Stark Mother Quotes

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The strongest trees are rooted in the dark places of the earth. Darkness will be your cloak, your shield, your mother's milk. Darkness will make you strong.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Once she had loved Prince Joffrey with all her heart, and admired and trusted her his mother, the queen. They had repaid that love and trust with her father's head. Sansa would never make that mistake again.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
In stark contrast to two nights ago, when I felt Peeta was a million miles away, I'm struck by his immediacy now. As we settle in, he pulls my head down to use his arm as a pillow; the other rests protectively over me even when he goes to sleep. No one has held me like this in such a long time. Since my father died and I stopped trusting my mother, no one else's arms have made me feel this safe.
Suzanne Collins (The Hunger Games (The Hunger Games, #1))
It's just a stupid sword," she said, aloud this time... ... but it wasn't. Needle was Robb and Bran and Rickon, her mother and her father, even Sansa. Needle was Winterfell's grey walls, and the laughter of its people. Needle was the summer snows, Old Nan's stories, the heart tree with its red leaves and scary face, the warm earthy smell of the glass gardens, the sound of the north wind rattling the shutters of her room. Needle was Jon Snow's smile.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
He is no true knight, but he saved me all the same,” she told the mother. “Save him if you can, and gentle the rage inside him -Sansa
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Catelyn wanted to run to him, to kiss his sweet brow, to wrap him in her arms so tightly that he would never come to harm....
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
„You're Ned Stark's bastard, aren't you?“ Jon felt a coldness pass right through him. He pressed his lips together and said nothing. „Did I offend you?“ Lannister said. „Sorry. Dwarfs don't have to be tactful. Generations of capering fools in motley have won me the right to dress badly and say any damn thing that comes into my head.“ He grinned. „You are the bastard, though.“ „Lord Eddard Stark is my father,“ Jon admitted stiffly. Lannister studied his face. „Yes,“ he said. „I can see it. You have more of the north in you than your brothers.“ „Half brothers,“ Jon corrected. He was pleased by the dwarf's comment, but he tried not to let it show. „Let me give you some counsel, bastard,“ Lannister said. „Never forget what you are, for surely the world will not. Make it your strenght. Then it can never be your weakness. Armor yourself in it, and it will never be used to hurt you.“ Jon was in no mood for anyone's counsel. „What do you know about being a bastard?“ „All dwarfs are bastards in their father's eyes.“ „You are your mother's trueborn son of Lannister.“ „Am I?“ the dwarf replied, sardonic. „Do tell my lord father. My mother died birthing me, and he's never been sure.“ „I don't even know who my mother was,“ Jon said. „Some woman, no doubt. Most of them are.“ He favored Jon with a rueful grin. „Remember this, boy. All dwarfs may be bastards, yet not all bastards need be dwarfs.“ And with that he turned and sauntered back into the feast, whistling a tune. When he opened the door, the light from within threw his shadow clear across the yard, and for just a moment Tyrion Lannister stood tall as a king.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
And then the years were gone, and he was back at Winterfell once more, wearing a quilted leather coat in place of mail and plate. His sword was not made of wood, and it was Robb who stood facing him, not Iron Emmett. Every morning they had trailed together, since they were big enough to walk; Snow and Stark, spinning and slashing about the wards of Winterfell, shouting and laughing, sometimes crying when there was no one else to see. They were not little boys when they fought, but knights and mighty heroes. "I'm Prince Aemon the Dragonknight," Jon would call out, and Robb would shout back, "Well, I'm Florian the Fool." Or Robb would say, "I'm the Young Dragon," and Jon would reply, "I'm Ser Ryam Redwyne." That morning he called it first. "I'm Lord of Winterfell!" he cried, as he had a hundred times before. Only this time, this time, Robb had answered, "You can't be Lord of Winterfell, you're bastard-born. My lady mother says you can't ever be the Lord of Winterfell.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
Doth mother know you weareth her drapes?
Tony Stark, Iron Man
He was shockingly easy to follow. The pressure of his hand, the step of his foot, the angle of his frame... it was like reading his mind. When he leaned right, they turned in perfect unison. He swept her across the gallery in a quick three, a dizzying pace. Gilded frames and glass cases and the window blurred in her vision, and Azalea spun out, her skirts pulling and poofing around her, before he caught her and brought her back into dance position. She could almost hear music playing, swelling inside of her. Mother had once told her about this perfect twining into one. She called it interweave, and said it was hard to do, for it took the perfect matching of the partners’ strengths to overshadow each other’s weaknesses, meshing into one glorious dance. Azalea felt the giddiness of being locked in not a pairing, but a dance. So starkly different than dancing with Keeper. Never that horrid feeling that she owed him something; no holding her breath, wishing for the dance to end. Now, spinning from Mr. Bradford’s hand, her eyes closed, spinning back and feeling him catch her, she felt the thrill of the dance, of being matched, flow through her. ”Heavens, you’re good!” said Azalea, breathless. ”You’re stupendous,” said Mr. Bradford, just as breathless. “It’s like dancing with a top!
Heather Dixon Wallwork (Entwined)
Septa Mordane said boar hunting was not for ladies, and Mother only promised that when she was older she might have her own hawk. She was older now, but if she had a hawk she'd eat it. -Arya Stark
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Tyrion turned to his nephew. “Joffrey, it is past time you called on Lord Eddard and his lady, to offer them your comfort.” Joffrey looked as petulant as only a boy prince can look. “What good will my comfort do them?” “None,” Tyrion said. “Yet it is expected of you. Your absence has been noted.” “The Stark boy is nothing to me,” Joffrey said. “I cannot abide the wailing of women.” Tyrion Lannister reached up and slapped his nephew hard across the face. The boy’s cheek began to redden. “One word,” Tyrion said, “and I will hit you again.” “I’m going to tell Mother!” Joffrey exclaimed. Tyrion hit him again. Now both cheeks flamed. “You tell your mother,” Tyrion told him. “But first you get yourself to Lord and Lady Stark, and you fall to your knees in front of them, and you tell them how very sorry you are, and that you are at their service if there is the slightest thing you can do for them or theirs in this desperate hour, and that all your prayers go with them. Do you understand?
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
And so I urge you to still every motion that is not rooted in the Kingdom. Become quiet, hushed, motionless until you are finally centered. Strip away all excess baggage and nonessential trappings until you have come into the stark reality of the Kingdom of God. Let go of all distractions until you are driven into the Core. Allow God to reshuffle your priorities and eliminate unnecessary froth. Mother Teresa of Calcutta said, 'Pray for me that I not loosen my grip on the hands of Jesus even under the guise of ministering to the poor.' That is our first task: to grip the hands of Jesus with such tenacity that we are obliged to follow his lead, to seek first his Kingdom.
Richard J. Foster (Freedom of Simplicity: Finding Harmony in a Complex World)
They were not smooth men, the bikers in her life, not fine, or well-loved by Mother Nature. The life – the wind, the sun, the drink, the sin, the violence – it took their soft layers away like sandpaper, over time, until there was a certain stark pride in their wrinkles and dark patches.
Lauren Gilley (Fearless (Dartmoor, #1))
Starkly in an instant she saw herself as she really was-alone in a wood standing among blue shadows with no sounds and the air a sort of black ice. She had no coat. All the people she’d known had forgotten her. Her mother, biting off thread between her teeth, couldn’t hear her, and her father with his eyes turned sorrowfully inward did not see her. They never had. Those she loved did not need her. Lila and Carl danced together in a bubble. Ralph Eastman picked lint from his sleeve. Buddy tucked in his shirttails, jumped in a truck and drove away. Fiona Speed showed the back of her hat, heading downtown in a cab. They all had more important concerns, they were all in their own lives, and there was no room for her. At night their doors were shut and through lit windows she could see them consulting one another, checking the baby, looking after business, licking envelopes, turning back the bedcover, shutting off the light switch, while she was left stranded out in the chill night in the true human state, lost, in the dark, alone.
Susan Minot (Evening)
Paul sat silently in the darkness, a single stark thought dominating his awareness: My mother is my enemy. She does not know it, but she is. She is bringing the jihad. She bore me; she trained me. She is my enemy.
Frank Herbert (Dune (Dune, #1))
There is a peculiar strength that comes to one who is facing the final battle. That battle is not limited to war, nor the strength to warriors. I've seen this strength in old women with the coughing sickness and heard of it in families that are starving together. It drives one to go on, past hope or despair, past blood loss and gut wounds, past death itself in a final surge to save something that is cherished. It is courage without hope. During the Red-Ship Wars, I saw a man with blood gouting in spurts from where his left arm had once been yet swinging a sword with his right as he stood protecting a fallen comrade. During one encounter with Forged Ones, I saw a mother stumbling over her own entrails as she shrieked and clutched at a Forged man, trying to hold him away from her daughter. The OutIslanders have a word for that courage. "Finblead", they call it, the last blood, and they believe that a special fortitude resides in the final blood that remains in a man or a woman before they fall. According to their tales, only then can one find and use that sort of courage. It is a terrible bravery and at its strongest and worst, it goes on for months when one battles a final illness. Or, I believe, when one moves toward a duty that will result in death but is completely unavoidable. That "finblead" lights everything in one's life with a terrible radiance. All relationships are illuminated for what they are and for what they truly were in the past. All illusions melt away. The false is revealed as starkly as the true.
