Stand Upright Quotes

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

May you grow up to be righteous, may you grow up to be true. May you always know the truth and see the lights surrounding you. May you always be courageous, stand upright and be strong. May you stay forever young.

You should sit,” Lucas said, and he wasn't talking to Mercy. Sascha stared at him. “I didn't realize pregnancy of four weeks' duration made me incapable of standing upright.” “It makes me incapable of reason.

it is hard for an empty sack to stand upright

Thomas More: ...And when the last law was down, and the Devil turned around on you--where would you hide, Roper, the laws all being flat? This country's planted thick with laws from coast to coast--man's laws, not God's--and if you cut them down...d'you really think you could stand upright in the winds that would blow then? Yes, I'd give the Devil benefit of law, for my own safety's sake.

All sanity depends on this: that it should be a delight to feel heat strike the skin, a delight to stand upright, knowing the bones moving easily under the flesh.

Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says "I am," and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber.

And what, incidentally, do you think integrity is? The ability not to pick a watch out of your neighbor's pocket? No, it's not as easy as that. If that were all, I'd say ninety-five percent of humanity were honest, upright men. Only, as you can see, they aren't. Integrity is the ability to stand by an idea.

William Roper: “So, now you give the Devil the benefit of law!” Sir Thomas More: “Yes! What would you do? Cut a great road through the law to get after the Devil?” William Roper: “Yes, I'd cut down every law in England to do that!” Sir Thomas More: “Oh? And when the last law was down, and the Devil turned 'round on you, where would you hide, Roper, the laws all being flat? This country is planted thick with laws, from coast to coast, Man's laws, not God's! And if you cut them down, and you're just the man to do it, do you really think you could stand upright in the winds that would blow then? Yes, I'd give the Devil benefit of law, for my own safety's sake!

The Jewel There is this cave In the air behind my body That nobody is going to touch: A cloister, a silence Closing around a blossom of fire. When I stand upright in the wind, My bones turn to dark emeralds.

All sanity depends on this: that it should be a delight to feel the roughness of a carpet under smooth soles, a delight to feel heat strike the skin, a delight to stand upright, knowing the bones are moving easily under the flesh.

Do I dare disturb the universe? Yes, I do, I do. I think. Jerry suddenly understood the poster--the solitary man on the beach standing upright and alone and unafraid, poised at the moment of making himself heard and known in the world, the universe.

If you cannot stand a spoon upright in the cup, then the coffee is too weak.

I had grown up. I had learned that being a woman was knowing when to stand firm and when to compromise. I had learned to laugh and weep; I had learned that I was weak as well as strong. I had learned to love. I was no longer a rigid, upright tree that would not flex and bow, even though the gale threatened to snap it in two; I was the willow that bends and shivers and sways, and yet remains strong.

Like tired dogs they stand there, because they use up all their strength in remaining upright in one's memory.

Think of the actual physical elements that compose our bodies: we are 98 percent hydrogen and oxygen and carbon. That's table sugar. You are made of the same stuff as table sugar. Just a couple of tiny differences here and there and look what happened to the sugar: it can stand upright and send tweets.

Stand upright, speak thy thoughts, declare The truth thou hast, that all may share; Be bold, proclaim it everywhere: They only live who dare.

You didn’t realize how much work everyone else put into holding themselves upright until you saw Levi leaning against a wall. He looked like he was leaning on something even when he wasn’t. He made standing look like vertical lying down.

Man is timid and apologetic; he is no longer upright; he dares not say "I think," "I am," but quotes some saint or sage. He is ashamed before the blade of grass or the blowing rose. These roses under my window make no reference to former roses or to better ones; they are for what they are; they exist with God to-day. There is no time to them. There is simply the rose; it is perfect in every moment of its existence. Before a leaf-bud has burst, its whole life acts; in the full-blown flower there is no more; in the leafless root there is no less. Its nature is satisfied, and it satisfies nature, in all moments alike. But man postpones or remembers; he does not live in the present, but with reverted eye laments the past, or, heedless of the riches that surround him, stands on tiptoe to foresee the future. He cannot be happy and strong until he too lives with nature in the present, above time.

First she said we were to keep clear of the Sirens, who sit and sing most beautifully in a field of flowers; but she said I might hear them myself so long as no one else did. Therefore, take me and bind me to the crosspiece half way up the mast; bind me as I stand upright, with a bond so fast that I cannot possibly break away, and lash the rope's ends to the mast itself. If I beg and pray you to set me free, then bind me more tightly still.

Hill House,not sane, stood by itself against its hills, holding darkness within; it has stood for eighty years and might stand eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

To show mercy is not naïve. To hold out against the end of hope is not stupidity or madness. It is fundamentally human. Of course... We are all doomed; we are all poisoned from our birth by the rot of stars. That does not mean we should succumb...to the seductive fallacy of despair, the dark tide that would drown us. You may think I'm stupid, you may call me a madman and a fool, but at least I stand upright in a fallen world.

Sure as the most certain sure, plumb in the uprights, well entretied, braced in the beams, Stout as a horse, affectionate, haughty, electrical, I and this mystery here we stand.

...I had always believed prayer ought to be conducted on our feet rather than on our knees, since God seems in all other departments of life to require us to stand upright and account for ourselves.

Tis hard for an empty bag to stand upright.

40. My adepts stand upright; their head above the heavens, their feet below the hells. 41. But since one is naturally attracted to the Angel, another to the Demon, let the first strengthen the lower link, the last attach more firmly to the higher.

It is a strange pressure to be across from a man who wants something that you don't want to give. It's like standing in a forceful current, which at first you think is not too strong, but the longer you stand, the more tired you become, the harder it is to stay upright.

