“
Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering.
”
”
George Lucas (Star Wars: The Phantom Menace (Star Wars Novelizations, #1))
“
Two there shall be; no more, no less. One to embody the dark side, the other to crave it.
”
”
Drew Karpyshyn (Path of Destruction (Star Wars: Darth Bane #1))
“
Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering.
”
”
null
“
Fear and anger, Yoda had often warned him, were slaves to the dark side. Vaguely, Luke wondered which side curiosity served.
”
”
Timothy Zahn (Heir to the Empire (Star Wars: The Thrawn Trilogy, #1))
“
Equality is a myth to protect the weak. some of us are strong in the Force, others are not. Only a fool believes otherwise.
”
”
Drew Karpyshyn (Path of Destruction (Star Wars: Darth Bane #1))
“
She's kind of like a Mary Poppins just before she turns to the dark side of the Force," Oberon said. He was still behind the counter, but he had a good lok at her as she exited. "Let go of your anger, Malina! There's still good in you! The Emperor hasn't driven it from you fully!
”
”
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
“
It is in this blazing moment that you finally understand the trap of the dark side, the final cruelty of the Sith -
Because now your self is all you will ever have.
”
”
Matthew Woodring Stover (Star Wars, Episode III - Revenge of the Sith)
“
What are the dead, anyway, but waves and energy? Light shining from a dead star?
That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star…
Which reminds me, by the way, of a dream I had a couple of weeks ago.
I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble.
I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below.
I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon.
History passing beneath my very eyes, changing every moment.
'I thought I'd find you here,' said a voice at my elbow.
It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple.
I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.'
He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.'
'What?'
He cleared his throat. 'My movements are restricted,' he said.
'I no longer have the ability to travel as freely as I would like.'
Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him.
'That information is classified, I'm afraid.'
1 looked around curiously. It seemed that I was the only visitor.
'Is it open to the public?' I said.
'Not generally, no.'
I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point.
'Are you happy here?' I said at last.
He considered this for a moment. 'Not particularly,' he said.
'But you're not very happy where you are, either.'
St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch.
'I hope you'll excuse me,' he said, 'but I'm late for an appointment.'
He turned from me and walked away. I watched his back receding down the long, gleaming hall.
”
”
Donna Tartt (The Secret History)
“
Evil is a word used by the ignorant and the weak. The Dark Side is about survival. It's about unleashing your inner power. It glorifies the strength of the individual.
”
”
Drew Karpyshyn (Rule of Two (Star Wars: Darth Bane #2))
“
Fortunately, Luke's unwavering faith in his father's innate goodness had proved to be a stronger force than the power of the dark side.
”
”
Ryder Windham (Star Wars: The Life and Legend of Obi-Wan Kenobi)
“
The dark side is emotion, Bane. Anger, hate, love, lust. These are what make us strong, Peace is a lie. There is only passion. Your passion is still there, Bane. Seek it out. Reclaim it.
”
”
Drew Karpyshyn (Path of Destruction (Star Wars: Darth Bane #1))
“
When the chips are down, you are given
the chance to find the strength you never knew you had and put it toward the greater good. Or go over to the dark side. You know, if that’s how you roll.
”
”
Jessica Lave
“
She realized, then, something she had never fully understood before. She'd always wondered what had led her father to turn to the dark side, to become Darth Vader. She'd imagined it came from ambition, greed, or some other venal weakness. Never had she considered that the turn might begin in a better place, out of the desire to save someone or to avenge a great wrong. Even if it led to evil, that first impulse might be born out of loyalty, a sense of justice, or even love.
”
”
Claudia Gray (Bloodline (Star Wars))
“
You killed her because, finally, when you could have saved her, when you could have gone away with her, when you could have been thinking about her, you were thinking about yourself...
It is in this blazing moment that you finally understand the trap of the dark side, the final cruelty of the Sith--
Because now your self is all you will ever have.
”
”
Matthew Woodring Stover
“
The power of the Dark Side cannot be dispersed among the masses. It must be concentrated in the few who are worthy of the honor.
”
”
Drew Karpyshyn
“
Feel the power of the Dark Side," he murmured.
"Always," Parker said.