Robin Hobb (Assassin's Fate (The Fitz and the Fool, #3))
Forty-five minutes later, Benedict was slouching in his chair, his eyes glazed. Every now and then he had to stop and make sure his mouth wasn't hanging open. His mother's conversation was that boring. The young lady she had wanted to discuss with him had actually turned out to be seven young ladies, each of which she assured him was better than the last. Benedict thought he might go mad. Right here in his mother's sitting room he was going to go stark, raving mad. He'd suddenly pop out of his chair, fall to the floor in a frenzy his arms and legs waving, mouth frothing- "Benedict, are you even listening to me?" He looked up and blinked. Damn. Now he would have to focus on his mother's list of possible brides. The prospect of losing his sanity had been infinitely more appealing.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
He can’t be a baby forever. He’s a Stark, and near four.” Robb sighed. “Well, Mother will be home soon. And I’ll bring back Father, I promise.
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
People spoke to foreigners with an averted gaze, and everybody seemed to know somebody who had just vanished. The rumors of what had happened to them were fantastic and bizarre though, as it turned out, they were only an understatement of the real thing. Before going to see General Videla […], I went to […] check in with Los Madres: the black-draped mothers who paraded, every week, with pictures of their missing loved ones in the Plaza Mayo. (‘Todo mi familia!’ as one elderly lady kept telling me imploringly, as she flourished their photographs. ‘Todo mi familia!’) From these and from other relatives and friends I got a line of questioning to put to the general. I would be told by him, they forewarned me, that people ‘disappeared’ all the time, either because of traffic accidents and family quarrels or, in the dire civil-war circumstances of Argentina, because of the wish to drop out of a gang and the need to avoid one’s former associates. But this was a cover story. Most of those who disappeared were openly taken away in the unmarked Ford Falcon cars of the Buenos Aires military police. I should inquire of the general what precisely had happened to Claudia Inez Grumberg, a paraplegic who was unable to move on her own but who had last been seen in the hands of his ever-vigilant armed forces [….] I possess a picture of the encounter that still makes me want to spew: there stands the killer and torturer and rape-profiteer, as if to illustrate some seminar on the banality of evil. Bony-thin and mediocre in appearance, with a scrubby moustache, he looks for all the world like a cretin impersonating a toothbrush. I am gripping his hand in a much too unctuous manner and smiling as if genuinely delighted at the introduction. Aching to expunge this humiliation, I waited while he went almost pedantically through the predicted script, waving away the rumored but doubtless regrettable dematerializations that were said to be afflicting his fellow Argentines. And then I asked him about Senorita Grumberg. He replied that if what I had said was true, then I should remember that ‘terrorism is not just killing with a bomb, but activating ideas. Maybe that’s why she’s detained.’ I expressed astonishment at this reply and, evidently thinking that I hadn’t understood him the first time, Videla enlarged on the theme. ‘We consider it a great crime to work against the Western and Christian style of life: it is not just the bomber but the ideologist who is the danger.’ Behind him, I could see one or two of his brighter staff officers looking at me with stark hostility as they realized that the general—El Presidente—had made a mistake by speaking so candidly. […] In response to a follow-up question, Videla crassly denied—‘rotondamente’: ‘roundly’ denied—holding Jacobo Timerman ‘as either a journalist or a Jew.’ While we were having this surreal exchange, here is what Timerman was being told by his taunting tormentors: Argentina has three main enemies: Karl Marx, because he tried to destroy the Christian concept of society; Sigmund Freud, because he tried to destroy the Christian concept of the family; and Albert Einstein, because he tried to destroy the Christian concept of time and space. […] We later discovered what happened to the majority of those who had been held and tortured in the secret prisons of the regime. According to a Navy captain named Adolfo Scilingo, who published a book of confessions, these broken victims were often destroyed as ‘evidence’ by being flown out way over the wastes of the South Atlantic and flung from airplanes into the freezing water below. Imagine the fun element when there’s the surprise bonus of a Jewish female prisoner in a wheelchair to be disposed of… we slide open the door and get ready to roll her and then it’s one, two, three… go!
Christopher Hitchens (Hitch 22: A Memoir)
I am not sure whether you could call this abuse, but when I was (long ago) abroad in the world of dry men, I saw parents, usually upscale and educated and talented and functional and white, patient and loving and supportive and concerned and involved in their children’s lives, profilgate with compliments and diplomatic with constructive criticism, loquacious in their pronouncements of unconditional love for and approval of their children, conforming to every last jot-tittle in any conceivably definition of a good parent, I saw parent after unimpeachable parent who raised kids who were (a) emotionally retarded or (b) lethally self-indulgent or (c) chronically depressed or (d) borderline psychotic or (e) consumed with narcissistic self-loathing or (f) neurotically driven/addicted or (g) variously psychosomatically Disabled or (h) some conjunctive permutation of (a) … (g). Why is this. Why do many parents who seem relentlessly bent on producing children who feel they are good persons deserving of love produce children who grow to feel they are hideous persons not deserving of love who just happen to have lucked into having parents so marvelous that the parents love them even though they are hideous? Is it a sign of abuse if a mother produces a child who believes not that he is innately beautiful and lovable and deserving of magnificent maternal treatment but somehow that he is a hideous unlovable child who has somehow lucked in to having a really magnificent mother? Probably not. But could such a mother then really be all that magnificent, if that’s the child’s view of himself? ...I think, Mrs. Starkly, that I am speaking of Mrs. Avril M.-T. Incandenza, although the woman is so multileveled and indictment-proof that it is difficult to feel comfortable with any sort of univocal accusation of anything. Something just was not right, is the only way to put it. Something creepy, even on the culturally stellar surface.
David Foster Wallace (Infinite Jest)
From the beginning I was aware that there was something improper about the way I felt about Clementine Stark, something I shouldn’t tell my mother, but I wouldn’t have been able to articulate it. I didn’t connect this feeling to sex. I didn’t know sex existed
Jeffrey Eugenides (Middlesex)
By and large, Willy tried to be a good son. At those rare moments when he was able to stop thinking about himself, he even made a conscious effort to be nice to her [his mum]. If they had their differences, they were less a result of personal animosity than of starkly opposing world views.
Paul Auster (Timbuktu)
December. The days begin white and glittering with snow---on the roof, the branches of the sycamore, where a robin has taken up residence. It reminds Kate of Robin Redbreast from The Secret Garden---for so many years, her only safe portal to the natural world. Only now does she truly understand her favorite passage, memorized since childhood: "Everything is made out of magic, leaves and trees, flowers and birds, badgers and foxes and squirrels and people. So it must be all around us." Often, before she leaves for work, she stand outside to watch the sun catch on the white-frosted plants, searching for the robin's red breast. A spot of color against the stark morning. Sometimes, while she watches it flutter, she feels a tugging inside her womb, as if her daughter is responding to its song, anxious to breach the membrane between her mother's body and the outside world. The robin is not alone in the garden. Starlings skip over the snow, the winter sun varnishing their necks. At the front of the cottage, fieldfares---distinctive with their tawny feathers---chatter in the hedgerows. And of course, crows. So many that they form their own dark canopy of the sycamore, hooded figures watching.
Emilia Hart (Weyward)
Ayla got up and went outside the tent. A mist hovered close to the ground and the air felt cold and damp on her bare skin. She could hear the roar of the waterfall in the distance, but the vapor thickened into a dense fog near the back end of the lake, a long narrow body of greenish water, so cloudy it was nearly opaque. No fish lived in such a place, she was sure, just as no vegetation grew along the edge; it was too new for life, too raw. There was only water and stone, and a quality of time before time, of ancient beginnings before life began. Ayla shivered and felt a stark taste of Her terrible loneliness before the Great Mother Earth gave birth to all living things.
Jean M. Auel (The Plains of Passage (Earth's Children, #4))
He was very still, and turned toward me. I knew he was looking at me but I could not look back. "What is it like?" he said at last. "Seeing the dead." An old woman walked by, huddled into a thick coat, her footsteps splashing through the reflected lamplight on the street. "Like plunging your hand into a bucket of worms in the dark," I said. "Except it's inside your mind. It's repellent, and cold, and you don't know what you're touching because you can't see—you don't know what it looks like, and you don't want to know." "Jesus, Ellie," James said. I turned to him to find his face stark in the harsh lamplight. "Gloria did that for a living." "So did my mother," I said. So do I.
Simone St. James (The Other Side of Midnight)
You took a social problem--parents divorcing, mother a nymphomaniac, father drunk or gay (or both), brother on drugs, child crippled or bullied, a moron in the family, epilepsy, poverty (but only if you were stuck for a problem; poverty was too easy)--and you wrote about this Problem in stark, distressing terms. Then--this is the Rule--you gave it to the child with that problem to read. The child was supposed to delight in the insight and to see his own parents (or brother or disability) as a joyful challenge.
Diana Wynne Jones (Reflections: On the Magic of Writing)
Pedaling down the maple lined drive, quicksilver temper ebbed, her resilient spirits were lifted with the beauty of the day. The valley was stirring with life. Small clusters of fragile violets and red clover dotted the rolling meadows. Lines of fresh laundry waved in the early breeze. The boundary of mountains was tooped by a winter's coat, not yet the soft, lush green it would be in a month's time, but patched with stark black trees and the intermittent color of pines. Clouds scudded thin and white across the sky, chased by the teasing wind which whispered of spring and fresh blossoms.
Nora Roberts (Where The Heart Is: From This Day / Her Mother's Keeper)
There's a pause. I break it by asking, "What do you want?" She says nothing for a long time and I look back at my hands, at dried blood, probably from a girl named Suki, beneath the thumbnail. My mother licks her lips tiredly, and says, "I don't know. I just want to have a nice Christmas." I don't say anything. I've spent the last hour studying my hair in the mirror I've insisted the hospital to keep in my mother's room. "You look unhappy," she says suddenly. "I'm not," I tell her with a brief sigh. "You look unhappy," she says, more quietly this time. She touches her hair, stark blinding white, again. "Well, you do too," I say slowly, hoping that she won't say anything else.
