“
In the old days, before I was married, or knew a lot of women, I would just pull down all the shades and go to bed for three or four days. I'd get up to shit. I'd eat a can of beans, go back to bed, just stay there for three or four days. Then I'd put on my clothes and I'd walk outside, and the sunlight was brilliant, and the sounds were great. I felt powerful, like a recharged battery. But you know the first bring-down? The first human face I saw on the sidewalk, I lost half my charge right there.
”
”
Charles Bukowski (Charles Bukowski: Sunlight Here I Am: Interviews and Encounters 1963-1993)
“
Cause I don't wanna be a witness to this life,
I want to be charged and convicted,
ear lifted to her song like a bouquet of yes
because my heart is a parachute that has never opened in time
and I wanna fuck up that pattern,
leave a hole where the cold comes in and fill it every day with her sun,
'cause anyone who has ever sat in lotus for more than a few seconds
knows it takes a hell of a lot more muscle to stay than to go
”
”
Andrea Gibson (Pole Dancing to Gospel Hymns)
“
On the information sheet in a New York hotel, I recently read: 'Dear guest! To guarantee that you will fully enjoy your stay with us, this hotel is totally smoke-free. For any infringement of this regulation, you will be charged $200.' The beauty of this formulation, taken literally, is that you are to be punished for refusing to fully enjoy your stay.
”
”
Slavoj Žižek (First as Tragedy, Then as Farce)
“
You saved the world," annabeth said.
"We saved the world."
"And Rachel is the new Oracle, which means she won't be dating anybody."
"You don't sound disappointed," I noticed.
Annabeth shrugged. "Oh, I don't care."
"Uh-huh."
She raised an eyebrow. "You got something to say to me, Seaweed Brain?"
"You'd probably kick my butt."
"You know I'd kick your butt."
I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
"Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking—"
"Oh, you so wanted to."
"Well, maybe a little. But I didn't, because I thought—I didn't want things to stay the same for eternity, because
things could always get better. And I was thinking . . ." My throat felt really dry.
"Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
"You're laughing at me," I complained.
"I am not!"
"You are so not making this easy."
Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for
you, Seaweed Brain. Get used to it."
When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!"
Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders.
"Oh, come on!" I complained. "Is there no privacy?"
"The lovebirds need to cool off!" Clarisse said with glee.
"The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
LADY LAZARUS
I have done it again.
One year in every ten
I manage it--
A sort of walking miracle, my skin
Bright as a Nazi lampshade,
My right foot
A paperweight,
My face a featureless, fine
Jew linen.
Peel off the napkin
O my enemy.
Do I terrify?--
The nose, the eye pits, the full set of teeth?
The sour breath
Will vanish in a day.
Soon, soon the flesh
The grave cave ate will be
At home on me
And I a smiling woman.
I am only thirty.
And like the cat I have nine times to die.
This is Number Three.
What a trash
To annihilate each decade.
What a million filaments.
The peanut-crunching crowd
Shoves in to see
Them unwrap me hand and foot--
The big strip tease.
Gentlemen, ladies
These are my hands
My knees.
I may be skin and bone,
Nevertheless, I am the same, identical woman.
The first time it happened I was ten.
It was an accident.
The second time I meant
To last it out and not come back at all.
I rocked shut
As a seashell.
They had to call and call
And pick the worms off me like sticky pearls.
Dying
Is an art, like everything else.
I do it exceptionally well.
I do it so it feels like hell.
I do it so it feels real.
I guess you could say I've a call.
It's easy enough to do it in a cell.
It's easy enough to do it and stay put.
It's the theatrical
Comeback in broad day
To the same place, the same face, the same brute
Amused shout:
'A miracle!'
That knocks me out.
There is a charge
For the eyeing of my scars, there is a charge
For the hearing of my heart--
It really goes.
And there is a charge, a very large charge
For a word or a touch
Or a bit of blood
Or a piece of my hair or my clothes.
So, so, Herr Doktor.
So, Herr Enemy.
I am your opus,
I am your valuable,
The pure gold baby
That melts to a shriek.
I turn and burn.
Do not think I underestimate your great concern.
Ash, ash--
You poke and stir.
Flesh, bone, there is nothing there--
A cake of soap,
A wedding ring,
A gold filling.
Herr God, Herr Lucifer
Beware
Beware.
Out of the ash
I rise with my red hair
And I eat men like air.
-- written 23-29 October 1962
”
”
Sylvia Plath (Ariel)
“
Don't hang out with people who are:
Ungrateful
Unhelpful
Unruly
Unkindly
Unloving
Unambitious
Unmotivated
or make you feel...
Uncomfortable
”
”
Germany Kent
“
It was the same Dimitri from long ago, the fierce one who was willing to risk his life for what was right. I almost wished he'd go back to being annoying, distant Dimitri, the one who told me to stay away. Seeing him now brought back too many memories -not to mention the attraction I thought I'd smashed. Now, with that passion all over him, he seemed sexier than ever. He'd worn that same intensity when we'd fought together. Even when we'd had sex. This was the way Dimitri was supposed to be: powerful and in charge.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
That's just your ego, trying to make sure it stays in charge. This is what ego does. It keeps you feeling separate, keeps you with a sense of duality, tries to convince you that you're flawed and broken and alone instead of whole.
”
”
Elizabeth Gilbert (Eat, Pray, Love)
“
You’ve seen me at my worst. Maybe you should see me at my best.”
My words hang between us, heavy and charged, and I don’t know what the fuck I am doing.
“When are you at your best?” she asks hesitantly. And I can see from the determined look on her face that she is trying hard not to feel intimidated. I’m impressed. She’s like a kitten standing up to a lion.
“In bed.
”
”
Courtney Cole (If You Stay (Beautifully Broken, #1))
“
He looked down at the keys and played a gentle chord. Jesper wondered at how he could have mistaken Kuwei for Wylan. Their hands were completely different, the shape of the fingers, the knuckles.
“Jes,” Wylan said, “did you mean what you told my father? Will you stay with me? Will you help?”
Jesper leaned back on the pianoforte, resting on his elbows. “Let’s see. Live in a luxurious merch mansion, get waited on by servants, spend a little extra time with a budding demolitions expert who plays a mean flute? I guess I can manage it.” Jesper’s eyes traveled from the top of Wylan’s red-gold curls to the tips of his toes and back again. “But I do charge a pretty steep fee.”
Wylan flushed a magnificent shade of pink. “Well, hopefully the medik will be here to fix my ribs soon,” he said as he headed back into the parlor.
“Yeah?”
“Yes,” said Wylan, glancing briefly over his shoulder, his cheeks now red as cherries. “I’d like to make a down payment.”
Jesper released a bark of laughter. He couldn’t remember the last time he’d felt this good. And no one was even shooting at him.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
We created a coterie of lunatics. All supporting one another. It felt good and meaningful. But you see, having such friends is both a blessing and a curse. While it is good as a support system, we are prone to inductive effects. Ever seen people yawning one after another? We automatically mimic what the other person is doing. It’s like the transference of an electric charge. No wonder why people say, ‘stay away from negative people.
”
”
Abhaidev (The World's Most Frustrated Man)
“
Let me guess - you're Grumpy?'
He let out a humpf. ' And you would be too, if you'd just spent the last hour searching the forest for your wayward charge.' He walked even faster. 'We tell you to stay inside, we tell you not to talk to strangers. But oh no, you must be out singing to the animals as if the birds didn't do a fine enough job of it. And this after Queen Neferia has already tried to kill you thrice. [...] Which is why you are not to go shopping anymore, no matter how pretty the wares, remember?'
Oh, right.'
[...] when you looked at it that way, Snow White had to be pretty idiotic to keep falling for the same trick.
”
”
Janette Rallison (My Fair Godmother (My Fair Godmother, #1))
“
To stay in recovery, you must be responsible for finding your own motivation. Remember, motivation may not be easy to come by at first. It will probably be a very small, timid part inside of you. When you find it, let that part be in charge. Let the minority rule and lead you to a life you never dreamed was possible
”
”
Jenni Schaefer (Life Without Ed: How One Woman Declared Independence from Her Eating Disorder and How You Can Too)
“
Like I said, magic comes from life, and especially from emotions. They're a source of the same intangible energy that everyone can feel when an autumn moon rises and fills you with a sudden sense of bone-deep excitement, or when the first warm breeze of spring rushes past your face, full of the scents of life, and drowns you in a sudden flood of unreasoning joy. The passion of mighty music that brings tears to your eyes, and the raw, bubbling, infectious laughter of small children at play, the bellowing power of a stadium full of football fans shouting "Hey!" in time to that damned song—they're all charged with magic.
My magic comes from the same places. And maybe from darker places than that. Fear is an emotion, too. So is rage. So is lust. And madness. I'm not a particularly good person. I'm no Charles Manson or anything, but I'm not going to be up for canonization either. Though in the past, I think maybe I was a better person than I am today. In the past I hadn't seen so many people hurt and killed and terrorized by the same kind of power that damn well should have been making the world a nicer place, or at the least staying the hell away from it. I hadn't made so many mistakes back then, so many shortsighted decisions, some of which had cost people their lives. I had been sure of myself. I had been whole.
”
”
Jim Butcher (Dead Beat (The Dresden Files, #7))
“
Because what you give your attention to is the person you become. Put another way: the mind is the portal to the soul, and what you fill your mind with will shape the trajectory of your character. In the end, your life is no more than the sum of what you gave your attention to. That bodes well for those apprentices of Jesus who give the bulk of their attention to him and to all that is good, beautiful, and true in his world. But not for those who give their attention to the 24-7 news cycle of outrage and anxiety and emotion-charged drama or the nonstop feed of celebrity gossip, titillation, and cultural drivel. (As if we “give” it in the first place; much of it is stolen by a clever algorithm out to monetize our precious attention.) But again: we become what we give our attention to, for better or worse.
”
”
John Mark Comer (The Ruthless Elimination of Hurry: How to stay emotionally healthy and spiritually alive in the chaos of the modern world)
“
My father would take you wherever you wanted to go," he told her softly. "I was pretty sure I could talk you into staying, but I underestimated how badly hurt I was."
"Stupid," she said tartly.
He looked up at her, and whatever he saw in her face made him smile, though his voice was serious when he answered her charge. "Yes. You throw my judgement off."
-Charles and Anna when he thought she was leaving him and Changed when he was injured
”
”
Patricia Briggs (Cry Wolf (Alpha & Omega, #1))
“
Then she laughed for real, and put her hands around my neck. 'I am never, ever going to make things easy for you Seaweed Brain. Get used to it.'
When she kissed me, I had the feeling my brain was melting right through my body.
I could've stayed that way forever, except a voice behind us growled, 'Well it's about time!'
Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders.
'Oh, come on!' I complained. 'Is there no privacy?'
'The lovebirds need to cool off!' Clarisse said with glee.
'The canoe lake!' Conner Stoll shouted.
With a huge cheer, they carried us down the hill, but they kept us close enough to hold hands. Annabeth was laughing, and I couldn't help laughing too, even though my face was completely red.
We held hands right up to the moment they dumped us in the water.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
When you got captured, I didn't know..." He trailed off, had to chug whiskey before he could continue. "If it'd be like..."
"What?"
"Like it was with Clotile."
"Oh, Jackson, no. I was okay. I'm unharmed."
"Didn't know if I'd get there too late," he said with a shudder. Then he crossed over to me, until we stood toe-to-toe. "Evie, if you ever get taken from me again, you better know that I'll be coming for you." He cupped my face with a bloodstained hand. "So you stay the hell alive! You don't do like Clotile, you doan take that way out. You and me can get through anything, just give me a chance."--his voice broke lower "just give me a chance to get to you." He buried his face in my hair, inhaling deeply. "There is nothing that can happen to you that we can't get past."
...
"When you say we...?"
He pulled back, gazing down at me, his eyes blazing. "I'm goan to lay it all out there for you. Laugh in my face--I don't care. But I'm goan to get this off my chest."
"I won't laugh. I'm listening."
"Evie, I've wanted you from the first time I saw you. Even when I hated you, I wanted you." He raked his fingers through his hair. "I got it bad, me."
My heart felt like it'd stopped--so that I could hear him better.
"For as long as you've been looking down your nose at me, I've been craving you, an envie like I've never known."
"I don't look down at you! I'm too busy looking up to you."
...
"The corners of his lips curled for an instant before he grew serious again. "You asked me if I had that phone with your pictures, if I'd looked at it. Damn right, I did! I saw you playing with a dog at the beach, and doing a crazy-ass flip off a high dive, and making faces for the camera. I learned about you"- his voice grew hoarse -"and I wanted more of you. To see you every day." With a humourless laugh, he admitted, "After the Flash, I was constantly sourcing ways to charge a goddamned phone--that would never make a call."
I murmured, "I didn't know...I couldn't be sure."
"It's you for me, peekon.