”
”
Greg Cox (The Bestseller Job (Leverage, #3))
“
The film is an iconic pop-culture creation and touches a bazillion filmgoers to their very core. It can also be very useful. Useful? What the hell am I talking about? Glad you asked. What I mean is the way that George Lucas's masterpiece contains lessons that can and should be applied to real life. The one that jumps out at me is the message of The Force and how if you stay pure and good and mentally sharp you can, in fact, conquer the Dark Side.
”
”
Olivia Munn (Suck It, Wonder Woman!: The Misadventures of a Hollywood Geek)
“
It is in this blazing moment that you finally understand the trap of the dark side, the final cruelty of the Sith -
Because now your self is all you will ever have.
”
”
Matthew Woodring Stover (Star Wars™ - Episode III - Die Rache der Sith: Roman nach dem Drehbuch und der Geschichte von George Lucas)
“
The distinction between protectors and warriors is critical to avoid the seduction of the Dark Side."
-Luke Skywalker
”
”
Michael A. Stackpole (Dark Tide II: Ruin (Star Wars: The New Jedi Order, #3))
“
If we have never sought, we seek Thee now;
Thine eyes burn through the dark, our only stars;
We must have sight of thorn-pricks on Thy brow,
We must have Thee, O Jesus of the Scars.
The heavens frighten us; they are too calm;
In all the universe we have no place.
Our wounds are hurting us; where is the balm?
Lord Jesus, by Thy Scars, we claim Thy grace.
If, when the doors are shut, Thou drawest near,
Only reveal those hands, that side of Thine;
We know to-day what wounds are, have no fear,
Show us Thy Scars, we know the countersign.
The other gods were strong; but Thou wast weak;
They rode, but Thou didst stumble to a throne;
But to our wounds only God’s wounds can speak,
And not a god has wounds, but Thou alone.
”
”
Edward Shillito
“
Once upon a time, there was only darkness, and there were monsters vast as worlds who swam in it. They were the Gibborium, and they loved the darkness because it concealed their hideousness. Whenever some other creature contrived to make light, they would extinguish it. When stars were born, they swallowed them, and it seemed that darkness would be eternal.
But a race of bright warriors heard of the Gibborium and traveled from their far world to do battle with them. The war was long, light against dark, and many warriors were slain. In the end, when they vanquished the monsters, there were a hundred left alive, and these hundred were the godstars, who brought light to the universe.
They made the rest of the stars, including our sun, and there was no more darkness, only endless light. They made children in their image- seraphim - and sent them down to beat light to the worlds that spun in space, and all was good. But one day, the last of the Gibborium, who was called Zamzumin, persuaded them that shadows were needed, that they would make the light seem brighter by contrast, and so the godstars brought shadows into being.
But Zamzumin was a trickster. He needed only a shred of darkness to work with. He breathed life into the shadows, and as the godstars had made the seraphim in their own image, so did Zamzumin make the chimaera in his, and so they were hideous, and forever after the seraphim would fight on the side of light, and the chimaera for dark, and they would be enemies until the end of the world.
”
”
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
“
The dark side is about survival. It’s about unleashing your inner power. It glorifies the strength of the individual.
”
”
Drew Karpyshyn (Star Wars, The Darth Bane Series: Path of Destruction, Rule of Two, Dynasty of Evil)
“
Without the Jedi, there can be no balance in the Force, and all will be given over to the dark side.
”
”
Alan Dean Foster (The Force Awakens (Star Wars: Novelizations #7))
“
Trying to kill your own father, dueling with a clone of yourself, serving the Dark Side for the Emperor. If that's what it takes to be a powerful Jedi, maybe I don't want the job!
”
”
Kevin J. Anderson (Star Wars: Jedi Search (The Jedi Academy Trilogy, #1))
“
Fear and anger, Yoda had often warned him, were the slaves of the dark side. Vaguely, Luke wondered which side curiosity served.
”
”
Timothy Zahn (Star Wars: Heir to the Empire (The Thrawn Trilogy, #1))
“
Many paths can lead to the dark side.
”
”
Claudia Gray (Master and Apprentice (Star Wars))
“
By its very nature, the dark side invites rivalry and strife. This is the greatest strength of the Sith: it culls the weak from our order.
”
”
Drew Karpyshyn (Star Wars, The Darth Bane Series: Path of Destruction, Rule of Two, Dynasty of Evil)
“
You must know this, Obi-Wan—it is Anakin who chose to turn to the dark side. Grief did not push him there. You did not push him there. He made the choice.