Bret Easton Ellis (American Psycho)
He was very still, and turned toward me. I knew he was looking at me but I could not look back. "What is it like?" he said at last. "Seeing the dead." An old woman walked by, huddled into a thick coat, her footsteps splashing through the reflected lamplight on the street. "Like plunging your hand into a bucket of worms in the dark," I said. "Except it's inside your mind. It's repellent, and cold, and you don't know what you're touching because you can't see—you don't know what it looks like, and you don't want to know." "Jesus, Ellie," James said. I turned to him to find his face stark in the harsh lamplight. "Gloria did that for a living." "So did my mother," I said. So do I.
Simone St. James
You said somewhere that you would like to write in one of the Nordic languages because they have more vowels, and vowels are more serious.’ You: ‘Did I say that? But Latin languages have more vowels than Nordic ones! I think what I meant was that I would like to write in one of those ancient northern tongues which were almost entirely made up on vowels. I’ve always felt it had something to do with the climate. They were hot languages, insulated by all those heaped up vowels.’ Me: ‘Ancient Hebrew only had consonants. Presumably so that there was no risk of them accidentally writing the secret name of God.’ You: ‘Or perhaps that was to do with the climate too. Consonants were more open and airy, more suited to a language of the desert.’ ‘You also said that you hated sans serif typefaces.’ ‘Oh, yes, they’re terrible! All those naked letters, reduced to their stark scaffolding. No-one can possibly recognise their mother tongue when printed in a Futura typeface. It lacks maternal warmth, it lacks friendliness.’ ‘I fear Cuervo may be right: we are somewhat unscientific.’ ‘And prejudiced too. Vowels can be dispensed with. A text written solely using vowels would be illegible, but in a text using only consonants, one could guess the vowels. A text in which X replaced all the Os, as in that story by Poe, might prove difficult to read, but would, ultimately, be decipherable.
Luis Fernando Verissimo (Borges and the Eternal Orangutans)
So it is hopeless. Is that what you are saying?” Archer smiled. “Nothing is hopeless, but if he means enough to you that you are willing to put up with him, then I will do what I can to help you.” “Why would you do that?” She took a nibble of delicious frosting as her heart thudded hard in her chest. “You don’t even know me.” But what if he could help her convince Grey to rejoin the world? He raised a cake of his own, the frosting stark white against the tan of his fingers. “Because you are the only woman with the exception of my mother and sister who knows my brother intimately and for some reason still likes him. That’s good enough for me. Now, eat some of that cake I was kind enough to fetch you. I wouldn’t want you to tell Grey I was a poor companion.” Rose’s smile caught on her lips. “Are you suggesting I use you to make your brother jealous?” Archer laughed. “My dear girl, it will take better men than me to drive Grey into action.” His expression turned positively rakish. “But I’m as good a place to start as any.
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
Your mother told you," he states flatly. "Yeah," I snap. "She told me." "She doesn't know everything. She doesn't know me...or how I feel. I would never force you to do anything against your will, and I would never, ever let anyone harm you." His words enrage me. Lies, I'm convinced. My hand shoots out, ready to slap that earnest look off his face. The same earnest look he'd given me the first time he lid to my face. He catches my hand, squeezes the wrist tight. "Jacinda-" "I don't believe you. You gave me your word. Five weeks-" "Five weeks was too long. I couldn't leave you for that long without checking on you." "Because you're a liar," I assert. His expression cracks. Emotion bleeds through. He knows I'm not talking about just the five weeks. With a shake of his head, he sounds almost sorry as he admits, "Maybe I didn't tell you everything, but it doesn't change anything I said. I will never hurt you. I want to try to protect you." "Try," I repeat. His jaw clenches. "I can. I can stop them." After several moments, I twist my hand free. He lets me go. Rubbing my wrist, I glare at him. "I have a life here now." My fingers stretch, curl into talons at my sides, still hungry to fight him. "Make me go, and I'll never forgive you." He inhales deeply, his broad chest lifting high. "Well. I can't have that." "Then you'll go? Leave me alone?" Hope stirs. He shakes his head. "I didn't say that." "Of course not," I sneer. "What do you mean then?" Panic washes over me at the thought of him staying here and learning about Will and his family. "There's no reason for you to stay." His dark eyes glint. "There's you. I can give you more time. You can't seriously fit in here. You'll come around." "I won't!" His voice cracks like thunder on the air. "I won't leave you! Do you know how unbearable it's been without you? You're not like the rest of them." His hand swipes through air almost savagely. I stare at him, eyes wide and aching. "You're not some well-trained puppy content to go alone with what you're told. You have fire." He laughs brokenly. "I don't mean literally, although there is that. There's something in you, Jacinda. You're the only thing real for me there, the only thing remotely interesting." He stares at me starkly and I don't breathe. He looks ready to reach out and fold me into his arms. I jump hastily back. Unbelievably, he looks hurt. Dropping his immense hands, he speaks again, evenly, calmly. "I'll give you more space. Time for you to realize that this"-he motions to the living room-"isn't for you. You need mists and mountains and sky. Flight. How can you stay here where you have none of that? How can you hope to survive? If you haven't figured that out yet, you will." In my mind, I see Will. Think how he has become the mist, the sky, everything, to me. I do more than survive here. I love. But Cassian can never know that. “What I have here beats what waits for me back home. The wing clipping you so conveniently failed to mention-" "Is not going to happen, Jacinda." He steps closer. His head dips to look into my eyes. "You have my word. If you return with me, you won't be harmed. I'd die first." His words flow through me like a chill wind. "But your father-" "My father won't be our alpha forever. Someday, I'll lead. Everyone knows it. The pride will listen to me. I promise you'll be safe.
Sophie Jordan (Firelight (Firelight, #1))
The Unknown Soldier A tale to tell in bloody rhyme, A story to last ’til the dawn of end’s time. Of a loving boy who left dear home, To bear his countries burdens; her honor to sow. –A common boy, I say, who left kith and kin, To battle der Kaiser and all that was therein. The Arsenal of Democracy was his kind, –To make the world safe–was their call and chime. Trained he thus in the far army camps, Drilled he often in the march and stamp. Laughed he did with new found friends, Lived they together for the noble end. Greyish mottled images clipp’ed and hack´ed– Black and white broke drum Ʀ…ɧ..λ..t…ʮ..m..ȿ —marching armies off to ’ttack. Images scratched, chopped, theatrical exaggerate, Confetti parades, shouts of high praise To where hell would sup and partake with all bon hope as the transport do them take Faded icons board the ship– To steel them away collaged together –joined in spirit and hip. Timeworn humanity of once what was To broker peace in eagles and doves. Mortal clay in the earth but to grapple and smite As warbirds ironed soar in heaven’s light. All called all forward to divinities’ kept date, Heroes all–all aces and fates. Paris–Used to sing and play at some cards, A common Joe everybody knew from own heart. He could have been called ‘the kid’ by the ‘old man,’ But a common private now taking orders to stand. Receiving letters from his shy sweet one, Read them over and over until they faded to none. Trained like hell with his Commander-in-Arms, –To avoid the dangers of a most bloody harm. Aye, this boy was mortal, true enough said, He could be one of thousands alive but now surely dead. How he sang and cried and ate the gruel of rations, And grumbled as soldiers do at war’s great contagions. Out–out to the battle this young did go, To become a man; the world to show. (An ocean away his mother cried so– To return her boy safe as far as the heavens go). Lay he down in trenched hole, With balls bursting overhead upon the knoll. Listened hardnfast to the “Sarge” bearing the news, —“We’re going over soon—” was all he knew. The whistle blew; up and over they went, Charging the Hun, his life to be spent (“Avoid the gas boys that’ll blister yer arse!!”). Running through wires razored and deadened trees, Fell he into a gouge to find in shelter of need (They say he bayoneted one just as he–, face to face in War’s Dance of trialed humanity). A nameless sonnuvabitch shell then did untimely RiiiiiiiP the field asunder in burrrstzʑ–and he tripped. And on the field of battle’s blood did he die, Faceless in a puddle as blurrs of ghosting men shrieked as they were fleeing by–. Perished he alone in the no man’s land, Surrounded by an army of his brother’s teeming bands . . . And a world away a mother sighed, Listened to the rain and lay down and cried. . . . Today lays the grave somber and white, Guarded decades long in both the dark and the light. Silent sentinels watch o’er and with him do walk, Speak they neither; their duty talks. Lone, stark sentries perform the unsmiling task, –Guarding this one dead–at the nation’s bequest. Cared over day and night in both rain or sun, Present changing of the guard and their duty is done (The changing of the guard ’tis poetry motioned A Nation defining itself–telling of rifles twirl-clicking under the intensest of devotions). This poem–of The Unknown, taken thus, Is rend eternal by Divinity’s Iron Trust. How he, a common soldier, gained the estate Of bearing his countries glory unto his unknown fate. Here rests in honored glory a warrior known but to God, Now rests he in peace from the conflict path he trod. He is our friend, our family, brother, our mother’s son –belongs he to us all, For he has stood in our place–heeding God’s final call.