”
”
Kresley Cole (Poison Princess (The Arcana Chronicles, #1))
“
Look, I don’t want to stand here and watch you commune with ‘other.’ It’s been a long night, my brain is fried and my emotions shot. You can stay here and do your hocus-pocus cat prowl, looking for your invisible friends all you want. I’m going to head off to my media room and veg. (Danger)
If you need me, call. (Alexion)
Yeah, I’ll just do that when I need the great big, hulking he-man to charge in and save my weak, girly butt. (Danger)
”
”
Sherrilyn Kenyon (Sins of the Night (Dark-Hunter, #7))
“
Take charge of your inner world by destroying the limitations caused by the outer distractions.
”
”
Hiral Nagda
“
I was the one who jumped; he was the one that stayed warm and dry.
”
”
Jay Crownover (Charged (Saints of Denver, #2))
“
Our skins reach outward, like magnets, long deprived of their opposite charge.
”
”
Gayle Forman (Where She Went (If I Stay, #2))
“
It’s just like playing Monopoly with a bunch of guys, but you are in charge of everything and you can change the rules,” he said. “But everyone has to stay at the table and play with you.
”
”
Ben Hubbard (MBS: The Rise to Power of Mohammed bin Salman)
“
Maybe I was just flattering myself, thinking I'd be worth some sort of risk. Not that I'd wish that on anyone!" he clarified. "I don't mean that. It just...I don't know. Don't you all see everything I'm risking?"
"Umm, no. You're here with your family to give you advice, and we all live around your schedule. Everything about your life stays the same, and ours changed overnight. What in the world could you possibly be risking?"
Maxon looked shocked.
"America, I might have my family, but imagine how embarrassing it is to have your parents watch as you attempt to date for the first time. And not just your parents-the whole country! Worse than that, it's not even a normal style of dating.
"And living around my schedule? When I'm not with you all, I'm organizing troops, making laws, perfecting budgets...and all on my own these days, while my father watches me stumble in my own stupidity because I have none of his experience. And then, when I inevitably do things in a way he wouldn't, he goes and corrects my mistakes. And while I'm trying to do all this work, you-the girls, I mean-are all I can think about. I'm excited and terrified by the lot of you!"
He was using his hands more than I'd ever seen, whipping them in the air and running them through his hair.
"And you think my life isn't changing? What do you think my chances might be of finding a soul mate in the group of you? I'll be lucky if I can just find someone who'll be able to stand me for the rest of our lives. What if I've already sent her home because I was relying on some sort of spark I didn't feel? What if she's waiting to leave me at the first sign of adversity? What if I don't find anyone at all? What do I do then, America?"
His speech had started out angered and impassioned, but by the end his questions weren't rhetorical anymore. He really wanted to know: What was he going to do if no one here was even close to being someone he could love? Though that didn't even seem to be his main concern; he was more worried that no one would love him.
"Actually, Maxon, I think you will find your soul mate here. Honestly."
"Really?" His voice charged with hope at my prediction.
"Absolutely." I put a hand on his shoulder. He seemed to be comforted by that touch alone. I wondered how often people simply touched him. "If your life is as upside down as you say it is, then she has to be here somewhere. In my experience, true love is usually the most inconvenient kind.
”
”
Kiera Cass (The Selection (The Selection, #1))
“
On the information sheet in a New York hotel, I recently read: "Dear guest!
To guarantee that you will fully enjoy your stay with us, this hotel is
totally smoke-free. For any infringement of this regulation, you will be charged $200:' The beauty of this formulation, taken literally, is that you are to be punished for refusing to fully enjoy your stay . . . The superego imperative to enjoy thus functions as the reversal of Kant's "Du kannst, denn du soUstf" (You can, because you must ! ) ; it relies on a "You must, because you can ! " That is to say, the superego aspect of today's "nonrepressive" hedonism (the constant provocation we are exposed to, enjoining us to go right to the end and explore all modes of jouissance) resides in the way permitted jouissance necessarily turns into obligatory jouissance.
”
”
Slavoj Žižek
“
Yes, the Springs needed you. Many a star was waiting
for your eyes only. A wave swelled toward you
out of the past, or as you walked by the open window
a violin inside surrendered itself
to pure passion. All that was your charge.
But were you strong enough? Weren't you always distracted
by expectation, as though each such moment
presaged a beloved's coming? (But where would you keep her,
with all those big strange thoughts in you
going and coming and sometimes staying all night?)
”
”
Rainer Maria Rilke (Duino Elegies)
“
The yin to the yang of caring is that sadness is felt just that much more because that caring is so deep. But (and I'm sure you'll agree) I wouldn't be any other way. To not feel so intensely and vividly would mean being one of the living dead and there are far too many of those shuffling around already.
So when we mount our steeds, hoist our lances, and charge at the wrongs of the world, let's do so with wild battle cries, riding full tilt! Every now and then we'll have the joy of seeing one of those wrongs go flying off its horse.
”
”
リンダ グラットン
“
Trying to cool his jets, trying to let her stay in charge, he attempted to hold back, but she let out this breathy little whimper like he was the best thing she’d ever tasted.
”
”
Jill Shalvis
“
They were in charge of the privilege of staying and the joy of firing.
”
”
Donald Jans (Freaks I've Met)
“
Monty blinked. “On what charge, sir?” “On the charge of being a pain in my ass,” Burke growled. “And right now, that is good enough for an overnight stay in our facility.
”
”
Anne Bishop (Murder of Crows (The Others, #2))
“
I recommend it to the Charity of all good People to look back, and reflect duly upon the Terrors of the Time; and whoever does so will see, that it is not an ordinary Strength that cou'd support it; it was not like appearing in the Head of an Army, or charging a Body of Horse in the Field; but it was charging Death itself on his pale Horse; to stay indeed was to die, and it could be esteemed nothing less.
”
”
Daniel Defoe (A Journal of the Plague Year)
“
I will wake you up early
even though I know you like to stay through the credits.
I will leave pennies in your pockets,
postage stamps of superheroes
in between the pages of your books,
sugar packets on your kitchen counter.
I will Hansel and Gretel you home.
I talk through movies.
Even ones I have never seen before.
I will love you with too many commas,
but never any asterisks.
There will be more sweat than you are used to.
More skin.
More words than are necessary.
My hair in the shower drain,
my smell on your sweaters,
bobby pins all over the window sills.
I make the best sandwiches you've ever tasted.
You'll be in charge of napkins.
I can't do a pull-up.
But I'm great at excuses.
I count broken umbrellas after every thunderstorm,
and I fall asleep repeating the words thank you.
I will wake you up early
with my heavy heartbeat.
You will say, Can't we just sleep in, and I will say,
No, trust me. You don't want to miss a thing.
”
”
Sarah Kay (No Matter the Wreckage: Poems)
“
She raised an eyebrow. "You got something to say to me, Seaweed Brain?"
You'd probably kick my butt."
You know I'd kick your butt."
I brushed the cake off my hands. "When I was at the River Styx, turning invulnerable . . . Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking-"
Oh, you so wanted to."
Well, maybe a little. But I didn't, because I thought-I didn't want things to stay the same for eternity, because things could always get better. And I was thinking . . ." My throat felt really dry.
Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
You're laughing at me," I complained.
I am not!"
You are so not making this easy."
Then she laughed for real, and she put her hands
around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it.” When she kissed me, I had the feeling my brain was melting right through my body. I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!"
Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders.
"Oh, come on!" I complained. "Is there no privacy?"
"The lovebirds need to cool off!" Clarisse said with glee.
"The canoe lake!" Connor Stoll shouted. and they dumped us in the water.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
What I see here, what I feel here is that people in your world believe spirituality isn't distant. It's close and real. Religion seems born in the home, stays in the home. I mean, the services are even held in the home. And there's not one person in charge, one speaker set above the others. It's farmers and carpenters, and well, just average folk speaking spontaneously about the message they find in the Bible. [...] A message from the heart to the heart.
”
”
Barbara Cameron (A Time to Love (Quilts of Lancaster County, #1))
“
People sometimes say how cool it'd be to be fearless, but they don't know what they're talking about. Fear is an instinctive defense mechanism necessary for survival. Not knowing fear doesn't mean that you're brave; it means you're stupid enough to stay standing on the road when a car is charging toward you.
”
”
Sohn Won-Pyung (Almond)
“
One day, as Sarita tended to the wash, Gemma played in the garden. She was a knight, you see, with a sword fashioned out of wood. Most formidable, she was, though I didn't quite know how formidable. As I sat in my study, I heard screaming from outside. I ran to see what the commotion was. Sarita called to me, wide-eyed with fear, "Oh, Mr. Doyle, look- over there!" The tiger had entered the garden and was making his way toward where our Gemma frolicked with her wooden sword. Beside me, our house servant, Raj, drew his blade so stealthily it seemed to simply appear in his hand by magic. But Sarita stayed his hand. "If you run for him with your life, you will provoke the tiger," she advised. "We must wait."...
I must tell you that it was the longest moment of my life. No one dared move. No one dared draw a breath. And all the while, Gemma played on, taking no notice until the great cat was upon her. She stood and faced him. They stared at one another as if each wondered what to make of the other, as if they sensed a kindred spirit. At last, Gemma placed her sword upon the ground. "Dear tiger," she said. "You may pass if you are peaceful." The tiger looked at the sword and back at Gemma, and without a sound, it passed on, dissappearing into the jungle."
...
"The tiger had gone. He did not come around a gain. But I was a man possessed. The tiger had come too close, you see. I no longer felt safe. I hired the best tracker in Bombay. We hunted for days, tracking the tiger to the mountains there. We found him taking water from a small watering hole. He looked up but he did not charge. He took no notice of us at all but continued to drink. "Sahib, let us go," the boy said. "This tiger means you no harm." He was right, of course. But we had come all that way. The gun was in my hand. The tiger was before us. I took aim and shot it dead on the spot. I sold the tiger's skin for a fortune to a man in Bombay, and he called me brave for it. But it was not courage that brought me to that; it was fear..."But you," he says, smiling with a mix of sadness and pride, "you faced the tiger and survived."
...
"The time has come for me to face my tiger, to look him in the eye and see which of us survives." - Mr. Doyle
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
Tien,” Kaladin said. “Why did you do it? You should have stayed safe.” Tien turned to him, then smiled. “They would have been alone. They needed someone to help them feel brave.” “They were slaughtered,” Kaladin said. “So were you.” “So it was good someone was there, to help them not feel so alone as it happened.” “You were terrified. I saw your eyes.” “Of course I was.” Tien looked at him as the charge began, and the enemy advanced up the hillside. “Who wouldn’t be afraid? Doesn’t change that I needed to be here. For them.
”
”
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
“
I spent so much time at “rock bottom” that I was charged rent for staying there.
”
”
D.C. Hyden (The Sober Addict)
“
when the games going against you, stay calm - and cheat.
”
”
George MacDonald Fraser (Flashman at the Charge (Flashman Papers, #4))
“
The hard-charging Silicon Valley entrepreneur has become a respected, admired icon in the modern age. Do these descriptors match the stereotype? A ball of energy. Little need for sleep. A risk taker. Doesn’t suffer fools gladly. Confident and charismatic, bordering on hubristic. Boundlessly ambitious. Driven and restless. Absolutely. They’re also the traits associated with a clinical condition called hypomania. Johns Hopkins psychologist John Gartner has done work showing that’s not a coincidence. Full-blown mania renders people unable to function in normal society. But hypomania produces a relentless, euphoric, impulsive machine that explodes toward its goals while staying connected (even if only loosely) with reality. With
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Eric Barker (Barking Up the Wrong Tree: The Surprising Science Behind Why Everything You Know About Success Is (Mostly) Wrong)
“
Wherever women have the vote, wherever girls stay in school for longer, wherever women are in charge of their own lives and not dictated to by men, wherever they have access to good healthcare and contraption, wherever they are free to take any job and their aspirations for life are raised, the birth rate falls. The reason for this is straightforward - empowerment brings freedom of choice and when life offers more options for women, their choice is often to have fewer children.
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David Attenborough
“
The trick is staying found, I think. It’s easy to get lost when your life is constantly in a state of disarray. The right path gets obscured as quickly as you make it.”
He put a hand on my shoulder and told me solemnly, “That’s why you find something or someone that guides you, someone that won’t lose you, and someone that you don’t mind getting lost with when that inevitably happens.
”
”
Jay Crownover (Charged (Saints of Denver, #2))
“
Thus in South Africa it is very expensive to be poor. It is the poor people who stay furthest from town and therefore have to spend more money on transport to come and work for white people; it is the poor people who use uneconomic and inconvenient fuel like paraffin and coal because of the refusal of the white man to install electricity in black areas; it is the poor people who are governed by many ill-defined restrictive laws and therefore have to spend money on fines for 'technical' offences; it is the poor people who have no hospitals and are therefore exposed to exorbitant charges by private doctors; it is the poor people who use untarred roads, have to walk long distances, and therefore experience the greatest wear and tear on commodities like shoes; it is the poor people who have to pay for their children's books while whites get them free.