”
”
Jude Watson (Dark Warning (Star Wars: The Last of the Jedi, #2))
“
YODA: But mind the dark side.
Anger, fear, aggression -- from
The dark side are they.
Easily they flow,
Quick to join you in a fight.
Aye, they do not fail!
Once on the dark path,
Forever shall not control
Thy destiny, Luke.
”
”
Ian Doescher (William Shakespeare's The Empire Striketh Back (William Shakespeare's Star Wars, #5))
“
I've heard youngsters use some of George Lucas' terms––"the Force and "the dark side." So it must be hitting somewhere. It's a good sound teaching, I would say.
The fact that the evil power is not identified with any specific nation on this earth means you've got an abstract power, which represents a principle, not a specific historical situation. The story has to do with an operation of principles, not of this nation against that. The monster masks that are put on people in Star Wars represent the real monster force in the modern world. When the mask of Darth Vader is removed, you see an unformed man, one who has not developed as a human individual. What you see is a strange and pitiful sort of undifferentiated face.
Darth Vader has not developed his humanity. He's a robot. He's a bureaucrat, living not in terms of himself but of an imposed system. This is the threat to our lives that we all face today. Is the system going to flatten you out and deny you your humanity, or are you going to be able to make use of the system to the attainment of human purposes? How do you relate to the system so that you are not compulsively serving it? . . . The thing to do is to learn to live in your period of history as a human being ...[b]y holding to your own ideals for yourself and, like Luke Skywalker, rejecting the system's impersonal claims upon you.
Well, you see, that movie communicates. It is in a language that talks to young people, and that's what counts. It asks, Are you going to be a person of heart and humanity––because that's where the life is, from the heart––or are you going to do whatever seems to be required of you by what might be called "intentional power"? When Ben Knobi says, "May the Force be with you," he's speaking of the power and energy of life, not of programmed political intentions.
... [O]f course the Force moves from within. But the Force of the Empire is based on an intention to overcome and master. Star Wars is not a simple morality play. It has to do with the powers of life as they are either fulfilled or broken and suppressed through the action of man.
”
”
Joseph Campbell (The Power of Myth)
“
It’s entirely possible that the Jedi’s increasingly clouded vision was the result of their own moral degeneration. They’d let so many of their principles slip that the reason they couldn’t see the dark side was so close to them was the lack of sharp contrast with themselves, like trying to see a gray nerf in fog. They turned off the light themselves. —Bardan Jusik, former Jedi Knight Kyrimorut,
”
”
Karen Traviss (Order 66 (Star Wars: Republic Commando, #4))
“
Denying or attempting to utterly control emotion, Revan felt, was a fool’s game. Jealousy was actually the result of ill-prepared Jedi being overwhelmed by feelings they had never learned to face. Revan believed Jedi could be taught to use positive emotions like love and happiness to strengthen their connection to the Force in the same way that hatred and anger gave power to those who followed the dark side.
”
”
Drew Karpyshyn (Revan (Star Wars: The Old Republic Book 3))
“
But you must always remind yourself that a Jedi values wisdom and enlightenment over all else. The great truths we seek are often difficult to find, and sometimes it is easier to seek out an enemy to do battle with … especially when we hunger to avenge those who have fallen. This is one of the ways even good people can fall to the dark side.
”
”
Drew Karpyshyn (Star Wars, The Darth Bane Series: Path of Destruction, Rule of Two, Dynasty of Evil)
“
I owe you a debt," he told Vader. "It took you to bring me back to the Force." "And you to firm my faith in the power of the dark side, Master Shryne.
”
”
James Luceno (Star Wars: Dark Lord - The Rise of Darth Vader)
“
Rael Averross: "Let's say I believe that some day there's going to be perfect balance in the force, thanks to some kind of chosen one. Did you ever really think about what that would mean Qui-Gon? It would mean the darkness would be just as strong as the light. So it doesn't matter what we do because in the end, hey, it's a tie. It doesn't matter which side we choose."
Qui-Gon straightened and deactivated his blade. Rael took a step back, lowering his lightsaber but keeping it on. "It matters." Quin Gon said quietly. "It matters which side we choose. Even if there will never be more light than darkness. Even if there can be no more joy in the galaxy than there is pain. For every action we undertake, for every word we speak, for very life we touch, it matters. I don't turn toward the light because it means some day I'll win some sort of cosmic game. I turn toward it because it is the light.