Douglas M. Laurent
The Nobel Prize winner Elie Wiesel had lived only for God during his childhood in Hungary; his life had been shaped by the disciplines of the Talmud, and he had hoped one day to be initiated into the mysteries of Kabbalah. As a boy, he was taken to Auschwitz and later to Buchenwald. During his first night in the death camp, watching the black smoke coiling to the sky from the crematorium where the bodies of his mother and sister were to be thrown, he knew that the flames had consumed his faith forever. He was in a world which was the objective correlative of the Godless world imagined by Nietzsche. “Never should I forget that nocturnal silence which deprived me, for all eternity, of the desire to live,” he wrote years later. “Never shall I forget these moments which murdered my God and my soul and turned my dreams to dust.”33 One day the Gestapo hanged a child. Even the SS were disturbed by the prospect of hanging a young boy in front of thousands of spectators. The child who, Wiesel recalled, had the face of a “sad-eyed angel,” was silent, lividly pale and almost calm as he ascended the gallows. Behind Wiesel, one of the other prisoners asked: “Where is God? Where is He?” It took the child half an hour to die, while the prisoners were forced to look him in the face. The same man asked again: “Where is God now?” And Wiesel heard a voice within him make this answer: “Where is He? Here He is—He is hanging here on this gallows.”34 Dostoevsky had said that the death of a single child could make God unacceptable, but even he, no stranger to inhumanity, had not imagined the death of a child in such circumstances. The horror of Auschwitz is a stark challenge to many of the more conventional ideas of God. The remote God of the philosophers, lost in a transcendent apatheia, becomes intolerable. Many Jews can no longer subscribe to the biblical idea of God who manifests himself in history, who, they say with Wiesel, died in Auschwitz. The idea of a personal God, like one of us writ large, is fraught with difficulty. If this God is omnipotent, he could have prevented the Holocaust. If he was unable to stop it, he is impotent and useless; if he could have stopped it and chose not to, he is a monster. Jews are not the only people who believe that the Holocaust put an end to conventional theology.
Karen Armstrong (A History of God: The 4,000-Year Quest of Judaism, Christianity and Islam)
Now this might sound strange to you, Serafina Pekkala, but I know the man better than any wife could know him, better than a mother. He’s been my master and my study for nigh on forty years. I can’t follow him to the height of his thought any more than I can fly, but I can see where he’s a-heading even if I can’t go after him. No, it’s my belief he turned away from a rebellion against the Church not because the Church was too strong, but because it was too weak to be worth the fighting.” “So…what is he doing?” “I think he’s a-waging a higher war than that. I think he’s aiming a rebellion against the highest power of all. He’s gone a-searching for the dwelling place of the Authority Himself, and he’s a-going to destroy Him. That’s what I think. It shakes my heart to voice it, ma’am. I hardly dare think of it. But I can’t put together any other story that makes sense of what he’s doing.” Serafina sat quiet for a few moments, absorbing what Thorold had said. Before she could speak, he went on: “ ’Course, anyone setting out to do a grand thing like that would be the target of the Church’s anger. Goes without saying. It’d be the most gigantic blasphemy, that’s what they’d say. They’d have him before the Consistorial Court and sentenced to death before you could blink. I’ve never spoke of it before and I shan’t again; I’d be afraid to speak it aloud to you if you weren’t a witch and beyond the power of the Church; but that makes sense, and nothing else does. He’s a-going to find the Authority and kill Him.” “Is that possible?” said Serafina. “Lord Asriel’s life has been filled with things that were impossible. I wouldn’t like to say there was anything he couldn’t do. But on the face of it, Serafina Pekkala, yes, he’s stark mad. If angels couldn’t do it, how can a man dare to think about it?” “Angels? What are angels?” “Beings of pure spirit, the Church says. The Church teaches that some of the angels rebelled before the world was created, and got flung out of heaven and into hell. They failed, you see, that’s the point. They couldn’t do it. And they had the power of angels. Lord Asriel is just a man, with human power, no more than that. But his ambition is limitless. He dares to do what men and women don’t even dare to think. And look what he’s done already: he’s torn open the sky, he’s opened the way to another world.
Philip Pullman (The Subtle Knife (His Dark Materials, #2))
and Bran was suddenly afraid. Old sour-smelling Yoren looked up at Robb, unimpressed. “Whatever you say, m’lord,” he said. He sucked at a piece of meat between his teeth. The youngest of the black brothers shifted uncomfortably in his seat. “There’s not a man on the Wall knows the haunted forest better than Benjen Stark. He’ll find his way back.” “Well,” said Yoren, “maybe he will and maybe he won’t. Good men have gone into those woods before, and never come out.” All Bran could think of was Old Nan’s story of the Others and the last hero, hounded through the white woods by dead men and spiders big as hounds. He was afraid for a moment, until he remembered how that story ended. “The children will help him,” he blurted, “the children of the forest!” Theon Greyjoy sniggered, and Maester Luwin said, “Bran, the children of the forest have been dead and gone for thousands of years. All that is left of them are the faces in the trees.” “Down here, might be that’s true, Maester,” Yoren said, “but up past the Wall, who’s to say? Up there, a man can’t always tell what’s alive and what’s dead.” That night, after the plates had been cleared, Robb carried Bran up to bed himself. Grey Wind led the way, and Summer came close behind. His brother was strong for his age, and Bran was as light as a bundle of rags, but the stairs were steep and dark, and Robb was breathing hard by the time they reached the top. He put Bran into bed, covered him with blankets, and blew out the candle. For a time Robb sat beside him in the dark. Bran wanted to talk to him, but he did not know what to say. “We’ll find a horse for you, I promise,” Robb whispered at last. “Are they ever coming back?” Bran asked him. “Yes,” Robb said with such hope in his voice that Bran knew he was hearing his brother and not just Robb the Lord. “Mother will be home soon. Maybe we can ride out to meet her when she comes. Wouldn’t that surprise her, to see you ahorse?” Even in the dark room, Bran could feel his brother’s smile. “And afterward, we’ll ride north to see the Wall. We won’t even tell Jon we’re coming, we’ll just be there one day, you and me. It will be an adventure.” “An adventure,” Bran repeated wistfully. He heard his brother sob. The room was so dark he could not see the tears on Robb’s face, so he reached out and found his hand. Their fingers twined together. EDDARD “Lord Arryn’s death was a great sadness for all of us, my lord,” Grand Maester Pycelle said.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Sa'll good, right, Teen? Trip mumbled without looking her way. Oh we're mother-fuckin peachy, honey. She replied in a fake peppy voice.
Lola Stark (Tattered Love (Needle's Kiss, #1))
Etienne hasn’t been by this afternoon.” She’d been startled when the words popped out--she hoped they hadn’t sounded--what? Judgmental? Disappointed? The truth was, she’d honestly expected him to show up at the house, at least for Aunt Teeta’s sake. Gage’s eyes were full of sympathy. “They were pretty tight, Etienne and your grandfather. I know Etienne’s heard the news, but I haven’t talked to him yet. He…” Again Gage paused, as though choosing just the right words. “I know he’ll be really upset. And he never lets anybody see him that way.” “Macho thing?” Miranda couldn’t help asking. A dimple flashed in Gage’s cheek. “Something like that, I guess.” They’d lapsed into a companionable silence. To Miranda, it felt so good just to sit there with him, not feeling the need to pretend or explain or keep up any sort of appearances. He’d seemed in no hurry to leave, and she’d been glad for him to stay. And when his attention focused on the comings and goings out in the hallway, she’d taken that chance really to study his face. Yes, there were definitely resemblances between Gage and Etienne--the same high cheekbones, lanky frames, and dark good looks. She guessed both their mothers were beautiful. But what was even more apparent up close was the stark contrast in the boys’ eyes. One, soulful and sensitive…the other, suspicious and blatantly defiant. “You’re staring,” Gage mumbled. As Miranda realized she’d been caught, the two of them laughed self-consciously. Gage lowered his eyes and slid back in his chair.
Richie Tankersley Cusick (Walk of the Spirits (Walk, #1))
But Tilo had crept up on him, and become a kind of compulsion, an addiction almost. Addiction has its own mnemonics – skin, smell, the length of the loved one’s fingers. In Tilo’s case it was the slant of her eyes, the shape of her mouth, the almost ­invisible scar that slightly altered the symmetry of her lips and made her look defiant even when she did not mean to, the way her nostrils flared, announcing her displeasure even before her eyes did. The way she held her shoulders. The way she sat on the pot stark naked and smoked cigarettes. So many years of marriage, the fact that she was not young any more – and did nothing to pretend otherwise – didn’t change the way he felt. Because it had to do with more than all that. It was the haughtiness (despite the question mark over her ‘stock’, as his mother had not hesitated to put it). It had to do with the way she lived, in the country of her own skin. A country that issued no visas and seemed to have no consulates.
Arundhati Roy (The Ministry of Utmost Happiness)
There was more security around the building, lately. Some days, cars were searched when they arrived. Protesters had started showing up, sometimes in ones and twos, sometimes by the dozen. Often, mothers would come, clutching blown-up photographs of their dead children. They looked like the Mothers of the Disappeared in Argentina. Some chanted their loved ones’ names; others just stood there silently, bearing stark witness, embodying, with an awful steadfast dignity, the idea that Nan Goldin kept repeating about how a generation of people had been wiped out.
Patrick Radden Keefe (Empire of Pain: The Secret History of the Sackler Dynasty)
Of course!” he said foolishly. “Then I wish I had come sooner. I wish I had never gone—from you!” “Oh, Father, do you really? How many times I have wished that!” The blue eyes were full of wistful eagerness now. It had meant a great deal to her! Why had it? Was that her mother looking at him through her eyes? Was he going stark-staring crazy? It was Alice’s look. Alice was looking through those eyes of her daughter as one might look through a window!