”
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Steve Biko (I Write What I Like: Selected Writings)
“
But that's a good match for the way I've always approached life. I've always believed in motion and action, in following connections wherever they take me, and in not getting entrenched. My life has been more poetry than prose, more about unpredictable leaps and links than simple steady movement, or worse, stagnation. It's allowed me to stay open to the next thing without feeling held back by a preconceived notion of what I'm supposed to be doing next. Stories have ups and downs and moments of development followed by moments of climax; the storyteller has to keep it all together, which is an incredible skill. But poetry is all climax, every word and line pops with the same energy as the whole; even the spaces between the words can feel charged with potential energy. It fits my style to rhyme with high stakes riding on every word and to fill every pause with pressure and possibility. And maybe I just have ADD, but I also like my rhymes to stay loose enough to follow whatever ideas hijack my train of thought, just like I like my mind to stay loose enough to absorb everything around me.
”
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Jay-Z (Decoded)
“
Descendants! The gods had seen fit to give him one son who charged you for the amount of breath expended in saying ‘Good morning’, and another one who worshipped geometry and stayed up all night designing aqueducts. You scrimped and saved to send them to the best schools, and then they went and paid you back by getting educated.
”
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Terry Pratchett (Pyramids (Discworld, #7))
“
Conviction rates in the military are pathetic, with most offenders going free AND THERE IS NO RECOURSE FOR APPEAL! The military believes the Emperor has his clothes on, even when they are down around his ankles and he is coming in the woman's window with a knife! Military juries give low sentences or clear offender's altogether. Women can be heard to say “it's not just me” over and over. Men may get an Article 15, which is just a slap on the wrist, and doesn't even follow them in their career. This is hardly a deterrent. The perpetrator frequently stays in place to continue to intimidate their female victims, who are then treated like mental cases, who need to be discharged. Women find the tables turned, letters in their files, trumped up Women find the tables turned, letters in their files, trumped up charges; isolation and transfer are common, as are court ordered psychiatric referrals that label the women as lying or incompatible with military service because they are “Borderline Personality Disorders” or mentally unbalanced. I attended many of these women, after they were discharged, or were wives of abusers, from xxx Air Force Base, when I was a psychotherapist working in the private sector. That was always their diagnosis, yet retesting tended to show something different after stabilization, like PTSD.
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Diane Chamberlain (Conduct Unbecoming: Rape, Torture, and Post Traumatic Stress Disorder from Military Commanders)
“
I really want to call you to me in a thunderbolt so I can smack you. We’re not even married yet and I want to strangle you with my bare hands. That doesn’t bode well for your life expectancy, Assefa, or my chance of staying out of prison on a homicide charge
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N.D. Jones (Of Deception and Divinity (Death and Destiny #3))
“
I put both of my hands on the desk. 'Just tell me why you hate me. Once and for all.'
His long fingers smooth over the wood of Dain's desk. 'You really want honesty?'
'I am the one with the crossbow, not shooting you because you promised me answers. What do you think?'
'Very well.' He fixes me with a spiteful look. 'I hate you because your father loves you even though you're a human brat born to his unfaithful wife, while mine never cared for me, though I am a prince of Faerie. I hate you because you don't have a brother who beats you. And I hate you because Locke used you and your sister to make Nicasia cry after he stole her from me. Besides which, after the tournament, Balekin never failed to throw you in my face as the mortal who could best me.'
...
'Is that all?' I demand. 'Because it's ridiculous. You can't be jealous of me. You don't have to live at the sufferance of the same person who murdered your parents. You don't have to stay angry because if you don't, there's a bottomless well of fear ready to open up under you.' I stop speaking abruptly, surprised at myself.
I said I wasn't going to be charmed, but I let him trick me in to opening up to him.
As I think that, Cardan's smile turns in to a more familiar sneer. 'Oh, really? I don't know about being angry? I don't know about being afraid? You're not the one bargaining for your life.'
'That's really why you hate me?' I demand. 'Only that? There's no better reason?'
For a moment, I think he's ignoring me, but then I realise he's not answering me because he can't lie and he doesn't want to tell the truth.
'Well?' I say, lifting the crossbow again, glad to have a reason to reassert my position as the person in charge. 'Tell me!'
He leans in and closes his eyes. 'Most of all, I hate you because I think of you. Often. It's disgusting, and I can't stop.'
I am shocked in to silence.
'Maybe you should shoot me after all,' he says, covering his face with one long-fingered hand.
”
”
Holly Black (The Cruel Prince (The Folk of the Air, #1))
“
Jes,” Wylan said, “did you mean what you told my father? Will you stay with me? Will you help?”
Jesper leaned back on the pianoforte, resting on his elbows. “Let’s see. Live in a luxurious merch mansion, get waited on by servants, spend a little extra time with a budding demolitions expert who plays a mean flute? I guess I can manage it.” Jesper’s eyes traveled from the top of Wylan’s red-gold curls to the tips of his toes and back again. “But I do charge a pretty steep fee.”
Wylan flushed a magnificent shade of pink. “Well, hopefully the medik will be here to fix my ribs soon,” he said as he headed back into the parlor.
“Yeah?”
“Yes,” said Wylan, glancing briefly over his shoulder, his cheeks now red as cherries. “I’d like to make a down payment.”
Jesper released a bark of laughter. He couldn’t remember the last time he’d felt this good. And no one was even shooting at him.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
I found it deeply unfair that he’d known what he was going to say before I knew the conversation would even happen. Logically, I knew this was not a valid complaint. You had to arrange things in your head before you said them aloud, and it was a fact of leaving that one person knew before the other did. Really my grievance was that he was in charge and not me. But I couldn’t conscript him into staying with me, and anyway I didn’t like him very much.
”
”
Naoise Dolan (Exciting Times)
“
Suicide wore the mask of self-rejection; but in reality nobody took their personality more seriously than the person who was planning to kill himself on its instructions. Nobody was more determined to stay in charge at any cost, to force the most mysterious aspect of life into their own imperious schedule.
”
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Edward St. Aubyn (At Last (Patrick Melrose, #5))
“
Because the hardest thing about sacrifice is not knowing if it’ll be worth it. What’s the point in taking the bullet if the person behind you in the charge loses heart, dithers, runs away? You may as well have stayed at home. You only have one life after all. It can be very hard to know when to throw it away.
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Adrian Tchaikovsky (Alien Clay)
“
Hans clacked his side-lips. "Do you have the sentence in your head that tomorrow's procession will halt this pest of yours, that it will bar the small-lives from the High Woods?"
"If it is as you say, no. No more than prayer can stay a charging horse. But that is not why we pray. God is no cheap juggler as to play for a pfennig.
”
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Michael Flynn (Eifelheim)
“
And everyone got mad about Kaepernick tweeting an image of a police badge and a slave catcher’s badge with the caption “You Can’t Ignore Your History—Always Remember Who They Are.” People can get mad, but he was telling the truth: throughout the South, that’s exactly how police departments started. Police in the South were in charge of maintaining the economic order, especially retaining the “property” of slave owners. After the Civil War, the cops were back in action making sure that blacks were staying in their place.
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D.L. Hughley (How Not to Get Shot: And Other Advice From White People)
“
New Rule: Not everything in America has to make a profit. If conservatives get to call universal health care "socialized medicine," I get to call private, for-profit health care "soulless vampire bastards making money off human pain." Now, I know what you're thinking: "But, Bill, the profit motive is what sustains capitalism." Yes, and our sex drive is what sustains the human species, but we don't try to fuck everything.
It wasn't that long ago when a kid in America broke his leg, his parents took him to the local Catholic hospital, the nun stuck a thermometer in his ass, the doctor slapped some plaster on his ankle, and you were done. The bill was $1.50; plus, you got to keep the thermometer.
But like everything else that's good and noble in life, some bean counter decided that hospitals could be big business, so now they're not hospitals anymore; they're Jiffy Lubes with bedpans. The more people who get sick, and stay sick, the higher their profit margins, which is why they're always pushing the Jell-O.
Did you know that the United States is ranked fiftieth in the world in life expectancy? And the forty-nine loser countries were they live longer than us? Oh, it's hardly worth it, they may live longer, but they live shackled to the tyranny of nonprofit health care. Here in America, you're not coughing up blood, little Bobby, you're coughing up freedom. The problem with President Obama's health-care plan isn't socialism. It's capitalism. When did the profit motive become the only reason to do anything? When did that become the new patriotism? Ask not what you could do for your country, ask what's in it for Blue Cross Blue Shield.
And it's not just medicine--prisons also used to be a nonprofit business, and for good reason--who the hell wants to own a prison? By definition, you're going to have trouble with the tenants. It's not a coincidence that we outsourced running prisons to private corporations and then the number of prisoners in America skyrocketed.
There used to be some things we just didn't do for money. Did you know, for example, there was a time when being called a "war profiteer" was a bad thing? FDR said he didn't want World War II to create one millionaire, but I'm guessing Iraq has made more than a few executives at Halliburton into millionaires. Halliburton sold soldiers soda for $7.50 a can. They were honoring 9/11 by charging like 7-Eleven. Which is wrong. We're Americans; we don't fight wars for money. We fight them for oil.
And my final example of the profit motive screwing something up that used to be good when it was nonprofit: TV news. I heard all the news anchors this week talk about how much better the news coverage was back in Cronkite's day. And I thought, "Gee, if only you were in a position to do something about it.
”
”
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
“
Perch Rory on their backs and they’d stand still for a second but by the time I’d backed up and gotten them in focus they’d turn around like, “What are you doing? Why is there a raccoon on my back? Why do they even let you be in charge of things?” and then they’d just flop over on their sides like a bunch of ingrates who didn’t understand art. Rory would gently tumble onto the floor, which I suspect sent the cats mixed messages because he was still waving his hands in the air like he just didn’t care, as if he were celebrating the cats being assholes, and I was like, “You’re killin’ me, Smalls,” but then he just celebrated the fact that I was frustrated. Honestly, it is impossible to stay mad at that raccoon.
”
”
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
“
The result is that incumbents stay in business, facing only limited competition, even as they charge high prices for poor service.
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”
Tom Wainwright (Narconomics: How To Run a Drug Cartel)
“
lady in red but if you’ve been seen in public wit him danced one dance kissed him good-bye lightly lady in purple wit closed mouth lady in blue pressin charges will be as hard as keepin yr legs closed while five fools try to run a train on you lady in red these men friends of ours who smile nice stay employed and take us out to dinner lady in purple lock the door behind you lady in blue wit fist in face to fuck lady in red who make elaborate mediterranean dinners & let the art ensemble carry all ethical burdens while they invite a coupla friends over to have you are sufferin from latent rapist bravado & we are left wit the scars lady
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Ntozake Shange (for colored girls who have considered suicide/when the rainbow is enuf)
“
The breakdown of the neighborhoods also meant the end of what was essentially an extended family....With the breakdown of the extended family, too much pressure was put on the single family. Mom had no one to stay with Granny, who couldn't be depended on to set the house on fire while Mom was off grocery shopping. The people in the neighborhood weren't there to keep an idle eye out for the fourteen-year-old kid who was the local idiot, and treated with affection as well as tormented....So we came up with the idea of putting everybody in separate places. We lock them up in prisons, mental hospitals, geriatric housing projects, old-age homes, nursery schools, cheap suburbs that keep women and the kids of f the streets, expensive suburbs where everybody has their own yard and a front lawn that is tended by a gardener so all the front lawns look alike and nobody uses them anyway....the faster we lock them up, the higher up goes the crime rate, the suicide rate, the rate of mental breakdown. The way it's going, there'll be more of them than us pretty soon. Then you'll have to start asking questions about the percentage of the population that's not locked up, those that claim that the other fifty-five per cent is crazy, criminal, or senile.
WE have to find some other way....So I started imagining....Suppose we built houses in a circle, or a square, or whatever, connected houses of varying sizes, but beautiful, simple. And outside, behind the houses, all the space usually given over to front and back lawns, would be common too. And there could be vegetable gardens, and fields and woods for the kids to play in. There's be problems about somebody picking the tomatoes somebody else planted, or the roses, or the kids trampling through the pea patch, but the fifty groups or individuals who lived in the houses would have complete charge and complete responsibility for what went on in their little enclave. At the other side of the houses, facing the, would be a little community center. It would have a community laundry -- why does everybody have to own a washing machine?-- and some playrooms and a little cafe and a communal kitchen. The cafe would be an outdoor one, with sliding glass panels to close it in in winter, like the ones in Paris. This wouldn't be a full commune: everybody would have their own way of earning a living, everybody would retain their own income, and the dwellings would be priced according to size. Each would have a little kitchen, in case people wanted to eat alone, a good-sized living space, but not enormous, because the community center would be there. Maybe the community center would be beautiful, lush even. With playrooms for the kids and the adults, and sitting rooms with books. But everyone in the community, from the smallest walking child, would have a job in it.