.....
Averross: "You've made mistakes Qui-gon. You've touched darkness."
Qui-Gon: "Yes i have. No doubt I will again. This isn't a choice we make once and walk away from. It's the work of a lifetime.
”
”
Claudia Gray (Master and Apprentice (Star Wars))
“
This isn’t some kind of inspirational story. Some scrappy, ragtag underdog tale, some pugilistic match where we’re the goodhearted gladiator who brings down the oppressive regime that put him in the arena. They get to have that narrative. We are the ones who enslaved whole worlds full of alien inhabitants. We are the ones who built something called a Death Star under the leadership of a decrepit old goblin who believed in the ‘dark side’ of some ancient, insane religion.
”
”
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
“
The dark side is honest. The dark side is direct. It is the knife in the front rather than one stuck in your back. The dark side is self-interested, yes, but it is about extending that interest outward. To yourself, but then beyond yourself.
”
”
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
“
(As are all living things. All are caught in the river of power that is the Force, trapped by its currents. Only those who wield the dark side of the Force are capable of changing those currents; they are riverbreakers. They do not surrender to fate. They are its foes.) The
”
”
Chuck Wendig (Empire's End (Star Wars: Aftermath, #3))
“
During my first few months of Facebooking, I discovered that my page had fostered a collective nostalgia for specific cultural icons. These started, unsurprisingly, within the realm of science fiction and fantasy. They commonly included a pointy-eared Vulcan from a certain groundbreaking 1960s television show.
Just as often, though, I found myself sharing images of a diminutive, ancient, green and disarmingly wise Jedi Master who speaks in flip-side down English. Or, if feeling more sinister, I’d post pictures of his black-cloaked, dark-sided, heavy-breathing nemesis. As an aside, I initially received from Star Trek fans considerable “push-back,” or at least many raised Spock brows, when I began sharing images of Yoda and Darth Vader. To the purists, this bordered on sacrilege.. But as I like to remind fans, I was the only actor to work within both franchises, having also voiced the part of Lok Durd from the animated show Star Wars: The Clone Wars.
It was the virality of these early posts, shared by thousands of fans without any prodding from me, that got me thinking. Why do we love Spock, Yoda and Darth Vader so much? And what is it about characters like these that causes fans to click “like” and “share” so readily?
One thing was clear: Cultural icons help people define who they are today because they shaped who they were as children. We all “like” Yoda because we all loved The Empire Strikes Back, probably watched it many times, and can recite our favorite lines. Indeed, we all can quote Yoda, and we all have tried out our best impression of him.
When someone posts a meme of Yoda, many immediately share it, not just because they think it is funny (though it usually is — it’s hard to go wrong with the Master), but because it says something about the sharer. It’s shorthand for saying, “This little guy made a huge impact on me, not sure what it is, but for certain a huge impact. Did it make one on you, too? I’m clicking ‘share’ to affirm something you may not know about me. I ‘like’ Yoda.”
And isn’t that what sharing on Facebook is all about? It’s not simply that the sharer wants you to snortle or “LOL” as it were. That’s part of it, but not the core. At its core is a statement about one’s belief system, one that includes the wisdom of Yoda.
Other eminently shareable icons included beloved Tolkien characters, particularly Gandalf (as played by the inimitable Sir Ian McKellan). Gandalf, like Yoda, is somehow always above reproach and unfailingly epic.
Like Yoda, Gandalf has his darker counterpart. Gollum is a fan favorite because he is a fallen figure who could reform with the right guidance. It doesn’t hurt that his every meme is invariably read in his distinctive, blood-curdling rasp.
Then there’s also Batman, who seems to have survived both Adam West and Christian Bale, but whose questionable relationship to the Boy Wonder left plenty of room for hilarious homoerotic undertones. But seriously, there is something about the brooding, misunderstood and “chaotic-good” nature of this superhero that touches all of our hearts.
”
”
George Takei
“
You could have gone dark side," Tanner said.
"Like full-on Darth Gordo," Chris said.
Gordo put his face in his hands. "I told you guys, I'm a witch. I'm not a Jedi."