Be like the single blade of grass. For she too, has been trampled on, mowed down, and hit with such bitterly cold stretches that she had to shut down to survive. Yet still she stands upright with dignity, knowing that she endures, and still she dances with the wind.

just as a stool requires three legs to stand upright so the taekwondoist must cultivate basic skills, meaningful forms, and effective sparring in order to have both feet firmly planted in the art

The fossil record is always there, whether or not you discover it. The brittle ghosts of the past. Memory is not like the surface of the water - either troubled or still. Memory is layered. What you were was another life, but the evidence is somewhere in your rock - your trilobites and ammonites, your struggling life-forms, just when you thought you could stand upright.

If you want to see how far we have not come from the cave and the woods, from the lonely and dangerous days of the prarie or the plain, witness the reaction of a modern suburban family, nearly ready for bed, when the doorbell rings or the door is rattled. They will stop where they stand, or sit bolt upright in their beds, as if a streak of pure lightning has passed through the house. Eyes wide, voices fearful, they will whisper to each other, "There's someone at the door," in a way that might make you believe they have always feared and anticipated this moment - that they have spent their lives being stalked.

the feet of the dead, who must walk upside down, touch those of the living, who stand upright.

My horizon lightened, I see an old woman. Who is she? Where is she from? Bent over, the ends of her boubou tied behind her, she empties into a plastic bag the left-overs of red rice. Her smiling face tells of the pleasant day she has just had. She wants to take back proof of this to her family, living perhaps in Ouakam, Thiaroye or Pikine. Standing upright, her eyes meeting my disapproving look, she mutters between teeth reddened by cola nuts: 'Lady, death is just as beautiful as life has been.

Uncle Pumblechook: a large hard-breathing middle-aged slow man, with a mouth like a fish, dull staring eyes, and sandy hair standing upright on his head, so that he looked as if he had just been all but choked, and had that moment come to.

Mirabella is still upright amid everything, and Arsinoe smiles. She does not know how anyone ever expected that she or Katharine could stand against that.

Standing upright is not a talent because a brainless wooden beam can stand upright too! The important thing is to be flexible!

Many a mother would happily toss their daughters at your feet.” “Wouldn’t work, I’m afraid. I prefer my women off their knees, upright, and standing on their own.” “At your back?” “At my side.

A 21st century poet is a woman who can speak her mind and stand upright like a mountain with her convictions, but can adapt like water in an ever changing season without losing her genuine elements.

No wheelchair can support damaged self-esteem until it learns to stand upright. No cane can help emotions limp along until they can walk. A cast or brace can't protect a vulnerable spirit, and not even the strongest painkiller can stop the ache cause by a failed relationship. No, the only way a broken heart mends itself is with stitches of time and the sticky tape of hastily rearranged dreams.

A dwarf standing on the shoulders of a giant may see farther than a giant himself

Yet we know that in war fortune sometimes makes the odds more level than could be expected from the difference in numbers of the two sides. And if we surrender, then all our hope is lost at once, whereas, so long as we remain in action, there is still a hope that we may yet stand upright.

Listen, we are human beings. Listen, we are inclined to love. Love is there, but we need to be taught how. We want to stand upright, we want to walk, but someone needs to hold our hand and balance us a bit, and guide us a bit, and scoop us up when we fall. Listen, we fall. Love is there but we have to learn it—and its shapes and its possibilities. I taught myself how to stand on my own two feet, but I could not teach myself how to love. We have a capacity for language. We have a capacity for love. We need other people to release those capacities.

I love you, alright? She had a strange, dazed look on her face as she listened, holding her hand to her cheek. Even though I'm a psychiatric case, she said. He laughed, standing upright and closing the door behind him. Yeah, he answered. Even though we both are.

True marriage enabled the two partners to stand upright as properly formed human beings. Through the union, each partner acquired his missing leg. For anyone who had the experience of using two legs, life wasn't worth living if one had to manage on a single one.

[Lev Beniov:] "The imminence of death did not frighten me as much as it should have. I had been too afraid for too long; I was too exhausted, too hungry, too feel anything with proper intensity. But if my fear had diminished, it was not because my courage had increased. My body was so weak, so spent, that my legs trembled from the effort of standing upright. I could summon no great concern for anything, including the fate of Lev Beniov.

FIRST YOGA LESSON “Be a lotus in the pond,” she said, “opening slowly, no single energy tugging against another but peacefully, all together.” I couldn’t even touch my toes. “Feel your quadriceps stretching?” she asked. Well, something was certainly stretching. Standing impressively upright, she raised one leg and placed it against the other, then lifted her arms and shook her hands like leaves. “Be a tree,” she said. I lay on the floor, exhausted. But to be a lotus in the pond opening slowly, and very slowly rising— that I could do.

If I have seen further it is by standing on the shoulders of giants.

The core of being a witch is that you don’t fall down while there’s work to be done. Sometimes that means you invent work to keep yourself standing upright.

The currents and eddies of right and wrong, which you find such plain sailing, I can't navigate. I'm no voyager. But in the thickets of the law, oh, there I'm a forester. I doubt if there's a man alive who could follow me there ... ...when the last law was down, and the Devil turned round on you-where would you hide, Roper, the laws all being flat? This country's planted thick with laws from coast to coast-man's laws, not God's-and if you cut them down-and you're just the man to do it-d'you really think you could stand upright in the winds that would blow then? Yes, I'd give the Devil benefit of law, for my own safety's sake.

Everything we feel and do is somehow oriented "lifeward," and the least deviation away from this direction toward something beyond is difficult or alarming. This is true even of the simple act of walking: one lifts one's center of gravity, pushes it forward, and lets it drop again - and the slightest change, the merest hint of shrinking from this letting-oneself-drop-into-the-future, or even stopping to wonder at it - and one can no longer stand upright!

A single slim trunk Branches that bow in a storm Green, leathery leaves with a soft centre Glittering against blue sky White bark scarred, bleeding Heart wide-open Bandaged, but upright she stands... (225)

The expression 'a bold from the blue' describes something so surprising that i makes you head spin, your legs wobble, and your body buzz with astonishment - as if a bold of lightening suddenly came down from a clear blue sky and struck you at full force. Unless you are a lightbulb, an electrical appliance, or a tree that is tired of standing upright, encountering a bold from the blue is not a pleasant experience.