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”
Marilyn French (The Women's Room)
“
1. Where in your life or your work are you currently pursuing comfort, when what’s called for is a little discomfort? Pursuing the life projects that matter to you the most will almost always entail not feeling fully in control of your time, immune to the painful assaults of reality, or confident about the future. It means embarking on ventures that might fail, perhaps because you’ll find you lacked sufficient talent; it means risking embarrassment, holding difficult conversations, disappointing others, and getting so deep into relationships that additional suffering—when bad things happen to those you care about—is all but guaranteed. And so we naturally tend to make decisions about our daily use of time that prioritize anxiety-avoidance instead. Procrastination, distraction, commitment-phobia, clearing the decks, and taking on too many projects at once are all ways of trying to maintain the illusion that you’re in charge of things. In a subtler way, so too is compulsive worrying, which offers its own gloomy but comforting sense that you’re doing something constructive to try to stay in control. James Hollis recommends asking of every significant decision in life: “Does this choice diminish me, or enlarge me?” The question circumvents the urge to make decisions in the service of alleviating anxiety and instead helps you make contact with your deeper intentions for your time. If you’re trying to decide whether to leave a given job or relationship, say, or to redouble your commitment to it, asking what would make you happiest is likely to lure you toward the most comfortable option, or else leave you paralyzed by indecision. But you usually know, intuitively, whether remaining in a relationship or job would present the kind of challenges that will help you grow as a person (enlargement) or the kind that will cause your soul to shrivel with every passing week (diminishment). Choose uncomfortable enlargement over comfortable diminishment whenever you can.
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”
Oliver Burkeman (Four Thousand Weeks: Time Management for Mortals)
“
In a world of complex systems, it is not appropriate to charge forward with rigid, undeviating directives. “Stay the course” is only a good idea if you’re sure you’re on course. Pretending you’re in control even when you aren’t is a recipe not only for mistakes, but for not learning from mistakes. What’s appropriate when you’re learning is small steps, constant monitoring, and a willingness to change course as you find out more about where it’s leading.
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Donella H. Meadows (Thinking in Systems: A Primer)
“
All through their relationship, Harry was the one in charge, Harry was the one who gave them direction. This wasn’t because Harry was smarter or even better at it than Craig was; it just meant more to him, to be in control. And Craig didn’t really care, so he ceded it away. He liked not being responsible all the time.
Complacency. Craig realizes now that this was complacency. One of the reasons he liked the sound of Harry’s voice was because it meant he didn’t have to use his own. But eventually this strategy backfired. Eventually Harry realized what was happening, and didn’t feel right about it. He wanted Craig to fight a little more, but by the time Craig started fighting for them to stay together, he had already lost.
”
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David Levithan (Two Boys Kissing)
“
We know, better than most, perhaps, that soldiers are charged with protecting peace and life itself. The balance to that is that we sometimes must take life to stay an enemy who would do greater harm. For this, we are remembered, not for the lives we try to preserve.
”
”
Terry Goodkind (Temple of the Winds (The Sword of Truth))
“
When I was at the River Styx, turning invulnerable...Nico said I had to concentrate on one thing that kept me anchored to the world, that made me want to stay mortal."
Annabeth kept her eyes on the horizon. "Yeah?"
"Then up on Olympus," I said, "when they wanted to make me a god and stuff, I kept thinking--"
"Oh, you so wanted to."
"Well, maybe a little. But I didn't, because I thought--I didn't want things to stay the same for eternity, because things could always get better. And I was thinking..." My throat felt really dry.
"Anyone in particular?" Annabeth asked, her voice soft.
I looked over and saw that she was trying not to smile.
"You're laughing at me," I complained.
"I am not!"
"You are so not making this easy."
Then she laughed for real, and she put her hands around my neck. "I am never, ever going to make things easy for you, Seaweed Brain. Get used to it."
When she kissed me, I had the feeling my brain was melting right through my body.
I could've stayed that way forever, except a voice behind us growled, "Well, it's about time!"
Suddenly the pavilion was filled with torchlight and campers. Clarisse led the way as the eavesdroppers charged and hoisted us both onto their shoulders.
"Oh, come on!" I complained. "Is there no privacy?"
"The lovebirds need to cool off!" Clarisse said with glee.
"The canoe lake!" Connor Stoll shouted.
With a huge cheer, they carried us down the hill, but they kept us close enough to hold hands. Annabeth was laughing, and I couldn't help laughing too, even though my face was completely red.
We held hands right up to the moment they dumped us in the water.
Afterward, I had the last laugh. I made an air bubble at the bottom of the lake. Our friends kept waiting for us to come up, but hey--when you're the son of Poseidon, you don't have to hurry.
And it was pretty much the best underwater kiss of all time.
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Just then, in that instant, I saw His eyes. I recognised them. They were the eyes of that trembling father in a smoke-filled room on the ninety-third floor of Tower One, dialing his little girls for the last time. Those were the eyes behind that calming voice singing 'Amazing Grace' in a crowded and slippery stairwell, trapped outside a roof door when the ceilings began to cave. The eyes of the people who stayed behind with the handicapped victims waiting for police officers who never made it up the stairs. Those were the eyes of firemen who pushed me to safety, the doctor who cared for me for more than a year free of charge, the therapist who visited my home regularly so that I could sleep a little, the children who loved me, the brother who prayed nonstop, and the pastor who became my friend. Those were the eyes of God.
”
”
Leslie Haskin (Between Heaven and Ground Zero: One Woman's Struggle for Survival and Faith in the Ashes of 9/11)
“
Pay close attention. Listen carefully. Let's look at what happens when fear is in charge.
With fear in charge, you can never fully relax, let your guard down, be your true self. You can't open up because you are afraid of how people will respond if they were to meet the real you. When fear is in charge, you simply cannot take that chance. Fear will not allow honesty, fear despises spontaneity, and fear refuses to believe in you. Fear may mean well, but it ruins everything by overprotecting you, insisting that you stay hidden and keep a low profile, that your time is coming....sometime later.
Fear is bold, but insists that you be timid. Take a chance and there will be hell to pay: fear will call on its dear friend, shame, to meet you on the other side of your risk taking, to tell you what you should not have done. Fear will trip you, tackle you, smother you, do whatever it takes to cause you to hesitate, to stop you. In this way fear is fearless.
”
”
Thom Rutledge (Embracing Fear: How to Turn What Scares Us into Our Greatest Gift)
“
As each day passed the community became more and more indoctrinated into the world of psychobabble. It was used to keep patients in subservient positions. "Poor impulse control," "defiance," or "you want what you want when you want it" were all catch phrases. Pronouncing judgement, Brian said, "These recovery institutions are all alike. Former addicts own and operate them. They're founded on the cliches these individuals accuse us of, grandiosity, arrogance, and selfishness. They take away human dignity and wrap themselves in the AA free spiritual principals, while charging so much money you'd think you were staying at the Ritz in Paris.
”
”
Stephanie Schoenberger
“
When he was about fourteen years of age, Leonardo would have left the fondaco and most likely traveled with an older merchant, a form of apprenticeship system common in those days. Around that time his father summoned him to Bugia. No one knows exactly when he made this voyage. In the introduction to Liber abbaci, he later wrote: “When my father, who had been appointed by his country as public notary in the customs at Bugia acting for the Pisan merchants going there, was in charge, he summoned me to him while I was still a child, and having an eye to usefulness and future convenience, desired me to stay there and receive instruction in the school of accounting.
”
”
Keith Devlin (The Man of Numbers: Fibonacci's Arithmetic Revolution)
“
When an orphan is depressed," wrote Wilbur Larch, "he is attracted to telling lies. A lie is at least a vigorous enterprise, it keeps you on your toes by making you suddenly responsible for what happens because of it. You must be alert to lie, and stay alert to keep your lie a secret. Orphans are not the masters of their fates; they are the last to believe you if you tell them that other people are also not in charge of theirs. When you lie, it makes you feel in charge of your life. Telling lies is very seductive to orphans. I know," Dr. Larch wrote. "I know because I tell them, too. I love to lie. When you lie, you feel as if you have cheated fate--your own, and everybody else's.
”
”
John Irving (The Cider House Rules)
“
Wildcat fights for den or prey;
Watch for tracks and stay away.
Bollusk trample, charge, and kick;
Climb a sturdy tree or cliff."
She broke off as Payne leaned over and said in a stage whisper to one of the girls, "I don't think she's remembering it right. The real verse is, 'Bollusk charge and like to trample; climb, or be a flat soil sample.
”
”
Tara K. Harper (Wolf in Night (Wolfwalker #6))
“
In 1938, blues musician Lead Belly sang a song he wrote about “the Scottsboro boys,” a group of Black teenagers who were sent to jail after being falsely accused of raping two white women on a train (one of the women later admitted it was a made-up charge). After the song, Lead Belly talked about the case and advised fellow Black Americans “to stay woke—keep their eyes open.” Stay woke. The term has been a part of the Black American lexicon for a very long time. In more recent years, the term has evolved from the way Lead Belly was using it—warning Black people to stay alert to dangerous situations that might arise—to a broader meaning about staying aware of racist systems of oppression. After the release of Erykah Badu’s 2007 song Master Teacher, with a chorus that repeated the line “I stay woke,” the term exploded into the mainstream.
”
”
Tim Urban (What's Our Problem?: A Self-Help Book for Societies)
“
The hit-woman opened the door. No dead body on the floor. Thank God.
I heard an unearthly roar and then Jordan charged Liz from where she’d been hiding beside the door. She tackled her to the floor and stabbed her through the wrist with a small switchblade. The hit-woman shrieked and let go of the gun, allowing Jordan precious seconds to bat it across the room. She landed a couple hard punches to the assassin’s nose, bloodying it, before the other woman got the upper hand.
She grabbed a handful of Jordan’s ponytail and slammed her head into the edge of the coffee table. Jordan cried out, but didn’t let go of the knife. She withdrew it and held it against the assassin’s throat, shouting, “Move again and I’ll kill you, puta!”
Liz panted madly, but stayed put. Jordan glanced up at me. “You okay?”
“Alive,” I said through a grimace. “Not okay.”
“Good enough.” She returned her gaze to the woman pinned beneath her and glared.
“The police are on their way. And not the nice, human police. Angels. Get any ideas about trying to kill me again and you won’t even get to deal with them.”
“I’ve been in jail before,” Liz said, attempting to recapture her former arrogance. “I’ll get over it.”
Jordan leaned down a few inches, lowering her voice. “Really? How’d you like to return without your tongue?”
Liz’s eyes went wide, as did mine. “You wouldn’t dare.”
“You shot my best friend. Multiple times. Lex talionis.”
“You can’t kill me. You’re not a policewoman. You’re just a girl.”
“No. I’m a Seer. You and the rest of your friends had better learn the difference between a sheep and a wolf in sheep’s clothing. Until then…”
She lifted her fist and punched Liz hard in the temple. The assassin went out like a light.
“Vaya con dios, bitch.
”
”
Kyoko M. (The Deadly Seven (The Black Parade, #1.5))
“
Well, anyway,” said the constable at last, turning businesslike, “I got to take charge here. Get this feller into the house before he fries. I’m telling you now: if he don’t make it, you’re in a pickle, you people. Now, here’s what we’ll do. You,” he said, pointing at Mae, “you got to come with me, you and the little girl. You got to be locked up right away; and the little girl, I got to get her home. The rest of you, you stay here with him. Look after him. I’ll get back with a doctor quick as I can. Should have brought a deputy, but I didn’t expect nothing like this to happen. Well, it’s too late now. All right, let’s get moving.”
Miles said softly, “Ma. We’ll get you out right away.”
“Sure, Ma,” said Jesse.
“Don’t worry about me none,” said Mae in the same exhausted voice. “I’ll make out.”
“Make out?” exclaimed the constable. “You people beat all. If this feller dies, you’ll get the gallows, that’s what you’ll get, if that’s what you mean by make out.”
Tuck’s face crumpled. “The gallows?” he whispered. “Hanging?”
“That’s it,” said the constable. “That’s the law. Now, let’s get going.”
Miles and Jesse lifted the man in the yellow suit and carried him carefully into the house, but Tuck stood staring, and Winnie could guess what he was thinking. The constable swung her up onto his horse and directed Mae to her own saddle. But Winnie kept her eyes on Tuck. His face was very pale, the creases deeper than ever, and his eyes looked blank and sunken. She heard him whisper again, “The gallows!”
And then Winnie said something she had never said before, but the words were words she had sometimes heard, and often longed to hear. They sounded strange on her own lips and made her sit up straighter. “Mr. Tuck,” she said, “don’t worry. Everything’s going to be all right.”
The constable glanced heavenward and shook his head.
”
”
Natalie Babbitt (Tuck Everlasting)
“
Emma, I came out here to tell you that you don't have to mate with Grom."