Grace Livingston Hill (Tomorrow About This Time)
They believed in me, paid for my tuition, enabled me to glean the culture that I embraced with great devotion. They taught me principles and values. For this, I will forever be grateful to them. Likewise, I know that they beguiled, manipulated, and broke me into a thousand pieces. They treated me like clay that they could shape as they saw fit. Yet, I bear them no ill will. The outcome has been quite different from what they hoped for—not that it exceeds their expectations; it is just starkly different from what they could have expected. They gave me the tools to create a perfectly unique patchwork, full of all these things—books, culture, experiences—but also of Awaya, sinking deep into the forest to harvest her medicinal herbs. I am the product of the generosity of the reverend sister who first called me 'Anna' and who widened my horizon. I am also the product of the protection of Samgali and my deceased mothers. I am made of movies and music, of the contradictions that ripple through my country, of the political consciousness born of the covert, dirty war that set Bamileke country on fire.
Hemley Boum (Days Come and Go)
My mother, in stark contrast to my husband, is absolutely convinced of my innocence. So much so that she thinks if they do arrest me, the police will have a wrongful arrest lawsuit on their hands. My mother is very into lawsuits. Last year, she got a pants suit she didn’t like from Saks Fifth Avenue and she called her lawyer to see if she could sue. (The answer was no. But she was able to return it. It’s unclear why she didn’t do that in the first place.)
Freida McFadden (The Surrogate Mother)
Her face bruised and her lip swollen, Rosa Parks, the mother of the civil rights movement, seemed more sad than angry today as she quietly described being robbed and beaten in her bedroom here on Tuesday night. ‘I regret very much that some of our people are in such a mental state that they would hurt and rob an older person,’ Mrs. Parks said as she sat in living room of her modest, rented home, five blocks from the boulevard named in her honor.
Taleeb Starkes (The Un-Civil War: BLACKS vs NIGGERS: Confronting the Subculture Within the African-American Community)
Sure, there are residents like my mother who understood that public housing was merely a bridge to self-sufficiency, but most treat their temporary rental leases as if they are permanent property deeds. Outside of prisons, the government shouldn’t provide lifetime housing.
Taleeb Starkes (The Un-Civil War: BLACKS vs NIGGERS: Confronting the Subculture Within the African-American Community)
Just as we took our seats, a tall man in a gray suit strolled over to our table and placed his hand on the back of the empty chair. He was fair-skinned with neatly trimmed black hair and the most radiant blue eyes I’d ever seen peeking beneath a deep-set brow. The stark contrast of his bright stare against the backdrop of such harsh features was an unsettling juxtaposition. Control warring with passion. Beauty marred by ferocity. The man was utterly captivating. “I suppose this one’s for me.” He nodded stoically. “Connor Reid, and you must be the Genoveses.” My father rose swiftly, followed by my dumbfounded mother, whose trembling hand clutched at her chest. “Connor,” she breathed. The breadth of emotion contained in that one exalted word brought tears to my eyes. She was finally getting to meet the child she’d missed for so many years. My brother’s face softened when his eyes fell on her. “Mia, it’s good to finally meet you.
Jill Ramsower (Perfect Enemies (The Five Families, #6))
They might have held green cards, but their values and traditions were still starkly Middle Eastern and Karim’s brother had chosen a beautiful Norwegian girl as his future wife. Not only had he not known her for long, which was the first objection, but she was also a former lingerie model, which for Karim’s parents was completely unacceptable. His father had pronounced the girl a gold-digger, his mother had practically called her a whore, and yet still his brother Arman persisted.
Theresa MacPhail (The Eye of the Virus)
It came to me pretty suddenly one day that parenting is a moral task,” a Chicago parent starkly put it, “that the principle of being a mother of a child who is a good person is more important than how much my kids like me or how happy they are in the moment. If my kids were going to be good people, I realized that I couldn’t go to them all the time if they cried or always be a fixer or problem solver, that I had to make real demands on them.
Richard Weissbourd (The Parents We Mean to Be: How Well-Intentioned Adults Undermine Children's Moral and Emotional Development)
King Robert has his warhammer, and I have my mind… and a mind needs books as a sword needs a whetstone, if it is to keep its edge.” Tyrion tapped the leather cover of the book. "That's why I read so much, Jon Snow." The boy absorbed that all in silence. He had the Stark face if not the name: long, solemn, guarded, a face that gave nothing away. Whoever his mother had been, she had left little of herself in her son. “What are you reading about?” he asked. "Dragons." Tyrion told him. "What good is that? There are no more dragons," the boy said with the easy certainty of youth. "So they say," Tyrion replied. "Sad, isn't it? When I was your age, I used to dream of having a dragon of my own." "You did?" the boy said suspiciously. Perhaps he thought Tyrion was making fun of him. "Oh, yes. Even a stunted, twisted, ugly little boy can look down over the world when he's seated on a dragon's back.
George R.R. Martin
He looked over the counter to see Christopher standing at the bottom of the stairs, stark naked, book under one arm, Bear under the other. Preacher lifted one bushy brow. “Forget something there, pardner?” he asked. Chris picked at his left butt cheek while hanging on to the bear. “You read to me now?” “Um... Have you had your bath?” Preacher asked. The boy shook his head. “You look like you’re ready for your bath.” He listened upward to the running water. Chris nodded, then said again, “You read it?” “C’mere,” Preacher said. Chris ran around the counter, happy, raising his arms to be lifted up. “Wait a second,” Preacher said. “I don’t want little boy butt on my clean counter. Just a sec.” He pulled a clean dish towel out of the drawer, spread it on the counter, then lifted him up, sitting him on it. He looked down at the little boy, frowned slightly, then pulled another dish towel out of the drawer. He shook it out and draped it across Chris’s naked lap. “There. Better. Now, what you got here?” “Horton,” he said, presenting the book. “There’s a good chance your mother isn’t going to go for this idea,” he said. But he opened the book and began to read. They hadn’t gotten far when he heard the water stop, heard heavy footfalls racing around the upstairs bedroom, heard Paige yell, “Christopher!” “We better get our story straight,” Preacher said to him. “Our story,” Chris said, pointing at the page in front of him. Momentarily there were feet coming down the stairs, fast. When she got to the bottom, she stopped suddenly. “He got away from me while I was running the tub,” she said. “Yeah. In fact, he’s dressed like he barely escaped.” “I’m sorry, John. Christopher, get over here. We’ll read after your bath.” He started to whine and wiggle. “I want John!” Paige came impatiently around the counter and plucked him, squirming, into her arms. “I want John,” he complained. “John’s busy, Chris. Now, you behave.” “Uh—Paige? I’m not all that busy. If you’ll tell Jack I’m not in the kitchen for a bit, I could do the bath. Tell Jack, so he knows to lock up if everyone leaves.” She turned around at the foot of the stairs. “You know how to give a child a bath?” she asked. “Well, no. But is it hard? Harder than scrubbing up a broiler?” She chuckled in spite of herself. She put Chris down on his feet. “You might want to go a little easier than that. No Brillo pads, no scraping. No soap in the eyes, if you can help it.” “I can do that,” Preacher said, coming around the counter. “How many times you dunk him?” She gasped and Preacher showed her a smile. “Kidding. I know you only dunk him twice.” She smirked.
Robyn Carr (Shelter Mountain (Virgin River, #2))
Why a monk? How can he wear orange and breathe slowly all the time. Sometimes I’m convinced the human race as a whole is pathetic in it stupidity, but I’m beginning to understand why we’ve survived this long. We have the remarkable ability to get something out of nothing, explanations out of mystery, truth out of air. The great religions and causes are the best magic tricks in history, conjuring neither pigeons nor rabbits. Even an elephant out of a top hat would pale in comparison to the stunning answers we come up with to calm ourselves (or, as the case may be, enrage, justify, avenge ourselves). You don’t need to be a Buddhist, or a Christian, or a Muslim; the truth isn’t found only in ancient books. It can be anywhere, depending on your eyes. If I’m to believe the monk, and I do, we mould our lives according to dreams and visions whose substance is poorly imagined. Our truths are as numerous and unpredictable as wind currents, as invisible, as undeniable. The only prop necessary for the whole show is faith. With faith, you will have your truth, no matter how absurd it may appear to others. If you have a vision, you’re obliged to believe in it even if your neighbours think you are stark raving mad. What must the monk’s mother say of her eyebrowless, malnourished son, a perfectly sane young man living on rice and vegetables and pure Asian light? He relinquished his seaside, his clothes, his name, but he knows what he’s received in exchange. I like the image of him in my mind, the grey eyes, skin, mouth, egg-bald head rising out of orange sheets. He is so convinced, so convincing. I wonder about people like him, and the people who are monks without robes, the ones who wonder around in the noisier world, they’re gods in their pockets. Bertrand Russell was once asked if he would die for his beliefs. He laughed and said, “Of course not. After all, I may be wrong.” I laugh myself, thinking how wrong I might be. But it doesn’t matter. Belief, and the faith feeds itself; truth shines out like a new born moon.
