Station Eleven Arthur Quotes

We've searched our database for all the quotes and captions related to Station Eleven Arthur. Here they are! All 18 of them:

Dear V., I'm a terrible actor and this city is fucking freezing and I miss you. - A.
Emily St. John Mandel (Station Eleven)
He was thinking of the book, and what Dahlia had said about sleepwalking, and a strange thought came to him: had Arthur seen that Clark was sleepwalking? Would this be in the letters to V.? Because he had been sleepwalking, Clark realized, moving half-asleep through the motions of his life for a while now, years; not specifically unhappy, but when had he last found real joy in his work? When was the last time he'd truly been moved by anything? When had he last felt awe or inspiration? He wished he could somehow go back and find the iPhone people whom he'd jostled on the sidewalk earlier, apologize to them--I'm sorry, I've realized that I'm just as minimally present in this world as your are, I had no right to judge--and also he wanted of every 360° report and apologize to them too, because it's an awful thing to appear in someone else's report, he saw that now, it's an awful thing to be a target.
Emily St. John Mandel (Station Eleven)
It’s not a hometown, actually, it’s a home island. “It’s the same size and shape as Manhattan,” Arthur tells people at parties all his life, “except with a thousand people.” Delano Island is between Vancouver Island and mainland British Columbia, a straight shot north from Los Angeles. The island is all temperate rain forest and rocky beaches, deer breaking into vegetable gardens and leaping in front of windshields, moss on low-hanging branches, the sighing of wind in cedar trees.
Emily St. John Mandel (Station Eleven)
that people here see her as an eccentric, the actor’s wife who inks mysterious cartoons that no one’s ever laid eyes on—“My wife’s very private about her work,” Arthur says in interviews—and who doesn’t drive and likes to go for long walks in a town where nobody walks anywhere and who has no friends except a Pomeranian, although does anyone really know this last part? She hopes not. Her friendlessness is never mentioned in gossip blogs, which she appreciates. She hopes she isn’t as awkward to other people as she feels to herself.
Emily St. John Mandel (Station Eleven)
I remember thine eyes well enough,” Arthur said, distracted by the child version of Cordelia, and this was when it happened. There was a
Emily St. John Mandel (Station Eleven)
Thinking of a boy standing on the tarmac by the ghost plane, Air Gradia Flight 452, Arthur Leander's beloved only son, reading verses about plagues aloud to the dead.
Emily St. John Mandel (Station Eleven)
One of them shrugged and pulled the blanket down to fit an oxygen mask over Arthur’s face. Jeevan realized this charade must be for Arthur’s family, so they wouldn’t be notified of his death via the evening news. He was moved by the decency of it.
Emily St. John Mandel (Station Eleven)
Or maybe just an amphetamine freak? Clark’s thoughts wandered to a particularly exciting week in Toronto, eighteen or nineteen years old, when he and Arthur had accepted some pills from a new friend at a dance club and stayed up for seventy-two hours straight.
Emily St. John Mandel (Station Eleven)
her. It was a lump of glass with a storm cloud trapped inside. In the lobby, the people gathered at the bar clinked their glasses together. “To Arthur,” they said. They drank for a few more minutes and then went their separate ways in the storm. Of all of them there at the bar that night, the
Emily St. John Mandel (Station Eleven)
No one seems to have noticed that Miranda’s saying very little. “I wish you’d try a little harder,” Arthur has said to her once or twice, but she knows she’ll never belong here no matter how hard she tries. These are not her people. She is marooned on a strange planet. The best she can do is pretend to be unflappable when she isn’t.
Emily St. John Mandel (Station Eleven)
He’d been spending more time in the past lately. He liked to close his eyes and let his memories overtake him. A life, remembered, is a series of photographs and disconnected short films: the school play when he was nine, his father beaming in the front row; clubbing with Arthur in Toronto, under whirling lights; a lecture hall at NYU. An executive, a client, running his hands through his hair as he talked about his terrible boss. A procession of lovers, remembered in details: a set of dark blue sheets, a perfect cup of tea, a pair of sunglasses, a smile. The Brazilian pepper tree in a friend’s backyard in Silver Lake. A bouquet of tiger lilies on a desk. Robert's smile. His mother's hands, knitting while she listened to the BBC.
Emily St. John Mandel (Station Eleven)
thinking of what Dahlia had said about sleepwalking, and a strange thought came to him: had Arthur seen that Clark was sleepwalking? Would this be in the letters to V.? Because he had been sleepwalking, Clark realized, moving half-asleep through the motions of his life for a while now, years; not specifically unhappy, but when had he last found real joy in his work? When was the last time he’d been truly moved by anything? When had he last felt awe or inspiration
Emily St. John Mandel (Station Eleven)
Clark had thought he was meeting his oldest friend for dinner, but Arthur wasn’t having dinner with a friend, Clark realized, so much as having dinner with an audience. He felt sick with disgust. When he left a short time later he found himself wandering, even though by now he’d oriented himself and knew how to get back to the Tube station. Cold rain, the sidewalk shining, the shhh of car tires on the wet street. Thinking about the terrible gulf of years between eighteen and fifty.
Emily St. John Mandel (Station Eleven)
He was thinking of a diner near Queen West and Spadina, a place he'd frequented with Clark when they were seventeen...All these decades later, the place was eerily unchanged...He remembered being here with Clark at three or four or sometimes five in the morning, during what seemed at the time like adulthood and seemed in retrospect like a dream. The dream lasted just a moment, but the moment was bright: both of them taking acting classes, Arthur working as a waiter while Clark burned through a small inheritance.
Emily St. John Mandel (Station Eleven)
had Arthur seen that Clark was sleepwalking? Would this be in the letters to V.? Because he had been sleepwalking, Clark realized, moving half-asleep through the motions of his life for a while now, years; not specifically unhappy, but when had he last found real joy in his work? When was the last time he’d been truly moved by anything? When had he last felt awe or inspiration? He wished he could somehow go back and find the iPhone people whom he’d jostled on the sidewalk earlier, apologize to them—I’m sorry, I’ve just realized that I’m as minimally present in this world as you are,
Emily St. John Mandel (Station Eleven)
What became of you, Elizabeth, out there on the road with your son? But what, after all, had become of anyone? His parents, his colleagues, all his friends from his life before the airport, Robert? If all of them had vanished, uncounted and unmarked, why not Elizabeth too? He closed his eyes. Thinking of a boy standing on the tarmac by the ghost plane, Air Gradia Flight 452, Arthur Leander’s beloved only son, reading verses about plagues aloud to the dead.
Emily St. John Mandel (Station Eleven)
Arthur lives in a permanent state of disorientation like a low-grade fever, the question hanging over everything being How did I get from there to here?
Emily St. John Mandel (Station Eleven)
After Clark had delivered the news of Arthur's death, Miranda remained on the beach for some time. She sat on the sand, thinking of Arthur and watching a small boat coming in to shore, a single bright light skimming over the water. She was thinking about the way she'd always taken for granted that the world had certain people in it, either central to her days or unseen and infrequently thought of. How without any one of those people the world is a subtly but unmistakably altered place, the dial turned just one or two degrees.
Emily St. John Mandel (Station Eleven)