I raise a brow. "Uh, I was never going to mate with Grom."
"What I mean is, Grom is mating with someone else who has the gift of Poseidon. Which means that-"
"I don't have to mate with Grom," I finish for him.
"That's what I just said."
"I mean, I don't have to feel like I've let the entire species of Syrena go extinct because I won't mate with Grom."
He grins. "Exactly."
"But that doesn't change what I am-a Half-Breed. You still can't be with me, can you?"
He rubs his thumb over my bottom lip, thoughtful. "The law forbids it right now. But I think if we give it time, we could get it overturned somehow. And I'm not going anywhere until I do."
He turns us toward the SUV, stopping to retrieve my heels from the side of the road. He helps me in the passenger seat of the Escalade, then hands me my shoes.
"Thank you," I tell him as he walks around to the driver's side.
"It's a little late to blush," he says, strapping in.
"I don't think I'll ever stop blushing."
"I really hope not," he says, shutting his door. Taking my face into both hands, he pulls me to him again. His lips brush mine, but I want more. Sensing my intention, he puts his hand over mine and the seat belt I'm trying to unsnap. "Emma," he says against my lips. "I've missed you so much. But we can't. Not yet."
I'm not trying to do that, I just want to get in a better position to accept his lips. Telling him so would just embarrass us both. But he says yet. What does that mean? That he wants to wait until he can get the law overturned? Or will he give it time, and if it doesn't work out, break Syrena law to be with me?
For some reason, I don't want the answer bad enough to ask. Images of "that girl" flare up in my head. I don't want Galen to break his laws-it's a big part of why I love him so much. His loyalty to his people, his commitment to them. It's the kind of devotion almost nonexistent among humans. But I don't want to be "that girl" either. Syrena or not, I want to go to college. I want to experience the world above and below sea level.
But it's not like any decisions need to be made right now, do they? I mean, life-changing decisions take time to make. Time and meditation. And physical space between my lips and his.
I pull back. "Right. Sorry."
He seizes a few tendrils of my hair and runs them along his face, grinning. "Not as sorry as I am. You'll have to help me keep my hands off you."
I laugh, even as a charge runs through my veins. "Yeah. No."
He laughs too and turns to start the car, then stops. Letting go of the keys, he says, "So. About breaking up."
"Let me think about it some more," I tell him on the brink of giggling at his expression.
"I'll see what I can do to help you make up your mind."
We stay parked for another fifteen minutes. But at least we're not broken up anymore.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
But now Max wanted Gina to look out the window.
“The cavalry had arrived,” he told her.
Someone was standing directly in front of the tank. Whoever he was—a boy, dressed like a surfer, on crutches—was holding one hand out in front of him like a traffic cop signaling halt.
The tank, of course, had rolled to a stop.
And Gina realized this was no ordinary surfer, this was Jules Cassidy.
Jules was alive!
And here she’d thought she was all cried out.
Max laughed as he peered out through the slit that passed as a windshield for the tank. “He has no idea that we’re in here,” he said.
Damn, Jules looked like he’d been hit by a bus.
“Jesus, he has some balls.” Jules turned to the interpreter, who still didn’t quite believe that they weren’t going to kill him. “Open the hatch.”
“Yes, sir.” He poked his head out.
“Do you speak English?” Max could hear Jules through the opening.
“Yes, sir.”
“Tell your commanding officer to back up. In fact, tell him to leave the area. I’m in charge of this situation now. My name is Jules Cassidy and I’m an American, with the FBI. There are Marine gunships on their way, they’ll be here any minute. They have armor-penetrating artillery—they’ll blow you to hell, so back off.”
“Tell him Jones wants to know if the gunships are really coming, or if that’s just something he learned in FBI Bullshitting 101.”
The interpreter passed the message along.
As Max watched, surprise and relief crossed Jules’s face.
“Is Max in there, too?” Jules asked.
“Yes, sir,” the interpreter said.
“Well, shit.” Jules grinned. “I should’ve stayed in the hospital.”
“I hear helicopters!” Gina’s voice came through the walkie-talkie. “I can see them, too! They’re definitely American!”
Max took a deep breath, keyed the talk button. And sang. “Love me tender, love me sweet, never let me go . . .
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
One reason to keep going is that the country was given to us as a sacred charge. It is, as Stephen Vincent Benet says in 'the Devil and Daniel Webster,' not the only place that created free man- but... Read More its a place that demands that we decide what to do with out freedom. You can only punish yourself, That's the existential view. I don't think there's any reward beyond participating, beyond being here. And the antithesis of reward is punishment, and the only punishment that can come is self-inflicted. I remain optimistic. Whether or not the optimism is justified, I don't know. I want to stay around for the third act.
”
”
Mort Sahl (Heartland)
“
Pattee explains there is a basic and extremely important distinction between laws and rules in nature.11 Laws are inexorable, meaning they are unchangeable, inescapable, and inevitable. We can never alter or evade laws of nature. The laws of nature dictate that a car will stay in motion either until an equal and opposite force stops it or it runs out of energy. That is not something we can change. Laws are incorporeal, meaning they do not need embodiments or structures to execute them: there is not a physics policeman enforcing the car’s halt when it runs out of energy. Laws are also universal: they hold at all times in all places. The laws of motion apply whether you are in Scotland or in Spain. On the other hand, rules are arbitrary and can be changed. In the British Isles, the driving rule is to drive on the left side of the road. Continental Europe’s driving rule is to drive on the right side of the road. Rules are dependent on some sort of structure or constraint to execute them. In this case that structure is a police force that fines those who break the rules by driving on the wrong side. Rules are local, meaning that they can exist only when and where there are physical structures to enforce them. If you live out in the middle of the Australian outback, you are in charge. Drive on either side. There is no structure in place to restrain you! Rules are local and changeable and breakable. A rule-governed symbol is selected from a range of competitors for doing a better job constraining the function of the system it belongs to, leading to the production of a more successful phenotype. Selection is flexible; Newton’s laws are not. In their informational role, symbols aren’t dependent on the physical laws that govern energy, time, and rates of change. They follow none of Newton’s laws. They are lawless rule-followers! What this is telling us is that symbols are not locked to their meanings.
”
”
Michael S. Gazzaniga (The Consciousness Instinct: Unraveling the Mystery of How the Brain Makes the Mind)
“
In the evening we shall be examined on love.” –St. John of the Cross
And it won’t be multiple choice,
though some of us would prefer it that way.
Neither will it be essay, which tempts us to run on
when we should be sticking to the point, if not together.
In the evening there shall be implications
our fear will change to complications. No cheating,
we’ll be told, and we’ll try to figure out the cost of being true
to ourselves. In the evening when the sky has turned
that certain blue, blue of exam books, blue of no more
daily evasions, we shall climb the hill as the light empties
and park our tired bodies on a bench above the city
and try to fill in the blanks. And we won’t be tested
like defendants on trial, cross-examined
till one of us breaks down, guilty as charged. No,
in the evening, after the day has refused to testify,
we shall be examined on love like students
who don’t even recall signing up for the course
and now must take their orals, forced to speak for once
from the heart and not off the top of their heads.
And when the evening is over and it’s late,
the student body asleep, even the great teachers
retired for the night, we shall stay up
and run back over the questions, each in our own way:
what’s true, what’s false, what unknown quantity
will balance the equation, what it would mean years from now
to look back and know
we did not fail.
”
”
Thomas Centolella (Lights & Mysteries)
“
I know what the problem is.” Curran pulled his shoulders back and flexed, warming up a little. I stole a glance. He had decided to fight in jeans and an old black T-shirt, from which he’d torn the sleeves. Probably his workout shirt.
His biceps were carved, the muscle defined and built by countless exertions, neither too bulky nor too lean. Perfect. Kissing him might make me guilty of catastrophically bad judgment, but at least nobody could fault my taste. The trick was not to kiss him again. Once could be an accident; twice was trouble.
“You said something?” I arched an eyebrow at him. Nonchalance—best camouflage for drooling. Both the werebison and the swordsman looked ready to charge: the muscles of their legs tense, leaning forward slightly on their toes. They seemed to be terribly sure that we would stay in one place and wait for them.
Curran was looking at their legs, too. They must be expecting a distraction from the lamia. She sat cocooned in magic, holding on with both hands as it strained on its leash.
“I said, I know why you’re afraid to fight with me.”
“And why is that?” If he flexed again, I’d have to implement emergency measures. Maybe I could kick some sand at him or something. Hard to look hot brushing sand out of your eyes.
“You want me.”
Oh boy.
“You can’t resist my subtle charm, so you’re afraid you’re going to make a spectacle out of yourself.”
“You know what? Don’t talk to me.
”
”
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
“
An arm slid around my shoulders. Looking up into mischievous hazel eyes, my heart hammered against my ribs. Caden grinned down at me. “Hey, babe. Missed you today.”
As his lips brushed my temple, everyone froze.
I counted from one beat to two, and the entire room erupted.
“What the hell?” Nash barked.
“Why are your lips touching my sister?” Holt growled as he pushed to his feet.
Lawson strode out from the kitchen. “This is a joke, right?”
But Roan stayed sitting. He simply stared, a thoughtful expression on his face.
Caden didn’t seem especially worried and showed no signs of releasing me as three pissed-off guys charged toward him. I, on the other hand, immediately started sweating.
“Explain,” Nash growled.
”
”
Catherine Cowles (Glimmers of You (Lost & Found, #3))
“
This here is God, bragging on how he create the horse.” He cleared his throat and read aloud in a preacher voice. Who gives the horse its strength or clothes his mane with thunder? Who makes him spring like a locust? His splendid snort is terror. He churns up the earth, rejoicing in his power, And charges towards the clash of arms. He laughs at fear, afraid of nothing; He does not shy away from the sword. Over him rattles the quiver, the glittering spear and blade. In frenzy he devours the ground; He cannot stand still when the trumpet sounds. At the blast of the trumpet he snorts, “Hurrah!” And from afar he scents the fray, Hears the clamor of the captains, the battle cry. When he finished reading, he patted the page. “I think that’s mighty fine, don’t you?” Jarret ran the words through in his mind. “Clothes his mane with thunder,” he repeated softly. “That’s good. It makes you see the power in the neck. And the part about how he devours the ground, rejoicing in his strength. It feels just that way some time. But I don’t know about being afraid of nothing. Most horses I know are afraid of plenty.” “Well, the Scripture here is talking about war horses. I guess they’s trained to be brave.” “That ain’t it. A cavalry horse will charge a cannon because he don’t know the cannonball can kill him. All he wants is to stay close to the rest of the herd. Army just learned to use that fear they have, of being left behind.” “Well,
”
”
Geraldine Brooks (Horse)
“
No one charged you with being my savior,” Camille’s voice shook, the confrontation not something she really wanted.
“No one had to charge me with it. I made the decision on my own the night the Christina went down.” Oscar sealed his lips as if he’d let something slip he hadn’t intended.
“What are you talking about?” she asked, her boots slipping once on the moss. He avoided her by looking out at the stream. He took a few moments to answer, and when he did he still didn’t meet her stare.
“Do you remember when you woke up on the Londoner? When you asked me if I’d seen your father?”
Camille nodded, and hoped their argument was over. “You said you didn’t see him.”
He shook his head. “I lied. I did see him in the water. He was trying to stay above the surface after I got ahold of the dory.”
It was as though freezing shocks of ocean water were striking Camille in the face all over again. She jumped from the rock, the hem of her skirt nearly tripping her.
“Did you row to him? Did you try and save him?”
He shook his head again. “No.”
“Why not?” she screeched. “Oscar, how could you not help him?” She couldn’t blink. She couldn’t do anything but stare at him in disbelief. He’d abandoned her father, the man who had given him everything.
“Because I spotted you,” he answered, hardly loud enough for her to hear. “I saw you in the waves and I chose to row to you.”
She loosened her fists, stunned.
Oscar sat down on the rock, the toes of his scuffed leather boots buried in the dry layer of pine needles.
“I tried to go back for him,” he said, kicking at the needles, “but by the time I pulled you out of the water and looked back, he was gone.”
She couldn’t move, could barely breathe. If she’d only held on to her father’s hand. Oscar would have been able to save them both.
“If there had just been a way to get to the both of you,” he said.
Camille sat on the rock beside him, laying a tentative hand on his arm. “You’re the most capable man I know, Oscar. If there had been a way, you’d have found it.”