"Um, excuse me," Rico said. "Can you or can you not shoot Force lightning from your fingertips."
"It's not Force--"
"We rest our case," Tanner said quite loudly.
”
”
T.J. Klune (Wolfsong (Green Creek, #1))
“
It was clear and frosty. A dark, starlit heaven looked down on the black roofs and the dirty, dusky streets. Only by looking up at the sky could Pierre distance himself from the disgusting squalor of all earthly things as compared with the heights to which his soul had now been taken. As he drove into the Arbat a vast firmament of darkness and stars opened out before Pierre's eyes. And there in the middle, high above Prechistensky Boulevard, amidst a scattering of stars on every side but catching the eye through its closeness to the earth, its pure white light and the long uplift of its tail, shone the comet, the huge, brilliant comet of 1812, that popular harbinger of untold horrors and the end of the world. But this bright comet with its long, shiny tail held no fears for Pierre. Quite the reverse: Pierre's eyes glittered with tears of rapture as he gazed up at this radiant star, which must have traced its parabola through infinite space at speeds unimaginable and now suddenly seemed to have picked its spot in the black sky and impaled itself like an arrow piercing the earth, and stuck there, with its strong upthrusting tail and its brilliant display of whiteness amidst the infinity of scintillating stars. This heavenly body seemed perfectly attuned to Pierre's newly melted heart, as it gathered reassurance and blossomed into new life.
”
”
Leo Tolstoy (War and Peace)
“
Mon wants this transition to be as peaceable as possible. That is, of course, a noble goal. And in late nights the chancellor confided in Leia that she is wisely struck by the fear of what happened the first time the parasite of Palpatine squirmed under the skin. How easy it was for him to prey on the anxieties of the galaxy. How simple it was for him to turn system against system by stoking the fires of xenophobia, anger, selfishness. (And here Luke’s voice echoes in her mind: The ways and tools of the dark side, Leia.) How do you form an Empire? By stealing a Republic. And how do you steal a Republic? By convincing its people that they cannot govern themselves—that freedom is their enemy and that fear is their ally. Palpatine
”
”
Chuck Wendig (Life Debt (Star Wars: Aftermath, #2))
“
Your fugitive Jedi, my apprentice," Sidious said. "They are traveling to Kashyyyk." He tipped his head to one side. "Perhaps, Lord Vader, they hope to lay a trap for you." Vader clenched his hands. "That would be my most fervent wish, my Master." Sidious clamped his hands on Vader's upper arms. "Then go to them, Lord Vader. Make them sorry they didn't hide while they had the chance!
”
”
James Luceno (Star Wars: Dark Lord - The Rise of Darth Vader)
“
One downward cut, she saw. One quick, final strike, and she could kill him. The landing lights of a shuttle appeared in the distance, coming over the trees in her direction. She had to make a decision, now. Kill him, a voice inside her head said. It was amorphous, unidentifiable, raw. Pure vengeful emotion. So easy, she told herself. So quick. She recoiled from it. From the dark side.
”
”
Alan Dean Foster (The Force Awakens (Star Wars: Novelizations #7))
“
You chastise the dark side as if it is an evil path, laughable for its malevolence. But do not confuse it with evil. And do not confuse the light as being the product of benevolence. The Jedi of old were cheats and liars. Power-hungry maniacs operating under the guise of a holy monastic order. Moral crusaders whose diplomacy was that of the lightsaber. The dark side is honest. The dark side is direct. It is the knife in the front rather than one stuck in your back. The dark side is self-interested, yes, but it is about extending that interest outward. To yourself, but then beyond yourself. Palpatine cared about the galaxy. He did not wrest control simply to have power for himself—he already had power, as chancellor. He wanted to take power from those who abused it. He wanted to extend control and safety to the people of all worlds. That came with costs. He knew them and lamented them. But paid them just the same because the dark side understands that everything has a cost, and the cost must always be paid.
”
”
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
“
No Sith remain,” Tashu says. “And the lone Jedi that exists—the son of Anakin Skywalker—possesses an untouchable soul. At least for now. We must instead move toward the dark side. Palpatine felt that the universe beyond the edges of our maps was where his power came from. Over the many years he, with our aid, sent men and women beyond known space. They built labs and communication stations on distant moons, asteroids, out there in the wilds. We must follow them. Retreat from the galaxy. Go out beyond the veil of stars. We must seek the source of the dark side like a man looking for a wellspring of water.
