I looked around, I found I could not locate the entrance I’d used; I was struck by the irrational fear that I might never be able to find my way out of there. Or that Nikos would murder me. My body could remain undiscovered for decades. “We’ve been friends a lot of years, Bartolomeo.” “Were friends,” I corrected him. “No more?” “I don’t think so, Nikos.” He stopped, turned, and looked at me, his expression steady. If he’d been drinking recently, I couldn’t tell. Everything about him seemed sober and firm. “We’ve both made mistakes. Out of fear, or mistrust. Or perhaps even simple misunderstanding. Whatever the reasons. But is the damage to our friendship irreparable?” I’d thought so, but suddenly I was unsure. Watching him, listening to him, I was unable to detect any dissembling. He seemed sincere. Nikos could be deceptive and manipulative, but I always thought I could see through him. I’d missed it before, although looking back on it, I realized the signs had been there—I just hadn’t recognized them; maybe because I hadn’t wanted to. Now, though, I saw nothing but a sincere effort at reconciliation. “I don’t know,” I finally said. “Honest
Richard Paul Russo (Ship of Fools)
Less speculative is the productivity-enhancing learning by doing that occurred during the high-pressure economy of World War II. Economists have long studied the steady improvement over time in the speed and efficiency with which Liberty freighter ships were built. The most remarkable aspect of the surge in labor productivity during World War II is that it appears to have been permanent; despite the swift reduction in wartime defense spending during 1945–47, labor productivity did not decline at all during the immediate postwar years. The necessity of war became the mother of invention of improved production techniques, and these innovations, large and small, were not forgotten after the war.
Robert J. Gordon (The Rise and Fall of American Growth: The U.S. Standard of Living since the Civil War (The Princeton Economic History of the Western World))
Anya took a deep breath, trying to steady the rapid beating of her heart. She couldn’t do this right now. She couldn’t face the memories as they flooded up into her. Anya worked so hard to keep it all dammed back, this was not the time for the dam to crack. She had people to help, she had a battle to fight just above. But her mind did not listen. While the ship rocked, Anya’s head flooded with the things she did not want to remember ever again.
Avery Habermacher (The Shadow's Prey)
the river from the Mississippi, and downriver from local farmers as the state's corn growers figured out they could make a lot more money distilling their product into liquor than shipping it out for hog feed. A steady current of illegal alcohol flowed through the city, and fortunes rose and fell on the tide.
Layla Lawlor (Ghost & Gumshoe (Keeley & Associates, #2))
Contentment provides steady, reliable comforts to the soul.  It keeps on burning like a ship’s lantern at sea, no matter what storms or tempests may come.
Rob Summers (The Rare Jewel of Christian Contentment: Abridged and in Modern English (Jeremiah Burroughs for the 21st Century Reader))
It’s hot and sunny now on deck at midday, enough to drive you into the shade if you’ve got a choice. The trade winds have returned, steady from just south of east, and the ship slides along as if on a rail. There are dry starry nights, the evenings electric, with horizons the color of watermelon rind. Orion, recumbent, loops overhead in a great arc. We cross the equator near 132 degrees west longitude, just after midnight on December 17. North along our meridian the next bit of land is British Columbia. South is Antarctica. The latitude display on our GPS reads, briefly and thrillingly, 00° 00.000’.
Elliot Rappaport (Reading the Glass: A Captain's View of Weather, Water, and Life on Ships)
They had stepped into marriage in a frail barque that had long ago entered the doldrums and floundered in the deep. Miss Kelling, on the other hand, looked like someone who would steer a steady course. He had entangled his mind horribly in seafaring imagery, there seemed no way out of it except to abandon ship.
Kate Atkinson (Shrines of Gaiety)
Breaking the rhythm of your external heartbeat should be avoided at all costs, but sometimes it’ll happen anyway. Something will break. Something will take longer than anyone expected. It almost always happens with V1, when you’re starting from scratch, trying to figure out everything at once. But once you’ve got your process in place and can finally get V1 out the door, your heartbeat can settle down. It can get steady. And when you ship V2, you’ll actually be on time. And everyone—your team, your customers, the press—will feel the rhythm.
Tony Fadell (Build: An Unorthodox Guide to Making Things Worth Making)
The constant dredging, banking, and rerouting of the Mississippi to ease passage for ships and cargo meant that less sediment washed down from upriver to restore the land that was lost. The very activity that had made the region a commercial hub and allowed the oil industry to thrive was now hastening the sea’s steady advance. Looking out the rain-streaked window, I wondered how long the road I was traveling would last, with its gas stations and convenience stores, before it too was swallowed by the waves.
Barack Obama (A Promised Land)
A wildcatter named Patillo Higgins leased a thousand acres along an inconspicuous hill called Spindletop, near Beaumont, but ran out of money before he completed drilling. Looking for investors, Higgins first contacted John D. Rockefeller at Standard Oil, but Rockefeller wasn’t interested. Finally, he found a backer named Joseph Cullinan, a Pennsylvanian who had set up a refinery in North Texas, at Corsicana, and who had experience in raising seed money for drilling operations. Cullinan had heard of the Moodys of Galveston and decided to visit the Island and offer them a chance to invest. The story of that meeting is one of the Island’s enduring legends. During the negotiations, the story goes, Cullinan happened to mention that he had recently paid $10,000 for a painting by a well-known New England artist. The look that passed between Colonel Moody and his son would have fried a ship’s anchor—ten grand for a single picture! The Moodys decided that anyone that gullible wasn’t worth additional conversation, and they dismissed Cullinan as quickly as possible. Cullinan and Higgins eventually hooked up with a gambler and speculator named John W. “Bet-a-Million” Gates, who had hung around Texas in the late 1890s trying to peddle barbed wire, and in his dealings had acquired ownership of the Kansas City & Southern Railroad. Gates’ railroad connections were an invaluable asset for a field as isolated as Spindletop, and he agreed to take 46 percent of the action. On January 10, 1901, Spindletop blew in with such force that it shattered the derrick and spit drills and equipment hundreds of feet in the air. The raging spout of oil measured a steady 160 feet—it was nine days (and a loss of half a million barrels) before they got it capped and controlled. So prodigious was the strike that at the time it was estimated that Spindletop could supply one-sixth of the world’s oil. The company in which the Moodys declined to invest became known as Texaco.
Gary Cartwright (Galveston: A History of the Island (Chisholm Trail Series Book 18))
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