She pressed her hand against his solid arm, the flaxen hairs covering his skin coarse against her fingertips. She wanted to soothe him more, reassure him like he always did her.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
Chapter 28 Genghis Cat
Gracing Whatever Shithole This Is, Washington, USA You can all relax now, because I am here. What did you think? I’d run for safety at the whim of a fucking parrot with under-eye bags like pinched scrotums? Did you suspect I—a ninja with feather-wand fastness and laser-pointer focus—had the spine of a banana slug? Then you are a shit-toned oink with the senses of a sniveling salamander. Then you don’t know Genghis Cat. I look around and can see that we are surrounded by The Bird Beasts, those crepe-faced, hair ball–brained fuck goblins. I intensely dislike these lumpy whatthefuckareyous who straddle between the Mediocre Servant and animal worlds, trying to be one thing and really not being, like imitation crabmeat in a sushi log that is really just fucking whitefish and WE ALL KNOW IT. “Would you like a little of the crabmeat, Genghis?” my Mediocre Servants seemed to ask with their blobfish lips and stupid faces. “THAT’S FUCKING WHITEFISH, YOU REGURGITATED MOLES!” I’d yowl, and then I’d steal the sushi log and run off and growl very much so they couldn’t have it back, and later I would pee on their night pillows for good measure. I cannot imagine their lives before me. We mustn’t think of those bleak dark ages. But the Beasts are dangerous. I have watched them morph and chew into a house. I have seen them with spider legs and second stomachs and camouflage skins. I have seen them tear the legs off a horse and steal flight from those with feathers. Orange and I have lost family to their fuckish appetites. But they are still fakish faking beasts and I’m fucking Genghis Cat. They are imitation crab and Genghis is filet mignon Fancy Feast, bitch. Probably I should come clean here and tell you that I’m immortal. I always suspected it but can confirm it now that I have surpassed the allocated nine lives. I’m somewhere around life 884, give or take seventy-eight. Some mousers have called me a god, but I insist on modesty. I also don’t deny it. I might be a god. It seems to fit. It feels right. A stealthy, striped god with an exotically spotted tummy—it seems certain, doesn’t it to you? I’m 186 percent sure at this point. Orange insists we stay away from the Beasts all the time, but I only let Orange think he’s in charge. Orange is incredibly sensitive, despite being the size of a Winnebago. He hand-raised each of my kittens and has terrible nightmares, and I have to knead my paws on him to calm him down. Orange and I have a deal. I will kill anything that comes to harm Orange and Orange will continue to be the reason I purr.
”
”
Kira Jane Buxton (Feral Creatures (Hollow Kingdom #2))
“
Oscar’s breath warmed the back of her head, his lips brushing against her hair, loosened from a braid. He drew a lock away from her neck and kissed the skin just beneath her earlobe, against the throb of her quickening pulse. Like the blackness outside the dome of lamplight, there seemed to be nothing more in the world than his lips, his touch, and the flood of heat consuming her.
With a gentle nudge, Oscar turned her toward him. He looked at her the way he had in the Grampains meadow-as if she was the most fascinating woman he’d ever seen. Under his gaze she felt fascinating, too. Capivating…wanted. He traced her jaw with his lips, kissing the angle of her neck ever so tenderly, as though he weren’t certain she wanted him, too. Camille closed the inch of space left between them, her body pressing against his. The muscles in his chest and arms tightened. He was wanted, and she needed to show him how much. No one was there to watch, no one to judge, or tell her the lips caressing her were unworthy of tasting her skin.
With those very thoughts, Oscar’s grip loosened. His lips retreated.
“This isn’t right,” he whispered, catching his breath.
Camille stared at him, her hurt and disappointment plain on her face.
“You’re engaged, Camille.” He looked around the room. His eyes rested on the bed. “I shouldn’t be here.”
All of a sudden, Camille completely and fully detested Randall. Good, sweet, well-meaning Randall infuriated her with his mere existence, with his big sapphire ring and his marriage proposal and his bright, wealthy future as the savior of Rowen & Company. She didn’t want any of it if it meant she couldn’t have Oscar’s kisses, the return of his hands, and his body pressed close to her own.
“I want you here,” she said, the words unable to express the desires stampeding her mind.
Oscar licked his lips but stepped toward the doorway. “I can’t. If you’re going to marry Randall-“
Camille hushed him. “No, don’t. Please, don’t.” She didn’t want to hear Randall’s name coming from Oscar’s lips, not when she so desperately wanted to kiss them.
“He’s not here. And you are, and…what if you stayed?” she asked, unable to believe the words had come from her mouth. He lost the tense hold of his shoulders and stared at her with disbelief.
“Nothing improper, of course,” she added quickly. “What if you just stayed until…until I fell asleep?”
Citrus and cloves charged through her sense with their dizzying effect as Oscar stepped back inside the room.
He tilted his head and looked sideways at her. “Just until you fall asleep?”
She nodded, her throat too tight with nerves to speak.
”
”
Angie Frazier (Everlasting (Everlasting, #1))
“
You called?" Sounding casual is difficult when it feels like you're heart's river-dancing in your rib cage.
"Yes. I just wondered where you were. You didn't answer your cell. Is everything okay?" She sighs, but I can't tell if it's in relief or parental aggravation.
"Everything's fine. My battery is dead, but Galen bought me a charger to keep over here, so it's charging."
"How sweet of him," she says, knowing good and well she instructed him to do so. "Well, just wanted to check in. Should I wait up for you? I don't appreciate you missing curfew the last few nights. Technically, staying over there until four in the morning is a coed sleepover, which I don't allow, or had you forgotten? Your trip to Florida with Galen's family was a special circumstance."
"I stayed the night at Chloe's all the time with JJ there." JJ is Chloe's eight-year-old brother. Not a great comeback, but it will have to do.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
We stayed two days at Streatley, and got our clothes washed. We had tried washing them ourselves, in the river, under George’s superintendence, and it had been a failure. Indeed, it had been more than a failure, because we were worse off after we had washed our clothes than we were before. Before we had washed them, they had been very, very dirty, it is true; but they were just wearable. After we had washed them—well, the river between Reading and Henley was much cleaner, after we had washed our clothes in it, than it was before. All the dirt contained in the river between Reading and Henley, we collected, during that wash, and worked it into our clothes. The washerwoman at Streatley said she felt she owed it to herself to charge us just three times the usual prices for that wash. She said it had not been like washing, it had been more in the nature of excavating. We paid the bill without a murmur.
”
”
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
“
Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?”
Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously.
Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.”
Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked, looking at the suspicious sheen in her eyes. “Then it must be that you’ve overspent your allowance.” When she didn’t respond to his light probing, Ian smiled reassuringly and said, “Whatever it is, we’ll work it out together tomorrow.”
It sounded as though he planned to stay, and that shook Elizabeth out of her mute misery enough to say chokingly, “No-it’s the-the masons. They’re costing much more than I-I expected. I’ve spent part of my personal allowance on them besides the loan you made me for Havenhurst.”
“Oh, so it’s the masons,” he grinned, chuckling. “You have to keep your eye on them, to be sure. They’ll put you in the poorhouse if you don’t keep an eye on the mortar they charge you for. I’ll have to talk with them in the morning.”
“No!” she burst out, fabricating wildly. “That’s just what has me so upset. I didn’t want you to have to intercede. I wanted to do it all myself. I have it all settled now, but it’s been exhausting. And so I went to the doctor to see why I felt so tired. He-he said there’s nothing in the world wrong with me. I’ll come home to Montmayne the day after tomorrow. Don’t wait here for me. I know how busy you are right now. Please,” she implored desperately, “let me do this, I beg you!”
Ian straightened and shook his head in baffled disbelief, “I’d give you my life for the price of your smile, Elizabeth. You don’t have to beg me for anything. I do not want you spending your personal allowance on this place, however. If you do,” he lied teasingly, “I may be forced to cut it off.” Then, more seriously, he said, “If you need more money for Havenhurst, just tell me, but your allowance is to be spent exclusively on yourself. Finish your brandy,” he ordered gently, and when she had, he pressed another kiss on her forehead. “Stay here as long as you must. I have business in Devon that I’ve been putting off because I didn’t want to leave you. I’ll go there and return to London on Tuesday. Would you like to join me there instead of at Montmayne?”
Elizabeth nodded.
“There’s just one thing more,” he finished, studying her pale face and strained features. “Will you give me your word the doctor didn’t find anything at all to be alarmed about?”
“Yes,” Elizabeth said. “I give you my word.”
She watched him walk back into his own bed chamber. The moment his door clicked into its latch Elizabeth turned over and buried her face in the pillows. She wept until she thought there couldn’t possibly be any more tears left in her, and then she wept harder.
Across the room the door leading out into the hall was opened a crack, and Berta peeked in, then quickly closed it. Turning to Bentner-who’d sought her counsel when Ian slammed the door in his face and ripped into Elizabeth-Berta said miserably, “She’s crying like her heart will break, but he’s not in there anymore.”
“He ought to be shot!” Bentner said with blazing contempt.
Berta nodded timidly and clutched her dressing robe closer about her. “He’s a frightening man, to be sure, Mr. Bentner.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
You have something to say to me, Cassidy, say it. Or shut the fuck up.”
“All right,” Jules said. “I will.” He took a deep breath. Exhaled. “Okay, see, I, well, I love you. Very, very much, and . . .” Where to go from here . . .?
Except, his plain-spoken words earned him not just a glance but Max’s sudden full and complete attention. Which was a little alarming.
But it was the genuine concern in Max’s eyes that truly caught Jules off-guard.
Max actually thought . . . Jules laughed his surprise. “Oh! No, not like that. I meant it, you know, in a totally platonic, non-gay way.”
Jules saw comprehension and relief on Max’s face. The man was tired if he was letting such basic emotions show.
“Sorry.” Max even smiled. “I just . . .” He let out a burst of air. “I mean, talk about making things even more complicated . . .”
It was amazing. Max hadn’t recoiled in horror at the idea. His concern had been for Jules, about potentially hurting his tender feelings. And even now, he wasn’t trying to turn it all into a bad joke.
And he claimed they weren’t friends.
Jules felt his throat tighten. “You can’t know,” he told his friend quietly, “how much I appreciate your acceptance and respect.”
“My father was born in India,” Max told him, “in 1930. His mother was white—American. His father was not just Indian, but lower caste. The intolerance he experienced both there and later, even in America, made him a . . . very bitter, very hard, very, very unhappy man.” He glanced at Jules again. “I know personality plays into it, and maybe you’re just stronger than he was, but . . . People get knocked down all the time. They can either stay there, wallow in it, or . . . Do what you’ve done—what you do. So yeah. I respect you more than you know.”
Holy shit.
Weeping was probably a bad idea, so Jules grabbed onto the alternative. He made a joke. “I wasn’t aware that you even had a father. I mean, rumors going around the office have you arriving via flying saucer—”
“I would prefer not to listen to aimless chatter all night long,” Max interrupted him. “So if you’ve made your point . . .?”
Ouch.
“Okay,” Jules said. “I’m so not going to wallow in that. Because I do have a point. See, I said what I said because I thought I’d take the talk-to-an-eight-year-old approach with you. You know, tell you how much I love you and how great you are in part one of the speech—”
“Speech.” Max echoed.
“Because part two is heavily loaded with the silent-but-implied ‘you are such a freaking idiot.’”
“Ah, Christ,” Max muttered.
“So, I love you,” Jules said again, “in a totally buddy-movie way, and I just want to say that I also really love working for you, and I hope to God you’ll come back so I can work for you again. See, I love the fact that you’re my leader not because you were appointed by some suit, but because you earned very square inch of that gorgeous corner office. I love you because you’re not just smart, you’re open-minded—you’re willing to talk to people who have a different point of view, and when they speak, you’re willing to listen. Like right now, for instance. You’re listening, right?”
“No.”
“Liar.” Jules kept going. “You know, the fact that so many people would sell their grandmother to become a part of your team is not an accident. Sir, you’re beyond special—and your little speech to me before just clinched it. You scare us to death because we’re afraid we won’t be able to live up to your high standards. But your back is strong, you always somehow manage to carry us with you even when we falter.
“Some people don’t see that; they don’t really get you—all they know is they would charge into hell without hesitation if you gave the order to go. But see, what I know is that you’d be right there, out in front—they’d have to run to keep up with you. You never flinch. You never hesitate. You never rest.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
The German mathematician Emmy Noether proved in 1915 that each continuous symmetry of our mathematical structure leads to a so-called conservation law of physics, whereby some quantity is guaranteed to stay constant-and thereby has the sort of permanence that might make self-aware observers take note of it and give it a "baggage" name. All the conserved quantities that we discussed in Chapter 7 correspond to such symmetries: for example, energy corresponds to time-translation symmetry (that our laws of physics stay the same for all time), momentum corresponds to space-translation symmetry (that the laws are the same everywhere), angular momentum corresponds to rotation symmetry (that empty space has no special "up" direction) and electric charge corresponds to a certain symmetry of quantum mechanics. The Hungarian physicist Eugene Wigner went on to show that these symmetries also dictated all the quantum properties that particles can have, including mass and spin. In other words, between the two of them, Noether and Wigner showed that, at least in our own mathematical structure, studying the symmetries reveals what sort of "stuff" can exist in it.