Karen Connelly
In the previous chapter we saw that abortion choice, paradoxically, puts a very severe burden on many women. Some of that burden comes from the lack of social support for making the choice to keep and raise their children, but some of that burden comes merely from the stark fact that women are the sole “choice-makers.” If the woman has a “free choice,” then we expect her, the choice-maker, to be the one to take the responsibility and bear the burdens that result from making such a choice. As long as women are understood to be “free” to end their pregnancies, our American culture is unlikely to provide women the support they need to be both mothers and the social equals of men. Another
Charles C. Camosy (Beyond the Abortion Wars: A Way Forward for a New Generation)
You’re going to wear a groove in the boards and make Calum throw you overboard if you don’t stop your pacing, Jon,” said Baltsaros, looking down at Jon. Jon laughed, but he felt completely frantic with worry. Tom had said that he would come give them their answer early this morning, but it was now noon, and there was no sign of him. “It’s not like we have to leave immediately, Jon,” said the captain. “If Tom’s not ready today, maybe he’ll be ready tomorrow. He can be extremely proud, like his mother. I did him wrong, Jon… And an afternoon spent playing on bedsheets won’t make it all better. We can afford to wait a day or two.” Jon nodded. He hoped it was the case. He’d already made two trips back to the mainland to see if he could find Tom on his own, with no avail. They could also put off the trip for this season if Tom was unwilling to join them. Jon was sure he could convince— “Bloody fuckin’ hells, Da! What in gods have ye done to my fuckin’ boat?” Jon started and looked over his shoulder. The ocean-eyed, burly youth swung himself up over the edge of the raised gunwale like nothing was amiss and landed on silent feet on the deck next to Jon. After dropping his bag with a thump and ruffling Jon’s hair affectionately as he passed by him, Tom swaggered to the stairs of the quarterdeck and looked up, feet splayed and hands on his hips. The captain, his relief and amusement obvious for a mere second, brought his stark brows down in a fierce scowl. “Your boat?” the captain repeated loudly. “She’ll be yours over my dead body.” Baltsaros allowed himself a small smile, and Tom grinned wide. “Whip these boys into shape, if you remember how,” said Baltsaros as he lifted his head to look over the gathering crowd. “First mate on deck!” shouted the captain.
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
Ave Maria Ave Maria! Maiden mild! Listen to a maiden's pleading from these rocks, stark and wild, my prayer shall be wafted to thee. we shall sleep safely till morning, though men be ever so cruel. o Maiden, see a maiden's distress, O Mother, hear a suppliant child. Ave Maria, undefiled! When we upon this rock lie down to slumber, and they protection covers us, The hard stone will seem soft to us. If Though smilest, the scent of roses will float Through this murky cavern, O Mother, hear a child's petition, O maiden, 'tis a maid that calls! Ave Maria, Maiden pure, the demons of the earth and air, drien forth by thy gracious glance cannot stay here with us. we will camly bow to fate Since they holy comfort hovers over us; Mayest though be favourably inclined to the maiden, To the child that pleads for her father!
Barbara Bonney
Even though this princess loved the oak and the castle and her mother, the queen, she tired of the beautiful swamp, of her surroundings. You see, as she grew she came to realize that if she looked too closely, she could recognize evil things in the swamp as well as all the extraordinary things she loved. There were hurtful, malicious things, things that grew quickly, quick enough to ensnare her and smother her if she wasn't careful, maybe even quick enough to steal her life away.
Sara Stark (An Untold Want)
Who let you in?” he demanded. “What’re you doing to my poor Sailor?” He held out an arm, and the parrot promptly strolled up to his shoulder. Erin pointed at the blackened back wall. “Your parrot called for help,” she explained. “I was walking down the hall and—” “Good gravy!” The man ran gnarled fingers through his hair, making it stand up straighter than ever. “The doughnuts! I remember now. Got ’em all ready to fry, and then I thought I’d rest a little while the oil was heating . . . Don’t ever do that!” he turned on Erin severely. “When you’re heating oil you better be on your toes every minute, and don’t you forget it!” Erin nodded. “I—I don’t make doughnuts,” she said. “My mother says it’s too dangerous.” “Your mother’s a smart woman,” the old man said. He touched the charred wall and shook his head. “I’ll have to fix this up,” he said. “Don’t want Grady to see it, that’s for sure. Have enough trouble with him over Sailor here. The man don’t like pets, you know.” He picked up a limp ring of dough from the floor. “Wasn’t really my fault, anyway. My wife said, ‘Cook,’ so I cooked. I bet she’s sorry now.” Erin looked around. There was nothing about the stark little kitchen to suggest a woman worked there, but she was relieved to hear the old man had a wife to look after him. In spite of his blustering, Erin could tell he was deeply upset. “When your wife comes home,” she said, “please tell her I’m sorry about the doughnuts. I couldn’t see anything to smother the fire with except the baking sheet.” “Oh, she’s here right now,” the man said cheerfully. “Can’t talk to her, of course, but she’s here. Been dead six years this August, but she never leaves me—not for a minute.” “Really?” Erin backed across the living room, ready to run. “I have to go now,” she said nervously.
Betty Ren Wright (The Scariest Night)
It is often said that Zuma is proof that anyone, even from the humblest beginnings, can rise to the top. A son of a domestic worker mother and policeman father who died when he was a young boy, Zuma was chiselled from the land north of the Tugela River in KwaZulu-Natal. Called the land of hills, honey and cobras, it is an area tormented by poverty and stands in stark contrast to the rolling sugar estates and “white monopoly capital” on the other side of the Tugela.
Jacques Pauw (The President's Keepers: Those Keeping Zuma in Power and Out of Prison)
mother was under virtual sentence of death, and Vicky flew to the bedside and knelt beside her. ‘Oh, Mama,’ she whispered, stricken with guilt. ‘I should have been here.’ Juba heated rounded river stones in the open fire and wrapped them in blankets. They packed them around Robyn’s body, and then covered her with four karosses of wild fur. She fought weakly to throw off the covers, but Mungo held her down. Despite the internal heat of the fever and the external temperature of the hot stones trapped under the furs, her skin was burning dry and her eyes had the flat blind glitter of water-worn rock crystal. Then as the sun touched the tree-tops and the light in the room turned to sombre orange, the fever broke and oozed from the pores of her marble pale skin like the juice of crushed sugar cane from the press. The sweat came up in fat shining beads across her forehead and chin, each drop joining with the others until they ran in thick oily snakes back into her hair, soaking it as though she had been held under water. It ran into her eyes, faster than Mungo could wipe it away. It poured down her neck and wetted and matted the fur of the kaross. It soaked through the thin mattress and pattered like rain on the hard dry floor below. The temperature of her body plunged dramatically, and when the sweat had passed, Juba and the twins sponged her naked body. She had dehydrated and wasted, so that the rack of her ribs stood out starkly, and her pelvis formed a bony hollowed basin. They handled her with exaggerated care, for any rough movement might rupture the delicate damaged walls of the renal blood vessels and bring on the torrential haemorrhage which so often ended this disease. When
Wilbur Smith (The Angels Weep (The Ballantyne Novels, #3))
now that her father is dead, it isn’t funny. Caroline is furious with her mother for reasons she can’t articulate, and the stark truth is that Caroline is still in so much emotional pain that holding a grudge feels good.
Elin Hilderbrand (The Five-Star Weekend)
I gaze at my reflection, peering into the eyes of an entirely different woman with a past that was snuffed out. My mother stares back at me. The stark blue of my lash-framed eyes, the inky black hair that surrounds my flushed face. Determined as ever to defy the church that took her child. I may not know her, but her story is ingrained in my blood. Running through the veins of a woman sent here to right their wrongs. The same blood that burns for the vengeance I’m bound and determined to unleash.
Jescie Hall (That Sik Luv)
One weekend during the time I was writing this chapter, I was out of town participating in a training conference. About 2:00 Saturday morning, my cell phone rang. My wife, Kris, was calling to tell me that a young mother from our church and her two small children had been killed in a tragic house fire. The husband had been injured trying to save his family and was the lone survivor. As soon as possible I caught a plane home so that I could attempt to minister to this grieving husband and father. The memorial service was held in our church sanctuary. Because of the condition of the bodies and the ages of the children, the decision was made to bury them in one large casket. I had never seen such a casket before, and I would be glad to never see another one. When we arrived at the graveside, there was a canopy, some chairs, and a few shovels next to the freshly dug grave. After I concluded my portion of the service, the casket was lowered into the ground. Then the husband and father stood up, took one of the shovels, and began to shovel dirt around the casket. After a few moments his father and father-in-law joined him. A minute or two later, other men from the group stepped up and relieved the first men of their shovels and continued the task. At some point a person in the crowd began singing a hymn, and eventually everyone joined in. When the service was over, many stayed to hug, cry, grieve, and even rejoice. It was a stark reminder of the implications of Jesus’ words in John 16:33—people suffer.
Stephen Viars (Putting Your Past in Its Place: Moving Forward in Freedom and Forgiveness)
The difference between a child who is taught piano from force, even with ‘good’ intentions, is in stark contrast to a child who feels deeply inspired to learn music.
Tara Bianca (The Flower of Heaven: Opening the Divine Heart Through Conscious Friendship & Love Activism)
The fifteen-minute drive from her son’s parent-teacher conference had been full of introspection, soul-searching, and heartache. It was partially, Kendall felt, the same battle other working mothers waged every day. Do I do enough for my child? It was a conflict that she was sure should have been resolved with her mother’s generation. Yet it was a debate that still plunged a hot needle into her skin. No mom could ever really think she’d done enough—especially if she did anything for herself. That included pursuing a meaningful career, of course. Anyone without a special-needs child is always at the ready to tell those who have one what they ought to do.
Gregg Olsen (Victim Six (Sheriff Detective Kendall Stark #1))
Raised on Walt Disney, most of us hear the phrase “Mirror, mirror, on the wall, who’s the fairest of them all?” and the first image that pops into our heads is that of the evil stepmother with her stark white face and red lips in the animated film and book spin-offs of Snow White. But like other folktales collected by the Brothers Grimm, their original source—and indeed their first version of the story, published in 1812—wasn’t about an evil stepmother but a mother-daughter pair, and it was Snow White’s own mother who was her envious antagonist. In the original version, the beautiful queen who pricks her finger while sewing and wishes for a child “as white as snow, as red as blood, and as black as the sewing frame” gives birth to Snow White. It is Snow White’s own mother who, obsessed with her own beauty, checks her magic mirror when Snow White is seven only to hear that her daughter, not she, is “the fairest of them all.” It is Snow White’s mother who tries her best to have her daughter killed throughout the rest of the story until innocence trumps maternal envy in the end. By 1819, the Grimm Brothers had banished to the cupboard of taboos the psychological truth mirrored in the original folktale—of the potential rivalry between a mother and daughter, or maternal envy—by having the “real” mother die after giving birth and a sinister stepmother take her place.