I listen to people talking sometimes, that great river that is language, with all its undercurrents of grammar and nuance, and I wonder how we all learn so quickly to speak it, given that we begin when we are barely old enough to stand upright. I have no memory of finding it hard. Indeed, I have no memory of it at all.

She feels a splash of water on her hand and, turning, sees that the sky has become overcast with a blanket of ominous dark rose-colored cloud, and of a sudden the light fades from the lawn and the cedars. Steerpike, who is on his way back to the Earl's bedroom, stops a moment at a staircase window to see the first decent of the rain. It is falling from the sky in long, upright, and seemingly motionless lines of rosy silver that stand rigidly upon the ground as though there were a million harp strings strung vertically between the solids of earth and sky.

Look at the people in the very old photographs! They are gone forever but they still can give us messages with their eyes, they still can touch our hearts with their looks and they still can give us courage with their standing upright!

Then he’d stand the bird upright, saying, “Sorry, old fella,” and put it back in its cage.

Sit down before you hurt your owies.” “I am a Dark One!” he said, managing to stand upright at last, ignoring the pain and tearing feeling on his left side. “We do not have owies! We have grievous, nearly fatal injuries!” “Pia,” Cora said(...). “Would you please get Alec a chair before he does more damage to, or topples over from, his grievous, nearly fatal injuries?

The Sunflowers Come with me into the field of sunflowers. Their faces are burnished disks, their dry spines creak like ship masts, their green leaves, so heavy and many, fill all day with the sticky sugars of the sun. Come with me to visit the sunflowers, they are shy but want to be friends; they have wonderful stories of when they were young-- the important weather, the wandering crows. Don't be afraid to ask them questions! Their bright faces, which follows the sun, will listen, and all those rows of seeds-- each one a new life!-- hope for a deeper acquaintance; each of them, though it stands in a crowd of many, like a separate universe, is lonely, the long work of turning their lives into a celebration is not easy. Come and let us talk with those modest faces, the simple garments of leaves, the coarse roots in the earth so uprightly burning.

Do you think integrity is the monopoly of the artist? And what, incidentally, do you think integrity is? The ability not to pick a watch out of your neighbor's pocket? No, it's not as easy as that. If that were all, I'd say ninety-five percent of humanity were honest, upright men. Only, as you can see, they aren't. Integrity is the ability to stand by an idea. That presupposes the ability to think. Thinking is something one doesn't borrow or pawn.

Thank you,” Archer said again. She kept walking, listening for any sign of him moving to attack her back. “I knew you were a good woman,” he said. Celaena halted. Turned. There was a hint of triumph in his eyes. He thought he’d won. Manipulated her again. One foot after another, she walked back toward him with predatory calmness. She stopped, close enough to kiss him. He gave her a wary smile. “No, I’m not,” she said. Then she moved, too fast for him to stand a chance. Archer’s eyes went wide as she slid the dagger home, jamming it up into his heart. He sagged in her arms. She brought her mouth to his ear, holding him upright with one hand and twisting the dagger with the other as she whispered, “But Nehemia was.

--Here, my good man. Could you tell me whereabouts Horatio Street...good heavens. Thus called upon, he took courage; the sursum corda of an extravagant belch straightened him upright, and he answered, --Whfffck? Whether this was an approach to discussion he had devised himself, or a subtle adaptation of the Socratic method of questioning perfected in the local athenaeums which he attended until closing time, was not to be known; for the answer was, --Stand aside.

Hill House, not sane, stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

The force of uprightness must baffle the weak. And unpleasant colossal notes are written to dying institutions in small primes. Take a dying institution holding on to prime and within sight of an individual able to tell the rude truth and uphold it, the dying institution will not stand

…All will be forgotten, everything you perceived, thought, dreamed, hoped, remembered . . . all the past all the crawling fucking coughing chestpounding nose-picking and deathward attempts to make real some desperate desire, like standing upright for a minute in the sun. The sun that will die.

WILLIAM ROPER: So now you'd give the Devil benefit of law! THOMAS MORE: Yes. What would you do? Cut a great road through the law to get after the Devil? ROPER: I'd cut down every law in England to do that! MORE: Oh? And when the last law was down, and the Devil turned round on you -where would you hide, Roper, the laws all being flat? This country's planted thick with laws from coast to coast -man's laws, not God's -and if you cut them down- and you're just the man to do it -d'you really think you could stand upright in the winds that would blow then? Yes, I'd give the Devil the benefit of the law, for my own safety's sake.

Reelfoot is, and has always been, a lake of mystery. In places it is bottomless. Other places the skeletons of the cypress-trees that went down when the earth sank, still stand upright so that if the sun shines from the right quarter, and the water is less muddy than common, a man, peering face downward into its depths, sees, or thinks he sees, down below him the bare top-limbs upstretching like drowned men's fingers, all coated with the mud of years and bandaged with pennons of the green lake slime.

It was a lovely summer weather in the country, and the golden corn, the green oats, and the haystacks piled up in the meadows looked beautiful. The stork walking about on his long red legs chattered in the Egyptian language, which he had learnt from his mother. The corn-fields and meadows were surrounded by large forests, in the midst of which were deep pools. It was, indeed, delightful to walk about in the country. In a sunny spot stood a pleasant old farm-house close by a deep river, and from the house down to the water side grew great burdock leaves, so high, that under the tallest of them a little child could stand upright. The spot was as wild as the centre of a thick wood. In

The last time I saw you, you were wearing a white cotton shirt. You were standing upright with your wife on the lawn, in the sunlight, in front of the chateau, at my brother’s wedding. You shared in the enthusiasm of the ceremony. For my part, I felt distanced from it. I didn’t recognize my family in this mundane get-together. You didn’t seem put off by the bourgeois ceremony, or by my brother’s choice to have his love approved by third parties, even when these were distant third parties. You didn’t have the sad and absent look you normally took on at public gatherings. You smiled, watching the people, a little tipsy from the wine and the sun, chatting on the large lawn between the white stone façade and the two-hundred-year-old cedar tree. I often wondered, after your death, if that smile, the last one I saw from you, was mocking, or if instead it was the kindly smile of someone who knew that soon he would no longer partake in earthly pleasures. You didn’t regret leaving these behind, but neither were you averse to enjoying them a little longer.