”
”
Max Tegmark (Our Mathematical Universe: My Quest for the Ultimate Nature of Reality)
“
People, especially those in charge, rarely invite you into their offices and give freely of their time. Instead, you have to do something unique, compelling, even funny or a bit daring, to earn it. Even if you happen to be an exceptionally well-rounded person who possesses all of the scrappy qualities discussed so far, it’s still important to be prepared, dig deep, do the prep work, and think on your feet. Harry Gordon Selfridge, who founded the London-based department store Selfridges, knew the value of doing his homework. Selfridge, an American from Chicago, traveled to London in 1906 with the hope of building his “dream store.” He did just that in 1909, and more than a century later, his stores continue to serve customers in London, Manchester, and Birmingham. Selfridges’ success and staying power is rooted in the scrappy efforts of Harry Selfridge himself, a creative marketer who exhibited “a revolutionary understanding of publicity and the theatre of retail,” as he is described on the Selfridges’ Web site. His department store was known for creating events to attract special clientele, engaging shoppers in a way other retailers had never done before, catering to the holidays, adapting to cultural trends, and changing with the times and political movements such as the suffragists. Selfridge was noted to have said, “People will sit up and take notice of you if you will sit up and take notice of what makes them sit up and take notice.” How do you get people to take notice? How do you stand out in a positive way in order to make things happen? The curiosity and imagination Selfridge employed to successfully build his retail stores can be just as valuable for you to embrace in your circumstances. Perhaps you have landed a meeting, interview, or a quick coffee date with a key decision maker at a company that has sparked your interest. To maximize the impression you’re going to make, you have to know your audience. That means you must respectfully learn what you can about the person, their industry, or the culture of their organization. In fact, it pays to become familiar not only with the person’s current position but also their background, philosophies, triumphs, failures, and major breakthroughs. With that information in hand, you are less likely to waste the precious time you have and more likely to engage in genuine and meaningful conversation.
”
”
Terri L. Sjodin (Scrappy: A Little Book About Choosing to Play Big)
“
Even male children of affluent white families think that history as taught in high school is “too neat and rosy.” 6 African American, Native American, and Latino students view history with a special dislike. They also learn history especially poorly. Students of color do only slightly worse than white students in mathematics. If you’ll pardon my grammar, nonwhite students do more worse in English and most worse in history.7 Something intriguing is going on here: surely history is not more difficult for minorities than trigonometry or Faulkner. Students don’t even know they are alienated, only that they “don’t like social studies” or “aren’t any good at history.” In college, most students of color give history departments a wide berth. Many history teachers perceive the low morale in their classrooms. If they have a lot of time, light domestic responsibilities, sufficient resources, and a flexible principal, some teachers respond by abandoning the overstuffed textbooks and reinventing their American history courses. All too many teachers grow disheartened and settle for less. At least dimly aware that their students are not requiting their own love of history, these teachers withdraw some of their energy from their courses. Gradually they end up going through the motions, staying ahead of their students in the textbooks, covering only material that will appear on the next test. College teachers in most disciplines are happy when their students have had significant exposure to the subject before college. Not teachers in history. History professors in college routinely put down high school history courses. A colleague of mine calls his survey of American history “Iconoclasm I and II,” because he sees his job as disabusing his charges of what they learned in high school to make room for more accurate information. In no other field does this happen. Mathematics professors, for instance, know that non-Euclidean geometry is rarely taught in high school, but they don’t assume that Euclidean geometry was mistaught. Professors of English literature don’t presume that Romeo and Juliet was misunderstood in high school. Indeed, history is the only field in which the more courses students take, the stupider they become. Perhaps I do not need to convince you that American history is important. More than any other topic, it is about us. Whether one deems our present society wondrous or awful or both, history reveals how we arrived at this point. Understanding our past is central to our ability to understand ourselves and the world around us. We need to know our history, and according to sociologist C. Wright Mills, we know we do.8
”
”
James W. Loewen (Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong)
“
All this subterfuge in order to talk to me could have been prevented if you’d just ridden with me earlier today, when I asked.”
“Really?” She smoothed his disordered hair, which was sticking up at all angles. “You wouldn’t have spent the entire trip detailing reasons why I ‘must’ marry you?”
He flinched. “I’m sorry, Jane. Apparently, when I find myself with my back to the wall, I bark orders.”
“I know.” She straightened his cravat. “And in case you hadn’t noticed, I don’t do well with men who bark orders or make plans for me. It makes me want to shove them off a cliff.”
“Or refuse to marry them?”
“That, too.”
“Then I can see it’s a habit I shall have to break, if I am to keep you happy.” He glanced away. “Sometimes it’s just…I don’t know…easier to bark orders than to ask. Safer. No one has a chance to say no.”
It hit her then. That was precisely why he felt more comfortable ordering people about, setting up plans, being in charge. Because when he wasn’t in control, there was a chance he’d be left out in the cold. Left in a house with oblivious servants and a brother who despised him for taking his mother away by the simple fact of being born.
Left alone. Her poor, dear love.
Jane kept her eyes trained on his cravat. “But if you don’t ever give people a chance to say no, you can never know if they will rise to the occasion or not.”
He tipped up her chin until she was staring into his eyes. “I wronged you terribly by not trusting you to rise to the occasion, didn’t I? If I’d married you and carried you off to the garret, I daresay you would have stayed by my side. Loved me. Cherished me.”
Tears stung her eyes. “I like to think I would have. I certainly would have tried. It would have been worth it to be with you.”
“Leaving you was the biggest mistake I ever made,” he said earnestly. “I once told you I would do it again, given the chance. But I was lying, to myself as well as you. I could never do it again. Certainly not now that I know what it’s like to have you for my own. You have no idea how much I’ve missed you all these years.”
It was all she could do not to burst into tears right then and there. But that would only alarm him. So she choked them down enough to say, “No more than I missed you, I expect.”
With a groan, he kissed her, long and hot. It was a sweet promise of things to come, a portent of their future together.
When he was done, she wiped away tears. “To be fair, if we had married then, who knows what would have become of us? I doubt I would have liked your running about the country as a spy, leaving me alone for weeks at a time. And I daresay you would have had trouble concentrating on your work for worrying about me.”
His grateful smile showed that he appreciated her attempt to mitigate his betrayal.
”
”
Sabrina Jeffries (If the Viscount Falls (The Duke's Men, #4))
“
The Netherlands capital of Amsterdam amsterdam cruise is a thriving metropolis and one from the world's popular cities. If you are planning a trip to the metropolis, but are unclear about what you should do presently there, why not possess a little fun and spend time learning about how it's stereotypically known for? How come they put on clogs? When was the wind mill first utilised there? In addition, be sure to include all your feels on your journey and taste the phenomenal cheeses along with smell the stunning tulips. It's really recommended that you stay in a city motel, Amsterdam is quite spread out and residing in hotels close to the city-centre allows for the easiest access to public transportation.
Beyond the clichés
So that you can know precisely why a stereotype exists it usually is important to discover its source.
Clogs: The Dutch have already been wearing solid wood shoes, as well as "Klompen" as they are referred to, for approximately 700 years. They were originally made out of a timber sole along with a leather top or band tacked for the wood. Nevertheless, the shoes had been eventually created completely from wood to safeguard the whole base. Wooden shoe wearers state the shoes are usually warm during the cold months and cool during the warm months. The first guild associated with clog designers dates back to a number exceeding 1570 in Holland.
When making blockages, both shoes of a set must be created from the same kind of timber, even the same side of a tree, in order that the wood will certainly shrink in the same charge. While most blocks today are produced by equipment, a few shoemakers are left and they normally set up store in vacationer areas near any city hotel. Amsterdam also offers a clog-making museum, Klompenmakerij De Zaanse Schans, that highlights your shoe's history and significance.
Windmills: The first windmills have been demonstrated to have existed in Netherlands from about the year 1200. Today, there are eight leftover windmills in the capital. The most effective to visit is De Gooyer, which has been built in 1725 over the Nieuwevaart Canal. Their location in the east involving city's downtown area signifies it is readily available from any metropolis hotel. Amsterdam enjoys its beer and it actually has a brewery right on the doorstep to the wind generator. So if you are enjoying a historic site it's also possible to enjoy a scrumptious ice-cold beer - what more would you ask for?
Mozerella: It's impossible to vacation to Amsterdam without sampling several of its wonderful cheeses. In accordance with the locals, probably the most flavourful cheeses are available at the Wegewijs Emporium. With over 50 international cheese and A hundred domestic parmesan cheesse, you will surely have a wide-variety to pick from.
”
”
Step Into the Stereotypes of Amsterdam
“
As Merripen gave the ribbons to a stableman at the mews, Amelia glanced toward the end of the alley.
A pair of street youths crouched near a tiny fire, roasting something on sticks. Amelia did not want to speculate on the nature of the objects being heated. Her attention moved to a group—three men and a woman—illuminated in the uncertain blaze. It appeared two of the men were engaged in fisticuffs. However, they were so inebriated that their contest looked like a performance of dancing bears.
The woman’s gown was made of gaudily colored fabric, the bodice gaping to reveal the plump hills of her breasts. She seemed amused by the spectacle of two men battling over her, while a third attempted to break up the fracas.
“’Ere now, my fine jacks,” the woman called out in a Cockney accent, “I said I’d take ye both on—no need for a cockfight!”
“Stay back,” Merripen murmured.
Pretending not to hear, Amelia drew closer for a better view. It wasn’t the sight of the brawl that was so interesting—even their village, peaceful little Primrose Place, had its share of fistfights. All men, no matter what their situation, occasionally succumbed to their lower natures. What attracted Amelia’s notice was the third man, the would-be peacemaker, as he darted between the drunken fools and attempted to reason with them.
He was every bit as well dressed as the gentlemen on either side … but it was obvious this man was no gentleman. He was black-haired and swarthy and exotic. And he moved with the swift grace of a cat, easily avoiding the swipes and lunges of his opponents.
“My lords,” he was saying in a reasonable tone, sounding relaxed even as he blocked a heavy fist with his forearm. “I’m afraid you’ll both have to stop this now, or I’ll be forced to—” He broke off and dodged to the side just as the man behind him leaped.
The prostitute cackled at the sight. “They got you on the ’op tonight, Rohan,” she exclaimed.
Dodging back into the fray, Rohan attempted to break it up once more. “My lords, surely you must know”—he ducked beneath the swift arc of a fist—“that violence”—he blocked a right hook—“never solves anything.”
“Bugger you!” one of the men said, and butted forward like a deranged goat.
Rohan stepped aside and allowed him to charge straight into the side of the building. The attacker collapsed with a groan and lay gasping on the ground.
His opponent’s reaction was singularly ungrateful. Instead of thanking the dark-haired man for putting a stop to the fight, he growled, “Curse you for interfering, Rohan! I would’ve knocked the stuffing from him!” He charged forth with his fists churning like windmill blades.
Rohan evaded a left cross and deftly flipped him to the ground. He stood over the prone figure, blotting his forehead with his sleeve. “Had enough?” he asked pleasantly. “Yes? Good. Please allow me to help you to your feet, my lord.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
There was something of an unwritten code about working in the office of Rudy Giuliani, as I suppose there is in most organizations. In his case, the message was that Rudy was the star at the top and the successes of the office flowed in his direction. You violated this code at your peril. Giuliani had extraordinary confidence, and as a young prosecutor I found his brash style exciting, which was part of what drew me to his office. I loved it that my boss was on magazine covers standing on the courthouse steps with his hands on his hips, as if he ruled the world. It fired me up. Prosecutors almost never saw the great man in person, so I was especially pumped when he stopped by my office early in my career, shortly after I had been assigned to an investigation that touched a prominent New York figure who dressed in shiny tracksuits and sported a Nobel-sized medallion around his neck. The state of New York was investigating Al Sharpton for alleged embezzlement from his charity, and I was assigned to see if there was a federal angle to the case. I had never even seen Rudy on my floor, and now he was at my very door. He wanted me to know he was personally following the investigation and knew I would do a good job. My heart thumped with anxiety and excitement as he gave me this pep talk standing in the doorway. He was counting on me. He turned to leave, then stopped. “Oh, and I want the fucking medal,” he said, then walked away. But we never made a federal case. The state authorities charged Sharpton, and he was acquitted after a trial. The medal stayed with its owner.
”
”
James B. Comey (A Higher Loyalty: Truth, Lies, and Leadership)
“
Will she survive it? I told his lordship she would. I didn’t want to give him an excuse not to help her. Methinks that if he suspected she was near death, he would turn her out.”
“I don’t know. Methinks it depends on her will to live. If she doesn’t want life, she’ll die.” Haldana sighed. “I’ll stay with her and watch over her. Please, direct the girls to take over my duties.”
“Yea. ‘Tis already done.” Ulric narrowed his eyes in heavy contemplation, drawing back the coverlet at the girl’s bruised throat. His frown deepened. It looked as if she’d been strangled. “M’lord has put her in my charge until she awakens. He wishes to speak to her then.”