Peg Streep (Mean Mothers: Overcoming the Legacy of Hurt)
In stark contrast to William’s mother, Kate had never come close to moving in aristocratic circles, much less royal ones. She was an untitled commoner, a descendant of coal miners and factory workers. Kate’s mother, Carole, grew up partly in public housing and was working as a British Airways flight attendant when she met and married fellow airline employee Michael Middleton.
Christopher Andersen (Brothers and Wives: Inside the Private Lives of William, Kate, Harry, and Meghan)
They were subject to the British Crown, unless, like the Plymouth colony, "a law unto themselves," but they were independent of each other—the only point which has any bearing upon their subsequent relations. There was no other bond between them than that of their common allegiance to the Government of the mother-country. As an illustration of this may be cited the historical fact that, when John Stark, of Bennington memory, was before the Revolution engaged in a hunting expedition in the Indian country, he was captured by the savages and brought to Albany, in the colony of New York, for a ransom; but, inasmuch as he belonged to New Hampshire, the government of New York took no action for his release.
Jefferson Davis (The Rise and Fall of the Confederate Government)
So, why is it that from the start of the pandemic the young and middle-aged in marginalized groups, not just Black and brown but Indigenous groups and people in poor white rural communities, have been more likely to suffer severe COVID-19 and die from it than their white, more affluent counterparts? The answer is part of a broader question: Why are the largest health inequities between these groups and nationwide averages—whether in infectious disease or the early onset of chronic conditions of aging such as cardiovascular disease, hypertension, and diabetes—seen among those aged twenty-five to sixty-five?7 The COVID-19 pandemic has thrown these inequities into stark relief. It’s not just that Black Americans are nearly twice as likely to die of COVID-19 as white Americans.8 Consider these statistics (among the many, many more you will see in chapters to come): Black mothers die during childbirth at an overall rate that is nearly three times as high as the rate for white mothers.9 For Black mothers in their mid-to-late thirties, the figures are even more dire: They die at a rate five times higher than white mothers of comparable age.10 Yet, the working- and reproductive-age years are those we have been led to believe should be the healthiest, following the higher-risk periods of infancy, childhood, and adolescence, and before the most serious risks of aging set in.
Arline T. Geronimus (Weathering: The Extraordinary Stress of Ordinary Life in an Unjust Society)
Off in the distance, the faint sounds of yips and barks answered, growing louder with each second. The leaves on the tall, cone-shaped trees separating the Temple from Saion’s Cove trembled as a rolling rumble echoed from the ground below. Blue-and-yellow-winged birds took flight from the trees, scattering to the sky. “Godsdamn.” Emil turned to the Temple steps. He reached for the swords at his sides. “They’re summoning the whole damn city.”  “It’s her.” The deep scar slicing across the older wolven’s forehead stood out starkly. Potent disbelief rolled off Alastir as he stood just outside the circle of guards who’d formed around Casteel’s parents. “It is not her,” Casteel shot back. “But it is,” King Valyn confirmed as he stared at me from a face that Casteel’s would one day become. “They’re responding to her. That’s why the ones on the road with us shifted without warning. She called them to her.” “I…I didn’t call anyone,” I told Casteel, voice cracking. “I know.” Casteel’s tone softened as his eyes locked with mine. “But she did,” his mother insisted. “You might not realize it, but you did summon them.
Jennifer L. Armentrout (The ​Crown of Gilded Bones (Blood and Ash, #3))
Alone and humiliated, Sansa took the long way back to the inn, where she knew Septa Mordane would be waiting. Lady padded quietly by her side. She was almost in tears. All she wanted was for things to be nice and pretty, the way they were in the songs. Why couldn’t Arya be sweet and delicate and kind, like Princess Myrcella? She would have liked a sister like that. Sansa could never understand how two sisters, born only two years apart, could be so different. It would have been easier if Arya had been a bastard, like their half brother Jon. She even looked like Jon, with the long face and brown hair of the Starks, and nothing of their lady mother in her face or her coloring.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
During prayer, Nadia would always peek at the others who bowed their heads and closed their eyes, their hands floating toward the rafters, while she stood motionless, her arms pressed against her sides. She felt it then and she felt it every time during praise sessions, when she glanced around the room of believers—the starkness of her own loneliness.
Brit Bennett (The Mothers)
answered, pulling on his overcoat. All the loneliness of the evening seemed to descend upon her at once then and she said with the suggestion of a whine in her voice, ‘Why don’t you take me with you some Saturday?’ ‘You?’ he said. ‘Take you? D’you think you’re fit to take anywhere? Look at yersen! An’ when I think of you as you used to be!’ She looked away. The abuse had little sting now. She could think of him too, as he used to be; but she did not do that too often now, for such memories had the power of evoking a misery which was stronger than the inertia that, over the years, had become her only defence. ‘What time will you be back?’ ‘Expect me when you see me,’ he said at the door. ‘Is’ll want a bite o’ supper, I expect.’ Expect him at whatever time his tipsy legs brought him home, she thought. If he lost he would drink to console himself. If he won he would drink to celebrate. Either way there was nothing in it for her but yet more ill temper, yet further abuse. She got up a few minutes after he had gone and went to the back door to look out. It was snowing again and the clean, gentle fall softened the stark and ugly outlines of the decaying outhouses on the patch of land behind the house and gently obliterated Scurridge’s footprints where they led away from the door, down the slope to the wood, through which ran a path to the main road, a mile distant. She shivered as the cold air touched her, and returned indoors, beginning, despite herself, to remember. Once the sheds had been sound and strong and housed poultry. The garden had flourished too, supplying them with sufficient vegetables for their own needs and some left to sell. Now it was overgrown with rampant grass and dock. And the house itself – they had bought it for a song because it was old and really too big for one woman to manage; but it too had been strong and sound and it had looked well under regular coats of paint and with the walls pointed and the windows properly hung. In the early days, seeing it all begin to slip from her grasp, she had tried to keep it going herself. But it was a thankless, hopeless struggle without support from Scurridge: a struggle which had beaten her in the end, driving her first into frustration and then finally apathy. Now everything was mouldering and dilapidated and its gradual decay was like a symbol of her own decline from the hopeful young wife and mother into the tired old woman she was now. Listlessly she washed up and put away the teapots. Then she took the coal-bucket from the hearth and went down into the dripping, dungeon-like darkness of the huge cellar. There she filled the bucket and lugged it back up the steps. Mending the fire, piling it high with the wet gleaming lumps of coal, she drew some comfort from the fact that this at least, with Scurridge’s miner’s allocation, was one thing of which they were never short. This job done, she switched on the battery-fed wireless set and stretched out her feet in their torn canvas shoes to the blaze. They were broadcasting a programme of old-time dance music: the Lancers, the Barn Dance, the Veleta. You are my honey-honey-suckle, I am the bee… Both she and
Stan Barstow (The Likes of Us: Stories of Five Decades)
Robert, I beg of you,” Ned pleaded, “hear what you are saying. You are talking of murdering a child.” “The whore is pregnant!” The king’s fist slammed down on the council table loud as a thunder-clap. “I warned you this would happen, Ned. Back in the barrowlands, I warned you, but you did not care to hear it. Well, you’ll hear it now. I want them dead, mother and child both, and that fool Viserys as well. Is that plain enough for you? I want them dead.” The other councillors were all doing their best to pretend that they were somewhere else. No doubt they were wiser than he was. Eddard Stark had seldom felt quite so alone. “You will dishonor yourself forever if you do this.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
She sighed. Hopefully, Eamonn wouldn’t come waltzing back in while she stood stark naked in the center of the room. She dunked her mother’s dress in the water and wrung it out a few times.
Emma Hamm (Heart of the Fae (The Otherworld, #1))
You’re leaving us forever,” he’d said when he saw her bags packed and lined up like a row of mismatched sentinels at the front door of their Vancouver home. “I don’t know,” she’d answered, not looking at him. “What am I supposed to tell Skye?” Still refusing to meet his gaze, she replied, “Tell her what she should already know. I love her.” “You have a great way of showing it.” “She’ll understand someday. Sometimes a woman needs freedom. You’re a kind man, Cullen, but I need to be me. Not someone’s wife.” “And not someone’s mother,” he’d said as the door shut.
Gregg Olsen (Victim Six (Sheriff Detective Kendall Stark #1))
From the ground Walter watched as little plumes of bone–dry dust rose up around his father's footsteps, a stark reminder of the dying plot of land that had never been properly tended to, even in the best of times. He watched the little plumes of dust get cloven in two by the spurs of his father's boots and pictured each one as something else the man that he saw as a monster had thoroughly broken. The laws of the land. His mother's heart. Hannah's spirit. And now, Walter's own will.
Ashley Finn Williams (Finding Ayohka)
That God is simple means, to use the words of the of the Westminster Confession of Faith, that He is ‘without … parts.’ He is not a composite or compound being, but a simple one.5 He is not made up of parts. You are not simple. You were, as the psalmist says, ‘knitted … together in your mother’s womb.’ You have a maker who formed your ‘inward parts,’ joined them together, and gave you life (Ps. 139:13). Your existence depends on the one who made you and on the parts He formed and joined together. Everything God created is made of parts—parts that are held together by His sustaining power. Nothing in creation is simple. But God is not like you or anything else. He has no maker. His attributes are not knitted together to form His being. He is not ‘made up’ of His attributes, nor are His attributes added on to His being or essence to make Him what He is. No, He is identical to His attributes. He is simple.