«She sat at the bow of a pleasure craft a stone's throw away, under the shade of a white parasol, a diligent tourist out to reap all the beauty and charm Copenhagen had to offer. She studied him with a distressed concentration, as if she couldn't quite remember who he was. As if she didn't want to. He looked different. His hair reached down to his nape, and he'd sported a full beard for the past two years. Their eyes met. She bolted upright from the chair. The parasol fell from her hand, clanking against the deck. She stared at him, her face pale, her gaze haunted. He'd never seen her like this, not even on the day he left her. She was stunned, her composure flayed, her vulnerability visible for miles. As her boat glided past him, she picked up her skirts and ran along the port rail, her eyes never leaving his. She stumbled over a line in her path and fell hard. His heart clenched in alarm, but she barely noticed, scrambling to her feet. She kept running until she was at the stern and could not move another inch closer to him (…) Gigi didn't move from her rigid pose at the rail, but she suddenly looked worn down, as if she'd been standing there, in that same spot, for all the eighteen hundred and some days since she'd last seen him. She still loved him. The thought echoed wildly in his head, making him hot and dizzy. She still loved him.»

The stork walking about on his long red legs chattered in the Egyptian language, which he had learnt from his mother. The corn-fields and meadows were surrounded by large forests, in the midst of which were deep pools. It was, indeed, delightful to walk about in the country. In a sunny spot stood a pleasant old farm-house close by a deep river, and from the house down to the water side grew great burdock leaves, so high, that under the tallest of them a little child could stand upright. The spot was as wild as the centre of a thick wood. In this snug retreat sat a duck on her nest, watching for her young

You will remember that every psychological or inner state finds some outer representation via the moving centre—that is, it is represented in some particular muscular movements or contractions, etc. You may have noticed that a state of worry is often reflected by a contracted wrinkling of the forehead or a twisting of the hands. States of joy never have this representation. Negative states, states of worry, or fear, or anxiety, or depression, represent themselves in the muscles by contraction, flexion, being bowed down, etc. (and often, also, by weakness in the muscles), whereas opposite emotional states are reflected into the moving centre as expansion, as standing upright, as extension of the limbs, relaxing of tension, and usually by a feeling of strength. To stop worry, people who worry and thereby frown too much or pucker up and corrugate their foreheads, clench their fists, almost cease breathing, etc., should begin here—by relaxing the muscles expressing the emotional state, and freeing the breath. Relaxing in general has behind it, esoterically speaking, the idea of preventing negative states. Negative states are less able to come when a person is in a state of relaxation. That is why it is said so often that it is necessary to practise relaxing every day, by passing the attention over the body and deliberately relaxing all tense muscles.

It is impossible to stand upright when one plants his roots in the shifting sands of popular opinion and approval. Needed is the courage of a Daniel, an Abinadi, a Moroni, or a Joseph Smith in order for us to hold strong and fast to that which we know is right. They had the courage to do not that which was easy but that which was right. "We will all face fear, experience ridicule, and meet opposition. Let us---all of us---have the courage to defy the consensus, the courage to stand for principle. Courage, not compromise, brings the smile of God's approval. Courage becomes a living and an attractive virtue when it is regarded not only as a willingness to die manfully but also as the determination to live decently. As we move forward, striving to live as we should, we will surely receive help from the Lord and can find comfort in His words

What does separation look like? A wall? A wave? A body of water? A ripple of light or a shimmer of subatomic particles, parting? What does it feel like to push through? Her fingers press against the rag surface of her dream, recognize the tenacity of filaments and know that it is paper about to tear, but for the fibrous memory that still lingers there, supple, vascular, and standing tall. The tree was past and the paper is present, and yet paper still remembers holding itself upright and altogether. Like a dream, it remembers its sap.

However, I am telling you nothing but the truth when I say it is profitable (good, expedient, advantageous) for you that I go away. Because if I do not go away, the Comforter (Counselor, Helper, Advocate, Intercessor, Strengthener, Standby) will not come to you [into close fellowship with you]; but if I go away, I will send Him to you [to be in close fellowship with you]. And when He comes, He will convict and convince the world and bring demonstration to it about sin and about righteousness (uprightness of heart and right standing with God) and about judgment. John 16:7,8

A man is lying under machine-gun fire on a street in an embattled city. He looks at the pavement and sees a very amusing sight: the cobblestones are standing upright like the quills of a porcupine. The bullets hitting against their edges displace and tilt them. Such moments in the consciousness of a man judge all poets and philosophers. Let us suppose, too, that a certain poet was the hero of the literary cafes, and wherever he went was regarded with curiosity and awe. Yet his poems, recalled in such a moment, suddenly seem diseased and highbrow. The vision of the cobblestones is unquestionably real, and poetry based on an equally naked experience could survive triumphantly that judgment day of man’s illusions.

When one wishes to play the wit, he sometimes wanders a little from the truth. I have not been altogether honest in what I have told you about the lamplighters. And I realize that I run the risk of giving a false idea of our planet to those who do not know it. Men occupy a very small place upon the Earth. If the two billion inhabitants who people its surface were all to stand upright and somewhat crowded together, as they do for some big public assembly, they could easily be put into one public square twenty miles long and twenty miles wide. All humanity could be piled up on a small Pacific islet. The grown-ups, to be sure, will not believe you when you tell them that. They imagine that they fill a great deal of space. They fancy themselves as important as the baobabs. You should advise them, then, to make their own calculations. They adore figures, and that will please them. But do not waste your time on this extra task. It is unnecessary. You have, I know, confidence in me.