“Methinks that m’lord is more frightened of her being here because she is a woman and a woman of his class.”
“Yea, methought it also. He didn’t think much of me saying she was a beauty.” In truth, Ulric only saw the line of the lady’s slender body outlined by the coverlet and the fullness of her lips, but he’d mainly called her beautiful just to aggravate his lordship. He let go of the coverlet, letting the old material fall once more to cover the noblewoman’s neck. He moved his fingers to stroke the wiry hairs of his mustache.
“Wouldn’t it be nice if she was sent here to melt the curse from his lordship’s heart?” Haldana sighed, wistful. “Yea, even the curse from this castle. Then the Monster of Lakeshire would leave us be once and fer all.”
“You are a romantic dreamer, dear girl.” Ulric kissed Haldana briefly on her forehead and turned to leave. “Let me know at once when she awakens.”
“Yea, Ulric, I will.” Haldana let her girlish giggle echo in the chamber as he shut the door. From outside the chamber, he heard her say, “Poor child. You don’t know what you have gotten yerself into coming here.
”
”
Michelle M. Pillow (Maiden and the Monster)
“
Then she bent her head over at the waist and tossed her head around to separate the curls.
The elevator stopped and she heard the door open. She straightened up to find some big guy in a ball cap and sunglasses right in her face, charging into the elevator before she could even get out of it. He had both hands full of carry-out bags—Mexican food, judging from the smell.
She looked at them, her mouth watering. Yep. Enrique’s. The best in town.
He whirled around to punch the door-close button.
“Hey,” she said. “I’m getting off here.”
Some girl outside in the lobby yelled, “We know it’s you, Chase. You shouldn’t lie to us.”
Startled, Elle looked at the guy’s face and saw, just before he reached for her, that it really was Chase Lomax in ragged shorts and flip-flops.
He grabbed her up off her feet and bent his head. Found her mouth with his.
“Wait for us,” another girl yelled. The sound of running feet echoed off the marble floor, slid to a stop. “Oh, no!”
Kissing her, without so much as a “Hi, there, Elle.” Burning her up. She tried to struggle but he had both her arms pinned to her sides.
And suddenly she wanted to stay right where she was forever because the shock was wearing off and she was starting to feel. A lot more than she ever had before.
The door slid closed. The girls began banging on it.
“We know your room number, Chase, honey,” they yelled. “See you there.”
Loud giggles.
“We’ll show you a real good time.”
The elevator moved up, the voices faded away. But Chase kept on kissing her.
She had to make him stop it. Right now. Who did he think he was, anyway?
Somebody who could send lightning right through her whole body, that’s who. Lightning so strong it shook her to her toes.
He had to stop this now. But she couldn’t move any part of her body. Except her lips. And her tongue . . .
When he finally let her go she pulled back and away, fighting to get a handle on her breathing.
“What’s the matter?” he demanded.
Her blood rushed through her so fast it made her dizzy.
“You’re asking me? It’s more like, what’s the matter with you? How’d you get the idea you could get away with kissing me like that without even bothering to say hello?”
She touched her lips. They were still on fire.
“You have got a helluva nerve, Chase Lomax.”
He grinned at her as he took off his shades. He hung them in the neck of his huge, baggy T-shirt that had a bucking bull and rider with Git’R’Done written above it. He wore ragged denim shorts and flip-flops, for God’s sake. Chase Lomax was known for always being starched and ironed, custom-booted and hatted.
“I asked if you’re all right because you were bent over double shaking your head when the doors opened,” he said. “Like you were in pain or something.”
“I was drying my hair.”
He stared, then burst out laughing. “Oh, well, then.”
His laugh was contagious but she wouldn’t let herself join in. He could not get away with this scot-free. He’d shaken her up pretty good.
“Oh. I see. You thought I needed help, so you just grabbed me and kissed me senseless. Is that how you treat somebody you think’s in pain?”
He grinned that slow, charming grin of his again. “It made you feel better. Didn’t it?”
He held her gaze and wouldn’t let it go. She must be a sight. She could feel heat in her cheeks, so her face must be red. Plus she was gasping, trying to slow her breathing. And her heart-beat.
“You nearly scared me to death to try to get rid of those girls. And it was all wasted. They’re coming to your room.”
Something flashed deep in his brown eyes.
“Now you’ve hurt my feelings. I don’t think it was wasted,” he drawled. “I liked that kiss.
”
”
Genell Dellin (Montana Gold)
“
I got back into my car and followed the trucks; at the end of the road, the Polizei unloaded the women and children, who rejoined the men arriving on foot. A number of Jews, as they walked, were singing religious songs; few tried to run away; the ones who did were soon stopped by the cordon or shot down. From the top, you could hear the gun bursts clearly, and the women especially were starting to panic. But there was nothing they could do. The condemned were divided into little groups and a noncom sitting at a table counted them; then our Askaris took them and led them over the brink of the ravine. After each volley, another group left, it went very quickly. I walked around the ravine by the west to join the other officers, who had taken up positions above the north slope. From there, the ravine stretched out in front of me: it must have been some fifty meters wide and maybe thirty meters deep, and went on for several kilometers; the little stream at the bottom ran into the Syrets, which gave its name to the neighborhood. Boards had been placed over this stream so the Jews and their shooters could cross easily; beyond, scattered pretty much everywhere on the bare sides of the ravine, the little white clusters were multiplying. The Ukrainian “packers” dragged their charges to these piles and forced them to lie down over them or next to them; the men from the firing squad then advanced and passed along the rows of people lying down almost naked, shooting each one with a submachine bullet in the neck; there were three firing squads in all. Between the executions some officers inspected the bodies and finished them off with a pistol. To one side, on a hill overlooking the scene, stood groups of officers from the SS and the Wehrmacht. Jeckeln was there with his entourage, flanked by Dr. Rasch; I also recognized some high-ranking officers of the Sixth Army. I saw Thomas, who noticed me but didn’t return my greeting. On the other side, the little groups tumbled down the flank of the ravine and joined the clusters of bodies that stretched farther and farther out. The cold was becoming biting, but some rum was being passed around, and I drank a little. Blobel emerged suddenly from a car on our side of the ravine, he must have driven around it; he was drinking from a little flask and shouting, complaining that things weren’t going fast enough. But the pace of the operations had been stepped up as much as possible. The shooters were relieved every hour, and those who weren’t shooting supplied them with rum and reloaded the clips. The officers weren’t talking much; some were trying to hide their distress. The Ortskommandantur had set up a field kitchen, and a military pastor was preparing some tea to warm up the Orpos and the members of the Sonderkommando. At lunchtime, the superior officers returned to the city, but the subalterns stayed to eat with the men. Since the executions had to continue without pause, the canteen had been set up farther down, in a hollow from which you couldn’t see the ravine. The Group was responsible for the food supplies; when the cases were broken open, the men, seeing rations of blood pudding, started raging and shouting violently. Häfner, who had just spent an hour administering deathshots, was yelling and throwing the open cans onto the ground: “What the hell is this shit?” Behind me, a Waffen-SS was noisily vomiting. I myself was livid, the sight of the pudding made my stomach turn. I went up to Hartl, the Group’s Verwaltungsführer, and asked him how he could have done that. But Hartl, standing there in his ridiculously wide riding breeches, remained indifferent. Then I shouted at him that it was a disgrace: “In this situation, we can do without such food!
”
”
Jonathan Littell (The Kindly Ones)
“
When we are young, we yearn for battle. In the firelit halls we listen to the songs of heroes; how they broke the foemen, splintered the shield wall, and soaked their swords in the blood of enemies. As youngsters we listen to the boast of warriors, hear their laughter as they recall battle, and their bellows of pride when their lord reminds them of some hard-won victory. And those youngsters who have not fought, who have yet to hold their shield against a neighbour's shield in the wall, are despised and disparaged. So we practise. Day after day we practise, with spear, sword, and shield. We begin as children, learning blade-craft with wooden weapons, and hour after hour we hit and are hit. We fight against men who hurt us in order to teach us, we learn not to cry when the blood from a split skull sheets across the eyes, and slowly the skill of the sword-craft builds.
Then the day comes when we are ordered to march with the men, not as children to hold the horses and to scavenge weapons after the battle, but as men. If we are lucky we have a battered old helmet and a leather jerkin, maybe even a coat of mail that hangs like a sack. We have a sword with a dented edge and a shield that is scored by enemy blades. We are almost men, not quite warriors, and on some fateful day we meet an enemy for the first time and we hear the chants of battle, the threatening clash of blades on shields, and we begin to learn that the poets are wrong and that the proud songs lie. Even before the shield walls meet, some men shit themselves. They shiver with fear. They drink mead and ale. Some boast, but most are quiet unless they join a chant of hate. Some men tell jokes, and the laughter is nervous. Others vomit. Our battle leaders harangue us, tell us of the deeds of our ancestors, of the filth that is the enemy, of the fate our women and children face unless we win, and between the shield walls the heroes strut, challenging us to single combat, and you look at the enemy's champions and they seem invincible. They are big men; grim-faced, gold hung, shining in mail, confident, scornful, savage.
The shield wall reeks of shit, and all a man wants is to be home, to be anywhere but on this field that prepares for battle, but none of us will turn and run or else we will be despised for ever. We pretend we want to be there, and then the wall at last advances, step by step, and the heart is thumping fast as a bird's wing beating, the world seems unreal. Thought flies, fear rules, and then the order to quicken the charge is shouted, and you run, or stumble, but stay in your rank because this is the moment you have spent a lifetime preparing for, and then, for the first time, you hear the thunder of shield walls meeting, the clangour of battle swords, and the screaming begins.
It will never end.
Till the world ends in the chaos of Ragnarok, we will fight for our women, for our land, and for our homes. Some Christians speak of peace, of the evil of war, and who does not want peace? But then some crazed warrior comes screaming his god's filthy name into your face and his only ambitions are to kill you, to rape your wife, to enslave your daughters, and take your home, and so you must fight.
”
”
Bernard Cornwell (The Flame Bearer (The Saxon Stories, #10))
“
ESTABLISH STABLE ANCHORS OF ATTENTION Mindfulness meditation typically involves something known as an anchor of attention—a neutral reference point that helps support mental stability. An anchor might be the sensation of our breath coming in and out of the nostrils, or the rising and falling of our abdomen. When we become lost in thought during practice, we can return to our anchor, fixing our attention on the stimuli we’ve chosen. But anchors can also intensify trauma. The breath, for instance, is far from neutral for many survivors. It’s an area of the body that can hold tension related to a trauma and connect to overwhelming, life-threatening events. When Dylan paid attention to the rising and falling of his abdomen, he would be swamped with memories of mocking faces while walking down the hallway. Other times, feeling a constriction of his breath in the chest echoed a feeling of immobility, which was a traumatic reminder. For Dylan, the breath simply wasn’t a neutral anchor. As a remedy, we can encourage survivors to establish stabilizing anchors of attention. This means finding a focus of attention that supports one’s window of tolerance—creating stability in the nervous system as opposed to dysregulation. Each person’s anchor will vary: for some, it could be the sensations of their hands resting on their thighs, or their buttocks on the cushion. Other stabilizing anchors might include another sense altogether, such as hearing or sight. When Dylan and I worked together, it took a while until he could find a part of his body that didn’t make him more agitated. He eventually found that the sense of hearing was a neutral anchor of attention. At my office, he’d listen for the sound of the birds or the traffic outside, which he found to be stabilizing. “It’s subtle,” he said to me, opening his eyes and rubbing the back of his neck with his hand. “But it is a lot less charged. I’m not getting riled up the same way, which is a huge relief.” In sessions together, Dylan’s anchor was a spot he’d rest his attention on at the beginning of a session or a place to return to if he felt overwhelmed. If he practiced meditation at home—I’d recommended short periods if he could stay in his window of tolerance—he used hearing as an anchor, or “home base” as he called it. “I finally feel like I can access a kind of refuge,” he said quietly, placing his hand on his belly. “My body hasn’t felt safe in so long. It’s a relief to finally feel like I’m learning how to be in here.” Anchors of attention you can offer students and clients practicing mindfulness—besides the sensation of the breath in the abdomen or nostrils—include different physical sensations (feet, buttocks, back, hands) and other senses (seeing, smelling, hearing). One client of mine had a soft blanket that she would touch slowly as an anchor. Another used a candle. For some, walking meditation is a great way to develop more stable anchors of attention, such as the feeling of one’s feet on the ground—whatever supports stability and one’s window of tolerance. Experimentation is key. Using subtler anchors does come with benefits and drawbacks. One advantage to working with the breath is that it is dynamic and tends to hold our attention more easily. When we work with a sense that’s less tactile—hearing, for instance—we may be more prone to drifting off into distraction. The more tangible the anchor, the easier it is to return to it when attention wanders.
”
”
David A. Treleaven (Trauma-Sensitive Mindfulness: Practices for Safe and Transformative Healing)