Rebecca Stark (The Good Portion - God: The Doctrine of God for Every Woman)
Valley of the Damned. Valkyrie Kari tells of the great warrior Crazy Horse (abridged) ’Twas written of those of long ago, That honor should be “as long as grass shall grow.” In battle honor is a fearsome beast, none can contain, In the strength of heart, it brings only shame. A mighty warrior of the plains was he, Crazy Horse of Sioux battle creed. Given to the ravages of noble, savage war, Against his enemies, he vaulted fore. Peering down from lofty mountain hold, The Horse in dream; the warrior was of olde. The promises they were broken one by one, Until only war unbridled could be hardtily done. Understanding and honor was not for those weak, Only the evil Long-knives now he eagerly did seek. The Knives came to steal, to plunder their land, To kill sacred mother with marauding, guilty hands. They had no regard for their own swelling words, With lust in their eyes, their greed greatly stirred. From southern lands came noise that Longhair did kill, Black Kettle’s camp, their blood he had spilled. Longhair destroyed all; dastard agent of evil strife, Deprived them of children and their bountiful life. Yet this lone, brave holy man stood in Longhair’s way, Crazy Horse, vision man, his plans were well framed. His command rode north hard to that destined battle, To meet wicked Longhair—to dash him from the saddle. Fate led him on to Little Bighorn, Where warriors of the sun met with sacred horn. A hellish dry place of calamitous battle, Found many a soul hearing death’s final rattle. The Long-snakes scouted for the great camp, That morn’ they set their fateful, forked-tongue attack. They raised their sabers, waved them strong, Entered eternity, their deaths foresaw. A sea of pilfered blue engulfed in crimson red, Amidst swirls of feathers sacred of the motherland. Through carnage, The Horse did lead his men, Beyond the battle, to the place where legend began. Up hill rode the bold Crazy Horse, With a thousand others to show determined force. To engage Long-knives at their last stand, Striking them down until dead was every man. Great Gall and Crazy Horse led that righteous attack, Against forceful Custer, whose plans did not lack, For ’twas he himself who boasted, wantonly said, “I will become a great chief, if my enemies I fill with lead.” With righteous honor as their sacred ally, Holy arrows that day swiftly let fly. Horse met Longhair in battle forever stayed, Defeated mighty Custer; his corpse on the field in state. Upon that fateful day, on sage choked sandy plain, Spirits clashed with spirits, for the sacred domain. Unconquerable, indomitable this sacred warrior heart, Leads many against the evil now, for this righteous court. Thus, Horse brought the valiants into stark raved battle, Battle scarred by holy wounds delivered by blue devils. Yet he would not relent, this honorable man of gifted vision, But peace came through the lie; his life ended by steel incision. Breathing his last, quiet honor came his way, “Bring my heart home, the Great Spirit will find my way.” Thus ˊtis with all whose understanding shows what may, Honor leads righteousness to death, ask they of that claim. War spirit vigilant with mighty spear and bow in hand, Leads Great Plains spirits, under his gallant command. His spirit never conquered lives it to this good day, Among the heroic mighty, let us his spirit proclaim. In the hour of travail, honor can be finely seen, Leading multitudes unto battle, their hearts boundlessly free. Cowards can never know the freedom of the plains and wind, Or how she musters a soul and the courage found within. Born in deep commune of Earth and Great Spirit above, Understanding and honor flow from hearts of great love. One without understanding is a fool at best, One without honor is a spirit that ne’er rests. O’ majestic One of the relentless plain, The mountains ring joyous with thy name.
douglas laurent
Liberal market economies managed to achieve relatively high gender equality, surely inadvertently, by keeping labor markets fluid in ways that did not put women at a disadvantage against men. Class inequality is the greater problem than gender equality in those countries. There are more female managers in those economies than in the more generous welfare states, but income inequality is stark among women as well as among men. It is also true that women tend to cluster in the low-skill jobs at the bottom of the wage dispersion. In the past the family compensated for this inequality to some extent because higher-earning males were more likely to marry lower-earning females. This pattern has now reversed in that economically successful men now are much more likely to marry equally successful women, increasing the inequality in the distribution of family income. This trend is magnified by a higher probability of low-income females ending up as single mothers. The challenge in these countries with short-term job commitments is therefore to improve the life chances of men and women without means, and especially low-income single parent families, by increasing opportunities for skill acquisition and retraining as necessary.
Torben Iversen (Women, Work, and Power: The Political Economy of Gender Inequality (The Institution for Social and Policy Studies))
Edie looked around the room and accepted ‘old enough to be their mother’ was no longer a figure of speech but a stark mathematical reality.
Mhairi McFarlane (Who's That Girl?)
Wallace, Joseph, Joshua, and Peter!” yelled Mother, and she sounded like a drill sergeant. She sounded like a drill sergeant who had just discovered that someone had made off with a pumpkin chiffon pie. A pumpkin chiffon pie made by somebody’s own hands from a recipe of someone’s great-aunt Minna. The boys moved reluctantly into the hall from the living room and stood with feet poised as though ready to run the other way. “What,” said Mrs. Hatford slowly, taking off her sweater, “happened to a certain pumpkin chiffon pie baked by Mrs. Malloy and delivered to our very door a month ago?” Peter looked at Wally, Wally at Josh, Josh at Jake, and Jake looked down at his knees. “We ate it,” he said. “Ate it? All of it? The four of you?” The boys nodded, all four of them. “Why? Why didn’t you save any for dinner? Why did you go out and buy a pie from Ethel’s Bakery, and try to make me think that was the pie Mrs. Malloy sent? I even thanked her for a bakery pie! I’ve never been so embarrassed in my life.” She looked sternly at the boys. “Jake? . . . Josh? . . . Wally . . . ?” Wally couldn’t stand it any longer. “We destroyed it,” he said. Mother continued to stare. “I can’t believe this.” “We were looking for dog doo,” added Peter. “What?” cried Mother. “Have you boys gone stark raving mad?” “We thought the girls might have baked the pie and put something awful in it,” muttered Josh. “Why would those three sweet girls do something like that?” “Easy,” cried Jake. “Very easy. I could see the Malloy girls doing about anything you could think of.” “Sweet? Ha!” said Josh. “Remember,” Wally reminded her, “they threw your cake in the river.” Mrs. Hatford shook her head. “That I don’t understand at all. Something must have happened to make them do that. What did they think was possibly inside that box?” “Dead birds,” said Peter. “What?” “Ellen, quit while you’re ahead,” Mr. Hatford said from the dining room, gobbling down his lunch before he delivered the afternoon mail. “The more you ask, the more they’ll tell you, and the more you find out, the more upset you’re going to be.
Phyllis Reynolds Naylor (Boys Against Girls (Boy/Girl Battle, #3))
Hey, baby.” His voice is low and sensual and now I’m even more angry—this time at myself for letting the caress of his voice shift me from my mission. I rally and speak very firmly and clearly. “Would you please tell Edward that he doesn’t have to take me straight home? He seems to be under the impression that you were giving orders and not just telling him a destination.” The pause before he answers is ominous. “You need to be ready at six. It’s already past two. You need to rest.” “What the fuck?” I snap. “Are you my mother?” “It’s been a long day, baby.
J. Kenner (Release Me (Stark Trilogy, #1))
Cassy walked up to Taylor and hugged her. “I’m really sorry about Tara. We’ll find her.” Taylor wiped her eyes. “Thank you.” Cassy looked into her eyes. “I mean it.” “I know you do.” “Where’s Corbin?” I asked Nichelle. “He went back to the hotel.” “Probably for the best,” I said. “He figured it would be.” Quentin, McKenna, and Tessa arrived a few minutes after us. No one spoke much. The sadness on their faces said it all. I texted my father. We’re here Almost immediately the loud buzz of an electronic lock echoed through the lobby, followed by a sharp metallic click, unlocking the glass door that opened to the elevators. I held the door while everyone walked inside. All ten of us crowded into one elevator. I pushed the button for the twelfth floor. My father and mother and the Ridleys were waiting for us as the door opened. Julie was crying. The two men wore grave expressions. Julie hugged Taylor as she got out of the elevator. “I’m so sorry, honey.” Taylor cried into her mother’s shoulder. My father said, “Let’s meet in the conference room.” We followed my dad down the hall to the glass double doors of a large conference room. He opened both doors, then gestured for us to enter. “Please, everyone, take a seat.” We sat down in the black leather seats that surrounded the polished mahogany table. The setting lent a stark formality to the gathering. Taylor and her mother were the last to enter. Even though I had kept a seat for Taylor, she sat down at the opposite end of the table next to her mother. After everyone was seated, my father said, “I understand that you’ve all been briefed on Jack and Grace. I can answer more questions about that later, but right now Tara’s abduction is our most time-sensitive issue.” He looked around the table. “Just to be clear, our first priority is to make sure that we don’t lose anyone else.” “I’ve already told everyone to stay in pairs,” I said.
Richard Paul Evans (The Parasite (Michael Vey #8))
Her own children had more Tully about them than Stark. Arya was the only one to show much of Ned in her features. And Jon Snow, but he was never mine. She found herself thinking of Jon’s mother, that shadowy secret love her husband would never speak of. Does she grieve for Ned as I do? Or did she hate him for leaving her bed for mine? Does she pray for her son as I have prayed for mine?
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire #2))