Love is the root of creation; God's essence; worlds without number Lie in his bosom like children; he made them for this purpose only Only to love and to be loved again, he breathed forth his spirit Into the slumbering dust, and upright standing, it laid its Hand on its heart, and felt it was warm with a flame out of heaven Quench, oh quench not that flame! It is the breath of your being

What makes us the strongest tribe on the continent is the fact that a group that opposes these values--a group that would have mankind remain in the new dark ages--is permitted to grow, permitted to exist...and, after it becomes a violent terrorist organization, is allowed to live on it own lands, taken out of the lands of those it has attacked and continues to attack!" He had to stop speaking then--the applause was louder than even his amplified voice. "They expect that fear will drive us to become like them...closed-minded, blind, angry. Our society will remain open and free so long as I am standing upright," he continued, once the applause died down.

To My Wife You are like a young white hen. Her feathers ruffle in the wind, her neck curves down to drink, and she rummages in the earth: but, in walking, she has your slow, queenly step, haughty and proud. She is better than the male. She is like the females of all the serene animals who draw near to God. Here, if my eye, if my judgment doesn’t deceive me, among these, you find your equals, and in no other woman. When evening lulls the little hens to sleep, they make sounds that call to mind those mild, sweet voices with which you argue with your pains, and don’t know that your voice has the soft, sad music of the henyard. You are like a pregnant heifer, still free, and without heaviness, merry, in fact; who, if someone strokes her, turns her neck, where a tender pink tinges her flesh. If you meet up with her, and hear her bellow, so mournful is this sound that you tear at the earth to give her a present. In the same way, I offer my gift to you when you are sad. You are like a tall, thin female dog, that always has so much sweetness in her eyes and ferociousness in her heart. At your feet, she seems a saint who burns with an indomitable fervor and in this way looks at you as her God and Lord. When you are at home, or going down the street, to anyone who tries, uninvited, to approach you, she uncovers her shining white teeth. And her love suffers from jealousy. You are like the fearful rabbit. Within her narrow cage, she stands upright to look at you, and extends her long, still ear; she deprives herself of the husks and roots that you bring her, and cowers, seeking the darkest corners. Who might take away this food? Who might take away the fur which she tears from her back to add to the nest where she will give birth? Who would ever make you suffer? You are like the swallow which returns in the spring. But each autumn will depart— you don’t have this art. You have this of the swallow: the light movements; that which, to me, seemed and was old, you proclaim another spring. You are like the provident ant. She whom the grandmother speaks of to the child as they go out in the countryside. And thus I find you in the bumble bee and in all the females of all the serene animals who draw near to God. And in no other woman.

Kundalini power, the symbol of raising the energy coiled at the base of the spine upward through the chakras, is called by Sri Chinmoy, 'the power of the Supreme Goddess.' Repressed or coiled in a circle, she can be poisonous both to the body and the psyche, but once risen and standing upright, she is beneficent. The power of the serpent, rightly understood, is one of the ways the Goddess overcomes duality.

Acharya Balkrishna" on the Origin of Yog and its Greatness "Standing upright facing all storms and tempests like Devalaya, Yog too is like a monument, established like saints and sages, reaching where all the trials and turbulences cease. Even adversities strengthen the bricks and a stone of this temple – such is the power of Yog. The same way, the evasive flow of time might seldom limit the greatness of Yog and Yogis.

IT WOULD BE interesting to examine this subject in terms of what is not a sense of humor. Lack of humor seems to come from the attitude of the “hard fact.” Things are very hard and deadly honest, deadly serious, like, to use an analogy, a living corpse. He lives in pain, has a continual expression of pain on his face. He has experienced some kind of hard fact—“reality”—he is deadly serious and has gone so far as to become a living corpse. The rigidity of this living corpse expresses the opposite of a sense of humor. It is as though somebody is standing behind you with a sharp sword. If you are not meditating properly, sitting still and upright, there will be someone behind you just about to strike. Or if you are not dealing with life properly, honestly, directly, someone is just about to hit you. This is the self-consciousness of watching yourself, observing yourself unnecessarily. Whatever we do is constantly being watched and censored. Actually it is not Big Brother who is watching; it is Big Me! Another aspect of me is watching me, behind me, just about to strike, just about to pinpoint my failure. There is no joy in this approach, no sense of humor at all.

God looks on the upright, as has been said; and the upright shall gaze on Him.... That mutual gaze is blessedness. They who looking up behold Jehovah are brave to front all foes and to keep calm hearts in the midst of alarms. Hope burns like a pillar of fire in them when it is gone out in others; and to all the suggestions of their own timidity or of others they have the answer, "In the Lord have I put my trust; how say ye to my soul, Flee? Here I stand; I can do no otherwise. God help me. Amen.

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, buy some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks meet neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

Now she took the pills and, just before she closed her eyes, she summoned Lockie and his smile, and then the dreams would come.In her dream her golden boy tries again and again and again to stand up on the boogie board until he manages to remain upright for at least a minute. In her dream Sarah can feel the tears on her cheeks. Her golden boy was lost and she was too. She tried to dream that they found each other again but she couldn’t control her dreams any more than she could control her nightmares.

The craft, trade, agriculture, science, a large part of the art - all this can only stand on a broad base , on a consolidated, strong and healthy mediocrity. Served in their services and the science of their work - and even the arts. We cannot wish for better: it belongs to such an average sort of person - it is under displace exceptions - it has nothing aristocratic about something and still les in their anarchic instincts - The power of the center is then held upright by the trade, especially the money market: the instinct of great financiers goes against all extremes, - the Jews are the reason for the time being conserve power in our so insecure and threatened Europe.

I woke in the middle of the night, and he was standing at the side of my bed. He was as real as my husband sleeping beside me. He was tall, and upright, but looked younger than when I had known him, like a handsome man of about sixty or sixty-five. He was smiling, and then he said, “You know the secret of life, my dear, because you know how to love.