”
”
Chuck Wendig (Aftermath (Star Wars: Aftermath, #1))
“
Already it is twilight down in the Laredito. Bats fly forth from their roostings in courthouse and tower and circle the quarter. The air is full of the smell of burning charcoal. Children and dogs squat by the mud stoops and gamecocks flap and settle in the branches of the fruit trees. They go afoot, these comrades, down along a bare adobe wall. Band music carries dimly from the square. They pass a watercart in the street and they pass a hole in the wall where by the light of a small forgefire an old man beats out shapes of metal. They pass in a doorway a young girl whose beauty becomes the flowers about.
They arrive at last before a wooden door. It is hinged into a larger door or gate and all must step over the foot-high sill where a thousand boots have scuffled away the wood, where fools in their hundreds have tripped or fallen or tottered drunkenly into the street. They pass along a ramada in a courtyard by an old grape arbor where small fowl nod in the dusk among the gnarled and barren vines and they enter a cantina where the lamps are lit and they cross stooping under a low beam to a bar and belly up one two three.
There is an old disordered Mennonite in this place and he turns to study them. A thin man in a leather weskit, a black and straightbrim hat set square on his head, a thin rim of whiskers. The recruits order glasses of whiskey and drink them down and order more. There are monte games at tables by the wall and there are whores at another table who look the recruits over. The recruits stand sideways along the bar with their thumbs in their belts and watch the room. They talk among themselves of the expedition in loud voices and the old Mennonite shakes a rueful head and sips his drink and mutters.
They'll stop you at the river, he says.
The second corporal looks past his comrades. Are you talking to me?
At the river. Be told. They'll jail you to a man.
Who will?
The United States Army. General Worth.
They hell they will.
Pray that they will.
He looks at his comrades. He leans toward the Mennonite. What does that mean, old man?
Do ye cross that river with yon filibuster armed ye'll not cross it back.
Don't aim to cross it back. We goin to Sonora.
What's it to you, old man?
The Mennonite watches the enshadowed dark before them as it is reflected to him in the mirror over the bar. He turns to them. His eyes are wet, he speaks slowly. The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Hear me. Ye carry war of a madman's making into a foreign land. Ye'll wake more than the dogs.
But they berated the old man and swore at him until he moved off down the bar muttering, and how else could it be?
How these things end. In confusion and curses and blood. They drank on and the wind blew in the streets and the stars that had been overhead lay low in the west and these young men fell afoul of others and words were said that could not be put right again and in the dawn the kid and the second corporal knelt over the boy from Missouri who had been named Earl and they spoke his name but he never spoke back. He lay on his side in the dust of the courtyard. The men were gone, the whores were gone. An old man swept the clay floor within the cantina. The boy lay with his skull broken in a pool of blood, none knew by whom. A third one came to be with them in the courtyard. It was the Mennonite. A warm wind was blowing and the east held a gray light. The fowls roosting among the grapevines had begun to stir and call.
There is no such joy in the tavern as upon the road thereto, said the Mennonite. He had been holding his hat in his hands and now he set it upon his head again and turned and went out the gate.
”
”
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
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If we analyze white supremacy from the philosophical lens of Star Wars, then it is all the Sith Lords, the Empire, and the First Order commanded by the Dark Side of the Force. It wants to dominate and impose its will on all galaxies, even those far, far away. Let’s just call this insidious force THE WHITENESS.
The Whiteness’s ability to inspire fear and anger is so strong that it corrupted many well-intentioned people, including people of color, to vote for an incompetent vulgarian in 2016 and 2020. It deludes many liberal and “moderate” whites into believing that they are the “good” ones who are committed to social justice as they talk about white privilege but never actually give up any of it. Still, they’ll have these discussions about racial equality with their white friends in establishments with white patrons from white neighborhoods—without including the rest of us.
The Whiteness has always played for all the marbles. It’s not interested in diplomacy, a representative government, free and fair elections, equitable pay, and a delicious buffet of meals from a multitude of countries. It needs a border wall, a Muslim Ban, and affirmative action for wealthy white students at Yale University. It’s a system, a structure, a paradigm, an ideology whose ultimate goal is domination and submission by any means necessary.