Now the fox sat upright. His lovely pointed snout sank down to his bloodied breast, his eyes rose up and stared at the dog right into his face . In a quite different voice, in control of himself, sad and bitter, he snarled, “Aren’t you ashamed of yourself ...? You traitor!” “No! No! No!” the dog yelled. The fox, however went on. “You turncoat ... you defector!” His lacerated body became stiff with hatred and contempt. “You’re just His henchman,” he hissed. “You miserable ... you seek us out where He couldn’t find us ... you persecute us in places that He can’t get to ... you turn us in ..., and all of us are your relatives ... you turn me in, and you and I are nearly brothers ... and you just stand there ...are you not ashamed of yourself?

There are some who write for human praise, by means of the noble qualities of the heart that their imagination invents, or that they may have. Me, I use my genius to portray the delights of cruelty! Not momentary, artificial delights; but ones that started with man, and will finish with him. Cannot genius ally itself with cruelty in the secret resolutions of Providence? Or, because one is cruel, can't one have genius? The proof is in my words; all you have to do is listen to me, if you want to... Excuse me, it seemed that my hair was standing upright on my head.

We shall not lie on our backs at the Red Castle and watch the vultures wheeling over the valley where they killed the grandson of Genghiz. We will not read Babur's memoirs in his garden at Istalif and see the blind man smelling his way around the rose bushes. Or sit in the Peace of Islam with the beggars of Gazar Gagh. We will not stand on the Buddha's head at Bamiyan, upright in his niche like a whale in a dry-dock. We will not sleep in the nomad tent, or scale the Minaret of Jam. And we shall lose the tastes - the hot, coarse, bitter bread; the green tea flavoured with cardamoms; the grapes we cooled in the snow-melt; and the nuts and dried mulberries we munched for altitude sickness. Nor shall we get back the smell of the beanfields, the sweet, resinous smell of deodar wood burning, or the whiff of a snow leopard at 14,000 feet.

But from the very start, there is that small streak of steel within each child. That thing that says “I am,” and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And “I am” grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until “I am” is set, delicate and detailed as an insect in amber.

I say is someone in there?’ The voice is the young post-New formalist from Pittsburgh who affects Continental and wears an ascot that won’t stay tight, with that hesitant knocking of when you know perfectly well someone’s in there, the bathroom door composed of thirty-six that’s three times a lengthwise twelve recessed two-bevelled squares in a warped rectangle of steam-softened wood, not quite white, the bottom outside corner right here raw wood and mangled from hitting the cabinets’ bottom drawer’s wicked metal knob, through the door and offset ‘Red’ and glowering actors and calendar and very crowded scene and pubic spirals of pale blue smoke from the elephant-colored rubble of ash and little blackened chunks in the foil funnel’s cone, the smoke’s baby-blanket blue that’s sent her sliding down along the wall past knotted washcloth, towel rack, blood-flower wallpaper and intricately grimed electrical outlet, the light sharp bitter tint of a heated sky’s blue that’s left her uprightly fetal with chin on knees in yet another North American bathroom, deveiled, too pretty for words, maybe the Prettiest Girl Of All Time (Prettiest G.O.A.T.), knees to chest, slew-footed by the radiant chill of the claw-footed tub’s porcelain, Molly’s had somebody lacquer the tub in blue, lacquer, she’s holding the bottle, recalling vividly its slogan for the past generation was The Choice of a Nude Generation, when she was of back-pocket height and prettier by far than any of the peach-colored titans they’d gazed up at, his hand in her lap her hand in the box and rooting down past candy for the Prize, more fun way too much fun inside her veil on the counter above her, the stuff in the funnel exhausted though it’s still smoking thinly, its graph reaching its highest spiked prick, peak, the arrow’s best descent, so good she can’t stand it and reaches out for the cold tub’s rim’s cold edge to pull herself up as the white- party-noise reaches, for her, the sort of stereophonic precipice of volume to teeter on just before the speaker’s blow, people barely twitching and conversations strettoing against a ghastly old pre-Carter thing saying ‘We’ve Only Just Begun,’ Joelle’s limbs have been removed to a distance where their acknowledgement of her commands seems like magic, both clogs simply gone, nowhere in sight, and socks oddly wet, pulls her face up to face the unclean medicine-cabinet mirror, twin roses of flame still hanging in the glass’s corner, hair of the flame she’s eaten now trailing like the legs of wasps through the air of the glass she uses to locate the de-faced veil and what’s inside it, loading up the cone again, the ashes from the last load make the world's best filter: this is a fact. Breathes in and out like a savvy diver… –and is knelt vomiting over the lip of the cool blue tub, gouges on the tub’s lip revealing sandy white gritty stuff below the lacquer and porcelain, vomiting muddy juice and blue smoke and dots of mercuric red into the claw-footed trough, and can hear again and seems to see, against the fire of her closed lids’ blood, bladed vessels aloft in the night to monitor flow, searchlit helicopters, fat fingers of blue light from one sky, searching.

ALMOST EVERY FUNDAMENTAL PRINCIPLE OF LIFE can be expressed in two opposite ways. There are those who say that to attain the highest wisdom we must be still and calm, immovable in the midst of turmoil. And there are those who say that we must move on as life moves, never stopping for a moment either in fear of what is to come or to turn a regretful glance at what has gone. The former are as those who listen to music, letting the flow of notes pass through their minds without trying either to arrest them or to speed them on. Like Chuang-tzu’s perfect man, they employ their minds as a mirror: it grasps nothing; it refuses nothing; it receives, but does not keep. The latter are as those who dance to music, keeping pace with its movement and letting their limbs flow with it as unceasingly and as unhesitatingly as clouds respond to the breath of wind. The one seems to reflect events as they pass, and the other to move forward with them. Both points of view, however, are true, for to attain that highest wisdom we must at once walk on and remain still. Consider life as a revolving wheel set upright with man walking on its tire. As he walks, the wheel is revolving toward him beneath his feet, and if he is not to be carried backward by it and flung to the ground he must walk at the same speed as the wheel turns. If he exceeds that speed, he will topple forward and slip off the wheel onto his face. For at every moment we stand, as it were, on the top of a wheel; immediately we try to cling to that moment, to that particular point of the wheel, it is no longer at the top and we are off our balance. Thus by not trying to seize the moment, we keep it, for the second we fail to walk on we cease to remain still. Yet within this there is a still deeper truth. From the standpoint of eternity we never can and never do leave the top of the wheel, for if a circle is set in infinite space it has neither top nor bottom. Wherever you stand is the top, and it revolves only because you are pushing it round with your own feet.

I never knew it could be that intense.” “It’s all about reading what your body wants.” His eyes were growing dark with lust, and I held the sheet tighter around my body, trying to control the fire that was seeping through my veins. “For instance,” he continued, taking my hand and making me stand, “right now, I can tell you want me to touch you.” “H…how can you tell?” “Your breathing is deeper.” Smirking, he moved my hand that was holding onto the sheet. “You keep swallowing, trying to control what you’re denying yourself,” he whispered, undoing the thin material and letting it drop to the floor so I was standing naked before him. “And now I see the evidence.” He chuckled, running his thumbs over my hard nipples before dipping his hand lower into my dripping wet sex. “Oh Jade, I can read you so well already,” Oliver smoldered, leaning down to attack one of my nipples with his mouth while his fingers moved in and out of me. I braced myself, using the table to try and stay upright while attempting to adjust to his sudden attack. He had me yelling out his name within minutes.

Thus called upon, he took courage: the sursum corda of an extravagant belch straightened him upright, and he answered, — Whfffck? Whether this was an approach to discussion he had devised himself, or a subtle adaptation of the Socratic method of questioning perfected in the local athenaeums which he attended until closing time, was not to be known; for the answer was, — Stand aside. — Here, don't goway. Here, how do youfffk. . He licked a lip and commenced again, putting out a hand. — My name Boyma. . he managed, summoning himself for the challenge of recognition. — And you must be Gro… go… raggly! He seemed to have struggled up on that word from behind; and he finished with the triumph of having knocked it over the head. He did in fact look down, as though it might be lying there at his feet. It was such a successful combat that he decided to renew it. — Go. . gro. . gorag… His hand found a wrist, and closed thereon. Bells sounded, from a church somewhere near. — Go. . ro. . grag. . But the sharp heel of a hand delivered to the side of his head stopped him, and he dropped against the wall with no exclamation of surprise whatever.

I have spent these several days past, in reading and writing, with the most pleasing tranquility imaginable. You will ask, "How that can possibly be in the midst of Rome?" It was the time of celebrating the Circensian games; an entertainment for which I have not the least taste. They have no novelty, no variety to recommend them, nothing, in short, one would wish to see twice. It does the more surprise me therefore that so many thousand people should be possessed with the childish passion of desiring so often to see a parcel of horses gallop, and men standing upright in their chariots. If, indeed, it were the swiftness of the horses, or the skill of the men that attracted them, there might be some pretence of reason for it. But it is the dress they like; it is the dress that takes their fancy. And if, in the midst of the course and contest, the different parties were to change colours, their different partisans would change sides, and instantly desert the very same men and horses whom just before they were eagerly following with their eyes, as far as they could see, and shouting out their names with all their might. Such mighty charms, such wondrous power reside in the colour of a paltry tunic! And this not only with the common crowd (more contemptible than the dress they espouse), but even with serious-thinking people. When I observe such men thus insatiably fond of so silly, so low, so uninteresting, so common an entertainment, I congratulate myself on my indifference to these pleasures: and am glad to employ the leisure of this season upon my books, which others throw away upon the most idle occupations.

Jalal-ud-Din Rumi used to tell a story about a far distant country, somewhere to the north of Afghanistan. In this country there was a city inhabited entirely by the blind. One day the news came that an elephant was passing outside the walls of this city. ‘The citizens called a meeting and decided to send a delegation of three men outside the gates so that they could report back what an elephant was. In due course, the three men left the town and stumbled forwards until they eventually found the elephant. The three reached out, felt the animal with their hands, then they all headed back to the town as quickly as they could to report what they had felt. ‘The first man said: “An elephant is a marvellous creature! It is like a vast snake, but it can stand vertically upright in the air!” The second man was indignant at hearing this: “What nonsense!” he said. “This man is misleading you. I felt the elephant and what it most resembles is a pillar. It is firm and solid and however hard you push against it you could never knock it over.” The third man shook his head and said: “Both these men are liars! I felt the elephant and it resembles a broad pankah. It is wide and flat and leathery and when you shake it it wobbles around like the sail of a dhow.” All three men stuck by their stories and for the rest of their lives they refused to speak to each other. Each professed that they and only they knew the whole truth. ‘Now of course all three of the blind men had a measure of insight. The first man felt the trunk of the elephant, the second the leg, the third the ear. All had part of the truth, but not one of them had even begun to grasp the totality or the greatness of the beast they had encountered. If only they had listened to one another and meditated on the different facets of the elephant, they might have realized the true nature of the beast. But they were too proud and instead they preferred to keep to their own half-truths. ‘So it is with us. We see Allah one way, the Hindus have a different conception, and the Christians have a third. To us, all our different visions seem incompatible and irreconcilable. But what we forget is that before God we are like blind men stumbling around in total blackness ...