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Wajahat Ali (Go Back to Where You Came From: And Other Helpful Recommendations on How to Become American)
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Josephson had died just north of Abd al-Kuri Island, an uninhabited, mountainous desert with, on its eastern side, perhaps the world’s wildest and finest beach. To mollify Holworthy, in a moment of weakness not long after they had departed Lemonnier, Rensselaer had considered leaving a few SEALs there on the way south, to observe traffic, as on occasion irregular forces were ordered to do. But he had decided then that rather than mollify Holworthy, he would keep him down. The rendezvous point with the Puller wasn’t far, and, arriving first, Athena waited. The Puller was out of sight but in radio contact. Eventually they saw her to the west, and she came even with Athena at dusk, although in that latitude, as Josephson had learned, dusk is so short it hardly exists. With the lights of the Puller blazing despite wartime conditions, her vast superstructure, hollow and beamed like a box-girder bridge, was cast in flares and shadows. A brow was extended from a door in the side and fixed to Athena’s main deck. As a gentle swell moved the two ships up and down at different rates, the hinged brow tilted slightly one way and then another. The Iranian prisoners were escorted over the brow and to the brig in the Puller, which would take them very close to their own country, but then to the United States. They were bitter and depressed. The huge ship into the darkness of which they were swallowed seemed like an alien craft from another civilization, which, for them, it was. A gray metal coffin was carried to Athena by a detail from the Puller. This was a sad thing to see, sadder than struggle, sadder than blood. It disappeared below. Josephson’s body was placed inside it and the flag draped over it. Six of Athena’s crew in dress uniform carried it slowly to the brow and set it on deck. After a long silence, Rensselaer spoke a few words. “Our shipmates Speight and Josephson are no longer with us—Speight committed to the deep, lost except to God. And Josephson, who will go home. Neither of these men is unique in death. They are still very much like us, and we are like them: it’s only a matter of time—however long, however short. If upon gazing at this coffin you feel a gulf between you, the living, and him, one of the dead, remember that our fates are the same, and he isn’t as far from us as we may imagine. “At times like this I question our profession. I question the enterprise of war. And then I go on, as we shall, and as we must. In this spirit we bid goodbye to Ensign Josephson, to whom you might have been brothers, and I and the chiefs, perhaps, fathers. May God bless and keep him.” Then the captain read the 23rd Psalm, a salute was fired, and Josephson’s coffin was lifted to the shoulders of its bearers and slowly carried into the depths of the Puller. When he died, he was very young.
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Mark Helprin (The Oceans and the Stars: A Sea Story, A War Story, A Love Story (A Novel))
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In a way, Star Wars could be interpreted as an extended reflection on what might have happened if Jesus had said yes to Satan’s offer. Qui-Gon wants to train Anakin to be a member of the Jedi, a diverse group of humans and other creatures who have a special connection to “the Force” (a kind of cosmic, spiritual energy). He believes that Anakin is “the chosen one,” born to defeat the dark side and restore balance to the Force, but he must convince the Jedi Council. As the council begins to interview Anakin, Yoda (a froglike Jedi with unusual syntax) probes his fear: Yoda: How feel you? Anakin: Cold, sir. Yoda: Afraid are you? Anakin: No, sir. Yoda: See through you we can. Mace Windu: Be mindful of your feelings. Ki-Adi-Mundi: Your thoughts dwell on your mother. Anakin: I miss her. Yoda: Afraid to lose her I think, hmm? Anakin: What has that got to do with anything? Yoda: Everything! Fear is the path to the Dark Side. Fear leads to anger. Anger leads to hate. Hate leads to suffering. I sense much fear in you.20 Yoda’s words foreshadow the path that will lead Anakin to embrace evil and ultimately become Darth Vader. Nonetheless, many on the council believe Anakin to be the chosen one, spoken of by the prophets, and they allow him to train. In Episode II, Anakin’s fear becomes reality as his mother is kidnapped and killed by the sandpeople. Anakin is filled with rage, and he attacks their village, murdering not only the men but women and children as well. This scene augurs a later, even darker moment in Episode III, when Anakin will slay a gathering of children who are being trained as Jedis. As Yoda predicted, Anakin’s fear has multiplied and born fruit in anger, hate, and suffering.
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Scott Bader-Saye (Following Jesus in a Culture of Fear (The Christian Practice of Everyday Life))