Seems safe enough,” Cal said, and Aislinn shrugged. “Well, there you go,” she said. Without so much as a “Hey, try not to get killed,” she turned back for the stone hut. I wouldn’t let my eyes follow Aislinn. If I looked back, I was afraid I’d go running after her. Instead I walked out to stand next to Cal. Underfoot, the surface gave slightly. Gingerly, we made our way down the watery road. “Brannicks and magic and hell, oh my,” I joked, and Cal gave a snort of what might have been laughter. I hit a particularly slipper spot and wobbled for a second before Cal grabbed my elbow. I didn’t want it to be awkward, and I really didn’t want my entire face to go red, but that’s exactly what happened. I glanced up. Our eyes met, and Cal jerked his hand back so fast that he overbalanced. As he started to fall, I went to grab him, and the next thing I knew, we both went down. I hit the wall of water to my right, just as Cal slid to the left. I fell into the water, completely immersed, only to have it spit me back out onto the path. I sat there, arms and legs akimbo, hair dripping water into my eyes. Cal sat opposite me, every bit as drenched, looking totally bewildered. Once again, we locked eyes. And this time, we both burst out laughing. “Oh God,” I spluttered. “Your face!” “My face?” he said, his laughter dwindling to a chuckle. “You should see your hair.” He rose to his feet, leaning down to offer me a hand. I took it gratefully. Once I was upright again, I ran my hand in front of my body, magic fluttering out of my fingertips to dry my hair and clothes. Cal did the same to himself, and then we studied each other. “All right, now that the weirdness between us has caused actual physical damage, I think it’s time we talked it out, don’t you?

It’s dark as a tomb in here,” she said, unable to see more than shadows. “Will you light the candles, please,” she asked, “assuming there are candles in here?” “Aye, milady, right there, next to the bed.” His shadow crossed before her, and Elizabeth focused on a large, oddly shaped object that she supposed could be a bed, given its size. “Will you light them, please?” she urged. “I-I can’t see a thing in here.” “His lordship don’t like more’n one candle lit in the bedchambers,” the footman said. “He says it’s a waste of beeswax.” Elizabeth blinked in the darkness, torn somewhere between laughter and tears at her plight. “Oh,” she said, nonplussed. The footman lit a small candle at the far end of the room and left, closing the door behind him. “Milady?” Berta whispered, peering through the dark, impenetrable gloom. “Where are you?” “I’m over here,” Elizabeth replied, walking cautiously forward, her arms outstretched, her hands groping about for possible obstructions in her path as she headed for what she hoped was the outside wall of the bedchamber, where there was bound to be a window with draperies hiding its light. “Where?” Berta asked in a frightened whisper, and Elizabeth could hear the maid’s teeth chattering halfway across the room. “Here-on your left.” Berta followed the sound of her mistress’s voice and let out a terrified gasp at the sight of the ghostlike figure moving eerily through the darkness, arms outstretched. “Raise your arm,” she said urgently, “so I’ll know ‘tis you.” Elizabeth, knowing Berta’s timid nature, complied immediately. She raised her arm, which, while calming poor Berta, unfortunately caused Elizabeth to walk straight into a slender, fluted pillar with a marble bust upon it, and they both began to topple. “Good God!” Elizabeth burst out, wrapping her arms protectively around the pillar and the marble object upon it. “Berta!” she said urgently. “This is no time to be afraid of the dark. Help me, please. I’ve bumped into something-a bust and its stand, I think-and I daren’t let go of them until I can see how to set them upright. There are draperies over here, right in front of me. All you have to do is follow my voice and open them. Once we do, ‘twill be bright as day in here.” “I’m coming, milady,” Berta said bravely, and Elizabeth breathed a sigh of relief. “I’ve found them!” Berta cried softly a few minutes later. “They’re heavy-velvet they are, with another panel behind them.” Berta pulled one heavy panel back across the wall, and then, with renewed urgency and vigor, she yanked back the other and turned around to survey the room. “Light as last!” Elizabeth said with relief. Dazzling late-afternoon sunlight poured into the windows directly in front of her, blinding her momentarily. “That’s much better,” she said, blinking. Satisfied that the pillar was quite sturdy enough to stand without her aid, Elizabeth was about to place the bust back upon it, but Berta’s cry stopped her. “Saints preserve us!” With the fragile bust clutched protectively to her chest Elizabeth swung sharply around. There, spread out before her, furnished entirely in red and gold, was the most shocking room Elizabeth had ever beheld: Six enormous gold cupids seemed to hover in thin air above a gigantic bed clutching crimson velvet bed draperies in one pudgy fist and holding bows and arrows in the other; more cupids adorned the headboard. Elizabeth’s eyes widened, first in disbelief, and a moment later in mirth. “Berta,” she breathed on a smothered giggle, “will you look at this place!

A late arrival had the impression of lots of loud people unnecessarily grouped within a smoke-blue space between two mirrors gorged with reflections. Because, I suppose, Cynthia wished to be the youngest in the room, the women she used to invite, married or single, were, at the best, in their precarious forties; some of them would bring from their homes, in dark taxis, intact vestiges of good looks, which, however, they lost as the party progressed. It has always amazed me - the capacity sociable weekend revelers have of finding almost at once, by a purely empiric but very precise method, a common denominator of drunkenness, to which everybody loyally sticks before descending, all together, to the next level. The rich friendliness of the matrons was marked by tomboyish overtones, while the fixed inward look of amiably tight men was like a sacrilegious parody of pregnancy. Although some of the guests were connected in one way or another with the arts, there was no inspired talk, no wreathed, elbow-propped heads, and of course no flute girls. From some vantage point where she had been sitting in a stranded mermaid pose on the pale carpet with one or two younger fellows, Cynthia, her face varnished with a film of beaming sweat, would creep up on her knees, a proffered plate of nuts in one hand, and crisply tap with the other the athletic leg of Cochran or Corcoran, an art dealer, ensconced, on a pearl-grey sofa, between two flushed, happily disintegrating ladies. At a further stage there would come spurts of more riotous gaiety. Corcoran or Coransky would grab Cynthia or some other wandering woman by the shoulder and lead her into a corner to confront her with a grinning imbroglio of private jokes and rumors, whereupon, with a laugh and a toss of her head, he would break away. And still later there would be flurries of intersexual chumminess, jocular reconciliations, a bare fleshy arm flung around another woman's husband (he standing very upright in the midst of a swaying room), or a sudden rush of flirtatious anger, of clumsy pursuit-and the quiet half smile of Bob Wheeler picking up glasses that grew like mushrooms in the shade of chairs. ("The Vane Sisters")